#“As the World Turns”

[chloesimaginationthings]

The day FNAF Charlie Emily was shut out..

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[taffywabbit]

thinking about a parallel universe where furries with big useless bappy paws exist IRL, but so does that one dumbass apple mouse that has no buttons, a charging port on the bottom, and a shape that is extremely uncomfortable to use if you have normal adult human hands

[lgbtlunaverse]

Nothing will dispell the "the curtains were just blue" myth faster than writing something yourself, because the amount of pretentious symbolism i am putting in my silly little fanfics is ridiculous. I mean SO much with these words, literally every single one of them. This fic has twenty five typos and zero correct uses of punctuation but if there's curtains you bet your ass I put thought into what colour they were.

[roguefiction]

You'd have to stop the world just to stop the feeling

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[shushmal]

"Dude," Steve says, pressing on his eyes because he feels like he's about to cry. "What the fuck."

"What?" Dustin squeaks, alarmed. "What? Steve, you're freaking me out!"

"Good!" Because Steve just worked eighteen hours and it's past midnight and he got thrown up on twice and there was a bed pan incident and even though he showered at the hospital he probably smells awful and it rained and he lost his keys so he had to take the bus and he's sweaty and tired and wet and cold and Dustin's DnD friend is hot. "I can't believe you'd do this to me!" Okay, maybe Steve's feeling a little delirious.

"Do what??" Dustin is full on shrieking right now. His hot friend is standing in their apartment looking more and more worried and hot.

"You didn't tell me he was hot!"

The expressions that go across Dustin's face is impressive, before they stop and he settles on a flat glare. "Seriously??"

Hot guy is now blushing and Steve will collapse if he doesn't keep with the righteous fury.

"I've been TRYING to get you two to meet for months now!"

"You didn't tell me he was hot, though! Dustin!!"

"I don't know what guys are hot, Steve!" Dustin says indignantly. "I thought you didn't like nerds!"

"Dustin!"

"Um," says hot guy. He looks like he's panicking.

Dustin's face changes again. "Oh, no. Oh, no, you're right."

"All this time!" Steve says and he really is close to tears. "You've been nagging on me all this time to find my soulmate, and you had the perfect guy right here?? You had him in my home??? Dustin!"

"Whoa," whispers hot guy.

"I'm sorry," Dustin wails now, just as distraught. "You love nerds, all your favorite people are nerds, I don't know what I was thinking, oh my god!" He whirls on hot guy. "Eddie, give Steve your number right now!"

"Okay," says hot guy Eddie, immediately. His face is super red and his eyes are wide, and he looks scared out of his mind as he fumbles his pocket for his phone. "Yeah-Yep-Absolutely. This is a thing that's happening."

Steve, tears burning in his eyes, watches as Dustin punches his number into Eddie's phone. "Okay," he says a little nasally, wiping quickly at his face. "Okay, I'm going to shower and then sleep for two days, and then pretend like this never happened so I can look hot guy in the eye when he asks me on a date. Sound good?"

"Sounds great!" Dustin says, all cheery now. Behind him, still looking vaguely scared for his life, hot guy gives him a shaky thumbs up.

[egophiliac]

Ernesto Foulworth and Gino… it wouldn’t surprise me if they had fake identities

I accept this explanation

(the problem is that I had a very regionally-specific immediate thought and I could not get it out of my head)

(sorry this is messier than usual, I refuse to put more effort into it than it deserves)

[night-orchids]

the fact that you can see the exact moment tears appear in his eyes

[sprucebark]

anyone want fucking. wheat

[txttletale]

people online: hi! nice to see you online how's your day been :)

people in real life: its disgusting that theyre teaching woke and lgbt in the schools now. i don't want my kid to grow up ashamed of being white and a man and not an islamist transgender. i just dont see why all these immigrants cant just go back to their own countries

[bloominglegumes]

i love normal guys doomed by the narrative

[bet-on-me-13]

Undead Galaxy

So! Within the Ghost Zone, there exists a Lair unlike any other.

To a Ghost, a Lair is supposed to be an integral part of their Existence. When a Ghost Builds their Lair, they take a part of the Ghost Zone Itself and mold it into a Realm of their own, transforming it into a reflection of their Core.

As such, a Lair usually matches the personality, and more importantly the Obsessions, of the Ghost it was created by. It is meant to be the Eternal Home of the one who built it, a place to spend the rest of their eternal unlife, and as such it needs to be able to fulfill the Ghosts Obsessions.

Think of Skulkers Lair, an Island Jungle filled to the brim with Monsters and Beasts of all sorts, ready and waiting to be hunted down and skinned. The perfect home for a ghost with an Obsession based on Hunting.

Some take this a step farther, like the Ancients (which is just another name used for Gods in the Zone), who transform their Lairs into Entirely Seperate Afterlives for others to inhabit. Hades, Osiris, the Demon Lords of the various Hells, they all took this approach.

But there is a problem. For beings like God's, who are sustained by Worship, what would happen if their world were to die? If the planet their people resided on were to be hit by an asteroid, or blown up by an Alien warlord?

A God without its worship would Fade, and as such the Afterlife they used to maintain would fall apart as well. The Millions of Souls who trusted that God to protect them in death would be left to the mercy of the Void between Afterlives. Somebody decided that they didn't like that, and stepped in.

Within the Ghost Zone exists a Galaxy.

A Galaxy where all the souls and Afterlives of worlds that have died continue to exist. Worlds that were destroyed by a cataclysmic War that resulted in both sides dying, by unstable Mining Practices destabilize the Core, by a Psychic Virus that wiped out all life on Planet leaving a baren husk.

When their populations died, and the Gods who maintained their afterlives would have faded, they were saved by another and brought into his Lair.

The Ghost King, Phantom.

He was a spirit with two simple Obsessions. The Protection of others, and the Majesty of Space.

But there was no Space in the Ghost Zone, only the Infinite void. So he made his own. He constructed a Lair of incredible size, decorating it with Stars and Planets and Supernova and Nebula. He recreated the Majesty of the Space he adored, and the invited the wandering souls of dead worlds to enjoy it with him.

He gave them planets of their own within the Unliving Galaxy. All the souls of crumpled afterlives wandering the Ghost Zone were allowed to recreate it again, to find eachother and build their communities again.

With this he could fulfill both of his Obsessions at the same time, and he would he doing his duty as their king by helping his subjects.

He saw it as an absolute win.

...

They had been trapped in this strange dimension for days now.

Nobody had any idea how they ended up there. Clark had just fallen asleep, Diana was training, Hal was on patrol. Even J'onn himself was on Moniter Duty, when the next thing he knew they were all waking up on a floating purple rock in a Lazarus green void.

Thankfully Constantine that had been dragged alongside him when J'onn when he was taken, and managed to explain that they were in some kind of void in-between the afterlives.

"The Ghost Zone" "The Unending End" "The Collective Dead", it went by many names apparently. The most famous name for it was "The Infinite Realms", named for the way the infinite souls residing there would build their own personal Realms, or Lairs, to spend eternity in.

Not even he knew how they had ended up there. Constantine was confident that they hadn't died recently (the fact they needed to use "recently" was a sad thought), so it wasn't the old fashioned way at the very least.

Still, they needed to get moving. This place was dangerous and they didn't want to stay in one place for too long.

After days of traveling across the strange void (had they even eaten since they arrived there?) Constantine finally caught a hint of something. There was a draw on them, pulling them towards a specific direction. They had been unconsciously following it for days now, and now that they knew what they were doing they soldiered on even faster. If there were answers wherever they were being drawn, they would find them.

Once it came into view, it was obvious what had been calling to them this entire time. It was massive.

Spanning across the endless horizon, they could see something that looked like a Galaxy spanning in front of them. From their position on a floating island, they could see it in all its glory. Contrasting the green they had become accustomed to, the Galaxy swirled in a variety of Bright Blues and Deep Purples, with multicolored stars shining so brightly they stood out even as far as they were from it.

It took all their breaths away, and J'onn would admit to having stood there staring for longer than he should have. It was just so starkly different than anything he had seen thus far in this dimension of greens and purples.

"Beautiful isn't it?"

In an Instant their weapons were drawn and fighting stances set, facing the person who had appeared in their midst.

He was a young man, seemingly in his early 20's, with snow white hair and Lazarus green eyes. Above his head sat a crown glowing the same color as the galaxy spanning in front of them. They all knew instantly that this man was connected to it on a deep level.

"Who are you" Asked Diana. Her thoughts were filled with theat assessments and carefulness. She thought he was strong.

"Oh, my name is Phantom." He replied, "Sorry for startling you, this is one of my favorite spots to stargaze and I forgot that normal people usually can't see me when I zone out like that."

"What is that?" Clark asked, pointing to the Galactic Structure on the horizon. He was curious. The man before they didn't act hostile, so he had decided to match his energy.

"Oh, that's my Galaxy. Like it?" He asked excitedly, "Took me ages to get it looking just right, but I'm so proud of the results."

"Do you know why we are here?" Asked Hal, his mind was swimming with worry over his Sector of space. He had been taken while patrolling it. He wanted to get back quickly.

"I didn't bring you here, if that's what you're asking." He replied evenly, "But I know who did. They wanted to see you again, but with their Realms crumbled and their people scattered, they never had the chance. Now they do, and they wanted to say hello again. Sorry about the long journey, they messed up the Summoning process and you ended up a bit farther than intended."

"Who summoned us?" Asked Constantine warily. His thoughts were full of the various demons and gods he knew inhabited these Realms. He was worried.

"Well, You, accidently got dragged along through proximity, sorry." He apologized to the magician, "But as for the rest of you? Well, you'll just have to wait and see for yourselves. Trust me, it'll be a welcome surprise."

"Can you tell us where can we find the ones who summoned us?" Asked J'onn finally. He was curious, and wary, of who had decided to pull them into this dimension. But if the man before them was being truthful, then he wanted to meet them.

"Just keep following that pulling sensation that brought you here, you'll find them." He said, "I'll stay here for a while longer though. Just want to stargaze a bit more."

They left him on the island and kept going.

As the approached the Galaxy, it dawned on them how truly massive the realm in front of them was. Hal confirmed that it wasn't as big as a real one, but even he was in awe at its size.

As they drew closer is quickly became apparent that they were being drawn in different directions. After a quick discussion they decided it was best to split up.

J'onn approached the Planet he was being drawn to, and realized very quickly that it very closely resembled his old homeworld, Mars. The Red Sands, the Rocky Terrain, the two Moons that could be seen orbiting the planet, all of it seemed tailor made to resurface memories of his destroyed home.

It took all of a second for all of it to come together in his head.

The allusions Phantom had made to his summoners missing him. The resemblance to his old Homeworld. The fact he was currently in a version of the Afterlife.

As he made the connection in his head, he felt another two connections form. Ones he had not felt in the the Centuries since he had lost them.

"Hello, J'onn."

"...M'yri'ah..." His wife.

"Hi dad."

"...K'hym..." His Daughter.

It took nearly a full minute before his mind calmed enough to send them a response. It was a Whirlwind of wild thoughts, fear of this being a trick, and above all hope that it was real.

Eventually, he finally managed a response.

"I missed you."

[poorly-drawn-mdzs]

Who is this sassy lost child?

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[radioducky]

Casino-DressCode

Excited for the Casino Party in the upcoming chapter “Of Saints and Sinners” by @morningstarwrites 🫶

It was meant to be a sketch…