#|| The other part of her is psychic ||

[inkskinned]

so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.

first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.

it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.

and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.

you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.

and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.

your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.

in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.

in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.

so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.

you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.

once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.

and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"

you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?

hysteria comes from the latin word for uterus, which is great!

you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.

we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?

[f4keplastictr33s]

nobody talks about the fact that blue was in fact bullied for being a psychic’s daughter and i think that’s probably why she has this defense mecanism where she appears more tough than she actually is .. ? idk i just love blue sargent so much man and im sick when people dismiss her character or reduce her to the boys bc she’s so much MORE than that

[milkbreadtoast]

OC💙🧡 (drops w no context)

edit: ok some context.. it's all the same girl! Her name is 이설/Yi Seol. the long hair is a disguise/fake identity (for plot reasons)... I think I'll make her fake name 김노을/Kim Noeul

[paragonrobits]

thinking a lot about a premise where after the events of Psychonauts 2, years later, Raz winds up breaking off all contact with his family overall (barring his younger siblings, his older sister, his dad and Nona, and his younger siblings are a borderline case depending on whether or not they pick up their mother's passive aggressive and dislike of psychics like Raz's older brother) and the story idea is SPECIFICALLY Donatella, being grief-stuck at Raz completely cutting off all contact with her and much of the family after he was able to eventually become independent with the Psychonauts and is now a beloved icon and hero to the world famous for his advances in the use of psychic work to aid psychiatry and he very explicitly does not discuss her and acts as if she died when he was a kid

and the whole thing is basically about her having to very bluntly have to come to terms with the fact that if she hadn't been so cold to him or made him feel unwanted because of his powers, or his older brother learn from her example to become a vicious bully towards him (even by older brother standards), then maybe he wouldn't have fixated so hard on the idea of the Psychonauts as a place where felt he belonged and didn't feel like his very existence was shaming her

and its entirely her fault, and all her passive aggressive guilt trip actions in Psychonauts 2 made it worse and just made every moment around her, no matter how much he missed his mother, hurtful and he only felt better when he spoke to Helmut Fullbear who at this point was the first genuinely nice and accomodating voice he'd heard once the events with Maligula took off.

(He would be the first to admit much of that was his fault, but he still felt alone, and it was nice to feel such a kindly and welcome voice, like someone from a group he really belonged to, and that Donatella very specifically never made him felt like he belonged.)

And there's no magic fix. There's no tearful reconciliation, no heartfelt pleas that led to a happily ever after and the family reunions she wants. Decades of resentment, bitterness and childhood unhappiness that gradually turned into simmering hatred isn't something that can be taken back and she has to live with that; her second born son wants nothing to do with her and has written her completely out of his life, and will be quite happy if he dies without ever having to see her or speak with her ever again.

Also probably something like a line like "He stopped loving you a long time ago. After all, he thought you stopped loving him first."

[antiqua-lugar]

I like imagining the Kirkwall crew meet the tadpole gang as much as the next guy and like. Their morals are so wildly different. Anders and Fenris are over there tearing into Merrill because she made a carefully calculated deal with an alleged demon to recover her lost cultural heritage while everyone at camp is like "We are so proud of our resident chaotic evil/neutral racist vampire spawn for not sacrificing seven thousand people and then himself in a diabolic pact <3 God's strongest soldier <3"

[autixel]

The autixel express is leaving the station feel free to ignore

I love seeing people be actively unaware of other people and being ignorant to their actions and effects. Holy shit what the hell.

[wildflowercryptid]

i've already latched onto dogen as my resident blorbo kiddo in psychonauts so of course the gears in my head are already spinning for what i think he'd be like in his teen & adult years. i wanna see him happy and healthy and also get that pet his parents promised him.

[psychicthepsychic-daily]

he's probably more of a salad guy tbh

[valentinesparda]

my god i cannot wait to be home i want kisses and to play street fighter.

[infini-tree]

current mood: brain going through specific parts of the stray gods soundtrack and jumping from one part to another to cope

[brucenorris007]

Chaos Spear!

Shadow dispatched another of Iblis’ kin, pulling up to a skidding stop alongside Omega. The others had already collected an emerald apiece, but then, he’d also been mindful to gather power rings; and he’d intentionally set out for the emerald farthest from the Princess and the Doctor.

He didn’t want to have to linger near Sonic’s body any longer than absolutely necessary.

“Thank you.” 

The Princess afforded him and even Omega a wan smile; maintaining whatever magic was containing Solaris’ distortions to Soleanna must’ve been a burden on her. Shadow nodded, setting the red emerald in formation with the other six. 

He stepped back, between the Doctor and Omega. All eyes turned expectantly toward the Princess, hands hovering just shy of Sonic’s chest. 

She seemed... uncertain.

“Let me help.”

Silver rushed to kneel beside Sonic opposite her; he briefly scratched his fur just over his heart before laying his hands over hers. 

He closed his eyes; psychokinetic energy flowed from his hands to the Princess’, who shivered. 

“Don’t think, Princess; just feel.”

She took a breath.

The Chaos Emeralds stirred.

Silver’s eyes snapped open, glowing a bright cyan.

An answering flare of fire sparked in the Princess’ eyes, and the emeralds started to react.

“Sonic.” Elise whispered; a prayer and a summons.

A breeze whisked between Shadow’s quills. 

The air moved, coalescing into a current of wind around the lot of them.

Stronger. Faster. Whipping high over their flotsam in Solaris’ void, almost taking form before slamming back down between Silver and Elise with a thunderous boom.

Light.

Brilliant golden energy erupted outward with Sonic at its focal point, casting a warmth throughout the void.

[chiyana]

Tim tells the Batclan he's going on a space mission with Young Justice for a few weeks, he's got everything sorted civilian side and his cases and patrol routes covered, and also if any of his usual Rogue's Gallery suddenly comes looking for him don't worry about it.

And all of that is fine and normal - except that last part hey Tim what the fuck does that mean?

and Tim just goes it's fine don't worry about it anyway gotta go bye! and then he just bounces

and everything is fine until not even a day later when Babs forwards them a video Red Robin uploaded to his social medias that is a music video of him (Red Robin) seductively lip-syncing along to Chappell Roan's "My Kink is Karma" against a backdrop of fail compilation clips of several of the villains Tim has a particular grudge against, including Azrael, Lex Luthor, and most prominently Ra's al Ghul.

so there's Tim, in a form-fitting catsuit styled like his Red Robin costume, in heels, feeling himself up with a video clip in the background showing Ra's tripping on his own robes and face planting into the brickwork, evidence he dyes out some of the gray in his hair, his sash coming undone and pants falling off in the middle of a fight, trying to swipe the effects of a glitterbomb off of himself, etc.

It all ends with the Mean Girls clip of "why are you so obsessed with me?"

The video is immediately viral.

(There's some clips of Red Hood in there fucking up but Jason can't even be mad because he's laughing so hard he's gonna throw up)

Tim's Rogues absolutely DO show up to Gotham looking for him, and while they all want revenge, Red Robin is THEIR arch enemy like HELL are they going to work with these other embarrassments, so they all start fighting each other and it is absolutely CHAOS (Lex decides discretion is the better part of valor and makes a statement that no of course he has nothing against Red Robin he has no idea why he was included in that video haha yes of course it was Very Funny when a bird accidentally pooped on his head he is Very Capable of laughing at himself Thank You, and then he quietly goes to one of his vacation houses and moodily drinks for several days waiting for things to blow over)

Tim, meanwhile, is having a wonderful vacation with Young Justice, catching up with Lobo and Slobo, chasing down some space pirates, and just getting out of Gotham and away from his Rogues trying to challenge him/seduce him/kill him/whatever.

Bruce is taking the constant psychic damage of having the image of softcore Red Robin erotica burned into his brain along with the realization that way, way, WAY too many of Tim's Rogues want to sleep with him like an absolute champ. (Dick is not taking it like a champ, Dick is taking it like an unhinged vengeful wraith and has had to be benched for trying to tear out Ra's throat with his teeth.)

Stephanie is having the Time of Her Life. Damian cannot look anyone in the eye and absolutely cannot look Ra's (or his mother who ALSO showed up prominently in the video) in the face and is Not Having the Time of His Life.

(Jason is with Steph on this one, he is having SUCH a blast, this is so fucking hysterical)

[lollytea]

happy valentine's day!! i made a huntlow animatic for the occasion! (i'm very predictable)

[marinecorvid]

on the endless list of things to do: work out scifi android/cyborg “nonexistent” govt agent who goes rogue and finds her way home to the desert beyond the broad strokes of it

[minecraft]

robotgirl who is the home to a slightly smaller slimegirl that hangs out inside of her most of the time, acting as both a lubricant, a cleaner, and a coolant to her various parts. and uhm. they become psychically linked when they're together so they're almost like one person most of the time and when they're separated from each other too long they feel weird and uneasy, the slimegirl feeling like a vulnerable prey animal and like she'll melt away into drippy goo at any moment and the robotgirl becomes slower and less flexible/graceful with her movements but also more easily irritable and overheats more easily. is this anything

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!