#'fine forget i asked'

[chenziee]

The very concept of a Luffy - Katakuri relationship (however you interpret it) is so funny because these two would drive everyone insane by having entire conversations with kenbunshoku only

Just imagine a lazy afternoon on the Sunny, everyone relaxing and enjoying the quiet... and suddenly Luffy screams, "NO I WILL NOT SHUT UP, FUCK YOU, MEAT IS BETTER THAN DONUTS!!" And even the sea kings 500 meters below jump out of their skin in shock because neither Luffy nor Katakuri have said anything in like an hour.

And then it would just be Luffy and Katakuri shooting snappy replies at each other, sentences that seem completely unrelated to each other or, you know, to anything at all because they only say the things that they just HAVE TO say out loud so everyone is so fucking confused? What the fuck does mochi have to do with rain? Or Big Mom's vivre card with Robin's flower garden?

And then Katakuri finally leaves but that's not the end to their suffering, oh no. Because after every time they see Katakuri, it takes Luffy a good half a day to un-learn future-talk. So Sanji would ask what Luffy wants for dinner, and Luffy would perk up, his eyes shining and drooling.... but it would take him a solid minute to realise that Sanji does not, in fact, know what Luffy was going to say

Needless to say, the Straw Hats fucking hate it whenever they see Katakuri

[just-an-enby-lemon]

The thing about jonmartin is that Martin wants to be a romantic, he loves poetry and probably watches romance but for him it is a fantasy, a silly game he plays. Martin is at his core very cynical. Things don't work out for him so he doesn't really belive in romance, it is a pretty dream but that's it. He is pratical and realist. Dating Jon he has to remind himself it is real and he actually struggles with romantic gestures, it is something he has to remind himself to do, to remind himself he can do even and honestly who even has the energy and what if Jon doesn't even like it?

Jon on the other hand wants to be cynical. His first coping mechanism was pretend the things he was afraid of weren't real and goddam if he isn't afraid of love. It didn't really work to him so far so it's easy to pretend he doesn't care. But he is a romantic at heart. He saw love and he read about it and he has enough evidence that it is undeniable. And to be honest Jon was always to much a bunch of mushy feelings hidden in a grumpy (and bitter and afraid) trench coat. Dating Martin he has to hold himself so he isn't too much. He plays the grumpy unromantic guy at first. But he just can't stop giving flowers and planing dates (this is the guy that saw a theme park on a fear domain and considered how he wanted to take Martin to a romantic ferris whell date [until he discovered Martin was afraid of them]) and making all the silly things one does when in love.

TR: Martin is deep down very cynical about love but wants to/pretends to be a romantic and Jon is deep down very romantic but wants to/pretends to be cynical about love.

[papercranesandpride]

Begging my fellow aros to realize that "x kind of love is so much better and more special than romantic love" is not actually fixing any of the problems with amatonormativity. That's just replacing one hierarchy for another. And you're screwing over atertiary alloromantics by saying that their preferred kind of relationship is lesser. You know, that thing alloromantics do to you all the time and you hate.

And of course God forbid anyone just doesn't do that whole love thing at all. We can't have that. Even if you're aro, love and relationships must be the most important thing.

[oifaaa]

badly drawn steph?

I like art bc I can force characters to think about what ever I want them to think about and no one can stop me anyway heres steph

[o3o-lapd-o3o]

okay here's part 6! this literally was not meant to be as long as it is, but i got carried away while doing some archery research... and here we are.

hope you guys enjoy! part 7 will be uploaded tomorrow!

(p.s if you're an archer/know archery and i get stuff wrong please don't yell at me, google can only give me so much info hdshdshdh)

the post/thread that started this whole au

dinner scene: part 1 | part 2 | part 3 | part 4 | part 5 | part 7 | part 8

there's a masterlist now!

*athena had left not long after midday, but not before saying she’d see them all later at dinner*

*telemachus, odysseus & penelope are all together in the palace gardens*

*penelope is sitting on a bench, with odysseus also laying on it & his head in her lap as they watch telemachus practice using a bow and arrow* 

telemachus: *trying to aim for the centre of the target in front of him*

telemachus: *struggling but wants to show his parents what his training with athena is doing for him*

telemachus: *lets the bowstring go*

*the arrow flies through the air, but misses the centre of the target completely and hits the edge of the target*

telemachus: *drops the arm holding his bow to his side and sighs in disappointment*

penelope: *looks at her son and then looks down at odysseus*

odysseus: *looks up from his son to meet penelope’s eyes*

*both seem to have a conversation through their eyes*

odysseus: *smiles and nods at penelope*

odysseus: *gets up from penelope’s lap and walks over to telemachus*

penelope: *smiles while watching odysseus head over to their son*

odysseus: don’t be disappointed son, go ahead and nock another arrow

telemachus: *does as his father says*

odysseus: now draw and anchor, as you normally would

telemachus: *again does what odysseus asks*

odysseus: *looks at his son’s pose* ah i see some of the problem

odysseus: *gently takes hold of telemachus’ drawn back elbow* 

odysseus: ok your elbow needs to be a bit higher, and just straighten your back a little…

telemachus: *follows odysseus’ instructions*

odysseus: *stepping back so he’s not in the way* that's perfect! now breathe in as you would, but not to the point it hurts! 

odysseus: and then as you go to let the string go breathe out but not all the way, about only half way

telemachus: *breathes in as he aims for the centre of the target again*

telemachus: *steadily breathes out and releases the string*

*the arrow flies through the air again… and hits just slightly off the centre of of the target*

telemachus: *looks at the target in disbelief but in also joy*

odysseus: *cheers in happiness for his son* you did it!

penelope: *clapping and calling out to her son* well done telemachus! 

telemachus: *drops his bow and turns to his father*

telemachus: *gives odysseus a hug* thank you father!

odysseus: *hugging his son back* no need to thank me, i’m happy to be able to help teach you!

telemachus: *lets odysseus go while smiling*

odysseus: *looks down at telemachus’ bow then picks up it up and grabs an arrow*

odysseus: *nocks it with ease and shoots it in the blink of an eye*

*the arrow hits the dead centre of the target* 

odysseus: *turns and hands the bow back to telemachus*

odysseus: now, how about you keep practising? once you have this completely down i’ll teach you other things you can do with a bow

odysseus: *hand under his chin in thought* i’ll have to get an archer’s ring commissioned for you

telemachus: *stares at his father in shock at how easy he made that look* i didn't know you knew so much about archery- i mean…

telemachus: *thinks back to when odysseus shot an arrow through 12 axe heads*

penelope: *giggles to herself as she realises even their son doesn’t know about his father’s mastery & skill with a bow*

odysseus: *looks over at penelope, and then he understands just why she's giggling*

odysseus: *now looks at telemachus with an amused expression*

telemachus: *sees his father’s expression*

telemachus: *holds his hands (with the bow still in one of them) up hoping he hasn’t offended his father*

telemachus: not saying you didn’t know how to use one! 

telemachus: i thought you just knew the basics and that ‘trick’ you did to prove yourself, was originally just to impress mother?

telemachus: *puts his arms down and then looks down towards his father’s hands* besides, that ring you wear on your thumb is just a normal one like the other’s you wear isn’t it? 

telemachus: it certainly doesn’t look like any archer ring i've seen before at the markets…

odysseus: *laughs to himself and holds up his hand* oh this? you’re right it doesn’t look like an archer ring.

odysseus: *rubs his thumb along his index finger* that's because it isn’t a normal one

telemachus: *looks again at his father’s ring to see it now has a point to it like any standard archer ring*

telemachus: *looks up at odysseus’ face, then back down to his hand and then back up to his face again* 

telemachus: but- you- it- hOW?

odysseus: *rubs his thumb against his index finger again and the ring is back to looking like any standard ring* 

odysseus: *looks from telemachus to penelope* ask your mother, it was a gift from her

telemachus: *immediately swivels to face her*

penelope: well, as you’ve now found out…your father isn't one to let people know he’s a skilled archer, so i ‘commissioned’ an archer ring to be made for him that could hide as a normal ring when not needed. 

telemachus: wow! the jeweller who made this certainly is skilled then

penelope: *thinks back to asking athena if she could try to get hephaestus to make one*

penelope: yeah skilled indeed 

telemachus: *turns back to odysseus* so why didn’t you want people to know? about your skills as an archer i mean.

odysseus: sometimes it's best to not reveal all your strengths

odysseus: *grins while shrugging* keeping people guessing is also fun

odysseus: *walks to telemachus and ruffles his hair* anyway, back to practising! i’m going to head back over to your mother, but call me if you want me to assist with anything ok?

telemachus: ok!

*time passes as telemachus keeps on practising, odysseus is back to laying in penelope’s lap while she caresses his hair*

*odysseus wants to keep watching his son but is struggling to not fall asleep from penelope's motions*

*telemachus notices so decides to discuss some final dinner plans with his mother*

telemachus: so the cooks have everything they need for tonight, right? are you sure you don’t need me to quickly run down to the market for anything? 

penelope: *smiles reassuringly at telemachus* they do, and if on the off chance they don’t i'm sure one of them will go to the market themselves. no need to worry yourself my son.

telemachus: *nods while getting another arrow ready* 

telemachus: *starts pulling the string back when he has another thought*

telemachus: oh what about the seating plan? i should probably tell fathe-

penelope: *who knows about athena’s seating plan, and also knows that odysseus doesn’t (hey she wants to have some fun too ok?)*

penelope: *forgetting about her husband peacefully half-asleep in her lap*

penelope: *jumping up from the bench* NO-

telemachus: *not expecting his mother’s outburst*

telemachus: *lets the string go accidentally and also having lost his aim*

odysseus: *falls off penelope’s lap and the bench with a startled yelp*

*meanwhile the loose arrow now wizzes straight past the target, through the garden trees and over the palace cliffs, heading into what looks to be its final destination of…. the sea*

telemachus: *turns to face his parents* mother, are you ok? why did you yell no?

penelope: oh um… i’m sorry for shouting telemachus 

penelope: what i meant to say was, there's no need to spoil anything. we’ll keep it as a surprise!

telemachus: uh ok…

odysseus: *face down on the ground and groaning from the sudden series of events*

odysseus: *pushes himself up and looks at his wife*

odysseus: penelope why?

penelope: *laughs a little at odysseus’ rumpled state* 

penelope: *helps him up* 

penelope: i’m sorry my love *kisses him on the cheek*

odysseus: *smiles at the kiss and then brushes his clothing free of dust*

odysseus: what were you two talking about anyway?

telemachus: uhh-

penelope: -the final bits for dinner! speaking of which, we should all go and start getting ready!

penelope: *points at the sun starting to set* helios is not long from being done for the day, and i'm sure when selene takes to the skies, our dinner guests won't be long!

penelope: *starts to head inside* come along you two!

telemachus: *to odysseus* what about the archery equipment?

odysseus: *shrugs* we’ll deal with it later

*telemachus & odysseus follow penelope back into the palace*

[a-most-beloved-fool]

Tell us more about your hate for Dr. Mora...?

Yes!

The thing with Dr. Mora is that the people who wrote him weren't actually properly aware of what they were writing. What they intended to write was a nuanced father-figure who gets to reconcile with his formerly no-contact son. What they actually wrote was... a bit different.

I've talked about him on here before, so I'm going to go ahead and link that post here, because I think there was good discussion (and it's a bit shorter), but if you want the long answer, it's below the cut!

From even before Mora's first appearance in The Alternate, we know that Odo feels a great deal of resentment towards him as a direct result of how Odo was treated when he was in Dr. Mora's lab. He is mentioned more than once before he ever appears on screen, and always in negative or neutral ways (such as Odo speaking about the 'Cardassian neck trick' that he clearly didn't enjoy performing).

When he does first arrive on station, Odo is very obviously uncomfortable with him. He does not want to spend time with Mora - in fact, he explicitly states that he does not see Mora as a father-figure, and that he does not trust him.

Now, the plot of this episode features a gas which caused Odo, when in his rest-cycle, to unknowingly turn into a seemingly-mindless monstrous creature. Seemingly mindless, I say, because the creature does have enough of a mind to remember his resentment of Mora and repeatedly target him. I, personally, am of the opinion that That Level of resentment does not come from nothing and can't be easily dismissed.

During this episode, Mora is the first to realize that the creature is Odo. He pulls Odo aside and informs him of this. I'm just going to leave a section of the episode summary from Memory Alpha here, because I think it says it better than I can:

Odo proposes that the gas from the planet they were on affected him somehow, but Dr. Mora suggests Odo may have been responsible for unsolved crimes in the past. He then says that now that they know the truth, none of the station staff will trust Odo, and advises Odo to return to the scientific center with him, stating he has experience with Odo.

To me, that reads as a wildly abusive interaction. That is Mora trying to manipulate Odo by distancing him from his friends and casting doubts on Odo's ability to do his job (which Odo takes great pride and comfort in). He takes the two things most important to Odo - his connection to his coworkers, and his career, and dismisses both of them as false, somehow. It's deliberate, and it's cruel. The phrase, "he has experience with Odo," especially gets on my nerves. That is not a wording that would be used by a man who sees Odo as his son or as a sentient being. That's how you talk about a feral animal or a science experiment. Frankly, I think Mora does see Odo as a science experiment. He's curious about Odo's interests only to the point that he thinks it's curious that Odo can have any interests or preferences at all. He doesn't actually respect Odo as a person - he only sees him as something to study.

There's a very small amount of conversation between them at the very end of the episode where Mora says that he never knew how Odo felt about their time at the lab, and Odo agrees to let Mora be a small part of his life going forward, which is supposed to be a start down the road to reconciliation, but it doesn't feel earned. It's cheap and, honestly, a little insulting.

Already, I do not like this man, but the episode The Begotten is where things really go downhill. This episode is supposed to show a proper reconciliation between Odo and Mora. It tries to iron out all of the resentment that Odo still holds about how he was treated at the lab.

It fails, utterly.

This episode starts when Quark acquires an ill changeling infant. Odo is the one to recognize the changeling for what it is, and takes it upon himself to try to teach the changeling about the world and how to shapeshift - made more difficult by the fact that Odo is still stuck in his Humanoid form.

Sisko suggests that Odo get the help of Dr. Mora, citing the fact that Mora had worked with a baby changeling before. Odo flatly refuses. Mora shows up anyways, entirely uninvited, and Odo does not want Mora anywhere near the infant - and certainly not without supervision. We know that Mora's methods for 'training' Odo involved pain and discomfort, and Odo is opposed to allowing the same methods to be used on the infant. He wants to take his time, and let the infant grow and learn at its own pace. But the changeling is slow to learn, and Starfleet is impatient, and, eventually, Odo is coerced into using pain to force the infant to change its shape. This works, and both Odo and Mora are delighted. Both acknowledge the utility of the other's method - Mora says that Odo was correct to build a connection with the infant, because it clearly likes him, while Odo says that the pain was also necessary.

This is supposed to be read as a good thing. The use of electricity and other pain-inducing methods is, I believe, supposed to be read as a 'necessary evil' - like requiring a child to eat their greens or take a bath when they don't want to. It claims that Dr. Mora just wanted what was best for Odo, and that he loves Odo. It even goes so far as to imply that Odo is being cruel to Mora, by keeping him at a distance and not forgiving him for the past.

In my opinion, that is an absolute load of hogwash. What I see is not a parent who tried their hardest but was flawed. I see a man who tortured a child, and now refuses to understand why the child may resent that. Part of the issue is just that it's a really shitty analogy. There is no world in which tossing a child into a Pain Machine is the same as requiring a child to comply with a set bedtime. It's abuse, straight up. I cannot see that as anything other than Mora deliberately causing actual pain to a literal infant. Frankly I do not care that it "got a result"

Now, it's true that, with Odo, Mora did not initially know he was working with a sentient being. But firstly, that excuse doesn't apply to the new changeling child, and secondly, he never once truly apologizes. Throughout, he maintains that what he did was justified because it got results. Even when he acknowledges that Odo's method of building a connection with the child helped, he still believes that the pain he caused was necessary, and that Odo's resentment of him is nothing more than an overreaction.

The episode seems to agree with him. The episode, in fact, seems to think that Odo should be the one apologizing to Mora for not forgiving him sooner! Everything we've seen of how Odo interacts with Mora suggests that Odo was traumatized by him (and I do mean literally traumatized, not just the way the word is now used in pop-culture), and somehow the episode appears more concerned with the fact that Mora is hurt that he's not allowed a place in Odo's life. Odo's discomfort around Mora and around letting Mora near the child is seen as irrational.

Mora never actually acknowledges faults in how he treated Odo. He apologizes that Odo felt hurt, but never actually accepts that he caused it, and when pressed, deflects blame onto the Cardassians and deadlines. This is mirrored in the episode by Starfleet and Sisko giving Odo deadlines re: the infant's development. Odo only turns to using pain on the child because he's running out of time - and then he does use pain, and the infant responds, and Odo decides that Using Pain On Children Is Good. This was written as a spot for Odo to relate to what Mora went through and to sympathize with him, with understanding paving the road for reconciliation, but it just. it pisses me off. This is just the fucking cycle of violence, illustrated in full-color.

(I also disagree with how they wrote Sisko in the episode, tbh. That man adores babies. You cannot convince me that he could hear the word "baby" and not immediately do everything in his power to protect the changeling baby from Starfleet pressure. Like, c'mon.)

So, while the episode sees a 'reconciliation', I see a man who was abused by his father-figure slowly get coerced into using the exact same methods, and then decide that they were correct and justified after all. It reads like a horror story, to me. The message seems to be, "you should forgive your abusers if they're your parent," with a side of, "corporeal punishment is fine and often good, actually," and a little dash of, "it's cruel to go no-contact with your parent, because you owe them for raising you. it doesn't matter what they did to earn that treatment - you're overreacting."

Obviously, I don't believe this is what the writers tried to write. But it sure is what it looks like to me! And I know that I'm not the only one who reads the episode this way.

To be clear, I don't hate Mora because I think he's an abusive 'father' - though I do, certainly, think that - I hate Mora because the writers were entirely unwilling to acknowledge that he's abusive in any real capacity. They wrote an abuser who was actively abusing, on screen, and pretended he was just a normal loving father who screwed up a little, and who didn't deserve how poorly he was being treated. They could have done fantastic things with him! Instead they blindly wrote... that.

[blueskittlesart]

foxboy has been forcibly made ambidextrous due to blueskittles' forgetfulness

all characters are ambidextrous when im writing them (< guy who doesnt know the difference between left and right)

[arttsuka]

Could you, maybe, draw some Tigger and Rabbit doodles?

(And I personally request stuff cause LOVE how you draw! I simply can't explain it!)

Here you go

[fumifooms]

thanks for infecting me with marchil its so so fun to just see them pair themselves up in the background now

especially love how much she picks him up like a cat (and when he has the opportunity to do it to her too he just lugs her around like a sack of oats) gosh i love them they're so funny

YAAAAAA 🎉🎉 I’m so glad to hear it welcome to the sillies corner 🤝

THEY’RE SOOO SO FUNNY

They’re worsties that cannot get enough of each other

[wackywatchdotcom]

Seeing you be very normal about small details in the show got me thinking about Pomni, and I was wondering if you've thought about the possibility that Pomni probably hasn't eaten in several days. Like, we know they don't NEED to eat.. but it's probably not healthy for her mentally to skip the process of 'taking care of your body'. Ragatha, for example, says that participating in sleeping despite the fact they don't need to- helps keep them mentally steady. Idk just a thought..

ooooooooh.... its a good thought!!!!!

i DO think that like. theres definitely some psychological aspects to a lot of things like eating and sleeping that i feel like tadc characters would be at risk of neglecting... like with something like sleep, i think they can go without it for a LONG time without physical fatigue BUT at the same time like. psychologically sleep is IMPORTANT. i dont know all the science of it but iirc sleep isnt just a physical need but i get the feeling thats not smth that occurs to people in the circus often :[ ragatha seems aware enough of the benefit of the routine of sleeping and how the adventures can be helpful for that to BUT i imagine even she doesnt fully realize that sleep is still pretty important for them, just in a different way

on that note i could definitely see eating being similar!!!! its not something thatll physically harm a person in the circus if they dont eat but also eating is a deeply ingrained aspect of human life, and while i struggle to place a specific problem abstaining from it for too long in the circus couls cause, i COULD imagine it being like. at LEAST psychologically disorienting. especially with jax claiming he feels hungry??? it implies that its similar to the breathing thing that they may not phsyically need to , but their mind still assumes they do....

i DO get curious if they have like. regular meals?? i liek the hc that theres some sort of kitchen in the circus (seeing the weird little couch area was SOOO exciting for me, im super invested in finding out more about the layout of the circus!!!!! i like details like that theyre FUN) so imagine theres SOME way to access food just like how they have bedrooms (though, i get the feeling caine doesnt have a complete idea of what sleep IS but thats a diff thing). but also with them having a feast at the end of the pilot could imply they do, but with that 'reward' not being brought up at ALL in the next three eps (caine has the opportunity to mention it but noticably doesnt, especially in ep 2 where he just full on Leaves after the adventure- it seems more like he just sorta congratulates people on completing adventures and makes sure everyones accounted for and calls it a day) makes me think that communal meals are NOT super common, or at the very least them being coordinated by caine isnt...

all that to say that if shes only been part of the ep 1 feast (i cannot imagine she ate i feel like she was too out of it to do Anything😭) i am unsure if shed have gone out of her way to find a kitchen... if she wanted to know i think shed feel comfortable asking ragatha about it, but i wonder if its even crossed her mind???? and i imagine that would be jarring for her to realize, and also generally psychologically Not The Best for her...

[that-foul-legacy-lover]

my body: *decides to execute itself*

me: Childe Tartaglia Ajax Foul Legacy the Devouring Deep the Eleventh Fatui Harbinger wouldn't treat me like this

[discordiansamba]

(continuation of this)

there's a tea shop in ba sing se that he's started to frequent, which is weird, because he doesn't even like tea that much. the tea here isn't even that good, either. he's heard rumors that it was better once, a decade ago, but the teamaker responsible for the improvement of the flavor left for a better job.

(he took his infamously surly nephew with him.)

but he still finds himself in the shop once a week, after work. he doesn't know why. he's just drawn to the place. he's drinking his usual (jasmine- it's always calmed him) when an unassuming old man enters, and the shopkeeper nearly faints dead on his feet.

the man is mushi, the teamaker from the rumors. he smiles at the shopkeeper and asks if he can go to the back, for old time's sake. he comes out later with a fresh pot of tea, passing it out to the customers one by one, before he finally stops in front of his table and sits down across from him.

"do you want some?" he asks. "it's jasmine."

he blinks, but doesn't see any reason to refuse this man. there's something about him. something that reminds him of his own uncle. the man smiles, and pours them both a cup of tea. he asks him about himself- how does a young sandbender such as yourself end up all the way out in ba sing se?

and he... tells him. he's not entirely sure why. he doesn't know this man. but there's just something about him that makes him want to tell him everything. he's like a calming presence in a storm. the old man listens, only speaking occasionally.

(he remarks on his hands, peppered with tiny burns. he ducks his head when he admits he has a tendency to be careless around fire. it shouldn't burn his hands, some part of him always thinks. he's never told that to anyone, but the old man seems to understand.)

they must talk for hours, only bringing the conversation to a close because the tea shop is closing. he's... reluctant to leave. he wants to spend more time with the old man. the old man merely smiles, and promises him that their paths may cross yet again.

(iroh watches the young man who has the spirit of his nephew until he can no longer see him. only then does he weep. they are tears of joy, for he has found him again... but also tears of sorrow.

zuko lives, yet zuko is gone.)

[vanivanvanilla]

a look inside my beautiful mind (blank chart here)

[cardo-de-comer]

Hello, just dropping by to say I love your art and artsytle ❤️✨️ (and thank you for a like on my humble stuff, I appreciate it coming from an artist I follow and enjoy so much)

Best wishes!✌️

thank you! and np, I always love some good s.t.a.l.k.e.r fanart! especially rn in my times of need when s2 won't work on my pc...

[fastianini]

Valentino Rossi & Marc Márquez

all i need—radiohead