#⤷ sam / character study.

[jodeeeart]

Okay. I'm here for it.

Oil on paper.

[destiel-wings]

Dean Winchester & hug dynamic analysis

I was thinking about how whenever Dean hugs someone he's almost always the one hugging the other and how this links to his psychological trauma of always being the caretaker of people, making himself bigger to protect them.

Because that's how Dean sees himself, as a shield for others, and then I thought about how Cas actually is the shield, and he's HIS SHIELD, specifically, the only one who's really there to protect HIM, which is why it hits so much when we see this:

The way Cas wraps his arms around him, trying to protect him with his whole body--that he'd use as a shield and give up in a second if he could spare him from any pain and save him.

(for context: Dean was about to go use the soul bomb on Amara there, it was a suicide mission)

Bobby is another one that hits, he hugs him as the big hugger because he's his father, he loves him and he's actually here to protect him (and Dean LETS him -barely, but he lets him *and Cas* - in a way that he doesn't let Sam)

I watched a compilation of Sam & Dean hugs to check if i was right about it, but it's almost always Dean the big hugger with Sam, except when he's about to die or Sam sees him alive again after losing him.

Even then, Dean mostly tries to hug Sam as the big hugger anyway, with at least one arm, like a way to comfort him, making him feel protected, like his body language is saying "I'm here, I'm okay, I'm still strong, i can still protect you" (because their real father failed and Dean thinks it's his job).

He rarely lets himself be the little one hugged with Sam, unless he's barely conscious. Which is why it kills me so much more now that in this moment (s14, when Dean was going to lock himself in the Ma'lak box cause he was possessed by Michael) and Sam has a desperate breakdown and punches him (to stop him) he forcefully hugs him as the little hugger, the way Dean always kept him, like a way of saying "I still need you to protect me, please don't do this to yourself".

In the scene below he gives Sam his blessing to do a dangerous (possibly suicidal) mission, and one of his arms is down, but the other one tries to stay up--he's forcing himself to do it and he struggles because he still wants to protect him, but (as the seasons progress) he slowly becomes more prone to let go.

So in this view the hug dynamic becomes an indicator of how Dean sees Sam (and himself) and his protector role, how adult and self sufficient he considers Sam, and how much he lets people around him take care of him, lowering his walls and letting himself be hugged.

This is also why i think hugs from characters like Garth or Charlie are so special, because they're just like us: they see Dean and they just know that he needs to be hugged a lot, and that he's not used to it, so they just go for it-- and it's so normal and kind and spontaneous that Dean's just not used to it-- he doesn't know how to respond (especially with Garth, at the beginning, but as the seasons progress, he learns to, and he even initiates the hug eventually).

I love the hugs where they're 50/50 (one arm up, one arm down both), feels like they're equals, both taking care of each other. I feel like with Sam and Dean, this indicates a healthier dynamic, because Dean lets go a little of the role that was imposed to him and manages to see Sam as the strong individual that he is. But the same applies to 50/50 hugs with other characters, like with Cas, where I feel like it testifies how equals they feel in terms of being fighters, there's a show of respect of each other's strength that transpires by the gesture (which is even more astounding considering that Cas is literally a powerful angel).

And just to end on a destiel note, I'd like to note the possessiveness and protectiveness of Dean (rightfully so) whenever he finds Cas after he thought he had lost him, and how that translates into his body/hug language:

[finalgirlsamwinchester]

guy who so desperately tries to find god. who wants to have faith in a higher authority to guide him out of the hole he's in. from the weight of guilt from simply existing, as the person he is. but every time he thinks he's answered his higher calling it turns out he's made the Morally Incorrect choice and his path to goodness and holiness was the road to the devil all along

[tsams-and-co-memes]

Once again thinking about the fact that Eclipses are not inherently violent, and are almost always more of a victim of their circumstances rather than anything else, as opposed to being purposefully malicious from day one

And yet, when push comes to shove, they plot and scheme, and they're very good at being deadly efficient in their methods to achieve whatever it is that they're trying to do, like we saw with Solar, when he went to the creator's lab

They're not evil or maniacal or bad by nature. They just end up that way a lot of the time because their circumstances forced them to be

[biblicalhorror]

Okayyyyy yeah also let's talk about Tammy. I didn't know how I felt about her for awhile because she did very much feel like the Disposable Black Girlfriend, but I'm seeing people saying she's an "abuser" or God forbid "just as bad as Kevin" and that's just. Not at all true.

Yes, Tammy is controlling. She doesn't seem to really like Patty for who she is, and kind of seems to want to change her into someone else instead. HOWEVER, I think we need to look at the whole character to understand WHY she's like that. I don't think she's controlling Patty for personal gain or for the sake of manipulating her. I think she's lonely and desperate for companionship, which leads to her ignoring/pushing past the obvious incompatibility in her relationship with Patty.

Here's what we know about Tammy:

1. She seems to be the only black person in the Worcester social circle. She also mentions frequently how she's surrounded entirely by white men at work.

2. She is also the only openly lgbt person in the area, other than Patty, who is still not exactly out and proud.

3. She describes her entire job as "making excuses for" and "cleaning up after" the men at her job, particularly her partner (whose name I am unfortunately forgetting, does anyone remember?), who even had her plant evidence for him on at least one occasion.

4. Despite being very competent and good at her job, the white men around her keep failing upwards (she mentions a few times that people beneath her keep getting promoted) while she remains stagnant in her career. There doesn't seem to be any explanation for this other than the fact that she is a black lesbian in an extremely white, conservative community.

Basically, Tammy seems like someone who has been taught (like many black women) that she will have to work much harder than everyone else to get ahead in any capacity. She is also likely very, very lonely. She doesn't seem to have any friends outside of work, which isn't surprising given the above. It seems like she doesn't exactly have a ton of prospects, dating-wise, other than Patty. In my opinion, it's really no wonder that she clung to Patty so desperately and immediately and tried to forcibly mold her into someone who could be compatible. She's tough, smart, organized, direct, manipulative, no-nonsense and controlling because, well, she had to be. And she ends up trying to "rein in" Patty because, in her mind, what's the other option? She ends up alone, surrounded by men who force her to cover for their antics and don't care if she lives or dies.

I'm not saying her behavior is healthy. But it comes from an entirely different place than Kevin's abuse, or Chuck's, or even Neil's. And it's also not uncommon. In real life, I know many queer women (specifically small-town lesbians) who end up in relationship dynamics just like that over and over again because they start dating someone who doesn't quite fit, and they compensate for it by trying to force a connection instead of accepting loneliness and isolation. I have a lot of sympathy for Tammy. And I wish the show had taken more care to establish the abuse she faced from her coworkers off-camera.

[t00muchheart]

John in 1x20 apologizing to Sam for stopping being a Dad at some point and becoming a drill sergeant, letting the mission become everything, and then immediately getting sucked back into that mission and not understanding why Sam didn’t kill him to get to Azazel in 1x22, framing it as I thought you of all people would understand, because when Sam told him that they were alike, that they understood each other, he accepted that Sam was all in, at any cost

VERSUS Dean seeing that Sam is in at all costs and reminding him that his life has worth too, telling him that just because they couldn’t get back the people they lost didn’t mean they needed to lose more people. When John tells Sam to kill him the scene is framed as Sam being ready to do it until Dean’s appeal convinces him not to, and Sam looking back at Dean before telling John that family is more important emphasizes that it is Dean holding things together, like he has since he was a child.

Because when John stopped being a dad and became a drill sergeant, Dean stopped being just a brother and became a dad.

[pratchettquotes]

"All right, what happened?" said Vimes, turning to the troll.

"We're hearing where dis boy shot dis man," said Detritus. "We got here, next minute it rainin' people from everywhere, shoutin'."

"He smote him as Hudrun smote the fleshpots of Ur," said Constable Visit.*

"Smote?" said Vimes, bewildered. "He killed someone?"

"Not by der way der man was cussing, sir," said Detritus.

* Constable Visit-the-Ungodly-With-Explanatory-Pamphlets was a good copper, Vimes always said, and that was his highest term of praise. He was an Omnian with his countrymen's almost pathological interest in evangelical religion and spent all his wages on pamphlets; he even had his own printing press. The results were handed out to anyone interested and everyone who wasn't interested as well. Even Detritus couldn't clear a crowd faster than Visit, Vimes said. And on his days off he could be seen tramping the streets with his colleague, Smite-The-Unbeliever-with-Cunning-Arguments. So far they hadn't made a single convert. Vimes thought that Visit was probably a really nice man underneath it all, but somehow he could never face the task of finding out.

Terry Pratchett, Jingo

[th4tsj4zzy]

i just like thinking about firefly

i just like thinking about firefly, who above all wants to be a normal girl and make friends and go to school and follow trends, despite being a machine whose only purpose is to fight and die.

i just like thinking about firefly, who is fascinated by machines and weapons because even though shes had her fair share of bad experiences with weapons, they had protected her against the swarm all those years ago and continue to protect her today.

i just like thinking about firefly, who had to deal with the crisis that comes with being a tool, a pawn for others to use, her entire life. who witnessed others just like her in appearance and situation crushed and left behind without a single person to mourn them but her and think, what did they even die for? who woke up in a field of dead bodies and not believing she was alive: how loney she must have felt.

i just like thinking about firefly, who has a tendency to get jealous of people, like how she says that she envies acheron for being able to dream when the only way she can is in penacony, or when she expresses how amazing she feels running and jumping and feeling what she wants without needing to worry about her health.

i just like thinking about firefly, who even though she wants to fight for life, is still bitter about the fact that no matter how much she wants it, she can never be a normal girl. not with her medical issues, not with SAM, not with her status as a stellaron hunter or an ex-glamoth cavalry member. how no matter how much she tries, she’s still as human as anyone else.

i just like thinking about firefly, who despite everything, decides to keep fighting for the chance to choose for herself. to defy her fate and live as firefly; not as a tool, but as a human.

[pendragonsclotpole]

I need to preface this post with the fact that I’ve been aware of Supernatural for as long as I’ve known what the terms fanfiction and fandom mean. It’s one of those pop culture moments that’s existed on the periphery of my mind as something really beloved and bemoaned about by people on the internet, but it’s never been something I really cared about outside of some iconic memes.

For the past four days, I’ve been watching Supernatural non-stop in my free time. I think I sat through eight episodes straight on one of those days, and I just have to say, the show is phenomenal.

I don’t know where to start, I could make a dozen of these posts about various points throughout the first two seasons and it still wouldn’t be enough. I’ve now taken a break at episode one of season three, because now that it’s a weekday I have work and can’t dedicate the time I could on the weekend.

First, Jared Padalecki’s acting is so beautiful and poignant and emotional. He really makes Sam Winchester into the bleeding heart of the whole show, and the entire time he’s on screen I worry about Sam. His portrayal of Sam’s heartbreak and desperation at Dean’s impending death after the car crash, as well as Sam’s horror at the reveal of what John told Dean before dying held a tragic desperation and denial that really embodied what the character represented in the first two seasons. Even as a hunter and with his special abilities, Sam felt like a quasi self-insert for the audience. I don’t mean that in a bad or overly tropey way, but in the way that he felt robbed of a proper childhood in favor of his father’s crusade. Sam is the angry, indignant younger sibling who never bore the brunt of responsibility like the older sibling did and it shows. In some ways, it makes him more entitled—I don’t mean that Sam does not have the right to be angry with John Winchester. He does. Fuck John Winchester. I mean entitled in the unintentional, coincidental way that your little brother or sister always demands the things you never had or rebels against the authority of the parent without ever dealing with the consequences you did as the older sibling. It reveals the veneer of freedom he had and the protection he received by virtue of his place in the Winchester Family. For me, it made him unbearably real, and this feeling of realness was made worse by the genuine naivety and innocence he keeps even as he continually gets screwed over by the demons. There’s a steadfast belief in the goodness of others within Sam that often conflicts with the sense of goodness he believes he lacks.

Sam trusts so easily, but he understands people in ways that should be antithetical to his upbringing. It took me forever to reconcile why he seemed so familiar, until I realized that Sam Winchester, for all that he was one of John Winchester’s son, had received the unconditional love of an older sibling for his entire childhood.

I don’t mean the perfect, kind, healthy love that often exists between fictional siblings. Too often I’ve watched media that makes me wonder how siblings like that even exist, or conversely, made me glad my siblings weren’t so fucked up.

I mean the kind of platonic love that exists between siblings living in the liminal space of love and hate thanks to the single fucked up connection that draws them back together continuously out of some sense of duty or commiseration or the need to be understood.

I mean the kind of love between siblings that would wither away when in a perfect world that does not stake their survival on their codependence of each other, but that in an imperfect and real world is equated to familiarity. Sam and Dean against the world—against John Winchester.

Out of all of the episodes I’ve watched in the last day and a half, perhaps the one that struck me most was episode 20, Season 2. What is and What Should Never Be. Not only was the title a bit of emotional whiplash—the juxtaposition of Should and Never lending a finality or a sense of wrongness that can’t be replicated by the words “Could Never—but we see Dean and Sam in a world where their one connection, hunting, has completely vanished and at a high cost to all the people they’ve saved, but mostly to Sam and Dean themselves. They’re connection as ride or die brothers is gone, replaced by an ostensibly better, healthier, more normal future liberated from the expectations of the rest of the world.

Without the death of Mary Winchester, Dean and Sam are no longer Dean and Sam. They’re just two people, connected by the two people that raised them, and likely to drift apart after that connection dies—frayed ends of a tapestry pulling apart and unraveling. Dean gains a mom and a normal life, but metaphorically loses a brother and a sense of purpose. Who is Dean Winchester if he’s not a hunter and Sam’s brother? And the sad thing is, neither of these are traits Dean ever chose. They are conditions foisted upon him, perhaps not intentionally, such as in the case of Sam, but ultimately placed on his soul until they tethered themselves to the very core of what being Dean Winchester is supposed to mean. The end of the episode, and Dean’s choice to return to the real world, regardless of Sam waking him up, is Dean fully giving up his dream in order to save Sam and be a hunter. The fallacy of the episode is in the choice Dean makes, which the more I think about it, feels less like a choice and more of an inevitability but one compounded by Dean’s readiness and willingness to go with it.

This is where I get to the crux of my surprise with these first early seasons of Supernatural: Dean Motherfucking Winchester.

I don’t know what I was expecting from early seasons of Supernatural, especially with the context of the later seasons. Maybe an overly cheesy, early 2000s ode to roadtrip Americana with a self-reverential take on the classic gun slinging frontiersman of the Wild West and bad supernatural CGI. Not to say it isn’t that (shout out to Sam’s comment on Dean’s particular brand of butch), but what surprised me was how real the connection between the characters was manifested on screen and how much good will the show built up in the audience. There came a point where I sided with Dean so much in the events of the show that I felt like I was riding shotgun in the impala. I saw it with every compliant “yes, sir” he gave to John, with every teasing comment he threw at Sam, and with every act of selflessness he exhibited by protecting other people. This isn’t to say that Dean is perfect. Sometimes he doesn’t take things seriously enough, or he’s willing to sacrifice people for some misguided greater good, or he’s obsessed with saving Sam even when he wouldn’t be if it were anyone else, but Dean has a conviction so many people lack. He has the capacity to love at a great cost to himself, either because he believes himself unworthy of being loved or because he’s not used to anything else.

Jensen Ackles does such a good job at this portrayal and with such a different technique than Jared Padalecki. Ackles embodies the desperate need for self-assuredness that Dean breathes, as well as the genuine fear he has of being seen. I love laughing with Dean as much as I love screaming at him for how stupid he’s being. If Sam is the self-insert, then Dean is the tragic hero, although that comparison feels like a poor facsimile for what Dean Winchester truly is because I don’t particularly feel an overwhelming sense of pity at his state or at his hinted downfall with that demon deal. If anything, I feel a sense of indignation mixed with understanding and frustration that Dean can’t catch a break but at the end of it all, is just how he prefers it.

It shouldn’t be a shock to admit that even without knowing what happens from seasons 3 to 15, I know how Supernatural ends. Just thinking about the ending makes me wonder if I should even continue it past season 5, but that’s a decision for another time.

For now, there’s something unbearably tragic in seeing Dean Winchester so close to a chance of a normal life and apple pie happiness (something he really seems to desire no matter how much he denies it) and then having to give it up, not just because it’s not real, but because he believes it should never be real.

Dean Winchester deserves better.

[kaliyakarnage]

Still not over the greatness of this series...and how late I am with fangirling over it <____<

Just a collection of scene redraws/character practices with those adorable furballs (well, mostly Sam and Guy). Nothing special. Just had fun drawing them. It's what I love doing most. Drawing (and creating my own) non-human characters.

I just love those two dorks. They've become my new comfort characters. Especially Guy. He's so damn relatable for me on a personal level, it always hurts seeing him fail again and again T___T

Characters(c)Dr. Seuss

Artwork(c)KaliyaKarnage

[littlecello]

SCREENCAP STUDIES!!!

At the top are studies I did just the other day, to finish a spread which I had started in 2020 while working on my zine, and never posted because I a) wasn't totally happy with how the studies turned out and b) I wanted to finish the spread... which I only just did fhdsjkg. It was really fun though and I was so please to realise that I wasn't as out of practice as I feared I would be :')

I also realise that a lot of you newer fans might not know what the file names next to each drawing refer to, so here you go:

All screenshots that I have saved to my computer and use as reference for these studies are from cap-that, which, incredibly, is being kept up to date to this day! A fantastic resource, so make sure you bookmark it~

[kayberrie]

In light of recent events (cough Thunderbolts trailer cough) I have decided that more of my Marvel doodles deserve to be seen.

Also playing around with how I want to draw these people bc I have a feeling you’ll be seeing more of them.

[tapeworrmart]

A screencap study I never posted (sleeping bear)

[mattereat]

i really enjoy the sam and stockholm syndrome conversation because he perfectly illustrates what it means to be trapped by a narrative. sam starts both defiant and resistant, caught between his longing for a normal life and his belief that he’s inherently tainted, which he knows will taint everything around him. it's striking to hear him recount how often john or dean “saved” him in the later seasons, and how convinced he is that he never had a real chance to break free from the hunting life. it’s chilling because it rings true. sam always seemed destined to plunge into the depths of hell in order to save the world. he was fated to die in that pit and come out changed—not just himself, but also embodying lucifer, dean, the blood freak, and even the better aspects of who he could have been. his experiences have socialized him so profoundly that it feels like the only version of himself he can’t reclaim is the kid who ran off to stanford, because in his mind, that kid was never who he was really meant to be. it’s not just a cycle of nature; for sam, his own nature is the one thing he cannot change.

[m0th-t33th]

sam winchester oh how i love you sam winchester

this is my first time drawing him pls be kind...

[t00muchheart]

Something about the fact that both Dean and Cas think they’ve fucked up too many times to be redeemed, that they aren’t worth saving, and yet they forgive each other.

Something about the fact that both of them, faced with an outside force compelling them to kill the other, pushed past that to save each other’s lives.

Something about Cas dying to save Dean time after time because he can’t stand the thought of seeing Dean dead, not knowing what it does to Dean to see Cas dead, and to feel like the blood is on his hands; about Cas trying to restructure the universe for Dean and Dean just wanting him to stay.

Something about Dean teaching Cas to be more human and then, when he is human, failing to help him and having to live with the regret of that.

Just…something about Cas and Dean and the way that they’re simultaneously doomed and inevitable, always circling around something but never able to land