#˛⋆* — ⌈ about ! francesca. ⌋

[kat-rose-griffith]

Did Pen really choose to write so much about the Bridgertons in Whistledown or did she kind of have to constantly write about them because they’re the messiest bitches in the ton?

[hansoeii]

It's about who.

[lesbicosmos]

when hozier said "if im a pagan of the good times, my lover's the sunlight" and when hozier said "no grave can hold my body down, i'll crawl home to her" and when hozier said "i slithered here from eden just to sit outside your door" and when hozier said "heaven is not fit to house a love like you and i" and when hozier said-

[walkingaftermidnight07]

more bridgerton meme

i know y'all get me and are also a hell of a lot more hilarious/clever than me

[werewoofers]

[nanstgeorge]

Francesca Bridgerton in OUT OF THE SHADOWS

[polinsated]

timestamp roulette -> bridgerton 3.04

[mythblossoms]

cherry wine

pairing: sylus x gn!reader

content: mutual pining, slight angst, music used as metaphor (poorly), pre-relationship, hand holding and dancing

a/n: sometimes a specific scene sticks in your head and you have to write something around that only. i also just love the sound of a cello ;-;

wc: ~1.4k

Music was honest. It spoke plainly about its desires and was vulnerable. The melodies openly conveyed emotions and stories, imploring those who heard to succumb to their passions. There is a beauty in patterns and themes laced between the harmonies.

At the least, that’s what Sylus told himself as he leaned casually against the gilded pillars decorating the gala floor. 

Your invitation to some musicians gala hadn’t been unexpected - the connections and intel privy to him had become a bonus to your missions, and Sylus was happy to oblige. But your openness, that was new. Your willingness to reach out and discuss tactics and invite him as something more, more than a source of knowledge at least.

He was happy to watch you work, your acting skills so finely honed now as you smiled coyly at other guests perched at the bar - your eyes, in contrast, sharply focused on your surroundings. You were an unknown force in your element, poised to strike. 

The musicians began their arrangement, the opening notes notifying the guests of the story they aimed to tell.

The aching thrum of the cello, the pining glide of the violin - woven together to create a song of want, grounded by a repetition of keys played softly on the piano. Sylus knows the story that inspired the peaks and valleys of this piece - the undying devotion of some underworld god to his spring bride, the names long forgotten but the sentiments still clinging to the notes. For you, I will wait. For you, I will suffer time and space. 

His eyes find your form across the gala floor. You, so warmly illuminated by the overhead chandeliers, cherry wine in hand and the pomegranate stain of your lips. Would you also eat the seeds — if offered? Would you stay — if asked? Your eyes flicked to his, offering a near imperceptible nod in his direction. For you, he would ask again and again.

The low lament of the cello hums through the room as your eyes leave his, searching the faces of each passerby as you swirl the untouched wine. Reasonably, Sylus knows that once you’ve completed your mission, you’ll be gone again. And he will wait again, until he is needed, until you are ready. The constant refrain his own frustrating internal melody - wait, wait, wait — again, again, again. He did not have the patience of some ancient god, and the yearning notes of the song left a sour taste in his mouth. 

As the music swells, melodic and mournful, Sylus finds himself pulled to you. He moves across the floor slowly, yet purposefully, eyes never leaving your face. 

“Dance with me.” Sylus offers his open palm to you, an open invitation, the corner of his mouth lifting into a slight smirk. 

You swirl the wine again in your glass, watching as the dark red liquid briefly coats the glass before settling. “Do you always ask people to dance to tragic love songs?” you mused, placing the glass on the bar. It’s easy, like this, pretending to be two strangers drawn together by the fervor of the strings. The hunger of their pitch echoing the feeling in your chest. 

“There’s a - sincerity to tragedy that makes it more memorable.” And for a moment, he seems far away, some distant memory clinging to the edge of his vision before he’s raising an eyebrow at you again.

“People will think you’re some sort of brooding crow.” You tease and gently take his hand, letting him guide you to the near empty floor.

“Do you think I care what people think, sweetheart?” Sylus smirks again, lightly holding your hand in one and splaying his other across your lower back. He pulls you in closer, chests nearly touching as he leans in closely. “I’m more interested in what your eyes see.” His warm breath sends a jolt of electricity down your spine. 

Logically, you think he means finding your target. Your vantage point from the center of the room certainly allows you to see more faces than you could from your singular place at the bar. And yet - the gentle way he holds your hand, the warm touch on your lower back, the softness in his eyes as he searches yours - you consider the outcomes of being bold, of being honest. 

Your hand flattens against the base of his neck, a thrum of energy flowing between the closeness of your bodies - your eyes fixed solely on his. “I’m not sure I’ve seen enough to make an informed decision.” The air stills around you, time seemingly frozen in this moment as the energy between you intensifies, the magnification of something bigger than both of you. “I’ll keep looking though.” 

The far away look returns to his eyes, his brow furrowing slightly - unexpressed sentiments hanging in the air. The instruments die down, the lack of sound somehow deafening in your ears, and Sylus slowly releases your waist - breaking the chord that hummed so loudly between you. 

Before you can step away, he captures your hand in both of his. Delicately, he lifts your palm to his lips and presses a light kiss in the center, holding your gaze before fully releasing you. Your palm tingles with warmth as you squeeze your hand shut, tucking it at your side. “Careful - don’t look too far or you may lose sight of what you're searching for.” His words feel ambiguous, leaving you sifting through context and emotion, the two swirling together as he steps closer. “On your right,” he murmurs before casually walking towards the exit. 

This is why pretending is easier, why leaving is easier - even when you knew you would come back. Staying meant confronting whatever ambiguity grasped onto each look or word between you and Sylus. Leaving granted space, a moment to breathe. Exhaling, you locked onto the man on your right, surrounded by others clinging onto whatever syrupy words he spun. Leaving meant gaining some control of this situation.

Sylus did not have the patience of long forgotten gods, but he did have their petulance. Standing at the end of the long hallway, shrouded in the shadow of a pillar - surely this is the type of brooding expected of a deity. 

Twice you managed to catch him in a moment. Twice, a fleeting sense of clarity that was quickly broken once he realized his surroundings and the scenario you both were in. You had truly looked at him this time, as if you could see each miniscule crack that deepened each moment spent together then apart. He felt a seismic shift beneath layers of protection he had spent so many years building up. The notes of the cello reverberated through Sylus’s mind, blending with his internal symphony - wait, wait, wait, for you. He had no clear path forward to you, no seeds to offer you - only the notes of song urging patience.

Footsteps interrupted his ruminations, the sound resonating down the hall moving closer to him. He doesn’t need to look up to know it’s you, the familiar determination underneath the light sound - letting you come to him. “Caught what you needed, kitten?” The teasing nickname falls easily from his lips, but he’s searching your face again - looking for something, anything to flicker across your face. Your determined mask remains in place and you’re barely slowing down as you pass him — leaving again.

“His notes were…off-key,” you state plainly, stepping out into the cool night air. Sylus huffs a laugh in response, bad intel. “But not a total loss, he had some interesting friends. Guess I’ll have to look closer.” There’s a subtle curtness to your voice, dismissive even, as you navigate the city street - Sylus still trailing behind.

“Be patient,” he almost bites out, the irony not lost on him. “True motives always reveal themselves, in the end.” 

You stopped abruptly in front of him, turning to face him with a boldness he’d grown fond of. “And if I’m not patient?” Your words are clear, daring to hold his gaze. “What if I’m impulsive?”

“The power is in your hands then - you have to decide how you want to proceed.” Another dance, another song — laced with hidden meanings. Your eyes soften slightly - were you playing the same tune? Did you understand the notes played under his words? Sylus extends his hand to you again, palm open and still. “For now, let’s get you home.”

You smile lightly, the corners of your lips slightly turned up. “It’s early for you - isn’t it?” You take his hand, gently lacing your fingers with his. “Why don’t you take me on the scenic route?” 

[vlindervin7]

realised yesterday just how often hozier actually used to sing about being not quite alive, not feeling like a person, about loving someone in a way that defies death and made him more alive, about suffering death for love. it's like he was constantly being buried underground and unearthed by love, over and over, which, while romantic in a way, is also incredibly sad. but i think it's interesting how his latest album (literally called 'unreal unearth') takes this idea and makes it its central theme. that's what this album is, one man's descent into the underworld. except, crucially, he makes it to the other side, and ends the album saying the darkness will come again, but this time he is "never going back [to hell] again." it feels like such a full-circle moment considering the rest of his discography and i'm so very excited to see what comes after this

[rainbow-sunshine-unicorn]

Bridgertons + thinking Kate and Anthony are perfect for each other

[gentlebeard]

If I could hold you for a minute, Darling, I’d go through it again

For @edsbacktattoo & @stedesearring 💕 Show: Our Flag Means Death - Season 1 & 2 Music: Francesca by Hozier YouTube

[partywithponies]

Shoutout to iconic british kid's books that are framed like you're supposed to pick one of two siblings to side with and hate the other one, but when you read them as an adult you realise the parents are just horribly emotionally abusive and pitting the siblings against each other by making them into the golden child and the scapegoat, and they're both victims, and the parents just never get called out on this or face any consequences or learn the error of their ways at any point.

[thelolarahaii]

BRIDGERTON 3.01 | "Out of the Shadows"

[carmen-berzattos]

The ending of Francesca mirroring the feeling of a storm to play on the motif of punishment for the lustful being an endless hurricane that sweeps them off their feet only for the vocals to defiantly assert that he would not change a thing and that heaven could not fit such a love anyway, is exactly the kind of deconstructive intertextual brilliance I’m expecting from this album and this is exactly why I want to marry Mr. Hozier for his brain not his body

[hadesisqueer]

I like how Violet is so used to having dramatic ass children that Francesca marrying with no drama was too odd to her lmao. And thinking about how her story will unfold is actually kinda hilarious because it's gonna be like:

Violet: Well, that's it. John is a very good man and Francesca is comfortable and happy with her choice and if this is what she truly wants, it's all that matters💜

Violet: Also, it's kinda refreshing to finally have a normal child that doesn't do any dramatic or scandalous shit.

Francesca a few seasons later after her husband passes: *fucks and falls in love with her husband's cousin -who is a woman-*

Violet:

Violet: Honestly, I should've seen this coming, none of my children will actually ever be normal.

[deuces-sunglasses]

straight women when they can’t self-insert themselves into a romance-