#“hey now that we have more information on the protagonists I’m going to make some headcanons for them!”

[shunin-gumis]

Designs of Happiness - Track A14

L4mps Main Story Translation

Title: Imposed Blessings

Characters: Nagi

Summary: Nagi is working alone at his shop after abruptly leaving the Friday Film viewing. The protagonist chases after him, and he finally explains his unique predisposition.

Thank you aca @463ce6, jes @arcanecrayonn myun @/myuntachis and Niri for helping me with proofing!

Also a gentle request from me, please do listen to the chapter in-game alongside the translation if you don't do so already, the voice acting is very precious 🥺🥺

Location: Flower Laundry

Sonia: Nagi-shan, here ish all the flowers you can use! 

Nagi: …Oh no. This isn’t nearly enough.

Sonia: You came back all of a sudden from HAMA House, sho you have no right to complain! 

Nagi: Sorry. Please get whatever’s left in the storehouse too.

Sonia: Aye aye, Shir! Geez, I’ll bring back as much as I can!

*bell jingles*

Customer A: ‘Scuse me! Sorry for popping in last minute—

Nagi: Oh, that’s alright. What can I do for you?

Customer A: Just a quick question– Does the laundromat here accept IzuPay? 

Nagi: IzuPay… Ah, we don’t use that here yet. There were plans to add it as an option but it was delayed… Sorry about that.

Customer B: Darn… out of luck, huh. I guess it makes sense, not everyone would bother getting the ward’s special payment method.

Nagi: Other digital payment options are still available, and we accept cash too.

Customer A: Huh? Can’t believe there’s a laundromat that still takes cash… 

Customer A: I thought they’d all be gone with the ‘Valley of the Sky’ or somethin’. POTHARU! and all that. 

Customer B: Hey, don’t be rude… He’s standing right there, and that scene is long since over. Um, sorry about that. 

Nagi: …It’s fine. 

Nagi: (Right. I guess the film viewing would be over by now, too.)

Nagi: (...Why did I have to think about that now?)

Nagi: (I wouldn’t have lasted much longer in that situation… Just thinking about it gives me chills. I’m sorry I didn’t stick with Toi till the end, but I had no choice, I had to leave for everyone’s sake—)

Sonia: I’ve prepared the flowers for you!

Nagi: Thanks. —Let’s go, we need to leave right now.

??: Um, excuse me… 

Nagi: Oh, yes, welcome—

Momiji: Good evening… again.

Nagi: …… 

Momiji: Do you mind if we talk for a bit, Nagi-kun?

Momiji: …… 

Momiji: (I can’t believe he ran out of HAMA House during the viewing… I guess he must’ve hated it that much, huh…)

Momiji: (Maybe I was being too naive in thinking that he’d open up with enough time…) 

Nagi: …… 

Nagi: (I can’t believe she noticed I’d left… I might have messed this up worse than I’d thought. She must be annoyed with me…)

Nagi: (No, I shouldn’t jump to conclusions, maybe she’s just here to check up on me. I clearly suck at communicating with others, so that might have gotten her worried…)

Nagi: (Still, it doesn’t change the fact that I troubled the Chief… I’m worth less than a plant louse that preys on flowers. I mean, even plant lice are useful to ants, yet I’m…)

Nagi: (No one would want a Ward Mayor that’s worth less than a louse.)

Nagi: (I wanted to take responsibility and see this job through to the end, but…)

Momiji: …You see, Yodaka-san just informed me earlier. 

Nagi: Yes?

Momiji: That you haven’t slept at HAMA House even once, Nagi-kun.

Nagi: …… 

Nagi: (So he knew. He’s too sharp to slip past, huh.)

Momiji: …… 

Momiji: (Ah… He’s tensed up.)

Momiji: (I wonder if I should’ve approached it more delicately…)

Momiji: (I’d readily help him if he’d just let me know what he’s having trouble with, or if there’s something he’d like changed… But what if he says that he never wanted to be a Ward Mayor in the first place? Hrm… What should I say…)

Nagi: …… 

Nagi: (She looks really troubled… I feel guilty that she’s worried over someone like me.)

Nagi: (I should just explain everything, even if it makes me uneasy. I know it’s the right thing to do, but… If I really just blurt everything out, she’d probably think I’m some kind of weirdo.)

Nagi: (But if I keep quiet any longer, she might feel hurt instead. What should I do…)

Nagi: (...The cyclamen at the storefront just caught my eye… In flower language, they mean “resignation” and “words of parting”...)

Nagi: (And next to it are the anemone, meaning “abandonment,” and the calendula, “sorrow of parting.”)

Nagi: (I see… I get it now.)

Momiji: Um… 

Nagi: (I should… brace myself.) 

Nagi: …… 

Nagi: …If I don’t hand out flowers, it rebounds. 

Momiji: Huh?

Nagi: The other side of the Yajirobe*. 

Momiji: Uh?

Nagi: This is just a theory of mine.

Momiji: O-Okay… 

Nagi: I believe that, just like with human emotions, if a person experiences great fortune or misfortune, then they will eventually have to return to a neutral state.

Momiji: Uh huh...?

Nagi: In my case, the rebound is especially strong. If I experience any fortune, then misfortune is sure to follow soon after. 

Nagi: That’s what happened when I got caught in that bee trap before; I’m sure it’s because I’d won a set of tissue boxes the day before, at a raffle in the shopping district.

Nagi: This is my theory on the phenomenon I call “The Yajirobe of Fortune and Misfortune.”

Momiji: I-I see... It’s like when people say bad luck doesn’t last forever, or how something good is bound to follow after something bad… Is it like that?

Nagi: …Are you a genius? I feel embarrassed for making up a whole theory now. I’ll just use your explanation next time.

Momiji: No, no, I understood what you were trying to say with your Yajirobe theory.

Nagi: …To avoid having the Yajirobe go crazy, I need to avoid any situation that might make me happy, intentionally or not. 

Nagi: Even a single slice of cake is too much for me. That sort of kindness… is too much happiness for me to bear. 

Momiji: (So he’s saying the cake made him so happy that he had to avoid accepting it, and even ran out of the dorm just so he could avoid inviting misfortune…)

Nagi: But sometimes, no matter how careful I am, the happiness just piles up anyways.

Nagi: That’s when I bring these out.

Momiji: Flowers…?

Nagi: My special ability– Flower Power: Imposed Blessings*.

Momiji: …Um?

Nagi: By imbuing flowers with the energy from my accumulated happiness, I can impose the excess onto others. There's no limit to how many flowers can be handed out. The only debuff I have to suffer is embarrassment.

Momiji: (Oh…)

Momiji: (Is that why he was handing out flowers in the middle of the street the first time I met him…?)

Momiji: (Honestly, I’m not sure how much of this I’m supposed to believe… But at the very least, I can tell Nagi-kun is being serious about this.)

Momiji: I…see. So if you give away your flowers—

Nagi: The misfortune’s rebound gets weaker. 

Momiji: –The misfortune’s rebound gets weaker…… Right. 

Nagi: (As expected, she looks really confused.)

Momiji: Um, let’s see if I got this right– You felt that joining HAMA Tours, and living at HAMA House would—

Nagi: Accumulate a debt of happiness.

Momiji: Which is why you left.

Nagi: Yes. Something like–

Nagi: Something like working together, and living alongside others, just like a ‘family’... There’s no way to predict the amount of happiness I’d receive from just being there.

Momiji: (The amount of happiness…)

Nagi: Being surrounded by happiness like that… Holding hands, and shouting POTHARU together with everyone—

Nagi: It wouldn’t surprise me if an earthquake hit right after, and HAMA House ended up as a pile of rubble…! 

Momiji: …… 

Nagi: (She looks stunned. I guess that’s expected.)

Nagi: (It was just impossible for someone like me, who’s always avoided other people, to suddenly work with others and live alongside them.)

Nagi: (She probably thinks I’m a weirdo. It’s not something you can wrap your head around. It’s a natural reaction.)

Nagi: (I’ll just get myself fired right here and now, so I can return to my old lifestyle. A life with no big waves, just the mundane everyday.)

Momiji: I understand your situation now.

Nagi: …… 

Momiji: Can I have all your flowers, then? 

Nagi: …… 

Nagi: —Huh?

Momiji: You just have to reduce that, um, debt of happiness, by giving away your flowers, right?

Momiji: But it’s probably difficult for you to find people to give flowers to on a daily basis, huh?

Nagi: …Is that… where this conversation is supposed to go?

Momiji: I think so?

Momiji: Then um, maybe your costs increase because you have to give out more flowers?

Nagi: No, that’s not really a problem. I can get a good discount if I buy it in bulk, so… 

Momiji: I see. Then, it’s just a problem of who you can give your flowers to. Accosting strangers to give them flowers is probably taxing for you, and confusing for the other person too.

Momiji: But, since I know what’s going on, I can take as many flowers as you want to give away.

Nagi: I… I guess that makes sense. 

Nagi: Wouldn’t it be a bother to you…?

Momiji: Of course not. You can never have too many flowers! I mean, flowers give a feeling of a fresh beginning, you know? They’re always nice to have.

Nagi: …… 

Nagi: Here.

Momiji: Oh! A flower! Thank you very much. You popped that out like some kinda magician!

Nagi: …Flowers have always been a part of my life, before I’d even realized it. That’s why, it’s always there, right beside me, where I can reach for it whenever I want.

Momiji: Still, what a large flower! What’s it called?

Nagi: Peony.

Momiji: Aw, it’s so pretty! And it smells so good too!

Nagi: —......

Nagi: Next, this one.

Momiji: It has such a unique shape… What’s its name? 

Nagi: Serruria.

Momiji: It’s so peculiar and cute! I wonder what I should decorate with it… 

Nagi: Here.

Momiji: This is a crazy amount! It’s starting to look like a huge bouquet at this point!

Nagi: Here.

Momiji: Oh dear, the colors are clashing…!

Nagi: Here.

Momiji: I can’t see in front of me anymore…! *giggles* But—

Momiji: Thank you, Nagi-kun!

Nagi: I should be the one saying that.

Nagi: Thank you for taking on my happiness, Chief. 

Notes:

Yajirobe is a term used for Japanese balancing toys. The mechanism involves balancing the main body at a fulcrum and making sure it doesn’t tilt too far in either direction before it’s balanced again, swinging back like a pendulum.

The name of Nagi’s ‘special ability’ literally translates to “imposing happiness/good fortune onto others through giving away flowers” which is super long hence why it got changed. He’s the type to make up silly names anyways.

Flower Language:

Peony Bashfulness, Shyness

Serruria Yearning, Beautiful heart

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[queenimmadolla]

long post because I’ve gotten a couple of inquiries about it, couple of asks and the main reason I am speaking up on it is because I do see it happen so let’s address it together:

On the topic of inclusivity, please do not ask people to let you know if whatever you’re posting isn’t inclusive if you’re going to be upset and immediately feel attacked when people do so.

I completely understand that tone cannot be interpreted through text—I can barely understand it in person─so if you’re someone who has made that let me know announcement and someone approaches you about your work, possibly whitecoding or excluding POC, don’t go on the offense. Open yourself up to conversation with that anon and POC (not your mutuals—although, they will most likely feel inclined to chime in at your defense because you’re their friend and no one likes to see their friend put in a difficult spot but we need to understand it’s not a difficult spot, it’s just conversation about someone with darker skin or different features wanting to be able to imagine themselves in a reader insert and it doesn’t have to be antagonistic—when it comes to this topic—unless we make it so, and I only say this because when our friends chime in, more often than not an important topic regarding multiple races is dismissed for one person’s comfort and we don’t really learn anything from it other than how to be dismissive—it’s not good) and go from there. Be open! Let them know they can message you off anon to further discuss it if you don’t want to keep doing so through your inbox (but don’t threaten them).

If it’s not a hostile anon, keep the conversation going without providing malice—because the second you take offense to someone following up on what you asked them to do (since you were being a good person and wanted to let people of all colors see themselves in your work), you’re ostracizing and looking very performative.

That being said, POC (anons specifically, I’m looking at you) you have to be level-headed when you message writers about this because I have seen some out of pocket asks. Yes, they want you to let them know but you must be approachable and kind about it.

Jumping to accusations:

straight up telling them they’re white coding on purpose to leave people of color out

instead of letting them know in a respectable manner:

‘hey—I’m following up because I saw your post about wanting to be informed when something you write isn’t inclusive and I wanted to reach out and let you know that _______ mentions a detail that heavily implies the Reader is white. I know you want to be inclusive, so I just wanted to bring that to your attention.’

isn’t the way to go about it.

See, the difference?

In one, you’re openly attacking them. In the other, you’re bringing the details to their attention. I know it’s frustrating and very hurtful (writers, please be aware that it does hurt to exclude POC readers—I know it may not be your intention but it is hurtful) when we see and read the white coding, we think Oh, here we go again especially after everything we’ve recently gone through and talking about this and how a lot of us have left the fandom because there was no real place for us, but we do owe them the benefit of the doubt, especially if the writer has made it known they’re going to improve in their inclusion and wants to be informed of any slip-ups.

Now, if you do so in that respectable manner and they still lash out at you, then maybe we have a problem on our hands.

But again, we have to start with an open conversation.

And writers, if ever you’re conflicted about something relating to this, my messages are always open. I’m not stupid, I grew up reading the same books as you with a large majority of white protagonists and it does affect (effect? whatever) you’re writing. The reason it didn’t have me white-coding my work is because I’m not white and I never got the opportunity to see myself in those protagonists like you got to. I actively knew I could not be she/them and she/they do not look like me. I was reminded over and over and over again on those pages.

We don’t have to be mutuals—I just know this is a very tense subject here considering certain fics and events and all that. I’m not trying to be some token POC writer guru, but I do have this platform and a lot of readers come to me with their concerns because my blog is safe for them to do so, so I’d like to use it to help and offer advice and such if you want it. If you’re open minded and actually want to be inclusive, I’m here to support and back that, I’m not here to attack you.

Yes, readers come to me but a lot goes on behind the scenes that I and they are not aware of and this isn’t a call out post to anyone in particular.

This is an if the boot fits post.

Does it fit you?

[starplusfourletters]

(way too many) thoughts on the ahsoka show

It was fine? I was really afraid there would be something I hated. And there was nothing I hated. Sad but true that that’s the bar for new SW material atm.

I really liked ep5; ep5 will probably get a rewatch. I liked the casting. The visuals were pretty cool. Huyang was a treasure.

So we’re really going with “the Force is in everyone so everyone can use the Force if you just try hard enough”? I… kind of hate that. That somehow feels ableist of me to say. But this is a heckin fantasy universe I feel like some people Really Are That Special, y’know?

Exception that proves the rule: A Force-less Sabine is still VERY SPECIAL. In Rebels, she can hold her own in a fight just as much as Kanan or Ezra. She’s extremely competent without the Force. She’s somehow less competent in this show

She really is just the worst here in ways that I do not remember her being in Rebels. I guess arguably Ezra was the one with Terminal Protagonist Syndrome in that show? And she caught it from him before he left?

I feel like what this season WANTED to be about – and honestly it’s the lowest hanging fruit possible for a show titled “Ahsoka” – is the tension between Ahsoka’s past / her relationship with her master and her future / her relationship with her apprentice. But I don’t think they actually hit a balance there, because they just did not make her relationship with her apprentice very compelling. Three reasons for this:

1. My bias. There are very few things that start with “Ahsoka &” that would get my attention more than “Ahsoka & Anakin.” Feel like I’m not alone on that one tho

2. Established canon. It’s already an uphill battle because Ahsoka and Sabine don’t have much of a relationship in Rebels. I’m honestly not sure they ever have a conversation. I remember Sabine being like “wow she’s cool much cooler than my idiot adopted brother”, and maybe that would be a place for a mentor figure relationship to start, if Sabine weren’t already DROWNING in mentor figures. It’s not that they have nothing in common, they are just straight up not a focal point of Rebels S2.

Hey you know who canonically has latent Force abilities? And maybe needs some training? And whom Ahsoka would have a Complicated feeling about without even needing a prior established relationship? Someone with mutually incompatible daddy issues? Someone deep enough in the cultural zeitgeist she literally would need no introduction?

Yes I KNOW it’s never gonna be canon and I should just go back to AO3 but it’s RIGHT THERE HRRRRRGGGGHHHHH

3. But a lot of the issues with Ahsoka & Sabine as a focal point are of the showmakers’ own creation. You’re telling me they have a relationship now? Fine, CONVINCE me of that:

First they shoot themselves in the foot by not giving us any information about how Sabine became Ahsoka’s apprentice originally. Why did Sabine want to become a Jedi when she didn’t want that in Rebels? DID she want to become a Jedi? What did she want to learn from Ahsoka? Why did Ahsoka decide to take an apprentice at that time and not any time before or after? How did she feel about it? And why pick Sabine, who is, and this is true, Not Very Good at the Force? Who approached whom, or did they run into each other accidentally? I suppose answering some of these questions might require answering “where was Ahsoka between 3 BBY and 4 ABY?” and they aren’t ready to do that yet, but guys. GUYS. If you’re trying to tell me how Ahsoka and Sabine fix their relationship, you gotta tell me why I care first.

I know I'm harping but I really cannot emphasize enough that "fuck it I'm gonna go round two on Found Family" is an arc-defining character beat for both Ahsoka AND Sabine and the fact that the audience doesn't get to see it really makes me question whether the powers that be themselves know what it looks like

Then we get vanishingly little information about why they broke up, and all of it is provided by Huyang. And what I’m picking up from what we have is “Sabine got too Revenge Quest-y, and Ahsoka got nervous.” I don’t even know where to begin here – maybe with the fact that if Sabine decided to go on a murder rampage, she wouldn’t need the Force, lol. We know Sabine’s family died, she wanted to go to Mandalore, and Ahsoka didn’t want her to. So… did Sabine go? How did she end up back on Lothal? Who left who? Was Ahsoka worried for Sabine’s safety, or that she was getting too Dark Side-y, or both? What juicy terrible intergenerational-trauma-driven things did they say to each other when they broke up? I want to compare and contrast this with Ahsoka leaving Anakin, but I do not have the information to do so because there are zero details and the info we DO have is from ANOTHER CHARACTER. Again, if this season is about this relationship, TELL ME WHY I CARE.

To me this is the same cardinal sin as Picard S1 – implying that some really interesting stuff happened when the audience wasn’t watching, and that it explains why the characters are behaving the way they are, and then… not disclosing that information. EXCEPT PICARD GAVE US MORE THAN THIS fjdghjfghjkhkd

I was not on Tumblr when I was watching Picard S1. Probably for the best.

But okay, they have a history, the show is gonna be about them, sure let’s move on. AND THEN THEY SPEND LIKE HALF THE EPISODES NOT EVEN IN THE SAME GALAXY. The time they do spend in the same room is 75% generic sniping. As someone who came into this way more invested in the Ahsoka & Anakin relationship, ep5 was very much NOW BACK TO THE GOOD PART

And the couple of beats they do have together have me going HUH? After ep2 I spent most of a day debating myself on whether there’s a missing scene, between Sabine getting stabbed and waking up in the hospital, where we see Ahsoka actually REACT. On one hand, Ahsoka would be upset, maybe we as the audience can fill in the gaps and we don’t need to spend time on it. On the other hand, maybe we do, tho? At the time I was thinking about how we haven’t seen Ahsoka truly emotionally vulnerable since TCW with the exception of “Shroud of Darkness�� and maybe “Twilight of the Apprentice.” She has a very normal range of emotions, and she expresses them in very controlled ways, and I just wanna see what she looks like when that breaks down, ya know? What’s weird to me is that in ep4 when Ahsoka thinks Sabine is dead we do get this beat; she gets Real Mad there for a second. So maybe what we’re learning is it was a double beat and they should have cut the stabbing thing entirely I mean come on they had to have known they were gonna catch flack for that. Then again, having that moment shows the audience that Ahsoka does give a shit, more than she wants to admit and more than she typically shows Sabine, which is a fun compare/contrast with Anakin, and it might have given me a better understanding of the relationship if it had come earlier.

The other big beat is Sabine deciding to help the baddies. That is just such a devastatingly terrible decision. So bad, in fact, that I feel like we’re supposed to be drawing parallels to Anakin. Their whole “screw over the galaxy to save one person” thing. Except 1) Sabine is not Anakin and 2) in order for that to be interesting, Ahsoka needs more information than I think she has. She knows Padme died around the same time Anakin totally lost his shit, and that’s about it. Which is actually a fun little thought experiment: what assumptions does Ahsoka make about the causality there? The only people who could have given her more intel are Palpatine, Obi-Wan, and Vader – unlikely. So IF the show is about the lines between Anakin and Ahsoka and Sabine, Sabine’s choice here could be central to that, and crucially to Ahsoka’s understanding of that, except it’s just for the audience I guess?

I do really like that Ahsoka’s extremely chill about what Sabine did, though. Ahsoka “Eh Shit Happens” Tano. Somehow her lesson from all this is “masters support their apprentices literally no matter what. Citation: Mine did.” That’s an unhinged take and I expect nothing less from my blorbo.

WHICH IS WHY WE SHOULD HAVE AT LEAST GOTTEN A FLASHBACK TO THE SITUATION IN WHICH AHSOKA DIDN’T SUPPORT SABINE HRRRRRRRRRGGGGGGGHHHHHHHHHHH

I realize that I’m really tearing into this thing pretty much just for not being something it isn’t. Like, it’s not BAD. But maybe its weaknesses stem from not committing to being about any one thing. It’s kind of about intergenerational trauma, it’s kind of a Rebels Part Two, it’s kind of a Filoniverse installment, it’s kind of a worldbuilding exercise. And that’s not necessarily too much material for an 8-hour show. It’s more like the powers that be DECIDED that was too much material.

TLDR, footage of me after pretty much everything star wars that’s come out since the Disney acquisition:

[historicallyaccuratecheese]

I’ve finally started listening to Season 2 of The Magnus Archives, so as per usual, here are my thoughts on the first 10 episodes of the season, from 41 to 50! Already this season is shaping up to be a wild ride and I’ve really enjoyed it so far. But as always, here are some things to consider if you plan to read this post.

1: This post is extremely long and in depth, the longest of these I’ve made so far in fact. Read it only in chunks or if you have enough time on your hands.

2: There’s obviously spoilers for everything in The Magnus Archives up to Episode 50, so please tread carefully if you haven’t gotten that far. Also, please do not spoil anything from future episodes for me.

3: I recommend you read my previous posts before this one, as I will be referring back to those older posts. I’ve made a link to the masterpost here for you to easily access them.

Anyways, enjoy my rambling! :)

- Episode 41, Too Deep ⬇️

Statement of Jonathan Sims, Head Archivist of the Magnus Institute, regarding exploration of the tunnels recently discovered below the archives. Statement taken direct from and recorded by subject.

That episode title is right, the show of going a bit too deep for my liking, I’m SCARED. You know what, I’m happy to say that Jon has blossomed into quite the relatable protagonist. He has an undying thirst for the truth, and is extremely paranoid and traumatized by the events of Season 1. He’s just like me fr! Anyways, thankfully the content of this episode was much simpler and easy to digest than I thought it would’ve been initially. It does feel like Rusty Quill wanted to ease listeners back in by giving us an episode that establishes the new status quo, but that being said, this one still gave me quite a bit to think about. Firstly, we have Jon’s mental state which is…yikes. Like, I know a month has passed an all, but I still feel like he needs a hug and a long nap. I know I joke about wanting to bash this guy’s head in like a piñata, or throw him off a skyscraper, or squeeze him like a squeaky toy…but now I’m genuinely concerned for him. Knowing how Jane scarred him physically and mentally is really upsetting, but hey! At least Martin seems to be taking good care of him, although considering what happened to him last season I still have to question if he’s ok as well, just…I want everyone to take care of themselves as well. Also, I know this sounds wrong, but I kind of hope that jar actually does have Jane’s ashes in it, because I miss her and it would be nice for her to still kind of be with us. Also I hope Tim gets back to work ok :(. Also Not!Sasha still terrifies me-OK! Back to Jon! It is really cool that the season begins with a statement directly written by the protagonist, and while I’m certainly concerned about his paranoia (which I’ll get to later), it’s nice to see him actively engaging in the mysteries and looking for answers. But with that out of the way, what about the tunnels? Well, firstly, I’m glad that this episode clarified that these tunnels are like…a new discovery? Because when Tim mentioned them in Episode 39, he spoke about them as if they were common knowledge, which was just…kind of weird to me? Now, it’s become a lot more apparent that the tunnels are quite a recent discovery, and they make for a very intriguing new mystery! I’m certain they’ll show up more throughout the season, but for now, they are just…really terrifying. Firstly, I’ll mention some of the things we discovered about them that were followed up on here, and then go on to the brand new information we got. …GOD DAMN POLICE! I WANTED TO LISTEN TO THOSE TAPES!!! Look, I get WHY they took them, it’s just…UUUGGGHH!!! Gertrude Robinson, WHAT ARE YOUR SECRETS?!! On top of that we have the matter of the weird circle of worms. I still think they were trying to open some sort of hidden passage, but the implications that…someone else was there are certainly concerning. I assume it’s whoever seems to be lurking around down here (who might also be the voice Jon heard), but…I really don’t know what to think of this. I really don’t know what to think of…ANY of this! But as for the new information provided, we obviously have the facts about Millbank Prison.

Firstly, it’s always a pleasure to see TMA incorporate obscure real-world history into its story, I just think it’s generally kind of neat whenever they do that. But outside of that, I don’t really know what to make of this information outside of a couple of things (like the institute being built on top of a prison being potential symbolism for Jon being stuck here now that he’s gotten wrapped up in the mystery). The two things that really caught my attention however, was that they make sure to bring up the panopticon format of Millbank. This kind of ties into the whole them of “being watched” that’s been coming up. Also, I guess now’s a better time than ever to mention the whole idea of Jon being watched. I honestly don’t know who or what is watching him, but my best guess is that it’s whatever is in the tunnels, or if I’m crazy, ME. (Although I’m technically listening so…idk. It still makes me feel kind of guilty though.) The other big takeaway is that Millbank, and likely the tunnels, we’re built by our beloved Robert Smirke. The tunnels already did remind me of Episode 35, so this isn’t all that surprising, but it’s nice to get further confirmation that these places are fucked up! It does make me wonder if he had a hand in building the institute itself though…hmmm… But after that lore drop, we get to the creepiest part of the episode. I’ll just say it: No, I do not know who is in the tunnels, my best guess is Gertrude’s killer but I don’t think that’s saying much. I also do not know what the wine bottle means, (although I literally just made a post about a wine bottle on a street that felt like the beginning of a TMA statement? That’s really weird?!) nor do I know who or what drew that arrow, or told Jon to leave. All I know is that, yes, this heavily reminds me of Episode 15. Like, not just this scene, but honestly the episode as a whole. This makes me think that maybe the thing in the tunnels is the same force behind Lost Johns’ Cave, and combine that with the fact I suspect said force to be the same as the darkness from Episodes 9 and 25, and that Jon’s torch apparently started to dim strangely quickly…I just feel like The People’s Church of The Divine Host might have some relevance here. Either way, this just makes me more and more concerned for the institute staff. It just goes to show that they have gone…well, too deep, and that even if he runs out of those tunnels, Jon is not truly safe from, say it with me everyone…✨the horrors✨. Oh Jane Prentiss’ Ashes, we’re really in for it now.

But of course, that’s not all, as the episode ends with a secret supplemental from Jon! …The fact that exists at all just makes me more concerned for his paranoia and mental health. So you know how I said I’d love it if Season 2 was a murder mystery? Well…be careful what you wish for I guess. Don’t get me wrong, I’m very excited by the plot point but…Jon can you please just calm down you’re scaring me. It’s interesting that he too is most suspicious of Elias though. I’m still very suspicious of him as well but..I don’t know, usually when a show tries to steer you in one direction like this, it ends up going the other way, so this oddly makes me like…2% less suspicious of Elias, simply because I feel like the show’s trying to bamboozle me. As for the other potential suspects, well, Sasha would be an interesting choice given that she’s…you know…although oddly enough I doubt Not!Sasha did it, since she probably wouldn’t have been at the institute when Gertrude was murdered. So congratulations Not!Sasha, I’m not suspicious of you for once! There’s a decent enough possibility for the killer to be Tim, but I’d genuinely be STUNNED if it was Martin. Like, it could be an excellent twist if done right but WOW. That would be genuinely insane. Overall I’m still most suspicious of Elias by a wide margin, but much like Jon, I’m keeping my suspects open just in case. The last thing I have to mention here is how this supplemental made me think about how…me as the listener fits into this. In canon, I feel like I’m supposed to be either Jon’s successor, his killer, some random shmuck who just came across the tapes, and MAYBE whoever Jon feels like is watching him although that seems a bit more unlikely. Anyways, that’s a wrap on this episode! In conclusion, it was a good episode, and I’m as scared as I’ve ever been, but hey, I’m also excited to listen to the rest of the season and see where the mysteries go! (Also ALEX READING THE END BIT? HELLO?! That’s the scariest part of the episode.)

Sorry if this one was also a bit incoherent (is this like a curse with Robert Smirke statements or something), like I said, this one kind of feels like one meant to ease you back in, so I don’t have too many coherent thoughts on the reveals of the episode just…a lot of emotions. I’m sure that’ll change as the season progresses though. Although, I did have one theory brewing in my head, it doesn’t really connect to anything in this episode that I’m aware of but I just thought I’d put it here. So, I was thinking about some of the cults from Season 1, namely The People’s Church of The Divine Host and the heat-based cult. I’ve assumed that they’re completely separate, since they seem to serve separate powers, but in retrospect, they actually had some very notable things in common, outside of just…being creepy cults. Namely, they both seem to be in opposition to both Gertrude Robinson and Gerard Keay. The PCOTDH performed a ritual on the supposed date of Gertrude’s death, while the heat cult contained pictures of her in their creepy bottles. Meanwhile, Gerard straight up kills the person who seeks to be a member of the heat cult, and his symbol seems to be an eye, while The PCOTDH has a closed eye as their symbol. So either these two groups are intrinsically linked at the hip, maybe even different sects of one larger cult, or Gertrude and Gerard just both had knacks for pissing cults off. Eh, food for thought.

- Episode 42, Grifter’s Bone 🎹

Statement of Jennifer Ling, regarding a live musical performance she attended in Soho.

This is literally just Killer Track from Nightmare Time lmao. I mean not really, but like…come on, they’re about songs that kill people, and also both contain instances of songs that cannot be remembered. This episode was MADE to fuel my hyperfixations. Also, fun fact, I recall seeing a post about tma before I started listening, where it mentioned how some episodes are deep looks into trauma while others are about a song so shit that it kills people. That post was actually one of the first things that got me to consider listening, so it’s cool to have finally come across that same episode! Although granted, I don’t think that’s the most accurate description, but I’ll get to that soon. Anyways, even if I didn’t find the episode super scary until the end, I’m more than willing to excuse it simply due to how creative it is. I know I just compared it to another piece of media, but all things considered I think this is a very fun one conceptually. Music journalism of all things isn’t something you’d expect to get tackled in tma, but it surprisingly worked really well. I actually quite liked Jennifer as the protagonist here, while she’s not nearly as shaken by the events as someone like the guy from Episode 37, I still got this…uneasy feeling from Jon’s narration, like from the beginning, you could tell something bad happened without it being TOO obvious. And…learning what happened to her after she gave her statement…yeah I can see why she’d be on edge! I thought Grifter’s Bone itself was really creepy and I do hope we learn more about them going forward, like, yeah, this was just a fun, kind of creepy, and very creative episode that I had a good time with. But then the post-statement investigation is revealed and…wow. Look, I think the jokes about the music being so shitty it kills people are funny, there’s some genuine gold about that in the YouTube comments. I mean hell, it’s a joke in-universe! But, part of me thinks that’s doing a disservice to what the episode is actually about. Because by the end, we see that it’s about a song so good that it causes people to harm and/or kill each other. I think there’s a good few ways you could interpret the meaning of this, but I personally see it as a metaphor for toxic fandom behavior. Look, I’ve BEEN in music fandoms before, I can say with certainty that this works as a metaphor. But, who knows? I’d love to hear other people’s takes on this as I think it can be seen in multiple ways. On top of that, there’s a few weird things about the circumstances i which Grifter’s Bone plays. Like, when it was just Alfred playing, Lee had no memory of the concert, and also survived. But when the entire band played, Jennifer remembered the concert, even if she wasn’t in the venue, and for some reason it triggered a…gathering between ghosts that killed each other again? I don’t know, there’s just some strange things going on here, and while it’s hard to really find anything that Grifter’s Bone might connect to right now, I hope some connections and answers pop up later. (Well, in retrospect, they do actually kind of remind me of The Piper from Episode 7, since that thing also played music and drove someone to bloodlust, but granted, the themes between the two episodes seem to be pretty different so I don’t know if that actually means anything.) However, one connection I found interesting was the presence of the crystal shop, which I really can’t see being anything other than the same one Jane was working at. This, along with the description of his expression, leads me to believe that the man who tried to warn Jennifer was the “Oliver” who Jane saw. And…I will concede that this could make the theory of him being Antonio Blake more plausible. Antonio is obviously important, and assuming this guy is Oliver, then he’s important as well. Also, someone in the comments pointed out that maybe he foresaw Jennifer’s death, which…yeah, I can see that! I still think I need more time and evidence before I’m fully sold on this theory but…I won’t deny it’s plausible.

So yeah, I had a really good time with this episode! Creative concept, fun execution, it’s up there with Anatomy Class as being…as “chill” as a an episode of tma can be. I’d really like to see this develop into a larger plot, but I’m also happy with just this statement (although some answers would be nice). But obviously, there is one thing that I have failed to mention. That is of course…the legendary supplement. Oh. My. God. Martin, you poor poor soul. You know, I had some joking suspicions after listening to one of the bonus shorts with his poetry on it (which I probably should’ve waited for, but like, I needed something to calm down with after the Season 1 finale), but…I actually can’t believe it. Martin has a genuine thing for Jon. And it is adorable, sad, and absolutely hilarious. Adorable in the sense that Martin’s crush is really cute and that I think they could make for a really cute couple, sad in the fact that Jon is the most dense human being in existence and that this is a horror series, so the relationship is probably doomed by default, and hilarious in the sense that Martin is trying his best to get Jon to fall in love with him, and not only does Jon not recognize it, but. But. He- he thinks he’s trying to SABOTAGE HIM. This. THIS PARANOID LITTLE FREAK I LOVE HIM SO MUCH. Don’t get me wrong, I’m very concerned for him right now, but I’d be lying if I said that this wasn’t the ship dynamic of the century. Damn you Rusty Quill, I can’t solve the overarching mystery now because I’ll be too busy thinking about THIS. (Also I find it both really funny and really sad that Jon’s so suspicious of Martin when Not!Sasha is. RIGHT. THERE. If there’s a single scene where he goes “Sasha is the only person here I can trust” or smth I will lose my mind.) There’s also the matter of his note which could mean…honestly anything. All it tells us is that Martin is lying about something, which could be anything from his crush on Jon to him actually being the killer (although I think the latter is unlikely since this is only the second episode of Season 2), and that his mother probably has…some sort of relevance. It could mean a lot of things but for now I’ll just put a pin in it. So yeah, really enjoyable episode with a fantastic supplemental.

Also, we have the million dollar question. What do I think Grifter’s Bone sounds like? Well, that’s easy:

- Episode 43, Section 31 🚔

Statement of Police Constable Basira Hussain, regarding her time investigating strange occurrences as part of Section 31. Statement taken direct from subject.

NOOOOOOO NOT THE COPS!!! WHO LET THEM GET INVOLVED???!!!! Nah I’m just kidding, Basira Hussain was actually pretty cool. So, this episode is quite the interesting one, as despite it technically being another statement, the way it’s structured makes it feel pretty unique. Obviously this episode has some very interesting reveals in terms of the overarching plot, but I feel like it’s purpose here was to establish the importance of the police force, namely Section 31, to the plot of Season 2. I mean, given what we learn about them here, and the fact that they’re in charge of a lot of matters related to Gertrude, I’m not surprised that they seem to be playing a decently significant role here. But uh..anyways let’s start off by talking about Basira. Yeah I like her :). She was chill, and I like how she’s very willing to help Jon out despite the fact that she probably shouldn’t. It’s a nice change of pace considering how I, and I assume many others, are used to cop characters being very stuck-up, and I think her seeming frustration with being sectioned was pretty endearing. I also kind of liked the buddy-cop dynamic she had with Jon as well, and I especially liked how this is really the first instance we have of Jon being very open to what the statement giver is saying. It really shows a lot of growth from his Season 1 denial, even if it comes at the cost of him going insane in this season. I’ll touch more on her deal with Jon at the end, but for now I’ll talk a bit about the experiences she describes. Obviously, the experience with the burning building was by far the most interesting one. I’ll start off by saying that as creepy as his death was, the sectioned officer Basira was working with has it coming. That’s what you get for being racist! Or misogynistic…Or, generally prejudice- Look. What I’m saying is that he probably deserved his fate. But who cares about that because OH MY GOD EPISODE 12. Obviously the episode has come back in multiple ways via stuff like Gerard and The Cult of Asag, but finally getting some confirmation on who the other burnt guy was is really cool! Diego Molina is quite the enigma, and the episode really got me thinking about his abilities, the book in red leather (which I struggle to see being anything other than another Leitner, although I have to question what Jon mean’s when he said he had a suspicion as to where Diego got the book. Like it was obviously in Jurgen’s library at some point but that doesn’t mean he got it directly from there. Maybe I missed something, IDK), and generally what the deal with The Cult of Asag is. Also, it seems Diego got burned and later killed by Gerard after the events of this episode, which makes me wonder about how he got burned there, since he was completely fine here. And also he has a zippo lighter, like Gerard and Jon? What does that mean? Is it the same as Gerard’s? But…his had an eye symbol, not a flame or whatever. I don’t know, I have a lot of questions regarding this guy and the cult he’s a part of. but I’ll just have to wait and see what pops up as time goes on.

Now, Basira’s second encounter with the paranormal doesn’t have as much going on, but I still find it very curious. The person she finds in the room is pretty interesting. The thing that really stuck out to me was that his house was in complete darkness. Given how this episode definitely deals with The Cult of Asag, I have to wonder if this is supposed to hint towards involvement from The People’s Church of The Divine Host. Someone in the YouTube comments also pointed out that the guy could’ve been one of the grim reaper people from Episode 29. I won’t deny the possibility, given the domino cases, attempt at suicide, and the fact that he was still alive after death, but I’ll keep other possibilities in mind as well just in case. However, something that obviously stuck out to me here was the presence of Daisy, Basira’s partner during this incident. She mentions having an encounter with vampires, and while Basira brushes it off as a joke…come on, there’s no way this doesn’t mean anything. And I actually have a small theory regarding this. You see, from Episode 36, we obviously know that Trevor Herbert, the vampire killer himself, is a relatively important character. We also know that he has a currently unnamed woman as his companion, so I’m wondering if that woman might be Daisy. This would probably mean that they departed from each other’s company at some point but…I just can’t shake the feeling that this is a possibility. The only potential hole I can see in this theory is that the woman had a scar on her eye, which seems like a pretty notable detail that would be weird for Basira to leave out, but it’s equally possible that she just didn’t find it worth mentioning. Either way, I am certainly interested by that line about vampires. One other line here that stood out to me was Basira’s mention of a spooky clown doll, which HAS to be a reference to Episode 24. We know that “weird” incidents are usually dealt with by Section 31, and that Section 31, is a rather small team, so it’s possible that Basira has been involved in police investigations of multiple statement, but I still felt it was a interesting thing to quote.

So overall, this was a pretty good episode. It’s not an all-time favorite for me if I’m being honest, but it set up some very interesting potential plot threads, I really liked Basira, and I thought it was cool to get a first look at what I assume will be a good amount of involvement from the police in the future. But of course…we have that supplemental. Oh thank fucking god we didn’t have to wait too long to get Gertrude’s tapes. Basira, you’re an absolute G, I hope to see more of these come through in the future (although I also hope she doesn’t get fired in the process lmao). I’m…probably not prepared for whatever will be on these tapes going forward but, hey! Let’s just appreciate the fact that we’re getting them at all! I…am getting more and more concerned for Jon though. Like, sweetheart, you REALLY need to lie down for a bit, I know it’s rich coming from me, but this constant search for the truth is going to bite you in the ass if you keep on going any further. You could also use some more help from Martin as well…no reason… Anyways, so far the season is going great, only three episodes in and it already feels like it’s going places. (I would like an update on Tim though, and…”Sasha”….ehhhhhh…)

Supplemental: “Martin just kissed me, I THINK THERE WAS POISON IN HIS MOUTH” - Jon, probably.

- Episode 44, Tightrope 🎪

Case 9790302. Yuri Utkin. Incident occurred in the village of Algosovo, Central Russia, November 1952.

WOOOOOOOOO GERTRUDE!!!! FINALLY we get to hear her, and while she’s still obviously shrouded in mystery, I was very satisfied with what we got of her. Firstly, I absolutely love the fact that she’s voiced by Jonny Sims’ mother, I always find it really funny whenever the roles of characters reflect the relationship between the actors, so I just though that was really cool. And she did a great job in the role, honestly I felt like I was being read a bedtime story. Specifically a fucked up German bedtime story (or I guess Russian…technically…). Honestly she’s pretty in line with how I imagined her, although I kind of thought she’d be a lot more cold when she comes off as just…pretty chill in reality, at least in comparison to Jon. And that’s probably the element of her character that interests me the most, outside of what she was doing and what really happened to her. Compared to Jon, who is frantically searching for the truth with very little answers, Gertrude seems to be much more aware of what’s really going on. She’s SO familiar with The Other Circus that she’s able to read this extremely creepy story and be like “wow this guy got lucky.” Like…WHAT HAS THIS WOMAN SEEN?! Obviously there could’ve been a period in time where she, like Jon, was in a frenzied state looking for answers, but in the context of what we’re seeing, it provides for an interesting contrast between her and Jon that I really like. But it raises SO many questions. Like, what exactly would it take for Gertrude to react extremely to a statement when she’s this unbothered by what she’s reading? How much did she know? I mean, I think it would be safe to assume she died because she knew too much, but like…how many weirdos and cults did she piss off in the process? I’m really anticipating where they might go with her in the future, as there’s a lot of interesting routes they could take. But outside of our first look at Gertrude, we obviously have the statement itself, and FUCK YEAH IT’S THE OTHER CIRCUS!!! Even though it’s only shown up in a couple of episodes prior to this one, this circus has actually been one of the most intriguing plot threads for me personally. I’m just a sucker for creepy carnivals, so finally getting an episode with a big focus on it makes me very happy. Ultimately this episode confirms my suspicions that this thing is a cult, because like…come on. There’s no way it isn’t. However, I still don’t really know what power they might serve, and the ringmaster Gregor Orsinov remains shrouded in mystery. As do…ALL of the cult leaders now that I think about it. We really only know the names of two of them, those being Gregor and Maxwell Rayner, but that’s about it. Regardless, I do feel like this episode gave a better idea of what The Other Circus wishes to accomplish, or at least what their deal is. The tiger, the freaks, the people in the audience, and…maybe the Ivan we see on the tightrope (I haven’t made my mind up on that one), are all implied to be not entirely…real, or as Yuri says, impossible. I think they’re basically artificial copies of real people and animals, but with some minor differences like glassy eyes or impossible anatomy, hence why it’s called “Another Circus”. For what purpose other than creeping people out, I have no idea, but I feel like that’s what’s going on here. As for the bag…well, I think it probably did contain Ivan but…I don’t really know what’s up with it, although it did kind of remind me of Episode 5 with the trash bags, and I think that episode connects to Episode 34, and…now that I think about it, the slightly off people and animals here are kind of like the anatomy students. Yeah I think I’m going in insane circles now! Also I guess I haven’t really talked about the story here, truth be told it’s not the most interesting element of the episode but uh…yeah I liked it as always, I feel pretty bad for Yuri and Ivan. God, imagine having severe mental trauma as the best case scenario simply because Gregor and his circus are just that dangerous, that’s messed up!

Well, outside of all of that, I obviously have some connections to discuss, so what about those? Well, obviously this one connects to Episode 24 more than any other, most notably via the calliope organ. So…yeah, I guess Nikolai Denikin wasn’t that good of a person! My initial assumption was that he caught onto whatever messed up things The Other Circus wished to achieve, and then quit and hid the calliope (…I miss Sasha) to stop them. Now that could still be the case, but this episode suggests that Nikolai was aware of The Other Circus’ horrific tendencies, and gave them a lot of power, meaning that he’s not entirely without a bad streak, and very well could’ve still been affiliated with them even after he “left” in the 1970s. Secondly, we have the clown in purple and white with polka dots which…almost perfectly matched the description of the doll from Episode 24. From that episode, it seems that doll was capable of turning other people into dolls…but does this episode signify that the clown doll was also originally a person. Maybe they sacrificed themselves in order to turn other people into dolls, or they were turned into a doll as punishment and the curse goes to other people whenever the calliope plays…I don’t know but it’s suspicious, especially since Basira Hussain seemingly mentioned the doll in the previous episode. But most interesting to me is the presence of who it seems very likely are our beloveds, Breekon and Hope. This is the first time we’ve seen them affiliated with a faction other than their own (although I do think they connect to Mikaele Salesa but that’s a different topic), which is very interesting. I already suspected they were the guys who stole the calliope in Episode 24, (looking back they were also probably the “two strong men” in the picture Jon described) and I believe that even more now. However, this episode gave me two ideas as to why they might have stolen the calliope in the first place. The first idea is dictated by the idea that Nikolai Denikin was no longer affiliated with The Other Circus. If that were the case, then I believe that Breekon and Hope are still affiliated with The Other Circus, and tried to steal the calliope back, but then it ended up in the institute’s artifact storage through unknown means. More likely though, I think that Nikolai was still affiliated with The Other Circus, and Breekon and Hope left, explaining why they are shown with their own company in modern day. As for what reasons, I don’t know, but I believe that it gave them enough motivation to steal the calliope as revenge, and then deliver it to the institute. Either way, their presence here is very interesting, and it makes me wonder if there’s any connection between The Other Circus, and all of the items that Breekon and Hope have delivered. Specifically the table because…well, it’s implied there were fake people in the audience and…you know… How many episodes do you think it’ll take for my brain to explode now?

Overall this was a VERY intriguing episode, getting a first look at Gertrude and more on what is one of the most intriguing plot points so far for me was very satisfying, and I’m sure I’ll be spending a lot more time mulling this over. As for the supplemental…well that is certainly concerning. I feel like they want me to be suspicious of Martin due to that note, and I am to an extent but…this has Not!Sasha written all over it. I mean, it’s implied she already stole a few tapes so I wouldn’t be surprised if she was snooping around. (The irony of one of the tapes she stole being Episode 24’s as well, lmao.) Well…that’s about it. All in all I’m very intrigued, I hope Jon is able to take care of his supplemental and..uh…I don’t really know how to end this part so EPISODE 45!!!!!!

- Episode 45, Blood Bag 💉

Statement of Thomas Neill, regarding his experiences working in malarial research during the spring of 2010.

EW EW EW EW ICKY BLEGH. I…do not do well with mosquitoes. Worms I can handle, like, I can relate to that, but mosquitoes? No. Devil spawn. Even worse when they spread malaria. So suffice to say, considering that this IS a horror podcast, this episode did a pretty good job! Ultimately some of the plot details here are a little bit vague, and the episode itself doesn’t have as much to unpack as some of the others so far, but I’ll discuss what I can regardless. Firstly, I do really like the general setting of this statement. I’ve always found lab accidents to be very scary if done effectively, what with how fragile and dangerous that kind of environment can be. I also thought they handled it really well with the slow build of paranormal activity, up to the…extremely gruesome ending. Like, YIKES. Honestly I feel really bad for Neil, poor guy was just being silly in the workplace and needed some cash, yet he got SO screwed over. Why am I surprised though, reality just seems like a massive bitch in tma, maybe even more so than in our timeline! But hey, at least there was another theatre kid Jon moment when Thomas was describing Neil’s death, so that’s nice! Neil’s death also did kind of remind me of just…everything Jane, what with a whole bunch of creepy crawlies enveloping him, although worms aren’t really traditional insects so I don’t know if those similarities mean anything, especially since this episode lacks the theme of toxic love that was extremely present with The Flesh Hive. (Although there was fire extinguishers involved…hm…) Speaking of that though, I want to talk a bit about the syringe. I think the implication here was that the mosquitoes wished harm on Neil due to his attempts to work against them, which is…an absolutely horrific thought. Those things are already little assholes, but the idea of them having a PERSONAL GRUDGE…oh no no no no no. Anyways, I think the syringe protected him from them, so when he lost it, they went full ham, infecting the haemoglobish with a bajillion diseases, and later killing him. (And also Thomas later on, what a bunch of assholes!) But this idea, the concept of an insect ecosystem being sentient enough to wish harm on a human out of a personal grudge…yeah it’s very adjacent to The Flesh Hive. And considering that the syringe was last seen with someone as important as Mikaele Salesa, I feel that it might be important if the institute ever has to deal with something flesh hive-adjacent once again. Oh yeah, Mikaele was here too. Kind of surprising considering it hasn’t been that long since he last showed up in a statement. Ultimately this statement didn’t really tell us that much more about him, he just continues to be a mysterious guy who’s probably bad, but maybe not as bad as some other people. And while there are rumors of his death…I highly doubt he’s really gone. Either way, I’m interested to see where they go with him in the future. (Also Jon just starting his closing thoughts with “yeah I hate mosquitoes too”…he’s real for that honestly.) Um…what else? Well, I find a few small details curious. Firstly, the rising heat in the lab is VERY reminiscent of a lot of previous statements, such as Episode 12, 37, and the Hill Top Road cases. To me it signifies some sort of connection to The Cult of Asag, although I have no idea what said connection could be. A lot of people also pointed out that the only blood type mentioned so far in the entire series is 0-, which is kind of curious, although once again, I don’t what that might mean. And finally, we have the reveal that Thomas started working at King’s College, the same place where Dr. Lionel Elliot taught in Episode 34. Overall, the connection are pretty vague here and don’t reveal all that much new, so either this episode is setting up stuff that hasn’t shown up yet, or it’s less relevant than I think. But as always, I still enjoyed it! Neil’s death will probably give me nightmares but who cares? Still a very good episode!

So…the supplemental. You know, if I worked in the archives, I would find Mikaele, get the syringe, and provided it’s not some kind of cursed talisman, I’d use it to sedate Jon because SWEETHEART YOU NEED TO LIE DOWN. On one hand, seeing Jon slowly go insane has been very entertaining, on the other hand, it makes me terrified for literally everyone. This isn’t even a visual show and yet I can still clearly see him shaking violently and eating things from off the ground. I mean, just look at him. Martin has a crush on him and yet Jon thinks he’s secretly plotting a murder. (Also what a sweetheart he is giving his boss/crush tea during his moments of insane paranoia, very glad to hear him again.) “Sasha” is, as far as I know, the most objectively suspicious person in the archives, and yet she is the only one Jon hasn’t batted an eye at yet. And Tim…Jon’s LITERALLY just stalking him?! No?! I mean, I guess I’m also a little curious as to why he’s working at the institute despite no signs of prior interest in the paranormal but like…I wouldn’t go as far as to start taking pictures of his fucking house! (Although how come Martin knows what his house looks like…hm…) Also HOW could you even think that Tim “Joe Spooky” Stoker is capable of murder?! He would never! (…please let me be right when I say that) …Look, I know I’m the one writing insane analyses of this podcast, and I’m probably a massive hypocrite saying this since I am LITERALLY setting up a cork-board in my room for connecting the dots, but that doesn’t make Jon any more sane, okay? Maybe…maybe we should both just lie down…despite the truth being just out of reach...I’ll listen to Episode 46 tomorrow…uuugghhh…

- Episode 46, Literary Heights ⛈️

Statement of Herbert Knox, regarding a repeat customer to his bookshop in Chichester.

Stupid idiot mother fucking god damn fool Jurgen Leitner is lucky that this episode was so fantastic, or else his sad frail old man twig bones would’ve simply flaked apart under my epic huge meat fist. (Look, I have to quote it SOMEWHERE ok?) Anyways, this episode was…absolutely phenomenal? Like, I’ve really been enjoying the season so far, but this episode coming out of nowhere and worming it’s way into…I don’t know, at least my top six episodes, is kind of insane. There’s obviously quite a bit to unpack here, so I guess I’ll start with just a few basic observations. Firstly, this episode opens with one of the best examples of theatre kid Jon so far. Like, the shift in his voice is absolutely hilarious. Secondly, and I feel like I need to address this, there has a been a metric fuck-tonne of Micheals in the show so far, so being able to refer to one as Mike is an absolute blessing. …I have a theory surrounding that though, but I’ll get to it in a minute. But I guess that works as a good segue into the main topic of interest here, Mike Crew. Truth be told, as good as it is, I don’t have much more to say about the episode on its own, as I think most of the intrigue comes from the implications for the overarching narrative it brings, although just to be clear, I’ll say that the episode has a fantastic story to tell on its own. Anyways, enough preamble, MIKE CREW! It’s genuinely such a treat to get a better look at just…what this guy is even like. I’ve known that he’s important for a while, but that’s only because he was mentioned in two separate statements, and I never knew WHY he was important, but this episode comes with some really interesting reveals. Firstly, I have to say that this guy is absolutely one of my favorite characters from the statements so far. His whole vibe is just so intriguing, and you get the sense that he has a better understanding of ✨the horrors✨than most other characters so far, but that he’s also terrified by what he’s witnessed. Anyways, I think the most interesting element of his character is how he’s clearly…just a very haunted man. This episode definitely suggests that him getting struck by lightning as a child was a paranormal experience that…connected him to something. I think it would be cool if we maybe got a statement from him later on that talked about that more, but for now, it’s just very interesting to see those powers over storms and electricity he seems to possess, willingly or not. It also seems like maybe he was studying Leitners and other books on demonology in order to get a grip on whatever was haunting him, with The Boneturner’s Tale obviously being one of them. Oh yeah, there was also some interesting stuff about Jurgen Leitner here. I do have to wonder if all of those strange deaths that occurred in the old book trade were caused by either him or his fucked up books, although he supposedly went into hiding in 1994 so I’m not entirely sure what that means. I’ve also started to notice how the Leitners…compel people. Like, Dominic Swain just…decided to go on a wild goose chase in order to learn more about Ex Altiora, Sebastian Adekoya was adamant on getting The Boneturner’s Tale despite knowing that it was bad news, Jared Hopworth was lured in by the same book despite clearly not being much of a reader, and now we have both Mike Crew and Herbert Knox fighting desperately for Ex Altiora. It’s…just very odd how much these books draw people in. And I think this is another good segue into talking about the glorious return of Ex Altiora.

Firstly, I nearly screamed at the name drop, like oh my god that was so exciting. Secondly, it’s really cool to finally learn what the story in the book even was. If it wasn’t for the fact that I’d end up in a perilous situation if I did so, and that I don’t know Latin, I’d honestly read it, it sounds pretty cool. Either way, Mike’s possession of it is very interesting to me. Obviously it seems like it’s because of him that the Lichtenburg Figure showed up in the book, meaning that it’s unlikely that Mary Keay was trying to trigger Dominic’s childhood trauma, I guess. It’s also very curious how Mike somehow knew how to wield its power correctly from the looks of things, and I also have to wonder why it ended up in some random bookstore when it seemed to be so important to him. But I think the most interesting thing about it is how it connects to whatever was haunting Mike. Jon suggests that he was trying to use it as a ward, which I do agree with, but I wonder if it backfired in the end. Maybe Mike thought that its raw power could protect him, but in reality, the book was connected to the force pursuing him without his knowledge. I mean, Ex Altiora causes vertigo and is about a high mountaintop village being terrorized by a vast and unknowable massive monster, and Mike is connected to the sky, so I think it adds up in the end. (Also, if I didn’t already think so, I’m absolutely certain that the events of this and Episode 4 connect to the ones of Episode 21, meaning that yes, the fucking sky is an eldritch horror in this timeline, and chances are Ex Altiora and the skydiver guy are harbingers of it. What does this even mean for tma’s world structure, holy shit.) Anyways, I think this theory also works because of Mike’s fate. I mean, he says “I am yours” (which is very similar to Edwin Burroughs saying “I am not for you, I am marked btw), and then throws himself out of a window. I feel like in the end he submitted himself to the forces chasing him after Ex Altiora ironically drew him in further. Said force might also be called “Vertigo” or “The Vast” based on what he says during his chants. (Also I don’t really have any theories as to how the bell tower was opened up just so you know.) As for Mike’s fate, well…I honestly don’t really know, although I think the lack of a body and his clear significance to the plot mean that he’s not…entirely dead. Maybe the Lichtenburg Figure is supposed to suggest that he’s inside Ex Altiora? Maybe…the sky ate him? I can’t quite tell yet, but I’m sure this isn’t the last I’ll hear of him, he just seems too significant (and just…way too cool) to write off here. Although…I do have one more theory about this episode, one that I’d like to proclaim my crack theory (as if my other ones already aren’t cracked). Oh boy here we go…

So I mentioned that there’s a lot of Micheals in this show, so much so that from what little I’ve seen it’s a meme in the fandom. I mean, it makes decent sense, Micheal is an extremely common name after all…but what if this goes deeper. What if every major Micheal in this podcast actually has direct connections to each other? So far we have three Micheals that seem to hold plot relevance (please, PLEASE let it stay that way.) They are Mike Crew, obviously, Gerard’s grandfather Micheal Keay, and the mysterious “Micheal” that Sasha meant, who is presumably the person that was pursuing Ivo Lensik’s father. Keep in mind the word PURSUING. Because…you remember how bony-hand Micheal appeared all weird and distorted in the window of Sasha’s apartment building. Well, it’s probably just my imagination, but…it reminds me a hell of a lot of the thing chasing Mike. On top of that, I originally doubted that bony-hand Micheal was the same person as Mike Crew due to the lack of a Lichtenburg Figure on his body (although Mike does actually seem to be capable of hiding it based on Herbert’s description of him, but said description is notably different from that of Sasha’s Micheal anyways), but I did throw out the possibility of him actually being Micheal Keay. This could also explain why he had all of those strange attributes, as Mary Keay seemingly learned how to live beyond the grave, yet she came with a number of visual differences from when she was, like, actually alive, so maybe something similar happened to her father. (and then maybe Gerard…please…please let my favorite MCR reject guy be alive…) So, here’s the basic premise of my theory. Micheal Keay found some sort of way to live after death, becoming the strange distorted Micheal that Sasha saw. This new form of Micheal Keay would form a connection to fractals, terrorizing Ivo Lensik’s father, and also a connection to the sky/vertigo/the vast/whatever you want to call it, and then start terrorizing Mike Crew. (I mean, the fractals give off the same vibes as the Lichtenburg Figure right? RIGHT?!) And then, and I know this is a huge reach but like I said, it’s a crack theory, Mike was absorbed by the being that was pursuing him. Micheal Keay is alive, and absorbing people, one of whom just happens to have his name. If Ivo’s dad was named Micheal Lensik I might just go insane. Now, do I expect this theory to be true. Oh god no! Like I said, this is absolute crack, but I think it would be very funny if every Micheal in this podcast is actually just the same person. There’s a lot of other mysteries surrounding these guys, and I’m sure I’ll be satisfied with whatever they pull off.

So that’s Episode 46. Overall this was a phenomenal episode, it’s absolutely my favorite of Season 2 so far and at the very least one of my favorites in the entire podcast so far. It’s given me so many things to think about and I’m really excited to see where they go with the plot surrounding Mike in the future. As for the supplemental, well…you know what, Brian David Gilbert- I mean Jon (yes I finally made that connection) has every right to be concerned about this one. It is admittedly a little bit unnerving that there’s another person exploring the tunnels, my best guess is it’s Not!Sasha because…well, she’s just suspicious by nature, but it could easily be Martin, Tim, and especially Elias as well. Or worse…whatever’s down there is trying to get out. There’s also the matter of the spiders which is…very interesting. Episode 32 already separated the spiders from The Flesh Hive, but I didn’t think they would go as far as to kill the remaining worms. In fact, I suspected they were in some form of collaboration, since Jon smashing that one spider lead to the infestation of worms, and the worms were present in Episode 16. But no, they’re actively killing the worms. Maybe as like…a punishment for failure or something? I really don’t know what the deal with the spiders is, but it’s certainly interesting. Anyways, great episode, can’t wait to see what comes next.

Oh, one last thing. I have this copy of Dracula in my house, and it really reminds me of Ex Altiora. Like this is what I imagine it looking like. (Also STOKER? As in TIM STOKER? Ok I’ll stop.)

- Episode 47, The New Door 🚪

Statement of Helen Richardson, regarding a new door in the house she was selling. Statement taken direct from subject.

What what what what what what what what what what what what what in the everlasting FUCK?! I don’t…what do you MEAN? RIGHT AFTER MY FUCKING MICHEAL CRACKPOT THEORY YOU GIVE ME THIS?! I CAN’T…WHAT…THERE’S SO MUCH GOING ON I LITERALLY CANNOT HANDLE THIS UAAAGGGGHHHHHHHH. Ok…calm down calm down calm down calm down just CALM. THE FUCK. DOWN. You can do this. You are a TUMBLR. ENBY. You can coherently summarize this episode. Right? …right? Oh no….

Ok so…let’s just start from the top with the things that are easy to summarize. Firstly, this is a statement recorded live from subject, so we obviously need to talk about Helen Richardson. Oh god….what a poor soul. I REALLY feel for her, compared to every other statement giver, at least the ones who gave their statements live, she was absolutely the most distraught by her experiences. Her VA did a fantastic job portraying her fright, I liked how she was frantically drawing a map at the beginning, and overall it’s just really not hard to feel for her, especially given her…fate, but we’ll get to that later. It was also extremely gratifying to finally have an instance where Jon fully believes the person he’s talking to, he was decent with Lionel and Basira, as well as his coworkers, but after his interactions with Naomi and Melanie, seeing him fully believe Helen was honestly really nice, just shows how much he’s developed since most of Season 1…although it has come with him being extremely traumatized and erratic but hey! It’s still cool that he was genuinely trying to help Helen out, because if this was Season 1 he would have not believed her. Anyways, what about her actual statement? Well…that’s absolutely terrifying. Like, I am never going to be able to look at doors the same way ever again, am I? This is already a terrifying experience on its own, but the fact that Helen is an ESTATE AGENT of all things makes this so much worse, like you could just tell that this was her personal hell. And then we have the backrooms themselves which-yeah I’m going to call the corridors the backrooms until further notice because god damnit sometimes you just need to be annoying. Anyways, everything about that place(?) makes me uncomfortable. Firstly, the opening of the door reminded me a little bit of the coffin from Episode 2, and the corridors especially reminded me of Episode 30 with the slaughter house. But outside of those interesting yet admittedly tangential connections, there’s so many terrifying aspects of the backrooms that are just so extremely terrifying in their own right. The way the door just shows up out of nowhere and lures you in, the way Helen’s face looked like it had been crying for hours when she looked in the mirror, the repeated paintings, the temperatures that don’t make sense, Micheal just…lurking there waiting to kill her, how she ended up somewhere entirely new when she finally “escaped”, and of course, the fact that it functions like a Cthulhu city with how it just DOESN’T. MAKE. SENSE. That seems to be the main theme here, just…everything not adding up, confusing people, nearly making them go insane, that is the nature of these corridors, and Micheal himself. And you know what, I think it’s about time we talk about the end of the episode. While the statement is fantastically written and viscerally terrifying, it is overall very short, and I’d say the true meat of the episode comes from the ending. Because Oh. My. God. I have some thoughts.

I’m just going to start off by saying that the drawn-out door noises that played when Helen left initially just came as a “haha funny trauma noise” moment from Rusty Quill, and nothing more. …Oh how naive I once was. Anyways, before I talk about tall blonde and Handsome, I guess I should address the glorious(?) return of Not!Sasha! …Oh no. I don’t know if it’s more or less unnerving that she’s actually speaking like a somewhat normal person now. That…that is very very bad. But she still sounds so noticeably different from the real Sasha, so much colder…I…I really do not like her! The way that she avoids re-recording Sasha’s statement because she doesn’t remember the whole thing, and the funky audio distortion that plays in the room it’s…no! No no no no no! Well at least someone seems to know what’s really going on, and that is of course, the man who speaks in hands (woah reference), Micheal…something! Apparently there’s no such thing as a real name so I’m going to assume he just doesn’t have a last name for the time being. Anyways, ever since Episode 26, this guy…thing…door has been haunting me for ages. He’s never quite at the center of my mind, that honor goes to people like the worm wife, god damn fool book-collecting dust-eating rat old bastard shithead idiot avatar of the whore, my goth son, and Jon and Martin but only if they are holding hands. But still, the way he was so enigmatic with his motivations, where he stood morality wise, his generally creepy vibe that makes me imagine him as a guy that’s always smiling, his big-ass hands, and the sense that he was so above everything and everyone in this entire story, it always kept me terrified and intrigued. And now that we’ve finally met him…yeah, he absolutely lived up to the hype. I’m sorry Jane, but I think I’ve found a new obsession. I want this thing and his gender carnally. His VA does such a phenomenal job, like I know it’s somewhat filtered but still, the tone and especially the laugh, like HOLY SHIT that is a creepy laugh, it’s all fantastic. And I mean, yeah, it still feels like he’s so above everything else, like everything connects back to him, but also like he’s so vastly beyond everything that it doesn’t connect at all. All of his dialogue is so confusing but also interesting and…well, I guess I should discuss his dialogue, because there is actually quite a lot to unpack from a good amount of his sentences.

So, when Micheal first shows up, the strange pitch that started playing when Not!Sasha entered the room changes, suggesting that Micheal and Not!Sasha are either very different from one another, or very similar. (Also, I’m assuming that the pitch playing when Not!Sasha was around is a different one from Micheal’s, because it sounds really similar to the sound that played when Sasha came across the table in artifact storage.) Either way, his first line “Do you even know they’re lying to you” seems to confirm that Micheal knows the truth about what happened to Sasha, showing how powerful he really is. Now granted, when you consider his naturally maddening personality I doubt he’s going to reveal the truth anytime soon, but it’s worth keeping in mind. (Especially since it’s implied that Elias knows what’s going on, or at least has a hunch so….hm….) Going forward, Micheal refuses to elaborate on how he got in, like the silly king he is, and then says his name is "a real name." This is interesting, as he later contradicts this by saying there's no such thing as a real name. Obviously that last quote ties into themes of inhumanity and lack of identity that seem to follow him, but I'm just going to assume the contradictions are a result of him just, once again, not making sense. I'm sure there's a deeper meaning, I just don't quite know what said deeper meaning is yet. Also I love how when Micheal said he wasn't going to kill Jon, Jon was like "oh :/". Just like...end his suffering I guess. That seems to be another prevalent theme with Micheal. He's not exactly...good, but he's also not really a major antagonistic force...yet, at least. Regardless, it's next that we learn why he's here and...oh...oh no. That's genuinely really off-putting. So yeah, Helen got trapped in the backrooms AGAIN, right after she gave her statement. I...I don't think her chances are all that good if I'm being honest. Damn. DAMN. Also, the part where Jon realizes that the door she left from was never there...that was absolutely chilling. (Although isn't it like...a yellow door? Wouldn't Jon have noticed that? Unless the doors in the archives are already yellow?) But like, imagine if this was a common occurrence. Like, what if Jon just read, I don't know, Jason North's statement from Episode 37, and then immediately got set on fire? Because that's what this feels like. Interestingly, when Jon questions if Micheal is the owner of the backrooms, he responds with "does your hand, in any way, own your stomach?" This seems to suggest that Micheal and the backrooms are one and the same which is...not confusing and terrifying at all! I'll take a bit more about what I think Micheal even is in a second but for now just keep in mind that this information is...very concerning. Also "let her go!" followed by "no :)" was kind of funny. After all that, Micheal...stabs Jon? I mean, that's absolutely not a good thing, but it didn't seem that major or painful all things considered. I'm just going to assume he used his big-ass knife hands to stab Jon in an ultimately non-vital place, because that's what the audio seems to suggest. Now, I'll touch a bit more on Micheal's comments about his own identity in a second, but for now, the last things he says correspond with his motivations. Apparently he helped Sasha learn about The Flesh Hive because he did not want the institute to disappear too early, as it would have "unbalanced the struggle." Jon believes that this implies the existence of a war, and given how I've been speculating that all of the horrors and their servants are at each other's throats...I have to agree. It also suggests that Micheal is a lot more aware of how things are going to pan out in the future than Jon, which is...interesting. Anyways, he then mysteriously vanishes, and Jon ends the recording. It's so serious that we don't even get a supplemental. So with all of this in mind...what are my overall thoughts on Micheal?

Let's just run through everything we know. Micheal is a weird tall blonde guy who has an uncanny laugh and massive hands. He is connected to some sort of maddening pocket dimension that is accessed through a teleporting yellow door. He lured Helen Richardson into there twice, and she is still stuck there. He also probably got rid of Ms. Richardson's actual clients, and he's implied to have some sort of connection to fractals (which admittedly to line up with how maddening he is), meaning there's a good likelihood he was the being chasing down Ivo Lensik's father, and he maybe had some sort of encounter with Jane given how she also mentions fractals. He seems to be antagonistic and has bad intentions, but wants the archival team to stay alive since he views them as important, and believes the loss of the institute would "unbalance the struggle" implying the existence of a war. (my theories are being validated kind of!) Despite this he chooses to stab Jon anyways, and his whole character seems to be built around insanity, doubt of one’s own mind, and contradictions. So…who or what do I think he is? Well, I think our best hints come from the one major piece of dialogue from him I neglected to mention. That being when he calls himself a “what” instead of a “who”, saying that a “who” represents a level of identity he “can’t ever retain”, and how he isn’t used to talking about himself. This all suggests that Micheal is obviously not human, but also can’t function under the human understanding of identity. However, he also says that his identity is something he can’t “retain” rather than “obtain”. This suggests that he might have actually been something more human than what he is now in the past. And…funnily enough, this kind of lines up with the theory about Micheal Keay and Mike Crew I just made. (And, yes, hearing him in this episode immediately after writing that down was indeed very exciting.) I mean, in the slim chance that theory is correct, then..yeah, a guy who lived beyond his natural lifespan and then absorbed another guy, possibly even more people, would not really be all that human. They’d have multiple identities conflicting with each other. But granted, this theory is pretty cracked in my opinion, so maybe something more logical would be…something like the anatomy students! They also kind of had this lack of identity and weird way of speaking, so it could line up very well. Also, they contorted their bones at one point (which is admittedly more similar to The Boneturner’s Tale but still), and you know how they were all functioning under the basic bitch names of different cultures? Well…Micheal is one of the most common names in the west so, who knows? And this might connect back to Not!Sasha! After all, I’ve already made comparisons between her and the anatomy students, and Micheal is aware of her true identity, and he plays a different yet still pretty similar pitch to her when he’s in the room, and the hypnotic pattern on the table might be similar to FRACTALS? Look…I’m basically saying that Micheal is an enigma, and there are a lot of opportunities for what he could be. But what I do know…is that this thing is so far above everyone else like holy shit. He just…I don’t know what it is, I feel like he’s basically god. Everything connects back to Micheal, but it also doesn’t because he couldn’t care less about all this shit. It feels like almost everything has at the very least a small connection to him. I don’t know why I think this it’s JUST. THE. VIBE.

Wow. That was certainly quite the episode. While the statement itself was very short, and while I am confused out of my goddamned mind, this was another phenomenal episode. It should be a crime to put this right after Literary Heights, I’m just saying. It had a really well-written main character, a terrifying scenario, dozens upon dozens of implications, and…Micheal. Just Micheal. There is probably so much that I didn’t even touch on here, but that’s just because my brain is so scrambled trying to figure this all out! Which you know, given the themes of the episode, I feel like that’s by design, and I’m ok with that. I’m very excited to see…whenever and however this all pans out, but for now, I’m going to take a three day-nap. Honk shoo mimimi or whatever the kids say.

I said “Micheal” like…26 times in this section alone…Fuuuuuuuccckkk. Am I really about to ditch the worm wife for the hallway husband? (Update: No, but that’s only because I realized I have two hands.)

- Episode 48, Lost in the Crowd 🧳

Statement of Andrea Nunis, regarding a series of encounters in the streets of Genoa, Italy.

Ok, so thankfully after Micheal’s Marvelous Maze of Madness ft. Micheal, this episode was a bit of a more standard affair, and a lot easier to digest and process. That being said, this one kind of fucked me up! Generally I’m a pretty introverted person, so I’ve found it kind of interesting how the couple of statements where the idea is “character who likes being alone gets karma” are some of the scariest for me personally. Also, I will mention that while there is a common theme between this and Episode 13, I don’t necessarily think they’re connected for a couple of reasons. Firstly is the lack of any tangible signs of The Lukas Family, and secondly is the fact that Naomi’s experience manifested in the form of a wide open field with nearly nothing in it, while Andrea’s was in the form of a crushing crowd. Granted there was a gray sky in the alleyway she went into, which could connect to Naomi’s fog but…eh, I’m not too sure. I personally think the one thing that connects this statement to the rest of the series is Gerard’s presence, which I’ll get to later, but still, those similar themes of one’s own introverted tendencies being turned against them felt worth mentioning. But outside of that recurring theme calling me out a second time, there were quite a few other things that really spooked me. Ethan’s fate was genuinely pretty sad as he seemed like a nice guy, the mentions of heat popping up once again were unnerving as usual, and…the crowd itself. This…this genuinely had me curled up in a ball. I hear people say that you will inevitably find at least one tma episode that feels like it’s targeting you specifically, and while I can’t confirm if this is that episode for me, I…wouldn’t be surprised if it was by the time I’ve finished listening. I have a very bad relationship with crowds so…yeah, this one hit very close to home. The description was…so, so visceral. The blanked out faces, the garbage noise, the constant shoving…I think it put how I subconsciously view crowds into words perfectly, and…yeah, I don’t really have that much more to say about the statement other than it was sad and terrifying for me. Needless to say I don’t think I have any desire to go traveling any time soon lmao. But hey, that all just means it’s doing a damn good job as an episode of a horror podcast!

But outside of the core story, we obviously have the very intriguing return of who is presumably…MY GOTH SON HELL YEAH! GERARD KEAY NATION LET’S FUCKING GO!!! Honestly, considering that he has to live a life of fighting the horrors (and maybe…spreading them…), and also seems to have a fucked up family history, I genuinely hope that he was just on vacation here, whether he’s good or bad or morally gray, I think he deserves a break. Anyways his appearance here is certainly pretty intriguing. Not only is this the first statement he appears in that seems to be completely unrelated to any Leitners, but he also mentions that Andrea had been “marked”. Marked by…what exactly? If I had to guess, I would assume that it would be the entity possessing Hill Top Road. When it fully took over Edwin Burroughs, he said “I am marked”, and on top of that, it also has connections to heat and distorting the world around people until they snap back to reality, both of which are things that Andrea experiences. Honestly, this being seems to pop up all over the place, as it seemingly has some level of ties to The Cult of Asag and maybe even Micheal (though that’s probably just the brain rot talking), and while it definitely seems to be at its strongest on Hill Top Road, it’s implied that it possessed the girl who Edwin Burroughs attempted to perform and exorcism on, so I think it can still appear in other places. Thankfully Andrea seems to have been able to fend it off by thinking of her mother, but that just makes me more intrigued as to how Gerard knew that would help fend off some sort of eldritch heat god. On top of that, this is like…the one statement so far where he shows up and doesn’t do anything that is potentially morally questionable, outside of Pageturner in retrospect I guess, so…yeah, even though this episode was a lot more easy-going than the last one, it’s still given me a lot more to think about. Gerard’s presence and actions, whatever marked Andrea and caused all the bad stuff to happen…it is certainly all very intriguing. Overall, while this isn’t an all time favorite episode for me or anything, I still thought it was a very good one and…genuinely really unsettling for me personally. I’m glad we got to see another look at Gerard and, yeah, there’s not much more to say, just another good episode. Well…there’s not much more to say outside of the supplemental at least.

Oh god fucking damnit Jon. He has clearly not heeded my advice to lie down because what the fuuucckkk. I understand if he’s a little bit shaken after the encounter with Micheal, and obviously watching a real-estate agent basically die without you knowing would probably fuck you up but OH. GOD. Ok well, it’s at the very least a good thing that he finally realized that something’s up with “Sasha” but…did he really need the god of confusion or whatever he is to tell him that?! You are an ARCHIVIST. An ACADEMIC. YOU SHOULD BE BETTER THAN THIS!!! He’s all like “I didn’t suspect her because she’s handled the Prentiss attack better than anyone else”…AS IF THAT’S SOMEHOW NOT CONCERNING?! IF I WAS HIM, I WOULD BE EXTREMELY CREEPED OUT IF SOMONE WAS JUST…CONTINUING AS NORMAL AFTER ALL OF THAT! God, what an absolute dumbass. His density knows no bounds. I love him dearly. Still though…it’s a good thing he caught on at least. And then we have his conversation with Elias, and yeah, that doesn’t do him any favors! Don’t get me wrong, the entire scene is absolutely hilarious, I love how he questions if Dr. Elliott or Micheal were filing complaints, how he chocks up being a fucking stalker to being “worried about Tim and Martin’s mental health” (oh god Martin’s crush is going to end up being so fucked I can already tell), and I love to envision him just standing outside Tim’s house with binoculars in a very easy-to-see location. But..wow! You know, when I said it would be nice to see him grow out of being a skeptic, I DIDN’T MEAN IT LIKE THIS! And then he finishes the supplemental by saying he’s most suspicious of Elias which like…yeah, me too, but I don’t think it’s for the same reasons! If anything, this is the least suspicious Elias has ever been, honestly hai requests of Jon seem pretty reasonable. Well…at least Jon knows who to be the most suspicious of now…I guess. Someone please just knock him out with a frying pan, he really needs it (affectionately)….

- Episode 49, The Butcher’s Window 💪

Statement of Gregory Pryor, regarding his investigations into one Hector Lorado during the summer of 2007.

I’m going to start off by saying that for some reason, on the YouTube upload, the little title card didn’t fully load for this episode. What was up with that? Is “butcher” or “window” some sort of British swear I’m unaware of? Well, regardless….EW EW EW EW EW EW EW EW!!!! Yet another episode that makes me feel really uneasy like…wow! I expected some body horror or meat related stuff given the title, but…I did NOT think it was going to go like…that. But outside of my sheer terror, this was another really great episode! It was terrifying, but it also built on some things that I…honestly kind of forgot about, helped fill in some gaps, and also came with some very fun reveals at the end. (oh my god I can’t wait to talk about that) As per usual I’ll start off with just some fun and interesting things about the episode that are easy to talk about. Firstly, I actually really liked Gregory Pryor as a protagonist here. I’ve always kind of had a fondness for the statement givers that are just…honestly pretty big dicks, as I think it adds a good level of realism to the world and helps to shake things up. Honestly the whole vibe of the statement was so gloriously shitty, I just got the sense that no one involved with what happened was particularly likable. I also was a little bit curious about the presence of the Ukrainian mafia here, initially I thought the guys who were bargaining with Hector were supposed to be Breekon and Hope but I think that was just me going insane. If I had to make one minor complaint about this episode, it’s that I felt like it took a while to get into the weird horror aspects. I mean, most episodes don’t get into the real meat until later on, but they usually add intrigue with just…little oddities here and there. For example, Episode 46 doesn’t get truly freaky until later on, but the mentions of the weird smells and lightbulbs whenever Mike entered the room helped in making me feel uneasy, while this episode doesn’t really have much of that. But this is overall a very small and meaningless complaint, because when we do get into the actual horror…oh my god. I have some things to say.

So…yikes. Before we discuss the return of the big beefy bully boy, I’ll just talk a little bit about how FUCKING GRUESOME this part is. Like…I was very disturbed. Gregory hiding in the locker, Hector turning out to be alive, all of the shit that Jared did, the teeth hole underneath the floorboards, the discarded clothes and the body of the original owner that was later found, the general atmosphere of a morgue inside a butcher’s shop, the fact this went on for four fucking hours, and Gregory’s escape attempt which led to…the arm. I initially thought it got chopped off, which would have been terrible already, but then…then we learn that Jared FUCKING RIPPED THE BONE OUT THE SOCKET AND EW EW EW. All of this was tense and horrible and I absolutely loved it. Happy that Gregory got a prosthetic though, even if I just said he was kind of a dick. But anyways uh…Jared Hopworth is back! Honestly I kind of forgot about him, but it is really cool to see that he’s a more prominent recurring antagonist, given that his whereabouts were kind of a loose end at the end of Episode 17. And…I mean, I do not know how to feel about where he’s been. On one hand it’s..good for him(?) that he was able to capitalize his abilities (especially alongside the fucking mafia of all people), but on the other hand, he’s clearly a terrifying meat bone monster thing that is no longer human and is dismembering people in order to morph himself even further. So…yeah, overall I’d say his return isn’t exactly a good thing. I mean, he could change the medical world with these abilities but instead he does this. What an ass! But in all seriousness, I’m absolutely terrified of this man. Just the knowledge that this…thing is STILL out there, still turning people’s bones, is…not exactly a pleasant thought. Like, obviously this is fiction, but I LIVE in England, I still feel like Hulk: Bone Edition could come at me and that’s not a good thing. It’s also interesting that Jared is not seen using The Boneturner’s Tale to…you know, turn bones anymore. I’ve seen someone suggest that maybe he also put the book inside his body, which could definitely be the case, but Mike Crew still seemed to have some sort of connection to Ex Altiora even before he found the book so…I just get the feeling that a single encounter with a Leitner is enough to give someone some weird abilities, although it does make me question where the time might be now…yikes. (Also, if he opened the book at one point, does that mean that Mike could also turn bones? Or did the book specifically choose Jared as if it’s sentient? Honestly I’m just starting to get the vibe that this old-ass bibliophile is responsible for every little bad thing that happens in this podcast.) One other thing about Jared is that now that I think about it, his weird shape is very similar to that of the anatomy students and Micheal. There very well might be some connections there, but I’ll just have to wait and see where they might go. What’s also very curious to me is that…interesting hole that Jared started throwing the bones into. For some reason, it kind of reminded me of that part in Episode 30, where David Laylow was nearly fed to a massive meat grinder. I only say this because Jon straight up says that this statement reminds him of other meat-centric ones, such as Episode 30, but also others like Episode 18, probably. In fact, I wonder if this butcher’s shop is where Toby Carlisle from Episode 18 was getting the meat, maybe he knew Jared. Now, I can’t say how all of these episodes connect perfectly, I just know that there’s a connection. What I do find interesting however is that this episode is home to both meat and bones and…that got me thinking about a theory I had on ✨the horrors✨.

When I wrote about Episode 35, I listed out what I thought the driving forces behind all things spooky in the timeline were, and I mentioned something associated with meat, and something associated with bones as two of them. However, given what we have here, I now think that these “two” are actually the same being. Rather than one being meat and the other being bones, I think there is one singular being with command over bodies in general, and that’s what has been witnessed in every episode with either concept involved so far. This revelation doesn’t really give much, as I still don’t know…what the hell this thing even is, but it has made me want to revisit my list of ✨the horrors✨ with a new coat of paint. So, here it is: Eldritch Gods 2.0!

- The Anglerfish (1, 28)

- Vertigo/The Vast (4, 21, 46)

- The Flesh Hive (6, 22, 26, 32, 36?, 39, 40, 45?)

- The Piper (7, 42?)

- Asag (8, 12, 19, 20, 37, 43, 48?)

- Devouring Darkness (9, 15, 25, 41)

- Eyes (12, 20, 23)

- Isolation (13, 33, 48?)

- Body Horror (14, 17, 18, 30, 35, 49)

- Spiders (16, 32, 38, 48)

- Whatever The Other Circus deals with (24, 44)

- Micheal :-) (8, 26, 47)

And then like…maybe one or two more if the passages Robert Smirke designed do indeed represent ✨the horrors✨. I also guess I should mention the remark I made about these things representing different fears, since I said that one of the reasons I scrapped that theory was because “bones” were just too specific. Now granted, I am not fully reviving this theory, as just because something is scary does not mean it represents fear (even though I still think fear is a core theme of the podcast(, but I will concede it makes the theory…slightly more plausible, but I’m still kind of on the fence about it. So um…yeah! That’s about it for the content of the statement! Overall another great one, a bit of a slow start but it more than made up for it with what happened later on! But of course, I can’t neglect to mention the follow-up and the supplemental because…oh my god this is absolute gold.

“Come on down to The Magnus Institute. We have Jonathan “Ex-theatre kid turned crazed conspiracy theorist” Sims, Martin “pines after his emotionally constipated boss that either hates him or suspects him of murder and steals tape recorders to write poetry” Blackwoood, Sasha “she is totally normal” James, Tim “bisexual icon otherwise known as Joe Spooky” Stoker, and Elias “smokes weed” Bouchard! Simply sell your soul to ✨the horrors✨ of academia, and start your work now!”

So…there’s certainly some interesting things to talk about here. There’s nothing about the statement that really sticks out, or that I haven’t already mentioned, but most of the interest comes from information on the institute staff. Firstly…hell yeah Tim you fucking get it. The man comes back from a horrific worm infestation and gets back to his hobbies of being silly and seducing cops for information. What an absolute legend, I wish he ran the institute, nay, the country. Also find it interesting that Basira has “refused to compromise her position any further”. Hopefully that just means that she doesn’t want to anything outside of sneaking in Gertrude’s tapes, as it would be a shame if those stopped coming in, given how interesting the first one was. It is very funny to me however that Jon says he doesn’t want to get involved in “personal drama”….when he is literally outside Tim’s house stalking him. Never change Jon. Actually please do change. Actually I don’t know. Also we have Not!Sasha, and while I can see why some might interpret her computer troubles as relating to the ones that force Jon to record statements on tape…I personally think she’s just really fucking weird. It also made me realize that doing I.T. in a place like this must seriously suck ass. (Oh god…imagine being in H.R. though…how would you manage the worms…HOW WOULD YOU MANAGE JON OH GOD.) So (almost, looking at you Not!Sasha) all of that is fine and dandy, but things get very interesting when we start to look at Jon’s investigations into Elias. Finally some substantial lore on this guy! (Sure, Jon should probably be looking into Not!Sasha but…he’s still suspicious as well so I won’t hold this one against him, even if his reasoning for suspicion from last episode is dumb as all hell.) So, we learn here that the institute was previously ran by a man named James Wright, who ran from 1973 to 1996. Not only does this mean that Episode 44 was recorded not too long after Elias took over, but it also means that…James Wright probably ran for an unusually short amount of time. I mean, I doubt you’d start running an institute like this in old age, and while he could’ve died in an accident or due to medical complications…I can’t just shake the feeling that he was murdered, despite the lack of information on him. Like, if Elias is being set up as antagonistic, which I feel like he is, then I could see him killing James just to gain his position. But on top of that lore, we learn that Elias joined in 1991, and worked in artifact storage, becoming head of the institute unusually quickly. But more importantly…HE CANONICALLY SMOKES WEED FUCK YEAH!!!! I don’t CARE if the implication is that he doesn’t do so anymore, I will forever believe that he still does it in secret because the amount of hilarious scenarios that could come from that are too good to pass up. But…yeah, this information on his past is weird. Like, you would not expect a stoner with a lackluster university degree to become the head of an eclectic academic institution so easily, let alone to have the personality of the Elias we see here. I saw someone suggest that maybe the real Elias was taken and replaced by one of the things that took and replaced Sasha, since he worked in artifact storage. I personally think it’s unlikely, since that event only transpired due to the table, which was only delivered to the institute fairly recently, but it’s a fun theory nonetheless, and it could explain why Elias seemingly knows that Not!Sasha isn’t who she says she is…and for some reason chooses not to tell Jon and the others. And hey, the table has definitely moved around before given it’s presence in Graham’s house, and maybe Hill Top Road, so it’s technically possible that it’s been to the institute before and was just temporarily moved to victimize someone. But as cool as this idea is, I have a bit of a different theory. It’s looser, but it makes more sense in my head.

You see, I think that Elias Bouchard has done some bad things and that he isn’t entirely moral, but I don’t think he has the worst intentions at heart. Based on all of the information, and the vibes he’s giving off, I think that he has likely witnessed the horrors first hand. This would explain his possible change in demeanor, perspective and personality after joining the institute, his supposed great knowledge on the paranormal, and why he was able to recognize Not!Sasha, without him being some horrific monster. I don’t think he was impersonated, but..he could’ve definitely seen something in artifact storage, or maybe even before then, as it would explain why he started work at the institute in the first place. And…I personally think he wants to avoid ✨the horrors✨as much as possible. He’s seen them first hand, and he wishes to keep them far away. This would explain a multitude of things. It would explain why he’s quite discouraging towards Jon’s attempts at investigation, why he was willing to sacrifice Jon and Martin to deadly C02 if it meant killing Jane, why he’s so quiet about details surrounding Gertrude. And mentioning Gertrude, if we assume that Elias did indeed kill her (which I still think is the most likely course of action, even with the potential of him being a red herring) then this potential worldview of his would explain why he would’ve killed her. Gertrude clearly knew quite a lot about ✨the horrors✨, much more than Jon at least, given how she talks about The Other Circus with such familiarity. And given how it seems that at least two cults have something against her, it’s safe to assume that she made an enemy of eldritch forces. So, Elias killed her out of fear for what she could’ve caused. And that’s why he’s trying to keep Jon calm (and desperately failing, might I add), as he does not wish to kill him as well. I know all of this is a huge claim to make but honestly…I could see it working out. I feel like Elias will end up being a very morally compromised character, one that has good yet potentially misguided intentions at heart, and had to do some terrible things to keep ✨the horrors✨ at bay. …I’ll just have to wait and see, I guess.

So yeah…that’s Episode 49. Another great episode as always, it definitely went some interesting places, and I’m very intrigued by the information on both Jared and Elias. Also, I hope that Tim’s polycule ends up successful (I’m just going to go on that assumption because it’s more fun.) I…once again don’t really know how to end this so uh…here’s a wacky link I found!

http://paypal.com/IFuckingHateJurgenLeitner

- Episode 50, Foundations 🏛️

Statement of Sampson Kempthorne, regarding the workhouse architecture of George Gilbert Scott.

And here we are! I’m now 25% of the way through The Magnus Archives, woohoo! So, did this episode conclude the first quarter of the series in a satisfying way? Well…I mean I guess yeah? Overall, I think the general concept of the episode makes it more than worthy, as having another statement given directly to the guy who founded the institute here does feel very totally fitting. But…I don’t know, it isn’t exactly a favorite for me. Not due to any particular flaws, as always it’s still very enjoyable and far from bad, but I guess I just don’t have that much to say about it, especially in comparison to some of the other episodes from this first quarter of the season. Regardless, there’s still definitely quite a few things worth talking about so uh…how about I get into that?

I’ll start off by saying that this episode does immediately get points for incorporating real-world history into it, which I’ve already said is something I really like in this podcast. As it turns out, Sampson Kempthorne, George Gilbert Scott, and Henry Roberts were all real people, along with the returning Robert Smirke, so it’s cool to see them get incorporated into the plot here. Although, I did find it funny how the case number was “8141206” as that error makes it seem as if the statement was given in 1814…and all of these guys would’ve been children at that point in time. This episode also thankfully gives a bit more information on Jonah Magnus, the founder of the institute. At this point in time he would’ve actually founded the place, unlike in Episode 23, and honestly, I think he would’ve had a lot in common with Jon. I mean, both of them probably talk like the haunted protagonists of Victorian gothic horror novels, and also need some rest, I can see some similarities there. I’ll touch a bit more on Jonah later, but for now I’ll just say that…yeah, those letters are a little…not all that heterosexual sounding. I mean, most old letters between two rich guys do feel kind of fruity by modern standards but…you get what I mean right? But as for the statement, well, I’ve got to say I love how we now have multiple instances of people leaving to New Zealand for the sake of escaping ✨the horrors✨ of England. I don’t know I just think that’s kind of funny. But when we get into the paranormal stuff that happens here…well, it’s pretty vague, but I think I can make some sense of what’s happening here. Obviously the person behind all of this is “The Governor”, someone with the ability to make buildings compress and kill people. My current assumption is that this “Governor” is indeed George Gilbert Scott. Both of them are…well firstly, they’re both really weird, but there’s some other things worth noting here as well. They both have some sort of interest in compressing architecture, we’re nearby the sites of The Governor’s actions, and on top of that, George’s plans were found in Sampson’s house after it started to close in on him. If they are not the same person, then they are at the very least strongly related and working together. However, the existence of The Governor does bring up some interesting ideas. You see, I initially assumed that the darkness worshipped by The People’s Church of The Divine Host was the same thing that appeared in Episode 15 and Episode 41, having the ability to morph rooms in order to trap and kill people. Now, that darkness could’ve still been there in those episodes but…honestly, aside from Sampson’s incident taking place at night, this darkness doesn’t really seem to be present here. This actually makes me think that the darkness and the compression are the results of two different eldritch horrors, and if we go back to the theory on what I think ✨the horrors✨ are, that brings us to a total of thirteen. Now, I still think that there’s actually fourteen eldritch beings at that the death number is meant to throw me off, as the passage that led to the central room in Episode 35 also had weird properties. In fact, that specific passage might actually be meant to represent the compressing horror. So, I still think I’m missing something here if my theory is in the right place, but I feel like I might have made a step in the right direction here. So, uh… Eldritch Gods 3.0!

- The Anglerfish (1, 28)

- Vertigo / The Vast (4, 21, 46)

- The Flesh Hive (6, 22, 26, 32, 36?, 39, 40, 45?)

- The Piper (7, 42?)

- Asag (8, 12, 19, 20, 37, 43, 48?)

- Darkness (9, 15?, 25, 41?)

- Eyes (12, 20, 23)

- Isolation (13, 33)

- Body Horror (14, 17, 18, 30, 35, 49)

- Compression (15, 41, 50)

- Spiders (16, 32, 38, 48)

- Whatever The Other Circus deals with (24, 44)

- Micheal :-) (8, 26, 47)

So there you go! This is my current list until further notice! One last thing I feel is worth mentioning is that Smirke suggests that George had a “patron”, but I have to wonder what that actually means. It could definitely mean The Governor, if he’s a different person, but if George is The Governor…then you could maybe take more a D&D Warlock approach to the term “patron”. Also, I fee I should address why I view ✨the horrors✨ as “eldritch”. Simply put, some spoiler-free content on tma I saw called it eldritch horror, so I’m just going on the assumption that’s what’s being dealt here. I only say this because there is still some good evidence for all of this to be the work of demons, or something along those lines, so I wanted to explain why I have this interpretation. Anyways uh…back to the statement! So, the other main thing of intrigue that came from this episode was of course the return of Robert Smirke, which also acts as our first look at him as a character. And…he’s pretty confusing to me. You see, with the way that he talks about George’s architecture, how he bashed it and says that Sampson was lucky to not have to work with him much longer, you’d assume he stands in opposition to whatever George / The Governor is doing. But then again, HE built the passages underneath the reform club, as well as the ones beneath the institute, so he’s not entirely resolved of making creepy architecture either. Now granted, I have suggested that you can serve one horror and be against others. For example, I believe Gerard serves whatever horror connects to eyes, but that he’s against Vertigo/The Vast and Asag given his actions. The problem however is that Smirke built the tunnels which I believe reflect ✨the horrors✨, so…that would mean he doesn’t really have a side in this conflict (which I assume to be the conflict Micheal talks about). Overall Smirke’s motivations and morality are very enigmatic at the moment. But what’s even more interesting here is that based on Sampson’s words, it seems that while the institute was founded in concept by this point, the actual building might not have been, since Jonah was working at Edinburgh Townhouse. This makes it possible that Jonah built the institute over the tunnels even though he had knowledge of Smirke’s strange designs. Which like, I get it, if you have an interest in the paranormal that’s fair enough of a move to make but…it just makes me worry about the purpose of the institute a lot more, and also makes me concerned for Jonah’s fate. I feel like an overarching theme of the story is that if you dig too deep, you’ find something you wish you hadn’t found, which makes me very fearful for the history of the institute, everyone currently working there…and myself, now that I think about it. (And if the institute has a stake in the “struggle” Micheal mentions…are they aligned with the compression horror?) Overall, while this episode isn’t an all-time favorite for me, it’s given me enough to think about going forward. The history of the institute, The Governor and the…odd themes of poverty abuse that follow him now that I think about it, and Smirke’s architecture are all very interesting topics that I would love to see get expanded further. While it’s not my favorite episode, I think it certainly works as a finale to the first quarter of the podcast.

Oh yeah, the supplemental. Uh….I mean, this one is fairly brief but that’s fine because it’s funny as fuck. Oh Tim…you have no idea do you? I mean, that’s not me saying that Jon reciprocates Martin’s feelings at the moment, because have you SEEN the man? What I am saying is that…Tim really is a bestie ignoring the plot isn’t he? Like, I love him, but he has NO idea where the romantic subplot is going. But outside of that, it’s nice to know Basira is still trying to give out the tapes, and it’s also good to see that Jon is finally in…some form of therapy. Hooray for marginal improvement!

Well, that’s a wrap on the first quarter of season two, as well as the first quarter of the entire podcast! In conclusion, season two has been absolutely fantastic so far. So many great episodes like Grifter’s Bone, Tightrope, Literary Heights and The New Door have already blown me away, and it makes me even more excited to see what the rest of the season will dish out. The supplementals are a great way to advance the plot, and the directions all of the characters and storylines are taking are extremely satisfying and/or interesting. Looking back it’s…kind of insane that I’ve gotten this into the podcast. I initially started listening because I wanted to write my own horror, and thought something to have in the background for inspiration would be nice. But then I listened to the first two episodes while doing mundane busywork in a class and…it absolutely hooked me. And here I am, writing ass-long posts about them. I still intend to write my own works in the future someday, and I’m working on it as we speak, but I’ve just got to say it’s been such a delight getting deep into this, and everyone who worked on this podcast has my highest respect. And as always, thank you for reading of you’ve made it this far, I consider you an absolutely legend of perseverance if you’re able to listen to someone ramble for this long. In conclusion, Jon needs a nap, Martin needs a happy relationship, Tim needs all of the riches in the world, Not!Sasha needs to die, Elias needs to explain himself, Gertrude needs to explain herself, Basira needs to be careful, Helen needs to GET THE FUCK OUT OF THERE, and Micheal needs to get in my life right now. See you next time :).

[quibbs126]

*sigh* I tried to use a Cookie Run gacha maker thing to make it look all nice, but I just couldn’t get it to work, both on my iPad and my computer. But regardless, I thought I’d make this look as nice as I could

So some time ago, I decided I wanted to try and make the Evoland 2 characters in the Cookie Run style, and I wanted to start with my favorite character, Menos

This is him (also note, while this is from the art book, some of the information here is inaccurate, mostly the first paragraph. The second paragraph’s accurate though. I suspect there were some story changes after the artbook was finished)

I’m gonna be fully transparent with y’all, I did this so I could try and attract my Cookie Run audience and maybe get them interested like “oh hey these designs are neat, what game are they from?” and maybe then lure them into playing Evoland 2. Listen, it’s my favorite game, and there is like, no audience for it. There is BARELY any content for this game on here and I am DESPERATE. I need people to play it, it’s a good game, and I need people to talk to about this game, but I can’t because no one’s played it or heard of it, and the things about the game I want to talk about and discuss are things that are major spoilers for the game, so I can’t talk about them. It’s a rough existence

*ahem* sorry, I got carried away. I’ll shill more for the game later, but let me just explain this

I made him a porcelain berry, aka Amur peppervine, since they have bright blues and purples like him. I went with Peppervine since it sounded tougher than Porcelain Berry. Also peppers tend to be associated with fire in Cookie Run, and he does have sort of fire based powers. Well really it’s just a ground pound with fire at the end. It’s useful though

I think I’m gonna make all the Demons berries/fruits (I say fruits because there’s already Cherry and Plum), mostly since they’re the best substitute for their bright colors. Also Menos is a Demon. But they don’t like, come from the underworld or anything, they just exist in the world. Honestly they’re pretty chill people, way more than the humans

Porcelain berries:

I mainly used Capsaicin and Purple Yam as my references, given the similar body shapes and Capsaicin’s horns

I was also planning to make his eye outline black, with the main color being yellow and the slits black, since some people make the black outline black sclera, but it just didn’t look right, so I made it white instead and did all the other things

I had so much trouble with the chain around his neck, since he doesn’t have an official reference, and all official art I can find changes it slightly. It’s pretty annoying. I just ended up sticking with the one in the promo art

Menos looks weird without his nose and ears

Now let me just ramble about Menos

I love this dude so much. Like, he’s just an endearing character, and in my opinion, way better than Fina (green haired girl). Fina can be a bit of a brat sometimes and while yeah, I get that she’s the youngest and I think a teenager, that doesn’t mean it doesn’t get on my nerves. Anyways, Fina aside, Menos on the other hand is very polite. He always calls Fina “Miss Fina” and does the same with Velvet, and for Kuro, well I suppose first I need to give context. So you first meet Menos in this gladiatorial arena that we just stumble into while escaping prison (and that he’s being forced to participate in by the way), and because we don’t want to give ourselves away, we give ourselves a fake name out of the options presented to us. I personally always go with Mega Clink because of the Evoland 1 reference (the Evoland 1 protagonist is Clink). And see, Menos will always call you by that name you pick, no matter what. Other party members say our name, but he’s just adamant to call you that. I don’t know why he does it, but he does it with complete seriousness and I just find it funny.

But honestly, when I first played the game, I had an obsession with this guy. What first got me to pay attention to this guy is when you escape the arena and collect gravity, you fall into a pit and Menos laments the fact that he will now never see his son again. When he said that, I was like “you have a son? I will help you, I must reunite you two” and that’s where it began. Then we get to where we’re going and meet his son, but then [EVOLAND 2 SPOILERS] happens and I’m like “No! Menos no!” And after that point I was determined to reunite him with his family once again and save his people and just let him be happy because honestly? The demons, nor Menos, do not deserve what happens to them in the story. Like, Menos is not a bad guy by any means, his only flaw is that he can get irrational when it comes to the things he cares about, like saving his people, which honestly I can understand. He’s incredibly polite and understanding towards us when we meet, especially considering the fact that his people are in a war against humans and he was just captured by humans and forced to fight in their gladiatorial arena. And if he does get mad at Fina because of her beliefs about Demons (she’s grown up being told they’re the enemy), he’ll calm down and apologize for it. I mean I guess it makes sense, considering he’s the oldest of the group and by proxy probably the most mature, but still

There’s a point in the game where you get separated from Menos, and when I had been released from the story to go on whatever path (there were multiple paths to go) to continue, I immediately went “I’M COMING FOR YOU MENOS!” and veered straight to where I knew he was. He was my hyperfixation character

Anyways, sorry I’ve rambled, but I hope you at least like this art. And please check out Evoland 2. Please. It’s an RPG you can find on Steam, Switch, or PS4. You don’t need to play the first game to understand this one, they’re two completely separate games that just both use the motif of evolving game aesthetics, Evoland 2 using it for time travel. But even then, the first game’s like 2 hours long, 4 to 100% it. Evoland 2’s more around 17 hours to finish, 20 to 100%. I need people to talk to about this game please

Oh yeah also, here’s a simpler version of the drawing I did

[constantvariations]

V9C10

Here it is, folks. Season finale of the worst RWBY season to ever be made. Yee to the haw

Post Ep: nowhere near as offensive as what I was expecting but holy exposition dump Batman

Noticing this one is 26 minutes long as opposed to last ep’s 16. Thank fuck, I was genuinely worried the finale was going to be bite sized

I swear on every god ever made that if I hear that damn question again I Will Find People

Having this flashback right after the numerous cliffhangers of the last episode is really strange. Unless this is something Ruby is seeing after touching the axe, then this should not be front and center

Is Summer’s hair even long enough to pull off that rose knot? As the y/n protagonist always throwing their hair in a messy bun, I’m no expert on hairstyles, but every time I’ve seen a hair design like that, it’s always been with hair down to the shoulder blades at least

What the hell is that line “I always prefer discretion”? It sounds so unnatural coming from these people and that awkward chuckle afterword cringed my spine into a pretzel. This couple with a child and possible marriage feel like awkward dates at the prom

Why are the mouth animations for smiles this season so damn weird? I wouldn’t be surprised if the animators forgot what a smile looks like considering their circumstances Also does Raven look off to anyone else? I can’t put my finger on it but it’s not quite the same as her V5 model Also also, this makes it really fucking stupid that Yang’s original purpose to finding Raven was to get information on Summer and IT WAS NEVER FOLLOWED THROUGH

OKAY Ruby was seeing it! Thank fuck they got SOMETHING right

Someone put some damn captions on this bitch. I should not be hearing the kits messing with the recycling more than the dialogue

Ruby hasn’t been violent when upset since Weiss and the tree in V1 iirc. Strange trait to bring back now, but aight Also, how the fuck do you get “give up” from “maybe you ain’t the only bitch with this problem.” That’s some Reed Richards stretching right there

Aaaaaaaand back to fucking Jaune. It amuses me that characters who ire me intensely get “fucking” added to their name like an honorific

Alyx’s hair straight up looks like the dusters I use to clean fiber out of the machines at work

Blake straight up did nothing for the solid ten seconds Nyeo attacked her lmaooo

Hey, look! Team attacks! When the fuck did those get strategized?

Listen, I genuinely feel bad for Neo here. I don’t care about the bullshit of last episode; no one deserves to have their body violated like that

Holy fuck that is a visual monstrosity my eyes are fucking burning

“Your time is running out” bitch the caterpillar got a whole day or two, why does Ruby get like. 2 hours max?

God can they stop with the bees we get it theyre canon stop the fucking bees I’m developing a goddamn allergy at this point

Hey, Weiss ain’t the first one to have her aura broken for once!

Feels stupid cheap to have Ruby choose herself because of a thing her mom said while she was asleep a decade ago instead of Ruby actually going through options and debating until she realizes that she can’t/doesn’t want to be anyone else Like. Nothing really happened to make her switch from suicidal to accepting? She saw a flashback, had a vague conversation with the blacksmith, and looked at some weapons. Where is the development? Why is she suddenly okay with being Ruby Rose again when five minutes ago she drank the tea? The biggest thing so far is the flashback, but that’s stupid. Her mother’s impact should NOT be that great considering she a) hasn’t been around for the majority of Ruby’s life, therefore the only tie between them is blood relations and b) was JUST revealed to have left the family willingly for secret reasons

The music is dope though. Red Like Roses has always been one of my favorites

The “We Love Ruby! <3″ lines delivered one by one is so damn awkward. Is this an after school special? Weren’t these the exact kinds of lines that Weiss said LAST EPISODE were unhelpful to Ruby due to the pressure they inadvertently put on her?

Once again, I am asking what the fuck the Neojabbers are since her semblance is MIRROR ILLUSIONS not PHYSICAL TRANSFORMATION. Like, glad that even the heroes are horrified by someone being eaten alive, but it still doesn’t make any sense Also what’s going to happen to Wonderland without Curious as its monitor or whatever? How are the folks who can’t reach the tree without help going to ascend? Is this a good thing or is it going to send Wonderland into an unbalanced nightmare?

“[Neo] will find herself.” Uh huh. Sure MKEK. That’s the reason Neo’s staying in Wonderland instead of charging after Cinder with the force of a thousand suns. Y’all really dragged my dead gay son into this mess for this horseshit

“I like to think we did at least a little good.” Exactly when did you guys help anybody? All I can think of is that stupid cheese root from the first episode

If Little follows them into Remnant I’m throwing RT into the ocean. Especially if they don’t let Juniper come along. That dude is the only mf in this season that didn’t get fucked over

Is this one-by-one dialogue about another character’s traits going to be a thing? I’m already sick of it

Somewhat. That’s the new name. Why couldn’t they go with the standard Socks or Blue or Kai or insert other silly common nb name here. Do you know how difficult it’s going to be making that sound natural?

I genuinely am uncomfortable at this reunion. Ruby’s incredibly emotional but Somewhat is just kinda there. Reminds me way too much of meeting someone who knew me as a kid and get way too intimate because of that (it happened a lot since my grams raised like. half the town back in the day) Did they really just throw this in to throw it in? What’s the point of this deeply creepy scene other than answering the question of “what happened to Little?”

Nooo bring Juniper with you!!! They’re the only good character!!!

Hold hands and jump at the same time. Reach the ground at different times. Aight

So the gods were originally Afterans? “The tree’s earliest blossoms.” That raises so many fucking questions: how did Remnant come to be if it’s an entirely separate dimension(?) from Wonderland? What connects the two? Are the entities in the relics Afterans as well? If so, are they in the relics willingly? Were they created by the brothers or the tree? Does this make the tree the source of all life as they know it? What powers the tree? If Wonderland goes to shit, will that affect Remnant and any other playgrounds the brothers or other gods might have made?

These mfs really using Mr Monty’s words to justify their shitty god tier writing?

Why did the brothers build modern human houses for the animal creatures instead of creature specific housing (a dam for beavers, a nest for birds, etc)? This seems to be early stages of life so I don’t think you need to delve straight into Craftsman architecture

The jabber origin is so dumb. These idiot brothers tried to design a lawnmower and made Jason Voorhees Also, that doesn’t even make sense. Wonderland is a self contained ecosystem where all energy essentially gets recycled. The jabber disrupts that by permanently ending whoever it gets its chompers on. This would make more sense if we saw new life coming in, but so far it seems like all the tree creations happened back in the day and everything now is a brother creation. Since we’ve yet to see any evidence of their return, this means that there is a finite amount of life in Wonderland, meaning that the jabber, given enough time, could end all life within because it has no other purpose and no counterbalancing force Though, since Neo killed(?) the jabber, does this mean there is no force working for or against the living in Wonderland? Seriously, what the fuck is going to happen here?

“True balance requires only love and the patience to see things through to the end.” Tell me you’re begging for a v10 greenlight without telling me you’re begging for a v10 greenlight That’s not even remotely true because balance, especially among the sentient, requires EFFORT and COOPERATION. Or did y’all already forget your “trust in love” season got people murdered?

LITTLE DIDN’T EVEN FUCKING DO ANYTHING JFC THEY WERE SEXY LAMPING THE WHOLE SEASON

Jaune is young again. Many shocking. Much wow

“When you are needed most.” It better be in that fucking desert y’all dumped two whole ass cities in with only like. 4 trained warriors against a horde of grimm in a sandstorm

Nope! That would’ve been too straining on the budget much of a downer to end on. Still shot of Sepia - I mean, Vacuo and that’s it! Show’s over, folks!

I can’t discern a single word but I like the ending song lol

THESE MFS REALLY ADVERTISING THE JL CROSSOVER AFTER THE EP OHMYGODDDDDDDDD

[c-schroed]

Podcasts I Adore - Within the Wires, Season Five: Voicemail

What would the subversive artists think, Nan, if they knew you were coming to watch their show. All of these cynical idealists with their disgruntled disquiet, their painted bodies and disruptive language and grotesque dance? They would probably say “Who’s the cop?” And I would tell them “Hands off. She’s mine.” And they would not change the subject to prop stations and costume repair, because they fear arrest the way they fear a tattoo. It’ll be painful yes, but a proud mark of a proud artist. Their souls are made of leaves. Their souls grow and sway and change and die and rot and renew. Being prematurely plucked away is part of the profession. At least the fear of it is. Although I don’t think any of them have ever known anyone who was. It’s all “this one time in the 80s” or “my friend’s husband’s co-worker’s something was.” Artists getting disappeared by the boogeyman. It probably doesn’t happen, but what if it does? I don’t know, Nan. You’re not just some tool of the system. You’re different. That’s what we usually say, right? “Not this one. They’re different!” We can’t know that. But we can’t know anything. I’m just going off intuition. I’m relying on my gut. And my gut says “I’m drunk, Indra. Figure it out yourself.” And I did. I figured out you’re different. I figured it out based on your lips, because they’re pink and soft and they smiled at the right spots in the show. That’s the data on my bar graph. That’s my internal memo. Attn: Indra. Regarding: Hot cop, second row. Kiss that spy before the night’s over. And I did.

Sorry for the long quote. Originally I just wanted to start this review with

Hey. You didn’t answer. Hey. Nan, I wanted you to answer. Answer me, Nan. Nan. Naaaaan. like your name, you know. Short and simple but low and sweet.

But then I went through the transcripts in the gorgeous-as-always WtW Wiki, to find the exact wording, and I remembered that each episode is full of favourite quotes. Because season five is my absolute favourite. It's the peak Within the Wires experience, if you ask me. And I'll most happily elaborate why.

Of course, season five continues Within the Wires modus operandi of telling its story via found audio tapes from an alternate history. This time, we listen to the tapes of an old answering machine. However, this season comes with two narrative twists: Firstly, we have two protagonists, whose connection will unfurl in the course of the season, and secondly (and more importantly), this time the story is told in reverse order.

We start with an answering machine message from Indra to Nan, her former lover, five years after they broke up. Indra is at ease, she has a wife now and a teacher job she loves. But we will encounter other faces of her, too. Cold resignation, outright anger, drunken lovestruckness. Because someone seems to go through old answering machine tapes, in reverse order. Maybe to find Indra's first message? Maybe out of sheer nostalgia? We will not find out, because as usual in Within the Wires, we do not get much more than Indra's perspective.

Except that this year we will also hear a few short messages from a person named Gwen Nettles, agent of the Internal Investigation Division, the infamous secret police of Within the Wires' alternate history. And Gwen of course is somehow connected to Indra and Nan, as we will find out. But Gwen's messages are always short and mainly add some information that will make most sense in hindsight. In fact, one of her messages even made me fucking sob in tears of joy on an open street when I listened to it again after finishing the season's final episode. Because the timelines are just so marvellously connected. But back to Indra.

So once more, we're more or less stuck with one point of view. And by the messages that our protagonist leaves on mostly the phone of her lover, we witness an almost classically star-crossed love story. The ambitious actress of a subversive theatre company and a government employee fall in love. It can't go well for too long, we know that. And thanks to the story being told in reverse, it's not a secret waiting for us. Instead, it's a fascinating take on this kind of story. It has its dramatic moments (like Indra lashing out at Nan's answering machine in episode three), but thankfully it starts and ends just lovely. Hopeful and warm, with lots of little pleasant surprises.

And that is mostly thanks to the most darling protagonist a podcast rom-com can ever wish for. Amiera Darwish voices her Indra charming and mostly lighthearted, but always with enough depth to not make her seem stereotypical. Norma Butikofer, on the other hand, voices Gwen Nettles as good counterpoint to the main protagonist: Calm, professional, but also not devoid of emotions and needs. In my eyes, season five is even more character-driven than the other seasons, and its two voice actors do an absolutely marvellous job in making that work.

And when we turn our attention to the music and score of this season, we even find one more twist: In seasons one to four, the music was diegetic; it could either have been added to the audio by the protagonist (seasons one, two, and four) or it played in the background (season three). In season five, however, the music is not part of the found audio, it's just added by the producers for atmosphere. And don't get me wrong, it does a lovely little job in giving even more of a rom-com feeling, but it's also a bit of a pity to say goodbye to the more elegant ways of adding music in the seasons before.

But even with that little bit of a slightly bitter pille, to me season five is perfect. It excels at telling us a story of tragic love, and thanks to its rather unique narrative structure manages to have two positive and hopeful endings. That both brought me close to crying tears of joy. 10 out of 10 points, thanks for the ride!

< My review of season four

My review of the Within the Wires novel >

[bluebonnet-witch]

Oh my god right?! Like I understand reading lists geared toward this sort of thing but there needs to be context and some amount of information about the actual content of the books and not just which boxes on someone’s diversity bingo card they check.

I had a conversation the other day with someone who was very insistent that our book club read a specific novel because “the author is trans and so is the protagonist!” without actually knowing anything else about the book aside from the genre. Now, having already read the book in question I was like “hey so, I’ve read this one, and it’s really dark and has a lot more explicit violence than anything we’ve read for this club, since [other member] isn’t comfortable with explicit violence that intense. I think this book is well written but I also think it would be really triggering for some members of the club.”

And this person just kept insisting that essentially, we needed to read it to widen our horizons, that if we were good allies, we would read this book. And I just. I think maybe if your approach to reading more diversely is to grit your teeth and read things you don’t find pleasureable, as if choking down bitter medicine, and then patting yourself on the back for being a good ally, you may in fact be deeply deluded and need to do some serious introspection before you try to interact with people again.

(Side note, I’m all for reading things that challenge you and whatnot. I just think people should go in knowing more than “it’s diverse” lest they end up having an unpleasant reading experience that may actually make them less comfortable venturing outside their comfort zone next time.)

I hate the trend of just describing books with what minorities the main characters represent and nothing else. not only does it feel weird + exploitative to me it's also such a shoddy ineffective marketing technique. "this is my book with queer polyam disabled vampires you should buy it" ok great but what is it like. about. what are the themes. why should I read it

[talenlee]

Story Pile: My Hero Academia, Season 4

Story Pile: My Hero Academia, Season 4

Alright, now we’ve hit our stride, we’ve done most of the set-up stuff required to have stories and character information all out there. The major characters are all laid out, we have a villain on the horizon waiting to happen to people, and we just had an introduction of some new boundary characters, so it’s time to immediately do something with all of those. This is a series that has got a handle on the basic ideas of what it’s going to do, and each season can be snapped apart into a few short story arcs you can consider on their own.

There’s something to the experience of enjoying My Hero Academia, season to season. It’s got all the joy of a catchy pop song, popcorn playful and full of classic shonen anime battle feelings, but this pop song also includes a few slurs? And probably says something condescending about women. Basically, I’m enjoying it but I’m sure as hell not going to defend it.

What we get in this season is some high drama with a big battle, one of those stories that focus on the characters in the setting dicking around with the infrastructure that exists to deal with the commonality of superpowers, and then an absolute top-tier banger of a story arc about excellent nearly-zero-stakes hero bullshit.

I’m going to talk more about it and that’s going to involve spoilers, so, below the fold!

The first arc (the Shie Hassaikai arc) is a real solid rendition of something the genre does well. It’s a villain that gets attention and then the heroes who can be mustered quickly engage with it. It’s got a good personal connection to the inciting incident, with Mirio and Midoriya meeting Eri and needing to get involved. It’s got an escalation of the threat, and the enemy organisation is presented as exactly that — an organisation of people, with limited communication and means to take advantage of one another.

This was a mix of good and bad parts. There’s a bunch of questions of like ‘hey, why are you here?’ characters – like Bubble and Nighteyes – and a bunch of ‘hey, they’re here, this rules,’ – like Twice and Toga and Mirio and Ryuuki. The final villain fight even ended earlier than I thought it would, and put some real serious pathos into how it handled Mirio losing his powers. Like it’s very ‘boo hoo, I don’t get to be a superhero any more’ in a setting like that, but it’s still showing something of a serious loss of a character.

The second arc (the Remedial License Arc) continues the way this universe seems to think you don’t get to be taught things before you’re tested on them. The way Bakugo and Todoroki react to being asked to do things in a class environment makes it seem like it’s the first time they’ve heard the idea mentioned, and that either makes them poor students (and they’re not, Todoroki scores very well) or it means their class is failing them in a big, fundamental way. The idea here is great — show you can command trust and respect. I like that!

The biggest concern here is the focus on Endeavour and his inner life, because Endeavour sucks.

The third arc (the Gentle Villain Arc) is about an ancient, withered husk of a man who starts his youtube career in the silvery fragility of his eldest days, ie, in his thirties, and speaking as someone who did that, yeah, it feels really pointless. But this arc is about a single self-styled gentleman villain who wants to try and breach the UA campus because he believes that villains are the ones who change the world and heroes react to improve the world because of them — he’s charming as hell. Meanwhile, Deku wants to make sure this doesn’t become an incident because if it does then the whole school fair that’s about to happen gets shut down, and that means Eri doesn’t get to have a normal school day and candy apples and learning to smile.

The Gentle Hero arc represents two things this series has direly lacked: Something where the stakes are vitally important to our protagonists, and something where the stakes for the world are not dire. It shows a story where being a superhero means your solutions to problems get to be big, high scale things like rubberised buildings bouncing people off the walls and love-powered sandwiches of air, but the core of what they’re addressing are still things like saving one little girl’s smile. Good! Stuff!

By the way, if you’re curious, La Brava is 21, and Gentle is 32. It’s a gap but it’s also not nearly as bad as it looks considering La Brava looks like you asked a porn artist to design a lawn gnome.

The idea of having to break a hero’s spirit resulting in explaining things in combat is a good one. Fatgum explains it to Red Riot at one point, that the reason heroes talk about their powers, the reason they explain to enemies what won’t work is to cut off their options and to bring fights to a close quicker. It can demoralise an enemy, it can make sure they know what won’t work, and force them to confront what they can’t get away with. It’s good! It’s good because it also fulfills an important thing in the context of a story that’s about how and why interesting combat abilities interact, by letting you, the viewer, find out what is going on, what those combat abilities are and what they do without pulling the story to a halt and presenting an essay on combat stuff.

Oh, while we’re heaping praise for how it depicts and explains powers? Mirio’s powers are dope as shit, he doesn’t need One For All! He just needs to keep doing good! Oh wait, hang on, that didn’t work out so well. But still, the loss of his powers is the loss of something meaningful: His powers were cool, he worked hard on them, and they let him do something he wanted to do that we can look at as a fundamental good!

Twice and Toga showed up in the first arc here, and they’re still great, but not only are they great, but they did two things I really liked. One, they got super mad at Overhaul for misgendering Magne after her death, and two, the second they weren’t having fun dealing with the yakuza, they bounced. It was really nice because it plays with the idea of these characters having their own inner lives, and I think the fact we see those is why I think those two characters are amongst the best villains. We know what they think, and why they think it. We have an idea of their values, that’s cool.

Finally, and this isn’t really a thing the series is doing, just something I personally find funny, Nighteyes sucks and dies, and the last thing he learns as he dies, is that he was totally wrong about how his powers worked for his entire life. Like, how many plans and positions and projects did he dissuade people from trying because he was so sure that his power was right and there was only one way the future could work out, only to find that it turns out, nope! The future is yet unwritten and his powers didn’t work the way he thought they did.

Wait, though, hang on, it can’t just be an unalloyed good, right? Well, of course not, no as the fact I was delighting in the death of All Might’s former sidekick with a vibe of ‘eat shit and die.’ There’s a bunch of stuff in this season that builds on previous bad decisions, and the introduction of some new, equally bad decisions. Mineta is still here, for example, and he’s not changing — the closest you can claim to some kind of redemption or adjustment to the character is how he said something, just one thing in this whole season, which wasn’t revolting. It’s still a series where Bakugo, Todoroki and Midoriya are central, important characters who act on the world and who we’re meant to be invested in, and their powers all boil down to a form of punch a guy.

The story still features almost nothing for women to do on their own, even women with amazing and cool powers, because they are simply not chosen by the story to do the important things, and it’s just a coincidence that women do not have powers that can be simplified to punching a guy. There’s sexual harrassment (you do not get to put your coworkers in bondage equipment when they are explicitly asking not to) which is framed as a quirky thing for a particular ideological position and not, y’know, a crime.

This season is still fundamentally just My Hero Academia, and it’s just not going to do anything to change that.

There are still however two special things in this season that really ticked me off and I wanted to highlight them. First of all, this season spent more time focusing on Endeavour. I can’t say for sure but I’m pretty confident that this is the first time we’ve been seeing things from Endeavour’s perspective, with his inner life presented to us as a relatable position, and that’s a thing that suggests that this story thinks that this guy is a guy we should be able to empathise with. Sure, whatever, of course, this series seems to think that whatever it was he did wasn’t that bad and therefore the whole physical and emotional abuse of his wife and children is a thing that you can be redeemed from.

I have a lot of thoughts and feelings about this, particularly in that there’s a lot of effort being put into making Endeavour relatable, to make his pain and the complexity it represents important to the audience, and none of that effort is being put into, say, giving Creati or Froppy a second thing to do. It’s a demonstration of what the story thinks of as engaging, what it thinks is worth using its setting and its superheroics to highlight.

It thinks Endeavour is interesting and it thinks say, Ryuuki isn’t.

There was another special boo tomatoes tomatoes I am throwing tomatoes moment, which was the fight between Rappa Kendo and Fatgum. Fatgum is already a character hovering on the edge of being a problem right there (I mean his title is ‘the BMI hero’, come on), but I appreciated the way the story treated the goofy character as if he had some room to be a cool hero. What I wasn’t wild about was the way that his framing was that to be powerful, he had to stop being fat, and that’s rotten. Like commit to it, don’t go ‘boom, surprise, he’s actually conventionally hot when he’s being powerful!’

I was real close to liking how they handled Fatgum and then I found myself incredibly disappointed.

This isn’t a story about school or superheroes. We don’t generally see the students talking about subjects in class, listening to or discussing complex topics of morality and ethics or public responsibility. We already know that they have to learn ideas like ‘protect people’ from the exams themselves, without seemingly any education about it ahead of time.

It really is the anime version of a superhero comic; superhero comics are famously sprawling, with many different characters in many different stories having a variety of different starts and finishes that can make tuning in at any given point a challenge, My Hero Academia is a lot more linear. The end of the last season introduced you to Mirio and Nighteyes; this season features Mirio and Nighteyes. There’s not a lot of distance between plant and payoff in this series, which can mean that the story is a bit easier to handle, but it also can make it feel a bit obvious; at the end of the season, there’s a focus on Endeavour and Hawks, and I’m going to take a wild swing that those two characters are going to be focal in the next season.

You can consider this as a good thing or a bad thing: I don’t particularly like the way that it follows the simple pattern of introducing a thing, then telling a story about that thing, because it does tend towards making narratives a little predictable and does make the world feel smaller. A character is introduced, and then we immediately learn about them because there’s nothing to focus on about them until after we already know. This runs the risk of being a real deflating move if they try and do an arc about (say) traitors or hidden instigators, which I think they’re going to want to do, since there are at least two characters introduced who can impersonate other people.

On the other hand, who cares? This is a series about feeling very big and hitting things very hard, it’s not really a series about smart superheroes outwitting people or standing on principle. I wish it was, but I can wish all I want and it’ll never be the thing I wish for.

See, superhero fiction doesn’t make sense unless you force it to.

Check it out on PRESS.exe to see it with images and links!

#Media #StoryPile #Anime #MyHeroAcademia

[rainbowwing251]

It took a while for me to come up with all of these, but now that we have a little more information on the six protagonists in Xenoblade 3, I’ve decided to post a some headcanons for them!

Just like the headcanons I made on everyone’s position on the lee-ler-switch spectrum, these headcanons could change as more information comes out about these six characters. For now, however, this is what I have for everyone.

I’m putting these under a “Read More” just in case this post gets a bit too long.

I’m updating the headcanons I previously made for Mio and Eunie. My headcanon for Mio’s position on the lee-ler-switch spectrum is now a ler-leaning switch, and Eunie is now a pure ler. The headcanons I made for Noah, Lanz, Taion, and Sena remain the same for the time being.

From the most ticklish to the least ticklish, we have:

Noah

Sena

Mio

Eunie

Taion/Lanz

Taion/Lanz

I don’t have a specific placement for Taion and Lanz because I have no clue if Lanz would be ticklish in the first place. Judging by his appearance, he might not be ticklish at all due to his mechanical body (or at least, it looks like a mechanical body. Maybe he’s related to the Machina from XC1 somehow?).

If he is ticklish, however, I think he would be in fifth place, which would make Taion the least ticklish out of the six protagonists.

According to Lanz’s character bio, him and Noah are childhood friends. Given this information, I don’t think anyone would be surprised to know that these two get into tickle fights All. The. Time.

I use the term “tickle fight” VERY loosely, because 99% of the time (or 100% of the time if Lanz isn’t ticklish), it’s just Lanz tickling the shit out of Noah.

Eunie will occasionally join in on Noah and Lanz’s tickle fights, usually so she and Lanz can work together to tickle Noah into hysterics.

There are times where Lanz and Noah will team up to tickle Eunie, but this rarely ever happens, mainly because Eucine will somehow find a way to tickle Noah and convince Lanz to help her tickle him.

Regardless of whether or not Noah is related to Shulk, he does share a weak spot with him, that being his stomach.

Noah can not take tummy tickles AT ALL. He’s just too sensitive there!

Hell, you don’t even have to tickle his belly if you want to make him laugh! You could put your hand on his stomach and not even move it an inch, and he’d still fall into a giggle fit.

Of course, everyone in the main party loves to take advantage of this. They mainly use this weakness of his to lift his spirits after he comes back from his duties as an off-seer, but they can also use this to their advantage should they get into an argument with him (both Lanz and Eucine can confirm that this works. Both of them have used this strategy multiple times in the past).

Noah has two other weakness: raspberries and feathers. He absolutely can not handle either one of these, especially if they’re used on his belly.

Similarly to Noah and Lanz, Mio and Sena will often get into tickle fights. Unlike Noah and Lanz, however, there’s a 50-50 chance of either one of them winning, even though Sena is physically stronger than Mio.

Unless of course Taion shows up, which in that case, both of them will lose.

Mio and Sena share a tickle spot with each other, that being their Core Crystals.

Taion is a downright EVIL ler. He will learn all your worst spots, and he will find all of your weaknesses. He will then proceed to come with a way to make his lees a giggly mess by combining the above information together. He’s a tactician, what more did you expect?

Long story short, don’t fuck with Taion. He will wreck your shit.

[h2bakugou]

Hi! Can I please request some headcanons for Izuku, Katsuki, Shouto, and Denki with an s/o who doesn’t like getting into arguments and will always try to avoid getting into one with their boyfriends either by compromising and/or just throwing in the towel and just admitting that whatever their boyfriend said is right and it’s because they didn’t have a great home life growing up and want to avoid becoming like their parents and the boys finding out and their reaction to that? Thanks!

a/n: hiya!! of course hun! i did a similar argument hc a while ago, but this one is vastly different in a few ways!! thank you for the request love!!

headcanon: them reacting to their s/o’s refusal to argue with them

key: (y/n) - your name / (f/n) - first name / (l/n) - last name / (e/c) - eye color / (h/c) - hair color / (y/q) - your quirk

warnings: fluff, swearing, some angst, one mention of sky high, endeavor is trying™

;cut for length;

»»————-　★　————-««

izuku midoriya

»»————-　★　————-««

Surprisingly enough, there are a good number of times you’ve had an argument arise with Deku.

Not the ones where you playfully tease him about not sitting with you on the long trips you took as a class to places.

But the ones where you’d find him training for hours on end with no text or call to let you know that he’d be running late for a date, or a study session.

The ones where he’s so caught up in everything else that he doesn’t really make time to focus on your relationship.

Which wouldn’t be that big of a deal, had he just told you upfront that he was busy. But with the promise of always finding a way to make time for you, you were beginning to feel like maybe there was someone else, or maybe he didn’t really like you, like you thought he did.

But even when you were upset or angry, and Deku cornered you to talk about it, you’d shut him out and tell him it was fine, and that it really wasn’t his fault. It was yours for being so devoted to a relationship during such a serious time.

But Deku knew it was more than that.

Every time you seemed upset, or angry, or frustrated by something that seemed like something he’d done or may have had a part in, you always shut him down, telling him you’d get over it like an adult, and handle it.

“You don’t have to handle everything by yourself, let’s just talk about it, why are you feeling like this? You can talk to me, you know I’ll listen.” Deku’s comforting arms wrapped around you, preventing you from leaving this time around.

He’d spent maybe a few too many hours trying to learn some new moves and forgot that he was supposed to text you after the first hour to check up on you and your studies.

And when he finally came back after a shower, he realized you’d sent him a few texts asking if he was okay and if he was going to be done training soon.

“It’s fine, Izu’. I have some work I have to finish-”

“It’s not fine. I upset you, I’m sorry. But please talk to me. Why are you always trying to dismiss what actually happened?” Deku tried to capture gaze, only to find your lashes sprinkled with tears as you gave a shaky breath.

“I just don’t want us to end up like my parents. All they did was fight and argue.” You’d never really told anyone about that. Let alone anyone you’d been in a relationship with. 

In that moment, all Izuku could do was hold you closer, laying his head in the crook of your neck.

“I’m sorry. I should take your feelings into account when I make promises to you. I apologize for not keeping those promises.” Deku pulled back and looked into your eyes.

“And please don’t be afraid to talk to me. I know that’s scary to think about, but if I make you upset, just talk to me, we don’t have to scream or fight, we can have a civilized conversation together about something, and if you feel like we can’t, we can always have our friends help if you’re comfortable with that.” Izuku smiled softly, swiping his thumbs over your cheeks to wipe your tears away.

You pushed a small smile onto your lips, resting your face back on his chest as he held you close.

“I’m sorry too.” You apologized.

“Don’t be, it’s okay. Why don’t we watch a funny movie and relax? I can make us some popcorn!” Izuku was ready with some cheesy hero movie on hand, probably one about some superhero high school with a magical flying bus and a protagonist whose parents were the top heroes, a plot you’d begun to see more and more often these days with the progression of hero society.

“Sounds like a plan.” You giggled.

»»————-　★　————-««

katsuki bakugou

»»————-　★　————-««

Bakugou argues with you because you won’t argue with him-

On a serious note, most of your ‘arguments’ start because he feels like you don’t trust him enough to talk to him about your feelings.

If you are upset with him for something, or if you feel an argument coming on, you’ll dismiss yourself, your feelings, say he’s right, and just back down.

And we all know Bakugou will not go down without a fight example a, the sports festival.

He gets defensive, if not a little more agitated when you don’t tell him what’s going on. Not that he’s entitled to know how you’re feeling constantly, but because if he’s going to be in a relationship, he wants communication between the two of you.

If there’s something you can’t communicate to each other, then it doesn’t need to happen or there’s a problem somewhere.

Which is why when you say that it’s nothing, or that you aren’t upset when he knows that that’s utter fucking bullshit, he gets angry. 

He won’t take his anger out on you, he’s not that kind of asshole. 

Even though he hates the assholes, he sometimes drops little clues to Kirishima or Sero.

But overall, he just wants to talk it out with you. He wants to understand what’s going on, why you’re feeling the way you are, what-if there’s anything-he can do differently to help you feel better or to prevent this feeling from happening again.

It all crumbles apart when Bakugou said he’d help you with some math homework that you’d be struggling on.

Only for him to be four hours late because he was sitting in detention for sparking a fight with some shit-talking smartass from a support class.

That night you had struggled to answer the problems on your homework, only to bomb the pop quiz on the same subject the next day. It was a mess, and you were upset.

Your grades of course were not Bakugou’s responsibility, but his responsibility was to at least give you a heads-up that the study session would’ve been moved, or cancelled.

Instead you stayed up way to late trying to understand problems that weren’t making any sense, and now your grade was sitting in a hole.

So you were upset. 

But when Bakugou questioned why you were so quiet around him, you just shrugged your shoulders.

“What gives? You not talkin’ to me or something?” Bakugou wasn’t exactly sure why you were mad at him until you packed up your things at the common room table, your low grade on the pop quiz and homework proving why you were in a bad mood.

And then Bakugou realized that was the homework he said he’d help you with.

“Shit, that was due Tuesday wasn’t it.” Bakugou grumbled.

“Yeah.” You mumbled.

“Hey what’s wrong with you? Did I do somethin’? Why you fuckin’ ignoring me and shit?” Bakugou’s fowl language was something you were used to. He wasn’t angry, he was confused, though his vocabulary could’ve fooled you.

“It’s nothing, you didn’t do anything, I’ve got to study to get this grade up, I’ll see you tomorrow.” You pushed on without another word, trying to escape back to your dorm.

At the mention of the word study, Bakugou then remembered the promised study session.

“Hey wait! I was supposed to help you do that shit, let’s go work on-”

“It’s fine, I got it. Go do whatever you want.” You didn’t look at him.

“No, now cut the bullshit let’s go study.” Bakugou tugged you up toward his dorm.

Inside you stood holding your things, your emotions beginning to bubble over as you watched him look for his bag, a stray bandage over his cheek from the punch the kid had thrown at him. Just staring at it made you upset.

“Why did you do it?” You asked quietly, your voice wavering.

“What? Do what?” Bakugou responded.

“I just wanted you to help me and...you-” You stopped yourself, realizing it was selfish to think it was Bakugou’s job to help you exceed in class. Shaking your head you held your things tightly and turned to leave.

“I’m sorry, I’m not feeling well-”

“Bullshit, what the fuck is goin’ on with you? You’re upset, I know you are, what’s the problem?” Bakugou stopped you from leaving, almost forcing you to sit on his bed and explain why you were so distant.

“No- it’s not fair to you, I can’t do this, I can’t argue with you over something so stupid, I don’t want to end up like my fucking parents.” You were crying at this point, tears flooding from your eyes as you dropped your things, your books scattering across his bed as you fell into his arms.

“Are you talking about the fight? You have to communicate with me if you want me to help you. Can you at least tell me what you’re feeling?” Bakugou wanted to help, but with no information, there was little he could do.

“I was just so frustrated, because I was looking forward to studying, and then I found out you were in that stupid fight and I felt like I was all alone, like you’d deserted me and so I just tried to do it on my own and I messed up, and I felt like it was all your fault. I know it’s not. Had I just talked to you we could’ve studied and I would’ve done fine.” You broke down, sobbing into his warm embrace.

“I’m sorry. Just call me out on my bullshit, okay? It’s not right that you gotta’ be affected by my own stupid actions.” Bakugou tugged you back from him to place a gentle kiss on your forehead.

“Why don’t we try and do a few practice problems to help you better understand the material?” Bakugou offered, stroking his thumb over your cheeks to wipe your tears.

“Yeah, that sounds nice.”

After some silence of Bakugou helping you work through the problems, you thanked him silently with a long hug, just resting your head on his chest. He didn’t ask any questions about the comment you’d made, he knew it was probably a sensitive topic.

But he’d be there when you were ready to talk about it.

»»————-　★　————-««

shoto todoroki

»»————-　★　————-««

Todoroki doesn’t really like to argue, not like full on yelling and screaming at least.

If he’s having an argument, he’ll try his best to be civil about it, but sometimes he can get a little heated and possibly raise his voice.

He’s always been fairly outspoken, having to usually bide by someone else’s rules that he barely thinks for himself, but as of late, he’s doing himself a favor and being his own person, living by his own rules, and sometimes that means bucking up against others when they’re incorrect.

But when it comes to you, he can’t really see himself arguing with you, at least over little things.

However, he des find it rather upsetting that you didn’t mention you’d ran into his dad a couple days ago.

You’d just been out shopping and happened to bump into the pro and you said your hello’s, conversed for a few second about school before both continuing on with your day.

You didn’t think it was all that important, and for the most part you’d kind of forgotten about the entire incident.

You’d met Shoto’s father a few times before, which is why he recognized you as his son’s significant other.

So when Enji just so happened to mention the little meeting at a ‘family lunch’ on the weekend, Shoto was a bit surprised, and a bit concerned about the run-in.

Considering the first time Shoto introduced you to his father as his significant other, Enji was a bit opposed to the idea of his son having a relationship, but eventually he grew fond of you, thinking that it might be a good idea for his son to have something normal like a relationship, and go on dates, and live like a teenager.

Worried that he might’ve said something rude, Shoto brought it up in his room after eating lunch.

“Why didn’t you mention running into my father?” Shoto asked bluntly as he sat on his bed, watching as you straightened out your sweater.

“I didn’t really remember it when I came back to the dorms, it was quick, just said hi and talked about school for a few seconds before we went our separate ways.” 

“If it happens again just tell me, I don’t know what he’s thinking, just because he says he’s okay with us together doesn’t mean that’s what he really wants.” Shoto was almost dismissive of the fact that his father had actually just seen his son’s s/o in public, stopped to say hi and then get back to his busy day.

“It wasn’t anything like that, he seemed fine. He was busy, if he was upset it was probably just because he’d had a long day.” You lowered your voice, bowing your head before speaking again.

“I should’ve told you, I’m sorry. Please don’t be mad at me.” You were on the offense now, leaving your old statement in the past.

“What? Be mad at you? I’m not mad, I’m just concerned.” Shoto stood up and walked over to you, quickly noticing how emotional you’d become.

“Hey did I say something wrong? Please don’t dry, what’s going on, talk to me.” Shoto lifted your chin only to see your eyelashes coated in tears.

“I’m sorry! You’re right I should’ve told you-”

“Hey, hey, shhh.” Shoto hugged you, his warm arms wrapping around you as he held you close.

“You don’t have to side with me, if he was nice I believe you. Are you alright?” He asked pulling away to wipe the tears from your cheeks.

“I just-I didn’t want us to argue or fight like my parents and I just didn’t want you to be mad-”

“Hey, it’s okay. I’m not mad, and we don’t have to argue, we’re just talking, we’re not arguing, okay? It’s okay.” Shoto comforted you, allowing his hands to rub your back.

“I’m sorry.” You cried softly as he led you back to his bed to sit.

“Don’t apologize, it’s okay to feel differently than me, it doesn’t mean I’m mad or upset at you. I’m here to listen when you need me to, please don’t feel afraid to talk to me.”  

Lifting your head to look at Sho, you pushed a small smile onto your lips.

“Your hand is cold.” You nudged his right arm, his hand touching your skin under the hem of your shirt as he held you close to him.

“Sorry.” He smiled, wiggling his fingers to tickle you.

“Hey! They’re cold!” You laughed through your tears, trying to get away from his icy fingers.

“I love you.”

“I love you too.” You pressed a small kiss to the back of his right hand, his cool skin resting against your lips.

»»————-　★　————-««

denki kaminari

»»————-　★　————-««

Kaminari doesn’t argue- at least not with you.

He’ll accuse Kirishima of cheating on some first-person shooter game, or yell curses at Sero for blue-shelling him in Mario Kart.

But he’s never really argued with you about anything.

That doesn’t mean you’ve never had opposing views. Most of the time, Kaminari just listens and tried to understand how you feel.

But more recently, as you progress through school, he’s been doing weird things.

Training longer, forgetting to text you-and he always texts you.

It hurts your heart when you see him smiling and goofing around with Kirishima when today was your movie-night.

You’re not angry at him, you don’t own him for the day, he’s allowed to do other things, but you feel upset. You feel like he doesn’t care about your feelings.

So you head up to your room early, not even bothering to say goodbye to him.

Only about thirty minutes go by when he’s knocking on your door asking for you, asking if you’re feeling okay and why you went back to your room so early.

“I’m fine.” You lie, your expression was more than telling of that factor. You had a pout on your lips, your brows weren’t up and happy, and your eyes didn’t sparkle at the sight of your handsome boyfriend.

“You’re not! What’s goin’ on shawty?” Kaminari always uses humor to make you feel better, that’s just what he’s good at. He can be serious too, but he likes putting a smile on your face before he gets all serious.

“It’s nothing, you were having fun with Kirishima, I don’t want to interrupt.” And without meaning to, you’ve spilled exactly why you were feeling so upset.

Kaminari stares at you with his wide golden eyes, shaking his head as he practically tackles you through your dorm-room door frame into a hug.

Wrapping his arms around you he hugs you close and smiles.

“I didn’t ignore you! Kirishima just talks a lot.” Kaminari is quick to assume you were slightly jealous.

“I-I, no no you’re fine! Go have fun!”

“No. I’m staying with you.” Kaminari’s voice is a bit rougher this time, forcing the fact that he was going to spend time with you now.

After speaking he realized you’re crying. He quickly starts panicking, wondering if his stern ‘Bakugou’ voice scared you.

“Hey, hey! Why are you crying? What’s wrong?” He’s rubbing your arms and trying to wipe your tears away as they flow from your eyes.

“I didn’t want us to argue-I was just feeling weird and left-out and I-I’m sorry for being so jealous over something so little and stupid, please don’t be mad at me, I don’t want to fight and bicker like my parents do.” You don’t realize Kaminari’s expression softening at the mention of your fear, becoming like your parents.

“I’d never yell or argue with you over something like that. It’s okay to feel jealous or hurt, just talk to me about it okay? I can’t help you if I don’t know how to. We can converse like this about things, it doesn’t have to escalate.” Kaminari is soothing surprisingly. His touch is gentle even though it wanders.

Holding your hands is a nice feeling, and he enjoys holding them. Rubbing his thumb over your knuckles relaxes you as you lean in to rest your head on his chest.

“I’m sorry.” 

“Don’t apologize. I love you.” Kaminari kisses the top of your head and hugs you tightly.

“How about you pick out the movie this time! If it’s scary, you get the pleasure of cuddling into me!” Kaminari wiggles his brows.

“You were the one terrified to turn the lights off last time.” You giggle, lifting your head to wipe your eyes.

“I don’t remember that at all.” Kaminari teases, walking over to your bed to get comfy while you looked for a movie to watch.

»»————-　★　————-««

masterlist

[i-donot-forget]

EP 13 opinion + illus

And it seems that the 13th has to be where our protagonist suffers the worst traumas...

I'm still digesting everything that happened so I'll probably have some ideas left out.

[SPOILERS EP 13 + LOTS OF TEXT]

Well I can't shut up one more second about Erika's empty expressions... Since Ep 1 that in no illustration does Erika's face match the moment, so my least favorite image is the one of Lance, Nevra and Erika... the faces of the 3 are weird, but Erika looks like a diva who is being pulled off the back of a stage to run away from a horde of fans, I see her and I can hear her saying "hey put me down! ", at no time, no way, just looking at the image, I would NEVER have imagined that at that moment Erika was "heartbroken to leave Leiftan behind", it just doesn't look like it, that's not happening at the same moment of the illustration, period.

We move on to Mathieu's image, the moment is hard (and badly written because if you buy the image no matter your route, apparently you make out with Mathieu... Another Beemoov's mistake, I mean if we have to PAY for something WHY THE FUCK IS IT NEVER DONE RIGHT? Was it so hard to change 1 miserable line of text depending on your route? Erika's face... again it tells me nothing, it's the face I used to make when my mother scolded me, “empty face”. While Mathieu is giving it his all, at least his face gave me the feeling of being in deep shit.

mmmmmm Leiftan, first of all and I'll say it ONLY this time, in what game Otome, you don't have any interaction with your route for more than two episodes? At least the way the plot is going I guess Nevra and co. will succeed and Leiftan will be back at the beginning of ep 14, right beemoov? Beemoov???? Leiftan will be back right, because this is an otome and he's my route. 

Other than that he looks beautiful, finally his hair down, the timing does feel a bit anticlimactic, if you take away the couple of scenes that have to do with the image, it's like it didn't happen, Erika is like "meh, looks like I ate a lot before bed and that made me sick". honey... Leiftan has been missing for 2 days, his life depends solely on the threat Nevra made to your father, I would be hysterical, I would probably have to be sedated in the infirmary because I would have turned the whole H.Q. upside down by now, IT'S MY BABY WE'RE TALKING ABOUT. And this is just writing problems, because yes we have had situations like this, or did when Nath disappeared in MCL UL Amber went off to meditate? *disappointed sigh* always so close to glory and so close to failure...

Okay, I'm done with the images, now the plot.

I saw the doubt... I felt the instant of doubt in Erika after Nevra crossed the portal, even though she doesn't say anything, I felt that Erika at any moment would run in the opposite direction of the portal. What I liked is that most of the reactions seem pretty accurate to me, it's obvious that the head guards and Nevra have secret missions that Erika knows nothing about (that's why HH talked to them first and then to the bimbo, of that I'm sure) They ALL keep things from Erika, and I feel like I'll have to play this season again when it's over and all the little secrets come out.

It's all very hard and I think Erika is in denial, that's why she gets chatting with a soldier of her father's, that's why she thinks she can save Leiftan, that's why Lance has to take her away, because I wouldn't have left, because the thought that my father might kill me just can't get into my head that fast... It is already too much to assimilate that he directs the tortures, that in one night HC was tortured, she believed she would die there on earth, tortured by the men of her partner's father. Because it's one thing to hear it and believe it, and another thing to assimilate it, for your brain to absorb that information and function with respect to it... That's why I didn't like the "evil laugh" of Erika's father, it was unnecessary, caricatured, it broke the moment, he could have told his daughter that he will always love her and protect her no matter what, that would have hurt Erika much more, it would have made her doubt, it could confuse her now or in the future... well whatever instead of a ridiculous Disney villain laugh, a detail but you live on details. (I was a bit surprised that Erika doesn't even consider the possibility that HH might have sent his "shadow trio" to assassinate everyone in the command, her father included).

Despite everything... Nevra is one of my favorites this season, he is the leader, he is the boss when HH is not around and it shows, he acts like that, everything depends on him and everyone knows it (except Erika), he absorbs tons of information per second and adapts perfectly, they are running away from a burst of bullets (which he barely understands what bullets are) and yet he has the sensitivity to explain to Erika why they have to leave, because she does not see reasons at that moment, she is not a trained soldier, she is a rookie who does not understand about hard decisions, because it is one thing to make difficult decisions that affect you (such as the white sacrifice) and quite another thing to make difficult decisions that affect others. I don't have to understand that we have to leave without Leiftan, the feelings added to the lack of experience in this type of situation could easily cause an anxiety or hysteria attack, fainting or absolute despair, Erika could have gone crazy and destroyed everything in that lobby and I would have believed it.

Finally that's the big flaw of it all, there are no risks, when you feel something is going to get interesting they cut it, be it romance or plot, we all know Eldarya is more of a fantasy adventure story than a romance, then you have to take the risk like in the first season and deliver interesting arcs, In TO we had Ivonni, the myconids, the kappas, Naytili and Marie-Anne, all while corruption and war threatened Eldarya, it was interesting, each of these arcs were brutal and ended with deaths and lessons for the protagonist, character growth and the occasional moment with our route. Now in ANE we were introduced to Tenjin and what happened to him? Nothing, there were no risks, yes, a human died that no one cared about except Erika, so far we haven't heard from the kitsune king again and I feel it was a waste, and that's it, now on earth we have our father as a villain, and yes okay, it's pretty predictable, because obviously everything has to be related to Erika as implausible as it may seem, the arcs have moments that make no sense, that ignore or blatantly contradict what is already established and on top of that, for nothing. I feel disappointed with this season because it's very noticeable that it's just for money, it's almost an insult to the players that we've put up with so much (yes, I mean the fire), there's no love in ANE and I'm just waiting for a sterile ending... since Chinomiko left the team, Eldarya feels like the GOT seasons not based on the books, I hope for a similar ending... maybe Lance will burn them all like Daenerys and the truth I feel I don't care anymore, I keep a minimal interest for the lore they can deliver for my own fanfic... like many in the fandom and it's sad, I'm sad.

P.S: The whole Leiftan kidnapping thing will come to nothing, he's Captain Marvel in the MCU, they don't know what to do with him so they just disable him, Leiftan is too powerful to be able to participate in the main plot, and his relationship with Erika needs a lot of work (because they also gave them this bond that just makes things even more complex) to make it "healthy"... At this point I'm so confused that I don't know if the writers are geniuses or idiots (no offense) I mean, a part of the fandom that couldn't stand Leiftan now feel sorry for him.

[rivalsforlife]

I Once Again Attempt (And Likely Fail) To Predict An AA7 Announcement

Hey there. So it’s been about nine months since my last post trying to predict when AA7 would be announced, wherein I said I expected an announcement in September/October 2021, and it’s now May 2022 and I still look like a fool. So, in an attempt to sound smart eventually (which really just means I’ll be digging myself further into this hole I’ve found myself in) I’m going to go attempt a guess again.

In this post I will be discussing a few possibilities in which we could expect an AA7 announcement, and hoping that random chance will finally make me look smart. I will also be discussing an apparent “leak” of dubious credibility that may give some more information. And I’ll throw in a few cents about what I expect from the series in the coming years, just for fun. All the while hoping that tumblr doesn’t randomly delete my post again.

And to spare you all, the rest will be under the "keep reading”.

Let’s Pin Down A Very Wide Time Range

The first thing I want to do is get a wide range of when we might expect an announcement, based off of the announcement -> release time frames for new games (not rereleases) in the past decade. (We’re really reaching here.)

AAI: announced April 9 2008, released May 28 2009.

AAI2: announced September 7 2010; TGS this year was 16-19th, therefore it was announced in Famitsu the week before TGS. It was released February 3 2011.

DD: announced January 29 2012 as part of the 10th anniversary event. Released July 25 2013.

DGS: announced April 22 2014, released July 9 2015.

SOJ: announced September 1 2015; TGS this year was 17-20th, so it was announced in Famitsu about two weeks before the event. Released June 9 2016.

DGS2: announced during TGS 2016, on September 17. Released August 3 2017.

Overall, the shortest announcement -> release period this past decade and a bit is AAI2′s five month period from September 2010 to February 2011. The longest is Dual Destinies’ year and a half. I’m not counting rereleases in here because those tend to be shorter (for instance, Chronicles took three months). 

For purposes of this post, I’m going to assume an announcement -> release period of about nine months, because that’s what Spirit of Justice, the most recent mainline game, had. As I recall, Dual Destinies was announced at a 10th anniversary event, and was just a title reveal. (According to wikipedia, it was initially announced in 2007, but I’m not counting that because that’s not a real concrete announcement by the sounds of it.) Spirit of Justice’s announcement was more substantial (a spread in Famitsu, a Japanese gaming magazine) and therefore I’ll be counting that one.

But of course, an announcement to release period means nothing when we know neither announcement nor release. The only source of any sort of credibility I could find about when we can expect an AA7 release was from a leaker whose credibility seems to be rather contested. I do not follow gaming news most of the time and I do not know the history of this person’s reliability. So please take this next part not as confirmation and definitely not as credible as confirmed leaks like the 2020 Capcom ones. 

The full post is here, but I will post the relevant part for your convenience:

Capcom has a pretty good 2022 planned, it seems. Most of their major franchises have something big planned, and Ace Attorney will probably not be an exception. Ace Attorney 7 is indeed in the works, and will be announced in the coming months. It's been speculated that there will be a new protagonist, but nope, I don't think so. Phoenix and Maya will return for a whole new batch of cases. Shu Takumi will direct this new installment and I predict that it'll release worldwide in early 2023.

Overall, this isn’t something completely unreasonable with what we know. The November 2020 Capcom leaks did confirm that AA7 was in the works, even though we’re way past the supposed release period of October-December 2021. (Presumably, we can blame our friend COVID for that.) Assuming it hasn’t been cancelled, it coming this year or next is a reasonable guess. The content, too, seems pretty standard to Capcom. Phoenix and Maya being the leads again will be disappointing to Apollo fans who are still waiting for a proper sequel to AA4 or Athena fans wanting literally anything about her, but fits with Capcom’s general attitude towards 5 and 6 of “go for as much trilogy nostalgia as possible.” (Sorry. I’ll try to keep my opinions out of the rest of this. No guarantees.)

Similarly, Shu Takumi coming back to direct also makes the most sense. We have no idea what he’s been working on since the release of DGS2 five years ago. And with Yamazaki, who did 5, 6, and the AAIs, having left Capcom, bringing back the original director is really the thing that makes the most sense. This should make Takumi fans happy. I *am* admittedly curious about how he feels about 5 and 6 and how he’s going to handle the content introduced in those games.

But we don’t really care about the content in this post, we care about the dates. This leak speculates an AA7 release in early 2023 with an announcement “in the coming months”, which is extremely vague, as I’m sure it should be if you’re leaking something that can be changed at any time. This post was made in early January 2022, for reference, so here in May we are well into “the coming months” with no real sign of an announcement. But, assuming my general guess of “nine month announcement -> release period” and assuming early 2023 is anywhere from January-June (a very generous range), we could see an announcement any time from now to September 2022.

Again, a very generous range.

It’s also relevant to point out that this is a “worldwide release in early 2023″. Typically, AA games have taken a few more months to come out worldwide compared to a Japan-only release, but this has changed with Great Ace Attorney Chronicles (wherein the English release was actually two days earlier than the Japanese, at least in the Americas.) However, for the purposes of this post, I will assume that worldwide and Japanese releases are either synchronous or close enough that it doesn’t matter.

But of course, “now to September” is way too broad for any actual concrete predictions. I’m going to predict a few events/times that I personally think are likely times for an announcement. And probably get all of them wrong. :/

Option 1: THIS WEDNESDAY, MAY 18TH 2022

Disclaimer: This is not based on anything other than I think it would be extremely funny.

So. For those of you who weren’t here last year: Capcom had an orchestra concert April 10, 2021. This concert was streamed online because of the ongoing pandemic. The concert heavily contained music from the as-of-yet unannounced Great Ace Attorney Chronicles, and included the English version of the title and a few localized names from the leaks.

This, everyone thought, was an opportune moment for the announcement of Chronicles, which we all knew was coming from the leaks. It’s a concert featuring TGAA music!

The concert passes. No announcement, to the shock of everyone.

April 21st 2021, a random Wednesday morning, the official Ace Attorney twitter accounts post an announcement for The Great Ace Attorney Chronicles, instead of the fan event a week and a half prior. Everyone wonders why they just didn’t do it at the concert.

Jump ahead a year. May 7th, 2022, Capcom has an orchestra concert. The concert contains music from all games in the series (except aai :( and pl vs pw). There is no announcement.

I just think it would be extremely funny if they pull the same thing and announce it on May 18th just after another fan event. Like, who decides that’s a good idea.

Option 2: A 20TH ANNIVERSARY EVENT

“But Grace,” you might be saying, “wasn’t the concert a 20th anniversary event? And isn’t there no 20th anniversary event currently in the works?” you may be right. but let me explain my reasoning.

Ace Attorney has, to my knowledge, run anniversary events for both the 10th and 15th anniversaries. The 10th anniversary event was January 29th 2012 (though I cannot find a site or official record of it, this is from wikipedia’s DD announcement). And the 15th anniversary event was January 22nd 2017. These correspond to about “late January following the anniversary date (October 12th)”.

As for concerts? The 15th anniversary concert was May 6th 2017. If that sounds a little familiar, May 7th 2022 (the first Saturday in May following the anniversary date) was the day of the 20th anniversary concert.

My theory is this: Capcom intended for there to be a 20th anniversary event in late January 2022. This was not announced and postponed because of pandemic concerns (it was around the time Omicron was taking off, which was a lot of uncertainty.) The 15th anniversary was announced September 17 2016, during TGS. AA did not show up at 2021′s TGS, and again, this was in the middle of pandemic uncertainty. This is a reasonable assumption; the previous events were held in person. Already, they’ve had to cancel the stage play Turnabout Parallel World twice because of the pandemic. They may not have wanted to take the risk, given the situation in late January.

But now, with things being... well, I definitely don’t want to say the pandemic is over, but with more people being vaccinated and things opening enough for them to hold the concert in person, maybe they’d reconsider holding the 20th anniversary event for a little celebration. No idea when that would be. No idea how much notice there would be. But that is a reasonable time, assuming it happens, for a game announcement. 

... Or the week after the event. That’s also a possibility.

Option 3: ... E3?

Honestly I’m not really buying this one. E3 is a typical place for game announcements, but Ace Attorney has to my knowledge never announced anything at E3. And furthermore, E3 isn’t really officially happening in any capacity. There are rumors that Nintendo would do a massive Nintendo Direct around E3 time anyways, which is the most likely place within E3 for an AA announcement unless Capcom is doing their own separate thing (which I have not seen any indication of). 

This is really just based on “Games are sometimes announced at E3″ and I don’t think it’s likely at all, but I wanted to cover the basics just to be safe.

Option 4: THERE ARE ONLY SO MANY TIMES TOKYO GAME SHOW CAN FAIL ME

Tokyo Game Show is my go-to prediction for a new AA announcement every year since 2018′s “unmissable announcement”. And I firmly believe that fifth time is the charm! I Do Not Learn From My Mistakes! And I Still Think That TGS 2022 Is My Year!

This is the one I think is most likely. It falls at the end of my range of “now to September 2022″. Either during or prior to TGS is the most common place for Ace Attorney games to be announced, with 3/6 of the games I covered above being either announced during TGS or in the leadup to it through Famitsu. I still think this is the time. I still think this is the place. September is the month of disappointment but perhaps, this once, it will bring me joy.

Apparently this’ll be September 15th-18th; meaning an announcement in the first few weeks of September (or perhaps late August) is a likelihood. And now that I said it, it probably won’t come true. :(

Option 5: SOME RANDOM DAY OUT OF NOWHERE

Timing has no meaning.

Option 6: WE’RE NEVER GETTING AN AA7. GIVE UP AND ACCEPT YOUR FATE.

And with that, I have covered every possibility. I now cannot physically be wrong. Finally, Capcom, I have outsmarted you.

A Place For General Speculation

Of course, all this is covering AA7. I made a post a couple months ago about some possibilities for a 456 port given a recent trademark for “Apollo Justice”, though that’s inconclusive.

There’s also, of course, the possibility of an eventual DGS3/TGAA3, given the success of Chronicles on modern platforms. Personally, I doubt this would come out before AA7 and 456 ports. I plan to make a post covering that stuff....... someday. Maybe. Eventually. 

But, if this leak I discussed in the post is true and Takumi is the writer for AA7, that opens up a few interesting possibilities. It could mean Takumi is going back to being the primary mainline writer, meaning that TGAA would be taken over by a new director. This would give Capcom the ability to be working on a “mainline” and “spinoff” game at any given time and kind of alternate them (sort of like the 2009-2017 period of more or less interchanging mainline games with Investigations/Great games.) This... could be interesting. Takumi hasn’t worked on mainline for quite a while. I have no idea if DD and SOJ at all line up with his vision. I don’t know what he planned after AA4. He could try to branch off of plot points introduced in DD and SOJ, or he could ignore them completely and go for an AA4 followup, or he could ignore everything and do a “soft reboot” with Phoenix and Maya. 

Similarly, the possibility of Takumi not on TGAA raises some interesting questions. Without spoiling anything, the way TGAA wraps up is pretty tidy. While I loved the games, I’m not dying for a sequel or followup on the protagonists. And maybe Takumi feels the same way - he didn’t seem to want to continue the story of Phoenix & Co after the trilogy, which is why AA4 tried to go with an all new cast. Maybe he doesn’t have any more ideas for Ryunosuke and Susato, but a new writer could come up with some adventures for them, which could be good or suck a lot. We’d have no way of knowing.

Also, it is possible that Takumi is working on AA7 now but will switch back to TGAA3 if one gets greenlighted - there’s no reason to believe they thought they’d be doing another TGAA at the time of the capcom leaks and aa7 development. 

Overall, for future games in the series, I’m anticipating AA7 is next. Assuming they made some progress pre-pandemic and have been slowly putting it together over the past two years and they’ve *got* to be close to an announcement time now. Following that, I think that the relative success of TGAA and the demise of the 3DS eShop mean that they’d want to work on a 456 port to come next, and maybe, eventually, a TGAA3. No sign of investigations ports though, because I have given up on expecting a miracle, and Capcom hates my guts.

If you read all of this, thanks! I’d always be interested to hear what other people think about my speculation.

TL;DR:

- I once again am expecting an AA7 announcement this year. I think that Tokyo Game Show is still the most likely, though there are softer possibilities for Very Soon, E3-range, or an as-of-yet unannounced 20th anniversary event.

- An unconfirmed leak of dubious credibility says that AA7 will be coming out early 2023, starring Phoenix and Maya and written by Takumi. Again, the credibility of this is unknown, so definitely don’t take it as confirmation of any sort, or any more reliable than anything I’ve said here.

- If Takumi does come back to mainline, we might get a new writer for any TGAA sequels. If we are getting a TGAA3, I’d expect it to be after AA7 and a 456 port at the very least.

- I Am So Normal. I Am So Completely Normal Right Now.

- I really need to stop making these kinds of posts because it’s so embarrassing when I’m wrong, but I’m going ahead and doing it anyway.

[nanamisflowerfield]

︵✿︵︵✿︵︵✿︵︵✿︵︵✿︵︵✿︵︵✿︵

It was a big day, well at least for Idia. After all it was his crush’s birthday! Scared and excited, he tried to prepare a gift for his beloved crush in secret.

︶✿︶︶✿︶︶✿︶︶✿︶︶✿︶︶✿︶︶✿︶

@teashopwritingzz I know I don’t have to do it, but I really really really wanted to give at least one small present to you! Because you totally deserve it!🥺❤️ Happy belated Birthday! I know that yesterday was your birthday, but I wasn‘t online yesterday due the post+ demonstration! D: I still hope that you had a wonderful day yesterday and today and the whole week! Stay safe and healthy too!!

Idia took a deep breath, staring at the list of gift ideas that you might like, but a small voice back in his head kept telling him, that you would never like any of those gifts. “I’m sure that (Y/N) (L/N) will like it!” His younger brother always said, but the tall dorm leader of Ignihyde was still pouting at his thoughts. If you would reject any of those, you would also reject his feelings. It would be like a critical hit, getting it from the most greatest SSR character ever. “If you are still unsure, you can watch them. Maybe you will figure out what (Y/N) (L/N) will like.” Ortho advised his big bro, who glanced over his shoulder to the only person he might listen to at this very important situation. “Maybe you are right…” Idia’s gaze wandered from his brother to the list he had on his phone. Headphones, phonecases, games, books and more were listed on it, but would you liked them?

“Owww! My paw!” Grim cursed the ground, after he fell down from the bed, being accidentally pushed down by you. “Sorry, Grim.” Apologizing by petting him on the head and promising to give him a can of tuna later, he halfheartly accepted your apology, walking with you to school for another mayhap exciting school day. “I will only accept it, because it’s your birthday.” The cat-like friend of yours, fummed, watching the Heartslabyul duo walk into your direction to greet you and wish you a happy birthday. “Trey-senpai even baked a cake.” Deuce told you, getting elbowed by Ace, who groaned at him that the birthday party should be a surprise, only to spoil it himself. “A surprise party…? I’m probably not invited…” Idia watched the screen, his eyes never leaving you, hopeful to get any informations of what you might wish for, while his fingers tipped on his keyboard, coding something he always had on mind.

As you wrote on paper everything important professor Crewel told the class, Ace drummed with his finger on the table, while Grim was half sleeping next to you and Deuce tried his best to be a perfect student. “Hey, can you read the list of invited students later on? Did we invite every friend of yours?” Deuce whispered to you, getting harsh words of the professor for interrupting the lesson. But every time Crewel watched away, you read all names of your friends on it, only noticing that one name was missing. The person you wanted to see not only through screen. Idia Shroud. But maybe he couldn’t come over or doesn’t want to for being such a shy and yet adorable being.

Surprisingly the day went on like every other day. You laughed, had fun, talked to your friends and went to the Heartslabyul garden, while wearing shiny bright white clothes to show the whole school that it was indeed your birthday, like many other students had to wear on theirs. It was a bit embarrassing to talk with plenty of students about your birthday, but it still made you happy nonetheless, even when you still hoped to talk on specific student of NRC on this very day. But he didn’t came, so maybe you should get your little present from him by visiting Idia. “That’s a great party, guys. Thank you all so much, but I will be gone for a short time.” You smiled at your friends, watching them having fun, eating delicious food and talking to each other.

Idia yelped as he heard a knock on the door. Wasn’t everyone gone and having fun right now? Who was knocking on the door? Arguing with Ortho with mere stares, the younger Shroud walked to the door, opening it to your delight and Idia’s dismay, as he stared at the door opening more and more and then- oh no, by the great seven, was it truly you?! You were supposed to be at your party, having the time of your life with your dear friends and not be here! Why were you here?!

Like a good child, Ortho greeted you, standing next to the door to give you some space to walk through the door to Idia’s room. While you were smiling at the Shroud brothers, Idia was sitting on his chair, turning around to hide his blushing face that got warmer by every second you stood there and talked to Ortho. The tips of his hair and ears were dusted cheek and he was sure, that some might compare to him to fresh cherries!

“Sorry to disturb you-“ You started, getting interrupted by Ortho, who dragged you into the room, telling you that you would never disturb any of those two. “Oh… Uhm… Alright.” With the same smile that Idia fell for, your eyes stared at his back. Oh, how much you had wishes to hold the introverted boy in your embrace, pat him and give him the love and affection he deserved. “I-I-It’s… alright…” Idia sputtered and stuttered, trying to avoid your gaze in fear that you might tease him for having a crush on you. He just couldn’t help himself. You were such a lovely person. So nice, helpful and that smile. He could babble around, what a great person you were in his boring shut-in life. That you were like the light in his dark life. A total ultra super duper rare card in the gacha games he keeps playing, being frustrated that he couldn’t get those cards, but at least could look at them on photos. “Am I creepy…?” Idia mumbled to himself, forgetting your presence for a second until you asked him to repeat it, after not able to hear it. “N-Nothing!”

Fortunately or mayhap even unfortunately, Ortho knew of Idia’s feelings and how much he had took a liking towards you, which is why he had asked you, why you were in the Ignihyde dorm. “Oh… I wanted to get my present.” The blue-haired tall student turned around, nearly shrieking in fear that you figured out, that he wanted to give you a gift as well like plenty of your friends, who unfortunately had gifted you many presents he had listed a couple weeks ago. “My present would be… to spend more time with you, Idia.” Your gaze wandered to the ground as your cheeks got warmer by your mere words and wish you had, not realizing that Idia’s face was mirroring yours at the same time your words had left your mouth.

That was a gift that he would love to give you every day as long as you wanted to have him by his side. His mouth opened slightly, wanting to talk, before you had asked him what he was programming right now as you took a look at the codes, ignoring the fact that a humming Ortho left the room, so he might not disturb you two love birds. “A g-game… I’m trying to make a small game I had in mind for quite some time.” He answered, staring at it once again.

“Have you finished it already?“ The bluehead nodded. “May I play it?” Mumbling a few words here and there, Idia hoped that his hair hide his flustered face, but he nonetheless let you sit next to him and play his selfmade game, even though he feared that you would reach the end of it and find out about his big secret he never wanted to reveal to you.

“Another level up. Great!~” You cheered, playing the rpg of Idia’s even though your friends might miss you during your birthday party. You should get back, but you couldn’t stop playing the game, after all you has nearly reach the endboss! “Is that a giant cat? He reminds me of Grim.” You chuckled, trying to defeat the endboss with the spells of the protagonist named Hadia. It was a cute game.

The plot of it was like plenty of other rpgs. The protagonist Hadia, a royal guy fell in love with Readi, a sweet princess who got kidnapped by the evil cat-monster Grimopy. Grimopy tried to be the strongest wizard and king and had plenty of henchmen like Dice and Acepo, which were quite strong enemies. Hadia had to train a lot and even gained the help of different wizards like Lio, a sleepy lion, Otto, a cute robot. Then there were Ralice, Tri, Phone-Addicted Rabbit, who still had no name, because Idia couldn’t find a good fitting name for the character. Marteus, Kala, Azure and many other characters and all of them reminded you of your friends. That meant that Hadis was probably Idia and the lovely princess Readi was… you. “Cute game.” You whispered to yourself, using the last spell to defeat the boss, watching the end scene of the rpg.

Hadis was rushing through the castle until he found his beloved princess. When he leaned down to kiss her awake with the kiss of true love, she woke up and they confessed their loves, swearing to each other to be together forever until they lives will end.

“I think I have a new ship.” You giggled, pointing at the protagonists, while you looked at Idia, the blushing mess. “I’m really glad that they are together. They are perfect and cute together. So sweet. I hope that my Hadis likes me as much as he does…” You commented, shutting his computer down, while Idia clenched his fists, knowing that you finally know about his feelings. “Come. We have to go to a party, Idia.” You smiled at the marveled dorm leader. “P-Party?!” Faster than he could expect it, you grabbed his hand in yours, pulling him away from his room towards the garden of the Heartslabyul dorm. “Oh, I like you too, my Hadis.” - “I-I like you too… my Readi.” With the other hand of his, he tried to hide his red face as you chuckled at him, happy that you finally can call him yours.

[makeste]

BnHA Chapter 314: ...Or You Live Long Enough to See Yourself Become the Villain

Previously on BnHA: Some random assholes were all “let’s throw exploding spears at All Might and see if it activates his Conqueror’s Haki” and SURPRISE, MOTHERFUCKERS, IT DID!! Elsewhere, Lady Nagant confusingly tried to capture Deku alive by shooting him in the stomach, but to be fair I guess that’s what happens when you send an assassin to do a bounty hunter’s job, so yeah. Deku was all “ouch”, and then because this is a shounen he basically just straight up forgot about it, and did a big fancy Smokescreen thing, and then activated his mildly incomprehensible new ki-blasting quirk which he got from the Third. En and the Third were all “hey Deku maybe let’s not just impulsively activate all this shit in the heat of battle when you don’t know how to use it yet and you’re already injured,” and Deku was all “thanks for the quirks guys but I’ll take it from here” and snuck up on Nagant and grabbed her arm and so now what’s going to happen I wonder.

Today on BnHA: Nagant is all “[shoots Deku again]” because of course she is lol. Deku is all “tell me about AFO!” and Nagant is all “why would I tell you anything?” and then proceeds to tell him her entire life story which is FILLED WITH SO MUCH MURDER, YOU GUYS. Holy shit. So basically she was an assassin for the HPSC, which we already knew, but somehow it’s one thing to know that, and another to actually see her running around capping dudes in the forehead and being covered in more blood than the elevator from The Shining. Anyway, so you’ll never believe it, but all that murder had a negative impact on her psychologically, and eventually led her to question everything she believed about hero society, and so she killed her creepy boss and was promptly sent to Tartarus. This extremely fun chapter ends with Overhaul showing up all “HI, HELLO, I’M STILL HERE”, because for some reason he is still here. Why are you still here, Overhaul.

“the beautiful Lady Nagant” oh you know your audience don’t you Horikoshi

well all right then! so I’m guessing this means that she is not, in fact, going to roll over and die just because Deku’s out here all “GOT YA!” like they’re playing a game or tag or something. ffff may the manga gods have mercy on our young suicidal protagonist

lmao so Deku is all “GOD I’M SO SMART, WHAT A GOOD STRATEGY I HAD, CAPITOL JOB THERE OL’ CHAP, CAPITOL” and lol, okay. I mean, it was a good plan though. but I’m still waiting for the other shoe to drop here

“I’ll make you give me information on All for One” well there you go, lol. Deku Angst arc still fully engaged. still no light in his eyes either of course. just a lil chaotic ball of sleep deprivation and rage

lol, fucking THANK YOU though

oh my god what the hell did she do to him lol

did she shoot him with her elbow??? fucking look at this?? THIS IS WHY WE LISTEN TO HAWKS oh my god Deku are you dead

WHAT’S HAPPENING, IS THIS GOOD OR BAD, WHO’S WINNING

things that I wish I could tell from this panel which I unfortunately cannot tell

did she stab him or shoot him?? can you imagine if it was the former lol. why does Horikoshi keep stabbing all my kids. look Kacchan now the two of you can match

did she actually hit him or did he get away??

or did she hit him and then he jumped away?? just, what

well anyway, so now Deku is asking her why she sided with AFO, but he seems a lot more pissed off than when he was interrogating Muscular, though. probably because she shot him three times. fair enough

oh my god

does Lady have a blog here on tumblr dot com?? -- does Horikoshi have a blog here on tumblr motherfucking dot com?? why do I suddenly feel like this man is out here sneakily reading up on all our discourse

oh my god Deku it’s almost like getting up close and personal with someone who can shoot custom bullets from any distance and any position with deadly accuracy was a terrible fucking idea

IF ONLY SOMEONE HAD WARNED YOU NOT TO ENGAGE WITH HER AT ALL COSTS. IF ONLY SOMEONE HAD HAD THE FORESIGHT TO DO THAT sob. can you imagine how much shorter this series would be if characters actually listened to Hawks. Hawks, and Momo. why do we even let anyone else run the show ever

OH MY GOD

DEKU, RUN

OH MY GOD WHAT IS HAPPENING

this looks a lot like what happens to me whenever I play One’s Justice. those fucking combo attacks that you can’t fucking escape from and so your character just has to stand there getting their ass whalloped repeatedly while you wonder why you paid $40 for this

but anyways though. so Lady who did you kill?? I bet they deserved it, don’t worry I forgive you

(ETA: ANYWAY SO FRIENDLY REMINDER THAT LADY NAGANT DID NOTHING WRONG EVER IN HER ENTIRE LIFE. aside from murdering all those innocent people and shit. but there were CIRCUMSTANCES, and THEY WERE EXTENUATING, OKAY.)

-- holy shit

looks like the HPSC arc is back on the menu boys

so are we about to learn that the HPSC was going full Hydra on people’s asses? secretly dispatching anyone they deemed a threat to society?? “taken care of” as in you fucking shot them??

so then was the “hero” she killed actually one of the guys who was giving or carrying out these orders?? holy shit Lady, up until now I’ve mainly just been stanning you for your flawless eyebrow game and metal af quirk, but this shit could actually get real very quickly, and I am prepared to genuinely and sincerely love the shit out of you depending on what we learn next about your backstory

oh my god?!?

so wait, hold up. am I reading this right?? basically the HPSC started murdering vigilantes because they were worried they were gaining too much of the public’s favor?? holy fucking shit???

oh my GOD oh my god

“it’s been a while since I scarred you all with the dead dog and the graphic slaughter of an entire innocent family, huh,” Horikoshi says thoughtfully. “anyway so what do you all think of my new creation, the Spaghetti Bullet.” well, Horikoshi, so you know that squished-up face that Kermit the Frog makes sometimes? yeah. that’s what I think, if you must know lol

holy hell the juxtaposition

I’m actually kind of surprised to learn she had a lot of fans? what with her M.O., I was expecting her to have been an underground hero like Aizawa, but apparently not? then again I still have absolutely no idea how any of that works. I really need to read Vigilantes already

oh snap

nothing like a sweet dose of assassin trauma to finally round out our BnHA Trauma Bingo!! well done guys, we finally collected all of the traumas! hooray!

noooo Ladyyyyyyy

holy shit what a fucking chapter. like, this man promised us an assassin, and went and fucking delivered. I was not expecting it to be this dark, lol, but holy shit I am here for it

you know, at some point you have to start questioning the logistics of this, though

I mean, how do I put this... her quirk isn’t exactly subtle. that murder scene from a few pages back looked like the first season of Dexter for fuck’s sake, that’s not exactly “disappearing” people now is it?? and I mean, her bullets are literally made from her own fucking hair; it seems like it would be impossible not to leave any evidence behind. did no one start to wonder who the fuck was going around murdering all these people? or did the people who asked too many questions wind up getting conveniently “disappeared” themselves??

and hey, speaking of asking too many questions

holy shit is he blackmailing her??!? or no, wait -- what the hell is he reaching for in his pocket boy you better not

(ETA: what exactly was this man expecting fdslkjd. “uh oh my unstoppable hair trigger assassin who is literally always armed is asking questions, better announce that I am going to shoot her and then reach into my pocket veeeeeery slowly while she stands there all of two feet away.” how did this guy ever function as the head of a shadow government with these decision-making skills, I’m genuinely baffled.)

OH MY GOD LADY YES

this. right here. is why “run the fuck away” was damn good solid fucking advice. oh shit. but my god did this dude have it coming

so wait lol has she just been narrating all of this out loud to Deku this entire time

okay but can we just stop for a moment and appreciate the fact that they’re having this deep conversation about the dark secrets of hero society right in the middle of their intense mid-air sniper free-for-all lol

holy shit you guys, Nagant’s the one that should have made the tell-all video. I mean, no offense to you, Dabi, I’m sure you worked very hard on your video and did a ton of crunches every day so that you would look good with your shirt off while you told the world all about how your dad was a jerk. but seriously...

this is already like 100x more convincing than what he put out. also, gasp, is it another flashback

yes it is oh my gosh

so the HPSC Chairladyperson whom ReDestro killed used to be this guy’s direct subordinate, huh? I wonder if she kept the whole assassin program going after she took over. can’t say I was feeling any particular kind of grieving way about her death before, but certainly not now lol

but unfortunately Nagant has finally lost me at the same place where all of the villains inevitably do, which is to say when they somehow make the dubious mental leap from “society sucks and is bad” to “let’s just be openly fucking evil lol, worth a shot.” because when heroes murder innocent people and cover it up, that’s obviously bad (and I mean, it absolutely fucking is lol, don’t get me wrong); but when villains murder innocent people straight up out in the open without giving a fuck, they’re righteous revolutionaries? just -- is there really no non-murdery middle ground here?? I guess that’s what Deku and co. are for, hopefully

anyways oh shit Deku seems to have spotted something?? and he’s doing something weird with Blackwhip what

oh, he spotted her, I guess

lmaooooo

new favorite Deku panel right here. a masterpiece

oh my god you guys our little boy is starting to grow up before our eyes

you love to see it. and you can tell with those elipses that he’s gearing up to say something really cool and determined and badass like the shounen protag he is, yes please, Deku ilu so much please do your thing

ahhhhhhhhhhhhhhhh

IS THAT A TEENY TINY LIL EYE SPARKLE THERE OMG. still not anywhere close to his usual standard, but that’s some clear resolve there in his eyes there at long last! it always shines the most clearly when he’s being true to himself and his ideals, so I love that it finally shows up again here, when he’s reaffirming his resolve to help others no matter what

uh oh so what’s Lady going to do now

is it time for a trump card?? kinda sounding like it’s time for a trump card

???

I lied btw, this is my new favorite Deku panel. but anyways what is she up to now lol

ohhhhhh, lol

why does she seem shocked, lol. here I thought this was part of her plan, but apparently she forgot all about ol’ “Look Ma, No Hands” back up there

and so I guess that’s it for this week! so we’ve learned basically everything now about Lady and her quirk and her history with the HPSC and why she agreed to work for AFO. pretty much the only question that still remains is why the hell she decided to drag this asshole along for the ride! because I still cannot figure that out dsklkjlkf

(ETA: actually now I’m kind of wondering if they maybe have some past connection we don’t know about yet. when exactly was Nagant sent to Tartarus? is it possible she was ordered to track down and kill Overhaul at some point before that, but never got around to it? or something else along those lines? idk but now I’m curious.)

anyways Deku, I know that your empathy has no bounds and that you’re on a “saving villains” kick right now, and good on you... but also, if you decide to just like, skip all of that shit just this once, absolutely no one will hold it against you, I’m just saying. just, all I’m asking here is maybe let’s think twice before we start trying to reform guys who imprison and torture little girls for profit. I think maybe that’s a good place to draw the line. next week is going to be a very interesting chapter lol

[tricktster]

the twilight series suddenly makes 100% more sense if you read them under a specific premise that, i contend, is heavily supported by the text:

Much like Amy’s diary in Gone Girl, the books in the Twilight Saga are verbatim reproductions of in-universe diary entries carefully and deliberately created and curated by badass unreliable narrator Bella Swan as a means to achieve immortality.

Prerequisite assumptions:

1) Bella actively and persistently wants to become a vampire, both diagetically and (I contend) non-diagetically. The average vampire novel format often fails to capture realistic human behavior in one highly specific area: the protagonists are frequently mortals who grapple with the choice of whether to become a vampire. This is stupid, because being a vampire would obviously be dope as hell; particularly in the Twilight Universe, where vampires are not required to take a human life to survive, and indeed, have the capacity to live full and rewarding lives while integrated* into the human community.

(*integrated-ish; see Assumption 6)

2. There are too many coincidences for Bella to have encountered the Cullens by sheer chance, only to be the ONE person that Edward can’t live without (due largely to the novelty factor of not being able to read her ding-dang thoughts.)

3. Diagetically, the Volturi don’t even know Bella’s psyonic gifts until New Moon, but we also know that the Volturi scour the globe for recruits to enlist into the protection of their governing body.

4. Nobody wants to be a voiceless cog in a bureaucracy.

5. Nobody, and especially nobody in high school, wants to be a high school student forever.

6. Vampires in twilight are, as a group, cartoonishly terrible at disguising their true nature.

7. Forks is a backwater town approximately 3.5 hours away from the biotech hub of Seattle.

7. George W. Bush and Dick Cheney can eat my farts and they deserve to be preserved in this snapshot of an innocent author’s mind slowly unraveling.

Proposed timeline:

In 1993, there is a key system meltdown at a improvised biohacking startup in Seattle, rendering all innovative genetic modification experiments into a puddle of brown sludge that nobody can figure out how to dispose of per Federal regs, since they don’t even know what it is.

The broke founder of the startup, who for the purposes of this timeline I will call Jeff Bezos because that’s who it was, eventually grows tired of all the discussion about what to do, and just pops it in a barrel, drives a few hours out of town, and dumps it in a pond.

Bella Swan, a small child, is hanging out at a park with her family friend Jacob Black (and a ton of his friends) when they all decide to wade in a slightly murky pond. Thereafter, they are transformed.

Bella grows up as a normal, highly powerful mutant with a +20 to deception checks and wisdom saves. She lives in Arizona, but up until 2002, summers in Forks. While in Forks, she picks up on the local lore about a family of vampires who don’t eat people.

Because Forks (population: 17 + Charlie’s mustache) is boring, Bella bones up on the only interesting thing about it, i.e. Vampire Hometown baybeeeee.

In 2000, George W. Bush gets elected president, and his evangelical politics and general bumbling ineptitude informs Bella’s opinions on authoritative governmental entities.

In 2001, the Cullens make their intention to move back to Forks known, but they take a while because they need to pack all their stupid graduation hats and volvos, etc.

Later in 2001, a psychic Volturi scout rolls through Forks to ensure that nobody within living memory recalls the Cullens, and notices an anomaly in the psychic field.

The scout goes to confront Bella about joining the Volturi, and Bella immediately clocks him as a vampire, because vampires in the Twilight Universe fucking suck at looking/acting human. This leaves the scout in a bind: she’s too valuable to kill, but she’s a pre-teen, and therefore too young to be transformed per Volturi authority.

The scout warns her he’ll have to kill her if she discusses the existence of vampires with any human. He then tells her he’ll be back in five years, and begins to sweet talk her on how good life will be when she’s a vampire, beautiful, immortal, powerful, etc. Bella asks if she has to kill, and dude says “nah, actually there’s a bunch of vegetarian vampires who are moving back here soon. Fucking nerds, but otherwise they’re doing well.” Bella is all about becoming a vampire, because Bella is a rational actor.

Bella moves to Arizona, and as the wars in Afghanistan and Iraq are unjustifiedly initiated, she recognizes that while she DOES want to be a vampire, she does NOT want to be a foot soldier in any war that she can’t support. She needs a plan.

In 2004, Bella is watching her step-dad’s minor league baseball game when it occurs to her. On her own, she’s a target for the Volturi, but if she had some people to watch her back, she might be okay. Of course, nobody fucks with the Volturi on behalf of some rando human. She’ll need to con her way into a coven who’ll have her back and also give her that +10 to constitution via vampiric transformation, which she desperately wants because she’s a rational actor. And where are the non-volturi vampires that might have her back? Fucking Forks.

Bella moves to Forks in 2004, and upon seeing the Cullens, she immediately clocks them as vampires even though they left their “we’re all vampires” booty shorts at home, because, as previously discussed, vampires in the Twilight Universe fucking suck at looking/acting human.

Bella notes that all the vampires but one are paired off in heterosexual bliss, and takes note of the straggler as a potential vehicle to vampyrdom.

Bella figures out that Eddie can read everyone’s mind but hers, because Edward Cullen fucking sucks at looking/acting like a human who can’t read minds. Bella further observes that Eddie has a huge undead boner for her.

She’s found her mark. Now she just needs to convince him that she’s better off as part of the coven than on her own. Problem: Eddie’s a self-pitying insufferably guilt-striken perpetual adolescent who keeps himself busy by feeling sorry for himself because he’s a vampire, angst angst angst etc etc. Also, I think he’s Catholic, so add some more guilt in. She’ll have to win him over by convincing him that they’re destined to be soulmates.

What does a vampire used to having complete insight into everyone’s mind but his crush’s want? A method to know what she really thinks of him. Bella begins writing a “diary” knowing that there’s no way in hell Eddie won’t sneak in and read it. So she Gone Girls it, and begins to lay a trap to lure him in. That first diary? Twilight.

This was just in the movie but a stoner chases her around with a worm on a stick. Nothing to do with this theory, I just like that part of the movie. Where’s my spinoff about that guy?

Eddie won’t give Bella what she wants (eternal life) by the end of book 1, even though she asks him to EXTREMELY POLITELY. Time to hit the diary with some more promises of undying love.

Bella reconnects with her old friend Jacob and the rest of the Mutated By Jeff Bezos Boys. Alas, they cannot turn her into a physically powerful sexy immortal with a bite, so she’s still stuck with plan A) win over a whole family of vampires with big Mormon energy. It’s the long con.

Edward’s angst abruptly takes a swing towards terminal. He’s absolutely your classic sadboy, perhaps because Bella now has one (1) friend that he knows about.

When Eddie begins to drift away on account of Angst, Bella conjurs up a secondary love interest who, coincidentally, is ALSO a sexy supernatural entity, and is much less coincidentally just Jacob.

We should establish here that Edward is like a 107 year old white dude and so even though Diary!Bella pretends not to see it, Metatextual Frame Story!Bella knows that dude is super racist.

Jacob Black is three things: 1. Like Bella, a mutant (although one with shapeshifting abilities), 2.one of Bella’s oldest and most trusted confidants, and 3. down to clown on an elderly teenage vampire who keeps stereotyping him. Sure, says Jacob, I’ll take the form of a werewolf. He seriously thinks we’re all just beastmen, huh? Hey look at me now, I’m Regis Philbin because this is 2005 and Who Wants to be a Millionaire is still sort of relevant. Sick.

Edward does not like that Bella has one (1) other friend. Bella and Jacob plot to use this to their advantage and lure Edward back on the wings of jealousy.

Eddie gets himself into trouble on account of Angst and poor communication, so Bella has to go rescue him from himself/the Volturi.

Aro finally meets her and gets to test her powers, which impress him. Now she’s back on the fucking radar.

I forget everything that happens in Eclipse, so i have chosen to omit that part.

Eventually she extracts a quid pro quo from Eddie; i’ll marry you if you turn me into a dracula.

We don’t really call ourselves that, Wet Blanket Cullen replies, entirely earnestly.

Bella gets married at 18 in 2006, and Eddie starts to backtrack his promise about changing her. This won’t stand.

Well, look, he’s an elderly guilty catholic/mormon teen who probably still uses super racist terms, but she’s stuck on honeymoon island, he has certain angles that work for him, and seriously what are they gonna do but fuck? Bella’s alternative is listening to her “husband” drone on about his interests, which are almost certainly Car, How Do I Post a Minion Picture on Facebook, and Licorice Used To Be a Lot Cheaper in the Good Old Days.

Whoops a fetus.

Bella recognizes that she’s GOT to have this baby: time’s running out, and Bella knows that at least two of the Vamps in her coven will cut ties if she terminates or otherwise fails to carry this baby to term because of the conservative religious subtext. She’s going to have to stick it out for 9 months, even though it’s a risky call.

Bella gets what she wants after giving birth. “My time as a human is over, but I've never felt more alive. I was born to be a vampire.” That’s a direct quote. Except now she’s got a (pretty cute and easy) baby that she desperately wants to protect from Turning Into A Vaguely Religious Cullen Dressed Head To Toe In Cream Colored Wool.

Bella decides to fake her own death and escape with the kid and Jake so they can form i guess a detective agency. Bella will get “killed” by the Volturi, move to Sydney, and open up shop, and Jake will take the kid after her a few months later.

They’re gonna need a reason why Jake gets the kid though, and there’s only one reason to do anything amongst the Cullens: a heterosexual love interest with a super problematic age gap.

Jesus, Jake sighs, is Eddie really going to believe I’m in romantic love with your actual infant? Does he really think that little of me?

Yup.

Bella tries to draw the Volturi’s attention.

Works too well.

The Cullens call up all their vague acquaintances, who are at least kind of fun. Particularly that one dude who keeps getting angry about British conduct during the American Revolution.

Well, fuck, now the Volturi are bringing an army to fight their ragtag army of Vampires Who Are Cool And Interesting Enough That We Can Safely Presume They Are All Definitely Gay. Bella can’t let those guys die, they’re the first actually compelling vampires she’s ever talked to.

Bella saves the day because she’s OP.

All the Cool Vamps start packing up to leave and Bellz almost goes with them, but the Cullens would just keep sending missionaries after her if they knew.

Bella finishes her fourth journal with the vague warning that the Volturi are still out there somewhere and they miiiight just try and get her.

Two days later, she stages a scuffle and gets the fork out of Fucks. Her journals are the only clue.

Sirius Black and baby nessie follow once edward has stopped sobbing into his cream colored sweater and moved on to Extended Power Pouting.

Bella recruits her own army of fledglings.

Bella stages a coup against the Volturi and succeeds.

Bella sits on the iron throne with a hot lady vampire on each knee and they all kiss and stuff.

Nessie I guess forms a post punk band?

Edward dies from aspiration of a brussel sprout that he ate because he just wanted to feel something.

Charlie and Billy get married.

Charlie’s mustache develops a cult instagram following, providing them with a modest retirement income.

Jacob shapeshifts into Bill Murray and is always crashing weddings.

Bella’s stepdad is off in the B plot this whole time winning the world series with the help of a kooky angel.

There. Fixed. My soul is at rest.