#心光

[yumingpai]

A Luce dell'Amore (M1)

Hearts In Light When We Shine As One (Gentle Italian Song) ✨

Brilliamo Insieme I Nostri Cuori in Sintonia (Melodia D'amore) 🌟

心光相映 讓愛照亮你我前路 深情戀歌 💫

#心光 #Insieme #Together

https://youtu.be/_W2l8JdaS28?si=Tchk5tQ5oiGLTv9Y

[donsasuke]

Tokyo bnw view 2016

[capricorn-mitsu]

おにぎり担当

[chitaka45]

京都　東福寺　光明院　[畳アート]

kyoto to fukuji temple komyoin

[key-cat]

人は毎日髪を整えるが、どうして心は整えないのか？

Every day People straighten up the hair, why not the heart?

Che Guevara チェ・ゲバラ

[mineda00]

[yukimi-ya]

[murderedbyhomework]

Wip Wednesday but it's friday

Ngl I feel like the mlc fandom is kinda sleeping on the sheer fuckery that is daohua, so here's ig now I'm going on a daohua tangent in my difanghua wip

Yes Shan Gudao is still 10 years older than Li Xiangyi in this

[asagitori-blog]

Introducing my Touken Ranbu OC Sekishin Okimitsu, Sannan/Yamanami Keisuke's Sword 💕

The hair was supposed to be black but a green tint would show when light hits it. I wanted the hair color to complement the color of the clothes. I'm not sure if I should change the green tint since people might think I'm copying Nikkari. (I might change it to a different color later)

I wanted him to have a red, black, white, and silver color palette. (I might change the colors a bit later since I'm not 100% happy with it) Fun Fact, Okimitsu has the kanji for red (赤) and heart (心) in his name. I wanted to incorporate this into his design.

I wanted him to look really pretty but also fragile. Since he's an Osaka sword like Saito's Kijinmaru. Swords made in Osaka were said to have been very beautiful but break very easily. Kondo even wrote in a letter saying that they were no good.

Also, I don't know if you can see it in the images above but I'm really proud of how the subtle coloring in the lips came out 💕

also, I just realized I forgot the hood on his haori arrgh

I had this idea that Sanan raised Okimitsu as a young sword spirit and thought of him like a son. Then he broke/died and this devastated Sanan 💔

[moji2]

「記憶」

…

[niteshade925]

🤣

[epixlog]

都心にすごくいい部屋を借りた。部屋の内装だけでなく、エリアや立地もすごくいいところ（僕はエリアと立地にこだわりがある）。天井の高い北窓から、間接的に入ってくる優しい光が好きなんだ。カーテンを開けても緑がカモフラージュしてくれる。窓の外の透明ガラスバルコニーは抜け感が最高で、都心とは思えない景色。多分、人生史上一番良いのではなかろうか。今月中にお引越し。

[yukimuraruki-art]

It's december first! At the same time it is also the first Sunday in advent!! How to celebrate it? With a Touken Ranbu illustations x'D My crack ship Oodenta Mitsuyo and Suishinshi Masahide are going to celebrate the day in each other's company. And yes, I have to admit I really fell in love with their dynamic in the musicals (also I think they haven't met in the anime ...ever x'D).

The making of this illustation was a hard labor and I tell you, I probably won't do a completely digital illustration again for a while x'D Firstly my computer didn't save the png file correctly and it looked like an accident and the save-file of the WIP was also corrupted and all the work lost which I had done for three hours... So I just used the weird looking png-file and tried to rescue it. This is why this looks like a mess or a horror show x'D

[capricorn-mitsu]

うちの本丸

これまでのGIFに登場した刀剣男士を描いてみました

（お城はSeriaさんで見つけた立体パズルです）

[extraordinarilyextreme]

“我们...... 认识吗？” "Do we... know each other?"

- 山水有重逢 / since even mountains and water will reunite, we will surely meet again

棋魂 / Hikaru no Go (2020) ep. 30 | 了不起的女孩 / Dear Missy (2020) ep. 35

bonus knives below:

This is a parallel universe, but Shi Guang still lost Chu Ying.

Yao Yuan doesn't know that Chu Ying left, but Zhang Chao knows, which is why the expression in his eyes harbor such guilt.

那场戏的设定其实是我不能去认出时光的一个设定。很奇怪大家都在现场，因为在另外一个组嘛，另外的导演也在。所以我们不能把之前组的气氛完全带过来。但是很难的是我们大家在拍之前的那种感觉都...... 时光走进来，大家都闪着泪花的那种感觉。导演也有点盯不住的。但大家还是去完成了一个不得已就是不认识的一场戏。 The set-up of that scene was one where I actually couldn't recognize and acknowledge Shi Guang. It was weird because everyone was on set, yet it was a different crew, and another director was also present. So we couldn't completely bring in the atmosphere of the previous crew. But what was really difficult was everyone's feeling before we started filming, which was... when Shi Guang walked in, everyone's eyes were glistening with tears. Even the director couldn't really keep a close watch. But everyone still went and completed such a scene where [we] had no choice but to not recognize [Shi Guang].

[key-cat]

神秘は好奇心を生み出す。そして好奇心は人間の理解したいという欲求の基礎なのだ。

Mystery creates wonder and wonder is the basis of man’s desire to understand.

Neil Armstrong ニール・アームストロング