#“how did we keep losing to you guys?” because the plot needed to happen and the writers wanted you to smooch adora
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spop-romanticizes-abuse · 5 months ago
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i've been meaning to ask.. is this the same adora from s1? the adora who planned out everything and learned the name of all the princesses and was so hyperfocused on creating a strategy to approach frosta that she barely cared about picking a dress for the prom? the adora who wanted to make a foolproof plan so that catra wouldn't murder her friends in cold blood and make her watch?
even the narrative just dumbs down adora's character entirely for no rhyme or reason. if anything, shouldn't she learn to be more strategic the more time she spends fighting the horde and rescuing people? it makes no sense for adora to become more and more impulsive each season, especially after all the trauma she's gone through and all the times catra took advantage of her kindness.
and sure, catra is smart. but she's only smart because everyone around her is dumb. seriously. hordak did close to nothing for the horde, he was sulking in his room all day. scorpia was all brawns and not much brain (she did have a few intelligent moments but it would have been useful to show that side of her more). entrapta was all book smarts, she was basically a tool rather than an intelligent person.
and the same happens when catra joins the BFS in s5. glimmer, bow and adora were all clever characters in their own right but as soon as catra steps in, they're complete buffoons who can't do anything without her help. and to be fair, while they all individually showed signs of being intelligent prior to this season, the princess alliance as a whole was still dumb as rocks, and it makes zero sense.
catra was winning because she was basically the only character in the series who was allowed to use her brains, and i mean this in the most insulting way possible. it's such a lazy way of writing a smart character, and it's such a disservice to the other characters.
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papercorgiworld · 6 months ago
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It was no mistake
A James Potter smut.
When you tell James last night was a mistake he's determined to prove you wrong.
This is part two of ‘I dare you to steal his clothes - James Potter version’. Read the first part here, not that this is very plot driven but still.
Warning: smut, minimal plot
— The request —
The James fic was so hot wtf 👹👹👹 we need part 2 dear author 😭😭😭
— The writing —
You walked through the hallways of Hogwarts but your mind was still stuck in that bathroom where you had yesterday tried and more or less succeeded in stealing James Potter’s clothes. He had given you a night to remember and as dreamy as you still were about those activities, you were also very much aware that it was James Potter. He was your crush, but to him you were probably nothing more than a fun night. It was not like he was suddenly going to fall in love with you after one night of heavenly sex.
“Moony, you’re not hearing me. She’s the one.” Remus rolled his eyes as James almost jumped up and down next to him, ever since last night’s events James had been going on about you non stop. Sirius and Peter had weaselled their way away from James and had left Remus to listen to James’ rants alone. Remus rearranged some books on the shelves of the library, because nothing’s more annoying than misplaced books. “I need your advice, moony, I’ve been crushing on her since the start of the year and after last night I need to make a move or I might lose her to the next guy she’s being dared to steal clothes from.” Remus turns away from the shelves to face James. “I honestly don’t think that she would repeat last night's events with anyone beside you.” Feeling reassured and a bit more confident, James’ signature smirk returns. “You think so? You think I’m special to her?” Remus sighs and rolls his eyes again. “Yeah, I’m pretty sure she likes you. I mean no one sleeps with someone you hate.” James’ eyebrows knit together. “You obviously haven’t had heated hate sex.” Remus shakes his head no. “You?” James also shakes no. “No, I’m just thinking it would be hot… not as hot as last night, I mean, (y/n) and me-” “I don’t want to hear it again, James!” Remus interrupts and quickly continues. “Just go talk to her, use all your charm and you will win her over.” 
You were still deep in thoughts, when James leaves the library and spots you. “Hey, hey, (y/n)! We need to talk.” Your eyes fling up to meet his and James is almost horrified to see how filled with panic your eyes are. You quickly scan the hallways for a way out, but fail to find a good excuse. James quickens his pace to keep up with you. “About last night…” James starts, nervously ruffling his hair, but before he has a chance to continue you speak up. “It was a mistake.” James’ face falls, but you don’t notice and continue. “I get it. I’m cool about it. Last night was just a thing and it won't happen again.” James nods as he listens to you, watching your serious expression and sinking his hands into his pockets. You suddenly stop walking and turn to him. You force a tightlipped smile and tuck a strand of hair behind your ear. You hold out a hand to James. “Friends?” You ask with a shaky voice and flustered face. For a second James looks utterly confused, but he quickly realises that your flusteredness might have something to do with how you had screamed his name last night. James tilts his head and chews his lip, eyes focussing on yours. “What if I say no?” Your face instantly heats up. Why can’t he just be casual about it. Why does he have to be so James Potter about it!
“I got the sense that you liked what I did last night.” Your face was hitting tomato alert, but he just shamelessly continued. “Honestly, I enjoyed it as well. You felt amazing.” He whispers, while his eyes dart between you and everyone in the hallway to make sure no one overhears. “James-” Your protest comes out as a shaky whisper as your body craves James in an unholy way. “Come on, love one more time and then you can decide whether I’m worth keeping around or if you really just want to be friends.” Your expression goes blank as you process what James had just said. Did the James Potter just suggest that if you wanted he would be yours? Afraid that you weren’t fully convinced, James makes one last move, leaning closer to you with his lips almost brushing your ear. “You can have whatever you want, baby… my dick, fingers, tongue, I’ll give you anything you want.” His voice was husky and dirty, but there was also an almost inaudible nervousness as he worried whether you would accept his offer or just forget about him. 
A silent yes in your eyes had told James that he could guide you to a nearby empty classroom. As soon as he closed the door behind you he wrapped an arm around your figure, pulling you against him. His eyes focus on yours as his free hand cups your cheek. “I know it’s only been a few hours, but fuck I missed you.” You smile and James is wild with excitement that he got you close to him again. Eagerly his lips search yours and you immediately move with his, making the kiss go from passionate to hunger. He picks you up and you can’t help but giggle at his enthusiasm. He places you on a nearby desk and he’s quick to take off his own shirt, giving you a worthy view. Your hand wanders over his chest and muscles. There was a reason Gryffindor won almost every game. This boy worked for it. 
As amused and turned on as James was by your staring he really wanted your focus on kissing him. With a gentle finger he pushed your chin up to look at him so he could kiss you tenderly and deeply. It also gave him the opportunity to quickly undo a few buttons so he could pull your shirt over your head. With your hair now slightly messed up you looked even more desirable to him. Eagerly his lips move over yours again while his hands move to gently squeeze your breasts before unclasping your bra in one swift move. James struggles to keep his lips on you as his eyes desperately search for a glimpse of your chest. With a loving touch his hands massage the flesh of your boobs. A slightly suppressed moan reveals James’ excitement together with the growing bulge in his pants pressing against your panties. Pushing you back on the desk James now moves away from your lips to allow himself to play with your nipples, earning soft sounds from you as sensations build up, soaking your panties as he sucks on the sensitive skin. 
Unable to keep himself in check James rocks his hips into yours, searching for fiction. You quickly slip a hand in his pants, making him groan as you tease his member. One hand pumps his dick while your other hand moves through his curls. Under your touch James only manages to leave sloppy kisses as precum stains his pants. He curses himself under his breath. This was not how he planned it on going, he needed to spoil you and not the other way around. So rather abruptly and roughly James grabs your hand and takes a step back so he can take off your skirt and panties. You open your mouth to ask whether you did anything wrong, but James doesn’t let you and kisses you roughly while moving a finger through your folds, making you squirm against him at the sudden touch. “Last night was not a mistake.” James breathes with a rough undertone as he watches your eyes fill with pleasure at his touch. Your slightly parted lips looked so delicious to you, but he wanted to hear you so instead he peppers kisses down your neck, while his fingers fuck you.
Your fingers entangle with his hair as pleasure rushes through you. You whimper his name as he pushes you closer to your high, making him work harder to get you there. He watches you with focus to pinpoint the exact second before you’ll cum so he can pull his fingers away from you, making you whine in need of him and a climax. Your needy eyes turn him on so much he has to grab his crotch for a second. “Trust me, love.” James whispers and pushes your legs wider with one move, making you yelp at the exposure and heave your chest. The view you were giving him, exposed and flustered had him struggling to not just fuck you right then and there but he was committed to make you his and have you every night from now on. With his eyes glued to yours he slowly kisses down from your lips to your pussy to finish the building orgasm he had kept from you only seconds earlier.
Your body tenses and your fingers cling to James’ curls as your wall clench. James can’t resist jerking himself as you gently and unknowingly push his face against your pussy, reaching your high. It takes a second before you have the strength to push the strong man between your legs away from your overstimulated cunt. As soon as you see his pleased smirk you know he isn’t done with you. You raise your hand to protest, but he just grabs your wrist, pulling you off the desk to turn you around. He presses you against him, your naked body against his bare chest. He still holds on to your wrist as his other hand slips between your legs again. “James.” You whine and he shushes you. “You still think last night was a mistake?” He teases you, placing kisses under your ear. He rubs his hard bulge against your bare ass and your sensitive pussy starts throbbing at just the thought of his thick member filling you like last night. “No, it wasn’t a mistake.” You breathe and James kisses your neck tenderly, before bending you over the desk and freeing his member from his pants. 
Gently he slips inside you, holding you close as he fucks you passionately, like you were the only woman that mattered, a goddess to him, and only him for the rest of his life from now on.
Word count: 1720
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immaturityofthomasastruc · 4 months ago
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Every Episode of Miraculous Ladybug Season 5 Ranked (Part 2)
Part 1
(This site's stupid 30 images per post forced me to do this, so thanks for nothing, Tumblr)
#14: Transmission
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I swear, I'm not doing these on purpose. This is just how I've been ranking the episodes.
Like I said in the last part, this episode just did not need to happen. The first half is cheap melodrama between Marinette and Adrien and the second half is a run of the mill Akuma fight with two different heroes. This is the story that seriously warranted two parts this season?
I just can't stand the fact that Marinette and Adrien gave up their Miraculous so easily here. Maybe if it was Season 2, Season 3 at the latest, I'd buy it, but near the middle of Season 5? They honestly view their love lives as more important than the battle with Monarch. If it was anything else like the stress or physical danger, I'd also be understanding, but Tikki and Plagg decide that Marinette and Adrien are so miserable that they need to be happy by losing their Miraculous without a fight. Remember, this was just two episodes after “Reunion”, which showed Joan of Arc was a Miraculous holder. So fighting in the Hundred Years' War didn't get so much as an ounce of concern from Tikki, but teenage angst is too much for her little heart to bear?
Maybe it's the benefit of knowing this won't be permanent, but the issue I have is how much the show draws this out for so long, as if the audience is supposed to buy it. “It's really happening, guys! Ladybug and Cat Noir won't be the stars anymore, we swear!” This kind of plot can work under the right circumstances. All you needed to do is at the very least, make it something they choose to do instead of their Kwamis taking their Miraculous away so we can see them weigh the benefits of giving up life as a superhero in ways that aren't exclusively about their love lives. I'd even buy it if it's something Ladybug and Cat Noir actually agreed on before quitting.
While I can sort of get Alya becoming Scarabella due to her experience with the Ladybug (even if she chose to give up using any Miraculous at the end of Season 4), Zoe getting the Cat just feels like the writers put a bunch of names in a hat and picked hers. The two just don't have as compelling a dynamic as Ladybug and Cat Noir do, because they don't get a lot of time to know each other. Alya and Zoe have almost never interact with each other, so the masks don't really shake up their relationship, because there's no relationship to speak of.
Also, the Akuma here was really forced. We know nothing about this new character while the show acts like we're supposed to know who he is based on some minor hints with Nora calling earlier. While I will give the show credit for arguably giving us the most powerful Akuma of all time due to being both a man and a bear, he's as forgettable as a villain as Kitty Noire is as a hero.
Just about nobody here comes out smelling like roses in this episode. The Kwamis are morons for caring about one ship becoming canon, Marinette and Adrien are selfish cowards for giving up their Miraculous with little hesitation, their friends are ignorant buffoons for thinking some random attempt to get Marinette and Adrien to talk will somehow seal the deal, and Alya and Zoe are idiots for not thinking that they should take off the shiny ring that tracks their every movement. It's a terrible episode, and the only reason why “Deflagration” is ranked higher is because it didn't irritate me as much as this one did.
#15: Determination
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And now we're onto the really bad episodes this season.
This episode is pretty much what you've come to expect by Season 5. People keep forcing Marinette into situations she's clearly uncomfortable, and we're supposed to just laugh at her anxiety, because we still have eight episodes to go before the show decides to take her mental health seriously.
What makes this episode really sting for me is that it's Luka and Kagami that are forcing Marinette into these unfunny antics this time. For the most part, they never really stooped to this level and didn't try to force anything with their respective love interests until they had trouble in their relationships that required them to communicate. But now, even though one knows Marinette and Adrien are superheroes while the other is usually very blunt with her feelings (at least, before she became this season's next victim), they're going to try forcing Marinette and Adrien to spend time together even they both know they have feelings for each other and MY GOD, THIS IS SO STUPID! It's just a cheap excuse for more pointless shenanigans that stopped being funny years ago.
Yet somehow, that's not the worst of the Love Square drama this episode. It's here where we learn that Adrien fell in love with Marinette over a season ago, during a scene where she violated his personal space. In addition, Adrien somehow showed no signs of attraction to Marinette until the plot demanded it, and came right after another episode showing him falling for her. Why not make it the fake confession Marinette practiced with Cat Noir in “Glaciator 2”? The kiss Marinette gave Adrien at the end of “Heroes' Day”? I'd even take another umbrella scene callback like in “Mr. Pigeon 72”. But no, it's the statue scene that the writers decided on. It's like they noticed all the criticism Marinette got in that episode and were like “Joke's on you! Adrien actually liked being lusted over like an object!”.
And then the masks come on and make things even more convoluted. Adrien at least got to reflect on the events of a previous episode to explain his new feelings for Marinette, but what caused Ladybug to suddenly fall for Cat Noir after four seasons?
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The writers don't even bother with an explanation for this. Ladybug spontaneously becomes attracted to Cat Noir with absolutely no foreshadowing, buildup, or even callbacks to earlier episodes. The writers either wanted to complicate things one last time before Adrienette became canon, they wanted to bury the Ladynoir conflict arc from last season in the sand, or the most likely option, a combination of both.
The idea of the public turning on Ladybug was an interesting one to take, seeing how she's been universally beloved for the past four seasons. But despite hinting at it in “Multiplication”, this is the farthest is goes, and even then, guess who's behind it? You can't keep raising points against the main characters if it's only Chloe who does it. It doesn't open debate on the story and essentially tells the audience that they're wrong to agree with her, no matter what kind of point she makes.
As dumb as the way it happened was, Ladybug still screwed up and endangered the city by losing the other Miraculous, but we can't actually challenge children by acknowledging that the hero actually did something wrong and needs to grow as a person. We need to use a recurring character as a strawman to tell the audience that only bad people think this way! Way to remove any interesting internal conflict, writers.
The Akuma was pretty weak, just being an older Puppeteer, down to using wax statues like what happened in “Puppeteer 2”. The army of wax heroes could have been interesting, but there wasn't enough time to do much with the idea. The one thing I liked was how the Ox Miraculous' Resistance was used. It felt like an upgrade instead of a core power Manipula got.
This episode pretty much set the stage for a new level of frustrating Love Square drama this season, and it was one of the season's first outright awful episodes.
#16: Conformation
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The only reason this episode isn't at the bottom is because the rest of the ones on this list are far worse by comparison. Make of that what you will.
Like most season finales, this one continues the tradition of being better at buildup than actual execution. Gabriel's plan is pretty decent, even if it's just Heroes Day on a global scale. He utilizes his public influence and business skills to plan out a plan to get almost all of humanity working for him. While I don't like the Miraculized, I still think Gabriel being on top works here, especially since he's not going out into the field like the last three finales.
But other than an okay evil plan, this episode is still pretty bad. Marinette being infected with nightmare dust only happens to get her to the Agreste manor because the writers forgot that Marinette learned Gabriel was Monarch last episode. It could have been a decent way to up the stakes by showing Ladybug not being at 100%, but like everyone else, she just fights off the nightmare dust and doesn't have a single problem during her fight with Monarch. In general, the nightmare dust isn't really utilized well, only being an excuse to bring out the Miraculized. It doesn't impact everyone fighting off the Miraculized, and there's no lesson or theme about fear that's conveyed here.
Speaking of nightmare dust, I'm pretty sure the only reason why it was introduced in the first place was to bench Adrien, which is still easily one of the dumbest decisions the show has ever made. While everyone else had no problem resisting the nightmare dust, Adrien is just physically incapable of doing so because of some half-assed character arc the show pretended happened. So either Adrien got a more potent dosage of the nightmare dust, or Adrien's just too weak to actually overcome his fears. “Sandboy”? Never heard of it! The fact that the writers also tried to claim they were being subversive with fairy tale tropes and cliches didn't help, since it devalues Adrien as a character even further. He's not a superhero and Ladybug's closest ally. He's just some damsel in distress who needs to be saved. Let me just remind you, if the genders were reversed, this would not be seen as some bold move, but the same overused cliche trying to be something new.
I already talked about my problems with Nathalie in “Passion”, and the stuff she does here isn't really different. Despite enabling Gabriel for five seasons, the episode has the balls to act like Nathalie always had morals and is appalled by Gabriel planning to sacrifice someone to save his wife. Just remember, “Passion” established that Nathalie had a history as a treasure hunter, so this is like Indiana Jones not knowing what the Holy Grail does. Nathalie only got dumber than in “Passion” because she somehow thought she could take on a supervillain with nothing but a crossbow and a body that already has one foot in the grave. And just like Felix, Nathalie can't even apologize to Ladybug for the aiding and abetting a terrorist thing. Between Nathalie, Felix, and Gabriel, does using the Peacock Miraculous just make you an idiot?
While the buildup is decent, it's just not enough to really get audiences excited for the second part.
#17: Representation
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This episode is yet another example of the show's double standards.
Without going into detail too much, this episode came right after “Revolution”, the one that essentially portrayed Audrey taking control of Chloe's life as a karmic punishment. What happens in this episode? We learn Felix's father literally took control of his life and it's portrayed as wrong as child abuse should be. That's why this episode is still better than “Revolution”. It at the very least understands how serious child abuse is, and tries to tell Felix's story with as much dignity as two teenagers in white onesies can have.
With that being said, there's a reason why this episode is as low as it is. The Sentimonster play used to tell Marinette about Felix is just so stupid. The sets and costumes look ridiculous, it's hard to take the story seriously with Felix and Kagami doing all the voices, and most of it is unnecessary since the whole point is to tell Marinette that Gabriel is Monarch... something that the writers decided she needed to find out on her own in the next episode. It comes across less like Felix trying to alert Ladybug to who Monarch really is and more like he's just trying to justify his own actions. Hell, the actual reason he decided to tell Marinette about Gabriel was because he and Kagami were worried about their own relationship being ruined by him. And yet somehow, Ladybug lets him on the team at the end of the season.
The stuff with Adrien was also pretty dumb. It's cheap fanservice that reminds the audience of Cat Blanc when none of the characters should know who Cat Blanc is. You can call him Anticat all you want, but everyone can see that he's just Cat Blanc with blue hair. It's bad enough that this was what all the times Cat Noir almost Cataclysming people this season was meant to lead up to, but this is pretty much the reason why Adrien is benched during the finale.
This episode really shows how desperate the writers are to make people take this show seriously by showing serious topics like genocide and child abuse, as if the show didn't already ignore the horrible implications previous episodes (like the very last one before this) raised and will continue to raise during the season finale. So much of the episode is just dark for the sake of being dark. It's nothing too horrifying for children, of course, but the issue is how obvious it is that the writers are trying to raise the stakes right before the season finale and show how mature the show's writing is. For lack of a better term, it's this show's equivalent to “Ow The Edge”.
#18: Revelation
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Get ready for the episode where the writers abandon all attempts to be subtle and create an episode specifically to attack people who think Chloe isn't the most evil character on the show. Because how dare they be optimistic and try to see the good in people! What do they think this is, a kids' show?
While a big problem with the Lila episodes was how stupid the class is, this episode made it so Marinette got to join in on losing brain cells too. Despite outright admitting to neglecting her duties as class representative (as absurd as it is to be in charge of notifying teachers about student progress they should be aware of), we're supposed to agree with her for not telling her teacher about Chloe cheating. Not only does this make no sense since you'd think Marinette would want to see Chloe get punished, but her claiming that all Chloe does is abuse her privileges loses any point to it because Marinette admitted to not doing her job as class representative, making her just as lazy as Chloe and unintentionally helping her through not telling the teachers. And that's not even getting into how many times Marinette has broken the secret identity rule despite also being the one to enforce it the most as the Guardian.
If the episode at least admitted to Marinette having personal issues that prevented her from displaying any form of professionalism towards Chloe (especially since this episode takes place after “Derision”), that'd be fine. Sometimes, people just can't let bygones be bygones and let their emotions dictate how they handle things. If she willingly resigned from her position by admitting she was just as at fault for Chloe getting as far as she did with her cheating, that would have worked. Instead, the episode does the same things it did with Adrien for the last few seasons: Go out of its way to vindicate Marinette's complaining and never even consider the idea of her being wrong in the slightest.
It's also hilarious to see Ms. Bustier act like an actual teacher for once and plan to work with Chloe to help make up her missed work, but portray it as a bad thing because in Marinette's eyes, that's not a punishment. Since the school year is almost over, Chloe will have to attend summer school at best and be held back or even expelled at worst. How the hell does that not count as a punishment, Marinette?
And don't forget how she gets not one, but two separate scenes insulting people for being idealistic and not wanting to write off people as beyond saving, the second one being copied from Astruc's Twittter.
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And remember, this was right before a string of episodes where characters were able to change their ways, including Sabrina (Chloe's accomplice), Andre (Chloe's enabler), and Gabriel (Chloe's supervillain contact). How the hell is Chloe the only one being written off as irredeemable when she didn't pull off any of her evil plans without help? You can still punish Chloe. All I want is for the other characters to be punished as well.
But let's talk about the main event for this episode: Lila. In one of the most confusing “twists” in the show's history, she's now an identity thief who lives with three different mothers. Why? Because the writers have no idea how to hype people up for her being the main villain for Season 6, so they think just making her mysterious for the sake of making her mysterious is enough to build her up as a villain. It's like the writers realized Lila had absolutely zero resources of her own, so they felt like they needed to establish her as an evil genius to compensate. “Who cares if there's no logical explanation for how she's gotten as far as she has despite constantly boasting about her celebrity connections in public? We have to make her vague and mysterious, damn it! It worked for Judas Traveller and Kaine, didn't it?”
This episode takes multiple shots at fans and tries to make Lila seem more compelling than she actually is. It feels more like damage control than an actual plot-relevant episode.
#19: Illusion
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Want to see the main characters acting like idiots for almost a half-hour? No? Too bad!
So much of this episode's conflict, the characters trying to investigate a possible lead related to Monarch, comes from everyone making stupid decisions. Nino tries to get one of the most influencial men in Paris akumatized, talks about it in public, falls for his trick, and lets him into his secret alliance. This season really cemented his role as the Zapp Brannigan of Miraculous Ladybug with how incompetent he is. If you really want to start portraying Nino as a tactical genius, maybe you should actually show him doing something smart instead of getting outsmarted by obvious tricks.
Of course, the other characters aren't immune to Nino's stupidity either. Marinette, Adrien, and Alya just go along with his asinine plan to get Gabriel akumatized, never question his logic, and ultimately still go along with the Resistance despite how obnoxious their leader is. The worst part is Ladybug not recognizing her own partner being stung by Venom... when they're fighting someone with access to over a dozen Miraculous. I know Cat Noir was born with glass bones and paper skin, but I don't think he literally freezes in terror when he's scared. And of course, Ladybug never questions the tiny invisible men who stunned Cat Noir after this scene.
The cafeteria scene is something that should really be cited as an example of how terrible this show is with acknowledging continuity. You thought there would be some compelling drama discussing the secret identity rule and all the double standards it has? NOPE! It's a funny joke about how confusing the identity stuff is at this point. The fact that Nino somehow doesn't understand the concept of secret identities in this scene is yet another reason as to why he isn't even qualified to lead an anime club, much less a resistance against Monarch.
The idea of Monarch using an illusion to fight Ladybug and Cat Noir was an interesting one, but it still had some holes. For one thing, what if the two heroes can't dodge one of the illusion Collector's attacks? What if they're fast enough to try tying him up, only to dispel the illusion? The entire plan pretty much relies on the fact that Ladybug and Cat Noir are too slow to catch the Collector.
But one scene that has only become more questionable after the finale is Ladybug trying to reach through to the illusion Collector. Like several episodes this season, it comes across like the show is spitting on idealism and wanting to solve problems peacefully because Monarch tricked Ladybug into believing he willingly rejected an Akuma. Remember kids, if someone says they want to change, it's really a trick as part of an evil supervillain's plan to maintain his secret identity.
This episode is like a microcosm of everything wrong with Season 5. Poor morals, characters acting like idiots, shooting down any potential for plot development, and being told characters are right when their actions say otherwise.
#20: Confrontation
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Ladies and gentlemen, I give you the episode where the writers just gave up.
There is just so much that happens in this episode that the writers cram in. There's Marinette's “final” confrontation with Lila, the battle with Reflekta, Sabrina's redemption, Juleka's character development, Ms. Bustier's character development, Mr. Damocles' character development, and the reveal of Lila's true nature. I don't think I need to tell you that the writers struggle to make all of these plot threads work in less than a half-hour.
First off, Marinette and Lila. The previous episode implied that Marinette let Lila have this short-term victory because she had her own plan to expose her. This episode puts that plan into action. See, she has the genius idea of going along with submitting school application forms to Lila and Chloe with no actual countermeasure in place, waiting for Sabrina to have a sudden change of heart so they can work together to expose Lila and Chloe through a bathroom peephole. This is the kind of tactical intelligence that will be studied in the history books, let me tell you. There's just no weight to Marinette and Lila's final battle of wits because there isn't any. There's no series of gambits or scenarios that actually pit their minds against each other, so you don't get a lot of satisfaction from Marinette's triumph over Lila. It doesn't help that there's more focus on Sabrina than on Marinette, but I'll get to that later. Even the actual payoff is anti-climactic. Most of the class' apology to Marinette was deleted because Mr. Damocles using a Magical Charm shield was just too important to leave on the cutting room floor according to the writers.
This episode really shows just how Marinette's classmates are like NPCs in the Lila-centric stories. They don't second guess Lila's accusations due to their past experiences with Marinette, and as soon as Marinette's name is cleared, they instantly apologize to her and don't even think about how easily they were fooled by Lila and Chloe. The worst example is Alya, Marinette's confidant and someone who was trusted to temporarily use the Ladybug Miraculous last episode, falling for this and not trusting Marinette. My sister in Christ, your friend goes out and saves lives on a weekly basis at least. How can you fall for Lila's story? This is why I think the Lila episodes should have all been set pre-Season 4, so Alya falling for Lila's lies is a little more believable since she isn't already in on Marinette's biggest secret.
I also have to roll my eyes at how melodramatic the talk about everyone's “futures” is. Yes, I don't know a lot about the French education system (If there's anything I'm getting wrong here, don't hesitate to let me know), but I don't get why they're treating their high school choices like such a big deal. Maybe if it was college, I'd get it, but high school? Why can't you just transfer if it doesn't work out? But then again, this is the same show created by a man who thinks school uniforms are a sign of fascism.
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THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.
Speaking of futures, this episode also showed just how little the writers cared about Adrien at this point, with how a supposedly heartwaming moment is him having no plan in life other than Marinette. I know this might seem weird given my problem with him last season was his refusal to think about anyone but himself, but there's a difference between wanting someone to follow orders without complaining and giving them absolutely no motivation outside of their significant other. And once again, if you swap the genders, this becomes sexist as hell.
But the big problem comes in the form of how the side characters are utilized. I don't know why the writers decided to focus on developing characters like Sabrina, Juleka, Ms. Bustier, and Mr. Damocles with five episodes left in the season. This should have been done in earlier episodes, not in the middle of a major story arc. I'm just left not caring about the development because it takes away from the conflict between Marinette and Lila, to say nothing about how little Adrien and Alya contribute to the story.
To me, this episode feels like the writers had no idea how to make Marinette outsmarting Lila into an episode, so they crammed in all these half-assed character arcs to pad out the runtime. While “Revelation” personally upset me more, I personally think this is the worse episode of the two from a writing standpoint.
#21: Revolution
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Given how often I've criticized the way Chloe has been handled over the years, I bet you're surprised that this one isn't at the bottom of the list. You'll be even more surprised to learn that I think Chloe is one of this episode's saving graces.
This episode (along with “Derision”) provide an example of the Chloe we should have gotten ever since Season 3 ended: A villain who's allowed to be a threat while still being funny. So much of the past two seasons have done nothing but portray Chloe as nothing but an incompetent joke, but here, near the end of the season, she's in a position of power and is taken seriously. The episode does a good job showing how tyrannical Chloe's rule as Mayor is while still making it funny and in-character for her. She uses her power on frivolous things because she's a teenage girl who doesn't understand the complicated issues that come with politics. It's also why her idea of punishment involves detention, because it's something she's more familiar with as someone in middle school. Of course, even the episode all about Chloe ruling Paris with an iron fist isn't stupid enough to actually let Chloe be a compelling antagonist. No, we need to constantly remind the audience that Chloe is being played, as if we're supposed to see her as nothing more than a pawn even though the show still wants us to see her as an irredeemable monster.
Putting aside that one speck of something interesting, this episode is still incredibly bad. So much of the story is dependent not on how smart the villains' plan is, but rather, how lazy the heroes are. Not only is there not a single moment where Ladybug and Cat Noir acknowledge that the whole reason why Chloe was able to take over as Mayor was their fault, they act as if Chloe abusing her power to make everyone's life a living hell isn't enough of a reason to stop her. What kind of Prime Directive bullshit is this? YOU JUST HELPED SOMEONE LEAD AN INSURRECTION AGAINST A POWERLESS CIVILIAN! HOW IS THIS ANY DIFFERENT?! If there was at least something involving Ladybug and Cat Noir taking responsibility for what happened or at least showing that they played a part in this (especially since they “grow up” in this episode), I'd get it. Instead, because this is Season 5, our heroes are perfection incarnate, and can't ever be wrong. Even when they finally decide to get off their asses and stop Chloe, they didn't know she was akumatized, and nobody seemed to care before Chloe blurted it out, so Ladybug and Cat Noir have no excuses for slacking off.
The final battle is just a joke. Not only is it another excuse to force the Resistance into the plot, it shows Ladybug and Cat Noir unlocking the full power of their Miraculous in the most anti-climactic way possible. Even though they spent most of the episode caring more about their personal lives than actually stopping the obvious threat, somehow, this means they “grew up”. There's no buildup, no explanation, and no catharsis gained from this achievement. All of a sudden, Ladybug and Cat Noir are adults now. There's one decent scene with Adrien, but that's far from an actual explanation. What, did you actually expect an explanation for something this huge? Too bad! We need to have Marinette tell Chloe she's not afraid of her anymore even though she was never afraid of her prior to this season. Of all the things that happened this season, this is the one that makes it clear that Season 5 was supposed to be the end. There is no way Season 6 can happen unless the writers come up with some crap that undoes this, because Ladybug and Cat Noir have essentially unlocked god mode.
But I saved the worst for last, and you all know what it is: Chloe's punishment. I still can't get over the fact that there's actually a scene heavily implying we're supposed to be happy Chloe is going to live with her emotionally abusive mother in the same season that's trying to tell a serious story about child abuse. There's already been so much said about all the horrible things this implies, so I'm going to try and bring up something else. Specifically, how everyone is just okay with this. I can buy Ladybug given all the things Chloe has done to her, but it's pretty odd that Cat Noir, Andre, and Zoe all decide to wash their hands of their association with Chloe as if they never knew her. They don't even feel bad that it had to come to this, and feel absolutely no sympathy for her. Remember in episodes like “Malediktator” and “Queen Banana” that showed Adrien and Zoe still cared for Chloe despite all the terrible things she's done, teaching kids a lesson about trying to show compassion to your enemies? The writers sure didn't, because Adrien and Zoe don't get to say a thing about Chloe after she's defeated. Way to establish connections between characters and do nothing with them, writers!
This episode had so many things wrong with it, and it only got worse the longer it went on, to the point where the ending is essentially condoning child abuse. It's disgusting, but at the very least, it means we're not going to have to deal with Chloe in Season 6.
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#22: Adoration
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This is one of those episodes I honestly didn't think would hate as much as I did.
I think of all the episodes this season, this is the one that shows how frustratingly inconsistent the characterization is. Characters will either announce how much someone has changed or will take a complete 180 while the show makes it clear this is how things have always been. Not only does the show say Zoe has somehow changed and suddenly developed feelings for Marinette, but Chloe's view of Sabrina has gotten even lower, to the point where she calls her an underling to her face. Because actually showing character development and changing interpersonal relationships is too hard for these writers. It's like that rule everyone knows: Tell, don't show. That's how it goes, right?
Before anyone gets on my case about this, I'm not trying to say that Zoe having a crush on Marinette was a bad idea. The issue is more how it comes across like the show is trying to earn brownie points with LGBT+ audiences with the reveal. The issue is that this major revelation isn't about Zoe, but rather, Marinette. It's from a Marinette-focused episode all about her heterosexual feelings for Adrien while Zoe's coming out story is nothing more than a cautionary tale to get Marinette to finally try kissing Adrien. I'm not saying Marinette should have dumped Adrien to be with Zoe. The point I'm trying to make is if you want to show something as huge as a character coming out as sapphic, maybe put more focus on that character's struggles than the struggles the straight main character goes through. Maybe instead of being an afterthought in the story, make the episode about Marinette helping Zoe confess her feelings to a girl she likes.
This was also the episode that laid the groundwork for Andre and Sabrina's “redemption arcs”. Normally, I wouldn't mind something like them changing, but it's less to show a character becoming a better person and more to vilify a different character. Andre went from a corrupt politician who abuses his power to please his daughter to an honest politician who is forced to abuse his power to please his daughter. Sabrina went from Chloe's loyal friend who chooses to help her make people miserable to Chloe's underling who is being forced to help make people miserable. Both of them were perfectly willing to go along with Chloe's acts in the past, and as we saw in “Revolution”, being a pawn didn't excuse her from being punished, so by that logic, they shouldn't get a free pass either. It's also strange how this wasn't the episode where Andre and Sabrina officially cut ties with Chloe, considering they already had issues with them. There wasn't really a reason to wait if they already made their issues clear, especially Sabrina. Somehow framing Marinette here is okay but doing it a few episodes later is too much for her?
Also, Lila served no purpose in the episode. Just like in “Collusion” and “Revolution”, all she does is tell Chloe to do things she was perfectly capable of doing in earlier episodes. We're supposed to see her as a mastermind, but I don't get why she has to hold Chloe's hand here. Why can't Lila come up with her own plan or manipulate different people from behind the scenes? It only further highlights the double standards because while Sabrina being a lackey to Chloe earns her sympathy, Chloe being a lackey to Lila doesn't for some reason.
I am getting really tired of the whole “Nobody believes Marinette” formula that every Lila episode relies on (Chameleon, Ladybug, Risk, Revelation, Confrontation). It's the exact same story. Everyone who has known Marinette for the past four seasons suddenly loses all trust in her, only instead of instantly believing Lila, it's Chloe. CHLOE. This is worse than Lila, because she's at least in good graces with other people, but this is the same season that solidified the idea of nobody liking her at all. They seriously take her words at face value over Marinette, someone whose friends know has tormented her for a year at least (Derision)? Put aside how I feel about Chloe, this is a story that depends on trusting someone nobody has any reason to trust, and it makes no sense.
There are just so many minor issues in this episode that pile up enough to really piss me off. It's like a death by a thousand cuts.
#23: Collusion
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I normally don't try to get political on this blog unless I absolutely have to, and talking about this episode is one of those occasions.
If you've been around since the early days of this blog, you'll remember that Astruc once compared Chloe to Donald Trump, and not too long after the January 6th attack on the Capitol Building at that.
Even before that thread, Astruc made a joke comparing Trump to Chloe less than a week after the attack.
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Whether you agree with Astruc's views on Trump or not, the point is that he kept up with American politics and strongly opposes him. So anyway, let's get to the episode where the heroes let someone lead a small army to storm the mayor's office and force him to resign, which is totally different from what Trump did.
I cannot get over just how confusing this episode is. For a show created by someone who usually keeps up with American politics, this is such a tone-deaf episode. I get that the story is trying to lean into French history, and I'm not sure how far into production the crew was when the attack on the Capitol happened, but given how Astruc was aware of the drama, he and his team should have at least considered the implications this episode could raise. The problem with the discussion around January 6th is that the supporters see it in as righteous a light as Miss Sans-Culotte is. As far as they know, what happened wasn't a violent invasion of government property, but a peaceful demonstration. Sure, none of the talking balloons said “Hang Andre Bourgeois!”, but it still brings similar imagery to mind.
Something that also harms the French Revolution narrative is the fact that all of Miss Sans-Culotte's supporters are helping her against her will. Much like countless Akumas throughout the show's history (Darkblade, Kung Food, The Puppeteer, Princess Fragrance, Despair Bear, Befana, Zombizou, Malediktator, Gamer 2.0, Mr. Pigeon 72, Hack-San, Revelation, Confrontation), Miss Sans-Culotte brainwashes innocent civilians so they can help her cause. This goes against the idea that she's speaking for the people, because her victims don't have a say in this. She's not reenacting the French Revolution, she's reenacting Order 66!
Also, this is something I've neglected to discuss. Why make Miss Bustier pregnant at all, much less akumatize her while pregnant? Outside of her students telling Chloe not to make a scene because the stress caused from dealing that is bad for the baby, Ms. Bustier's pregnancy adds nothing to the story. Seriously, the story thinks Chloe annoying the class is more dangerous for Ms. Bustier's baby than Ms. Bustier herself running around and getting into fights with her baby inside. It could have made for some interesting drama where Ladybug and Cat Noir are hesitant to hurt a pregnant woman, even if she's been akumatized. While the writers do try to work around it by giving her minions to do the fighting (as much as it mucks up the themes of this episode), it still doesn't explain why she needed to be pregnant during this episode in the first place.
Putting aside how unlikable Miss Sans-Culotte is in this episode, you can't even enjoy seeing Andre getting kicked out of office because this is the same episode where the writers really want us to feel bad for him. Look at how sad the rich white politician is. Let's ignore the fact that he's a big part of the reason why Chloe is as bad as she is, has abused his power multiple times, and is all around the cause of his own problems. But even though this is a show that tries to take an anti-capitalist stance (which I'll get to more in “Emotion”), we're supposed to side with one of the biggest symbols of everything wrong with capitalism and political corruption. Even then, Andre is framed for corruption instead of the several instances he actually abused his power, as if they're trying to say he was never a corrupt man. He just loves his daughter. Is that too much to ask for? His daughter herself? Eh, who cares? You really need to support the rich white man. Are we sure this show was created by a liberal?
But the biggest issue is the moral. It's impossible to frame Miss Sans-Culotte storming the mayor's office as a peaceful protest because she's clearly inspired by one of the bloodiest and most violent revolutions in history. If she was supposed to be a violent warrior who needed to learn there was a better way, that would work, but instead, the show downplays how dangerous she is... when she has a guillotine blade for a weapon. You can't claim Miss Sans-Culotte is non-violently protesting Andre's administration when she brainwashes innocent civilians, storms into the building, and demands he resign without any question. Even taking all that into consideration, the moral ends up backfiring because forcing Andre out of office caused an even bigger problem with Chloe taking over, and the very next episode threw the non-violence message out the window.
Whether or not you want to consider the political implications here, this is still a terrible episode with a terrible moral.
#24: Pretension
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I've always had issues with Felix, and after the trainwreck that was “Emotion”, let's just say this didn't exactly do anything to raise my opinion of him. Just like his other appearances for the last few seasons, he did absolutely nothing to help Ladybug, focused on only doing things that benefited him, and making everyone's lives worse due to his incompetence. And somehow, this idiot is the one who moves the plot along the most.
The entire conflict happened because Felix kidnapped Kagami without even coming up with a plan. Even when he believes that Kagami is a Sentimonster (I apologize for saying that word Felix hates, but once again, the show provides no alternative to it), he doesn't think of Tomoe being able to track her or command her to leave even at a far distance. He doesn't even try to explain himself to Ladybug and Cat Noir and spends more time running away from everyone who wants to kick his ass. But by the show's logic, he just needs friends, even though his entire deal is that he works alone to get what he wants.
It's bad enough that Felix has to screw up everything he touches, but now he's dragging Kagami to his level. Kagami has cemented her role as Felix's lackey/girlfriend and nothing more. People give Marinette crap for the way the behaves around Adrien in and out of universe, but Kagami knows nothing about Felix, yet a single conversation about his past is enough for her to fall head over heels in love with him. She went from someone not willing to take any bullcrap from Marinette and Adrien to believing Felix's story in a fraction of a heartbeat. This season really likes ruining the few likable characters the show has left.
I also have to roll my eyes at the conversation Marinette and Gabriel have about fashion. For one thing, it's one of the few times the entire season remembers that Marinette wants to be a fashion designer and doesn't really factor into her rivalry with Gabriel. This season made their conflict revolve around how to treat Adrien, not their views on fashion. It feels like they only brought it up to remind viewers that Marinette is still into fashion. Well, that, and also to take a stance on artistic integrity... supposedly.
And on that note, it's amazing how the writers display little to no self-awareness during this scene. The show that embraces sticking to the status quo and rejecting almost any attempt at keeping consistent continuity is now trying to teach children about the importance of being willing to take risks when creating something. This is like Hannibal Lecter trying to promote veganism. I get the message, but the messenger's history is keeping me from buying it. It doesn't help that for a scene trying to point out how outdated certain views are, the show ultimately chooses to take the side of the man with the “wrong” mindset by the end of the season.
The pancake metaphor really confuses me too. It's meant to be a running gag that the only thing Gabriel knows how to cook is pancakes, but A) Nothing is really indicated to show how terrible they are as a metaphor for how bad his outdated views are other than Marinette's verbal assessment of them, and B) We later learn Gabriel used to be poor, so either he never knew how to cook prior to earning his fortune or being rich somehow made him forget basic living skills. I'm just saying, when an episode of Sid the Science Kid manages to better convey someone doing a terrible job making pancakes, you might need to put in a little more effort to show how bad Gabriel's pancakes supposedly are.
Finally, Tomoe. This episode didn't really do much to show her as a compelling threat, given all she did was nag Gabriel and try to shoot her daughter when she didn't even try commanding her to fight back when she was kidnapped. She's nothing more than a female Gabriel and is another example of how overstuffed this show's cast is,
This episode is awful, plain and simple. It took aspects from previous episodes that were already questionable, and doubled down on them while acting like there weren't any problems at all.
#25: Derision
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And now we're onto the really, REALLY bad episodes this season. One of the reasons why this post took so long to make was that I wasn't sure how to rank these last three episodes. Thankfully, I managed to find a way to rank them based on the morals are executed. With that being said, let's start scraping the bottom of the barrel.
Ah, “Derision”. You're the only episode that makes the backlash caused by “Chameleon” seem like a pleasant breeze. It's incredible to see just how much negative a reputation this episode has in the fandom. Virtually nobody likes it because it manages to upset everyone with its poor characterization. I'm talking Marinette fans, Adrien fans, Chloe fans, Kim fans, and pretty much every other character's fans. I've only seen a few die hard fans defend this episode, and they're the people on Tumblr who defend pretty much everything done this season.
I have just one question to ask about this episode: Why did it need to happen? We didn't learn anything new that we didn't know already. We know Chloe is mean, and we know Marinette used to be more timid and had no friends. We didn't even need that much of an explanation for why Marinette acts the way she does around Adrien, seeing how it was usually played for laughs
Speaking of which, let's talk about the fact that the episode tries to shame the audience for laughing at the jokes about Marinette's reactions to Adrien. You know, something that was the show's primary running gag ever since Season 1? A running gag the writers ran into the ground by the end of Season 3 but still chose to go with it? Now we're not supposed to have laughed at it, assuming we laughed at it all. Way to insult even the small portion of viewers who didn't get on your case about this, writers.
I only have about two positive things to say about this episode. For one thing, Chloe actually served as a pretty decent antagonist in the flashbacks. Much like in “Revolution”, when the writers actually let her be a villain on her own without being made a pawn, she can be somewhat entertaining. If this was the Chloe we got after Season 3, I don't I would have been as upset at the direction Astruc's team took with the character.
In addition, the thing that saves this episode from being at the bottom is that unlike the next two, it actually understands that what the antagonist did was wrong. They don't make up excuses for what Chloe did and she actually gets called out as a result. It doesn't lead to anything major, but it's something.
Like with “Queen Banana”, there's not much else I can say that hasn't already been said. There's plenty of retcons, the characterization for everyone is off, it attacks the audience, and the message about trauma got fumbled by the show's usual double standards. It's been said over and over again, and it's become a symbol of how much the show's quality has degraded.
#26: Emotion
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I think if you've kept up with my reviews of this season, you should know by now that I don't exactly like Felix, and most of the problems I have with him can be attributed to this episode. In fact, for a while, this was going to be my choice for the bottom slot.
It's clear that the writers want to make Felix this wild card who's only in it for himself, but like most of the show's antagonists, they want to show Felix as this devious mastermind... but he's also not really evil, and you should feel bad for him. For most of the episode, Felix does nothing but make everyone's lives worse during his first outing as Argos. He smears his cousin's reputation yet again, tricks his girlfriend into dancing with him, condemns some rich kids for the crime of being rich when he's just as rich, and eventually wipes out all life on the face of the earth. But he's just doing it for his cousin, we swear!
While Felix has understandable motivations for what he does, wanting to free Adrien and Kagami, the way he tries to achieve his goal makes it hard to sympathize with him. If the whole point was that what he did was wrong and that he needs to find a different way, that could work. Instead, we're supposed to see him as this tragic figure who was forced to do terrible things when the episode shows him happily singing while causing chaos. It's the same problem with Gabriel, wanting a sympathetic character to do unapologetically evil things. The fact that he has to be told that genocide is bad doesn't make us want to sympathize with him when he breaks down crying. It paints a picture that he's crazy but the show wants to act like he isn't.
Even putting all the crap with Felix aside, the episode is still unbearable. The stuff with Marinette was poorly executed and was just done to get her involved in the plot, and later become the first one to excuse Felix for betraying her. Other than the dance scene, you could easily just have Marinette swing in as Ladybug when Argos starts his rampage and nothing would really change. The episode tries to make jokes about how unnecessary this is, but as usual, its attempts to be self-aware come across like its saying “What we're doing it wrong, we know it's wrong, but we're gonna do it anyway!”
Speaking of the dance scene, I can't stop rolling my eyes whenever Felix tries to be all “We live in a society” to Marinette. Forget the corrupt politicians, corporate moguls, human traffickers, and despotic rulers of foreign nations. The absolute worst section of humanity is composed of the teenage children of the 1%. Sure, you'd have to break my legs before I'd agree to supervise them at this party, but I don't get why these are the people we're supposed to see as irredeemable monsters. Do the writers think because these kids associate themselves with Chloe, we'll automatically hate them? Newsflash, but if I had to choose between hanging out with some annoying kids and a mass murderer, I'd stick with the annoying kids.
Rewatching this episode was what helped me finally realize just what my problem with the show's anti-capitalist message is. How the hell am I supposed to hate the villains on this show for being rich when several characters are rich or at the very least, are successful thanks to their connections to the rich? Think about it for a second. Putting aside Adrien and Kagami, you have Marinette, the daughter of two of the most popular bakers in Paris and earned the respect of multiple celebrities, Alya, the daughter of a chef who works at a five-star hotel, Nino, someone who got to DJ at a major fashion show, Rose, who is friends with a literal prince, Luka and Juleka, the children of a popular rock star, and Max, the son of an astronaut with access to cutting-edge technology. Somehow, these people are supposed to be poor? They make Monica from Friends look like Oscar the Grouch. It's why I can't take the message seriously. You can't write a story about a class struggle when both classes are shown to be pretty well-off.
The only thing that saves this episode from being at the bottom of the list is the fact that despite committing genocide while singing, Felix at least gets what he did was wrong and makes up for it. It doesn't fix everything else he did in this episode, but that's better than nothing. As for the villain featured in the episode that's at the bottom of this list? If you've been keeping track, I think you know who I mean.
#27: Re-Creation
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I'll admit, I'm sort of cheating here. I'm judging this episode more as a finale than an individual episode, but I'm making an exception because the plot is tied to wrapping up all the loose ends this season.
I'm mentioning this because for a season finale, the stakes just feel so low. The fight between Bug Noire and Monarch doesn't have any weight to it because they've barely interacted at all for the last five seasons. These are supposed to be two mortal enemies, but you can't really buy the enmity between them. It ultimately cheapens the moment of Bug Noire triumphing over Monarch in the end... before Monarch triumphs over her not long afterwards, but we'll get to that.
The stuff with the Miraculized doesn't help either. We already know that the Ladybug and Cat Miraculous are in the Agreste manor, so the Miraculized's goal is impossible to achieve. It's never even explained why the Miraculized don't go back to the manor to help Monarch beat Bug Noire, since they should still be able to track the Miraculous. All of the fights with them just come across like filler, and there's no real sense of danger or hopelessness to be found. Whether the Miraculized win or lose is irrelevant. Nothing will happen either way because the important stuff is happening in the Agreste manor.
This extends to the part where all the heroes appear to help. It doesn't come across as an Avengers-esque moment for the climax, because it doesn't change anything. The episode never explains what any of these characters were doing prior to the events of this episode and why only now they're helping out. The United Heroes are the most egregious example because unlike Fei or Su-Han, they're a major organization whose members include the president, and they didn't do a damn thing when Monarch stole all of the other Miraculous. Speaking of, there is no way in hell that Su-Han taught Mirakung-Fu to three random people over Ladybug and Cat Noir, much less that those three people are actual masters after about two months at best. Maybe they got to train in Bunnix's Burrow? After all, she's not doing anything else to stop the end of the world other than sending four people over to Paris. This whole sequence really highlights how bland the other heroes of this universe are. If they're not slacking off when they're needed, they're criminally underdeveloped because there's a slim chance they'll get spin-offs to flesh them out.
But I think the biggest issue me and other people have with this finale is the resolution. In what is easily one of the most baffling decisions the show has made, Bug Noire doesn't defeat Monarch, and Monarch gets to make his wish. I don't care how many times the writers technically say she won because she beat him in a fight. Gabriel backstabbed her at the last minute and got her Miraculous to make his wish. Yeah, he died, but he succeed in achieving his goal, never faced any real consequences, didn't get any closure with his son (much less apologize for abusing him), told Marinette to lie about the monster he was to him, and was turned into a martyr with a statue made of the same things he used to control the world.
This ending infuriates me because it not only makes Marinette out to be a terrible hero for failing to do the one thing she was chosen to do (get the Butterfly Miraculous back), but it also ultimately makes Gabriel out to be a decent person even though he destroyed and recreated the world. All Marinette did was take credit for saving the world, and even then, Gabriel got more celebration in the end. Our hero, ladies and gentlemen! She got outsmarted by an abusive parent and didn't even get a new statue in her honor!
But the most damning thing of all this is the fact that this finale retroactively makes everything that's happened over the last five seasons completely pointless. If Gabriel making a wish wasn't as bad as it was supposed to be, why didn't Ladybug and Cat Noir let him borrow their Miraculous? Why make the stakes this high if you're going to downplay the impact of a madman recreating the world in his own image? Follow-up question: why make the stakes this high if the wish being made is ultimately shown to have huge benefits for society? In an attempt to wrap things up with a happy ending, the writers accidentally made the conflict completely meaningless.
That's why this resolution is the ultimate example of the writers refusing to allow any major changes to happen. If they're willing to treat the end of the universe as less important than Ms. Bustier becoming mayor, why should we assume they'll ever take their story seriously? For God's sake, every character you know and love is essentially dead, and we're supposed to act like that isn't a big deal? That's how you wanted to end the show originally? Then again, at least they tried to resolve something, unlike the Love Square. We still haven't gotten a reveal, and I don't think we ever will at this point. These writers will drag out the story until the show stops becoming profitable, which won't be for a long time.
And with that, I am officially done with Season 5. Honestly, after having to rewatch this season again, I'm not sure if it's even worth giving Season 6 a shot. There's nothing to look forward to, and Lila becoming the main villain isn't really appealing to me. At the very least, I have the movie review to look forward to, meaning I can watch something good for a change.
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https-lvesick · 3 months ago
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now playing: 200 - minhyung's version by mark
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summary ・ after losing the people he loved the most, mark could never move on... but is it really that bad when you return? ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤgenre ・ angst (that's the first idea that came out when i was listening to this fucking song, thanks mark) ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤcontent ・ grieve, character death, spiderverse is mentioned (and used), silk!reader again because i love her! lowkey toxic at the end but... uh... yeah... ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤwc ・ 1980
[notes] i may be a bit uh... invested in spidermark, i admit it. this idea came out when i was listening to the mentioned song lol and whenever you guys see a post "now playing" keep in mind that the fic was plotted because of the song! ngl i literally sobbed real hard while writing the first two paragraphs... i guess i was a bit overwhelmed...
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and there he was again. sitting on top of a building, doing your favourite activity together, looking at the moon. his mask was discarded beside bim, his phone in hands, earbuds paired and the song he wrote for you was playing on repeat while he watched some videos of you.
if only he had been faster. you would be there too, with him. now he has no one for him. he wasn't capable of saving the people he loved the most so why is the city still counting on him? why was he doing all of this when, out of all people in the country, he couldn't save only two...
"baby, look! aren't they the cutest?" you point to a pet café, where three cats could be seen by the window.
"they surely are! oh look, they're greeting you!" his voice is joyful. the soft and lovely tone and the sparkling eyes whenever he looked at you or even thought about you were undeniable signs of his love and adoration for you.
"can we have one when we move in together?" you asked, looking at him over the phone. and who was him to deny when you looked so adorable like that?
"we surely can, love." he giggles. It was one of his many memories with you, but this one is where you mentioned moving in with him. a tear dropped at the screen, wetting the phone and suddenly, there was mark again, sobbing.
you finally graduated from high school and were going to attend the same university, so why not move in together? you've spent years together, attached to the hip, in a joyful friendship, which later evolved into a romantic relationship and you couldn't been happier. mark and you were sure you could handle each other's weird habits and were ready for that. let's be honest, you've seen each other at its worst multiple times, and nothing could make your relationship weird.
that time... when he stupidly let you go... you were excited. talking about new cute decorations you found on a website and cat's products for the new addition to your and mark's family.
but that fucking scumbag needed to target you. he needed to take you from him...
every single day mark still reminisced in that moment. he couldn't think of anything other than you. you were his first thought in the morning when he woke up and the last when he was going to sleep. he tried to focus on the good parts. when he had you. but it was hard not to remember he was the one to blame for your loss. after all, he was your superhero. your spideyboy.
his heart clenched again and, by that time, his face was completely drenched in tears. he couldn't stop thinking about you. and this was making him sicker and sicker every day.
the gadget on his suit blinked, announcing a new mission for spiderman. and that was the one thing keeping mark alive. he was trying to compensate for his loss by overworking himself.
"imma make it for you, my love..." he mumbled to himself, drying, uselessly, his face, before standing up.
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honestly, mark didn't know how he ended up in this situation. suddenly the city was full of spiders, which he didn't even know that could exist.
"so wait... uh... you're... me... but from another universe?" he tried to cope, he was, really hard, but... how did that happen?
"not you, i'm me, but yeah..." the other spider said. "and there's someone else, silk. as soon as she found out about it, she was willing to help us." he smiled.
"yeah! she travels through the multiverse a lot!" the blonde girl said, swinging her legs.
"but she's a bit late, i see..." the spider who seemed the oldest, spoke, grumpy as always. mark had already noticed it...
they were discussing loudly and mark's head was spinning. when, in a million years, he could guess there were other spiders? and that there was a multiverse. and that he could travel through it whenever he wanted.
suddenly an orange portal appeared and another spider could be seen coming. another woman.
"sorry guys, i was... busy..." she reasoned, wiping off some blood on staining her suit.
as soon as she spoke, mark felt a pang in his heart because why is her voice so identical to yours? and your body proportions? yeah, he was really confused.
but, when the named silk, took off the part of her suit that was hiding half of her face, mark's blood drained. his face was terrified and the blonde girl named gwen noticed it.
"hey... you fine?" she asked, tapping his shoulder.
the spider version of you approached him with concern in your eyes. "uh... mark, right? what's wrong?"
everything was wrong! it was you! his love, his girlfriend. the woman he'd burn the world for if this meant to keep you safe. you were alive? and a spider in another universe? what the fuck was going on?
"y-yeah... i just... need some air..." he quickly grabbed his mask and put it on.
"we literally on top of a building..." the other spider named mark mumbled, watching the guy jump off, swinging on his webs.
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it was kinda comic the amount of times the spiderman could be spotted up in buildings in random times of the day doing nothing. actually doing the same thing he had been doing for good seven months... thinking.
"great thing you're fine. i thought you were about to pass out." behind him there was your voice. he pressed his eyes together, trying to remember: you were not you. she was not you.
"sorry..." he mumbled. "i was... uh... having a hard time..." he tried to reason. but as soon as you sat beside him, he lost it completely. but how could he cope when she was exactly like you. when she even had the same scent he could never forget.
"you know... that grumpy man out there and me are kind of... responsible for this uh... spiderverse thing. so i kinda feel like we could take care of you. and i'm definitely in charge of gwen, so you can report her behaviour to me if needed." you laugh and mark can feel his heart warming at his favourite sound. "the point is... if you need to talk... i'm here to listen..."
oh and he wants, more than anything. he wants to tell you how much he misses you. how he wants to just leave this life of superhero and maybe kidnap you, so you can live together, far away from this mess of a life. but... it's not you... it's not.
you sighed and smiled, caressing his shoulders before standing up. maybe you got the hint, he didn't want to talk, or maybe he wasn't ready for it.
"i had a girlfriend..." he blurted out and you stopped. even if he wasn't mentally prepared to talk about you again, especially with someone who is a carbon copy of the woman he loved the most, mark knew he needed to. he needed to release this fog of blame that was plaguing his mind and heart ever since the beginning.
you kept your distance, trying to make him as comfortable as possible.
"she was... the girl of my dreams, you know." he smiled, already feeling the tears starting to prick up in his eyes. "did you ever feel like... living in heaven just by having a special person by your side?" he asked and you hummed in response. "that was it... that was what she was for me. my fucking world ever since we met each other when we were only six."
he paused, sighing deeply, wiping some tears off his face. you waltzed towards him slowly, resuming your previous position beside him.
"we were about to move in together. we were gonna attend the same university, so why not? she was so excited, she was thinking of having a cat as our child..." mark smiled lovingly and you couldn't help but do the same. "but then... a fucking bastard, who i thought was my best friend, took her from me. i wasn't... fast enough to catch her while she was falling... i..." he sobbed and you touched his back, trying to comfort him in some way. "it happened seven months ago and i still can't move on. i overwork myself as spiderman, forgetting about my normal life..." he chuckled. "in hopes that i can stop thinking about it for a second, but it's kinda impossible." and for the first time he looked in your eyes.
you could see the pain right in his soul, it's like you could read him like an open book, but there was a hint of pure love. he locked his eyes to yours and frowned, letting more tears fall.
"and it doesn't help the bare fucking minimum that you look exactly like her. from your eyes to your feet, you are her. so why here? why, out of the other many universes out there, it had to be mine?" the pain in his tone made you feel guilty.
you were taken aback by his words. speechless. you averted your gaze from his, but he was still looking at you.
"but you know... i'm kinda relieved now... i can finally feel you here after all. i know you're not her. you're not... mine... but please, let me hug you... that's the only thing i'm asking for now... please..." he mumbled, desperately. she was the one thing that kept him close to you again. he needed it for his life.
without thinking too much you pleaded. the sigh of pure relief he let out made you cry a bit. you could tell he needed it like it was oxygen. like this would make him live again.
mark touched every part of your body, trying to feel everything of you like it was the last time he could do it. your hair, your shoulders, your waist. he buried his face in the crook of your neck so he could smell your scent once again like it was some kind of aphrodisiac.
but then he pulled away from you, cupping your face in his hands, staring directly into your soul before moving his gaze to your lips, licking his own.
his mind was telling "that's not her", but how could he get it when she looks exactly like you? right in front of him once again. it's like... you've never been gone. he had you one more time, he couldn't let you go again...
"mark..." you whispered and he closed his eyes. having you calling his name again had his head spinning. you can't do it to me... please don't... "i'm not her... i don't wanna hurt you or... having you thinking i can replace her..." no one can ever replace her. "but..."
"would you... let me kiss you?" he wasn't thinking straight. she couldn't do it to him. to your memory, but... how could she deny it when he was asking so eagerly? so... passionate. so... needed.
"would it make you feel any better?" you ask, somehow feeling guilty.
"much better..." he mumbled, getting closer.
when your lips touched, you could feel mark melting right away. his body was eager and you could tell it was the best moment ever since... his loss. one of his hands remained on your cheek, caressing lovingly, while the other flew to your waist.
it was wrong. he couldn't be doing it. she wasn't you. but how could he do the right thing? was there even wrong or right? his mind kept on telling him one thing, but his heart was so happy to have you back. it wouldn't hurt any more to have a little piece of you again. even if you could never return to his life...
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Note
Could you write a Miguel O’Hara fic where Y/n finds a lost dog and Miguel is annoyed cause the dog is getting too much attention?
Spider pup
plot: you find a lost puppy and you take it home and you starts giving the puppy so much love and affection that your boyfriend get annoyed by it but after a fight with some guy goes awry someone is unexpected help him
A/N: first fic requested and Miguel O’Hara x reader so I may cause him to be a bit off character
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“Okay little one welcome to your new home “ you said as hold a cutest puppy ever during your normal walks in getting home from visiting a kid you were tutoring for their math when you spotted the puppy he looked so lost and no collar so when you took him to the vet to see if he was microchipped in case to contact the owner which there wasn’t so you decided to keep the little furry puppy to yourself and train little guy which you name her Jessica after the spider woman from the past . After all that you introduced her to your boyfriend Miguel O’Hara aka Spider-Man, A.I assistant and helper Lyla, which she personally adores the puppy right away but she returned to assist Spiderman in a battle with vulture. So you have to wait for him to get home to meet the puppy “can you keep a secret Jessica?” Your new pup perks her ears “ my boyfriend is Spider-Man and he is going to love you like you’re his own kid “ with that you gotten attacked by puppy kisses which you laugh with joy.
From the moment when Miguel came back from a rough fight with the vulture, all he wanted to do is to get his suit off and snuggle in bed with you. He heard the squeaky noise as he walked in the room causing him to look at a dog toy “what the-“ he was about to speak until a small dog runs up to him and pawing his leg . He was diffidently confused until rush out and picked up the puppy holding it close to you “hey Miguel” you kissed his cheeks “how was your fight?” After saying that he grimaced “it’s was fine I still got a few punches here and there “ he answered while staring at the pup “Y/N why is a puppy doing here?” You explain to him how you found the pup and decided to take care of her. “Plus I feel lonely at times” you admit to him which he sighs and he finally allows you to keep it shouldn’t be a bother right?
Miguel instantly regretted agreeing to keep the puppy after a couple of weeks why? Because you’re spending so much attention to Jessica that he starts feeling jealous towards the pup “why did I ever agree to keep that darn dog again?” He grumbles and lyla responds “ because you love her and the pup is adorable” he made a face at her as you walked in holding Jessica giving her lots of love and affection (even a mini spider suit) heck he couldn’t get intercourse with you without the interruptions from the pup. “Hey miggy , me and Jessica are going out for a walk” you told him “we will be back soon” he mumbles a okay as you left for a walk as Miguel is ready for his Spider-Man duties.
It’s wasn’t a hour after the walk with your new pup and went to take a nap, Jessica senses something was wrong, not that you were in danger but no she could tell something was wrong and like any normal young dog she went to investigate until she heard Lyla trying to get a hold on Miguel “ come on Miguel what’s happening there ?” Even though she is a dog and can’t understand what is happening her new dad was in trouble and she needs to find him to help. She sniffs certain things that Miguel wore the other day and recognizes his so she can fallow the scent as Jessica sneakily left the building without you or Lyla knowing.
Spider-Man is losing this fight of robbers and using enough of his skills that he has against the few but this one robber wasn’t giving up easily heck Miguel fang didn’t even have an effect on the guy which is kinda scary for him “lookie, lookie” that guy said with a disgusting grin as he picked up a exhausted spider man “I’m going to be the first one to destroy you spider man” as he about throw Miguel out of the building the robber dropped him on the floor as he screams in pain . “Something just bit my arse!!” Those word made Miguel look up and see what happened, what he saw was both funny and unexpected thing he saw, Jessica in that spider man dog costume biting the robber and barking /growling fearlessly at the man to save him “I got this “ he said as he finished the robber off and Jessica hops on to them giving them the scariest growl ever making Miguel smile underneath the mask “ I guess I was wrong about you little Jessica, you aren’t just someone stealing my girl heart away from me” picking up Jessica as police are about to come in to arrest the criminals “you helped me on a sticky situation , you are hero on this one spider pup” with that he holds the spider pup close to him not letting it fall out of his grasp as he and the spider pup return home
Back at home you woke up from your nap to hear nothing not a whimper from Jessica or any grumpy tired groan from Miguel which made you worried about them , you rushed into the living space where you stopped and see your Miguel sleeping in his spider suit unmasked but letting Jessica cuddle up next to him. That made you smile that both the pup and your boyfriend are finally getting along together.
~fin
a/n: my first ever request is done and I hope you all enjoyed reading this oh and also I leave you with this picture of cuteness
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bloopitynoot · 2 months ago
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Reading SVSSS: Chapter 6
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For those who don't know, I am reading SVSSS for the first time and sharing my thoughts!
If you have not read it, there will be spoilers! Consider this a warning.
Also- if you want to follow along, I am aiming to post updates daily. You can find all the posts in the tag bloopitynoot reads SVSSS. You can also check out the intro post for context on my read.
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Here we are on book 2!
I took a couple days off because my body was perishing (read: my uterus was being a little bitch) but I am back :D
Today's tea is an apple crumble with milk and sugar and my little reading buddy (Charlie) has returned for this chapter Extra Needy and sporting his new necktie.
Let's get into this long chapter:
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And we start three years later! I was wondering if there was going to be a time jump and there is! :) p9
Why is everyone so thirsty in this world RE: Ning YingYing p10
Oh dang. I really want to know what's making people melt into skeletons p13
Shen Qingqiu is such a vibe" I know I am physically useless, but i'm also a walking encyclopedia so I bring that to the party" p14 honestly same
So many corpses in the water!! p18
Oh shit, what the heck Wu Chen's legs? p22
RE: Wu Chen I did lol at "Great Master, you call this a bit uncomfortable?!" p 22
this totally feels more like a curse than a standard plague p24
why am I laughing so hard at "fuck me, with this speed, they wouldn't lose to a runner doing the 100-metre hurdles! 'Old Lady'? Yeah right! I must be blind!"p26
oooo! Gongyi Xiao is back! p28
Baby is back too!! Luo Binghe! pp29-31
omg and now there is a height difference! Shen qinqgiu being the smol one p32
Re: on the subject of thinking it was a curse like 15 pages ago, it is not a curse. I don't know why I thought it would be literally anything other than demons LOL this is the plot of the entire fictional universe of this book p37
Luo Binghe still only has eyes for Shen Qingqiu- even after being tossed into hell p38
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I truly love the inner monologue of Shen Qingqiu's thoughts vs what people just kind of assume he's feeling. SQQ: Luo Binghe has brainwashed these disciples, he is definitely coming for me, I am fucked. Everyone else: this poor man misses his student so much, he is so hurt that Luo Binghe didn't go back to him.
LOL at Luo Binghe's hatefire at seeing SQQ and Gongyi Xiao bonding together p42
I can't XD SQQ: I have a huge announcement guys, Luo Binghe is back!!!! Everyone else: who tf is that? RIP p44
no shit that demonic activity increasing in frequency is 100% indeed a bad omen. p47
I'm crying SQQ thinks Luo BInghe is about to kill him p48
not the magpie bridge reference p50
This man is just crushing his windpipe for funsies -> why do I feel like this is their dynamic? p50
SQQ is actually an idiot. This fool is continuously operating under the assumption that nothing in the story has changed and the original story is guaranteed. If he heard these words and responded appropriately he'd probably be fine RE: "Then why did you tell me not to put too much weight on race and that no one is intolerable to the heavens" p55
Goddamn is Luo Binghe just going to keep beating the shit out of SQQ?? pp57-59
He really made him drink his blood (side note: when this is all said and done, I need to read some vampire aus) What even is that blood going to do to him?? (do not actually tell me, I assume I will find out soonish) p59
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I am once again here to talk about how utterly Fucked SQQ is. He still has 0 idea that Luo Binghe has absolutely claimed him p65
Oh dang. Still, even after all this, SQQ has not shaken his original fate of being hated p69
Bro should have let Qi Qingyi finish that sentence. Re: out of his mind with grief" also probably would have changed some things (even if he was embarrassed as hell) p71
omg so much happening in this scene rn AND then Shen Qingqiu's ex shows up out of no where?!?!?!?!??!!? p73
this man truly cannot catch a break p75
holy shit not even his ex- his wife??????? p75
oop, we have SQQ backstory reveal p77
But also with this reveal: it's a little weird for her though. Like her family takes in this kid from the street, makes him a servant. He continues to serve them, his "family" starts to view him a sibling, AND THEN they get betrothed (not married). Like what. This is wild poor guy- weird because sibling dynamics, also he was their servant. I think she is the weird one honestly. p77
okay, well, he did kill her brother LOL p78
the water prison does not sound good. p81
he really wants to try and last a month there??? best of luck buddy, he cant even handle riding in a carriage without a snack p85
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Bonus picture with no notes!
I'm actually so excited for the water prison- it sounds vile, but I need to know how he get's out/how his relationship with Luo Binghe progresses.
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stargirlfeyre · 1 year ago
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Shit that Rhys gets hate for that never happened in the books or that are completely justified.
“Plotting to become High King.” Rhys has never stated that he wants to be High King and he’s actually said multiple times that he has no plans of becoming one. The idea was brought up by Amren and was shut down quickly by him. I don’t get why y’all are hating on him for it when he literally agrees with you?
“Trying to kill Nesta.” Sadly Rhys has never actually tried to kill Nesta. He threatened to (just like she threatened to kill her baby sister) but he has never done it and he even says that he would never hurt anyone Feyre loves. Quick question though. Nesta’s threat towards Feyre is excused with “she was just angry because her boundaries were being pushed” but why is that logic also not applied to Rhys? He was angry because his wife had a miscarriage thrown in her face. Yet these instances aren’t treated the same?
“Threatening to kill Nesta just because she told Feyre the truth.” The reason he threatened her was not simply because she told Feyre. It was because of how she told Feyre. She threw a dead child in her sister’s face (his child along with Feyre’s) and not only that but she blatantly lied to her sister and said everyone was just going to let her die in ignorance while knowing that that wasn’t true. If someone you cared about was told their child was going to die in the same manner that Nesta told Feyre would you be upset?
“Bullying Tamlin.” His bitch ass deserved it. What do you want me to say?
“Bullying Lucien.” He also deserves it. Seriously though what reason would Rhys have to like Lucien? He’s besties with the man who got his mother and sister killed, he’s the man who tried to force his mate back to her abuser, he’s the man who looked at Feyre with disgust for simply being a part of the IC. What reason do these two people have to like one another? Lucien disliking Rhys is fine but Rhys disliking him is bullying? Need I remind y’all that these are both two grown ass men?
“Forcing traumatized Priestess to work for him.” I didn’t even think people were dumb enough to hate on him for this but here we are. The library is not a prison for the priests who live there. It’s a sanctuary where they are taken to heal and they can leave whenever they are ready to. There are even counselors/therapists there to help them.
“Purposely keeping Nesta ignorant about her powers so he can control her.” If I remember correctly it was actually her who chose to refuse to learn about her abilities and it was her who threw a tantrum when they suggested that she starts learning again. The IC never forced Nesta to be powerless or under their control. She willingly refused to learn about her powers.
“Hating Nesta and abusing her because she didn’t bow to him.” I don’t even know how many times it’s said and shown that Rhys doesn’t enforce rank unless he absolutely has to. His own friends talk shit to him but you actually think he disliked Nesta because she did it? Maybe just maybe his dislike for her came from him watching her repeatedly hurt his wife? You can say he was wrong for defending Nesta against Feyre all you want but painting him out to be the bad guy for simply disliking a woman who hurt his wife is insanity.
Bonus: “Brainwashing Nesta to be happy with how everyone treated her.” This argument is just so unserious I don’t even know how to counter it😭.
“Degrading Azriel and forbidding him to see Elain and in the process taking away their choices.” This is just another instance where he was completely justified in his decision. You have to put yourself in his shoes for a second. One, he’s already stressed out because he thinks that his wife, child, and he himself are going to die and the last thing he needs is to be worried about losing an important ally over Elain and Azriel. Two, from his perspective it looks like Azriel just wanted to fuck Elain and he didn’t actually have feelings for her. “Well how could he not know that Azriel likes Elain” because as I stated before throughout Acosf his main priority was Feyre being pregnant and finding a way for her to survive it. Of course he’s not going to notice two people dancing around one another if he’s worried about his wife dying? A lot of you just forget that Rhys is also a High Lord who will put his people above everything (except for Feyre).
Ending it here even though I could go on and on about how delusional a lot of his antis are. This post would just be way too long.
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icarusbetide · 9 months ago
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why it's okay that hamilton the musical is terribly inaccurate
i'm feverish so none of this will make any sense, but i wanted to get it down somewhere before i lose all train of thought. a lot of hamilton the musical's discrepancies with the historical record make sense if you remind yourself that it's inherently meta. it's equally about our perception of these figures and their legacies than the figures themselves. not sure how much of that is deliberate - i would argue a fair amount, since the play is literally haunted by history. "history has its eyes on you", "history obliterates", "who lives who dies who tells your story". and that's going to bleed into their musical characterization and relationships. the musical exaggerates and caricatures them, and is self-aware of its tamperings. the way burr as a narrator expresses the same frustrations we feel, not being in the room where it happened. how it puts words into eliza's mouth and speculates that she burned the letters because of the reynolds pamphlet, and she wanted to keep it from us.
alexander hamilton was not jumpy, awkward, and incredibly abrasive in real life. he was all accounts charming, and apparently even aloof in certain situations. but his writing was aggressive, heavy-handed. we all know when that led to disaster. his written work aka his largest legacy informs the character we see.
same thing with burr. it's really funny because musical burr is so shy and quiet compared to his real-life counterpart who was charming, popular with the ladies, and very hilariously unhinged. but it makes sense. because when we think of burr, we think of a guy who doesn't believe in anything, who quietly slipped through the political parties, etc. and that's the personality he carries.
and that's why washington plays a different role in hamilton compared to washington in turn. we aren't supposed to get close to him, seeing his temper or his flaws. washington in the musical is always above everyone else, spectating. he's even in the background of "my shot", watching hamilton contemplatively before nodding and slipping away. obviously he wouldn't have been aware of hamilton during the new york pamphlet era; most likely he wasn't serving as a father figure during hamilton's wedding, fixing his collar. but historically, washington's quiet support did allow hamilton to move forward with his political goals - in the musical that bleeds into their personal relationship and physical staging. he's often looming over hamilton in some way. i'd even say that some people very convincely argue that in hamilton's perspective, washington is the most important person in the musical. he's the person hamilton is most often watching. and washington probably was the most important relationship hamilton cultivated.
probably the most egregious example would be jefferson, whose shy personality is not explored at all in the musical. but the cock-fighting, taunting, flamboyant jefferson next to hamilton on stage? that's their political, newspaper rivalry for sure. they have to be seen as equals, and in a musical format, that means jefferson needs to be hamilton's equal in rapping, fighting.
i mean, the entire plot follows the relationship of alexander and aaron burr over the years in a parallel doom situation. it's probably wildly inaccurate! burr wasn't hamilton's first friend, and though they did work together and were apparently on good terms for some time, i doubt burr lived his life obsessively following hamilton's career. but our understanding and speculation on their relationship is heavily influenced by their end - and so the musical versions of the characters seem pre-ordained to reach weehawken. burr has to be in hamilton's shadow, burr has to believe in hamilton's greatness more faithfully than any other character; their fates have to be tied together, because they are tied together in death. you'll never be able to separate alexander hamilton from aaron burr.
and musical burr knows that. he knows history obliterates, and the picture it will paint. hamilton's so much a play about how we try to rationalize/dig into these human people that we unfortunately will never really know. i still think there are flaws that weren't deliberate, but that's another story.
i'll probably elaborate/edit this later. it's already a shitton of run-on sentences lmaoo.
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destinygoldenstar · 7 months ago
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Ninjago Dragons Rising Season 2 - Is It Good Or Nah?
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So, I'm late to the party, aren't I?
Well I've had so much work that I think I'm having an existential crisis. So I had to wait till I had a free day to watch this season because I wanted to watch it with my GF.
We got to Episode 6, and then what did my boss do?
Slap me in the face with long work hours several days of the week.
I feel like I'm in a spiral of work after work after work with no purpose to life besides failure cause I can't trust myself to be capable at anything-
ANYWAY. We finished it now.
You know what the insane part about the season is? That it got the show trending on Tumblr.
That's an INSANE level of hype right there.
So I seriously had to ask myself "What the actual f**k happened in the show that caused THIS much hype?!"
So... here are my thoughts on the season.
SPOILER WARNING
Okay, so this may be a factor of my judgement, but due to my schedule, I was forced to watch only 6 Episodes one day, and then the last 4 Episodes today. Keep that in mind.
When it came to the first half of the season, was it good?
Yes. Obviously.
Was it living up to the insane level of hype?
Uh... not really for me??
Now, don't take that as a negative. This season is still REALLY good.
After the first season took awhile to get started as it needed to set up its characters and this new world, it makes sense for this season to throw the punches immediately.
The season gets started with its main plot right away with Ras immediately putting his plan into action, and by Episode 2, it's very clear the threat level he opposes and it's believable that we should be intimidated by what he wants.
Even though in Episode 2's fight, while AMAZINGLY choreographed, I was just screaming at the screen "HIT THE PERSON HOLDING THE GONG."
Like seriously, more than one of the characters in this fight can use projectiles with their powers AND they have a blaster in the Bounty, and the show never says that Ras has some sort of armor defense preventing him from getting blasted. He's literally standing out in the open. And the gong is clearly what's giving Cinder power. So HIT THE PERSON WITH THE GONG.
GOSH.
Anyway, that's not important. What's important is that this season's fight choreo is genuinely AMAZING. I am obsessed with the way the camera moves with the characters in these fights you have no idea. I was genuinely blown away by the last episode's fight in particular. But more on the ending later.
What also shocked me was how BRUTAL some of the stuff that happens here is, which caught me off guard.
I mean, Episode 2 has Euphrasia getting ambushed and crashed off the Cloud Kingdom with clear injuries, and Wyldfyre getting her leg SHATTERED. Like, WHAT?! HOW OFTEN DOES THAT HAPPEN?!! (Even though the latter's healing was unrealistic. Like, it would realistically take months for an injury like that to heal. Not a critique, just saying.)
Ras body slams Jordanna at one point. He puts Arin in a CHOKEHOLD. And also beats him up so brutally... like OMG this guy does not mess around.
The Fear Cave Trial also REALLY got me tripping. Not only was it such a visually appealing moment, but it also, as the same suggests, showed several character psyches that were insane.
Except Kai for some reason. That's gonna drive me NUTS until I get an answer. WHAT DID HE SEE-?!
Then we get to the dragon mentors, and...
Yeah the season kinda loses me in the middle.
Don't get me wrong, I love the character bits here as much as anyone. But with how dyer they made the threat of Ras before, Ras and his forces take a backseat in the middle portion of the season and we're mostly just sitting at these training grounds talking. And for four episodes of it? It's a little grating, even if it is important.
The middle is mostly where most of my issues with the season stand. And here's where I get all my negatives out of the way:
Like I said, because this season is so long, there's an awkward pause in the conflict on the dragons plotline to learn this Rising Dragon Technique. Which I wouldn't mind if it wasn't FOUR EPISODES of it.
With the exception of the attack at the Land of Lost Things ONCE, Ras's army doesn't go after the ninja at all. I can kinda get the dragons group since they didn't have Bonzle, but he has to know that they ARE a threat, right? They're obviously trying to figure out how to stop you.
And even with the group that has Bonzle, what they NEED, the forces that go after that group is the Administration and the one off magician man villain, the former really didn't need to be in this season even if it was for a compelling Jay cameo, and the latter has overstayed his welcome at this point and I just rolled my eyes when he showed up on screen.
I'm all for Cole being a badass as much as the next guy, but WHY this magician man, who at this point, is so disconnected with the main antagonistic forces that he serves no purpose?
Why not, I don't know, use this screen time instead to explain what in the world happened with Cole when he left?
Seriously, the first season had this huge cliffhanger with Cole's character and him going after Wu's ghost. I wonder what's gonna happen to him and what he's gonna find out-
Oh. He's just back.
That to me is a huge disappointment. What was the point of him leaving the Lost Family in the first place if this journey was basically nothing? He doesn't even talk about it! COME ON NOW.
Also I think Zane should get slay pass on the Administration guy that called him equipment. What do y'all think?
I don't like Egot. Or whatever his name was. He's very condescending and cryptic and talks down to his only hope of the world being saved. But I think I'm supposed to dislike him for it, and there's gonna be more of his characterization revealed later, so don't take this one as a critique. The female one is great though.
The sorceress lady was... a choice in the narrative. My one critique for the ending was the potion shenanigans. Not because they were bad, but because they just felt so out of place among everything else. Like, "Oh, this finale is too dark and intense! We need to occasionally cut to wacky shenanigans with this sorceress's magic to prevent kids from feeling too much dread!"
I don't know, for me, I would've placed this stuff with the Administration instead, and instead have the group fight Jordanna, lose, and have her get away and flow that to Arin getting to her. Especially since the Administration posed such little threat to them and they even say such.
(I also have a theory that this sorceress is Wyldfyre's birth mom. I have no evidence to back this up besides "They both have red hair and similar facial structure")
With Cloud Kingdom getting taken over and Euphrasia captured, I thought she would have more of a role to play in this since this is, you know, her HOME and she's their guardian.
But nope. She does next to nothing up until the very end and plays prisoner and waits for the ninja to save her.
For gosh sake girl, you're the master of wind. FLY.
And finally, my last critique, Cinder.
Yeah I'm sorry, I'm not buying this character so far. Not that I don't think he'll have anything to do in the second part, but for how threatening he was in Episode 2, that threat level kinda vanishes in the middle and only comes back at the end. He does next to nothing and we learn nothing about him other than "He likes power". Jordanna is probably more unlikeable, but at least she has conflict going on with Ras and her magic, and she still serves more of a role in the plan besides being a foot soldier.
And... yep. That's all my critiques for this season. Which all seem pretty minor.
You know what this season is real good at? Characters.
As though that wasn't obvious already.
I did NOT expect Bonzle to play any major role at all, I thought she was just gonna be the dry and cynical side character. But no. She has a history. She has a life. She has emotions. All of which REALLY shine through at the end when you hear her voice have more range in it. The VA killed it. I ended up feeling so bad for her.
Especially considering what happens to her.
They're also not even hiding it anymore with Geo x Cole. They're just NOT. I love them and I hope we see more of their relationship in the future.
I genuinely don't understand the critique of "Geo is so selfish referring to him as Cole's family when it's obvious Cole has other people in his life."
Well no shit, you ever heard of a character flaw?
But it's also a completely understandable flaw. You guys aren't forgetting the part where Geo was abandoned for being a mixed race, right? Of course he's gonna cling to someone as compassionate and encouraging as Cole.
The Jay cameo was nice. I expect him to play no role in this season, but it's really compelling what they showed and I was satisfied with it.
Lloyd's conflict was handled very well in my opinion.
What's it called when it's PTSD, but it's about future events rather than past events? Foresight Traumatic Stress Disorder? FTSD? Yeah let's go with that.
For a kids show that glosses over trauma, (That's not a Ninjago problem, that's a kids show problem), it was really refreshing for them to not do that for once. It's actually explored and talked about and Lloyd is given advice on how to cope with it, and he freezes up in panic attacks when these visions happen and-THANK YOU. THANK YOU FOR NOT IGNORING HOW HARD SOMETHING LIKE THIS IS.
Seriously, as someone who is going through stuff like this, minus the magic element, it spoke to me a lot. It really shows that this show grew up with me, and I both love and hate that.
I do think this sort of arc is going to hit hard for adults much more than kids.
Are kids constantly terrified of the future and getting paralyzed with these fears and finding it difficult to cope with the traumas that is time and human life?
No?
Kai is also a standout in this, especially towards the end. This is by far the best Kai has been in a long time in terms of quality. I love how one of his most significant flaws gets addressed here, that being his overreliance on himself and his own abilities over the others, who he feels responsible to protect.
And the way he grasps with that and learns to let loose like he did as a child back in the old days through what he loves the most, that being his family. And the flashbacks with him and his sister. And the whole sequence of him learning Rising Dragon - AUGH ITS SO GOOD.
How poetic is it that the character most devoted to family since childhood is only cocky and angry because of his own desire to be the one with power to keep them safe, gets power by letting that go, being a kid again, and joining the same roots as his own family?
AND THEN HE GIVES UP HIS LIFE FOR THEM-
And finally, Arin.
Oh you poor sweet, sweet child.
First of all, yes, I am completely subscribed to the theory that the show is building up Arin turning on the ninja and becoming a villain. It's all there. It all fits. The amount of times they say how sweet he is as though that's gonna get lost. The dragons, the creators of the world, the gods basically, telling him he's not good enough. Ras confronting him. Sora's stunt even after she's been the most encouraging of him, like the BETRAYAL there. It's all there. And I will be posting my theory scenario on this don't you worry.
BUT, I don't think that's the route they're gonna go. Kids show and all of that. They wouldn't do that to one of their main characters. Unless you're Star Wars. At most I think Arin will be tempted by Ras's master's power in an episode and even do it, but then with the power of love and friendship, it'll get fixed.
So instead I'd rather say that Arin, by far, has the BEST power crisis arc of the entire show so far.
I LOVE that he doesn't get powers. That's something the original show would've done. I LOVE that he doesn't figure anything out in the end and his inner doubts get proven correct. That's something the original show would not have the guts to do.
I liked Arin in the first season, but he didn't interest me too much. Mostly because Sora had the lion share of focus in the first season. Here though? He might just take the crown for THE most relatable character. And I both love and hate it so much.
Like, seeing everyone else succeed in mastery while you can't even figure out your own thing. You get told you have a natural talent and a lot of potential and that you're good at a lot of things, only for that to be put to the test in the real world and you end up letting everyone down. Even when your loved ones encourage you that you are good enough and you're special in your own way, you can't get those voices out of your head and you mess up again and again and again to try and meet the world's expectations. Then those in charge tell you you're not good enough and wasted potential. Then you try everything out in the real world anyway and you FAIL, and those that doubt you and your own insecurities get proven correct as you're left a broken mess of a young child who doesn't know what the hell they're doing-
I'M IN THIS SHOW AND I DON'T LIKE IT.
I probably love Sora more as a character, but I will admit I grasp towards Arin more right now. Sora's a great trans allegory in a world that hates trans people. But I'm not trans so I relate to it a bit less. Arin's a great autistic allegory in a world that doesn't know how to help autistic people. And I am autistic so I relate to it more. That's just a me situation.
I am so invested in where Arin's story goes from here. Evil or not.
So yeah, the season was good, but didn't completely live up to the insane hype, which, to be fair, is a high bar.
UNTIL THE LAST FOUR EPISODES.
And then all of a sudden, I AM SHOCKED AND SHAKEN TO MY CORE.
These last four episodes are an absolute emotional roller coaster that left me shaking and screaming the whole time.
I actually SCREAMED at multiple occasions.
I actually screamed so many times watching this that I am now HOARSE.
THAT'S how hard it hit me.
The story goes from 0 to 100 the moment the Blood Moon shows up. Which was what the whole season was building up to. And it did NOT disappoint.
The race to try and protect Bonzle. The intense visions and paralysis Lloyd suffers from. Ras and the army coming back to the plot to be absolute powerhouses. The last episode of DREAD the entire time to desperately try to stop this ritual.
HUMAN SACRIFICES?! AM I WATCHING A KIDS SHOW RIGHT NOW?!?!
I was begging for Arin to succeed at getting Bonzle to safety, even though I knew he stood no chance against Ras. "Come on Arin! You got this!! YOU GOT THIS, SWEETIE!!"
And then Ras just goes to TOWN on the poor boy and taunts his utter failure, which HURTS SO BAD MAN.
The entire fight with the army, Cinder, and Ras. The destruction of the mechs which knocks them unconscious for a bit. Kai figuring out Rising Dragon again when his family gets put in danger. The way Nya avenges her brother afterwards.
When Bonzle was getting morphed back into spell form, BEGGING, I was begging too.
But they still do it!
And KAI?!?!
I couldn't even process what happened other than me screaming. From the moment Ras alluded to sacrificing Kai against his consent, I was screaming "NO. DON'T DO IT."
AND THEN THEY SACRIFICE HIM.
LIKE HOLY GOSH THIS FINALE DID NOT MESS AROUND.
I predicted a while back, in the first season actually, that Kai was gonna get sacrificed at some point. Who's laughing now? I DID NOT WANT TO BE RIGHT.
Like, usually in Ninjago the character would be willing to sacrifice themselves for the others. But here? This is without Kai's consent at all. Ras might as well have killed him right here.
It definitely felt that way with the way the others react and BEG for his safety. The way Nya avenges him.
And Kai giving up his shot at escape for the sake of his family? BRO. WHYYYYYYYYYYYYYYYY
It hurts even more when you realize that when the Merge happened, Lloyd was ALONE thinking only he survived. He only gained hope again because of his reunion with Kai. His beloved surrogate brother!
AND NOW HE'S GONE.
NYA AND LLOYD LOST THEIR BROTHER.
WYLDFYRE LOST HER SURROGATE FATHER.
THEY THINK HE'S BASICALLY DEAD.
BRO. THAT'S SOUL CRUSHING.
And then Sora?! Why you gotta betray Arin like that?!
The most encouraging friend towards Arin, the person who held onto hope and praises for him the most, betrays that hope and doesn't trust him enough to get the winning blow himself. Then LIES about it.
GIRL. WHAT ARE YOU DOING?!
That's going to be SO compelling once that gets outed. Like, morally, that was messed up and she was definitely in the wrong, BUT it led to the best possible outcome for them at the moment. They WON because she did NOT believe in Arin's abilities. Which only proves that the doubts about Arin's said abilities are correct.
And I have a gut feeling she's gonna learn Spinjitsu on top of that. And once that happens... double ouch.
Again, Evil Arin Theory.
I really hate to say it, but this reminds way too much of Arcane. If you know what I'm talking about.
I am totally imagining a situation similar to that in my head, that being a rescue mission for Kai, they decide to leave Arin out of it because of the lack of faith in him, he tags along anyway and he ruins their plan and Kai stays trapped there, Lloyd and Sora lash out on him for it, and before they can apologize they get thrusted back by something and Ras and Ras's master find Arin and take him in-
Again, I'll make a post about that.
The finale was by far the best part of this season. It has been a long time since Ninjago has made me HOARSE from being too invested.
That has not happened to me since Sons of Garmadon.
Because, yeah, I actually have NO IDEA where any of this is headed. How are they gonna save Kai and Bonzle? Why did some of Lloyd's visions not come true? What in the world is going on with Ras? Will the Administration help with that? Will the source dragons help with that?
What I probably do know is that Part 2 of this season is going to turn this into the best Ninjago Product since Tournament of Elements. Maybe even top it depending on my rewatches if my problems are still problems.
So... yeah. Good or Nah? Good. Obviously.
The hype is a little overblown to me, but it still deserves the hype.
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bengiyo · 7 months ago
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23.5 Ep 9 Stray Thoughts
Last week, the gang went to the school to watch a meteor shower together with the understanding of the romance overtones involved. Ongsa spent most of the episode flubbing making a move on Sun, but they ended up getting a decent kiss under the stars. Aylin remains one of the best characters in romance because she didn’t need any cajoling to ask Luna to watch the meteor shower with her nor to confess her feelings. Mawin came so close to properly asking Tinh out, but got too nervous. Ton was rejected by Chaoren, and ended up giving me crumbs with Mawin (Euro can still win, guys). My teacher yuri dreams continued to burn bright.
Laying on the floor like this doesn’t exactly look comfortable, but is the kind of silliness I’ve walked in on lesbians doing before.
NAME OF THE SHOW MENTIONED. FINISH YOUR DRINKS.
Yes, tell the people about Theia. It’s a cool bit of planetary history.
Latte looks so hot in every scene. Please put this dog in the A/C.
Wow we’re getting right to a potential separation, thought a study abroad summer program doesn’t sound like it’s years-long.
Episode 9: When the Earth Tilts
Aylin trying to be more social with her family is actually quite adorable.
Oh good. We’re teaching Ongsa how to ride a bicycle first.
Thank you, Luna, for always keeping things clear with Aylin. These four are really fun together. Sun is so consistent about this not-hiding approach.
Not my favorite big boy feeling like he’s gotta lose a ton of weight to be appealing. Gay body issues start so young.
I feel for Alpha. She’s the oldest and her sister and cousin are going through things without telling her anything.
I hope the teacher hit Alpha with a Mama Sandwich. I haven’t seen one in years since The Fosters ended.
What is up with all these girls just running away from home?
American fried rice? I suddenly feel embarrassed.
I kinda wish we’d spent more time with Alpha before all of this.
I feel positively about Luna helping Aylin have more social connections with the people in her life.
Get his ass, Aylin! Ton should learn to read when people don’t want to be bothered with his shit.
Did they want to do the Alpha plot earlier to make this scene with Sun land?
Okay, the towel drop was a nice touch. As with everything with the mains, I don’t think we got here smoothly, but I enjoyed the moment.
This show is so awkward. I’m not sure what’s going on and why it feels so off every week. I like individual moments but I have a hard time reflecting on this show and remembering things that occurred in the order in which they happened.
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writingquestionsanswered · 7 months ago
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Trouble with Act III and Villain Motivation
feelingthedisaster asked: I have some issues with my current WIP. The basics are: a guy wants to be a "soldier" (not exactly, but I won't get into worldbuilding), but because he's an outcast he's blamed for the theft of an object that goes missing. He learns about a witch who can help him find the object and they go on a mission to find it, but he learns it was the witch who stole it because she was bored and accepted the job to hang out with people. Here are my concerns:
[Ask edited for length]
Issue #1 - I feel the witch's motivation is not strong enough. There is backstory explaining her loneliness and wanting to have friends, but stealing an object to go on a bogus mission and hang out with someone doesn't feel realistic.
You could definitely go a little bit further to bolster this motivation. Since you mention using Save the Cat!, and since the witch sounds like she might be a redeemable villain, have you considered. her "shard of glass" (psychological wound) that's driving her? What happened in her past that makes her feel like she isn't worthy of making friends in the usual way? Fleshing that out and building upon it creates a little more logic to why she would go so far out of her way just to get some companionship.
Issue #2 - My plot sucks. Act I - the solider gets kicked out, Act II - he and the witch go on the bogus mission and he finds out she's the true thief, Act III - I have no idea. It feels shitty, boring, and I wouldn't want to read this. Honestly, I just want to write my characters and made up plot so it would make sense, but I don't like the plot.
Well, looking at Save the Cat!, in Act III you need to solve the problems created in Act II. In other words, we need to look back at your story's midpoint... what was the false victory or false defeat? How did things get progressively worse or progressively better for the hero after that? In what way was the hero pushed to rock bottom? Based on what you've laid out for me, I feel like a good route to go (if you haven't already) is for there to be a false victory toward the end of Act II, perhaps where the witch--sensing that the hero is losing faith in her ability to help him find the object--tells him they're really close. They've almost got it. Then, as the "bad guys close in" moment, maybe (because they've grown close), she admits that she was the one who stole the object in the first place and promises to take him to it. But... ALL IS LOST! They get to where she'd hidden the object and it's gone! Now neither one of them have the object! At the end of Act II is the hero's "dark night of the soul" where he has to contemplate everything that's happened so far... getting kicked out, finding the witch and trusting her to lead him to the object, growing close to the witch, being betrayed by the witch (she's the true thief). And maybe he even really hurts her feelings by ditching her because he's so mad. This guy has hit rock bottom...
So, your "Break into III" is the moment where your character realizes what he must do to fix everything... First, realizing he can sympathize with the witch and forgive her, he must find her and accept her apology and apologize to her, too. Next, he figures out what happened to the object and how they can get it back. And finally, he realizes how he can get accepted back into whatever he was kicked out of without causing problems for the witch. So, Act III will be him realizing all of this, finding the witch, convincing her to listen to his apology and accepting her apology, telling her what he figured out about who stole the object from her--and how they can get it back, strategizing that plan, executing that plan, facing off against whoever took the object from the witch and getting it back once and for all, then returning the object to its rightful owners and proving that he didn't steal the object. (And, maybe they can blame whoever stole it from the witch to keep the witch from getting into trouble?) And then maybe the hero gets reinstated, or maybe he chooses to go off with the witch on more adventures. It's up to you. And it doesn't have to be any of this exactly, but hopefully it gives you some ideas for what else you can do.
I want to change the entire plot but I don't know how. On top of everything else, my chapters are short.
Well, hopefully now that I've shown you how much more your second and third acts can be, you won't need to change your plot. I think you already have everything here for a great story. You just needed to flesh things out a little bit more. Hopefully this helps you get there.
As far as your short chapters, I just answered another ask about that. Chapters are either a single scene or a group of 2-3 related scenes. So, when your chapters are too short, it's usually because your scenes aren't accomplishing everything they need to. This post goes into detail about that, so hopefully that will help!
Happy writing!
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lurkingshan · 1 year ago
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Did you go into I Feel You Linger In The Air with a lot of expectations? Personally I'm a huge fan of Nonkul so when the cast was announced I was quite livid and my expectations raised a lot when the pilot trailer was dropped but Dee Hup House followed that pilot trailer with Step By Step, Show Me Love and Hidden Agenda so by the time IFYLITA aired, I felt like I had to try minimizing my expectations as much as possible because it's Tee Bundit & co. I can't quite put into words but what about IFYLITA that makes each episode builds up so well and I never really feel like it lost its pace? plot? narrative? (except for maybe a few plot threads I could overlook). What do you think Shan? What do you think are the key elements that keeps IFYLITA's narrative so engaging even though this could have been like any other modern-guy-accidentally-time-traveled-to-the-past-to-fall-in-love-with-guy-from-the-past series?
My friends can attest, I went into I Feel You Linger in the Air with unreasonably high expectations, because I fucking love historicals and time travel romances and before this year we had precious little of either from Thailand. I was so hype for this project from the moment it was announced. And then Step by Step happened and I decided to willfully ignore the Dee Hup House and Tee Bundit parts of this project in order to stay hype. Surely, it would be fine!
And it has, mostly. I can't pretend we haven't seen some Tee Bundit hallmarks in this production. For the first half of the show, he seemed pretty uninterested in the romance, focusing most of the story time on building out the side characters and the politics of the period and leaving Jom and Yai's connection underdeveloped. He has given us almost no information on the time travel mythology, so the finale will either be jam packed with last minute exposition or leave Jom/us with no real understanding of the rules of this universe. He seemed unable to figure out how to make the romance and time travel and queer politics plots co-exist, so instead he kind of chunked them out, taking them one at a time and leading to some kinks in the pacing of each given plot. He spent a lot of time very carefully building serious conflicts only to hand wave them away in one very easy denouement.
But despite all that, this show just works, doesn't it? Usually when I am picking up this many structural issues in a show, I will lose my emotional connection to the story as my brain kicks into analytical mode. But that didn't happen here. The emotions of this story stuck with me throughout; I care about all the characters, I am invested in everyone getting what they deserve, and I was sobbing my little heart out last week as Jom and Yai said their long goodbye. It's been such a beautiful journey, if imperfect, and I credit that to a few things:
Writing aside, the other aspects of this production are all around phenomenal. The cinematography, the set and costume design, the lighting, the music. It's all working together to make this time and place feel so vivid and real. It's so gorgeous to look at and the show really makes you want to just sink into it and get immersed.
Bright and Nonkul were perfectly cast in this, and they have been absolutely killing it in these roles. Jom and Yai feel so real to me, both as individuals and as a pair. I really believe in their connection, which is no small thing given the aforementioned underwriting of its development. In a story like this the romance needs to be strong enough that you believe these two would seek each other out across time and space, and I do believe it for them. A lot of that can be credited to the remarkable chemistry these two performers have built together.
The non-romance aspects of the plot are actually compelling. It's always risky to add in a bunch of side stories to a simple romance; you risk distracting from the main story in a way that actually does some damage or leaves the audience bored or confused. But here, the choices about what to add made for a compelling cast of characters, a stronger tie to real history, and an all around more queer show. I love that we got a proper lesbian romance, that we got to see an oppressed woman come into her power, that we got a het dude learning how to be an ally, and that we got to see a queer community form around and bolster Yai and Jom. It's really special and the best of what Tee's interests can lead to when he marshals them well.
So yes, I do think this show stands apart from others in this genre for what it brought to the formula that feels new and fresh. I wish it was more widely accessible because it's truly one of the most beautiful dramas I have ever seen and easily one of the best Thai shows of the year.
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artist-issues · 8 months ago
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Been a while since we've heard, how did your readthrough of the Harry Potter books go?
Hey! Ho! I forgot to update on that didn't I? My bad!
I haven't worked out all my feelings about it! The last book was so...odd. I felt frustrated through the whole thing. Most of the books felt like you were waiting to figure stuff out—the main characters would try to get information and solve problems and fail or cause more problems in the process, but there was usually some secondary goal they consistently had hope in. Like, maybe Harry Potter can't figure out who's trying to kill him, and has constant setbacks in that. BUT, their secondary goal, winning the Tri-Wizard Cup, is usually...hopeful. They're usually doing well with one of their two main goals, and then the climax happens, and they lose something important, but ultimately ene on a hopeful note. You know, Harry wins the Tri-Wizard Cup, but Voldemort's back and Cedric is dead, that sort of thing.
But. In the conclusion of the series, it felt like the main characters were getting nowhere, in their primary goals AND their secondary goals, for so long. Then the ending, the pacing of it all, felt rushed. And I didn't love the plot device of the Elder Wand, or how in the climax of the book, when Harry is fighting Voldemort, they stop to have like a twenty-minute conversation about all the exposition the reader needs to know to understand how Harry is about to beat him—and Harry was basically insufferable for the whole book.
that was my initial impression. It might age better if I go back and re-read. I definitely like some of the Messianic notes of Harry dying for everybody—then picking his life back up again to defeat the bad guy once and for all.
and they killed Lupin. Which. He's my favorite I thought he had the most interesting "character arc" of any of the adult characters. It seemed like his biggest fear was inadequacy as a father, heightened by the fact that he's a werewolf, so he thought he'd make his son's life harder and more shameful by even being alive...so as part of that interesting character flaw, Lupin tries to kamikaze by going on the run with Harry. Then he goes back and resolves to live with his wife (who he wrestles with the safety of loving) and child (same wrestling match) because being present as a father and husband is the right thing to do, regardless of how difficult it is for you.
And then he dies anyway.
So it's like. What the heck was the point of that? Makes the lesson he, as a character, was teaching, hollow. Like "Living as a good father is harder than dying a martyr—but I'm dead, so I don't have to worry about that, I guess the thought was what counted."
And people will say to me "nooo he was willing to take risks and sacrifice! He sacrificed his life! To make a better world for his son!"
Yeah okay but we already had self-sacrificial love impacting an orphan's life through the death of parents in the main character. Lily and James Potter did that. Already got that lesson. Now tell a story about how just going on and living your life for someone, say to day, especially when it's hard and they might not thank you for it, is also self-sacrificial. I thought that was the mini-story Lupin's character was telling, on the side of the main plot. But then no, Rowling just repeats herself. She just starts an interesting thing and then finishes it in the least-interesting way.
I feel like one of the basics of storytelling is "create a character that needs to learn something. Then put them through the hardest circumstances so that they're forced to change into what they need to learn." Dying in battle was not Lupin's hardest circumstance. You know what would've been? Killing Tonks, his wife, so that he's forced to raise their son alone and still stay—or keeping them both alive, but Lupin's curse is worse than ever after the battle. Or just simply keeping them both alive, and putting a little nod in the epilogue to how Harry's kids defend Lupin's son from bullies, and it's hinted at that society still doesn't accept werewolves and their lives aren't perfect, but they're all sticking around for each other.
I mean you don't even get to have Tonks react to Lupin's death. And the only Weasley that was killed was one of the twins—don't get me wrong, that's still horrible. But if you're trying to make a point about the losses of war, kill a character who is one-of-a-kind to the audience...not one-of-two.
Also, the thing with Snape and Lily didn't hit. Haven't analyzed why, yet. There's something to be learned about showing and telling there. I mean, what the author showed me for seven books was a mean and nasty man who loved nothing. I experienced it with Harry. I tasted the sting of the insults and the cruel remarks and the unfairness. For seven books. You know what's less powerful? A handful of pages quickly info-dumping the idea that no, he was in love and acting out of unrequited love all along. Like anti-heroic Snape is a compelling idea to be told about, but it's not nearly as strong as the experience of being shown villainous Snape, moment by moment, book by book.
Same thing with Dumbledore's emotional reveal of his own history. Like. Okay. But you only just now told me I should care about Dumbledore's family, in the last half of the last book. I don't feel as badly about him and his family as I would've if you'd slowly shown me who they were, even in memory, for the last seven books—like she did super well with Lily and James and Sirius.
anyway. Those are my half-baked thoughts. I was also...running a super high fever and reading the last few chapters at 1 in the morning, at the time. So they're super underdone thoughts. Thanks for asking!
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mulders-too-large-shirt · 1 month ago
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s4 episode 18 thoughts
although i tend to care less about episodes that center upon aliens, i found myself intrigued by this episode and constantly wondering what was going to happen next- which i would take to be the mark of a successful episode! when we can get some big plot gears moving AND insightful character analysis, i'm gonna be sat
there were a few moments in particular that made me lose my MIND. you will see what i mean.
but let's return to the me from a few hours ago, who did not know what was coming, and was writing live on the scene:
we’re BACK. after a pause of… however many days??? 4, maybe? too many. i will need the little recap they stick on the second half of the two parters this time. and just to be safe, i’ll go over my notes again, too.
okay, i’m refreshed. there was diving, there was pendrell, there was a guy named frish who i still don’t trust.
reading the episode description… mulder getting placed under arrest… fork spotted in kitchen. let us resume.
the recap reminds us that somebody stole a bunch of watches, mustache man was spray painting one of the bodies from the plane crash (?) and then he burst into the bar where frish and scully were hanging out. and you may recall, that Things Went Down.
but now we begin with the new events.
mulder in the lake…. damn, filming that had to be awful. he is being approached underwater!!! by two divers…. he seems to have narrowly escaped them
oh they are looking for HIM, it appears. at first, i thought they were alien divers coming for their lost comrade. not sure if the aliens understand solidarity like we do. each time one of 'em dies they seem to just... leave their body on earth.
here we see a sad man in a wetsuit (mulder) being caught by a jeep. despite racing a moving vehicle and therefore being destined to lose, he gives it his best go. only to be arrested!
how undignified, to be arrested in a dive suit…
(intro time)
hey- the intro was different again!! don’t think i didn’t notice…
(they must have a version that is a few seconds shorter that they bust out for the really jam-packed episodes, because by this point i am not surprised by it, but it still is jarring that the typical rhythm is broken up)
back to the bar with scully, pendrell, frish, and mustache man. 
it appears that pendrell was shot in the chest, which is not promising. scully tells him she will be right back as she makes a break for the mustache man.
but where did he GO?!?!? how did he get away!! he was dripping blood!!!
(is HE an alien???? we may never know)
the police roll up and scully flashes her badge to them as they arrive late and confused as per usual!! smh!!!
a guy from the EMT squad is telling people to let scully through the crowded bar, and i appreciate him for that. we need more people advocating for her. it is hard to be a genius and also small.
AWWWW pendrell no... oh sweet scully :( she’s trying to stop the bleeding and she keeps saying he’s going to be okay and “we still haven’t celebrated my birthday, pendrell, i’m not gonna let you off the hook like this” <- the way she was trying to comfort him and give him hope is going to make me cry
(i know he’s busy dying, but it also must be insane to watch the woman you have a crush on shoving towels into your gaping bullet hole wound while she is covered in your blood. might need to try that sometime if the chance ever comes)
and he smiles because he’s down bad. but at least he smiles.
she says he has a puncture in his right lung. which sounds very bad. but she tells the EMT he’s FBI and will NOT die. i wonder if she believes that, and that is her Firm Doctor Opinion, or if she is just saying that because she knows he can hear
BUT NO!! scully!!! her nose is bleeding :(((( she looks very scared...
(are her nosebleeds stress induced? is that even possible? i mean, all things considered, it's not the wildest plot point to take place on this show)
despite being scared, she goes back to frish, who is still waiting at the table, and gets down to business. if he didn’t tell his girlfriend he was in DC, that means there’s someone inside, she says. wiping the blood off of her face and saying that like she didn’t just have to shoot someone and save her coworker. damn. she is very good at pretending to be made of steel.
they’re taking pendrell away and skinner arrived. skinner!!!
she is still covered in blood and she is asking him why wasn’t there someone to escort frish!!! that order was cancelled because frish is being put under military arrest for suspicion of murder and false testimony in a federal investigation! ohhhh!
(tbh, i don’t know what the difference between regular and military arrest is except for that maybe military arrest means you were in the military. that’s my best guess. follow for more educated guesses ❤️)
anyway, scully is gagged by this!!! and rightfully so. now, i still don’t trust frish, but it does seem like someone is trying to censor him because he can attest to the government’s crimes. hmm….
and skinner says that this comes from high up in the government, who also put mulder under military arrest!!
(well, there goes my theory on what "military arrest" means!)
scully is very pissed as she explains that the military SHOT THAT PLANE DOWN. and skinner says they admitted as much!!!! omg why????
they’re having this sort of face off, until skinner notices the bloody tissue in her hand, and asks if she is alright
(STOP. STOP I’LL CRY??? god, whenever skinner interacts with them tenderly.... i will fall to my KNEES with emotion when they care about each other)
oh my GODDDDD. wait you have to hear about this next part.
(grabbing her hand and looking at the bloody tissue, then into her eyes) “i have a responsibility for the safety of the agents under my supervision, agent scully. i’m not going to put another agent’s life in jeopardy just to keep her out in the field” 
WAHHHHHHH... HE CARES ABOUT HER AND SHE IS TRYING TO KEEP WORKING AND NOT THINK ABOUT HER SICKNESS, BECAUSE TO THINK ABOUT IT WOULD MAKE IT REAL... BUT SHE NEEDS TO TAKE CARE OF HERSELF, AND HOW DO YOU MAKE SOMEONE TAKE CARE OF THEMSELVES WHEN THEY FEEL HARDWIRED TO TAKE CARE OF OTHERS??? AND WHEN THEY HAVE WORKED SO HARD TO BUILD THIS FACADE OF BEING OKAY AT ALL TIMES?
the doctor needing the caring is always going to get me. a thankless task it is, to tend to the dead and dying, and how much more awful it must feel to her knowing the limitations of medicine
she has tears in her eyes and assures him she’s okay, but skinner has banished her to the hospital with pendrell. "thank you skinner", we all say in unison.
stop. stop. skinner :( he loves them both…. and she needs to rest :(
cutscene NOT TO HER IN THE HOSPITAL but to her at an air force reserve installation finding mulder 
GIRL HE CAN BE OKAY!!!! YOU NEED TO GO TO A DOCTOR PLEASE!!! 🙏 HE GOT HIMSELF INTO THIS MESS LET HIM GET HIMSELF OUT WHILE YOU GO TAKE A NAP
“mulder.” “hi, scully. you come to spring me from the joint?” <- he’s such a fucking loser (said with love)
is that all it takes to get someone out of military arrest? the bestie rolling up? damn. i thought it would be a lot harder than that.
so the military confessed to being responsible for the crash. that's surprising.
and oh my god, he’s getting undressed. just right then and there with her right in front of him. you see, at first i thought he was just unbuttoning his weird military arrest shirt, because maybe he was hot, but then scully turned around like they have done this a million times before (and they probably have) as he unzipped his pants. i’m taken aback by the intimacy of such an act. 
doing all of this while arguing, btw. deeply impressive.
they are so married. it's not even funny. not even just married. some weird soul tying thing is going on there.
the military is claiming that there were faulty coordinates given to the flight that had max on it. and they were the only two planes on the screen. 
and i appreciate them spelling this cover story out for us very clearly, because i was playing mental ping-pong trying to keep track of the amount of crash sites and planes last episode.
this cover story lays the blame on the man who was working with frish, who allegedly ended his own life- convenient to lay the blame on a dead man- and it also posits that frish lied to save himself, and came to the FBI to blame the military. 
hmm. it’s a cover story, alright. not even sure if it’s a good one, but it sure is a cover story.
the military is claiming the second plane that crashed into flight 459 was military, but then mulder reveals he has burns on his head that scully quickly realizes are from radiation!! he got them while he was underwater looking for the mystery craft!! this does NOT seem like a feature that the US military would want to have in their planes.
ooookay, so he says it was a UFO (well, we did see a little alien in there, may he rest in peace) that collided with flight 549- and when the military shot the UFO down, the passenger plane went with it.
see, this makes sense to me now. thank you for making it incredibly clear!!
plane man gets a name reveal!!! his name is mike millar. scully points out that he says there was no evidence of a collision, and while he could be lying, he seems to be the only one that really wants to know what actually went down. 
plane guy. i have called you this for a whole episode. and now, you have become plane guy mike. it would have been nice to know that last time, but we cannot change the past, a fact i struggle with daily.
and mike went to scully to tell her about finding sharon wandering about the crash site!! he didn't have to do that. so it adds more evidence to the "he seems to genuinely want to know what happened" camp
mulder asks, he found sharon, max’s sister? but PLOT TWIST: she’s NOT his sister??
maybe it’s a “blood siblings” sort of thing??? swearing loyalty? found family? because lying about being someone's sibling feels odd. there has to be some sort of story there.
well, whatever their dynamic may have been, here is what we know about sharon: she is an unemployed aeronautical engineer who has spent time in and out of mental institutions. WHERE SHE MET MAX!!!
omg….. the truth raises only more questions…
NO!!! scully tells mulder that pendrell is dead. oh my god. she did the best to make him smile right before he died…
scully, you are the best friend in all the world. i have said this many times before, but it still bears repeating.
mulder is shocked and grabs her shoulder, asking how pendrell died. she explains he was shot by mustache man, who was aiming for frish
“mulder, what are these people dying for? is it for the truth or for the lies?” <- i love her Need to be righteous and stand for the truth, even though she lives in a terrible and corrupt world, and how it drives her, how it vexes her to live in such a lawless place, but how her own moral compass keeps her oriented
he says it has to be the truth they’re dying for, and they owe it to those who died to find it out. damn. if that isn’t his whole life in a sentence.
they go to max’s trailer, where i recall mulder tenderly holding him through a seizure a few seasons back.
(i didn't even pick up on the fact that we had seen max before last episode. my b.)
scully hates his trailer LMAO “i remember being amazed at what some people will call a home” <- ohhh she wants a nice, comfy place to live... write that down, write that down
she presses a button and some music starts playing and then says “i think you were actually kindred spirits in some deep, strange way” “what do you mean?” “men with spartan lives, simple in their creature comforts, if only to allow for the complexity of their passions” <- OHHH you better analyze him!!! read him like a BOOK!!!
mulder wants to find whatever it is max wanted to tell him so badly, badly enough to get on the plane even though he knew it was dangerous. this seems like a reasonable thing to be searching for in such conditions.
they find a tape of max recounting his life story, how no one believes you when you’re an alien abductee, and how he wants to expose the people who have recovered the UFOs in the military and the FBI. and they’re using the alien tech in military operations!!! which is crazy.
we see the military taking pieces of the craft from the lake AND AN ALIEN BODY!! MANY ALIEN BODIES!!!!!!
and guys passed out and throwing up from all the radiation!!!
(musical flourish) IT’S GONNA BE CSM, RIGHT? 
NO!!!! it was mustache man!!!! maybe they went to high school together.
mustache man is just straight up watching this dude die but announces “we found it” as if that answers any and all questions
plane guy mike is working to identify the bodies from the crash of the flight, and announces they really cannot find any other evidence to figure out what happened. he asks his team to please wrap up tonight and then go home. 
plane guy seems nice… i know his ass is gonna die.
(author's note: rejoice!!! he might have made it!!!!!)
mulder and scully are here to talk to him!!!!!!! actually, plane guy mike called THEM!! he wanted to say thank you for the lead that it was the military’s fault. but he has no other ideas on what could have gone down.
WELL! mulder is going to tell him his story.
mulder thinks that max was followed by someone who wanted whatever he had on him. and what was the object? proof of the existence of aliens!!
(now what type of object could that be....?)
(plane guy mike glances back at scully) (she looks at him and raises her eyebrows as if to say “yeah, i know”)
then, mulder thinks that the flight was taken over by a craft that never appeared on any of the radars (because it was a UFO and clearly they don’t show up on radars)
((wait, they definitely have before in the past… well. i guess they didn’t this time. i'm sure there are plenty of different alien species with varying technological skillsets))
if all had gone to plan, the UFO would have taken Max right from the flight.... but the third plane shot the UFO down, and since the UFO had control of flight 459, it went down along with the UFO!
we then see max getting taken out by the aliens…… while time stands still and everyone on the flight watches. it is very creepy. 
he thinks that had the military plane not shot the UFO down, everyone on flight 459 would have had their memories wiped and no one would have known that max was ever abducted!
but the missile hit, and (plane crash scenes) (incredibly horrifying plane crash scenes) (people just keep falling and falling and someone is saying a prayer)
(quite upsetting to watch this, actually)
but back to the modern day. awaiting a plane guy mike reaction to such an outrageous tale.
plane guy says that even if it WAS true, they can’t prove it. damn. just can't get a read on this fellow.
scully says that while she had the same reaction, there is something that needs to be explained: the seats and the door showed traces of radioactivity!!!!!
woaaaaah… plane guy, you didn't find anything radioactive in the crash, did you?
surprise! he did find something from the wreckage that had some radioactivity… and he pulls it out… it’s max’s bag!!! it has his hat in it!!!! but seemingly nothing else beyond the hat.
plane guy says he has to write his final report, and that basically mulder is crazy, and goodnight.
ohhhh, said about the deaths of pendrell and max: “and if we don’t find out, what meaning do their deaths have, or their lives?”
sighs. the pressure these two put upon themselves to right every single wrong in the entire world. they mean well, but they cannot fix everything, and this will only disappoint them.
mulder proposes starting their renewed quest for answers with sharon, who is in a mental institution. he says he’d go with scully to find her, but he’s afraid they would lock him up, and she jokes “me too”. and i’m thinking, girlie needs to get to the hospital!!! now!!! mulder, YOU go!!!
(i think we were supposed to understand that scully DID, in fact, go to the hospital with pendrell, where she got checked out and learned of his death- we just didn't see it onscreen. however, as i was watching, i wasn't really processing what they were trying to say and was instead in "someone help scully" mode, which explains a lot of my thinking at almost all times)
but no, rather than going to the mental hospital to ask sharon some questions and letting scully rest, he instead goes back to max’s trailer, where he finds things all torn apart and scattered. someone must have broken in!!!! omg these bastards!!!
the trailer park manager asks what he’s doing here and mulder has to break the news that max is dead…. and the manager is deeply sad, but also (very practically) asks what he should do with his mail. 
WOAH!!! in the back of the video where max was talking about himself, you can see sharon!!! it looks like she was the one filming!!
mulder has max's mail…. and he is opening it. can you open a dead guy’s mail? maybe if you’re in the FBI?? it has this sort of badge thing with numbers on it.
(this was later revealed to be a luggage tag, or perhaps the writers and prop team expected people to immediately recognize its purpose. but i didn't. and you know i require honesty when recounting these things)
scully is here to visit sharon, who is sitting up on her bed in the night. a little spooky of her. and she immediately confesses to not being max’s sister. 
scully sees she is covered in blisters like max was!! so they were exposed to something… something sharon stole….
she stole something radioactive from her job!!! but what was it??? and how do you even DO that??
allegedly, it was alien tech. that was divided into three parts. but where is the third one???
that piece with the numbers on it was a luggage ticket!!! so mulder is taking it to find the bag, and presumably the radioactive part within.
but who arrives after him, but some people in suits!!! watching him take max's bag! and beginning to chase after mulder!
he uses the federal agent card to get out of there, which i fully support, and scully calls to tell him that this mystery thing was stolen from a military contractor. and i’m thinking, TELL HIM NOT TO OPEN IT, PLEASE
and she’s trying to tell him this, but the cell signal is breaking up!!!! PLEASE DO NOT OPEN IT BRO. it looks like he is about to, but he sees it a little through an x ray instead. PHEW!
scully says this must be high tech industrial espionage… which would be fascinating. but i don't think that is what is going on here.
and mulder’s getting on the plane with the mystery object!! BE CAREFUL- THEY’LL GET YOU!!
NOOOOO, MUSTACHE MAN IS ON THE PLANE!!!
did he regenerate the parts of him that were shot or something???!!!
mulder is sleeping on the plane…. mustache man comes to sit next to him…. and he sees that he has a gunshot wound on his leg… ah, so no regeneration
mulder clocks his nonsense very quickly, and says he has a weapon pointed at him!!
“what if you miss?” “i won’t” <- LMAOOO king has been practicing in the range!!!
but mustache man says he’ll depressurize the plane at 30,000 feet and jump away on a parachute. rude as hell. 
mulder guesses that it is perhaps alien energy in the bag he carries that so many people had to die for… and he tells mustache man to get to the back of the plane, NOW, so he can be exiled to the bathroom 
he calls scully from the plane (you can do that???) and tells her that he has the man who shot pendrell locked up!! and can she please give skinner a head’s up to get to the airport? thank you
“hey scully?” my watch just stopped” (he drops the phone and runs) “mulder? mulder?!” <- oh the DESPERATION in her voice…
he is always dropping calls and running, leaving her to yell with worry on the phone. we need to train him to stop doing this. in fact, the one time he did not do this was when he was on the phone with scully's mother, and it was remarkable for how much effort it probably took
mulder tells the flight attendant that the flight is about to be boarded, but mustache man comes out with his gun!!! saying to put the bag down NOW!! all the passengers are shocked to see this happening.
so he does set the bag down… and then the plane is rumbling… and the lights….. the UFO!!!! everyone is screaming!!!! 
mulder pulls a gun on mustache man as the door starts to get blown off, just like he thought it happened to max. and then everything is very very quiet…..
scully and skinner are RUNNING to the plane as the people disembark. 
and mustache man isn’t there anymore!! and his watch is off!!!! omggggg!!!
the alirans got him!!!
he seemed like a dick so no real loss on that end. but i'm sad mulder cannot use that mystery part to prove they exist.
although, it seems that claiming "it's just super advanced tech from (insert country that is not the USA here)" would be the government's first move. not sure how much the actual object would have helped if they had that trusty excuse hanging in their back pockets.
“would you like to tell me what’s going on here, agent mulder?”, asks skinner (scully intercepts) “i don’t think you want to know the answer” 
skinner looks very very confused. my poor guy.
back to the video of max, where he is talking about the secrets the government is keeping. sharon is watching it. WITH SCULLY AND MULDER!!! my besties :)
she asks if she can keep the tapes and he says yes, she should start a collection of all of max's things
when sharon mentions that scully also lost someone very close to her, she has to leave the trailer…. and mulder follows behind in his white sneakers
“you thinking about pendrell?” “i realized i didn’t even know his first name” <- OUCH. queen please do not feel guilt over this, because that is just how having coworkers is.
but she was really thinking about HER BIRTHDAY GIFT FROM MULDER??? OMG?? she’s looking at it and smiling
wait, this next monologue NEEDS to be copied down….
“you never got to tell me why you gave it to me, or what it means, but i think i know. i think that you appreciate that there are extraordinary men and women and extraordinary moments when history leaps forward on the backs of these individuals… that what can be imagined can be achieved… that you must dare to dream… but that there’s no substitute for perseverance and hard work and teamwork… because no one gets there alone. and that while we commemorate the greatness of these events and the individuals who achieve them, we cannot forget the sacrifice of those who make these achievements and leaps possible”
“i just thought it was a pretty cool keychain”
(soft music as the camera turns to the stars and fades to black)
WAAHHHHH
oh scully, i mumble for the hundredth time... she makes my heart hurt. she has so much good in her and yet nothing good happens TO her.
i love that she is so analytical and finds meaning in everything, even the little keychain <3 and i love that she is both dedicated to science and an idealist, and neither of those things are mutually exclusive even if you might imagine that the hard realities of the world do not mesh with optimism and faith.
and i don't fully believe that mulder just thought the keychain was cool... he knew what he was doing there. at least a little bit. now i will imagine it dangling from her keys for decades, jingling each time she unlocks her door, a little piece of their connection made physical.
so, what am i thinking about the episode?
well, we didn't get any closure on plane guy or frish, and i know better than to think we will get some in any future episodes. so that feels a little unfinished.
in terms of plot development, we are introduced to this mustache man and an object that could prove the existence of aliens, but both of those get wiped away, and we leave off sort of where we began. that left mustache man feeling underused, or sort of like a waste of narrative focus. unless he comes back?
still, while i might have qualms with the plot not being entirely wrapped up, i enjoyed this episode! the moment with skinner absolutely got to me, as did scully's kindness towards pendrell and her analysis of mulder's gift. the moment where he just started changing clothes and they had that unspoken understanding also killed me.
i was also glad that this episode explained things a bit more than the last one did. i was confused with the constant switches between theory and fact, that while i'm sure some viewers were annoyed with how they spelled it out so clearly, i was pleased.
i love the tales of mulder and scully's spooky job. it was a good episode!
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chicago-pd-is-weird · 2 months ago
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12x01 spoilers
Also are we going to gloss over that Dante got hit by a car and just kept running? I mean, I know it wasn’t hard but damn that shit looked like it hurt. Like my reaction was “oh shit Voight’s gonna feel so guilty” and then Dante kept running and I was like “DAMN DANTE” like man is a beast.
And all that and he still didn’t catch the guy 😭
Then we had to have that entire scene with Ruzek and the lady (idk her name but I guess it doesn’t particularly matter now). And it was a good scene but Adam just standing there with a gun to his head was so stressful.
Like this episode was just… so stressful.
I don’t think I’ve been stressed and anxious like that since literally middle/high school when my anxiety was at its worst. Like that… that was something else, man.
And then the ending. Emojis cannot describe the state of my face when that happened. I mean, my jaw hit the ground so hard it got bruised. I had to crank it closed after a solid 45 seconds of catching flies. I couldn’t move. I was so shocked that she just… died on the spot. I had flashbacks to Jules. I liked both of them and now they’re just dead. First episode they appear. And I loved them both.
I don’t think Adam was actually there for Jules being shot (that’s why they brought him in?) but I’m sure he heard about it at some point from someone in the unit. (Especially when Toni was fighting over who gets to be at Jules’s desk.) But I’m sure he’s like “damn this is how it felt” in his head, because he seemed to be relatively close with this girl and now she’s just… gone. In an instant. A whole era of his life gone. That’s what happens when we lose people. We lose that era of our lives.
Suffice to say, that sucked. I mean, let me be the first to say, it was cinematically excellent. Gripping and intense. Made me feel things. Not boring (I found Med and Fire to be relatively boring last night). Had some very cool camerawork, lighting work, and other scenes. Showing Hank’s PTSD is excellent. Everything was really great cinematically.
Plot wise?
1. Why are we confiding in Nina Chapman??
2. Why did we kill the new detective, I liked her?? 😭 Why did she pull a Jules??
3. It makes me wonder if everything is somehow coming full circle. They used parallels they haven’t used since the early seasons (like Jules being shot and this lady being shot, but also the cinematic rear-view mirror shot, even though it wasn’t exactly the same because Hank was in front, it made me think of Hank beating guys up).
4. Either it’s coming full circle for Hank and we will “start over” with a new Sergeant (please be Adam) , or it feels like it’s ending altogether. Both make me nervous for Hank’s fate, because only way he stops work is if he’s dead frfr.
5. Where was Trudy? Like she was there but why was her only line “I don’t have any new cases for you, enjoy the quiet,” like why was Hank confiding in Chapman? I hate that. Trudy and him have been friends 30 something years. Maybe he’s trying to protect himself and/or her by keeping her at arms length, idk, but it’s BS that he confided in Nina and not Trudy or Adam (who has become the new Al). I just can’t understand it and I don’t like Nina at all. She comes off very mouthy when Hank is trying to tell her about his trauma. She thinks she knows everything about him and she knows next to nothing. She hasn’t been here that long. Trudy knows Hank 100x more, which is why I’m wondering why Trudy didn’t do anything to reach out to Hank during this time instead. :/
6. The last thing I’ll say on plot is it moved so quick. And I am wondering if this entire season will feel like a rush. I wonder what is in store and what will happen to our beloved officers and sergeants (we need more Trudy screen time!!).
I’m sure I’ll have more thoughts later, but just thinking about it this morning is like… ugh. I’ll re-watch it later.
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noperopesaredope · 4 months ago
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SvtFoE Rhombulus Rewrite (Pt. 6)
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Hey, it’s been a while since you saw my face-
All jokes aside, sorry for being gone for so long. In my defense, I was in college, then I had seasonal depression which made it hard to do much of anything creative-wise. This is admittedly one of my favorite fan projects, so I always feel bad about not updating it. But I have managed to get back into it again (finally) and wanted to release one of the easier parts to do. (@bawfulio @sagesilentfire​ tagging you since you guys have been following this AU since the beginning and have been waiting the longest for an update)
Anyways, Monsters and Mewmans, Crystals and Chimeras, welcome back to my Rhombulus Rewrite! Check out this post if you have no clue what the heck I’m talking about or you want to read the previous parts. As I said in Part 4, this part will be one of the two possible ends I have to this AU. Ya’ll can choose which one you prefer. This one is called the “Closest to Canon Ending” and is also sad. It will not focus on the problems with the ending as a whole and shall instead be more about fixing Rhombulus’ part. I’ll admit, though I prefer the second ending as a finale, I’m pretty proud of this one as well, as it has some stuff I’m pretty proud of writing wise. I did make myself sad though, so there’s that.
Closest to Canon Ending (AKA Ending 1):
- This ending is kinda if I switched Rhombulus and Hekapoo’s parts, but Rhombulus had a more proper and fitting redemption. Also, it might make some character choices make more sense.
- So, the first big changes happen in “Ready, Aim, Fire”. We overhear Rhombulus arguing with Hekapoo and Omni about how to handle the Mina situation, saying that even though they may not like it, they need to protect Eclipsa and her family since it’s the right thing to do and they can’t let Mina take over. 
- This is when Hekapoo reveals that they have been backing Mina the whole time, which horrifies Rhombulus. He says that he is disappointed in them, and will go out to support Eclipsa and co, even if he has to fight Hekapoo and Omni. He then runs outside.
- We don’t see what happened to Rhombulus until “The Right Way,” where he jumps into the battle as things are looking dire. We get some pretty cool action stuff from him, which should be fun. 
- He even helps out various monsters, using his crystals to protect them. It brings his arc full circle, showing him go from someone who fights monsters to someone who protects them like he would protect any other innocent civilian. It’s a good moment for him. 
- But unfortunately, Rhombulus gets seriously hurt by the Solarian Blade multiple times, and since he and the rest of the MHC are basically monsters, the blades actually work on them. I think it’ll be the most shocking (and plot convenient) if Rhombulus loses his tails, as they are his main weapons and method of self defense. 
- He’ll manage to play it off like he is fine, but will need help soon. Maybe he’ll convince them that he probably won’t die. He might not even realize the blades work so well on him, especially since his magic is making him more asymptomatic. He’s good at hiding how bad he is doing, mainly because he is still able to walk and run and other stuff. But he can’t fight and needs to sit down a lot, so he won’t be able to do much during the Moon reveal.
- Instead of that horrible first kiss scene between Star and Marco, I have decided to give them a platonic love scene in a way, since I want the ending to not seem too random but still keep things platonic.
- Star is clearly upset and overwhelmed by everything, even though she might not be able to express it properly. She eventually tensely says that she’s going to do [insert helpful yet distracting task], and Marco offers to help her. She agrees, and while they’re working, Marco says that he knows something is bothering her, and she can talk about it if she wants.
- Star confesses that she’s been feeling extremely alone and scared lately. Multiple of her friends are severely hurt and could easily die, and she can’t do anything about it. She fought so hard and is trying to stay strong, and even despite all that, she feels like she’s failed at keeping people safe.
- Marco says that she is the reason less people have been hurt, and that everyone chose to fight and stand up against Mina, knowing the risk they would be in. It’s not her fault this happened. He then assures her that no matter what, they will always be best friends, and he’ll be there for her no matter what. 
- Pretend we’ve also had a lot more great friendship moments between them this season, so that the show clearly shows their dynamic as important to the plot.
- Anyways, back to everything else. This rewrite is called the Rhombulus Rewrite after all.
- “Pizza Party” will be renamed “Where the Blame Lies,” and instead of the MHC having a pizza party, we will see Hekapoo and Omni arguing over whether or not they made the right choice, and if they should go after Rhombulus. It’s a very short, tense scene, where Hekapoo believes that Rhombulus is wrong, but they should still go look for him to talk, and Omni believes that Rhombulus is “too far gone.” 
- They decide to split up, with Hekapoo choosing to go after Rhombulus, and Omni choosing to do his own thing.
- Meanwhile, Rhombulus ends up fleeing with Star and co, pretending that he is fine, until he ends up collapsing while they are running. Mina declares Rhombulus a traitor, and attacks him, causing yet another major blow to his body, where many of the other scars have already spread far. 
- As Eclipsa and Marco help him up and try to support him, Mina declares her plan to wipe out all monsters and monster-supporters. The group tries to escape, but are soon surrounded. Mina goes in for the kill, but a portal opens up under Star, Marco, Eclipsa, Moon, and Rhombulus, whisking them away. They find themselves in the middle of a forest, saved by Hekapoo.
- This is where “Tavern at the End of the Multiverse” starts. Hekapoo is horrified at Rhombulus’ condition, and after picking him up, she says that she knows a place where all of them can hide. And so she takes them to the Tavern at the End of the Multiverse. This space is also a bit of a safe zone for all different types of people, and has some private rooms if needed. 
- Hekapoo takes Rhombulus into one of them to see if she can help him somehow. Star argues with Moon, but they are interrupted by Hekapoo, who says that she needs them to come over to where Rhombulus is. He’s in terrible condition, with the wounds having fully spread all over him. 
- It’s a really sad scene, especially when he begins telling Hekapoo that he can see Lekmet, and they are going to be reunited soon. Hekapoo is extremely distraught and basically in denial, while Rhombulus is basically accepting what is happening. 
- He tells Hekapoo not to worry too much about it, and that their time is close to ending anyways, he just wishes he could have seen everyone win. He tells Star to do better than those who came before her, and that she will be able to fix the world. Then, my boy dies.
- While I still don’t like the whole “destroy all magic” plotline, I thought that something like this would be cool in helping explain the rationale for a few characters. In Star’s case, this is a bit of a breaking point for her. This is where she begins to have her “I hate magic” moment, because she just lost a close friend due to the damage magic can cause when in the wrong hands. 
- And Hekapoo being chill with Star destroying magic makes a lot more sense. She too just lost someone important to her, basically her favorite sibling, and is in a more apathetic state. Hekapoo is mad and sees that the MHC has fallen down a bad path that has slowly destroyed them. Her attitude is less chill and carefree and more angry and resentful.
For Ending 1, I don’t really have any other changes, because all I really wanted to do for this ending is the scene where Rhombulus dies, so that’s the end of that. I think Ending 2 will be a much better ending as a whole, but I thought of Ending 1 first, and kind of liked aspects of it. It’s very bittersweet, and I wanted to make a version that stays faithful to the OG. 
However, the OG is also terrible, so I decided to make another version anyways, especially since I wanted a version where Rhombulus can live. Stay tuned for Ending 2, which will hopefully be coming soon! Or at least, a special post before that giving extra context for Ending 2 (spoilers, I reworked Mina a bit).
Thanks for all your support, and I hope you like what I have in store, since I’ve been working on Ending 2 for a while now. Hopefully this will keep you company in the meantime.
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