#“why are they talking to people who tried to kill them??”

[madameevil]

These are just my own thoughts, I'm not here to try and prove anything is right one way or another.

"Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains."

Those two didn't come across that way to me. Elgar'nan started out as a general of the army against the Titans. He didn't relinquish the power he obtained after that because he believed the Elven people needed guidance ("stern leadership") and that his strength could protect them from future threats. Mythal agreed in the sense that they needed leader to unite their people.

Elves being, as far as we're aware, the first spirits to take on a mortal form were not aware of the potential corruption that would occur. We know this occurs when they can't fulfill their initial purpose. Through this Elgar'nan grows to be a tyrant when he's unable to abide by his initial purpose. What was his initial purpose? Hard to say. Emmrich calls him a "Manifestation of Tyranny." We'd probably have to look into exactly how the spirit corrupted to then deduce what he was prior.

Ghilan'nain was the only (?) mortal elf brought into the pantheon. She used to create living wonders. After she was brought into the pantheon, we know that she grew to be more twisted. She sought to push the boundaries of creation further. Since she was mortal first, I don't think her corruption to "villainy" is like Elgar'nan's. Given the dialogue she has with Solas in one of the memories, I interpreted her need to keep pushing as "I have to continue to prove myself." / "Prove to the others that I actually belong here." because she doesn't have the distinction of being a first-born and immortal.

Now we take these character flaws and we add a dash of blight to them...

The blight comes from the compressed anger and suffering of the titans. It's anger and corruption seeps into the individual and slowly consumes them. So the blight would them amplify any anger those two had pushing them to the extremes. With the codex entries we get featuring letters, Solas's memories with the wolf statues, or his memories in the crossroads that we play through...or even the way Elgar'nan talks to. I wouldn't put them as "evil for evil's sake" villains. I think their character flaws or corruption they faced was simply amplified by the blight. The blight they thought they could control. Which leads me to "A God's Arrogance"

"For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure."

I think the concept of "A God's Arrogance" explains this fine. They're two individuals who still view themselves as Gods. If they viewed the far more advanced ancient elves as well beneath them then modern elves or any other beings are even lower. If ancient elves were cattle, modern creatures are ants. Why would a God ever think that an ant could be a problem? Why would a God ever think that an army of ants be a problem? From a more "evil" God perspective: If that's not enough then why kill something when you can try to break them down? Why kill them when you can relish in their squirming? And better yet, this one is a pawn to the only being you actually still view as a threat. So why not make them watch you break down their piece slowly?

Now if Elgar'nan and Ghilan'nain were actually Gods then perhaps they would have just stepped on the ant and moved on. But they're not. They're pretending to be Gods. They're acting how they think Gods would act. It's honestly a difficult thing to write. Writing Gods in general is hard because we're physically incapable of putting ourselves in the shoes of a being with so much power. Writing someone who is acting like how they think Gods should act and then adding in thousands of years of isolated torture and corruption, is another thing.

"they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead?"

This also relates to "A God's Arrogance." When we play through Solas's memories in the Crossroads we hear Ghilan'nain claim she can control the blight. That she is somehow stronger and can hone it into something more than just a mindless raging plague. Elgar'nan then continuously reassures her of this fact if you eavesdrop on their conversations at the golden tree thing at the start of the Crossroads. Ghilan'nain believes she can take the blight and control it to not end up with everything/everyone dead. She believes this is the next step in evolution and it's a gift to receive it from her. This isn't "Because they are evil" , to me that is a gross oversimplification of their motivations.

Whether those motivations strike you as compelling is your choice.

"This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded."

The companions do discuss it. The reason they choose not to bring it up is because of how they believe it would impact the elves and there's nothing to gain by throwing the world into further chaos than it already is. The Elves are already discriminated against, then two of their Gods emerge and cause an apocalyptic situation, so why would they then choose to add another target on their back by challenging the chantry? I agreed with the characters here. I don't think it's the right time. I would love to see this lead to a gradual change in future games though!

Whether this reasoning is enough for you, is your choice.

"We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. [...] His only motivation now seems to be he’s too deep in his sunk-cost fallacy. [...] His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. [...]Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?"

I think there are far more eloquent people who can talk about Solas's role in the story and his motivations. His actions seem heavily based in both The Cycle of Abuse and Survivors Guilt. These are powerful motivators. These motivators also parallel the individual companion stories.

Lucanis has suffered abuse at the hands of his grandmother and family members. Lucanis also has survivors guilt when he believes his grandmother was killed. He tries to avoid it but you hear about it in his mind prison.

Davrin has suffered from institutional abuse. He's convinced his sole purpose in life is to die now. He brings it up constantly. He also suffers from survivors guilt after Weisshaupt. You can talk to him about it when he presents to you the wood carvings of his friends who didn't survive. He even shouts out, something along the lines of "why am I still here when they're not?"

Neve has survivors guilt about what happened to Rana's partner. She talks to you about how everyone around her dies or gets hurt.

Emmrich has survivors guilt about what happened to his parents that leads into his fear of dying. If you choose not to save Manfred, he's heard crying in his room and struggling to accept it.

Bellara has survivors guilt about what happened to her brother. She blames herself for it. She hopes that she can do enough that she'll be able to forgive herself.

I think Taash's story relates to Solas's predicament in a different way. I think their theme of struggling between two worlds whether that be culturally or with their gender can relate to Solas's struggle between the ancient culture he was born into and the modern elven culture he finds himself in. Since I'm not part of the nonbinary community or diaspora community, I can't talk in detail about this from their perspective and won't try to.

With all this in mind, I do think these comparisons help place Solas as a "foil character." Solas's reaction however is DRASTICALLY different from our protagonists (plural for companions included) but also offers a contrast to Rook (our protagonist) who inherits Varric's vision.

With all that though, I don't think his purpose in the narrative is "nothing." Whether making him a foil character was what he should have been or what was desired is up to you.

As for why he wants to tear down the Veil, a lot of it is hidden in subtext. "People are always dying. It's what they do." And it's his fault they are. Solas often always speaks in riddles and literally veils the true meaning. Every time he talks to Rook there's a hidden purpose and meaning behind it. If you analyze it, which others much better at literary analysis than me have, you may find more motivation, complexity, and reasoning. I think picking apart his words adds a good amount of nuance to it as well.

"It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic."

Is that not what happened? Her death was a catalyst to spur his rebellion against the Evanuris. It's her death and service that binds him and why she's required to get the good ending. She has to release him.

"I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that."

Would have been cool, but since all that seems left of them is the blighted part and that's thoroughly severed, I don't think it would have worked. Without some possession that helps sooth the anger, it's so maddened that it's not quite coherent. I didn't really ever expect them to wake up. I did expect to learn more about them from the Descent DLC in DAI and I did get to learn a lot more! So I was satisfied with that.

"The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games."

To me the Veil was more like a key aspect of World Building. You need to know about it to understand the religions, how magic works, how spirits and possession work, etc. So it makes sense to introduce it as a concept in each game. It takes a beating in the games and we see the effects of that. So in this game, it ending with it being fully repaired. It did have a role, could it have been bigger? Sure.

"It just ends, and everything is the same. I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins."

I don't know how it is the same. Elves have to reconcile the differences between what they believed and what they now know. They've uncovered ancient artifacts and have a grasp on the Eluvians now which they certainly didn't have in Origins. The blight is forever changed with the Veil fully repaired. There's no more small leak. The Calling is implied to be gone due to this. It's implied that the blight can be cured or slowly die away instead of lingering. Which brings me to this...

"The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares."

It is fully repaired now though. It's reinforced. It's not us slapping duct tape on it like we did with elven relics in DAI. The ending tells us this. Now this doesn't stop people from doing what the magisters did and poking holes in it in the future, but we also don't know how Solas (and possibly Inky) presence will affect it. Will it help prevent holes? Will it help ease the blight even more? There's a lot of room to expand on these, but it'll take time for the world to change. So I expect any consequences in future games - not immediate.

"For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn."

I actually think the game had a lot of complexity and nuance just perhaps, not in the way many went in expecting. There was complexity in the companions and their stories, how it intertwined with the overarching narrative and Solas's. How grief and regret shape a person. How all the propaganda the South had been feeding us for years wasn't always accurate. It's different from "moral complexity" of previous games but if I'm being honest, I never found the previous games to be morally complex. There was a clear cut "good" option and a clear cut "bad" option. Literally some choices people gush about boils down to "Is slavery bad? Yes or No?" ... it's bad guys. It's not complex. It's bad. "Is forced imprisonment from childhood bad? Yes or No?.... yes. Imprisoning children in a tower with police brutality is bad. It's not complex. It's always been pretty black or white. The complexity typically came from the factions we interacted with. The Wardens portrayed as glorious heroes have a darker side to them. We saw it in Origins. We see it in DAI. We see it in DAV with the Griffons. This organization isn't all white. It's more of a grey.

Meanwhile the opposite occurs with the crows. We get horrendous portrayals of them in DAO, DAII, and a little bit in DAI and yet we interact with a different family and we see, no this organization isn't actually all black. It's more of a grey.

All of that is still present and emphasized in DAV. I think the game just decided not to shove it in your face like it did in other games. It's more subtle but to me it's still there.

"The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why."

I honestly don't know why they would ever utter the phrase "Veilguard" specifically and why that should be a bad thing that they don't. It would just feel like an "Avengers Assemble" moment or forced in. Further more and relating to this piece:

"I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned…"

I don't think the game was ever going to be that. You are picked by Varric. Varric who watched what the Kirkwall companions did. Who watched what happened to the Inquisition. Varric who was going to go try and stop this friend from making a mistake when he couldn't in the past. The person Varric brought on the team wasn't going to be evil. They weren't going to disagree with his vision. They weren't going to go against him. They were going to be his second in command and by into what he told them. He is after all a famous storyteller. Viewing it as Rook is an extension of Varric and tasked with carrying on Varric's role...it limits the characters available. I don't necessarily mind this, but I think it's a big reason why people go so far as to say "it's not an RPG" which is honestly just disgusting. It is an RPG. You can't call Monster Hunter or FF that have little to no story or choice impact RPGs but not this.

In addition to that and to talk about this:

"They are surprisingly patient while Rook fixes all their companions’ problems…"

Which is talking about our two escaped gods again, it's just QoL for the Game. It's a game first and foremost. Would you prefer everything be on a timer? Maybe you would, but many wouldn't. Many gamers actively hate timed quests. So this isn't a narrative reason so much as a gameplay reason. They want to give you time to do the quests. The same thing happens in all the other games. "Ah god we have to get to the top of the tower! ASAP!" - yea yea hold on I have to loot all 5 of these bodies and all these crates over here and do one last glance over. OR "Oh dear the empress is going to be assassinated we have to move quickly!" - Uh huh yea I get that but let me spend about 10 more hours in the Hinterlands trying to kill this fucking dragon. Not ever decision in the game is a narrative one. This one isn't.

How does this relate to the choice of the Veil coming down or staying up? This was never going to be a choice. The impact it would have would be too drastically different that there'd be no way to reconcile it in future games. You'd have to make two completely different games for that choice. So they were going to choose one or the other. In the end they chose this. Would the opposite have been cool? Maybe! Or it could have been the end of the world like that one proposed ending in the Artbook where everything is obliterated. I mean people are already pissed that "their world state is destroyed in the south" imagine the outcry if the whole world was wiped with the veil coming down. There just doesn't seem a good way to make this work for everyone or keep it a choice. Unfortunately.

Now that that's all done. These are just my thoughts and how I interpreted it. Part of the beauty of art and games by extension is that they should be open to multiple interpretations. There should be discussions surrounding the narrative that aren't just masked bigotry. And with that, Ima log off Tumblr since this too me way to long...and no I'm not going to reread it to make sure it's coherent. Ima just send it.

Castles in the Fade, or What Was the Point of the Veil Anyway

Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.

We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 

When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 

Alas, no. 

I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.

Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.

The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.

Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.

There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.

The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.

This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.

But I digress.

When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.

Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.

We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?

Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.

There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.

It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.

We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?

Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?

Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.

It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.

It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.

If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?

Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 

Instead, it all comes to nothing.

I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.

The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.

Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.

The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.

For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.

I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.

I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 

I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.

Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.

[covenofagatha]

A dance with death (and her wife) (Part 4)

Rio helps you relax after your revelation about being framed

Word count: 3150

Warnings: oral, more murder

The sound of your breathing is so loud in your own head that it takes Dr. Vidal calling your name four times for you to actually hear her. 

“They’re trying to frame me,” you turn around and say frantically, hands fastening in your hair as you start to pace back and forth. Your therapist watches bemusedly. “They took the knife when they were here and killed that guy in a different way so it would look like someone else did it, they planted the knife in the woods so that it would all trace back to me, and if I bring that in…” 

Dr. Vidal finally stands up and leans against the table. “You think The Witch and Lady Death want you arrested?” 

You don’t know what to think. They broke into your motel room, left a flower and a circle on your sticky note that, if anything, gave you a clue, and now they’re setting you up for murder? It doesn’t make any sense, there’s a piece missing, but you can’t find it. “I don’t know, I don’t know, I don’t know,” you chant and Dr. Vidal grabs you by the forearms. 

“Breathe,” she orders and holds you while she shows you how to inhale and exhale. “You’re spiraling.” The diagnosis makes you laugh hysterically. Of course you’re spiraling! “Sit down,” she says, gently pushing you onto the couch. You obey and keep taking deep breaths. 

Slowly but surely, your heart rate starts to slow down and the fog in your head starts to clear. 

“You’re under a lot of stress,” Dr. Vidal says. “This is a case unlike nothing you’ve ever dealt with before.”

You frown. “How do you know–” 

“These killers are smart, dangerous,” she keeps talking like you didn’t speak at all. “But so are you. How are you going to catch them?” 

Shrugging weakly, you slump back against the couch. “I don’t even know where to start,” you admit. “There hasn’t been one of their signature murders since I’ve gotten here, I haven’t been able to examine a crime scene or talk to witnesses or anything. All I know is that we’re looking for two women who are lovers.”

“Have you tried thinking like them? What do you think they want?” 

“What do I think they want out of poisoning innocent people with a drug they invented and then carving out their hearts? What does someone gain from that?” 

You try to imagine doing that to someone. Putting the poison in their food or drink, watching the light slowly leave their eyes as they try to figure out what happened to them. Their skin slowly tightening over their bones, cheeks hollowing out. Neatly sliding a knife into their chest and then holding their heart in your bare hands. A shiver runs through you involuntarily. 

“Power,” you answer your own question, knowing that you’re right. The fantasy has you feeling the same way as you did with Agatha yesterday, full of adrenaline and something else. Dr. Vidal has a strange look on her face, almost orgasmic, as you come to that conclusion. 

“Why do they want power?” she asks in a hushed voice. 

You bite your lip and hold your gaze steady on her. “Who doesn't?” 

Dr. Vidal falls to her knees in front of you so her face is almost level with yours. A thrill runs through you. “Do you?” she rasps. 

Gulping, you nod and then she practically lunges at you, mouth finding yours in a scathing kiss, all lips, teeth, and tongue, and you moan. Is this the arrangement her and Agatha have? What one gets, the other gets, too? 

Is it getting, or is it taking? 

Either way, it’s crossing a line, so many lines, but you don’t care right now. You need this. 

“Doctor,” you gasp and she chuckles into your mouth, hands delving into your hair. Your fingers scramble to yank at the lapels on her blazer and she climbs into your lap, the warm weight a grounding force for your spinning mind. She kisses so much like her wife, but also so different at the same time, and you can’t help but want to know what it looks like when they kiss. The thought causes heat to flash through you.

Her lips trail down your neck and then she sinks her teeth into your clavicle, the low-cut of the bathrobe giving her lots of room to work with. The pain makes you keen and 

Snow. 

Trees. 

A clearing in the woods. 

You shake your head and squeeze your eyes shut to get rid of the same images from your therapy session the other day. Dr. Vidal doesn't notice if you falter, leaving more bites all over your chest. Entangling your fingers in her hair when she unties your robe, you try to submerge yourself into the pleasure you feel. 

Her tongue sucks on your hardened nipple and you whine, back arching off the couch. “Please,” you pant and she pauses to grin at you. The electricity from yesterday is back, crackling under your skin with a vengeance, and you need Dr. Vidal to put it out. 

“Lie down,” she says and quickly stands up so you can move until you’re on your back, lying horizontally on the couch. She gets back on, between your legs, and pushes your robe apart so that she can see all of you. 

Her mouth finds its back back to your breasts and she nibbles on the underside of it, and then she moves down, sucking on the skin of your stomach. 

She pauses and you know immediately what she’s found. 

Before you can offer a short explanation for the ugly scar on the left side of your belly, her tongue licks up the length and you sharply inhale. Her eyes find yours to make sure it’s okay and you nod.

Kisses are peppered all over the wrinkled tissue and you rest your head back against the couch. It had been really hard for you to be naked in front of someone after that, and now here is your therapist, worshipping it like it’s a work of art. 

Dr. Vidal bites at your hip bone, resuming her quest downward, and it feels so good 

Snow. 

Trees. 

A clearing in the woods. 

A frozen stream that you kneel in front of and look down to see your reflection in. 

She sucks a kiss into your upper thigh and it pulls you out of your head, the memories flashing away. You try and grab back onto them, desperate to see who it was, but they’re gone. 

Your groan is out of frustration at first, but quickly turns into one of pleasure when she drags her tongue through the folds of your pussy. 

“Oh, fuck, Doctor,” you whimper, fingernails digging into the couch on both sides around you. 

Her deep laugh sends vibrations all through you and it makes wetness leak out of you. “I think you can call me Rio now,” she says and you nod breathlessly before she dives back in. 

There is no warm up, no building to anything; it’s like she’s trying to get as much of you in her mouth as she can. She is determined to not let a drop go to waste and her slurping sounds almost drown out the noises that are slipping out of your mouth. 

Her tongue thrashes against your clit, making your hips roll up against her face, and then she curls it inside you, stroking up to make you gasp. She sucks and swirls and licks and you’re getting ever so close 

Snow.

Trees. 

The frozen stream. 

You look down into it, peer at the reflection staring back at you and 

Two fingers are shoved into you while Rio roughly scrapes her teeth against your clit and it pulls an explicit moan out of you. 

“Rio, Rio, please,” you beg, almost in tears with how good it feels. You feel simultaneously so present and so far away at the same time and it’s like every single vein in your body has become a livewire, about to explode. 

She curls and scissors and twists her fingers, making you gasp and groan and whine. “What do you want?” Rio asks, her dark hazel eyes gleefully taking in your messy state. Your wetness stains her cheeks and you can’t help but clench. 

“I want to cum, I need to cum,” you plead and her smirk is wicked as she stuffs a third finger into you and watches you react as she flicks her tongue against your clit, barely giving you anything. Your eyes close in frustration at the loss of the intense stimulation that you need.

She sets a slow pace with her fingers and her mouth climbs up your body until she’s near your scar again. You tense when her lips press to it again. “You know, Agatha and I cannot wait to have you over.” 

“Really?” You gasp. You were right about the threesome then, it seems. It’s impossible to ignore how your body heats up at the thought. You didn’t know it was possible to want something this much. 

Rio chuckles. “Don’t be so shocked, doll. You’re such a pretty young thing. So smart, too. You’re everything that we’ve been wanting. We’ve been so patient, but you’re finally here now,” she coos and the hairs on the back of your neck stand up.

You raise your head to ask what exactly she means when she leans back down to suck on your clit and harshly thrusts her three fingers into you, pulling a loud moan out of you as you cum hard all over her hand and face. 

Your mind goes blank for a second and there’s no thoughts in your head at all when

Snow. 

Trees. 

The frozen stream. 

You look down into it, peer at the reflection staring back at you and it’s ten-year-old you, staring back at you. 

Lurching back, you fall into the slippery wet mud on the bank, getting your clothes all dirty. 

You peek back into the ice and it’s still you, from over fifteen years ago. 

Laughter fills the air. 

Standing up and brushing your hands on your jacket, you follow the sound into a clearing in the woods. 

Snow crunches underneath your boots and you squint through the falling precipitation to make out something in the tree line. 

Something draws you in closer. 

A stick under your foot cracks and red birds flutter from the branches, startled.

The figure — a person, you can now tell — whirls around and 

“You okay?” Rio asks and it jolts you out of whatever you were seeing. You try to reach for the fleeting tendrils of the memory, but they’re too fast. 

You’re laying on the couch, Rio sitting back on her heels still between your legs. Her face still gleams with your wetness. 

You palm your forehead and wipe the sweat off. “The flashes from your office yesterday? I kept getting more just now. I think it’s a memory from my childhood.” 

“You were seeing things while I was eating you out? Not a great performance review,” she says, meaning to lighten the tension but she can see how serious you are. “Why don’t you tell me about them?” 

“It was snowing in the woods again. I was walking through them, found a frozen river, and saw the reflection of myself from when I was a lot younger, like ten or so. And then there was laughing so I followed it, and I think I saw a person,” you tell her, sitting up and tying your robe back together. The cold air in the room has given you goosebumps. 

She taps a finger to her mouth. “Did you see the person?” 

You shake your head and you try to force through whatever block is in your brain, but the thrumming behind your eyes comes back. “It disappeared right before I could. I don’t understand, I don’t remember any of this.” 

“Did you live someplace where it snowed around that age?” Rio asks gently and you frown. 

“I was nine when we moved to Massachesetts. We weren’t there for very long, only for a little over a year. I don’t know why we left though,” you say, the pain in your head getting greater when you strain to find the reason. “Do you think it could have something to do with what I can’t remember?” 

She shrugs. “Sometimes it’s best not to ask questions about things you don’t understand just yet. It seems that your memories, or this one specifically, are slowly coming back in pieces. Don’t rush it or you may not get the whole, true story. Let it come to you naturally.” 

“I’ve never had this happen before,” you admit, the fear of feeling like something is happening to you creeping into your tone. Is it something about this town? “I didn’t know I had this block, or whatever. But now that I’m here, it’s like I can’t stop getting these flashes. I think I’m losing my mind.” Saying it out loud makes it sound irrational, but you know Rio is listening to you intently. 

She reaches a hand out to cup your cheek. “You’re not losing your mind. Everything will make sense soon enough, I promise. You’ll get all the answers you want.”

“Why did you have my clothes?” 

Rio’s head ducks down in amusement, tongue pushing against the inside of her cheek again. It must be a habit, maybe a nervous one? “You really don’t remember?” 

You shake your head. You think you would at least partially recall it if your therapist had undressed you and taken your clothes. 

“You called me,” she says, and your jaw drops open. 

“No,” you answer faintly. “I mean, I did that first night, if that’s what you mean, but I never told you to come take my clothes.” 

“Yesterday,” she tells you levelly. “A few hours after I saw you. You asked me if I could come to your motel, you sounded really frantic. So I did. You were naked and you handed me the bag of clothes. I took them home, washed them, and now you have them back.” 

The pounding in your head gets worse. “You washed them?” 

Rio tuts and gets up from the couch, walking over to the soup that is still on the counter. She picks up a different spoon from the caddy, stirs it into the liquid, and then brings it over to you. “It’s still warm so eat it while you can.” 

She’s being evasive, hiding something about yesterday, but you can’t force her to answer the questions. So you raise a spoonful of chicken noodle to your lips and eat it under her watchful eyes. 

It’s about room temperature now, but there’s a hint of something else, tasting almost like syrup. 

“What’s in this?” You ask as Rio takes the spoon from you and feeds you herself after you stop after the first bite. 

She hums absentmindedly and your scar starts to tingle. She positions the utensil at your closed lips and raises her eyebrow until you open and swallow. “It’s chicken noodle soup, doll, what do you mean?” 

After a few more, your eyelids start drooping and your body feels fuzzy. “Did you…drug me?” Your limbs are limp and you slowly fall sideways to lean against the back of the couch. 

“You were sick. Some rest will help you recover,” she says like it makes perfect sense. 

“Are…you…The Witch?” The words take an immense effort and you heave with each one. You’re struggling to stay conscious and you know you’re about to lose the battle. 

Rio chuckles and it echoes around the room. “No, doll, I am not. And that’s the truth.” She stands up and pats her hands on her thighs. “I’m just curious about something.” 

You don’t even have the energy to ask about what. 

She strokes your hair and it almost feels nice with her nails. “You’re so brilliant, you know that?” 

Your eyes flutter shut just as she bends down to kiss your forehead. The door closes sounding so far away and then there’s nothing. 

When you wake up an indiscernible amount of time later, your mouth is incredibly dry and your head is groggy. It feels like your body is in a vat of molasses. 

Your muscles are tight and sore and when you get off the couch, you look down and realize that you’re naked again. You tear the room apart looking around for your phone and find it eventually between the bed and nightstand on the floor. 

It’s eight at night. 

You open it up and you’re about to text Rio and ask if she has your clothes again, but then you remember that she did this to you. Honestly, you wouldn’t be surprised if she had come back and taken the robe just to mess with you. 

There’s something weird about the people here. 

Your phone buzzes with a call from Agatha. You raise it to your ear and accept it. 

Before you can say anything, she starts talking. “Hey, superstar, hope you’re feeling better. Would you be able to get down here? I’ll text you the address.” 

“Another murder?” You ask but she’s already hung up. 

Still a little out of it, you pull on some more clothes and get in your car. It’s about ten minutes away, still in the woods, in the other direction of the murder from yesterday. 

Two back-to-back like this indicates frustration or feelings of superiority. Do they want to be caught?

When you get there, you only see Agatha’s car though, and she’s leaning against it. You get out of yours and slam the door, walking over. 

“Where is everyone?” You ask. 

“I wanted you to get a look at this first,” she says and leads you into the trees. You don’t have to go very long before you stop. 

It’s the most blood you’ve ever seen in your entire life. It’s another man this time, but he’s spread eagle in the snow and there’s a long gash running from his chin down to his pubic hair, his chest entirely split in two. 

You gag at the smell and raise your hands to your mouth in case you throw up, but then you notice the metallic scent on them. 

Agatha shines her flashlight on you as you look at your fingers to find dried blood under your fingernails. You meet her eyes in horror, fear coursing through you. 

It doesn’t make sense. 

But Agatha doesn’t look surprised, or scared. If anything, she looks delighted. 

“I think you better come to our place tonight,” she says, and stretches an arm around you, tucking you into her side. 

Your breaths are shaky as she leads you back to her car, back to her house, to her and Rio. 

[lmaowhatt]

utterly obsessed? - three

summary: actress y/n I/n has recently skyrocketed into stardom after her breakout film 'castaways' alongside sarah cameron, kevin hart, chris evans and chris hemsworth. weeks after the movies premiere, she drops her debut single, further cementing her place in the spotlight. as millions of people around the world begin to idolize her, she catches the attention of rafe cameron, who doesnt shy away from becoming utterly obsessed in what seems to be the cutest way possible.

main masterlist

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december 21, 2024

everythingyn

everythingyn y/n, accompanied by co-star rafe cameron and friends at 'hellraiser' premiere, as well as co-director, john b routledge making a couple appearances. bts pics were also recieved by fans who attended the premiere!

user jj and kie? kill me now theyre so cute.

user i will die on the cameron siblings supremacy hill.

user finest group of friends to EVER strut this earth.

user tuh. jj come home the kids miss you😔

➯ jjmay On my way!

➯ user BYE

user yall my friend said that backstage or wtv rafe and y/n werent near eachother at ALL..

➯ user they must be really good actors then😭😭

user john b, one chance! sarah, can you fight?

user i feel like theyd be so fun to hang out with if i had a man cs if u think im seventh or ninth wheeling😭

user love this❤️

user DJFVNIRJBV

➯ user real

truth was, the more sarah tried to get you and rafe close to eachother, to talk at the very least, the more the two of you found it awkward and distanced yourselves. you had spent the majority of the time at the premiere beforehand with jj, pope, kie and cleo, while he spent most of his time with sarah, john b, and topper. its her brother, can you blame her? why topper was there? no one knew.

you were mid conversation with jj when sarah came over once again with a beaming smile. "sarah, no." you immediately shook your head, glancing around at the fans that had turned up especially early, presumably wanting to capture pictures of whatever they could gossip about. "what? i cant smile at my bestfriend?" she jokingly crossed her arms over her chest, raising an eyebrow. "not when i know theres something you want," you point an accusatory finger at her.

you chuckled when she let out a heavy sigh, "okay, maybe." she said with a soft smile. "just a hug with you and rafe before you start, pleaseee." she begged, as she held your right hand with her left. you widened your eyes in agreement, tossing your other hand slightly into the air. "fine," you let her lead you towards rafe, where he glanced between you and sarah with a soft nervous? smile.

you offered him a tight lipped smile, opening your arms as if reaching in for a hug. he did the same, bending down and wrapping them around your mid-back as you wrapped yours around his neck. "sorry 'bout her," he mumbled into your ear. a slight chuckle left your lips, "its expected dont worry." you rubbed you hand up and down his back before patting it as if beginning to let go.

rafe noted the signal, also rubbing his hand up and down your back for a moment before backing away. the two of you stayed close, greeting some of the fans that had arrived early before saying a quick goodbye and retreating back to your original small groups. you sucked in a breath through your teeth as jj laughed, wrapping an arm loosely around your shoulder.

"y'good?" he mumbled as he watched cleo and pope innocently bicker as they tried to fix his hair with kiara laughing behind them. "yeah. i d'know what sarahs doing but as long as she doesnt push it." you shrug, watching as most paparazzi as well as a couple interviewers made their way to the designated area at the carpet, the horde of fans growing behind them.

he heaved out a sigh, wrapping both arms around neck in a warm hug. "whoa, hi there." you laugh. "whats this for?" you mumble, wrapping your arms around his waist as the two of you rocked slightly side to side. "im proud of you," he placed his chin on top of your head. "you tell me that all the time j," you laugh, however, you decide to stay in the hug for a while more.

"yeah, i know," he said softly, pulling away only slightly to face you. "but i want you to know i mean it, and thank you for keeping me by your side," he jokes, you laughing as he pulls you back into the embrace. after a short moment, you pull away. "thank you jj. love you." you smiled as he reciprocated, smiling down at you. "love you too, buddy." he kisses your forehead.

he nodded at the carpet, "go ahead, take some picture and let us know when you want us to join you." jj patted your shoulder, lightly pushing you towards the carpet where rafe was also approaching. you gave him a kind smile, glancing to where you previously were to see jj and kie, as well as pope and cleo smiling and cheering for you.

you laughed quietly as you and rafe wrapped an arm around eachother, taking a couple picture before some members from the rest of the cast, as well as john b and his co-director came over to also take pictures. after a couple more moments of posing for the cameras, john b gave you the all clear to call jj and the others over, so you did as he called sarah over. they all rushed up to you and rafe, hugging the both of you as a small greeting as if the nine of you hadn't greeted eachother before.

the nine of you got into random places, posing for pictures for some minutes. after a couple shots and different poses, everyone dispersed as you, john b and rafe moved on to the short interviews. your eyes first landed on a woman who looked to be in her mid-twenties, anxiously holding a microphone. you smiled politely at her as you approached. "hi," you extender your hand out for a handshake, one which she nervously accepted.

"hi," she stuttered back. "sorry.. my first time doing an interview." she shrugged lightly, to which you nodded. "dont worry, i dont bite." you laughed. she sighed as you stood patiently, "wanna get started?" she asked as she held a flash card in her hand. "whenever you're ready, dont worry." you held a hand out, silently saying that it was her call.

she inhaled slowly, exhaling after a moment. "okay- this was your first journey in horror/mystery film compared to your breakout role in the comedy, castaways," she paused as if asking for your approval, to which you nodded. "how challenging was it to manage the intensity and dynamics between your character and rafe camerons compared to castaways?"

you furrowed your eyebrows with a smile, pointing a finger at her as you raised your head in thought. "good question," you spoke into the mic she had moved closer to your face. "well, it was way more different in this movie. i feel like on set, whether we were filming or not, you could feel the sort of– tension? if thats what it could be called." you paused, gathering your thoughts.

"but compared to castaways where the tone was light and carefree both on and off set, yeah it was definitely challenging. this film defenitely required a lot more focus and deep diving into my character, but i was lucky to have a good co-star whos been in projects like this before to help me when i struggled." you glanced at rafe, who was at the other side of the carpet, also engaged in an interview.

the interviewer nodded along as you answered her first question, then trasitioning to her next. "speaking of, what was the first major difference you feel that set in when transitioning from four co-stars to one main costar?" you nodded, raising your eyebrows with a slight surprised face. "whoever writes your questions needs a raise," you joked, erupting a laugh from the interviewer.

you paused for a moment as you thought about your answer, "but, the first major difference i felt was the change in atmosphere. i feel like with multiple costars, theres sort of a family mood that sets in compared to with one main costar." you paused. "with one, its much more intimate, but it also allows for more exploration into your characters and their stories to make sure you understand the complexity of the entire plot." you spoke into the microphone with a small smile, "but i think it also had to do with the type of project you're working on."

"okay, good answer." the woman complimented to which you smiled with a small nod of your head. "heres a simpler question. did you have a certain routine you followed to get into your character while on set?" you fixed your hair as you thought about how to answer the question while also reminiscing about your days on set.

finally, you shook your head. "i wouldnt say i did. if anything, i would have my headphones in, listening to my playlist while in hair and makeup. but, to be honest, the music wasnt the same vive as the movie" you laughed as the interviewer smiled at you.

she tilted her head, switching grips on her microphone. "any artists we would know?" you nodded with a small smile, "hopefully," you crossed your index and middle fingers with a small laugh. "a lot of frank ocean, the weeknd, brent faiyaz, bryson tiller... a bunch of that type of music. and of course my baby, maddy beer." you blew a kiss to the camera, letting out a soft smile after.

the interviewer smiled at you and nodded, bringing the mic back to her face. "well, i believe thats all for this interview. thank you and good luck on your next," the woman smiled politely. you reached your arms out to pull her into a hug, "you did good," you smile as you pull away. "thank you," she mouthed. you waved a small goodbye towards her before walking a couple feet away to your next interview.

finally, after the entensive amount of interviews, where the questions were repeated for the most part, you shook the hand of the last interviewer, who for some reason had a habit of looking down your body, you not succeeding in hiding the disgust on your face. you walked away from the line of interviewers, looking around to find literally anyone you knew.

"boo!" jj grasped your shoulders from behind, to which you jumped. "jesus," you held a hand to your chest. "dont–" you shoved his chest, "do that jj." you concluded with a small laugh as he shoved you back lightly. "howd it go?" he asked you as the two of you walked away to find your friends. "eh.. it went good. i liked the first girl. she was nervous but shes good at her job." you smiled as you waved at random fans or people from set.

you sighed as the two of you went behind the carpet, "d'know about the last guy tho, bit of a creep," you shrugged. jj nodded along at your words, hand on your mid back as you moved around people. "well, at least its over," he joked with a small laugh. you reciprocated, laughing as the two of you approached kiara. you smiled excitedly, wrapping your arms around her neck with a small squeal as the two of you rocked back and forth giddily.

"im gonna go find jb," you removed yourself from the hug with kiara, turning to jj. "might wanna wipe the lipstick off better next time," you motioned to his jawline with a teasing smile. jj rolled his eyes, wiping the back of his hand along his jawline. "you idiot," kie moved around you, smacking his hand off his face to help him wipe the lipstick off. "have fun," you quipped as you made your way around people to look for john b.

rafecameron

liked by sarahcam, youruser, popeh and 1.3 million others

rafecameron life.

user the scream i scrumpt

sarahcam the way u copied my caption and im not on here..🙄

user TWO pictures of her? on purpose? very rare.

user let me B A N G BABY.

youruser well someone did me wrong

user he has a kid?

➯ user yes

➯ user no thats sarah and jbs daughter

user THEE james bond?

jbr get a load of this bald specimen

➯ rafecameron thats it im shaving your hair off

➯ sarahcam please do.

➯ jbr hello?

user we got family drama going on guys!

barrylyman i get a feat? sick.

*liked by creator*

user the way shes FIRST? the arm? someone pinch me

user WHO took my clothes

popeh im insulted

➯ rafecameron you know i love you bae

user help hes so girl dad

user rafe! ass or tits?

➯ user BRO WHAT?? LMAO

➯ lmaowhatt hes an ass man for sure

user help y/n is so unproblematic.

your phone

sarahs phone

a/n: sigh. also, according to chat gpt barrys last name is lyman, it doesnt really fit him but im running with it. we all know hes practically married to rafe canonically so its okay. a/n pt.2: next post might be on christmas day because i want to spend time with my family and friends tomorrow and i hope you all do as well! a/n pt.3: i also wrote the interview questions and answers myslef. ill let you know i was very proud of myself😭

[izelthewashbear]

The one part of 3rd Life Renchantyn/Treebark we never talk about

Whenever we talk about Treebark/Renchantyn/Martn and Ren in context of 3rd Life, it's almost always about the beheading - the ultimate test of trust between them two, where Ren claimed his place as the Red King, and Martyn finally fullfilled his duty of being his loyal hand.

However, there's one part we don't talk about even half as much, while I think we should.

"On the 3rd Life server, there is a rule - that if Red attacks yee, yee may attack the Red back."

The second half of their test was to see whether they trusted each other enough to not attack each other despite being on two opposite ends of the spectrum - with Martyn being green and Ren being red. Ren passed the test with flying colors right away - despite pointing out the possibility that as a red, he could attack Martyn, he never did - he never even grabbed a weapon to attack him with.

And what about Martyn?

Immediately after Ren pointed out the rule, he was holding a cobweb in his hand - so that if Ren went on to attack him, he'd be able to trap him. He ran away and only came back upon Ren saying that he won't do it.

However, he was given a choice. Ren punched him, not even shedding any of his hearts - but as per that rule, Martyn could attack him back. He was armed with both his sword and Red Winter, he even started placing the cobwebs so that Ren couldn't run.

"Are you with Red King to the end, or will you take Dogwarts for yourself?"

He could very well slay Ren again at that moment. It would not break any rules - Ren attacked him first, so it would count as self defense. Ren was ready for that, maybe even expected that.

"No! I won't do it!"

But Martyn didn't do it. For that one moment, the guy who mostly travelled the server and didn't have the place to call home aside from Dogwarts, decided to trust his only friend and not take everything they worked for together all for himself. He allows the walls he built around himself to crumble ever so slightly, to let that one man in.

...

But what if he didn't?

I can't stop thinking about what would happen if at that moment, he hesitated. If at that moment, despite spending so much time with Ren, he still didn't trust him enough. If his survival instincts kicked in and he attacked Ren again, making the Red King the first fallen player. If he remained at Black Heart Altar alone, with Dogwarts all to himself. If he decided that if not many players trust him, it's better if he doesn't trust anyone, as well. The walls are not ready to be broken down yet.

And then imagine the rest of the games afterwards.

Last Life, where he teams up with Southlanders first - if he turns on them, he'd be outnumbered, so it's like forcing himself into submission. Him hesitating to join Shadow Alliance - he killed Ren last time, why is that man trying to put trust in him again?

Double Life, where he ends up separating from his soulmate either way. He would end up backstabbing Cleo, anyway, so it's better if he starts on his own. Ren still tries to get his attention, but why? What's up with this guy and his weird obsession with his first murderer?

Limited Life. Ren is suddenly gone, so there is nobody else around to pester Martyn. The walls gets thicker and thicker. Scott is nice enough to him, but that pisses him off even more. Reminds him of Ren. This time, he backstabs him with no hesitation, and that leads him to victory. Why trust people, when working on his own led him to his goal?

...

Anyways I have a new idea for a treebark fic, idk if you guys are interested?

UPDATE: It's here, chapter 1 is finished! Enjoy, and brace yourself :>

[indecisiveavocado]

Antisemites have been known to hijack progressive movements, that's literally how the nazis got the idea to call themselves nazis, the -zi part coming from a German word meaning socialist.

Good. Good! Now remember that story about the Nazis in the bar and how you gotta kick them out fast?

...You are SO CLOSE to realizing it.

Still images don't tell me shit, the perpetrators need to actually be investigated.

You sure don't seem to need much investigation before you declare Israel genocidal, but whatever.

Calling the pro-Palestine movement responsible for literal genocidal antisemitism is just inherently disingenuous given that Jews aren't the ones being murdered en masse, pro-Israel protests aren't the ones being ransacked

And today, class, we learned that it is Very Bad to talk over minorities & what they say about anti-minority sentiment, except when it's the Jews(TM), when it is totally ok

the pigs

Hi, I don't know if you realized this (you don't seem capable of making basic connections) but that is a very common antisemitic insult and like could you please be originally antisemitic, is that so much to ask?

Melissa Barrera seems complicated but um per JTA it's not quite "just" that, it...

The “In The Heights” star had reportedly posted that “Western media only shows” the Israeli side of the conflict, adding, “Why do they do that, I will let you deduce for yourself” — wording that flirted with dog-whistle stereotypes about Jews controlling the media.

Given that, it seems plausible she made more obviously antisemitic comments in somewhat more private areas (eg filming).

a teacher in California lost her job at a Jewish-run charter school for supporting Palestine

If you're referring to this:

It was in a shul, I haven't found any mention of it being run by Jews.

It wasn't just that. It was that they did the following:

Taught first graders (!) about genocide

It was a fucking MATH LESSON

They praised a kid who was like 'what if they find somewhere else to live', aka 'go back to poland' (we tried, they killed us)

You calling this "1930's-style antisemitism" is an insult to people who actually suffered through genocide.

Which you are clearly an expert on.

You ain't suffering shit

I am not, mercifully.

I am fully aware that is not true for other Jews. I am a Reform Jew. I don't look visibly Jewish and I have been wearing more obviously Jewish clothes (T-shirts with Hebrew on them, for instance) less. I'm fairly introverted and don't go out much; I often go to places like the Jewish neighborhood, but otherwise not so much. I am about as privileged with regards to that as it can get.

But you don't know that about me. You could've guessed I'm not Orthodox since I post on Saturdays. But you don't know much else. For all you know I could have been (Pittsburgh Jewish Chronicle, various incidents, all local, clearly antizionist, since Oct 7)

I could be Rebecca Wells, told to kill herself, having "Literature, flyers, notes and pictures of mangled bodies were placed on the couple’s car windshield twice".

I could have been a student at Pitt, trying to learn and told to die in Gaza.

I could have been part of one poor family who's had their home vandalized, and...um, quoting the Chronicle: "The incident was one of many the family has endured over the last several weeks, including graffiti painted on a sidewalk outside of their home which read “For Blood and Soil,” a Nazi slogan....Over the last several weeks, the family has had their Israeli flag removed from their yard and trampled, pro-Palestinian propaganda pasted on their front door and pro-Palestinian literature with pictures of dead children and the note “The child murders of Gaza” scribbled on it with a Sharpie shoved into their mail slot.""

I could have been Michael Jacobs, whose business almost had its windows smashed (and the business truck had its windows smashed).

I could have been at the local high school and seen the "FREE PALESTINE" grafitti (and some 'We Stand With Israel' signs defaced), deliberately done one day before the five-year commemoration of a local antisemitic shooting.

I could have seen some messages: "The chalk messages thanked Hamas, which broke a cease-fire on Oct. 7 when 3,000 terrorists entered Israel from Gaza to murder Jewish men, women and children, commit rape and kidnap more than 240 people; more than 120 hostages remain missing. [paragraph break] “I love Hamas,” “Long live Intifada!,” “Hamas are freedom fighters,” “Don’t believe the white lies” and “Zionist lies only work if you have a severely low IQ,” were just some of the messages written on the sidewalk."

I could've been one of these two students: "Two University of Pittsburgh students were attacked on their way to Shabbat services Friday evening by a man wearing a keffiyeh, a scarf symbolizing solidarity with the Palestinian cause. The man, later identified as [removed], allegedly threw a bottle at the students, who were both wearing yarmulkes".

Or someone else: "One man in the group noticed his Star of David and, according to [the person], made a nasty facial expression. [paragraph break] “He proceeds to say ‘F— the Jews,’ with a lot of hateful and antisemitic language,” [the person] said. “He said I looked Jewish and started saying offensive things about my identity and religion and Israel."...The group proceeded to assault the Jewish student. [paragraph break] “It was a large group of individuals on the street,” [the person] said. “They began to punch me in the face and kick my body.” [paragraph break] While the physical assault was taking place, [the person] said the group continued to hurl antisemitic insults at him.

I could've been a student at Pitt medicine. "That chat was compromised shortly after Oct. 7. [paragraph break] “Two students started posting inflammatory messages,” Branstetter said....The posts became increasingly antisemitic, he said, until there were some that “indicated violent intent against all Jews.”...Jewish students saw the majority of their classmates agreeing with “threatening and flagrantly antisemitic” posts. [paragraph break] When the posts were brought to the attention of the medical school’s administration, Branstetter said the administration recommended that Jewish students leave the group. That would have undermined their education, Branstetter noted....Another concerning incident occurred at the medical students’ “pinning ceremony”....During the ceremony, one of the senior medical students grabbed an open microphone and went on an “antisemitic tirade, implying that you can’t be a real doctor if you support Israel,” Branstetter said. “It was horrific and nobody stopped it.” [later, discussing the group chat some more] A third-year medical student, who requested anonymity for fear of retribution by the administration and fellow students, said the chat group — which had never been home to political discourse — became uncomfortable for Jewish students almost immediately after Oct. 7. [paragraph break] “People have been very, very vocal,” the student said. “It started as pro-Palestine and quickly turned to anti-Israel. The words being used are very aggressive. They throw ‘genocide’ and ‘Zionism’ around in a very negative context.”...“I got called a lot of names. Someone called me racist,” they said. “I couldn’t focus because I could tell there were people talking negatively about me behind my back. It was clear when I entered a space, because we all used to take exams together. People would look at me with disgust and disdain.”

You simply don't know who I am. (And that's for a reason. I don't think - I hope - it was going to be followed through on if they knew my information, but, in response to one post I made, someone threatened to swat me.)

You're not calling out antisemitism, you know for GODDAMN CERTAIN you weren't doing that with your post

And how do you know that? I, in fact, was calling out the fact that antisemitism is quite common - and also so if someone later claimed it wasn't, I'd have the documentation to show it was.

Like do you think it's marginalized people who are committing hate crimes against Jews?

The person hit by a car was run over by a Palestinian-Iranian. The boy who had his peyot cut off had them cut off by an Arab. I thought they were marginalized. So, yes.

Fuck you, you genocidal loser.

Somehow this is better reasoned than the rest of your argument.

an incomplete list of hate crimes in the past fourteen (14) days against jews not in Israel, in no particular order

A shul was defaced with swastikas (Minneapolis, US)

A shul was firebombed (Montreal, Canada)

An ATM dispensed antisemitic banknotes, complete with 'Fuck Jews' (Sydney, Australia)

Swastikas at public high schools (Virginia, US)

Antisemitic stickers at the Boston University Campus ("spreading" from Harvard)

More antisemitic grafitti (Indiana, US)

(or maybe 12) 5 antisemitic attacks in Zurich (Zurich, Switzerland)

(or 13) Swastika grafitti in Pittsburgh, where I live (Pittsburgh, US)

(or 14) A car burned and grafitti sprayed in another antisemitic attack in Australia (Australia)

(or 15) That Melbourne arson attack (Melbourne, Australia)

(or 16) Jordan Acker's home was vandalized (Michigan)

(or 17) The San Francisco Hillel was vandalized with antisemitic grafitti (San Francisco, US)

(or 18) An Israeli in California was wounded after someone DROVE A FREAKING CAR INTO THEM (California, US)

(or 19) Someone intentionally cut off the peyot of a Jewish boy in New Jersey, akin to ripping the hijab off a Muslim woman, only it takes a while for her to get another hijab (New Jersey, US)

Mind you, as far as I know, this was a relatively typical two weeks. Goodness knows there were many more that went unreported. And many of these were basically unreported in the non-Jewish news, because no one really pays attention unless it's something big, like arson. Imagine if some tailor destroyed the hijab of a Muslim girl after saying not to, as her mother begged for him to stop. National news, right? But if it's a Jew - no one cares.

But tell me more about how antisemitism isn't a big problem and I shouldn't worry again.

[scary-grace]

(secret) santa, baby - part 11 of a shigaraki x f!reader fic

Shigaraki doesn't want to participate in the office's Secret Santa exchange, but when Toga promises to make it easy on him, he gives in. But making it easy for him makes it a lot harder for you -- you're the one who got his list. Office AU, no quirks. A fic in 12 parts. Divider by @ wcnderlnds

part i part ii part iii part iv part v part vi part vii part viii part ix part x

part xi (under the mistletoe)

Dabi: watch out when you come in this morning

Dabi: mistletoe fucking everywhere

He's texting the whole group chat. Tomura has to wonder why Dabi’s at work this early, but he appreciates the warning. Last year Tomura called out sick rather than deal with all the mistletoe-ing, but it would take the entire building being covered in poison ivy to make him think twice about going into work today, and even then he might still risk it. He doesn’t have your phone number yet. He doesn’t even have your email address, and he knows you don’t check your work messages on the weekend, which means he hasn’t talked to you since he and Machia dropped you off at your apartment the first night of the storm. He has to talk to you today. He’s been thinking about it all weekend.

You didn’t hook up. You didn’t even kiss. Tomura hadn’t been the one to float the idea – it was you, but only as part of the list of things people in horror movies do that get them killed. Tomura thought you sounded regretful when you said it. Whether you were regretful or not, you stayed close to him, and the two of you talked for hours. Tomura can’t remember all the things you talked about. It felt like everything, and by the time Machia honked the horn from the parking lot to let Tomura know he was there, the two of you were curled up sideways on the couch, Tomura’s hands inside your jacket and your fingers gently pulling apart the knots the wind put in Tomura’s hair.

Tomura didn’t want to get up. He was almost asleep, and as the two of you got into Machia’s truck, Tomura almost asked you if you wanted to come back to his place instead. Right now, thinking about how good it felt to have you pressed against him is making his face feel hot, but that night he was tired. He was almost asleep before. He wanted to fall back asleep with you and not think about anything else until morning.

But he didn’t ask, and when he actually got back to his apartment, he realized what a mess it was. Even if it hadn’t been a weird question, it would have been a bad idea, one Tomura wouldn’t admit to having if someone put a gun to his head. But that doesn’t mean he hasn’t been thinking about it, about you, since he watched you climb out of Machia’s truck and hurry through the storm into your apartment building.

Tomura gets to work a few steps ahead of Spinner, who calls for him to wait up. Tomura slows down. Spinner draws even with him, out of breath. “I saw Dabi’s text. What’s he doing here this early?”

“No idea.”

“Do you think he’s joking about the mistletoe?” Spinner asks. The automatic doors hiss open and Tomura tries to shake off the memory of walking through them with you, your arm around his waist. “I thought they banned it after last year. Didn’t they say it made a hostile work environment or something?”

“The decorating committee found a way around it,” Magne says from the far end of the lobby. There’s a table covered with boxes and it smells like food. Tomura and Spinner trade a glance, then beeline for it. “Watch out, there. Stay out of the blue squares.”

Huh? Tomura glances down and sees that some of the tiles on the floor have been outlined in blue tape. “What are those?”

“Mistletoe zones,” Magne says. Tomura looks up at the ceiling. Sure enough, there’s a weird plant stapled up directly over the square. “No kissing allowed unless you’re standing under one of these.”

“That’s stupid,” Tomura says. He points at the boxes on the table. “What are these?”

“Christmas cookies. There’s a box for everyone,” Magne says. She picks one up and inspects it. “Everybody on the decorating committee was supposed to bring some in, but Dabi’s sister made half of them anyway. That’s why he’s here so early.”

“He was making Christmas cookie boxes?” Spinner asks, then cracks up when Magne nods. “He must be pissed.”

“He’s been eating Fuyumi’s cookies all morning. I’m jealous,” Magne says. She hands a box of cookies to Tomura and one to Spinner. “Good luck today. Watch out for mistletoe.”

Dabi wasn’t kidding about the mistletoe. It’s everywhere. On the stairs. In one corner of the elevator. Every twenty feet or so along the hallway. When Tomura and Spinner get down to the basement, they find Toga and Twice taping down a blue square right in front of the printer. “Hey. Get that out of here. We don’t want that down here.”

“When was the last time either of you printed something?” Toga asks. She looks up at Tomura and her eyes instantly sharpen. “That’s a cute hat.”

Of course it is. It’s your hat, which Tomura wore today to make sure he wouldn’t forget it at home. “That’s not your hat,” Toga continues. She straightens up and comes closer. “Whose hat is it, Tomura-kun?”

“Nobody’s.”

“I’ve never seen you wear a hat before,” Spinner says. Spinner’s supposed to be on Tomura’s side. Tomura glares at him. “Where did you get that?”

“Nowhere.” Tomura sidesteps around them and sits down at his desk. There’s a present waiting for him, which means his Secret Santa got here early. A knot of anticipation pulls tight in Tomura’s chest. He has a present for you, too, but now he’s missed his chance to leave it at your desk instead of in your mailbox. “Leave me alone.”

“It’s from your Secret Santa!” Toga flops down across the back of Tomura’s chair and scares the hell out of him. “It is, isn’t it? She’s doing such a good job –”

So his Secret Santa is a girl. Tomura’s pretty sure Toga wasn’t supposed to tell him that, just like he’s pretty sure she’s the only person in addition to his Secret Santa who read his list. He knows it’s not Toga – she got Uraraka, or gave herself Uraraka on purpose. Which means his Secret Santa is probably – “It doesn’t matter who it’s from. I just borrowed it. I’m giving it back.”

“Borrowed it,” Twice repeats. He’s making a weird face. “When?”

Tomura hasn’t told any of his friends about getting stuck at the office with you, and he’s not planning on it. He keeps his mouth shut and they keep harassing him, until Chikazoku arrives and tells them to clear out. Chikazoku must have missed the mistletoe warning. He steps right into the square Toga and Twice just taped down, and Twice plants a kiss on his cheek before running for the hills. That’s probably the only way the mistletoe’s getting used today. Somebody stepping into the squares by accident. Tomura can’t imagine anybody doing it on purpose.

Tomura’s imagination apparently isn’t very good, because as the day wears on, he sees plenty of people hanging out in the squares, waiting for somebody to come by and kiss them. And he sees a weird number of people taking them up on it. He hears from Compress that some of them have turned it into a game, trying to collect a kiss from one person in every department. IT is the smallest department in the company. For the first and probably last time in Tomura’s life, there are multiple people wanting to kiss him at once.

Hatsume’s taking advantage of the situation, handing out kisses in exchange for bribes, and Chikazoku hasn’t left his desk since Twice sneak-attacked him. That leaves Tomura, Spinner, Saiko, and Aiba as potential kissing options for everybody else. Spinner kisses Magne on the cheek to help her complete her Bingo card, then gets sucked into a lengthy negotiation with two girls from HR of all places over whether or not he’ll kiss them platonically. Aiba, meanwhile, parks herself in one of the squares outside the break room and waits.

Tomura figures out what she’s waiting for right around when you get there. You stop to talk to her, then turn away, and make eye contact with Tomura. He hopes he’s not imagining the way your eyes brighten, and he’s definitely not imagining you walking towards him. “Hi,” you say. “How was your weekend?”

“I need your number,” Tomura says without thinking, and your eyes widen. “I wanted to talk to you and you don’t check your work messages on off days.”

“This weekend I was,” you admit, and Tomura kicks himself. “You can have my number. But only if you keep my hat.”

“It’s your hat,” Tomura says. “It looks better on you.”

“I think it looks cute on you,” you say, and Tomura’s face heats up. “Keep it. And give me your phone so I can put my number in it.”

Tomura unlocks his phone and hands it over, and while you create a contact for yourself, he keeps an eye on Aiba over your shoulder. You follow his eyeline and look too. Tomura sees your shoulders slump slightly. “What?”

“I’ve seen him,” you say. “He’s playing the game.”

“So he should get down here. He’s the only person in the building who’s got an IT kiss he doesn’t have to bribe somebody for.”

That’s not quite true. You wouldn’t have to bribe Tomura for a kiss, but Tomura knows without asking that you’re not playing the game. You’re shaking your head. “He got his IT kiss already,” you say. Tomura stares at you. You lower your voice. “From Saiko.”

Tomura forgot about Saiko. “What the fuck?”

“He’s her Secret Santa,” you say, like that explains everything. The next thing you say explains better. “She likes tea, doesn’t she?”

Saiko can’t shut up about tea. Still – “What the fuck. Did you see it?”

You nod. “They didn’t see me, but I saw them.”

“You talked to her. Did you tell her?”

“She asked me if I’d seen him, and I said yes. I didn’t tell her where or who he was with,” you say. You look unhappy. “If I tell her and she tells him, he’ll just say they were playing the game.”

“That’s the dumbest thing I’ve ever heard,” Tomura says, probably too loudly. You catch his arm and tug him around the corner, away from Aiba and the break room. “If I was playing that stupid game – which I’m not – I wouldn’t kiss anybody except –”

You. Tomura cuts himself off, averts his eyes, and that’s when he realizes where he’s standing. And where you’re standing. There are two mistletoe zones right next to each other, and you’re each standing in one.

Did you do this on purpose? Tomura doesn’t think so. You look just as surprised as he does, and your face turns red. “I’m not playing the game, either.”

“If you were, you wouldn’t have to bribe me,” Tomura says. “But if you were playing the game, I’d want you to lose.”

You look confused at first. Tomura sees when you get it, though, and he sees you swallow hard. “I don’t want to win the game.”

There’s nobody in the hallway, which is good. Tomura doesn’t want to kiss you for the first time with an audience. He reaches out and catches your hand, pulling you a step or two closer and deciding that it’s more fun to hold your hand when he doesn’t have gloves on. He has a free hand, too. That’s good. If he doesn’t hold onto your face so you stay still, he’s probably going to miss. He might miss even if you hold still. Why is this so hard? Why can’t Tomura just lean in?

Your free hand comes up and grabs his shoulder, and Tomura feels a surge of relief. Maybe he won’t have to. Maybe if you just –

Noise suddenly erupts from around the corner, scaring the two of you apart, and a moment later, Tomura hears running footsteps. He doesn’t have even a second to be pissed about the interruption before Aiba bolts past him down the hallway, face buried in her hands. Tomura’s not exactly a student of human nature, but it’s not hard to guess what must have happened. “She knows.”

“Someone should go after her.” It looks like you think ‘someone’ should be you. Your hand pulls free of Tomura’s, and you step out of your mistletoe zone without hesitating. “I’m sorry.”

“It’s fine,” Tomura says. It is and it isn’t, all at the same time. He doesn’t like that you’re leaving. He likes that you want to help somebody who’s hurt. “I’ll see you later, right?”

“Right,” you say. You glance down at Tomura’s feet, then up at the ceiling – and before Tomura can do much else than realize that he’s still firmly in a mistletoe zone, you lean in and plant a kiss on his cheek.

It’s not really his cheek. Either you missed or you were aiming lower, and he thinks you were probably aiming lower, because your lips linger just below the corner of his mouth in a way that tells Tomura it wasn’t an accident. “Sorry,” you say again, and you take off down the hallway before Tomura can tell you not to apologize for the best thing that’s ever happened to him under the mistletoe or anywhere else.

He doesn’t think you’re sorry for that, anyway. He thinks you’re sorry that you had to leave. Tomura knows the feeling. It’s the same one he’s had since Toga’s Christmas party, and as weird of a feeling as it is, it’s nice to know he’s not having it alone.

<- part x part xii ->

[gachagon]

Eva's isolation from the rest of the class and the status quo

I want to talk about how the other students ostracized Eva the most out of anyone in the class in Edens Garden so spoilers down below

I think out of any Dangan game, Eva was the most isolated and ostracized. I've seen some ppl compare her to Sakura in THH however the circumstances surrounding Sakura's isolation were vastly different than Eva.

Eva lied *once* about her Ultimate Talent which isn't something new since it's happened before in Dangan games, and she tried to hide that lie from the others in a pathetic attempt to make them not look at the watches and check the report cards.

Granted, they were right that maybe Eva lying about her Ultimate Talent, and then trying to make it so nobody looked at the watches could've potentially caused more harm than good, since they're in a killing game. However, I will remind everyone that this same cast has stated that they're not going to participate in the killing game at all and will just wait for their rescue. Why would they need to "make precautions to keep everyone safe during the game" if they're supposedly not going to be playing the game at all? It's hypocrisy because they hate Eva for lying, while also lying themselves about participating in the game.

And all that aside...what Eva lied about wasn't that bad. She only lied about her own talent and didn't want others to know about it more, and when everyone found out about it they began to mock her for it. Pretty relentlessly too, almost like they're still upset about her calling them naive in the beginning of the game. Or for being outwardly distrusting of other people.

When the motives are revealed, they blame Eva for Tozu's own actions and decisions because Tozu claimed that she inspired him by what she said about the watches (she said that any one could use the watches to learn secrets about other people which was true and exactly what people used the watches for, and then Tozu introduced the motives.)

It's unfair of them to blame Eva for something like that especially since Tozu admitted to Damon that all the secrets were all secrets that everyone had already revealed unknowingly, meaning that Tozu was just being an ass when he said Eva gave him the idea. He knew everyone disliked her, and just said that to add fuel to the fire.

The way the rest of the cast treated Eva aside from Damon and Diana is gross and bad. There was no reason for Wolfgang to try and keep them from investigating, nor was there a reason for him to suggest they were untrustworthy because of their difference in opinion about the Killing Game.

The truth is that the rest of the cast would much rather lie to one another about their intentions and how much they trust one another, than simply be honest about how they really feel. When Damon and Eva call them out in the prologue they're met with coldness and open distrust from everyone else.

But the rest of the class is more covert about how little they actually trust one another, proving that they know Damon and Eva were right the whole time.

In a way, they ostracized Eva the most because she questioned their status quo the most out of anyone, and it was easier to mock her or not take her seriously because of her talent.

AND they're hypocrites for mocking her talent because Damon was the one who claimed "not all talents are equal" in the prologue, not Eva. They all disliked Damon for saying that, but when Eva was revealed to be the Ultimate Mathlete instead of the Ultimate Liar, they resorted to treating her talent as lesser than their own. You know, exactly what Damon was doing in the prologue. But the difference is that Damon had the decency to be honest about how he felt then even if it made the others not like him for a short while.

In short, yes Eva is a bad person, but nobody else in the class are exactly "good" either. You can even tell their masks are all slipping by the way they all cringe at the end of the trial when Diana gives her speech about adapting.

These people don't want to "adapt" and change to the circumstances, they want things to have a steady pace and anyone questioning that steady pace gets shut out.

[themultifanshipper]

Can you write a fluffy carcar fic where imagine carlos trying to get oscar into golf? I saw oscar say somewhere that golf is frustrating- but carlos tells him "it's not frustrating, it's about patience" or something like that

He went to the golf course bc lando actually invited him after the wcc and all, and since lando was really insistent and he had time to kill, and he was like sure one afternoon won't hurt. So he goes, there by genuine accident they bump into carlos, and lando didn't think carlos was even back home so he was just as surprised to see him and then carlos ofc joins them but then lando has to leave (how convenient) so oscars suddenly all awkward

BUT THEN CARLOS IS LIKE ITS OK ILL TEACH YOU, ILL MAKE YOU LIKE GOLF

And suddenly oscars all flustered and both of them in their heads are all like "this is nice, omg this is really nice, why is this so nice!?"

Or something along those lines??

Oscar’s mind was going at a million miles an hour.

How he got into this predicament, with Carlos' strong arms wrapped around him while he shivered from the contact, was a mystery.

Warnings: smut, ass eating, inappropriate use of golfing equipment, public sex, kinda wild, i'll be honest there is not much fluff, asking me for fluff is like asking Fernando to retire, it ain't happening.

Lando. This was all Lando's fault.

He'd suggested going out for golf, which he knew Oscar wasn't particularly fond of.

And he was the one that had lost track of time and forgotten that he had a meeting to go to.

He'd also been the one to suggest Carlos join them, after running into the Spaniard by accident.

“It’s december!” he’d said. “We'll be the only ones on the golf course! It'll be fun!” he said. Well that was a fucking lie.

It may not have been high golfing season or whatever, but they ran into two people Lando knew from around Monaco, and Carlos.

The entire situation felt like the setup for a joke, and Oscar felt like he was the absolute butt of it.

Celebrating the WCC? Great idea. Golfing with Lando? Fine, why not. Golfing with Carlos? Not something he wanted to be doing in a million years.

He didn't not like Carlos, but every interaction they'd ever had could be summarised with two words: forced proximity.

Either they came together on track, or they were forced to interact by their mutual friends, namely Lando.

So he wasn't exactly fond of the man, but he tolerated him enough to be civil. And the less time he spent talking to him, the more time he had to check him out from afar.

Bexause he was hot as fuck, Oscar couldn't deny that. He'd caught himself checking his fellow drivers out on multiple occasions, but there were no cameras around now, so he could let his gaze wander a bit more freely.

As soon as Carlos agreed to go along with them, he knew this was going to be a long afternoon.

Golf just wasn't his thing. He’d tried. He'd really tried, he would do anything to please Lando.

But he thought it was a sport for pompous rich pricks who had absolutely nothing better to do with their time and money. He'd never had lessons, and Lando wasn't exactly a great teacher, so his form was shit, and to make matters worse, Lando and Carlos made fun of him for it.

Well excuse him for not growing up fucking rich!

“This is a shit sport!” he raged after missing yet another swing. “I just don’t get why you like it, it's so frustrating!”

Lando was too busy wheezing to reply.

“It is not frustrating, it is about patience. Observe”  Carlos put a ball on his tee, and positioned himself as if he was going to swing.

“You need to shift your weight as you swing, and don't aim for the ball, aim a few inches after the ball. And don't forget the position of your arms, the left one is straight while the right one is at a right angle, otherwise your aim will be all over the place…”

Carlos showed him the movement as he explained it, but Oscar had stopped listening entirely.

His eyes had zoned in on Carlos' arms. He knew the guy was fit, they were athletes after all, but he was absolutely astounded by how fucking enormous Carlos’ biceps were.

They were glistening with sweat under the sunlight as he flexed them. Then his eyes went to Carlos' pecs, which were also flexing, and looked like they were about to pop out of his polo shirt.

He was brought out of his reverie by Lando cursing loudly next to him.

“Shit! Guys I have to run, I completely forgot I have a meeting with my publicist in fifteen minutes!”

He left his stuff with them and sprinted away, promising to be back soon (they both knew he wouldn't, and one of them would inevitably have to drop his stuff off at his apartment).

Oscar was relieved, he could finally be out of this hell hole.

But as he picked up his bag of rented clubs to make his way back to the golf cart, Carlos put a hand on his shoulder to stop him.

“Oh no, Cabrón. We are not done here. I am going to make you a professional if it is the last thing I do.”

Carlos teaching him golf sounded like the last thing he wanted to do, and the older man was smirking infuriatingly, as if torturing Oscar into liking golf was the most fun he could have.

But a part of Oscar was curious. Maybe he could have some fun of his own. He knew Carlos wasn't a particularly patient man. Maybe he could rile Carlos up enough for him to give up.

Making an F1 driver give up on anything was a hard feat, but Oscar liked a challenge.

It was a bit awkward at first, Carlos made him get into position, which he did very wrong on purpose, to try and frustrate Carlos.

But the man didn't even sigh, he just started explaining all about how the handle had to be pointing at his belly button, and his knees needed to be bent, and he needed to twist his shoulders while lifting the club while still looking at the ball, and then he had to-

Oscar had stopped listening again.

While explaining each action, Carlos' hands were moving Oscar's body around like a puppet.

His skin burned wherever Carlos' hands made contact.

And after a while it started getting to him. Carlos' touches were getting rougher, like he was getting sick of explaining and repositioning him over and over again.

But instead of chanting victory, Oscar's brain was slowly frying at the harsh grip Carlos had on his flesh.

They were both sweating in the sun, and Carlos was damp.

He was plastered to Oscar's back, his arms around Oscar's arms, hands gripping the handle over Oscar's hands as he tried his best to explain… whatever it is he was trying to explain.

Oscar’s brain was on one thing only: the hard planes of Carlos' body pressed against his.

The Spaniards breath smelled like the minty gum he'd been chewing earlier, and his mouth was so close to Oscar's cheek he could feel the heat of his breath as he spoke.

He was sweating, and not just from the sun, his body was on fire, and he could feel his blood rushing down from his brain to his nether regions.

Carlos hadn't noticed at first, fully absorbed in his long winded explanation of the subtleties of hip movements to emphasize striking power.

But when he grabbed Oscar's stiff hips to twist and move them the correct way, the younger man gasped out the tiniest of whimpers.

That made Carlos freeze. “Are you okay?”

His hands hadn't moved from Oscar's waist though, and that fact was making his head spin.

Carlos’ eyes followed the movement of Oscar's Adam’s apple as he swallowed before nodding shyly.

The flush creeping up the younger man's neck was enough for Carlos to understand what was happening.

He gave his hips another squeeze. “Oscar…”

The Aussie let out a shaky breath, the way Carlos whispered his name made him close his eyes in embarrassment.

“Yes?” his voice cracked and he closed his eyes, waiting for Carlos to yell at him for being inappropriate, or uninterested in golf, or gay… or something.

But the yelling never came, instead Carlos chuckled darkly and squeezed the flesh of his hips.

“Is my lesson making you too horny to think properly? Pathetic… And ironic given how you seem to be the one trying to distract me with these shorts” he spat, pulling at the hem of the offending shorts, which would be considered indecent to anyone who wasn't Oscar.

But Oscar had a habit of not realising how he looked, and today Carlos was having trouble not ogling his body.

Carlos’ hand barely brushed his bulge, and Oscar whimpered again, looking down to see just how tented his shorts were.

He had no idea he felt this way about Carlos, but here he was, hard as a rock and secretly wishing that Carlos would touch him more.

“Maybe I need to teach you some discipline before you can learn to play properly…”

Carlos nosed at the back of his sweaty neck, pulling his hips back against his own.

Oscar gasped when he felt the hard press of Carlos' cock through his shorts.

“Do not worry, I can teach you everything you need to know” he growled into Oscar's skin, hand sliding around to cup Oscar over his shorts.

That's how Oscar ended up pressed against the front of the golf cart, leaning on his elbows, and doing his best to stay quiet as Carlos ripped his shorts down his legs.

“If I didn't know any better, I would think you were hoping this would happen, given how slutty these shorts are.”

Oscar wanted to protest. They were practical! It was 25 degrees out and excuse him for not wanting to wear fucking chinos to golf.

“They're not sl-” he tried to argue but Carlos landed a harsh spank to the back of his thigh.

He yelped but Carlos scolded him.

“First lesson, no arguing with the teacher.”

He hooked his fingers in the waistband of Oscar's boxers and peeled them off, groaning at the plumpness of the flesh in front of him.

“My god, it's a miracle your ass fits in those shorts at all…” Oscar blushed at the compliment, he knew what his body looked like, he knew he was gifted in that department, but Carlos praising him was turning his brain to mush.

He let out a surprised half-moan half-whine when Carlos spread his cheeks and spat, right on his twitching hole.

The act was so dirty, they were out in the open but Oscar no longer cared, he needed more.

He could feel the cool material of Carlos' leather glove against his overheated skin.

Carlos rubbed the pad of his thumb over Oscar's slick rim, making him keen.

“Lesson two: you have to be quiet or we are going to get caught. Do you want this to be our last lesson?”

Oscar was trembling with need, and his legs were seconds away from giving out if Carlos didn't get on with it soon.

“No! Please…” he whined pathetically and Carlos laughed.

He crouched behind down, spreading Oscar open.

“Then keep your mouth shut”

He licked a stripe from his balls up to his crack, and it took everything Oscar had in him not to moan.

“Good boy” Carlos praised, and dove in, licking and prodding at his tight rim.

Oscar could feel the strong wet muscle opening him up, it was obscene.

He bit his hand to avoid making a noise , he didn't really care about being kicked off the course, but he would rather avoid getting caught, with Carlos of all people. He'd never hear the end of it.

The repetitive feeling of Carlos' tongue breaching him had him gasping into his hand.

He pushed his hips back, his back arching as he fucked himself on Carlos' tongue, and the older man moaned at how quickly Oscar's body was betraying his need to be fucked.

He pulled away to suck a couple of fingers into his mouth, wetting them thoroughly before pressing them into Oscar's slick hole.

Oscar was on fire. Carlos was using his gloved fingers to open him up, and the slick leather sliding into him made him want to rip his own hair out.

Carlos stood up and put a hand on Oscar's lower back to make him arch more, which he did gladly.

Carlos was surprised at how needy Oscar was under him, writhing and gasping every time his fingers brushed his prostate.

Suddenly he had an idea on how to keep Oscar's mouth occupied.

He reached into his pocket, where he had one of those extra large golf balls used for training, and tapped it against Oscar's lower lip.

“Open up, Oscar. You can suck on this to stop yourself making too much noise” and Oscar opened his mouth immediately and stuck out his tongue, taking the ball in his mouth almost too eagerly.

He was submitting beautifully, and Carlos had to unbutton his pants and pull them down, just to take some pressure off his now aching cock.

Once he deemed Oscar ready, he spit on his hand, slicking himself up and pushed in slowly.

Oscar couldn’t hold it in anymore, despite the ball gag, he moaned loud.

“Shit” Carlos hissed, slapping a hand over Oscar's mouth. “You need to be quiet”

Oscar was unable to respond, he was too busy drooling over how well Carlos' cock was stretching him out.

So Carlos took the ball out, accidentally shifting his hips which made Oscar’s eyes roll back and he let out a high pitched squeak.

Carlos then took his glove off, baled it up and shoved it into Oscar's mouth.

He then thrust into him hard enough to make him moan loudly again, and was satisfied when the glove successfully muffled the noise.

Or at least enough so that they couldn't be heard within a few hundred feet.

He kicked Oscars feet apart to spread him further, and slammed into him again.

Oscar was sure he could feel Carlos all the way up to his fucking throat with how deep he was inside him.

The sound of Carlos' hips slapping against Oscar's plump flesh made the two men wild as their bodies made contact over and over again, pushing and pulling against each other.

Oscar was doing his best to push back against the onslaught of Carlos' savage thrusts, but his body was slowly giving up on him.

His knees buckled, and Carlos wrapped his arms around him, pushing him harder against the now searing metal of the front of the cart.

He reached a hand down to wrap around Oscar's leaking cock, squeezing rythmically with each thrust and Oscar was a goner, he came with a muffled wail, painting Carlos' hand white, along with the front of the cart.

Carlos followed quickly after, hips stuttering as he filled the younger driver up, biting his lip to muffle his deep groan.

After a few seconds of trying to regain his sanity, he pulled his glove out of Oscars mouth and pulled his softening cock out of him.

Oscar sighed, leaning his head against the surface with his eyes closed in bliss.

He didn't register Carlos moving around until he felt him lick up the cum that was seeping out of his used hole.

He jolted, gasping as Carlos cleaned him up, lapping up his own cum and overstimulating Oscar to the point where he started wriggling and the Spaniard had to hold him in place.

The lewd slurping sounds were almost humiliating, and he was suddenly acutely aware of how exposed he was.

But that just served to turn him on again, and if Carlos had carried on for much longer, he would have definitely been up for another round.

Thankfully though, he soon deemed Oscar cleaned up of his cum, and helped him pull his underwear and those goddamn shorts back up.

He turned Oscar around and grabbed the back of his neck to press their lips together in a kiss that very quickly turned filthy and they made out for a few minutes, until they were in desperate need of air.

As they panted into each other's mouths, Carlos grinned.

“Rule number three: one lesson is never enough”

Needless to say, Oscar got a membership at that club. And he met up with Carlos every week for lessons, which they did not invite Lando to.

 Lando found that a bit strange, but he wasn't going to complain, he was just happy his two friends were finally getting along.

[syndrossi]

Thinking about Restoration AU (again). What POV would you like to write/or are you just interested in? Well, besides Cersei :D Even for the time of the first book, she can't be called sane. Maybe Jamie? Like you said, in the first book he wasn't in the mood for redemption, but here he meets the ghost of the man he was loyal to and whom he feels he has failed (I tend to think that Rhaegar just didn't want to take a 16 year old boy to battle, so he gave him an important "assignment").

Or maybe Robert's POV during the meeting with the twins? We know that Ned is mentally praying at this time, while Robert may not remember Rhaegar's facial features and his reaction is: ho ho our noble Ned is just a man too, we're not so different.

Or Catelyn? I don't share the fandom's hatred of her, but it would be very interesting to see her thoughts, especially how she tries to recreate the image of a "rival" to Rhaegar: his looks, charming singing, soft demeanor.

Personally, I'm probably most interested in seeing Darmon and Daenerys' POV. With Darmon, it will be both painful and fun - painful because he finds himself in a world where his children aren't around him, dragons are extinct, and the Targaryens have fallen (the story of Rhaegar's death might cause a sudden painful flashback). But watching him terrorize first the people of the valley and then Volantis, who have no idea where the hell the dragon came from or what children this madman is talking about (they're already willing to give him their children just to get rid of him) would be fun.

And for Daenerys I'm just happy, she'll probably be a little scared of Darmon at first (he's a little crazy during their first meeting) but then she'll appreciate him: the fact that there's finally an older family member protecting her from Viserys, and his dragon, and the way he treats her gently (she'll 100% remind Daemon of Rhaegar, only a girl). Or Viserys? In terms of insanity it should be something close to Cersei in the last few books.

Would love to see your thoughts. By the way, have you decided whose POV will be next?

Hmm, it's less for me about POVs and more about certain story events, other than the aforementioned Cersei POV. Like, the Robert meeting the twins is an obvious one, but I don't think I'll write Robert's POV. For that, I'm leaning toward Ned's, especially because he'll get to see little!Jon/Willam staring absolute daggers at Robert, both as in the I HATE YOU sense and the DON'T YOU DARE TOUCH MY LITTLE BROTHER-DAD sense, but Ned will likely interpret it as "you killed our older brother! 😡" Whereas Rhaegar/Raymar is deer-in-headlights "if I don't move he won't see me" mode.

(Oh, or could THAT be our first Cersei POV? Ehh, I still think Ned, but I can absolutely see Cersei being huffy about Robert going to greet Ned's bastards after he meetings the trueborn ones, viewing it as him rubbing his adultery in her fave, and then she catches a glimpse of Rhaegar and goes why hello yes target acquired ned stark's bastards you say?

Goodness, I hadn't thought about Rhaegar becoming the symbol of the boys' mother to Cat, but he probably would, wouldn't he? Jon and Willam remind her enough of Ned, but she's staring at this dainty-looking child with the long braid, imagining the woman's silver-blond hair and beautiful eyes and quiet demeanor. Did she sing? Is that what drew Ned to her?

Okay, I may have to steal the "Volantis just starts flinging Valyrian-looking children at Daemon in a bid to appease him" bit for Daemon's reign of terror across Essos. 😂 They just round up every child that looks the least bit like him, and even throw in some dark-haired, grey-eyed ones like the other child he mentioned. Daemon is all "wtf am I supposed to do with these?" and they're all "feed them to your dragon if they aren't what you want, please just leave us alone."

I think Dany and Daemon's first meeting will definitely be a Dany POV, so I suppose that's one I'm looking forward to! I still haven't decided the exact timing there. Canonically per the book, her wedding to Drogo has already occurred by now, so either I shift the time so that Daemon can dramatically prevent it, or he rocks up on the Dothraki and starts burning until they give him his kin.

I have not yet decided which POV is next, though that's up after Knight of Stars pt2. (Assuming I don't get sucked into the "Rhaella gets summerhalled" AU I'm very tempted to write first. And we still need the wintery hot springs prompt fill! Lots to write this week.)

[lazzarella]

And the way Style keeps trying to coax Fadel away from his current life without giving himself away? Why don't you find a new job that lets you love? You don't have to live someone else's life. And so on. The way he tells Kant he's getting kinda attached to Fadel (at least in the subs), but when he's talking to Fadel like this, you know it's more. Because he's trying to steer Fadel to a life where they can be together. No obstacles. No danger.

But he can't say 'please stop killing people because I'm worried about you and I want to be with you' and he can't warn Fadel about the police because, as open as he's being emotionally, now, he's still scared and conflicted

And then, when Fadel tries to reassure him, because he's working toward a life free of danger where they can be together, it doesn't help because Style still knows what Fadel doesn't (again), and I love that play between the one who knows being the one who feels off-kilter, and the one in the dark—though he thinks he isn't—being the one who feels like he's on solid ground

And then it's flipped again at the end! He's so happy to finally see Fadel again, and I don't think he thinks they're home free or anything, but he is happy and he looks relieved. But then Fadel is told Style and Kant are the snitches and now he's one step ahead. He's the one who knows the thing keeping them apart. And it reminds me of that tit for tat they had in their early encounters, where they were always one-upping each other, but now the stakes are higher and the angst is angsting and it's so gooooooood and ugh!!!!

Anyway, this is a mess, and I'm honestly not sure where I intended to go with it, but I'm just really enjoying the writing and the acting and everything in this show

[blubun0309]

[TW // SA mention] + EPIC: The Musical Ithica Saga Spoilers

Can we talk about Odysseus real quick because, dear god, this song is so beautifully poetic

Let's start by addressing my favorite detail: the chorus. The chanting of "Odysseus" in the background. You know why this is important? When have we heard a name being chanted by the chorus in EPIC before? In the songs of GODS and MONSTERS. He's not any man walking in that palace, he's the one who BUILT IT. The man who's survived 20 years of war and bloodshed, the only man who came back alive from a troop of 600 men who fought against Troy and literal Gods. He's the KING of this palace, and they WILL chant his name, wether in fear of him or not.

Odysseus has learned from his journey and how he single-handedly takes down 108 men in a five minute song shows it. He's applying every tactic he learned. He traps them like the cyclops, attacks in his palace like Circe, aims for the torches like Scylla, using ruthlessness like Poseidon. He's become the monster they created.

And the vocal performance is impeccable. Jorge's voice is so amazing, you can HEAR the anger Odysseus has towards these men, who planned to hurt *his* boy, and touch *his* wife. He snarls, he kills, he has no mercy towards these pigs, his mercy has long since died.

And let's address that: He rejects open arms from one of the suitors. Open Arms had been a consistent melody in almost every saga I believe, every time it was something to keep Ody afloat, a melody that reminded him of his best friend, and he clinged onto it in his lowest points. It's not just the melody, it's what it represents. The ideology Polites and, at one point, Odysseus stood by. That they could change the world with kindness and forgiveness. But Ody has gone through enough, and in no situation where he tried to be kind did it work out for him, as he was met with bloodshed and anger. He has no forgiveness left towards the people who've wronged him. But from a different angle, you can see why he rejected open arms from the suitor. After they planned to kill his son and rape his wife, they want MERCY? No. Odysseus won't give them the mercy. They don't deserve it. Killing their leader is not enough, he knows better now. How DARE they use the words of a dead man, his best friend, to save their sorry asses? They have no right to do so.

Odysseus' rage is so powerful because he has had enough. He won't allow these men, ANYONE, to hurt his family, not after everything it took to come back to them. He'll die a cold death before he allows that to happen.

And the suitors, oh they KNOW they fucked up. They know the story of Odysseus, they know how tactical he is, they know. And that's why they *fear* him. That's why they beg for forgiveness they won't receive. It's either beg or die.

However, they have a strong point: Telemachus. Oh, Telemachus, you couldn't have arrived at a worse time. I think it's a bit difficult to catch, but Ody wasn't the one who left the armory unlocked, it was Telemachus. He went in there to get gear and didn't backpedal to close the door. And for that small mistake, they got the upper hand against him. They held down, beat, and hurt him, all to get Ody's attention. Even though Telemachus begs for them to spare him so Odysseus spares them, to have open arms, they still decide to strike. A foolish choice, because Odysseus won't stand for it. How DARE they... How DARE THEY HURT THE YOUNG MAN HE FINALLY GETS TO BE A FATHER TO.

Let me remind you, Odysseus killing all these men is Telemachus' first impression of his father. After 20 years, he's here. In front of him. But he's not the kind and gentle man his mother described him as, he's not the man who spares first. Odysseus is filled with rage, and he doesn't even hesitate as he kills the monsters who have tormented him and his mother for 20 years.

Odysseus is no longer the man he was, nor the monster they've all created. He is the final battle. His theme is the one of a leyend. He's become the final boss. His heart is filled with rage of torment the past 20 years have put him through. And no one will want to mess with the King of Ithica again.

[aishangotome]

[Nica Schwartz] I Can't Return to a Time Before You Part Bitter Ending

Startled by the scream, I turned around and noticed a crowd had gathered where the woman had been talking earlier.

Kate: What in the world...?

Unable to see the center of the commotion, I tried to approach, but his hand stopped me.

Nica: It might be an incident. It's dangerous, so let's stay away.

Amidst the commotion, I heard a woman's laughter.

Emaciated Noblewoman: I did it, I did it!

Emaciated Noblewoman: I did it!!

It was then that I finally realized the person at the center of the crowd was that woman.

And I saw her hand clutching a crimson-stained knife, and a man who seemed to be her husband collapsed, covered in blood.

Kate: That's...

My legs trembled at the shock of seeing the timid woman from earlier laughing maniacally, clutching the knife as she sat on the ground, but--

Emaciated Noblewoman: Look, I'm free!

The woman's words made me gasp.

(That's what Nica said earlier...)

(Did she decide to kill him because Nica told her to!?)

Frightened, I looked at him, and there was Nica, with the corners of his mouth lifted, looking at the scene with an icy gaze.

Kate: Nica...?

City Police: There she is, apprehend her!

The city police ran past me as I stood there in shock.

The woman with the knife was quickly caught, but she continued to scream.

Emaciated Noblewoman: It's all his fault! He keeps buying women and bringing them home!

Emaciated Noblewoman: He promised to only look at me, but he wouldn't even give me the words I wanted!

Emaciated Noblewoman: But that man gave me the words I wanted!

(Is she talking about Nica...?)

Her state, as if something had been unleashed, was far from normal, and--

Nica: Let's go, little Robin.

It was as if she had been charmed by someone and had gone mad.

(Don't tell me...!)

Kate: C-come over here.

-

Nica: What's this? Bringing me to a place like this?

We entered a nearby alley, and I stared intently into his eyes as he continued to make lighthearted jokes.

Kate: You used your ability on that woman, didn't you?

Silence dominated the alleyway, off the main street.

Even the sound of me gulping was audible, and my heart pounded loudly.

In contrast to me, Nica had a calm expression on his face.

Nica: Why do you think that?

Kate: ...Your ability is to charm people, and the condition for activation is to hold their hand.

Kate: Earlier, you held that woman's hand, kissed it, and said this:

Kate: "There are many people who find your free spirit attractive."

(And you encouraged her to be brave.)

Kate: If she was charmed by you and acted on it, it would explain her sudden change in behavior.

I tightened my grip on the bouquet.

Nica sighed, looking annoyed.

Nica: So, little Robin, you're saying I used my ability to make that woman kill someone?

Nica: Even if I really did that, what would be the benefit for me?

Kate: That's...

He scratched his head, looking annoyed again, and slowly closed the distance between us.

I stepped back, but my back hit the wall, and he stood before me, looking down.

Nica: Hey, answer me.

The pressure he exerted on me almost made me forget to breathe, but--.

Nica: ...That husband, he would buy women and bring them home.

Kate: Eh...?

Nica: He even prepared rooms for them so they could live in his house.

Nica: When she told him to stop, he became violent. It seems like she had a terrible time.

The expression on his face as he spat those words out was different from the smile I had seen all day, yet it felt like this was the real Nica.

Nica: Even if I did use my ability, it's not my fault that she killed him, right?

Nica: Besides, wasn't it convenient?

Kate: Convenient...?

Nica: A scumbag disappeared from the world. Isn't that lucky?

He said it cheerfully, but he didn't seem to be genuinely enjoying himself. I felt like I saw an emptiness in his eyes, as if he didn't care.

Nica: So, why are you angry, little Robin?

His finger reached for my cheek, and he lifted the corner of my mouth with his index finger.

Nica: I want my lover to always be smiling.

Kate: ...There's no way I can smile after seeing that.

I wrapped both my hands over his.

Kate: Maybe there was something about him that made him deserve to be resented.

Kate: But there was no reason for that woman to become a murderer.

Kate: If she became a murderer because she was charmed by you,

Kate: I don't think I can forgive you.

Nica: ...Hah.

With raised eyebrows and a provocative smile, Nica said,

Nica: Then shall we test whether I used my ability or not?

Kate: Eek!

He grabbed my right wrist and brought his lips close to mine.

Nica: Will you be charmed and obey me?

He slowly tried to intertwine his fingers with mine. I tried to pull away, but his grip was firm, and my hand wouldn't budge.

Nica: So let me try asking you this...

(I forgot.)

I had been so captivated by how much fun we had today that I forgot what kind of person he was.

Nica: I'm going to ask you to kill me, your lover.

Standing before me was the black swan from Germany.

--Clad in pure white, he was "evil."

FIN

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.

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Part 2 | Premium Ending

If you’d like to support my translations, feel free to buy me a coffee here! :)

[dodger-chan]

On this, a totally normal day, please enjoy this short scene featuring demon Steve Harrington:

“They’re con artists,” Steve asserted, rolling his eyes. “They’re nothing I need to worry about.”

It wasn’t that Eddie thought Steve was wrong. He’d read a book about their involvement in that possession and murder case in Connecticut five years back. It had certainly read more like fiction to him.

It was just that demons tended towards overconfidence. Or at least Steve did. Maybe that was more of a jock thing than a demon thing.

“You’re bound to the mortal plain by a two-bit ring from a Crackerjack box,” Robin snarked. “Forgive me if I’m a little concerned.”

There was that, too.

“I’ll have you know that ring cost me fifty cents. It’s solid nickel,” Eddie joked. But he kind of agreed with Robin. The ring was a flimsy object, and entirely incongruous with Steve’s preppy look. Even if the couple weren’t practiced demon killers, the ring would be an obvious target.

“So that’s why my finger keeps turning green,” Steve mused. “Look, I can’t let this stand, but one of you can wear the ring until they’re gone, okay?”

-------

Which was how Edde found himself twisting his old ouroboros ring around his finger, sitting in a diner booth across from Robin. Stealthily watching the demon hunters eat their lunch. Waiting for Steve to arrive. The wait wasn’t long, but it was tense.

Steve ignored them when he walked in, only paying attention to the couple seated behind them. Robin leaned forward and stole some of Eddie’s french fries.

“I think we’re in trouble,” she whispered. She was only half joking. They weren’t supposed to be there; Steve didn’t want either of them associated with a demon. But Robin was not about to let Steve face even fake demon hunters completely alone. And - coward or not - neither was Eddie.

He shushed her, keeping an eye on Steve as he sat down at the hunters’ table.

“I read the contract you signed with Susan Mayfield. Book rights to her daughter's story for a flat fee? Seriously? My deals are more fair.” Steve was facing away from them, so Eddie had to imagine the smug expression on his face. The older couple looked confused.

“Your deals?” The man asked, like maybe he hadn’t put it together yet.

“I’m sitting here right in front of you and you still have no idea.” Steve shook his head. “And you call yourself demon hunters. I knew you were just con artists.”

Understanding dawn on the woman first.

“You’re the demon,” she said, fear in her voice. “The one who killed those kids.”

“I am a demon. But no, I haven’t killed any kids in Hawkins,” Steve corrected. “Those three dead kids, the Mayfield girl’s injuries, that really was a human. People can be evil all on their own, you know.”

“Why should we believe you?” the man asked. He didn’t appear as afraid as his wife, but Eddie was an expert on posturing. The guy was about thirty seconds away from shitting his pants.

“Believe, don’t believe. I don’t give a fuck. I’m not here to keep you from writing your little book and ripping off the American public with your absolutely true demon stories.” Eddie would bet good money Steve was rolling his eyes. “I’m here about this.”

Robin nearly turned around to see what Steve was holding even though she knew what it would be. Eddie kicked her ankle and she turned back.

“You see,” Steve went on, “I made a deal with the Mayfield girl’s brother. It means I owe her a certain amount of protection. So this contract you sweet-talked her mom into signing? We’re going to rework the terms. I’m thinking percent off the gross?”

-----------

Notes:

"that possession and murder case" refers to the Arne Johnson murder trial, where the defense tried to argue the killer had been possessed by a demon. The book was titled The Devil in Connecticut and published in 1983. It's also the inspiration for one of the Conjuring films.

Allegedly (and I'm not doing enough research to confirm it because this six hundred word story has enough notes already) the Warrens paid people flat fees for the rights to their stories and then made bank themselves off of books and films about the 'hauntings' and 'possessions.' Frankly, everything I've read about them makes them sound like unscrupulous con artists.

"two-bit ring from a cracker jack box" is a reference to a Firesign Theatre sketch (The Further Adventures of Nick Danger) released in 1969; Robin knows it from her parents.

Two-bit means cheap in general, but also two-bits refers to a quarter, so when Eddie says he paid fifty cents for the ring he's saying it cost twice as much as Robin implied (still pretty cheap)

I doubt Eddie knows for sure what alloy any of his rings are made of, but cheap jewelry often contains nickel, and nickel can turn your skin green.

"percent off the gross" is revenue percentage rather than a percentage of the profit, so Max can't be cheated out of money via creative accounting.

[sokkastyles]

Hi,

Hope you are doing well.

Sometime back, I remember watching an edit on Aang in Book 3. It starts from his conversation with Yang Chen, where he says about how he tries to solve his problems creatively and never used his bending to take a life, only for the creator to bring up multiple examples of Aang's bending that should have killed the Fire Nation soldiers from the two previous books.

That got me thinking, while Word of God says that no one was killed, I think its more likely there were chances they could have been killed, because of their situation. I also wonder, saying that Aang never killed anyone with his bending (the buzzard wasp was definitely killed), was it a way to make him have some moral high ground, or be morally superior. Just a thought.

I would like your thoughts on this.

I'm perfectly willing to accept that Aang didn't take a life because it's part of the conventions of the genre. The part where I call bullshit is when it's applied inconsistently, especially to demonize other characters (specifically Katara and Zuko).

If all those times Aang realistically would have killed someone don't count, then what's the big deal about Ozai? Why can't we have Aang deal with Ozai the same way he dealt with all those mooks, if Aang got this far without taking a life?

Moreover, if Aang can blast people into walls and go Avatar State on people without killing them, why is he so sure that Katara will kill someone if he lets her go up against Yon Rah unchecked? It's very "rules for thee but not for me" because Aang literally never worried about whether the violence he meted out would have consequences before that point.

In fact, the one who tells him he should solve his problems without violence in season two is Katara. That's the whole conflict in "The Avatar State." Aang wanted to "glow it up" and Katara talked about how they should find a nonviolent solution and it was terrifying for her to see Aang consumed by that violence. And Katara was the one who got hurt because Aang wouldn't listen, as usual.

Maybe if Aang had listened to Katara then, she would have been more willing to listen to him in "The Southern Raiders."

[art2464]

For the next few episodes it continues like normal. Winter is their big sibling, there’s no universe in which they’d do something so terrible, so Ozander and Ophia just ignore the elephant in the room whenever they’re home, they are in Hardcore denial mode.

Then something happens and Winter gets outed as Cloudweaver. Ophia immediately goes on the defensive, asking how Winter could do such an awful thing. Ozander on the other hand, is just trying to hold back tears. This is their big sibling, why would the person who pushed them both to enter into the academy be a villain?

The main question the partners ask is Why? Just why?

To which Winter tells them it’s a long story.

Cw: Child abuse, running away

Well, the best way to start this is at the beginning. You two weren’t born yet, but our mom and dad… they fought a lot, and I learned to hide in the closet. They weren’t good people, but I was young, what choice did I have.

Then you two were born, and I realized it was my job to protect you. I taught you everything I knew, how to walk, how to talk, how to avoid our parents wrath. I took the fall for you two where I could. If you broke a toy playing too rough, it was my fault. If you were too loud and it woke them up, it was my fault…

Then one day I… I overheard mom “joking” about killing us. And I realized… she could, it’s not like anyone would come looking if we stopped existing. That was the day I vowed we’d run away. It’s nothing short of a miracle we made it out before they knew we were gone.

Ophia: “Wait, why didn’t you go to the police?”

Winter: You don’t think I didn’t try? When I told them what happened they said they needed to get the second party involved. I knew what that meant and booked it before they could send us back.

Ozander: “Well what about odd squad? They would have taken us in.”

Winter: I tried odd squad. But as soon as I mentioned why we needed protections from the villains in question… they kicked us out because of our bio family.

Ozander: “Are we-?!”

Winter: “I kept on running we lived on the streets for a while. It wasn’t easy, but we were safe. I tried CPS, hell I tried every child welfare agency I heard of but no one saw past the fact that I was a child. I’d gather change on the ground and buy us a small piece of food a day. It wasn’t much but it kept us alive.

Then one day about three weeks after, I was searching for change when around the corner I saw a villain (noisemaker I think) surrounded by odd squad agents. I could have walked away but I knew he was just trying to get by, same as we were, so I kicked over a trash can giving him enough time to escape. In return for my kindness, he offered me one in return, a place to stay.

Winter was coming, things were going to get harder than they already were. So I accepted. They gave me a job, I was the diversion, and in turn for doing well, we were given a home, food and safety. When I felt safe enough to tell them about what happened, they started my training.

Ophia: what training?

They started trying to activate and then control my powers. They trained me for a few years then I was sent on missions to cause oddness. Afterward I traveled the world on business trips, creating everything from pienados to spaghetti storms.

Ozander: But why push us to get involved in odd squad, why volunteer to help so much? Wouldn’t that just increase your chances of getting caught?

Winter: I needed a backup plan, if they ever found us, and the villains couldn’t stop them… I needed you two to be safe. I need you two to stay safe, odd squad takes care of its agents, if you were agents you’d be safe.

Ozander: Who’s they? And what was that about us being related to someone odd squad doesn’t take in?

Winter: … our parents. They were the old leaders of the villains, they got kicked out pretty fast when I came forward with what happened.

Ozander: Didn’t you say they were dead? As in we have visited their graves every year for the past decade, kind of dead.

Winter: That was a lie… I didn’t want you to get curious and get hurt.

Ozander: That wouldn’t have happened!

Winter: That’s what happened here.

Ophia: Where are they now?

Winter: I’m not certain but from what I know they’re locked in a lead box, in the middle of a mountain. But I know if they ever escaped…. I try not to think about that.

Ozander: What about now?

Winter: ?

Ozander: Are you still working for the villains.

Winter: No. Remember when I had that accident? I told you I got hurt at work, not necessarily a lie but not the full truth either. On my last mission, I was out creating a massive storm, Odd Squad attacked. I got away mostly, a piece of debris had hit me. I had to get it removed and on my x-ray they found my hip impingements. One thing led to another and another and another and when I was getting fitted for crutches I realized I couldn’t do this anymore, not that they’d have let me.

I also realized that if I was going to quit, I needed to make a clean break. So I erased my information from the seamstress’s books. Sold our place, bought a new one, changed my name, transitioned and put all of my villain stuff into a box and hid it in a wall. I became someone unrecognizable to those who knew me before, who at most could say I looked familiar.

And that’s it, you know the full story now.

Ozander: That’s It?!!! That’s all you have to say for everything you’ve done?! *is standing up, yelling*

Winter: yeah. I don’t regret it, creating those storms gave us everything. I do regret all of the innocent people who got hurt as a result though.

-Miss O is knocking at the door, they’re forty minutes over the interrogation time allotment-

Ophia: Get rid of them.

Winter: What?

Ophia: If you created all of the pienados and spaghetti storms and weird weather in the world, then fix it, get rid of them.

Winter: I can’t.

Ophia: *visibly angry* why not.

Winter: I can’t create, nor destroy weather, that’s not how it works. I just channeled it, using my paintbrush to redirect it into what I wanted. I can’t get rid of them because the elements already mixxed, creating their own unique product that cannot be undone. Like mixing blue and yellow, you get a new color that cannot be separated back into just yellow and just blue. Even if I had my paintbrush with me.

- I’m not sure how I would continue that scene, but I do know that things would ramp up quickly since Cloudweaver isn’t part of the Villain union and not entitled to the benefits. I remember contemplating having them end up in a psych ward for a bit, but I wasn’t comfortable with the route that ended up on. I also considered a two time villain battle, starting with a confrontation against the Dad who’s inspired by Frantocio from Billie bust up then a follow up against the Mom who’s mood swings would play a large part in her power(s). The long term effects of that abuse on full display for Ozander and Ophia to view. The Villains and Odd squad team up to defeat them, with Winter having to pull out the paintbrush one last time to defeat them. And then that’s the end.

I made a playlist of songs that inspired it, here’s the link:

And since I’m posting this final ish part on Christmas, merry Christmas everyone.

So, if I told you all about some odd squad OC’s would you be interested? Keep in mind, I made these as a young child long before Otto and Olive got their own headquarters

[kofureene]

scarlet nexus is a game that makes me feel smart. idk if my literacy skills just got better or people r dumb and snx is actually easy to understand cuz it is not rare that i get absolutely bamboozled by how people interpret some plot points