#“now get up and fight hero”

[demigods-posts]

i've been thinking about that scene in ep 3 when annabeth apologizes to percy before pushing him into the lake. and on the surface, it seems like she's apologizing in advance for her actions. but what if she's actually expressing sympathy toward percy for how his life will change once his father claims him? once he has to suffer through the same torment as thalia did? once he becomes the outcast amongst the group of demigods who understand his struggles but will do little to help him through it?

[catkettle]

is it gay to share an umbrella with your crush

[wandixx]

Prompt For Dc-x-Dp With M’gann and Danny M’gann didn't expect to be dealing with Random Lazurus Green Portals forming around mars, but since she's Nearby mars she gets to deal with it... and their's An Alien with snow white hair Fighting A Glowing Vampire who's raving about Fathers and mothers?? Danny Is in such a Mood, He's on mars, which is a plus, but He's Fighting Vlad On Another 'Join me! Let me remove Jack from this plain of Reality!' and Honestly The Portals are throwing him off, Just... Bad memories, And Then, becuase of fucking course Something else happened, Vlad Gets Decked in the face and sent flying. "hey, So im going to guess that The Vampire is The Evil one here?" The Green woman asked, while Looking at Danny. While Vlad is growling and about to Throw A Red Ecto-blast at M’gann Danny gets in the way with a shield and responds. "yeah, arch nemisis and all, how are you even out here? or breathing?" M’gann Just Shrugged and said, "Well Home is home and all." Before flying to go Deck the Vampire and all. +++++++++++++++++++++++++++++++++++++++++++++++++++++ hope this is enough for you to Work some magic and all. and as for some extra stuff you could use, maybe danny has a Space obsesion, and His Protective stuff is Becuase of the Type of spirit he is half of? And maybe An Ice core Could be fun to go with? Ghost prince territory? with danny not wanting to be ghost king just yet. ideas for ya to use.

It's such a cool concept! I didn’t fit Ghost Prince in, but I hope you'll like what I did

*****

Danny was going to strangle Vlad, all subtleties of ghost powers no withstanding. He needed the brutal power that just wasn't fully there even when using more offensive abilities, like ecto-blasts.

He had been having a good day. Okay, maybe not a good day, it's been a long time since he had an actually good one, but a decent day. One, that seemed to start out calm, with all of his typical rogues stuck in Zone recent enough they shouldn't get out today specifically. It was Saturday, so no school, and for once his homework wasn't swallowing him, so he had a bit of time to breathe. And prepare college applications, because his grades got to an appropriate level again and he actually got a shot in academic career. No chance for scholarship like Jazz, but he could go if he played his cards right.

And then, of course, Vlad had to come into his room to harass him again. This time with the added flair of a portal gun he made for some freaking reason.

This time Danny wasn't even trying to piss Vlad off, in the love of Ancients, he tried to ignore the other halfa even when he showed up in his room, raving about removing Jack Fenton from this plane of reality. Craving to deck the guy right then and there was enormous but Jazz was on him about controlling his ✨️displaced aggression✨️ and his anger in general, so he was trying to tune Vlad out. He carefully didn't even think about transforming into Phantom. Especially since both of his parents were safe, a few states away on some ghost hunting convention that Danny managed to skip by the power of ‘I can't take more days off school, sorry I messed up my attendance early in the year’.

Well, they would be, if Vlad, being the obsessed creep he was, didn't try to follow them with a portal gun.

Danny was still willing to ignore it all, because Vlad was a loser and chances that he made something so complicated work properly were only slightly above chances his parents had. And both of them were tripping hazards in hell.

But then Vlad started blasting around his room to egg him on and hit his Curiosity rover model.

Phantom tackled him before the bastard had time to smirk. They phased through the wall, because otherwise Vlad’s back would smash into Lego Saturn V and boy was not looking forward to even more damage. His white gloved hands pressed Plasmius against the cold floor. It looked promising. Over the years he got to a relatively similar level as Vlad with his fighting abilities so getting advantage so early could in theory mean it would be over soon and he would get back to his applications.

He forgot how to breathe for a moment when he was pushed through a portal. Some most instinctual part of him, deep in his core, fell to the mindless panic because He died this way! He died this way, was he able to survive it again?! Without thinking he lashed out, trying to scratch and bite and blast because he needed to get out, he needed to get away but danger was in front of him and he needed to get rid of the danger before he could escape to safety. And Vlad kept teasing him, like he didn't know fully well what portals did to Phantom, to Danny, like he wasn't breaking the most basic rules of the anarchist ghost society.

So Phantom kept trying to punch and kick and scream, trying to get away from green ovals that just kept appearing around them leading to who knows where.

Powerful blast to the chest sent him flying back, through the portal and down to the ground, which at some point became asphalt instead of wheat field. He was too frazzled to even try stopping his fall, just half heartedly tensed waiting for an impact.

It never came, because he was caught by static. Men in red (Flash he'd realize second too late, Flash) send him a concerned smile and asked about something but Plasmius was trying to duplicate, no doubt to overshadow actual hero and it wasn't the way Phantom wanted to be introduced to the Justice League so he jumped forward, sending both halfas through another portal.

It was easier this time, when he expected it but his hands were still shaking when he put them in fists. He could handle it though. He fought in much worse circumstances.

They spawned through a few more portals, almost threw worried looking Superman off the sky and barely not killed some of Aquaman's dolphins before something changed. Phantom didn't realize it at first, too focused on rapid fire from Plasmius and on the constant lookout for new portals, but something changed.

His next blast hit the target and left charcoal black burn and almost fire in its wake. It wasn't something that happened normally. It wasn't something that happened normally unless Danny's obsessions were being served. He wasn't protecting anyone but himself, which didn't fill the protection obsession, so that left…

Space.

Oh.

He was on Mars. Or well, a bit above.

It was mesmerizing. It was breathtaking. It was everything he wished for ever since he learned about other planets in kindergarten.

Sky was a pinkish red color that on Earth meant a beautiful clear sunset but here was just the middle of the day. He didn't see the sun itself, apparently lucky enough to have his back to it. It wouldn't be brighter than at home, obviously, but it was always nice to not be blinded when admiring the view.

The landscape below them seemed familiar. He probably saw it in some photo, but he couldn't remember which one. He couldn't help but try to remember. He wanted to know where was he, what he'd seen, what he'd touched, later when he was in his room, longing to get out here again.

In his almost trance he just about ignored the blast that flew past his ear like an annoying pest.

He had the name of this rock formation on the tip of his tongue! C'mon, brain, you could do it, you could remem-

Even he couldn't ignore the burning pain of the ecto blast straight to the shoulder.

“Listen to me, Little Badger!” Plasmius yelled before dodging ice javelin. Phantom made sure it evaporated before hitting the ground. He was not letting other planet become collateral damage in whatever mess Vlad wanted to stir this time.

He carefully didn't look around when they teleported next time, aware just enough to know they were still on Mars. It wasn't a good moment to sooth his neglected obsession.

Being mad that this was probably the only chance he got out there helped. It definitely reignited the absolute fury, before muted by the panic and then obsession trance.

Phantom wasn't sure what he was yelling back as Plasmius went on and on about killing Danny's dad and marrying his mom and adopting Danny and how ‘look Little Badger, you and I both see how much better off you'd be if you just joined me and let me teach you’. He just knew there was little other than obscenities, and it was paired with an array of blasts and ice and straight up punches when he got close, which was good enough.

Oh, how he wished he could strangle the pathetic vampire lookalike bastard.

Something green and indigo sent Plasmius crashing into the ground.

“Hey, so I'm going to guess that the vampire is The Evil one here?” Feminine voice asked in clear English. Danny took a moment to just stare, blinking rapidly to make sure he saw what he thought he saw.

Yup, that was certainly The Miss Martian, an alien heroine, whose action figure he displayed at the most honorable place of his room. The Miss Martian he tried to learn everything about when she debuted. The Miss Martian whose powers were so similar he used footage from her fights to learn himself. His biggest inspiration.

Dope.

Wait, she asked him a question, didn't she? It was not the time to be a fanboy, probably.

Yeah, no it was definitely not a time to be a fanboy, he decided, right when he threw a shield in front of her, because Vlad didn't take kindly to being interrupted. It really was the least he deserved.

“Yeah, arch nemesis and all that. If I may ask, what are you doing here, Miss Martian, ma'am? I thought you lived full time on Earth?”

“Well, home is home and all” she just said wistfully and telepathically threw a rock to Vlad's stomach, making it follow until it hit the mark, right before another stone hit him in the unprotected back.

And here Danny thought he got over his celebrity crush back when he was sixteen.

Good thing though, another person in the fight made his protection obsession rear back to life, the fact that she was an alien only helping as his space side zeroed on her too. It was useful to not get distracted by glimpses of the world around them.

Of course Vlad just duplicated to make the chances ‘equal’ once again, so the fight dragged on.

Miss Martian just kept being graceful like a supernova, beautiful and destructive.

Danny hoped he didn’t look as embarrassingly pathetic as he thought he did. What were the chances she didn’t see when he took the blast to the arm because he got distracted by pretty rocks?

Plasmius kept taunting, calling him Daniel because of course secret identities or prefered names don't matter when you have to harass the teenager.

Phantom decked him extra hard for that.

At least he didn’t try to use his portal gun again, too busy with fighting off both of them.

Kick, dodge blast, ice, shield for Miss Martian, ice because how dare he attack an alien, dodge, intangibility.

Was it or was it not a good idea to use Ghost Wail and be done with that.

“I've got an idea, cover for me for a minute, okay?”

“Sure” Did he sound too eager? He wanted to keep it cool at least outwardly, not mess up his first and perhaps last impression.

Wait, shit, Martians can read minds! Miss Martian probably already knows how big of a mess he was.

Shit, shit, shit.

Phantom dutifully shielded heroine as she levitated with her eyes closed, at the same time keeping constant assault on Vlad. It was getting exhausting. At least he could go home fast when the fight ended.

“Do you want me to make him indefinitely indisposed or is it too much for you?” Miss Martian suddenly asked. Danny froze for almost a minute before he choked out.

“What do you mean?”

“I can rip his mind apart, leave his body alive but useless without any thought to lead it, but I know some people find it uncomfortable even when it happens to villains”

For a moment, in the midst of fanboying, he forgot how terrifying set of powers she had.

“Please don't” After all, ghosts are their minds, and despite how despicable things Vlad did, no one deserved fate of completely not existing.

“Alright. Is enhancing his experience of pain okay with your moral code?”

“Yeah, I think”

“Done,” she said with a smile, and despite how terrifying he was of her just a few seconds ago, he had to admit, this smile was gorgeous.

After that, it took, like, three punches before Vlad bailed. Which was good.

What was less good, was the fact that the portal he used to escape closed before Danny could go through it. He just stared for a long moment, blinking quickly. He wanted to scream. Or cry. Or both. Both was good.

“So, Daniel…?”

Danny winced and looked back at Miss Martian.

“Danny. Or Phantom. Nobody calls me Daniel”

She nodded with a friendly smile. Good thing they were flying, because his knees got weak for a hot second.

“Alright. I'm M’gann”

“Should you tell me this?”

“I know your name,” she shrugged. “It's only fair that you know mine. It's not a name I use on Earth anyway”

“Um, sure, okay. It's nice to meet you M’gann” Was this too stiff? He had no idea how he was supposed to interact with heroes who just shared their identity. For no reason too, because c'mon, she didn't know him. Why would she do it?!

“Are you from Earth? You speak English”

“Yeah, USA, Illinois. That bastard teleported us around and of course left me stranded”

“It's your lucky day then, I was about to head back, I can take you with me”

There was no universe in which he wouldn’t agree.

[raineandsky]

#132

tw: knives, stabbing, death

Everything is, quite literally, on a knife’s edge. Everything the villain ever wanted, everything they didn’t, is right here, in this moment.

Victory, happiness, freedom, all a few seconds away. They need this. They need to act.

“I can’t,” the villain says.

The hero is under their blade like it’s where they belong. One little flick—that’s all it would take. One flick and the villain’s worries would be over.

“You’re strong,” the hero says plainly, and the villain isn’t sure how they mean it.

They’re strong? The hero must be joking. No, the villain isn’t strong. They’re faltering, they’re second guessing. What the hero must think is great self-restraint is nothing more than cowardice.

The villain knows that their knife is trembling traitorously in their grip but they can’t find it in themself to care. Why is this so hard? Why did it have to be the hero?

The hero smiles, the confident kind that all heroes seem to do, shifting slightly to pull themself closer to the villain. The edge of the blade brushes against their neck, and the villain flinches more than the hero.

“It’s okay, [Villain],” the hero says. Their tone is bland, like they spend most Sunday afternoons under the blade of someone who supposedly wants them dead. Well, no, not supposed—the villain hates them, they do. “You can stop now.”

The hero is everything the villain despises; the agency’s abhorrent nature personified. Too cool, too nonchalant, too easy to trip and kind of fall in love with.

All the villain can find to say is that same faint, “I can’t.”

The hero slips past the villain’s blade with that stupid smile still on their face. Maybe, the villain thinks, the hero is the affectionate kind. The type to pull a villain into a hug and warp their heart into abandoning their life as a criminal. The villain hates that they want that. They’d change the world for the hero.

Warmth blossoms in their chest as the hero gets close. Then the warmth turns hot. Pain pierces the feeling like glass is buried in their heart. The villain’s own blade, tight in the hero’s grip, is hilt-deep against their chest.

“I know you can’t,” the hero says in that usual flat voice, “but I can.”

It’s hard to breathe. The hero tears the knife out, giving the villain an idle push as they study the blade. The villain meets unforgiving concrete and the hero laughs.

“I think I’ll keep this, if you don’t mind,” they say brightly. “I doubt you’ll be using it any time soon.”

The hero turns on their heel and leaves without another word. As heroes do—the villain knows that well. They should’ve known this would happen. They did, really. Villains just have a habit of ignoring common sense and flying into danger head-first.

It’s colder than the villain remembers it being. They should’ve brought their coat. The breeze bites at their face as they watch the hero’s frame recede until they’re nothing more than a memory the villain is already forgetting.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[everypanelofizuku]

Chapter 83 - Loss

[pinkfey]

i may be obsessed.

[mishy-mashy]

[sysig]

Red Eyes and Evil Time, practically the same thing right (Patreon)

[muchmossymess]

It might be the weirdo in me but imagine an anamatic to the song shiny from moana with an evil/antagonist revali as the crab and link trying to recover the master sword as maui and zelda as moana

[oh-cool-a-burning-sword]

in light of the new FB event:

[subsequentibis]

i remember when i was a little kid, probably 6 or 7, my dad used to play this computer game that absolutely enthralled me with its graphics. i was obsessed with the little monsters and knights and the movement, everything about it. i finally figured out that game was heroes of might & magic iii, got it for $2.50 on galaxy of games, and am proud to announce i am absolutely shit tier dog ass at it.

[sleepyorchidmonster]

One of the best things about One Piece is that, no matter how much the pirates HATE each other, how many rivalries, blood feuds and whatnot, you can still expect everyone to show up for the final fight.

Why? Because the Celestial Dragons are universally hated and nobody would pass up on the opportunity of overthowing them.

Leave the rivalries for tomorrow, now there are a bunch of filthy and coinceited slavers to beat.

[tastycitrus]

why the arcane river story had to focus on only one (1) adversary

Black Mage: Adversary. So you've finally come. *there's actually 15 Explorers instead of 1 dude* Black Mage: Huh? *there's also 6 Cygnus Knights (including Mihile)* Black Mage: Wait— *and also 4 Resistance classes, as well as the Demon and Xenon* Black Mage: There sure are a lot of you— *and 6 Heroes, and 4 Nova, and 4 Flora, and 2 Anima* Black Mage: Hold on— *and the two Transcendents of Time and some random telekinetic dude from another world* Black Mage: There's an entry limit— *and if you want to count them, two people from ancient Japan, a forest guardian with her animal friends, a kung-fu master, and formerly some dude with a gun, a space cowboy, and a little girl with her animal friends* Black Mage: WHY ARE THERE SO MANY OF YOU?? *the Black Mage gets obliterated by the combined force of, like, fifty people ganging up on him*

[jathun]

ngl I have such a love/hate relationship with the fate franchise

[preggydump]

Typical hero's journey trope where the young hero goes to a legendary aging knight/warrior to ask for help/to be trained, where the older hero initially refuses, but instead of it being because the old hero is jaded and cynical or still nursing an old injury, they're just super pregnant.