#'i want to do normal teen stuff' i say

[catboybatman]

Feeling estranged and other at the party tonight gang 🤟

[ghastlyaffairs]

for something as trivial and simple those feelings sure are hard to get rid of

also made a gif a version for fun + alt version with no tears under the cut

the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)

[necrotic-nephilim]

Sorry if this might be a rude question but why don’t you just make a seperate account for your nsfw fics?

not rude, it's a valid question! tbh it's a combination of a couple reasons.

i started posting anonymous dead dove batcest fics long before i had the balls to make a tumblr. at first i was content to just leave them unassociated with each other because i didn't really care about them being tied to me. i made this blog to actually show solidarity to my partner who wanted to make a sideblog for Sandman comic stuff so we could cheerlead each other and be brave together, since i've wanted to make a batcest sideblog but i've been nervous about actually having to get it going. (mal ik you're reading this go be brave and actually make your blog so i can cheerlead you damnit-) only did it dawn on me then that i should probably mention the fics i've written on the blog after like, three of them were posted anonymously. and it would've annoyed me to have half of them anonymous and half of them not, because notifications for them would've gone in different places. i could go back and take my fics off anon if i wanted to, but i can't switch the account they're on without taking them down entirely and that'd fuck over people who have them bookmarked already.

which, ties into my second reason, if i made an entire second ao3 account it'd be harder for me to see notifications, reply to stuff, and post things for both accounts because i'd have to constantly switch. and honestly i'd be terrified of accidentally posting on the wrong one on a brain fog day. posting fics is always the most tedious part of writing them for me lol. it's easier for me to stay logged into one account and have all of my stuff in one place for me and just use the anonymous collection when i feel like it. if ao3 pseuds worked like tumblr blogs, where you can't see all my side blogs but i can, i would've used pseuds, but since you can see all pseuds on an ao3, i felt it was a moot point.

and the last reason is i just feel more comfortable being anonymous on ao3 because of the rise in anti culture. on tumblr it's very easy for me to just filter that out and find the people i want to follow and block the people i don't. i don't mind getting hate, on tumblr or on ao3. but i think, for whatever reason you want to blame it on, there's been a massive boom of antis on ao3 who are very entitled about how they read on ao3. i tag extensively, but i just feel safer from getting targeted attacks if everything i write on ao3 isn't attached to one profile. if people like a fic i wrote, want to find more i always link my tumblr in the notes, but if an anti wants to get huffy with me, they can't easily track down my other things. they definitely could if they wanted to, but being anonymous on ao3 just makes me feel more secluded, in a weird way. it's like saying "if you want you can come find me but on here i'm just a weird faceless guy throwing stuff in the void". i've used ao3's anon feature a lot, actually, i used to be a hydra trash party dumpster kid back when that was in it's prime.

i also used to be vaguely popular on a different tumblr blog and my main ao3 and while i think it'd definitely be cool if i got a decent chunk of followers on this blog too, i don't really miss having fanfiction do so well i got targetted hate on all of my fics from the same people, i had my fics stolen, etc. it was really exhausting for me. i have 120+ works on ao3, not counting what's anonymous, and that level of exposure tires me, even when i use my main ao3 to post things that aren't trashy. it's just a weird feeling knowing so many people are subscribed to you on ao3 and what if you post something they won't like because you jumped fandoms again, or you're posting something niche, or you don't think it fills enough fandom tropes to be well-liked. i used to obsessively think like that, and it made me not write the things i wanted to because i cared about numbers. and i don't want to slide back into that hole. writing on anonymous is mostly to remind myself i wrote this for me, and if other people like it, they can come find me, but i don't have to perform like that anymore. if i get a really weird fucked up idea, i can write the really weird fucked up idea. at the end of the day, just makes me more comfortable! but i get it's a super confusing set up from an outsider perspective so, i really don't mind the question, thank you for asking!!

[kineticallyanywhere]

the amount to which I am furious on Normal's behalf is perhaps too much but also this that this kid is going through with no emotional catharsis or support from the people around him is awful. perhaps there's my "odd one out of the friend group" experience bleeding in here but like. hhhhrrrrrraaaaaaggggggggggggggggGGGGGGGGGGG if he doesn't keep throwing hands or start throwing words at everyone (except probably Scary right now) next ep I might start doing it for him

[babacontainsmultitudes]

[just venting a bit into the void you understand you understand 😌] Lately I've been feeling very caught between "I have a lot of thoughts on Sparrow and Normal and all that with the ending and teen talk and feel like I need to get them out and voice them for my own piece of mind and resolution" and "I am lacking the strength and energy to actually sit down and write it all out and kind of really just want to fully move on to other things (AUs, fics, anything else)" but my brain can't seem to commit to either and that's quite frustrating cause it's just left me very restless. *Sigh*. Idk! Just needed to complain about that a bit ig, it's silly but this is what has been ailing me as of late.

[deus-and-the-machina]

I havent really been into the current state of the JJK manga for a while, im at the point where its ending might hold some value for me as someone who was already invested in the characters but largely aside from seeing how a few things pan out I just really really couldn't care less. 

that being said I have to thank gege for every new chapter giving us more and more good looking Gojos. the more feral and covered in blood the better, and hoo boy am I getting that.

[starpros-sunshine]

I exist in this weird personality limbo where i somehow have so little sense of an individual self that that over time warped into. whatever this is. I have something going on here i'm sure but I am 99% sure that it's either indescribable or just very difficult to define beyond "Nice with an interesting sense of humour"

[inupibaldspot]

Back off,kid.

Pairing : Gojo Satoru x Reader

Note ₊˚⊹♡ : (Teen)Gojo is jealous over (kid) Fushiguro having a crush on you.

Fushiguro Megumi always wonders if he made the right choice every time a white-haired sunglass wearing teenager walks into the house.

The tall older boy would grin as his hands form a salute. “You doing good Megumi and Tsumiki?”

He was as useful as the indoor plants. Fushiguro thought.

Gojo wasn’t much good at cooking and neither helped with cleaning, probably because of his rich background—but he did spoil them with lots of food and pocket money but he wouldn’t ever admit that.

As much as Fushiguro would love to throw insults at Gojo, he holds back his tongue each time; Tsumiki would send sharp glare and nag him if he did.

The first friend he brought to visit them was a girl; it was after Gojo went missing for a while and when Tsumiki inquired about it ,he simply said one of his dear friend went cray-cray as his finger twirls at the temple of his head.

The girl had short, brown hair with a distinct smell of cigarette; her name was Shoko Ieiri. She wore an impressed look when she entered the house as she looked over to Gojo. “Heh— The place is pretty neat,Gojo.”

Fushiguro looked to Gojo who placed some groceries on the counter top with a proud smile on his face. “I know right!” Gojo replies.

The young boy frowns. “It’s Tsumiki who keeps the place clean.” Shoko gives Gojo a stare before she cackles.

A week later when Tsumiki was still in school with club activities, another person makes an appearance ,you. He could faintly hear conversations between you and Gojo through the front door on how you’d actually wanted to visit them sooner but was bombarded with mission before it swings open.

The first thing Fushiguro noticed was how Gojo seemed to make you enter first— other times he barges in without a care for Shoko— his hands near your back with a slight space, without touching it. Why was Gojo being nice?

You blink at the dark haired boy. “Fushiguro Megumi, right?” Gojo peers from behind as you smile. “Did you eat?”

“Not yet. Waiting for Tsumiki to get home.” Fushiguro thinks you’re the first person who is kind of decent.

You nod take plastic bag from Gojo’s hands and lift up it, your smile widen. “I’ll make you some good stuff then.”

“I want to eat your cooking too,y/n.” Gojo chirps in only to be ignored. And to your credit, it was actually good. He didn’t remember the last time he had something this good home made.

After that, your visits seemed to increase which Fushiguro Megumi did not mind, in fact he was getting fond of your presence. You helped with food, cleaning which lessened the load on Tsumiki plus you also helped him with his studies.

“You seemed to get it now, Megumi.” Poor kid, blushes a bit hearing your compliment. “Practice this set of questions and I think you’ll do pretty well on your tests.” You smile.

Fushiguro nods as he does as you say, face still heated up. He looks up at you, who was reading a book. Your hair slightly in your face, lips slightly parted with eyes focused. You were extremely beautiful and as much as he wouldn’t admit it , he had a big fat kid crush on you.

“Megumi-chan.” Suddenly he is shoved to the side as a body makes way in between you and him. It was Gojo who sat in between. “Move over~ This seat is mine.”

The boy frowns and so did you, not liking Gojo’s action. “Don’t interrupt the kid, who is studying.” Kid? Ouch…You huff as your move over, despite you complaining you make space for him, focus back on your book.

Fushiguro watched as Gojo leans closer to you, almost resting his head on your neck as he looked over to your book; after a while eyes slowly moved over to you, his expression softens.

Gojo smiles as he tugs a piece of hair behind your hair, to which you don’t react as if it was normal. Thee older man then turns his head to Fushiguro—oops,he got caught staring.

The white haired boy then grins, a condescending one in fact as he mouths out the following words.

‘y/n-is-mine.” Fushiguro huffs. ‘back-off.”

·:*¨༺ Part 2༻¨*:·

Reblogs, like and comment are appreciated! Love this work? out other here

[scopophobia-polaris]

So, to add on to Navi's post, because her whole read for the original was getting screenshots from the game to debunk what was said, of course....we are now here. I want to tell you that no one here disagreed with your conclusion about Ganondorf being a victim. What we here disagreed with was the method you used to get there. Simplifying Ganondorf down to solely good or solely evil is something this Fandom does all the time with little to no nuance. And even though you have written an eloquent essay, Published even! You twisted or outright made up parts of the game to get to your conclusion. In essay writing, that's called a logical fallacy, and the whole essay either twists what happens in the game or outright gets it wrong.

Now people are probably gonna wonder why I'm treating this like a big deal or why I'm speaking so blunt, because this is by all means very stupid fandom drama.

But I think when you're a college prof and you get an essay published and it's online for people to read everywhere without you, one, not giving the context behind Ganondorf's creation and the coding of his appearance and motivations, two the complexities of a corporate conglomerate in a notoriously socially conservative country taking aesthetics from countries who were historically colonized. And Three, The way that video games are a collaborative effort with usually no singular vision, this is very true at nintendo despite what people may think, and at any moment changes can be made for any reason by team leads or executives that would hinder or even hurt a story. It detrimental to the audience reading it that you do not provide them more of a couple of screenshots

Basically, many things go into a story and now I'm taking this more from a DOYLIST view right here talking about Nintendo. But I'm doing this because you keep trying to say..... well fuck man do I need to pull up more examples? Navi got them all, the whole essay is you trying HEAVILY to imply that Nintendo MEANT to do all of this, as in intentional in the story, idk I feel crazy, words have meaning, specific wording has implication, oh and this dosent even get into how localization can change things 😃😀 wording has meaning and sometimes translators don't have cultural contexxxtttttttt and to not even mention about Nintendo's history or even the short hand that comes from Ganondorf's design and the historical Orientalism behind it feels like a disservice to the paper, but much more qualified people then I have discussed the way Ganondorf is written and probably would love to discuss or link to previous writing again if asked.

And this is a cold take but Nintendo isn’t the place you should be looking to for deep story telling, they will always be a corporate entity first and the bottom line is a general audience, this does not mean JUST KIDS this means to a generalized population. And this is extremely cynical but a lot of people cant even handle the complexity of a female character who is mean, like Midna, do you really think people would handle a Ganondorf like how he is in Tp being portrayed in any form of film language as good????? This game dropped 5 years after 9/11, Nintendo was never gonna lose out in money like that.

And Dude people have given so much shit to HUGE fanartists and comic authors about their work portraying Ganondorf in a sympathetic light, you would of thunk more people would of picked up on Ganondorf's story being written as tragedy if there was something in the game that actually DID that. Maybe they would of written a blog post about how Midna saw Link kill Ganondorf and was ashamed of that or Ganondorf TOTALLY said the history of light and shadow will be written in blood thing before the final battle, you think people would of talked about huh why did Ganondorf say that there or something and maybe went 🤔 instead of it being argued that Tp Ganondorf had the weakest writing of the series until TotK threw a pile of flaming shit at my door with a picture of Ganondorf on it.

Navi also goes in depth on how Hyrule has not exactly stagnated like what was claimed in History of Light and Shadow by using the Goron merchants and Yeto as examples.

Rynling has stated that the cause of the stagnation and decline is due to an ineffectual leader that has "Not allowed its people to be revitalized by change and diversity."

Now I am familiar with the flaws of an undetermined national unity, I am very familiar with the subject, but I’m not going to speak like an authority. Id rather let someone much more qualified make that post and I link back to it, because i know its coming. But Navi said in her post that the idea of what could of happened at Arbiter's Grounds can completely blow over someone's head if they didn't play OoT first, and I think more or less this is accurate, certain things are lost in Wind Waker even with the recaps, but I wanna join in on this in my own way...

Rynling....you may say Hyrule has been on a decline during Tp......you may even think OoT had a more stable Hyrule or some shit.....i THINK YOU FORGOT ABOUT THE PLOT OF OCARINA OF TIME BAYBEEEEEEE

THE SUPPLEMENTAL MATERIAL THAT I CAN PULL UP TO PROVE MY SHIT ABOUT OOT HYRULE BEING DOG SHIT IN COMPARISON TO TP

Like if you're seriously gonna link me and Navi to your essay then I am about to go full BTW it's a Sativa and eat that bitch after midnight cuZ we YELLIN ABOUT OCARINA OF TIME ON THIS POST FOR EVERYONE🌟🌟🌟🌟🌟

All of Ocarina of Time's narrative is haunted by the civil war, the whole reason why Link is being raised in the woods is cuz of the civil war, the Sheikah are implied to have died out during the same conflict, and well its said that Hyrule was unified during it

Civil War yet the translators use unified the country like it WASNT under a sole ruler before? Hello? I need to go back through the Japanese script for the game again to see if i missed something of the game and freak it harder. And do realize the Deku sprout in this screenshot says fierce war but every where else, including the Zelda wiki (not fandom) its CIVIL War.

The Gate to Death mountain and Simultaniously the fence at Zora's river gives us and idea that peace was....tenuous at best downright hostile at worse given relations with the Gerudo

so today we gonna do some fun comparing and contrasting the Gorons and how they are treated in OoT to TP

and we gonna start with his racist ass BHJBHDBHKCJW

I mean, damn remmeber how mad Darunia is at Link for being the supposed royal family messenger? Link Unlocking the door to Darunia's room with Zelda's lullaby, I think it's a little funny that Darunia is hung up , you know, like he knows this is some disrespectful shit

Hey wannna hear some shit? The gates at the edge of death mountain aren't guarded by Gorons and were not built by them you can tell, the only way to visit the mountain is to get permission from the King to go up and not from the people that actually live there

God and like, there is something about the way Darunia locks himself in his room, like he does it to keep the ruby safe from all the other Gorons being so hungry that he's frightened they're gonna eat it, he doesn't know what to do on how to act about the Dodongos that Ganondorf summon on him for not giving over that rock. It qlmost sounds like when Ganondorf came in and Threatened Darunia, and that he (Darunia) sent a message to the royal family asking for help, why else would he be expecting someone to come meet with him?

"If I'm not mistaken, you came out here to eat the red stone too! Well, too bad! It's not here! What? That's not why you're here? You're looking for a "Spiritual Stone?" You must mean that delicious-looking red stone that was once displayed above the city! I was so hungry that I thought it would be OK to just give it one tiny, little lick...so I snuck up there. But it was already gone! I think Big Brother took it away. He always says that everyone is after that red stone! Big Brother has shut himself up in his room saying, "I will wait in here for the Royal Family's messenger!" this is a quote from the Goron that you can find on the middle of the rope bridge thing in Goron city.

Yeah so he sent a letter or something and no one answered yeesh.

contrast this all with TP where OH LOOKS WHO'S GUARDING DEATH MOUNTAIN

so in TP spoilers, this happens

Kakariko is more connected then ever! Renado here is wondering what the hell is going on with their FRIENDS. And yeah the Goron elder Gor Coron is trying to keep the last few people from kakariko left safe, and other Gorons, i mean, theyre keeping a piece of the fused shadow in there. also the way that entry into the temple goes in this game is cute, Darunia was freaking it cuz everyone is starving, but here Link wrestles his way up a mountain to ask the Gron elder whats happening since he was asked to come here by Renado, Gor Coron goes DAMN

unless......?

IDK ITS LIKE? ITS SILLY? Idk Hyrule isnt the best place but why try and act like this doesnt happen during TP?

so where am i getting at with this? the hell was going on back during OoT? If things are so odd and weirdly tense with the gates gaurds and non responses

"As time passed, the Triforce became a legend, and the different people of Hyrule forgot the laws and wisdom that the goddesses had left behind. Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo. It seemed every race of Hyrule was at the other's throat. Only the secluded Kokiri, sheltered by their magical forest and the Great Deku Tree, were spared the destruction of Hyrule's civil wars.

After 50 years of ceaseless combat, there arose a Hylian King of great wisdom, courage and power. Through his brilliant military campaigns and wise diplomacy, he was able to bring the varied people of Hyrule into a tenuous harmony. Treaties of peace were signed, and prosperity once again seemed to bloom in Hyrule. But no sooner had people declared peace in Hyrule than trouble once again stalked the land."

Tenuous Harmony, could you imagine if they dropped a line like this in Creating a champion? The tumblr side of the fandom would go fucking nuts with that info like OHHHHH SHIT WAS GOING ONNNNNN

This was ALL on the offical Nintendo Zelda website back when oot was the big game out, we have this cuz someone saved it to the wayback, THIS SCREENSHOT WAS FROM DECEMBER 14TH 2001, ABOUT A FULL YEAR AND A DAY UNTIL WIND WAKER WAS RELEASED IN JAPAN. THAT'S INSANE RIGHT???? ‼️‼️🔥🔥🔥🔥🔥🔥

And then it all probably got deleted once wind waker became the new thing!!! Or when they wanted to modernize and deleted it!!! THAT SUCKS RIGHT????

And what's worse is that it introduces some new info and also clarifies something. Hey you know when I made that post like damn Darunia racist as hell

"Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo."

NO WHERE IN THE GAME THE LEGEND OF ZELDA OCARINA OF TIME IT SAYS THIS, IT DOES NOT STATE THERE WAS CONFLICT BETWEEN THE GORONS AND GERUDO.....LIKE DIN GET YA KIDS.....IM LOOKING EVERYWHERE FOR SOMETHING I MUST OF MISSED.

But Like oh hey a fucking explanation to why he just fucking says that, I figure it was cuz of Ganondorf trying to almond mom all of them or that he kept talking to the King and well.....Navi already showed the GENERAL reaction to the Gerudo in castle town.

it went from oh hes just racist to dARUNIA AND GANONDORF HAVE HISTORY????

But the interesting one is why did thy Zora "marched on the Hylians."

Like sitting here like, I know a comic made in Germany shouldn't be a be all end all in shit I knew it never was and it would like. If you put this in warrior cats canonicoty categorization would be considered lower down supplementary material dubious canon, but their are things in the comic AND the Himekawa manga that behinds some behind the scenes actions given that LINK'S MOM HAS A MOSTLY CONSISTENT DESIGN WHAT THE HELLLLLLLL. And I always thought the Goron Zora war thing was stupid but Nintendo then had that out on their website, what the hell was going ON.

Because idk i didnt think much of Zora De Bon XVI and the Hyrulien King's relationship but

Now a days the Zelda website is much different and does not have lore pages like this anymore, it's more like a summary of the timeline. But yeah actually Nintendo approved shit, Hylian/Zora war.

Hyrule is progressing, its just going slowly, Hyrule is not AS stifled by its monarchy or a lack of integration during TP because Hyrule IS integrating, is people's are intermingling like is hasn't before during this game.

And this isn't even to get started on the E3 demo of Twilight princess that the trip that Link is supposed to take at the beginning of the game was to be the representative of Ordon at the "Hyrule summit

and Hyrule is described in a VERY specific way

Kingdom of Hyrule and neighboring realms? like theyre all not under the crown? so like???? FUN, that didn't end up making it in the game. the dailouge that is, But the remints is still there in the way the game is made up, like how OoT is built off is civil war bones

actually funny, Navi just got me screenshots of the way the dialouge was changed here

Like stuff clearly changed during the demo and finished game, I should of been touching more on the intricacies of how like shit was just change for no reason sometimes but uh....

But maybe @rawliverandgoronspice would want to one day like about games industry stuff if you ever want to 😭 I know you're super passionate on this and I wish I like even off hand mentioned something about how like TP is also effected by how games are made but I didn't and I'm a fool but games are complicated as hell and that post you made talking a bit about it was fun ya know 👉👈 and the Beta of Tp changes a LOT of stuff, one Rusl really is like a brother to link in the way he messes with him, it actually makes some weird Nintendo licensed shit saying hes like a big brother to Link made WAYYYYY more since with the Beta in mind, but....that also mean they tried to keep the big bro vibes....but then put the dad ones in there too like.....uh...did..someone not change his summary anywhere?

that was my big thing i wanted to talk about, navi's already touched on everything else i just think the parallels here between the Goron quest between OoT and TP changes in such a nice way.

And like this doesn't get into other shit about TP, like if we wanna deep dive into shit ya don't gotta do it by twisting the story, like I was going and talking to @blackautmedia to ask with some help when it came to like.......god idk what i even said anymore i was going a mile a minute. He wants to write his own thing on Twilight princess so im not gonna step on his toes but he has recommended Arabs and Muslims in the Media: Race and Representation after 9/11 by Evelyn Alsultany, the link I provided here is too her website and her page on the book this link here is from her own site that has a pdf of a part American Quarterly with a paper by the same name.

Anyways i wanna reflex for a moment cuz ive been up for hours finishing this because my brain wont stop unless i do. But the thing that by all means started this, was not your reblog linking me and Navi to your essay, or that there is 2 versions i found out where the paper published one had a lot more context to why you wrote your tumblr post the way you did, Navi helped me get the parts that were cut, please realize removing these does not remove the sentiment from the essay, its baked in.

fanfic, its a popular Fan interpretation that there was fighting between the Gerudo and Hylians after Ganondorf was caught trying to take the triforce, but this is not stated to of happened in the lore itself or even has evidence to back it up other then the Implications of Arbiter's grounds theory

UGHHHH AND THIS AGAIN "Twilight Princess Delivers a subtle yet poignant protest against neoliberal discourses of empire reflected in the rhetoric of heroism inform the geopolitical movements of Japan throught the twentieth century"

WHAT ARE YOU FUCKING TALKING ABOUT......

i dont mean this in a stupid ass way, im saying where the hell was about the protest thing, wait i really shouldt take from the published one cuz you actually dumbed down the line for tumblr

anyways again, where, Navi made it clear enough with her own post that, no, the way that Ganondorf is animated has no sympathy for him until the light is literally leaving him. Hell Twilight princess inst very kind to the gerudo either given that the only thing said about them is that they were thieves and nothing more. Like somehow OoT is more empathetic to the Gerudo, it doesn't just call them thieves, it aint great its not even good its just a bad portrayal of a people, and yet somehow OoT is willing to show the Gerudo in a neutral light at points then TP ever did.

but the reason i decided to just throw down a post is cuz i was pissed that you went after Ezlo for reblogging ME and NAVI's posts and purposefully misunderstood their fuckin wind waker post about ZELDA YOUTUBERS

dude you had them getting genuinely harassed by people with 0 reading comprehension that thinks a snarky reply to a tumblr post means its 100% correct. Webbed. Site.

anyways, I hope people don't take this as a right or wrong way to interpret a piece of work, as stated before, I read your essay, navi read your essay, you changed parts of Twilight Princess to get to the conclusion of you paper...And im gonna be real but it's kinda crazy that you're using post colonial melancholia for this when it's got some.....well something like idk i need someone to do a full ass review because there are point where i gently raise an eyebrow im gonna be real. but also like

like how do you read his book and then miss out on this, one of your whole big aruments is that hyrule is stagnate and not multi cultural and i had to grab screenshots and Navi had to get shit from the game.

like damn, do yall ever uh feel a strange sadness when dusk falls? i do. Idk this is one of the first and last times Nintendo ever delt with Ganondorf with some form a sympathy for him, cuz we got the dragon explosion in totk its like oh he's turbo evil now and he exploded you exploded him and yet the Gerudo probably still gotta pay for his shit from a billion years ago anyways idk idk idk pot shots at totk again.

I know you dug around a little for that post, and I understand from the numerous people that dmed me about that, you probably went on making an essay on their post so you could sound smart again.

And to be clear, I was told to drop some shit i was about to say about you because no one wants to start fandom drama, neither do I truly and any jab on the post itself would just be rude. people change and some people only learn to shut the hell up, so we'll keep it at that. I just hope you really don't truly recognize some of these people you started shit with.

So yeah tldr, uh.....idk, im going in for an autism screening in a month

also me watching the ending to windwaker cuz i wanted to say something about stong endings TP fans im sorry But Wind waker's ending hits no matter what best sequal to OoT thats isnt Majora's mask

The History of Light and Shadow

At the end of Twilight Princess, Ganondorf delivers one of his most memorable lines, “The history of light and shadow will be written in blood.” He is not wrong. As the player has witnessed over the course of Link’s adventure, Hyrule is haunted by ruins and ghost towns, a mere shadow of what it once was. The landscape is filled with numerous sites of past violence and empty spaces visibly marked by decay and wasted potential.

When Zelda tells Link and Midna that “these dark times are the result of our deeds,” she is referring to specific historical acts of imperialistic aggression. Hyrule established hegemony over its outlying territories by crushing the rebellions against its advances, but the kingdom has suffered from cultural stagnation as a result. Without the dynamic diversity symbolized by Ganondorf, Hyrule finds itself in economic and political decline, isolated from any contact with the world beyond its shrinking borders.

As a representative of a marginalized group of people who have been attacked and driven from their homes, Ganondorf is a tangible manifestation of the horrors of imperialism. He must be defeated, but doing so does not address the underlying problems that have resulted in Hyrule’s decline. I therefore want to argue that Twilight Princess uses Ganondorf to deliver a subtle yet poignant protest against the discourses of empire reflected by the dualistic “light and shadow” rhetoric of heroism that has resulted in tragedy and regret.

Keep reading

[i-yap]

I love the idea of jason being like super weird when he gets into a relationship with y/n

Cuz bro was on the streets then with bruce (aka loner dad) and then the main teen years where we learn about relationships and stuff he was being tortured abd trained to be an assassin.

So when he gets into a relationship, he tries to do something or act a certain boyfriend-y way for you. And he has only 4 options -

1. Batman and catwoman the super loner who doesn't say anything and the girl just keeps making sexual innuendos and steals stuff...which obviously doesn't work out cuz u(prolly) don't steal and he likes to talk to you

2. Bruce wayne the playboy- now imagine jasom trying to be smooth at making sexual innuendos ..he can't. At least not in the start and he lacks the subtlety and honestly he is too infatuated he fucks it up real often. " want some of my ice cream" " well sweetheart , I know some ice you can cream" in a weird rich voice and you're just standing there like wtf . Don't get me wrong he can be super vulgar and upfront but he gets all in his head and bruce wayne slips out.

3. NIGHTWING- man that's like the only person around him who has relationships. But noghtwing is like sunshine and jason really is not. So while nightwing aka Mr pitch perfect serenading his girl works and Mr acrobat from circus pulling his girl into a full on waltz works...it rlly doesn't for jason.

4. Books - bro reads Jane austen, bro likes the classics and therefore he will use those books to find gestures for you. Now once he got u a horse cause you were bored. And while that worked for the fictional Victorian housewife...not so much for a busy person in Gotham.

And he gets so confused with such normal things. "Could you Get me some milk" suddenly your entire kitchen is filled with all the different brands and types of milk a person can buy- 2 of each so u don't run out of it cuz Mr lover had no idea what "some" means.

This is just when he overthinks or gets jealous or insecure . Otherwise he is collected and his own unique way of showing love. But he just messes up sometimes and it's the cutest thing everrr.

[woso-dreamzzz]

Leaving VII

Alexia Putellas x Teen!Reader

Summary: Olympic chaos with your sister

Y/NPutellas.S has started a live video. Click to join!

"-Got two backpacks," You're saying as Alexia clicks on your video," I think one of them might become my racket bag because the one I'm using right now is falling apart."

You shove the bags away, glancing around the space as you drag more towards you.

"There's a toiletry bag as well which is full of stuff I probably won't even use."

You pause as you scroll through the comments.

"What sport am I competing in? Oh, I'm doing tennis...Who will be the hardest to play against? Iga, always. I train with her most of the time and I think I've only beaten her a few matches this year. She's scary. Coco always gives me a good competition too. I think she text me a few hours ago but I haven't answered just yet."

You go back to showing off your haul.

You're very complimentary of all of the shoes but you seem confused as to why you've been given so many socks.

Alexia takes a screenshot of a weird face you make while trying on the bucket hat and hastily makes it her profile picture.

"I'm not a fan of the opening skirt," You tell your followers," It's not really my style. I'll wear it because I have to but...What's that? My sister's here?"

You crowd a bit closer to your phone, brows furrowed as you scroll up looking for Alexia's comments.

She feels triumphant at the look of horror on your face when you see her profile picture.

"Alexia!" You shriek," Change it back! My eyes aren't even open! Ale, please!"

Alexia does not change it back and you swear under your breath at her.

"I'm telling Mama!"

Alexia Putellas: Go ahead, you little snitch

"I'm not a snitch!"

Alexia Putellas: Yes, you are

"Don't listen to her guys! She's such a liar!"

You've always been more active on social media than Alexia and fans eat up any content you post on your TikTok. Most of your fans are just people that watch tennis but you've gone viral overnight when you posted a video of you and Iga reuniting at the Olympic Village.

Suddenly, everyone wants content from you and you're posting more than you ever have before.

A lot of it still centres around your tennis, out on the practice courts with the rest of team Spain but there's more domestic things like you retaping your racket grip and showing off everything in the Olympic Village.

Something in Alexia snaps when you make a video complaining about how uncomfortable your cardboard bed is. Suddenly, she's stitching your video.

Her camera pans across her normal hotel bed and ends with her giving a thumbs up to the camera with a smug grin on her face.

Her own fans go crazy over her posting something outside of sponsorships and it's strange to see that some people don't even know who you are.

woso.alexia.engen: Who was the first person in the video???? -> captainklittle: Alexia's little sister! She's representing Spain for tennis!

A second stitch appears hours later, piggybacking off a video of you complaining about your lack of AC. There's no sound apart from the very deliberate flick of Alexia's own AC switch.

It seems every complaint you post, Alexia finds a way to show off how much better she has it in a hotel outside of Paris.

You decide, perhaps a little pettily, to show off what she's missing.

"Hi, guys!" You say," I know a lot of people were wondering about pin trading so I thought I would bring you along for the ride! I've already got a Poland one from Iga and a US one from Coco but I've been wanting a Team GB one and I'm also meeting up with Paolini so she can give me an Italy one."

It's another live video and thank god there's a break in training, so Alexia can jump onto it again.

Jenni and Misa crowd around her at the same time, curious as to what's going on with you.

"I was talking to Carlos at breakfast and he was telling me that the coaches have ordered us all mattress toppers because the beds have started to affect how we're performing."

Alexia Putellas: Sucks to be you, doesn't it?

"Alexia, I swear to god if you keep bullying me then I'm telling Mama and she'll fly out to whoop your ass!"

Alexia Putellas: 🤪

"And Jenni I knew that it's you that just sent that because Alexia doesn't understand emojis."

"Fuck," Jenni mutters.

"Wait, give me the phone. I'll fix it," Misa says.

Alexia Putellas: Who's Jenni?

"Misa, I know that's you as well. Stop trying to cover for each other and I'll tell Mama and she'll whoop all of you."

Alexia doesn't get her phone back for the rest of your live but she does get a strongly worded text from Eli after it's over to grow up and not let her friends bully you.

Alexia calls you a snitch.

You remind her that she should stop bullying you.

"Look who it is!" Jenni cajoles as you come running out of the village to crash into Alexia," Baby Putellas!"

But you're not really listening to her as Alexia presses her forehead against yours, whispering fast Catalan to you as you giggle.

"Aw..." Misa continues where Jenni left off," Look at them! Two sisters! Reunited!"

You and Alexia push each other away, turning your back and pretending that you weren't hugging just a few moments ago.

You turn back to her quickly, hand out. "Can I have your pins?"

"What? No! They're mine!"

"You're not even in the Village! You can't use them!"

"Yes I can!" Alexia splutters out," I've been trading them!"

"Yeah? With who?"

"Jenni!"

"Liar! You've got the same pins! Come on, Ale. Give them over!"

"I will...for a price."

As Alexia lays out her terms, you bring everyone up to your room.

Jenni and Misa split off briefly to check out the dining hall but Alexia comes straight up with you.

"It's actually cardboard," She says, poking at your bed frame.

"Yeah? Do you think we were all lying about that? It's proper cardboard. You can draw on it if you want."

A smile splits your sister's face open.

"Never mind. I don't want you drawing on my bed."

Alexia pokes it. "Do you think it's true? That two people can't get on it at the same time?"

You shrug, rummaging through your bedside table. "I don't know. Why?"

You never get your answer though.

Arms are around your waist suddenly and you're being hauled backwards as Alexia slams herself onto your bed, dragging you back with her.

You may not get an answer but Alexia certainly does because the moment the two of you land, there's an almighty ripping noise and your bed goes to ground very quickly.

"Oops," You sister says.

"Alexia!"

"Sorry?"

"You don't sound very sorry at all."

"Yeah...You're right. I'm not sorry in the slightest. Hey! Stop hitting me!"

"You're lucky I'm not beating you with my rackets!"

"Hey. Hey! It's fine! You can get a new bed."

"Jenni and Misa are going to take the piss out of me! How could you do this, Ale?"

As annoying as your sister is, she at least has the decency to push the blame off onto her friends as you both hastily raise your bed up again and wait for Jenni and Misa to arrive.

They seem to have the same idea as Alexia, jumping onto your bed without so much of a greeting.

But, as planned, the bed collapses under them and the shock of their faces is enough for Alexia breaking your bed to be worth it. Their faces are even funnier as they head downstairs to ask for a new one for you.

Behind your back, Alexia passes you a handful of pins.

JenniHermoso10 has started a live video. Click to join!

"Forward! Forward!"

"I am going forward!"

"More forward! When I say forward, it doesn't mean shuffle! It means walk forward! You're a person not a pigeon!"

"And here we have Olympic football player Alexia Putellas and Olympic tennis player y/n Putellas, attempting to climb onto the rings," Jenni narrates from behind the camera.

"It's not going well," Misa says, as Alexia nearly throws you from your spot on her shoulders," Alexia is clearly struggling."

"I'm not struggling!" Alexia insists, yelping as you twist her hair in your hands.

"Forward!

"This is as forward as I can get!"

"That's such bullshit! Move closer!"

"I can't!"

"You can!"

"I don't think they're ever going to make it," Jenni says," It's like they can't-"

"Stop! Ale, stop! Left a bit. No! Too left. Right again. Left! Right! Left!"

"Left, right, forward, back," Alexia mutters," Make up your mind."

"Left and...got it...Wait! Don't let go!"

You haul yourself from your sister's shoulders onto the centre ring, positioning yourself perched on the sliver of the yellow ring that enters the black one.

"Alright," Alexia says," Give me a hand."

"What? No! You'll pull me off!"

"Give me your hand!"

"No!"

"Yes!"

"No!"

She braces herself on the lower rings and grabs your hand, pulling herself into the centre ring before you can even shove her off.

"Oh," She says," That was pretty easy." Alexia grins at you but the smile drops from her face when she notices the pensive look you're wearing. "What is it?"

"I've just realised," You laugh in disbelief," When Mama said she wanted a picture of us and the rings. I think she meant in front of them. Not in them."

"Oh."

[pullhisteeth]

classified | eddie munson x reader

summary at your wits end, you put an ad in the classifieds for a special kind of tutor. Eddie finds it and takes you up on the offer. (nsfw) [13k]

contains smut (18+ minors dni!) – p in v sex, oral (f receiving), lots of praise, virgin!reader, fem!reader, hurt/comfort. eddie's a sweetheart, fluff, first time turned something more (?).

author's notes this one's a long one! the idea made me laugh and then it took on a life of its own. I want to say this is meant to be somewhat lighthearted and is not a suggestion that anyone should be having sex if they haven't already – your body's yours, baby, do whatever you want! no one should ever make you feel rushed into anything!!! anyway Eddie is an angel and I want one. bye!

-

Eddie's not sure why he's reading the newspaper. Boredom, perhaps; he's been waiting for Wayne to get home from his shift for over an hour. He's thought about calling the plant, but the walk from the couch to the phone seems to be the perfect amount of time to convince himself that he's probably on his way home already.

It's the Hawkins Post. It gets delivered by a snot-nose boy on a bike every week, thrown far too hard at their tin front door. Wayne reads it some weeks, others it gets used to wrap his lunch. Apparently this one he'd read it, flicked through the pages half-heartedly before leaving it open on a centrefold about the local elections. Trust Wayne to get bored of small-town politics, Eddie thinks.

So he picks up where Wayne left off, slowly pulling the pages apart, skimming stories about the endemic of teen pregnancy, or columns about the rejuvenation plans for downtown Hawkins. 

Finally, he reaches the only bit of the newspaper that Eddie has ever found interesting: the classifieds (and, on the back of the classifieds, the call-girl ads).

He skims them, eyes brushing past ads for cleaners, dog walkers, nannies. Finds the ones hidden at the bottom – the letters written in code, ads for attractive female friends and women seeking younger men. He's never actually interested in them, but they provide a glimpse into the underbelly of Hawkins, a small town that is, for all intents and purposes, entirely normal. But nowhere is ever truly normal, and Eddie likes to seize the opportunity to pry into the scandalous goings-on of his boring hometown.

He's reading one about swingers when the one beside it catches his eye. It's plain – whoever paid for it kept their costs to a minimum. All it says is:

WOMAN, 23, SEEKING FIRST TIME.

He stares at the bold ink, the statement in all caps that, despite being maybe the lowest cost ad in the whole paper – it's in a box about three inches tall in the very corner of the page – jumps out at him anyway. Underneath the title, it reads: young woman looking for judgement-free first time. Min. age 22, max. age 28. Must have experience. At the very bottom, in almost imperceptible print, is a phone number.

Eddie hadn't realised how close his face was to the page until he hears the familiar sound of Wayne's car pull up outside. He throws the paper down onto his lap and sighs before scrambling around to at least try to look casual, and not like all the blood has rushed to his face. In the few seconds he has between the sound of Wayne's car door closing and him coming up the stairs, Eddie tears the page out, folding it quickly and shoving it into the back pocket of his jeans as he stands.

The door opens just as he gets to his feet, and Wayne comes trudging in with his steel lunch pail and heavy boots.

"Hey, Wayne," Eddie says, breathless, trying his best to sound level. Wayne eyes him as he closes the door, before turning to dump his stuff on the table.

"C'mon, kid, you promised me a burger."

-

The piece of newspaper stays in Eddie's pocket for three more days.

Wayne had been late getting home – something came up, but Eddie wasn't listening too hard, brain on that stupid ad instead – so their weekly trip to Benny's had run until the early hours of Friday morning.

And then Friday was work and Hellfire, which Eddie still leads despite having graduated two years ago, and this time the kids kept him going for hours. By the time he got home he hadn't even thought about the page before crashing into bed.

And then Saturday is family day, as Nancy puts it. Eddie had woken up late, rolled out of bed into the freshest clothes he could find, and into his van to act as bus driver for the morning. His little gaggle of unruly teenagers crammed into the back of it one by one, laughing and teasing and shouting. Steve's home became louder and still, Eddie relished in that feeling of peace he gets once a week with all these misfits he calls friends.

By Sunday morning, the newspaper had been long forgotten in the pocket of his jeans that he'd left in a pile on his bedroom floor. He's laid on his back on his bed, head dangling off the edge, puffing mindlessly on a spliff he'd rolled for himself two days ago that had also been forgotten. The room's a little fuzzy round the edges, just the way he likes it, the sunlight creeping warm paws up his arms. It smells funny in here, he thinks, so he turns over, pushes himself off the bed, and reaches up to open his window. On his way back to his bed, he trips on something, landing with a huff as his ribs hit the corner of the mattress.

"Fuck," he hisses, reaching down to pull the culprit off the floor. It's just an old pair of jeans, so he throws them into the corner, out of the way, and resumes his position, splayed out across the bed.

From this angle, with his head hanging upside down, he spots something by the pile of denim he'd just discarded.

His brain's ticking over slowly under the haze of being stoned, but after a second he realises what it is, and clambers all too quickly off the bed and across the room.

Maybe it's that haze, coating his brain with thick fog; maybe it's the fact that, in the year since he graduated, he's had to settle for quick fucks behind the Hideout after a gig; or maybe, just maybe, it's dangerous curiosity.

Whatever it is, something motivates him to move through his room, down the narrow corridor into the kitchen. There's something hijacking his limbs, and it reaches up to the phone on the wall. With eyes on the page in his hand he spins the dial, listening to the tone as it rings, rings, rings.

The longer he stands there, the more convinced he becomes in his intoxicated miasma that this is some kind of prank; he's going to be met with a stupid kid on the other end, laughing at him for bothering to call at all. 

When he finally decides that this is just that, a practical joke, the line clicks. There's a low buzz on the other end, so low he thinks maybe the line just went dead, but then a voice.

"Hello?"

He's taken aback by the sound of it, but not so much that he doesn't notice the sleep coating it. Despite his stupor, he can't help but apologise.

"Shit, sorry, did I wake you?"

"Who is this?" You're sharper now, coming to, and he kicks himself for fucking this up already.

"Oh, shit, uh, sorry. I called about… I got this number, uh, in the paper."

"Fuck," he hears you whisper. He's not sure if he was supposed to hear it. He feels bad.

"Sorry, I'll go, this was-"

"Look, I put that age range in the ad for a reason. I'm sick of gettin' calls from middle aged men, I-"

"I'm twenty-three."

You're silent on the other end for a moment, but he can hear your breath hitch.

"Well, shit," you finally say. "Y'don't sound it."

He laughs an awkward, stilted laugh, unsure what to say.

"Sorry, I've had so many guys – men, old men – callin' me up, tryin' to flirt with me down the phone, I just… The ad was a mistake, clearly."

He likes the way you talk. You've got a pretty voice.

"Uh, thanks," you say.

Shit.

"Fuck, sorry, did I say that out loud?"��Moron.

You laugh, the sound fizzing down the telephone line, and it eases some of his insecurity.

"I'm sorry," he says, starting fresh. "I'll leave you be, have a good-"

"Wait," you bite, and he can hear you shuffling around. "Wait just a sec, I- fuck, where the fuck is it? I… Sorry, can you just wait for a second?"

"Sure, sure," he murmurs, trailing off when he realises you've set the phone down. He listens to the faint sounds of you rummaging around and swearing under your breath. He must look like an idiot, stood in his kitchen, smiling at his phone, waiting for a stranger he found in the paper.

He hears you coming back, footsteps getting louder, before you pick the phone back up.

"Y'still there?"

"Yeah," he laughs. You speak to him like he's an old friend and it keeps catching him off guard.

"Okay," you say. "Here's the thing. I put that stupid ad in the paper because I was sad, and my life has been a misery since then, because literally every guy who's called me has been, like, at least forty, which some people are into I guess but I'm not, and- Sorry."

You're rambling, stumbling over your words even though he can tell you're trying to be professional or something. He stays quiet and hopes you'll keep going.

After a beat, you say, "I guess, 'cause you called, you'd be up for it?"

"Uh, well," he stammers. "That's kinda why I called. Care to explain what it is you want, exactly?"

He's not sure where the sudden confidence has come from; maybe the weed's wearing off.

"Okay, yeah," you breathe. "So, uh, my plan, I guess, was that I'd… You'd take, uh, my virginity."

You almost whisper the last part, like it's some kind of slur, and Eddie can't help but laugh on the other end.

You start to sound exasperated, frustrated, so he tries to claw you back.

"Sorry, sorry, it's just so… frank."

"Well, bein' all coy about it hasn't really worked out for me so far."

Can't argue with that logic.

"Okay," he says, trying to ignore the excitement bubbling inside him. You're a stranger, he's a stranger, and this whole thing is kind of weird. Shit, he thinks. Am I a perv?

"How do you want to do this?"

"Well," you start, sounding like you've got this part planned out. "First I need to know you're not gonna murder me or something, so I'll give you an address near my house but not at my house, and we can meet there whenever… and, uh, what year were you born?"

"What?"

"Just… So I feel a bit more sure you're actually twenty-three."

"Hah, okay. 1965."

"Okay, sweet. You got a pen?"

"Shit, yeah, one sec."

His eyes dart around the room. With the phone between his ear and his shoulder, he moves as far as the cord will let him, to a drawer by the front door. At the back there's an old pencil and some scraps of junk mail.

"Got it!" he declares, too enthusiastic but it makes you giggle so he laughs too.

"Okay," you start, and you tell him an address he vaguely recognises, closer to the nicer side of town, halfway between here and where Steve's house is.

"It's a park, kind of. It's pretty public anyways, so if you were, y'know, planning to kill me or whatever, don't bother."

"I'll take that off the to-do list," he tells you through a smirk.

"Very funny," you say, your sentence half-formed like you can't find the words to finish it. "Wait, what's your name?"

"Eddie. Munson."

"Okay, Eddie Munson," you say before telling him yours and deciding that you'll meet him later that day. You tell him it's easier that way, that you can't bear to have to wait all week, sitting on the nerves that might make you change your mind.

That's exactly what Eddie does all afternoon. You'd decided on six that evening, when it's still light but late enough that you both have time to back out, and so he sits, stoned out of his mind on both weed and the phone call, feeling something he's rarely felt before.

It's like cola in his gut, bubbling and frothing every time he tries to move. Is this what people feel when they say they have butterflies? Because it doesn't really feel like that; it feels instead like the madness inside him is floating upwards, fizzing around his heart, prodding and poking at it at uneven rhythms. His mind is reeling, too; he hadn't really thought this through at all. What if, even after that call, you're still planning on playing some kind of trick on him? What if this is an elaborate scheme to publicly humiliate him? Maybe you get a kick out of that kind of thing.

There's another thing, creeping around at the back of his mind, lurking. It's that horrid hopefulness, the what if that feels so far from likely that if he lends too much time to thinking about it, he feels stupid.

What if you're great?

He shakes himself out, standing up off his bed. He'd been lying there for the past two hours, sobering up, dwelling on every detail of the call, lingering in particular on your voice and your laugh and the way you say sweet so often.

He doesn't know who you are. He didn't recognise your name when you told him, even though you're his age. He didn't recognise your voice either, but he likes it, and he wasn't lying when he (accidentally) told you it's pretty.

He looks at the clock beside his bed. The red numbers flicker as they change to 16:52.

One hour.

-

He's early.

It's ten to six, and he's early.

The sun's low but not gone yet, and the park you sent him to is actually kind of nice. He's in his van, waiting until it's a socially acceptable time to get out and wait for you. What is the socially acceptable time to get out and wait for the girl you've got an agreement like this with?

Before he can decide, he sees someone. They're in jeans and a jacket, red Chucks and hair lifting up in the breeze.

Without thinking about it too hard, he opens the door and hops out, slamming it a little too hard. The person looks over, catches his mop of hair over the top of the van, and stops walking.

"Eddie?"

He hears you call his name over the sound of his boots crunching on the ground as he rounds the front of the van. He looks over to find you, the person he saw walking over, looking at him with your hand at your brow, blocking the sun.

You're pretty – really pretty. He still doesn't recognise you, but he has decided that's surely for the best.

You don't recognise him, either, but he's hot. He's not what you expected; truthfully, you really had expected someone older, lying about their age to get in your pants, someone you'd have to turn down in this very public space, going back to your apartment alone and unsatisfied. This is not what you had in mind at all, but you're not mad about it.

As he comes towards you, you watch the way he walks, chest-first like he's exactly where he should be. His hair's long and a bit wild but it matches his style – ringer tee, messy black jeans, obnoxious denim jacket. He's got his hands in his pockets but when he lifts one out to wave at you awkwardly, you see the rings and know you're a goner.

You wave back, laughing lightly as he nears you. He's taller than you so you really have to squint to see him against the setting sun.

"Hey," he says softly. His voice is even nicer in person; he does sound older than he is, and he has an air of maturity about him, like he's too sure in himself to be 23, but there's also a boyishness somewhere underneath that endears you.

"Hi," you reply. "You're Eddie, right?"

He looks around himself, head whipping back and forth.

"No, doll," he says, looking at you with a blank face. "I'm Keith."

"Oh," you say, trying to hide the flush in your cheeks and the way your face drops, but then he laughs and reaches out to hold your shoulder.

"Sorry, that was a bad joke." He squeezes. "Yeah, I'm Eddie."

You choose to ignore the overly familiar touch and the way it sends your knees all funny, and instead you laugh, a little awkwardly, and hold out a hand.

"Nice to meet ya," you say, firm.

He looks down at your hand as he drops his own from your shoulder. His eyes move between it and your face, but he shakes it anyway.

"Well?" he asks, and you watch as he smirks, staring you down, his hand still in yours.

"What?"

"Do I look like a serial killer? Scared I'm gonna murder you?"

With those final words he pulls on your hand, bringing you closer to himself. His confidence is only making that funny feeling in your knees worse, but what you don't know is that he's bluffing; before you stands a terrified boy struck dumb by a pretty girl.

"Hm," you hum, dialling up the dramatics to ponder his appearance. You take the chance to scan your eyes up and down his body, taking in the scuffs on his shoes and the pretty silver chain around his neck. From here you can smell weed and cigarette smoke, pretty aftershave and something deeper. "I don't think so."

"Damn," he quips, finally releasing your hand to run his own through his wild mass of hair. "I was really tryin' to look scary."

"You didn't do a very good job," you tell him, laughing softly, and he looks at you with a smile.

"Oh well," he says. "Maybe next time."

Ignoring the way that makes you feel, you take his hand again. It's your turn to pull him, dragging him behind you. The move startles him and he drags his feet for a moment before catching up, refusing to let go of your hand when you try. He swings them between your bodies theatrically as you walk him across the park, through a line of tall oak trees and onto the street on the other side.

"So," he says, drawing out the word. "We goin' to your parents' or somethin'?"

"No," you reply, shaking your head slightly with your eyes on the ground. You drop his hand and stuff yours back in your pocket. "I have an apartment, up by Main Street. This's just a shortcut."

"Oh."

You don't say much more after that. The walk is short; you were right, this is a shortcut to Main Street, one even he didn’t know about. It takes you past Steve's house, and Eddie prays he doesn't happen to be looking out the window at this precise moment.

You live above the pharmacy. You scramble with the lock for a moment, so he stands behind you, bouncing on the balls of his feet and looking around; it's quiet, the usual lull of a Sunday evening, the sun lower than before. He looks at the back of your hair and the way the light catches in it, hears the low curses under your breath as you struggle with the door. And then it's open, and you're inside in the dark, and he has to bring himself back down to Earth.

Your apartment is small. Behind the door there's a narrow staircase, and at the top another door. It brings him into your living space, which is cramped but clearly well-loved. You offer him a drink and step into the kitchen when he says yes.

He lets his eyes pass over the room. The ceiling is low, reminiscent of his own home, though the walls are more solid than the trailer. They're painted a muted, pale blue, a colour he's sure you didn't choose because you've covered as much of them as you can in things: paintings, framed photographs, postcards. The furniture is more to your taste, he assumes. It's all soft, rich greens and pinks.

You bring him a beer as he sits on the couch, sinks into the cushions, toes off his boots.

"Thanks," he says as you pass him the bottle and take a swig of your own. You take your own shoes off and leave them by the door, hanging your jacket on a hook there too.

"So," you begin, padding back over to him and sitting on the opposite end of the couch. "I don't know how this works."

"Well," he says, turning to you with one arm up on the back cushions, "I can talk you through it, but I need t'know where you're at."

"What d'you mean?"

"Well, how far have you gone before? How far do you want to go today?"

"Uh-" You shuffle, squirming into the couch, clearly looking for the right words. "I've never… This is as far as I've ever got."

He breathes a gasp though he's trying to hide it, trying to stick to the agreement of judgement-free. "You've never been kissed?"

You just shake your head and the way your face creases, brows turned down, makes him ache.

"Okay."

"And I want to go all the way," you say quickly, all in one breath, finding your words. "Not too far, no extra shit, like, kinky shit, but the standard."

"O-kay," he says again, smiling this time. "So you know it's not as easy as… As in and out, right?"

"Yes," you spit. He flinches. "Sorry, it's just… It's hard not to feel a bit, like, insecure about all of this. Makes me a bit defensive, I guess."

"It's okay," he soothes, and his tone really does make you feel better. "No judgement here. I'm not new to sex, but I'm just as new to this whole… situation as you are."

"Okay," you sigh.

"Why don't we just chat for a bit? I'm not in a rush if you're not."

"Yeah," you agree. Eddie is easy, you're finding; no dancing around the point, but you feel you're being handled gently. Exactly what you want.

"So did you grow up here?"

Okay, so maybe the 'chatting' suggestion was a bit of a façade for the fact that Eddie has found himself fascinated by you, even in the short time he's known you. Sure, it's only been ten minutes if you're not counting the phone call, but there's something about you that piques his interest. And, if he's honest, he's not sure why he wouldn't recognise someone his own age in Hawkins.

"No, no," you say, leaning over to put your beer on the table. You wipe your mouth quickly with the back of your hand. "I'm from Illinois."

"Why are you here then?" He takes your que and puts his own beer down too, deciding that being intoxicated probably isn't the best idea.

"I dunno," you say, sighing again. Your shoulders go lax as you let yourself sink backwards and look up at the ceiling. "I wanted to go somewhere new, but not somewhere big. And the middle school here was hiring a tech assistant, so I applied."

"And you got the job?"

"Uh-huh. I start in September, figured I'd just move here early, try to find my feet."

"How's that going?"

"Alright, mister questions." You laugh as you say this and sit up, looking at him again with a smile. "It's going okay so far. People are friendlier here, but I haven't exactly found my people yet."

He hums, nodding, and you say, "My turn."

He looks up at you. "Do your worst."

"Did you grow up here?"

"Kind of. Somewhere near here, til I was eleven."

"Why'd you move here?"

"Hah." He goes all rigid and awkward at your question, shrugging his jacket off with his eyes on the ground. You take note of the ink you can see crawling up to his neck under the collar of his shirt. There's something else there, too; something pale and stretched, like a scar.

"It's complicated." That's the answer he settles on, keeping his cards close to his chest. "But I moved in with my uncle when I was in middle school. Been here since then."

"Is that why you're still here? Your uncle?"

"Kind of, but that's also complicated."

"Wow, okay, is everything complicated with you?"

"It doesn't have to be," he says. It throws you for a loop, the way his voice has dropped, fried and kind of… sexy?

You find him looking at you, and suddenly he feels really close. You feel this urge to climb out of yourself, away from this situation that isn't for you; it's never for you. No one has ever wanted to get this close.

"You okay?" he asks, his friendly tone back.

You're grateful he seems to be able to read you so quickly.

"Yeah, sorry."

"It's okay. If you want to, y'know, stop this at any point, just let me know, okay?"

"We haven't even-"

"Will you?" he presses.

"Yes," you promise him. He looks back at you like he's waiting, yearning for something and you don't quite know what.

"Can I ask you something?" he says.

"Mm-hmm."

"Why are you so far away right now?"

He's gone soft, leaning forward toward you, his arm still up on the back of the couch. Your eyes flicker to his fingers and the rings on them, the way they're sparkling slightly in the dipping sun coming through the window.

It fills your mouth with glue. The combination of his proximity and the question leaves you breathless.

"I just…" he continues. "You're hiding from me over there."

He's got a sticky smirk on his face, like he knows the answer and knows you don't want to tell him. He shuffles forward ever so slightly, letting you breach into his space if you want to.

You do, you really, really do – he's a kind stranger, doing a kind thing for you, even if it is a bit odd. You want nothing more than to relinquish yourself to him, and yet you can't.

There's a momentary staring contest between the two of you. The couch feels miles long and yet he's closing in. You feel suffocated.

"I'm gonna come to you," he says after a minute. "Is that okay?"

All you can do is nod at him. It's like your body's on fire, affronted at the idea of being touched by him and yet harbouring some primal urge, deep under the surface, to let him do it anyway.

He pushes his jacket onto the floor with his elbow as he moves himself down the couch toward you. Your eyes follow his arms and the way they stretch, and then the way one of them lifts. He plants his hand firmly on your knee and it burns through the denim of your jeans. You can't tear your eyes from it, staring blankly at his fingers, the way the tendons flex when he squeezes.

"We don't have to do anythin' you don't wanna do, okay?" he tells you. He's watching you, how you're watching his hand, how your hair still lights up in the sun. You're sweet, and pretty, and most of all he longs to know more.

"I'm gonna talk you through it," he continues, "kinda like a teacher, if that's what you want."

When you don't reply, he calls your name softly, and says, "Is that what you want?"

You look up at him and nod again.

"I need to hear it, sweets."

You tell him yes, that is what I want, trying desperately to keep your voice as level as possible, not letting on that it kills you every time he uses a petname like that.

His fingers dance up your thigh and back down to your knee, a repeating pattern that sends you dizzier the closer he gets to you.

"Eddie?"

His hand stills and he looks at you.

"Yeah?"

When he responds, you feel his breath on your face. He's close enough, now; you can really look at him, at the crow's feet by his eyes, the freckles across his cheek, the bend in the bridge of his nose that looks like maybe he broke it once. His eyes are really pretty, browned sugar and syrup, flitting around as he tries to read you.

"I've never been this close to anyone before."

He's watching your eyes as they move over his face, admiring the slight sense of awe in them.

"That's okay."

There's a sudden absence on your leg where his hand leaves it and it aches, like the bone is realigning. You swallow a whine and close your eyes when his hand finds your cheek.

"I'm gonna kiss you now," he whispers. "That okay?"

You nod again and he lets the pads of his fingers smooth backwards into your hair where they take root, his thumb beside your eye. You feel him pull you in and his breath on your nose and then the strange sensation of his lips.

It's new but not unwelcome. He's soft with it, light as anything and quicker even, gone before you really know it's happened. Some kind of sudden urge takes over, though, because you don't like how quick it was, so you chase him. You plant your lips back on his, firmer than he had, your nose nudging his as you get the angle right. This one's longer and it startles him; you have to pull back when he starts laughing.

"Alright, alright, slow down," he says as you sit back, deflated. "You liked that, huh?"

You nod, giddy, desperate to feel it again.

"Can I show you somethin'?" His hand is on your neck now, burning its fires once more, and you can barely concentrate on him.

"Yeah," you breathe, a sigh of relief as he comes closer again. But as you close your eyes, expecting his mouth on yours, you can't help the whine that escapes when he misses, landing beside it. You feel him chuckle, a puff of air out of his nose, before he dots more kisses along your jaw. It feels nice, gentle and slow, like he's scared to break you if he goes too fast or comes on too strong.

The whine, lingering in your throat, moulds into something like a sigh – or even a moan – when he makes it onto the column of your throat. You swear you feel his teeth graze the skin there, lips following them over your pulse. His kisses turn hotter, heavier, and you can't help the way you keen into him. Without thinking about it, you paw at his shoulders and let your back arch as you breathe thick pants into the air of your living room.

When he pulls back again, you whine his name, gripping tighter where you've pulled his shirt into your fists. He laughs at you, head tipped back, as he smooths his hands up and down your arms; the gentle touch makes you relax and your hands unfurl.

"Good, huh?" His words are viscous, thick with want, but he daren't go too fast.

"Mm-hmm," you agree, nodding, breathing quick. Now that he's stopped, you have time to consider that, actually, you might be a bit overwhelmed; without thinking about it you sit back, returning to your comfortable distance by the arm of the couch, watching as his face falls.

"Sure you're okay?" he asks.

"Yeah, yeah, I just-"

"Yeah, take a second."

"Mm-hmm, just need a minute."

You watch him stiffen, awkward in the wake of the moment, and take the chance to admire him a bit more until you sense his eyes are back on you, and suddenly you feel very small.

"You alright?"

You nod, looking back at him, finding his face all soft and concerned, turned down so it makes you twinge.

"You're being so nice to me," you say. It comes out more as a breath, a string of words tied together with insecurity, all in the same exhale. You're not even sure you said it at all, but his face twists into something like shock.

"What do you mean?"

You sigh. "I dunno, I… You're just being very… kind. Are you always like this?"

He seems taken aback by the question. His hands are in his lap where his left fingers toy with the rings on his right. He looks away from you to stare instead at the beer on the table and the drop of condensation running a race down the neck of the bottle.

"You've really never done this before, huh?" he asks you, and now it's your turn to be taken aback.

"I'm not lying, if that's what you're getting at," you say with perhaps a bit too much venom.

"No," he responds, stern. "I'm just… Finding it hard to believe. I'm sure it's true," he says quickly when you open your mouth to fire something quick at him again, "like, I know you're not lying, but it's so surprising."

"How so?"

He sighs this time. He twists in his seat to face you, bringing one leg up under himself, the other dangling off the edge of your couch. "I'm gonna be honest with you right now, if that's okay."

"Okay."

"'Cause I feel like that's the best way to do this whole… thing, right? Nothin' in it for you, really, if we're not honest, or whatever…"

For the first time since you met him in the park, he's showing his nerves. It gets him all wound up, stumbling through sentences like the words are quicker than he can keep up with. It's endearing, really; nicer in some ways than confidence.

"When I saw that ad it obviously caught my eye, I mean, I called, but I just didn't know what to expect, obviously, and you're… Well, you're… normal? So far, anyway." He huffs the last three words out in a laugh, but you don't return it.

"What does that mean?"

"I just think I expected someone who puts an ad like that in the paper to be weirder, or something."

Your gut twists. Red flares of anger lick up your insides, popping and wheezing in your throat.

"What the fuck, dude?" 

You stand, backing away, feeling that familiar creeping isolation; distance, walls up, get away. His face has dropped to something wider, fear in his big stupid brown eyes and mouth agape.

"I didn't-"

"I'm not weird for being a virgin. And just because you think I'm 'normal' doesn't mean this-" you gesture between the two of you with both hands, "-should be surprising."

"No, shit, sorry," he pants, desperation oozing, "fuck."

"I think you should go," you finally say. Your arms are across your middle, hands gripping your forearms. You don't dare look at him, even when he says nothing.

You flinch when you feel him come nearer. He steps over the threadbare rug on your floor and over to the corner where you've parked yourself.

He calls your name and you despise the way you soften at the sound of it.

"I'm gonna touch you, 's'that okay?"

You scoff, turning away from him.

"Stop fucking patronising me, Eddie."

"I'm not patronising you. You wanted me to talk you through it."

"Yeah, that. Not this."

"This is part of that."

"No, it's not."

"Yes, it is."

"Well this isn't getting me very turned on," you spit, turning back to look at him, your arms still crossed over your chest and the rising fire of anger flares when you find that cocky smirk on his face.

"Will you come sit down with me? Please?"

His hands are hovering awkwardly between the two of you, forbidden to come any closer but refusing to give up completely. You offer him an olive branch, dropping your own arms and taking his hand in yours.

He walks you back to the couch and sits beside you, turning your hand over in his on his lap. You both watch it, the way his thumb grazes your palm, tracing the lines up and over.

"Sex isn't just sex, you know," he says frankly. "Even when it's like this."

"I know," you whisper, eyes transfixed.

"It's about all the emotional shit too, and I'm gettin' the feeling there's a lot of that to get through."

"Mm-hmm." It irks you, the way he seems to know you without really knowing you. "You sound very wise."

He laughs at that, and you find yourself grateful for the reprieve, for the way the tension seems to lift just a little.

"I'm just being honest," he admits through a laugh. And then he turns to look at you, dipping his head to meet your gaze because you won't look up. His gaze on you is oppressive, unfamiliar, but you don't dislike it.

"You're really pretty, you know."

You just look at him.

"Hm?" he tries, dipping even lower to catch your eye properly. "It's true."

"A boy's never called me pretty before," you admit, words too quick for you to call them back. This is dire, this hole you're digging; after all this time, being honest is still so difficult, though it seems to come so easily to him.

"That's a crime" he says. And then he does that thing, the one you've read about in books, daydreamed about, thought about late into the night. He brings his hand to your face and holds your chin between his thumb and forefinger, a light pressure but enough to move you to look up at him, sat upright, with your mouth dropped open in shock.

It's just as electric as you'd imagined; more so, even. Two points of contact. Who'd have thought it?

"I'm sorry I said something stupid," he tells you. "It was dumb."

You giggle as his fingers shift across your skin. Soon enough he's holding you in his hand again and you feel yourself leaning into it, again.

"Thank you for apologising," you say. "I think I can forgive it for now."

"Good," he says. And then, more coy, the act dropped for a moment, "Can I kiss you again?"

"Yes, but…"

Just like before, the words stall in your throat.

"You can tell me what you want, you know. It's why I'm here." Christ, his voice is like honey when he's this close to your face.

You pull a long breath in through your nose and close your eyes.

"I have this… fantasy," you begin, and you hear (and feel) him chuckle.

"Go on."

"I guess it's not really a fantasy, just something I've always wanted to try…"

"That's the definition of a fantasy."

"Hey," you scold, opening your eyes and swatting him on the arm softly. "You wanna hear it or not?"

"Sorry, sorry," he says, laughing again. "Continue."

"Can I sit on your lap?"

"Is that it?" he asks, laugh lingering, threatening to fire up the heat in your cheeks.

"Yes," you say pointedly. "I wanna try it."

"Go for it, baby."

He doesn't miss the way you gasp at the nickname; in fact, he smiles, grins almost. He moves his hands down, leaving your face for now so he can hold your waist as you move onto your knees and lift one over him.

It's funny, you think, how hard all of this feels; really, this is a very normal thing for two 23-year-olds to be doing, and yet something within you makes it feel mechanical, intentional. Perhaps you just need practise.

"Okay," he says as you settle, your hips halfway down his thighs. "You gonna get any closer, or am I gonna have to lean over an' break my back?"

"Am I okay to get closer?" you ask, not taking much notice of how your fingers are dancing around his chest, toying lightly with the chain around his neck. Maybe it does come naturally after all.

"'Course you are, here-"

His big hands pull you in by the waist so that you're seated on him, hips to hips. Your faces are closer now, too, so you can admire those lovely crows feet again and the bend of his nose.

"Gonna kiss me, Munson?"

"O-kay," he says, smirking again. "I like the attitude."

"Oh, for fu-"

He shuts you up with a kiss, takes your breath away like they all say in the magazines; this kiss brings the fire up to the hilt, pulls on the smoke and the kindling and sets everything ablaze. His lips move against yours like molten gold, hot and rich and bright, quick but tender all the same. You feel the heat of his stuttering breaths on your cheek and lean inwards, arching your back slightly, until you feel him moan.

It's a sensation you could get used to, for sure. It's fizzy vibrations on your lips, makes them tingle, all electric. And then, before you can really know it's happening, you feel his tongue on yours.

You're not even sure when you opened your mouth for him. But it's there, the new feeling. It feels wetter, less familiar, but it pulls an involuntary moan out of you and you arch your back even more without thinking.

You get into it, into the rhythm, and let your mind wander to the friction between your hips and the pressure of his fingers under your ribs. They're skirting the hem of your top, his ring finger dipping beneath it onto the skin of your waist. And then you think about it too much, take notice of it too acutely, and you're pulling back and panting, looking down at where his hands are.

"All good?" he asks in a voice that's new to you; it's lazy, his words fuzzy, like he's just woken up. You look up at him and his eyes are hooded, lids low, and he's wearing a dopey half-smile.

"Yeah, just… Feeling lots of things," you say; it's all you can think of to explain this.

"That's kinda the point," he reminds you, and then he's doing that thing he showed you earlier, kissing slowly across your jaw and down onto your neck. It feels just as nice the second time; nicer, even, because you're letting him do it and you're letting yourself enjoy it.

His fingers venture upwards, more of them sliding under your top, until he pulls back and says the fateful words you knew would come soon: "Can I take this off?"

His lips are still on your throat, so he doesn't see the way you wince. When you don't reply he comes back up to look at you. You turn away.

"Hey," he coos, one hand leaving its treacherous territory to hold your head again. "What's up?"

You huff. "No one's ever seen me… naked before."

He smiles, which vexes you. "I'm here 'cause I wanna, baby."

The fucking nicknames.

"I know, I just… Can you just-"

You hold his hand in yours and move it away from your skin, hold it in both of yours to keep it away from you. He breathes an apology but you continue.

"This whole thing, me never doing this before or whatever, I think it's probably got a lot to do with me not really liking this-" you look down at yourself as you speak, "-very much."

You see him take this in, how it melts his features and widens his eyes.

"Okay," he finally says. "We can take this slow, yeah? You wearing a bra?"

"Yes, Eddie, I'm wearing a bra."

"So let's start there. Top off first, and you can see how you feel."

"Okay."

You let go of his hand and he takes your shirt in both. You close your eyes as you feel him lift the fabric, bunch it around your breasts, your que to lift your arms. You do it for him and he pulls up, tugs it messily over your head and throws it somewhere across the room.

"Shit," he hisses.

"What?" you say in a panic, worried something somewhere has gone horribly wrong.

"Look at you," he croons. "So pretty."

The insecurity evaporates, coming off you like a heavy mist, as he dips his head to kiss your collar bones and across the swell of flesh beneath. He takes his time, sometimes pulling the skin between his teeth but never for long enough to leave a mark. At some point he nudges you back and reaches over his head to pull his own shirt off; before he commits, he looks at you. You nod.

This is the most flesh-on-flesh you've ever felt before. It's nice; you're both warm, and he hasn't once mentioned the eighteen thousand different flaws you know are on your upper body.

His is covered in ink – pretty, often in swirling patterns and on his arm there are bats. But between them, there's confirmation of your earlier suspicions: he's got scars everywhere.

You trace them with gentle fingers.

"Don't ask," he says, laughing awkwardly.

"Okay."

You lean back in to kiss him. You’re a lot less confident than he is at initiating, but soon enough you get the hang of it, and he lets you. He doesn't take the reins; instead, he gives himself to you, lets you find your feet by yourself.

You attempt to copy him, kissing his jaw and then his neck, and you enjoy the way he sighs and relaxes under your lips.

As you move further down, teeth grazing his collarbone, he says, "you wanna move? Couch isn't exactly ideal."

You finish your work with a peck to the bump of his shoulder and say, "Sure."

There's some awkward shuffling, and standing in your bra and jeans is somehow more vulnerable than sitting on him, but nevertheless you take his hand and lead him through the door to your bedroom.

He doesn't have as much time to take this room in as the last one, because he wants you on the bed more than he cares to admit. When you flick on the bedside lamp, finally acknowledging how dark it's become now the sun's started going down, all he really notices is how warm the room is.

"Here," he says, manoeuvring you as he pleases. "Lay back, yeah?"

You do as he says, sitting facing him and pushing yourself back so you can lay down with your knees up. 

And then it happens: one of the many cataclysmic revelations of the evening.

"Good girl."

Again, you gasp, looking up at the ceiling.

"Good?" he asks.

"Really good," you tell him. You haven't really noticed that your hands have laid themselves across your chest, but he can't stop staring.

"That's it, see? Love when you tell me what you like."

One of his hands joins one of yours where it's fidgeting with your bra, and the other smooths down one of your legs, urging you to straighten them. You do, and again he says those fateful words: "Good girl. Gonna take these off, yeah?"

"Wait," you snap, sitting up and letting his hand fall so you can lean back with your weight on yours. "Can we do it together?"

"'Course."

"And can I… Can I undo yours?"

"Shit, sure you can."

You sit up and he takes your hands in his bigger ones, moulding them so you're tracing your fingers down the plain of his chest and stomach. You follow the dips and creases, the taught skin of his scars, and finally reach his belt.

He's mumbling nonsense at you, too caught up in everything to keep up the teacher façade, pinching your fingers between his so you can pull the leather through the buckle and get to his zipper.

When you unzip and brush something hard, he drops his hands and tips his head back in a sigh. It's an unfamiliar feeling under your tentative hands but it's not unknown.

"Wow," you breathe, not really meaning to say it out loud.

"Shit, gotta get these off-" He pulls back from your wanting grasp to shuffle out of his jeans, leaving his boxers in place for now. One step at a time.

"Your turn," he declares, smiling, jeans and socks gone. He reaches over to you again to return the favour, undoing buttons and the zip and his wide hand on your hip urges you to lift off the bed so he can pull the denim down your legs.

There's no turning back now; you can never again wonder what will happen the first time someone sees you (nearly) naked.

You've thought about this before, turned an infinity of possibilities over in your mind, but this was never one of them. Not one of them included a pretty boy, standing before you, just as exposed as you are, pawing at flesh and telling you you're beautiful.

His lips ghost over you, beginning at your shoulder and creeping lower. When he reaches the middle of your chest he looks up at you, the angle a little awkward. You nod.

"What're you doing?" you ask him, moving backwards again as he crowds you.

"I'm gonna take this off," he says, tugging lightly at the band of your bra, bringing himself level with you so he's breathing the words into your ear. "And then I'm gonna eat you out."

He may as well be a fire-breathing dragon. His words claw at your scalp like flames and fill your lungs with heat, pulling a sigh from within. You lean back, lying flat on the sheets, and let him have his way with you.

But he doesn't move, first admiring the way you respond and then waiting, lingering above you, too far away.

"What?" you hiccup, looking at him, confused.

"Need you to tell me this is what you want," he tells you.

"This is what I want," you repeat back to him. And then, taking the plunge, you add, "I want you to eat me out, Eddie."

You relish in his response, the way you can almost see him shiver, bare shoulders twitching and chest deflating with a shuddery exhale.

"Christ, yes, okay."

His fingers inch around your back so you arch it, letting him toy with the clasp of your bra. He gets it undone quicker than you expected, and you can't bring yourself to focus on where it goes once it's off because he's got his mouth back on your skin and now he's biting marks in places that would make your past self blush.

You feel his teeth on the swell of your boobs, first the left and then the right, and the rough pads of his fingers over your nipples.

"Shit," you hiss, and then, "no, shit, don't stop," when he halts for a second.

"Feel good?" he asks, muffled with his teeth grazing the stretch of skin across your ribs.

"Yes, yeah."

Gripping the sheets, you arch again, keening into him, chasing the buzz of his lips and the goosebumps they leave.

His fingers leave them, too, especially when they dance over your sides, that bit that makes you feel hollow if you drift over it the right way.

"Can I take these off?" he asks, lifting his head to look up at you from where he's sunk to his knees. You're staring at the ceiling, too preoccupied to meet his eye, and the sight makes him huff a laugh.

"Yes," you respond too quickly.

As you feel his fingers curl around the elastic, he says, "Okay, you're gonna have to give me a hand, alright? Tell me if it feels okay or if you want me to move. Or if you want me to stop, obviously."

"Yes, yeah, fuck, please Eddie-"

"Alright, alright," he laughs, pulling the material down over your knees and feet. At this rate, your bedroom floor must look like an explosion at the laundromat; dirty laundry everywhere, clothes all over the floor.

You're not sure why you're thinking about the logistics of tidying right now, though it doesn't last long, because the cool air on your core is a shock that jolts every limb.

Although he's wedged between them, you seem to have an instinctual reaction to the sensation of being exposed, your legs trying to close around him. His firm hands pull them apart, his fingers grasping the fat of your thighs, and then his lips.

They're on the softness between your legs first of all, nipping and pulling the skin between his teeth as he moves upwards. And then you feel them, the strange, wet contact. There's a feeling, something you think must be his tongue, licking upwards, before it makes contact with your clit.

The pressure is a thunderbolt to the centre, a shock that sends you arching off the bed with a gasp. Your grasp on the sheets tightens for a moment until you feel the roughness of his hair instead; without thinking, you've moved both hands to claw and pet at the crown of his head, earning a muffled moan when you tug ever so lightly.

He calls your name, pulling back, his words heard through cotton wool ears. "You're sure you haven't done this before?"

"Fuck, yes, Eddie I'm sure," you pant in response, desperate for the sensation of his mouth on you again. He obliges your unspoken craving, licking upwards again before settling comfortably at your clit. His firm hands dig deeper into the flesh of your thighs until one of them doesn’t, and before you can think too hard about it, you feel it just beneath his mouth.

The new feeling of his rough fingers on your cunt sends your eyes rolling back; you can't help but squirm and it's driving him wild, the way you're listening to him, the way you can't help but move, the way you're tugging at him without realising.

The gnawing tightness in your core nosedives when he slips, warm breaths replacing his mouth and fingers. You whine like a petulant child, making a noise you didn't know you could.

"I'm gonna use my fingers," he tells you, the distance between him and your cunt not enough to save you from the maddening huffs of breath as he talks. "Have you ever had anything inside before?"

It's funny, how nervous he sounds despite the fact he's knelt the way he is between your knees. His mouth was just all over you, and yet he's still a boy, turned stuttering by sex talk.

"No," you pant, "no, never."

"Okay, it might hurt, alright? You just gotta tell me to stop and I will."

"Okay," you agree.

He settles back into position, his weight rested on his elbows and his face and hand inching closer. You feel it, the stiffness of a finger, but the feeling is unusual and a little uncomfortable.

"You gotta relax," he tells you. "You overthinkin' it?"

"No," you bite defensively.

"It's okay."

You huff and lie back, dropping your shoulders.

"Do you ever…"

Another sigh.

"Do you ever touch yourself?"

There's a momentary flush of embarrassment, a conditioned response to being asked about this kind of thing, but you're here, in this position, naked, so you may as well be honest.

"Yes."

"Okay, what do you think about? When you do?"

"I, uh…"

"It's okay," he says quickly, "don't tell me. Just- just think about it now, right? Somethin' that turns you on."

Something that turns you on? What's turning you on right now is the handsome guy between your legs. His pretty inked skin, the stretch across his shoulders and the ripples in his back. His wide, firm hands, those obnoxious rings, the way he keeps telling you you're a good girl.

It swims in your mind, the vision of him cooing sweet praises, the fizzling memory of those words in his voice.

"That's it, you got it," you hear him tut, as though he can see inside your mind, read your thoughts. It pulls apart the tension in your core and across your shoulders, and then it's back, that feeling, the warmth and the fire, and you sink deeper into the pool of euphoria.

With one finger already half-way inside, he adds a second, his eyes trained on your face in case it's too much. But it's not; of course it's not. He knows he's good, but he doesn't think he's made a girl this happy in his whole life.

You feel it soon enough: there's a fizzing current that licks up from your cunt and into your gut where it lights your nervous system on fire. It runs laps around your body, pinpricks in your fingertips and behind your ears. You grasp at the sheets again, pulling, pulling, pulling, reaching for whatever you can to keep your body from floating away, because it really feels like that's about to happen; either that or you're going to implode, pulling the room and everything else with you like a black hole, hungry for more.

You barely notice the pants, your whiny moans and the repeated prayers of Eddie, Eddie, Eddie, before you're coming apart. He's still going, riding you through it, basking in the sound of his name as it crawls from your mouth. So far he's kept his composure, ignored the searing pain under his boxers, but he doesn't think he'll hold out much longer.

"That's it," he coos, slowing down, rubbing soothing circles into your hip. You're panting, your breath hot and skin even hotter, and you can barely hear him when he speaks. The words carry, though, somehow; his praises of you did so good, and you're driving me wild, and, worst of all with the way it slaps you silly when it comes, I need to be inside you.

You sit up at that, holding yourself up on wobbling elbows to look at him. He's still knelt between your knees, hands resting on them, looking back at you with eyes turned dark and glistening skin. He wipes his mouth with the back of his hand and it takes you a minute to understand that he's waiting for your answer.

"Right," you breathe. "Yeah, okay." You scramble to sit up and twist yourself so you're lying the right way but he laughs and it makes you go cold.

"Chill out, take a minute, yeah?"

His hand hasn't left you; it's on your ankle now, rubbing those same circles over the bone.

All you can say is, "That was insane."

He laughs again, a softer noise this time, and says, "It was, huh?"

"Yeah." You flop back, head in the pillows and eyes on the ceiling above you, your own fingers tracing up and down your stomach.

He watches you from the floor. You're all flushed, glowing something rosy and sprinkled with dewy sweat. And then he watches your fingers, their absentminded journey up from your belly to the dip between your boobs, and back down. You repeat it over and over, and though it's an innocent, repetitive stroke, it's not helping the pressure between his legs.

"I'm gonna take these off," he tells you, giving your ankle a comforting squeeze and tugging his waistband with his free hand. "That okay?"

It dawns on you, as you look at him, that not only are you lying naked in front of a stranger, but that you are about to see that stranger's dick. A stranger who responded to your stupid ad in the paper, who's agreed to this for some stupid reason, and who is stupid handsome and stupid nice.

"Uh, yeah, okay."

He says your name again and it sounds so pretty when he does, and then he says, "We can stop if you want, you know. You don't have to do anythin' you don't want to."

"No, I want to," you say. "I just… This is a lot."

"Yeah," he says with a smile, that one that drips with charm and tugs at your gut. "But you're all good. Done so well so far."

Your body keens at the praise, your back lifting off the bed and it's then that you notice the feeling of want biting ugly marks into the pit of your stomach. You look at him, and he looks back at you, and all you can feel is a gnawing emptiness, a need to be full.

"Let's do this," you declare, sitting back up on your elbows and watching him with needy eyes. He sees it, the darkness that has settled in your irises, the itchy fidgeting of your hands on your sheets.

"Yes, ma'am."

Slowly, he stands and tugs his underwear down his legs and onto the floor. It all feels very real, now that he's stood before you like this.

He laughs at your wide eyes, trained on the straining erection he just let loose. You've never seen a dick in person before, and to be truthful you're not sure you've ever really seen one in a photograph or a video – the adult section at the rental store isn't exactly somewhere you often find yourself – so you have nothing to compare this to, but objectively it looks quite big.

"Will it fit?" you say before you can stop yourself. It comes out a squeak and makes him laugh yet again.

"Yes," he tells you, "it'll fit. But thanks for the ego boost."

He's on his knees on the bed beside you now, moving towards you until he can use his hands to move your legs apart. He settles himself between them and sits back on his heels, leaving one hand on your left leg and using the other to take one of yours. He intertwines your fingers, squeezes, and pulls you to sit up.

"Here," he says, bringing your hand to sit flat on his ribs. He's controlling his voice as best he can, hoping it doesn't sound as desperate as he feels right now. He can't help but stare at you, at how you're looking at him. 

"I'm gonna show you how to touch me, okay?"

"Yeah," you breathe. His hand moves yours down until it reaches patchy hair and then he curls your hand around his dick, his own hand still holding yours.

It's a new feeling, sure, but you're mostly enjoying the short hisses of breath he's letting out. When you move upwards without his help he almost moans, and you decide you'd like to do whatever it takes to make him do it again, and louder.

"Shit, okay, wait. Here-" He brings your hand away and lays it flat, palm up. "Spit."

You look up at him and find his wide brown eyes looking down at you, waiting.

So you spit into your palm, and he brings it back to himself, and moving is easier now.

"Fuck, okay… Yeah, just like that, that's it, shit-"

He drops his hand from yours and leaves you to find your own way, so you copy his pattern of up and down, slowly, twisting your hand as you go.

"Here, move your thumb over the- Fuck-"

You do as he says, perhaps too eager to please, and watch in awe as the muscles in his abdomen tense and he leans forward, resting his weight on one hand planted right beside your hip.

"Okay, okay, that's enough," he says, taking your wrist and pulling you away, ignoring the way you whine.

When he says, "We can worry about me another time," you try to ignore the brief fluttering it elicits deep within your chest somewhere. Dwelling on things said in the heat of this moment isn't fair, you decide; he surely doesn't mean it.

With warm, now familiar hands, he helps you lay back down.

"You got condoms?"

"Oh." You don't, and the truth you're about to tell him is mortifying. "No. They all expired a few months ago."

"That's fine," is all he says, and the fluttery feeling returns when he doesn't ask any follow up questions. No judgement, as promised. "Just wait here."

His hand leaves you at the last possible moment. As he moves off the bed it runs smooth down your leg and over your foot, like he's scared that if he lets go you'll disappear. You watch him hop awkwardly across the room and into your living room, the sight a refreshing injection of humour, helping you relax into the mattress again. He comes back with his jacket in one hand, which he drops on the floor after rummaging in the inside pocket and pulling out a red foil square. 

He pulls it open with fingers that you realise are shaking slightly, and you wonder if he's really nervous, and if so, if he's as nervous as you are.

It takes a few seconds but soon enough he's rolled it on, breath stuttering and dry, and then he climbs back to you and his hands return to your body almost as quickly as they left.

He's hovering over you now, his long hair tickling the sides of your face and the tops of your shoulders, all the places the sun hits on hot days. You're too caught up in watching his every move, too keen to really realise what you're saying before you ask: "Will you kiss me again?"

He smiles and dips down wordlessly, letting his lips slip against yours. It brings back the fluttering and the fizzy feeling, the craving for him. As your tongues move as one, you feel his hand by your thigh, and when he pulls back he says, "You ready?"

You nod, and then, remembering what he said earlier, cement it in words: "I'm ready."

"Alright, I'm gonna go slow, okay? It's gonna stretch more than earlier, but you just keep me clued in, yeah?"

"Yeah."

There's a new sensation at your core, of wetness and something rigid. He's moving against your folds, finding no purchase in the remnants of earlier on, but then he nudges your clit and you jolt upwards and that's when he finds what he was searching for.

He nudges in quickly at first, enough to make you whine a pained sound. He matches it with a low grumble, a vibration right by your ear.

"You okay?" he's quick to ask, head rising to look at you.

"Yeah, yeah, just- slow, please."

"I've got you."

He doesn't move for a beat, eyes trained on the scrunch of your nose. He kisses it and feels you relax, so he keeps kissing, quick flashes over your forehead, your temple, your cheek. Each one brings new relief and as your back hits the bed again, he eases himself in a little more.

The stretch is definitely different; more. There's a burn, but it doesn't completely hide the wave of pleasure you get in the fullness.

"Gonna go a bit more," he tells you, and he does just that, going half an inch further, still watching for any sign of discomfort.

When you bring your knees up by his hips, he knows you're past the worst of it. He chants praise, telling you that you're doing so well, taking me so well as he keeps going, all the way until he's seated inside you, up to the hilt. You breathe in a gasp, filling your lungs, realising you'd been holding your breath for too long. And as you open your eyes, you find him staring down at you with concern and something else.

"You good?" he whispers with his face so close you feel the words as they settle on your cheek.

"Yeah."

"Good girl."

He punctuates this with a kiss, and then another, over the hill of your jaw and onto your throat. Your hands claw up his back, pulling him in until you're sure that if he were any closer, you'd fuse into one.

"Okay," he finally says, lips against the peak of your shoulder. "I'm gonna move. I'll go slow at first."

"Okay."

The feeling of him pulling out is new and nice, but it's nothing compared to the opposite. The combination of the two, the repetitive motion he picks up, is something you want to chase forever.

As he moves, he quickens, trying his best to keep his eyes open and attentive; it's difficult, though, when you feel this good.

"Christ, you're so fuckin' tight, shit-"

"Eddie, this feels amazing, uh-"

Your stomach twists into a coil again, quicker this time, and tightens as he picks up the pace. Above you he's all guttural moans and pretty groans, his lips grazing your cheek each time he moves, and soon his thrusts become too much. You're panting his name and he's panting yours, and along with the sound of skin on skin, that's all you can hear until he speaks gravel-churned words into your ear.

"Shit, 'm so close, fuck- Gotta get you there, baby, huh? C'mon, need you to come for me."

His words are joined by sloppy fingers between your bodies. They fumble in the dark, prodding your belly before finding slippery purchase on your clit. Sparks light up your body and all you can do in response is let it arch into him with a yelp of his name.

"You close?" he asks.

"Yes, yeah, shit, yes," you splutter back. It's like a chase, and you're catching up, quickly, quickly, quickly.

All of a sudden there's a white-hot flash that burns every inch of your insides. You tense, your body yawning open for him, wide and wanting; he doesn't relent, thrusts harder than ever, chases you in return as he feels you tighten around him. You release, the coil snapping, and he brings the pace down to see you through to the end.

There's cotton wool in your ears again but you make out his praises: "That's it, that's it, atta girl… C'mon, I've got you, you did so well."

When your breathing turns regular and your eyes ease open, you feel a warm knuckle on your cheek. He's still going slow, rutting in and out of you with ease now, and when you finally look at him he asks, "Gonna keep goin', that okay?"

You nod, throat closed for the time being so you make it as certain a nod as you can muster. His thrusts become quicker again, and the more he speeds up the sloppier he becomes. You feel sensitive, too warm but also too desperate to see, hear, feel him come undone inside you. It's not long until your wish is granted; soon his groans turn to whimpers and whines, and he calls your name as he shudders to a violent halt. It's intoxicating, experiencing this from underneath him; if this is what everyone's been talking about all these years, you understand why.

The room sways and whistles as he rests his weight on you. His breath, right beside your ear, is like a hot, damp rag, pulling at your sticky skin and the thrum of rushing blood. You hear him groan and then the uncomfortable feeling of him pulling out. The bed bounces gently as he huffs and flops down beside you, and, god, you wish so badly that you could keep those flutters under control because his clammy hand finds yours between your bodies and it's nice to feel the affection he's so devoted to giving you.

Sighing, he says, "Shit."

You laugh, scrunching your face.

"Yeah," you agree, "shit."

He squeezes your hand.

"Did you like it?"

"Yeah. Really liked it."

"Okay for your first time?"

"Yeah." You turn onto your side to face him, looking up at his face. There are a few curls stuck to his pretty pink face, and you admire the bob of his throat as he swallows and the squeeze of his hand in yours.

"You're really pretty," you tell him. You're not sure if this is the post-O haze the magazines talk about, or if it's some kind of clarity, or if it's just that you have this boy in the palm of your hand and you suddenly can't bear the thought of letting him go. Instead you want to plant anchors, heavy lines that will keep him right where he is.

He turns his head to look at you and you see him flush even more.

"So are you," he whispers, with another squeeze and a kiss to your forehead.

There are a few minutes of quiet after that. The light outside is gone for good, so he's glowing a low golden in the light of your bedside lamp. He kisses you again with a fondness that surely shouldn't come with this exchange, which you had rationalised as just that: a transaction, a mutual agreement to get something done.

You see him open his mouth, as if to speak, but close it again, so you reach a tentative hand up and brush some hair from his eyes and trace your knuckle down his temple, urging him.

"My friends," he begins, hesitant, "they're having a party, next weekend. Steve, he only lives round the corner, we passed his house on the way here... You wouldn't wanna come, would you?"

"With you?" you whisper into the fizzy darkness.

"Yeah." He smiles, eyes fluttering shut under your sweeping fingers. "With me."

"Is it a date?"

"It can be, if you want. Or we can just, y'know, go as friends, or whatever."

"No one's ever asked me on a date before."

He smiles, and it's soft and curled with an affectionate pity; one that says I'm sorry, that's not fair, it's nothing to do with you.

"Well, wanna come?"

"I'd love to."

He pulls your hand up and brings it to his mouth, where he kisses your knuckles. Goosebumps raise across your thighs and arms, and you realise you're cold.

He seems to sense your discomfort because you feel him shift beside you. He pulls you up with him and helps you climb off the bed on wobbly legs.

"I should pee," you tell him, heeding the warnings of girlfriends past.

"You should," he says, a little deflated.

You don't move, though. To move would be to acknowledge the end – the end of the transaction, of the favour. It's not something you want.

"I, uh," you begin, stumbling, "Don't- Do you want-"

"I can go now, if you want-"

"No, no, it's okay, I mean, you can go if you want, that's fine, I just-"

Your eyes are darting all over the carpet, skimming discarded clothes, so you don't notice him reach up until he's touching your face, holding it in his palm.

"I'll stay, if you want me to."

"Yes, please."

He smiles at you, sticky with fondness and you can't help but smile back.

"I'm gonna shower," you tell him, leaning further into his grasp.

"I'll be here."

-

"Munson! You made it!"

In the middle of the busy room, there's a tall guy, broad and burly, like all the jocks you went to high school with. He's startlingly pretty, with golden hair and honeyed skin, a wide, bright smile plastered across his face.

He steps on unsure feet over to Eddie, who is stood partially in front of you; you're cowering behind him, willing the courage to lift you and push you into the arms of strangers. For now, holding his hand will do just fine.

"Hey, Harrington," Eddie greets, meeting him in one of those boyish embraces. You look around, taking in the faces; it's not the level of the high-school parties you used to go to, and definitely not the circus of the frat ones you've sometimes found yourself at, but it's busy enough. Where the guy – Harrington – came from, in the living room, there's a circle of people who are all smiling in your direction.

"Who's this?" The guy is looking at you over Eddie's shoulder.

Eddie tells Steve your name, and then turns to you. "This is Steve."

"Hi," you say to him, smiling, trying your best to hide the cruel nerves.

"Nice t'meet you!" he beams back. It's infectious; your smile turns firm and genuine in return. "Here, come meet the gang."

"C'mon," Eddie whispers to you with a kiss to the crown of your head. He pulls you through the entryway, into the large living room, following Steve. He drops your hand to give and return hugs, saying hello to each person. You stand and watch, unsure of what to do, until one of the girls – the first one Eddie greeted – appears by your side.

"Hey," she says, perhaps a little too close.

"Hi."

"I'm Robin." She sticks her hand out and you shake it clumsily.

Eddie's back, with his hand in yours again, on your other side. He calls her Rob and tells her your name, and then does the same for each person – Nancy, Jonathan, Will, Mike, Max, Lucas, Dustin, El – too many for you to remember tonight, but you have a feeling you'll see them again.

"Hi, guys," you return with a wave.

Everything settles after that. You take a seat next to Eddie on the couch, legs up and over his own, making conversation with Robin who you like a lot. Nancy comes over and introduces herself again and you find you like her, too.

And then Steve appears, having disappeared twenty minutes before. He's a little drunker, and he hands you and Eddie a can each. You take it gratefully and open it, taking a swig.

"So," he begins, sitting on the opposite side of the circle to yourself and Eddie. "You from Hawkins?"

"No," you tell him, and repeat the story you told Eddie.

"Sweet! So how'd you meet?"

You turn your head to look at Eddie and find him having done the same thing. His eyes are wide, just as wide as you're sure yours are.

"Uh," you begin, drawing out the sound to buy yourself time. 

"I did her a favour," he says, to your surprise, turning back to look at Steve with a sickly smile. "Just somethin' she'd put in the paper."

"That's so cute," Nancy says from behind you, her words chased by Robin adding a sarcastic, "Adorable."

The conversation moves on after that, and you turn around to Eddie again. He's looking back at you, his face pink and a smile tugging at his mouth. Before you can stop yourselves you're laughing, bursting into happy noises, bent double giggling.

He gives you another kiss, on the cheek this time, and quickly you settle back into conversations. The night is long and for the first time in a long time, it isn't lonely.

-

Hello! This is SO long - it really did take on a life of its own. I considered splitting it but couldn't find somewhere to do it, so I hope you enjoy this absolute beast nonetheless. I love you!

[littletism]

what my life is like as a permaregressor, and common misconceptions!

cw: long post!

being a permaregressor i think is sometimes viewed as a want by a lot of people in the community. i see many posts of people saying they wish they were permaregressors, how awesome life would be to be one, etc.

and that's fine! im not here to tell you i hate my life as a permaregressor, far from it. but it's definitely not all sunshine and rainbows, at all.

for those who don't know, i am a teen permaregressor. bodily i am 20 years old, but i am permanently regressed to about 13-16. this means i never really leave this headspace. i never grew up.

so, what's it like? not really all that different from the life of any other adult, really. i'd say the big major differences are that i don't feel like i relate to any other adults around me, and i have a more childlike/naive view on a lot of things than other people my age. i'd say it pretty heavily affects my stress levels though. i am also wildly more immature than people my age.

do i have the ability to act my age? absolutely. masking is a thing permaregressors are more than capable of doing. i have to mask in order to get through life, especially as someone who works full time to provide for myself and help out my family with bills and such.

it's really hard being a permaregressor in the real world, though. i have a pretty busy life outside of tumblr, i work, i take care of my pets, i see my family often, i go out with friends often, i do the grocery shopping for the house by myself a lot of the time, etc! its really quite stressful to do all of these big adult tasks when you feel smaller than everyone around you.

one big problem i see permaregressors who are bodily adults face, is the constant Infantilization we receive, often from other regressors. because we never fully leave our headspaces, we're told we can't do adult things because we can't consent (ex; to things like alcohol or drugs or other adult stuff). this is horrendously untrue, and many of us do not want to be treated like we're actual children. many of us WANT to lead normal adult lives. of course i want to be treated like im little when im regressed to a toddler or a kiddo, of course i wouldn't want to do adult stuff in THOSE headspaces, because they aren't permanent! i'm stuck like this for the rest of my life, and i shouldn't let it define me or force me to be a certain way. im bodily an adult and therefore i expect to be treated like one when in my permaregressed headspace.

i truly do believe this community should be a bit more educated on permaregression. i think people definitely look at it with rose-colored glasses. i also hope no one, especially other permaregressors, found this post to be too pessimistic! i love being a permaregressor, and i think everyone who is one should be allowed to love being one as well.

xoxo

[starlight727]

One-way ticket to a Beast Cookie’s heart

How to get the Fallen Heroes to like you in an instant

Written by me cause I want to

Source: Trust me bro

One way to get the Beasts to like you is by showering them with constant attention. In this essay, I’ll be going through all the Beasts and how to befriend them.

Shadow Milk Cookie: He’s in the show business AND he’s silly, so basically just clap, laugh, smile, congratulate and appreciate him and he’ll follow you around like a lost puppy, coming up with ways to make you laugh cause you’re his favorite audience member. If you’re lucky, he might even call you his “Little Star” cause by then you’re the star of his show!

Eternal Sugar Cookie: Compliment her, flirt with her if you can, give her gifts from time to time and she’ll throw herself at you, giving you tight hugs and kisses, she might even invite you to sit on her cloud and sleep together.

Mystic Flour Cookie: Listen to her talk about the world and stuff, and you can tell her how much the world has changed since the Beasts were sealed. She will become interested in your knowledge of Earthbread and would like to know more about it. You can talk about your adventures and she’ll be sitting or floating next to you, listening carefully to every single word.

Silent Salt Cookie: He doesn’t talk much, so maybe what you could do is sit next to him and just have a normal conversation about anything, you can even offer to spar with him (hoping he doesn’t kill you in the process). If he ever does talk, you just sit back and listen, add your own comments whenever you can.

Burning Spice Cookie: YELLING COMPETITION!! He wants to fight and call you a weakling, SAY YOU DON’T GIVE A SHIT!! Let’s see how he reacts to your raw energy, let’s see if you’re as confident in your words as you are confident in BATTLE! Spar with him, compliment his ways of attacking and admire his pure strength, he’ll for sure want to see more of you and your wild side!

If it works, congratulations, you saved the world with the power of bullshitting your way out of trouble friendship/love (all that cheesy stuff you see in teen rom-coms and Disney Channel movies)! If it doesn’t, it was nice knowing you.

Thank you for coming to my Ted Talk and good luck!

[alllgator-blood]

I s2g if you add the layers of these comic pages together, it's over 350 layers. THIS is why I don't do full color for my comics lmaooo- ANYWAY EVERYONE HERE HAS AN AU APPARENTLY, SO THIS IS A BRIEF GLIMPSE INTO MINE. I don't know what to call it yet but I'm thinking of calling it "famous prophets" because 1. I like that car seat headrest song, 2. it's about shamura who is prophetic, 3. it's about trying to outrun fate with the Power of Love (and failing. Like the song!!!). It takes place when all the bishops were teens/kids during the age of hundreds of gods at war, and were trying to survive as a family.

I'm really excited to work on stuff for it but it's all gonna be drawn out of order. Maybe I'll write a full explanation of what it's gonna be about when I have a better idea...I want to channel my eldest sibling angst in a productive way, and maybe establish a QPP between shamura and a completely random npc everyone forgets about <3 also kallamar is trans too cause I said so. I'll do a comic about it eventually. Instead of an absence of gender he has TOO much gender. It simply cannot be contained.

I like that nonbinary genders are normalized in cult of the lamb to the point where nobody singles anyone out for being a they/them, it's not like "THIS IS MY SIBLING SHAMURA. THEY ARE NONBINARY AND USE THEY/THEM. ALRIGHT BACK TO KILLING YOU", it's just like "don't you fucking dare make my poor sibling wake up from their nap to kick your ass. Cause they deserve better than this."

But at the same time I like having the freedom to be more specific, and say "shamura is voidpunk and their gender is best described as the feeling that overtakes you during the first snow of the year, when everything outside is deathly quiet". This comic is actually derived from the time I was walking through a forest that's been torn down for a few years, and came out to my little sister as trans. I must've been like 13 or 14 and she didn't really get it as a 10 year old, but it was better than my mom FREAKING OUT about me coming out. So it was a nice little bonding moment between just the two of us. I don't have a good memory so I don't recall how it went unfortunately...

Now, the climate is a little different. My sis tried out transmasculinity for maybe 5-6 years before feeling happier as a woman, my mom is trying to be Based and flaunt her Woke trans children, and my dad remembered "oh yeah trans natives have existed before colonization. Maybe me being transphobic is a product of my culture being erased" and has gotten better about calling me the right thing. I have a mustache (thanks pcos!!) and wear skirts and am not a repressed "tomboy" teenager anymore. But I can't help but wonder what would've happened if I could've been like shamura and just...been nonbinary without people being fucking weird about it. Or been born as a badass war god who will tear you to shreds before you can perceive my birth sex. I know they're fictional but they are my ultimate gender envy GRRRRR BARK BARK BARK

Here is the secret image for this post- I listen to mostly EDM when I draw cause it keeps the energy up, but as I was finishing up shamura's poetry part, I was like THESE ARE JUST KMFDM LYRICS so I made this

[fandomfuntimem]

Dp x Dc or just Dp things I (personally) want to see more of.

Just some stuff I've seen and really liked but never see enough of.

Danny is very casually a genius and/or skilled (engineering, gymnastics, really any skill you pick):

There isn't enough of it tbh. I dont think people realise just how smart and skilled he is. Being a ghost probably made him very flexible and gave him extra abilities the average human may not have. Also he comes from a family of scientists, yeah maybe up against them he doesn't seem smart, but being "smart" comes in different forms. More often than not the ability to be smart comes from your ability to pick up on things, retain information, understand information, and use that information accordingly. Danny does that, especially with his villains. He even finds outside the box ways to defeat his villains. Like tricking Freakshow into becoming a ghost.

I just think its under utilized. A lot of Teen heros are geniuses but no one ecknowledges it. Hell, you can make it that Danny doesn't even realise just how smart he is. He doubts it and often thinks he's one of the dumber people in the room. But when sleep deprived and running on a cup of coffee he can solve a problem he hasn't even seen before the konk out for an hour.

Danny has BEEF with the JL or isn't outright a fan:

In a lot of fics the JL (especially Batman) are huge hypocrites. Like they'll barge into Amity trying to solve problems that don't even effect them, screw things up more, then offer Danny more training. Hello????? You guys being there caused the problem???? Then, in other things Batman preaches about territory and Danny will get threatened or treated with suspicion for even stepping foot NEAR Gothem, but then barges into his territory like its his buisness.

Let Danny call them out. Let him point out that everything has been fine untill they showed up. Let him get MAD. This is HIS territory, HIS haunt, HIS people. These guys have done nothing for him! Why should he accept their help when their help only makes things worse? In fics where they help him because he needed it and ended up in Gotham let him be suspicious and careful. He doesn't need to be vivasected or hurt to be warry of the crime fighting furries he just met.

Mans has the experience to know you can't trust anyone untill they prove you can.

Danny should be casually overpowered and spooky:

This isn't even he has to be experienced. He is so used to his powers he doesn't realise how scary it is. He will casually stop a punch from superman, laugh, quipe, then punch back.

He accidentally breaks stuff, walks through things, glows, its so normal for him. He apologizes and does it again because he forgot. He genuinly has no idea how strong he is, he just knows he needs to be soft on humans.

Danny and Phantom are very different personalities:

I'm not saying they're two different people. They have the same mind same person. But the way they act is so different. Danny is grumpy, quiet, whimpy. Danny is a loser, and everyone knows it. Phantom, on the other hand, is confident, he jokes, smiles, makes a game out of his struggles, he's strong. Phantom is just a good guy. Everyone (minus others) loves him!

This happens because Danny is more comfortable as Phantom or Vise Versa. Sertant trates carry over, they're nerds, they're smart, they enjoy a good pun, they're sassy. But because Danny is a loser everyone sees it as lame, but with Phantom its endearing.

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None of this means you need to get rid of silly nerdy Danny. You can have that but all these other things ad depth to his character. Hes smart but not confident, he's kind but not naive, he's powerful but not violent, and he finds comfort in the fact no one knows him.

Idk. I'm not a big fanfic writer so i thought i would just share and see what others do with it.