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#{ let me be a part of the narrative in the story they will write some day || open }
house-of-mirrors · 3 days
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It's just so strange that the church is used as a ubiquitous set dressing in FLondon but the writing rarely seems interested in exploring it in any genuine way
People who are tired of being forced to interact with the church 🤝 people who want more depth from the faction
Places it comes up in narrative almost always have some sort of satire, or tongue in cheek vibe, or it goes into hyperbole, caricature, or gets distracted by exploring the Neath lore, or straight up poking fun at traditions, or making a story that's proselytizing without a hint of awareness of the many associated social issues of the era and today
If you're mainly using it to make an edgy "haha I was Raised Christian™️ let's be sarcastic about it" mood then consider not doing that. "It was important to Victorian England so it's always in the background" is also not enough to go on, that's like the bare minimum info and reasoning
The game assumes the player is culturally Anglican but at the same time doesn't practice the faith (thinking of the attend church scandal reduction text and the deeply, deeply uncomfortable Hallowmas scandal location) it's just so weird
You gotta pick one or the other. Like if even you don't care about sincerely depicting Christian characters or lore and treating faith as a joke... don't include it so much, but if you insist on having it everywhere then try a little better I guess? 🤷 The church is omnipresent but you can't meaningfully interact with it if you want to!
Edit to add: I forgot about God's editors good grief there's literally a whole part of the game about censorship and heresy 👁️👄👁️
I am... not convinced they can consistently write about the Church of England, let alone other denominations (don't get me started on how the game handles Catholicism 💀), LET ALONE other faiths
They didn't try too hard with January and she's been called the best Jewish rep in the game even including motr, and she's one of my favorite complex characters in general so. Do more of that maybe please
Well. Thanks for the "attend services with people of your faith" option in the Tracklayers City I guess
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lord-squiggletits · 9 months
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
#squiggposting#and like dont get me wrong barber wasnt trying to make cybertronians the bad guys or whatever#it's just a problem with his writing where like. he has A Message he wants to send#and so he uses the entire story literally just for The Message even if it involves bullshit plotlines#or familiar characters ppl were reading about for the past decade being shit on by OCs made up to fill a new roster#like barber's writing tends to lean way too much on a sort of lecturing tone#without giving proper care towards including moments where characters get to like. fucking express themselves and share their side#sort of like how barber couldnt be bothered to write pyra magna and optimus actually talking to each other during exrid#and instead during OP ongoing pyra is suddenly screaming about how OP is unteachable#even tho she never even tried to teach him bc she and OP never interacted bc i guess barber couldnt be bothered#he just needed someone to lecture OP so fuck making the story make sense or like letting OP get to say anything in defense#this is the infuriating part of barber's writing bc i think he has incredible IDEAS and was in charge of the lore i was most interested in#but most of the time his execution sucks and he's basically just mid with a few brilliant moments occasionally#or like he has a message about the cycle of violence he wants to convey#but his narrative choices trying to convey that theme made his story come off as super unsympathetic to the ppl who suffered#to the point where barber actively kneecapped some scenes that couldve been super fucking intense and emotional#in favor of the characters lecturing each other or some stupid plot to criticize OP#that time in unicron where windblade screamed about how this is their fault and then arcee replied that her planet is build on coloniation#shouldve happened more often than literally the last series of the ocntinuity. like goddamn stfu about your moral superiority#when your own sins are right fhere lol
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crossbackpoke-check · 2 years
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"This extra space next to me belongs to you. I know where I end now. I won't get lost." -- shoot me (metaphorically) and leave me for dead (metaphorically) why won't you. To make this about Dylan and maybe it's about Connor, maybe it's about Brinksy, maybe it's about any journeyman in the NHL. My brain screamed Chris Driedger and his memorable (to me) Players' Tribune article:
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And how can you mention Dylan and Zach (Za-ach, the way Dylan says it) without me having a breakdown about them? You simply can't. And for the younger dudes, maybe it's a little Bords/Briss, not yet steady in The Show, a little bit of distance, a summer that tries to erase and make up all the memories they've made separately... and then a blurry insta story in Vegas. Just like old times but somewhere else. Maybe it's not the same bed, maybe it's not the same set of forks, but maybe it's the principle of the thing.
Anyway, goodbye. Sorry for this, your tag walls make me break out in imagined scenarios.
Much love. xxx
please never be sorry for sending me messages <3 i love reading them i love getting them i think they’re beautiful and i love them i’m!!!!! [🥹💕🦋🫧✨💘😭 <- the best approximation of what my heart is doing]
ok NOW i am taking this step by step because every narrative here kicked me straight in the knees (metaphorically) i am w e e p i n g (literally): i knew tangentially about chris driedger going to seattle but i had never read his players’ tribune love letter to seattle & all i can say is oh. oh. and with the part about trains delayed but still being right on time—
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sometimes a dream is a truth your heart knows long before you do. the space that the city and the team made for him (“you’d be the only guy on the team”)🗣️🗣️🗣️ !!! but the way that chris talks about needing to put in the work & leo not letting him quit,,, that’s chris filling up the teakettle with twice as much water, crowding one side of the bed (falling asleep against a bus window dreaming), becoming unburdened by the idea of not being their guy, not having the fallback being their draft pick to content and settle himself with. that’s chris betting on a future. that’s the train coming down the tracks, right on time.
(i am feeling unhinged about it)
SECOND. i know i was the one that said zach and dylan to start so technically i brought this on myself but also i have been ktfo by the mere mention of the way that dylan says zach’s name different from everyone else, stealing an extra breath, stealing as much time as he can get with him, which reminded me of a poem i just read:
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The Need Is So Great, Jim Moore
^^^dylan still in love with zach even as he’s leaving, can feel himself losing him, and taking every sliver of the love in his smile that he can get. even if he knows zach doesn’t still feel the same way he’s drawing out the long goodbye & saying i love you in a thousand ways without ever saying it out loud (“i have been asking for a time but in ways that have no words” because he doesn’t want to ask too much, to ask for love) in the hope that zach will say it back OKAY I’M LEAVING i can’t do this
that was a lie because THREE. “maybe it’s the principle of the thing” please insert the most ungodly screech how could you just (lovingly) come in straight with the steel chair and bean me upside the head with that l i n e i think this story has the potential for such tragedy in it but also the most tender domestic longing because bords & briss have known each other for a long time (i think) and guys do sometimes lose themselves when they first get to the nhl.
it’s a big scene, you’re with big name guys, you’re finally doing the thing you always dreamed about, you’re no longer necessarily the best because everyone’s the best, you’re not sure how you fit in, you can get lost in the glitz and the glamor of it but you can also literally get lost in it, the slog of the season and getting caught up and down between teams and leagues and endless airports and buses and travel and ice rinks, losing your phone (accidental) and having new people hound you for quotes and fame and connection so you lose your phone (on purpose) and i think where i’m trying to go is: this could play out as the tragedy of borde going to the california coastline and briss shipping off to the vegas strip and both of them getting a little lost.
maybe there’s someone else, maybe i am steadfastly not thinking about “a summer that tries to erase and make up all the memories they've made separately” as either a summer of them pretending things are ok after a year of barely speaking and now being completely different people they never were before OR a summer of them trying to pretend like they can forget about each other because maybe they didn’t think their relationship was the same thing, is all, when they were or weren’t together. maybe it’s nobody’s fault but for the fact that they were scared and tired and lonely trying to make it in the big times and didn’t know how to show it. and then borde shows up with takeout and plastic forks in vegas and it’s december and nothing like winter in ann arbor and still they fill up all the empty spaces in each other with the things they didn’t know they’d miss until they were gone and this is the real thing, not whatever they were trying too hard to be, to recreate their own nostalgia for the love in their memories. it’s the principle of the thing, is all, to always be true to the love they have right now & not what they think it should be.
sorry that i wrote you kind of an essay of an answer but i had so so so many thoughts because your ask was so lovely so thank you for sending it to me (you are always welcome to!! i love your imagined scenarios!!! cannot even explain how much!!!) & thank you for taking the time to read my walls of tags :))) <3
#liv in the replies#every time you send me a message i do the thing where i’ve got heart emojis for thumbs & cease any coherency#FIRSTLY chris driedger who i loved as seattle’s goalie without even knowing the story:#dreidger fourth layer of a dream is making me tear up AGAIN hours later as i try to write this the echl the coast easy come hard to leave &#when he talks about being somebody’s guy laying my head down in the bog & dragging my hands over my face chris who let you say that. who let#u break my HEART i truly don’t think i will ever recover from the inception reference bc that’s what they all talk abt u know? the nhl dream#the players’ tribune articles are often some of the most poetic & touching sports writing & every time i am reminded i lose my shit about it#SECONDLY:#the ever present spectre of dylan’s first boyfriend zach werenski#i have so so so many quotes? drafts? posts? about the thing with saying someone’s name to call them closer to you i say your name to speak#more of you into the world so i will possibly look for some of those to say what i mean but also: this poem was originally reminiscent of#willingly by tess gallagher which is my ajax jack / superbuddies poem & this specifically did go with the a drop of paint / the light has#fallen through you part of it but there’s a part of THIS poem which i did not include that talks about the late light / has already happened#will go on happening forever & that whole poem with this now to say i know it’s embarrassing i’m asking for it :: easy to write about light#like falling asleep on the couch & having to carry yourself up to bed is the dylan/zach heartbreak of this. waiting & waiting for the things#you used to do & the love you used to / were promised to have with the hope that if you keep the coffee ready he’ll come drink it & instead#you have too many cups of tea one yours & one cold then half-warmed over & too sweet for your tastes but you’ve learned to drink it anyway#okAY now third:#this w/the UMICH BOYS? N O I DIDN’T EVEN!!! NOT A THOUGHT IN MY BRAIN!!! & now i can’t stop thinking!!! & i had an entire PLAYLIST already#a ??? while ago before i even truly knew the umich boys Narratives™️ i heard maude latour’s song ‘one more weekend’ & went hahaha isn’t that#a great song for when you have that One Summer of college before everyone splits off into their own lives? isn’t that a fun little umich boy#going into the nhl narrative?? to which i said NO but then it spiraled into a playlist &now there is delightful heartbreak to go with vibes#umich scholars please feel free to correct me if i’m wrong on any points i can’t remember anything presently about anything#also the f a c t that that vegas picture is real and i know exactly what you’re talking about is making me %^•*]+£’ bc how!! is that real!!!#okay ALSO just throwing in brinksy like a casual AHAHA have brainworm for a year (my autocorrect tried to go bringst like angst which. lmao)#connor and dylan… all of my journeymen… we did not touch that because i WILL start yelling about sam gagner and marc staal and#the chrysalis and the caterpillar
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"It takes HOW LONG?" Black Hair is an Art (pt.2)
(This is part two of the hair lessons, focusing on writing/narratives. If you want to know how the styles LOOK, refer to part 1 and its addendum)
Now that you know what our hair actually looks like, we’re going to discuss incorporating that into your writing (original fic, fanfic, webcomics, anything with a narrative). You don’t HAVE to give us a dissertation on "how you studied 'The Black People’s Hair'" in your story. That’s not what I’m asking you to do. I’m just asking you to CONSIDER the effort and existence of it. The same way you put effort into discussing nonblack hair textures? Should be the sort of tenderness and care you put into discussing ours. It does not stand to reason that I have read thousands of stories describing "the silky, black/blonde tresses/waves that fell down their pale back as their lover ran their fingers through them", but Black readers have nothing of the sort to compare to without seeking our own authors out. Our hair deserves some loving and adoration too!
This is a very long post describing hairstyles and how they can correspond to your character's design and decisions, so I'll put a read more here. The sections are organized into 'Twist Out', 'Afros', 'Locs', 'Braids', 'Black Men', and 'Straight Hair' if you Ctrl F. PLEASE PLEASE PLEASE take your time to read all of this at some point though, as I put a lot of resources and explanation into this. I'm trusting you!
The History
As I discussed in the last lesson, our hair is incredibly important to us, and part of that includes the vulnerability and trust that comes along with access to it. This is due to a long history of oppression. There’s a racist history of making Black women hide our hair, as if it would ‘tempt white men’ away, regardless of it were due to actual attraction or the (more likely) rape of Black women. There’s a racist history of touching our hair, as though we are animals or zoo exhibits. We aren’t just going to let anyone touch our heads, so DON'T write that, unless you are doing so to show that it is a microaggression towards your character. Even now, cultural appropriation is rampant. If I were to wear cornrows with hoops, it'd be seen as 'ghetto' or 'gang-like'. Meanwhile, it is a fashion statement for white women. When Miles G Morales showed up in Across the Spiderverse, animators specifically chose cornrows for him, but many people mistakenly took it to me that he was 'rougher and tougher' than the original Miles. This was a racist perception! Hearing the Fade get hyped up in the news as the 'Travis Kelce', when Black men and especially NFL players have been wearing it for DECADES to crickets... it hurts lmao. Point is, you can describe and respect Black hair without being racist about it. Okay? Okay.
Vulnerability
YOUR CHARACTERS NEED TO BE CLOSE BEFORE ALLOWING THEM TO TOUCH THEIR HAIR!!!
It needs to be someone they TRUST wholeheartedly. Again, do NOT let a stranger touch their hair unless it’s meant to be an uncomfortable situation!
Consider CONSENT! Consent is ALWAYS beautiful! Have your other characters (Black or not) ASK to touch your Black characters’ hair! And not in the ‘Oh can I touch it?’ way. But if they’re really close friends or dating, have them ask to help do their braids, or wash their hair, or even just to stroke their hair and face! Or if your Black character is injured with a head wound, and they have to tend to them, have them ask! The asking shows a level of care and respect for your Black character and their body! At any point the consent may be revoked, and that needs to be respected! If they let them tend their head wound, but then smack their hand away after, that’s not ‘rude’- they’re allowed to do that, especially to signify that they aren’t at that level of trust yet. That's still angsty!
One great example of love from a Black character is doing their partner’s hair, or allowing their partner to do their hair. The ‘Hair-washing’ fic is a common thing in fanfiction; we all understand how that shows the depth of the trust in the relationship between the characters. How would you write about that trust with a Black character, if you don’t know what goes into taking care of their hair? If you don’t even know what their hair looks or feels like? The lack of awareness will show, and what should be a beautiful, deep moment will fall flat for Black readers. I wrote one once for my character with locs, and it honestly made me tear up because I realized that I’d never seen one, at least not in the majority white spaces that the fandoms I was in were.
Think about it- how often have you read a hair-washing fic with a Black character? Was it accurate? Would you know if it was accurate? Have you spoken to or heard anyone Black in your fandom space talk about it? Do you know anyone Black in your fandom space to ask? It’s things like this that we have to consider!
If you have a character that is nonblack in a relationship with your Black character, that honestly reveals even more trust because there’s a long history (again) behind that NOT happening! In life, we can’t go to the same places. I can’t go to a white hair salon or barbershop. They won’t know what to do! People are allowed to go through hair school without learning how to work with different, thicker textures. It’s not right nor fair, but it’s a part of the casual, systemic racism in our lives.
My feelings on what Lestat symbolizes aside, the scene where he plays with Louis’ curls in AMC's IWTV was an intelligent way to show that closeness, and how a nonblack character would affectionately play with a Black character’s hair! How he works with the curl in his fingers, rather than trying to pet Louis or run his fingers through- it was an intelligent move on Sam and Jacob’s part as actors to understand that THAT’S how that would go down!
If you have a character that wants to show a violation of your Black characters’ space, touching/harming our hair is cruelty on a very personal level that will generate an extreme reaction.
Think About Your Character!
When thinking about your Black character’s hairstyle, you need to think about your character themselves! What do they do every day? What are their hobbies? Are they Type A, Type B personality? Do they have a lot of time? Are they always in a rush? Are they noncommittal? Are they self-conscious? Artsy? Serious? Are they in a time period where the means to care for their hair are limited?
People make jokes and comments about how Black women don’t like getting our hair wet and dismiss our concerns. But it’s not out of ‘silliness’ or vanity. What you consider ‘just hair’ may have taken days of planning in advance and HOURS of our time! We put a lot of thought and effort into our hair, and it will easily shatter the illusion for your Black readers if you describe our hair poorly or create an unlikely scenario with it. It’s not a joke!
Some Terms:
Protective styles- a style that allows our hair to ‘rest’ with minimal manipulation
‘Tender-headed’- some people’s scalps are more sensitive to the tightness of styles, so it’ll hurt a little bit more and require some more gentleness (Regardless it’s still going to hurt for a bit after a fresh style)
Bonnets- a silk/satin cap of varying lengths that we wear at night to protect our hair and keep the moisture in
Loc Sock- same idea, but for locs
Durag- keeps short haircuts protected; can even help create the wave pattern that many Black men enjoy
Scarf- same idea as the bonnets, except scarfs can be used specifically for straight hairstyles to wrap them up to keep it straight and neat
(It'll seem real legit if you include your Black characters wearing their headcoverings at night! I remember laughing while reading Twilight because I knew that if Edward snuck into my room at night, he'd see me in my scarf or bonnet lmao.)
General Hair Care:
While I don’t completely agree with some of the advertising in this first one (it’s the internet. Can’t go nowhere without someone trying to hawk something) it’s cool in general to explain how our hair looks the way it does.
If you have Black children OCs, it’s important to consider that their parents have to do their hair, and how that will be its own experience! (It can be very stressful for Black children to get their hair done, as it takes a long time and can be physically uncomfortable. There are plenty of stories of burnt ears and tugged tangles and not very nice old women. Children are children! Keep in mind how they may behave while getting the style of your choice.
Moisturizing to keep healthy
Twist Outs
Cute twist out styles
Twist outs are a style that takes overnight to hold, or maybe even a few days! The cool thing is that the twists themselves can be the style! So the tighter you want their curls to be, the longer they’ll wear the twists in. If you want to describe your character with tighter curls, there needs to be a section of time where their hair remains in the twists! If your character has an event, and they want twists… this needs to be done in advance. Your character will NOT untwist them the day of, unless they want weak, limp curls (or you want the scene to compose of them having weak curls).
How long they'll last depends on the activity of your character! If all they do is work a desk job, or they don’t sweat very much, the twists can last some time! But if they sweat, or wear hats or caps, it’s not going to last long. Maybe a week.
Pros: Very versatile! If you have a character that loves trying new looks and enjoy being spontaneous, twist outs are for them! Easy! If your Black character is younger, or haven’t done their hair before, this is a great way for them to start working with their hair! Doesn’t take long (to do)! If your character is in a rush, and they do their twists, they can go just about anywhere. If they’re not self-conscious, this will be just fine.
Cons: It cannot get wet again, or the style will puff up back into your natural texture. It does not last long enough to say “oh my character went on a two year long fantasy adventure with this style.” If you want your character to have a twist out the whole time, they’re going to have to take time to do it. It would be cool if you incorporate a scene where they’re working on their hair, maybe in the background while everyone’s discussing plans or something. Just a reminder that their hair isn’t just staying magically twisted (unless they have the magic to do that).
Afros
Afro Style Guide, Style Guide for Men (works for any gender though)
Wash & Gos are just that- wash it (or really, condition it, you don’t have to shampoo it every time) dry with a t-shirt (to prevent breakage), put some oil and a light crème on it, fluff it up and you’re good to go! Maybe an hour at max and can be done while getting dressed in the morning!
Pros: Easy! If they’re doing a full, combed out afro, it’s not as simple, it will take more time. And at night it has to be plaited so that it maintains its length, otherwise it will tangle. But other than that, that’s still not all that hard. They can show off their curls! Black characters can and should have pride in their hair. It’s beautiful. This is the opportunity that you as an author can describe the pure texture of their hair, how it shines in the light, how the coils look, how soft it is! Romanticize Black hair the same way you do anyone else’s!
Cons: None really! Afros are wonderful! Just make sure that your character has a way to keep their hair from getting tangled. Just because it’s easy doesn’t mean there’s no maintenance! A pick, a bonnet, oil and water go a long way!
Locs
Five stages of locs
A person who does locs is a loctician.
Can be palm-rolled or interlocked/crocheted
I cannot emphasize enough that you do not want just anyone doing their locs! They can really mess up someone’s hair if they don’t know what they’re doing. I say that to say, for your character, if they don’t trust the person doing their hair… they should. They should not be walking into anyone’s place to get their hair locked; they’d do research first.
The time it takes locs to ‘bud’ (that is, to actually form the loc) depends on the texture of their hair. But it can take up to 3 months to even a year for them to actually ‘loc up’. So if your character just got locs, they’re not going to look neat. They’re going to be frizzy.
As long as they’re washing their hair, keeping it moisturized, and not using wax products (DO NOT HAVE ANY BLACK CHARACTER USE WAX PRODUCTS IT IS BAD FOR BLACK HAIR) it’ll last forever! Locs are incredibly strong, especially the thicker they get! It is recommended that locs are retwisted every six weeks, but if your character has freeform locs, doesn’t have the money or time right now, or they just aren’t that pressed, they can grow indefinitely.
Something cute to write in your stories: sometimes locs do just… fall out. Not the whole thing! But the same way thin hair gets everywhere… sometimes the ends of thin locs just… fall off! You’ll find little buds on the ground. This happens especially in the budding stage.
Pros: Very low daily maintenance! At most they’ll need a bonnet or loc sock, and oil/water mix to spritz and massage in. Strong style that can hold any look- buns, curls, etc. They can be dyed, though it will take a long time to do so. I say that to say, if you want your character to have bright green locs, go for it!!
Cons: Low daily, but HIGH wash day maintenance! So if your character has a fancy date or something to go on, they should not be getting their hair retwisted the same day, or at least not so close to. It’s going to be shiny, oily, and tight, which can cause discomfort. Give them the day to let the hair settle!
Locs are PERMANENT!! This isn’t a bad thing, as much as it is a ‘KNOW WHAT YOU’RE DOING BEFORE YOU DO IT’ thing. Technically they can be combed out, but that would take a very long time and very precise effort, and most people aren’t going through all that. They’re just going to cut them off and start fresh. If you have a character that would balk at such a choice, locs aren’t for them. If you have a character that’s picky and choosy, that likes versatility, that can’t make up their mind, do NOT give them locs unless they’re making the conscious choice to commit. (Again, this is subjective! Maybe they have locs because their mother died and it reminds them of her! Okay! That works!) If you have a character that’s vain, or at least doesn’t like looking awkward… unless they’re going to style up the awkward stage, they’re not going to want locs. (Awkward stage: the first two stages get considered awkward because the locs look messy. This is because they’re turning from curls to locs!)
Braids
Styles
How long braids can take depend on the style. Box braids can take 10-12 hours to do! Microbraids? You HAVE to have multiple people or you'll be there for damn near a day (and that's assuming you have a masterful braider!)
How long they last depend on your character! If they're like me as a kid, I didn't care how I looked, so my mom got me cheap braids and let me run free for two summer months. So if your Black character is a carefree child! Go for it. But if they're a teen or adult (or are very concerned about how they look) a month to six weeks is about how long braids can stay in before your new growth shows. A character that is usually trimmed and proper having loads of new growth over their braids may symbolize that they don’t have it all together anymore.
Pros: Protective style! Great way to let your character have minimal daily maintenance; oil and water and something to cover it. SOME braided styles allow for high activity and even rain without changing. It depends on the hair that’s been braided in, as well as the style. Incredibly versatile! They can have multi-colored braids, long braids, short braids, beads, trinkets… if your character is creative and bubbly and likes to experiment, the sky is the limit! That can symbolize their artistic expression, just by describing what they look like! So long as they have the time, they can have any look and style they want. No need to commit too long.
If your character is capable of doing their own braids (and locs, btw), they’re amazing. Like… that’s mad respect for them. If you describe your character being able to do their own braids, they’ve got amazing arm strength, patience, and skill. That skilled dexterity can be revealed as a trait of theirs through that alone.
Cons: They take a LONG TIME. Your character is not going anywhere. If they’re getting braids… they’re not going anywhere. If you write your character doing anything fancy the day of, depending on the type of braids, Black readers are not going to believe you. Even if it did get finished, it would be very tight. I currently have a poll going on, and so far, a good majority of the 10+ answers are braids! It cost MONEY. It is NOT CHEAP to get braids done! If your character is poor as a church mouse, they will be doing those braids with their friend in front of youtube. Because it can be in the hundreds of dollars. (Don’t get me started on hair culture right now; BACK IN MY DAY IT COST-)
Hairstyles on Black Men
I want to specifically give space and applause to these hairstyles on Black men, because we REALLY don’t give Black men enough credit for all the creativity they show with their hair! And again, with The Killmonger being the choice style in all these damn vidya games despite almost no Black man I know choosing it as a look… PLEASE LOOK! WE HAVE OPTIONS! Try describing how gorgeous these looks can be on your Black men characters! It would be very nice.
Straight Hair
Well, I was going to explain, but ol ‘Guest Writer’ here pretty much lays it all out! So just go ahead and read this article lol.
Just to re-emphasize, straight hair is NOT something that just grows out of our head that way! It takes effort! So if you have a character that doesn’t feel like maintaining straight hair, they shouldn’t have it! If your character has natural hair and lives in a rainy or humid city, they’re going to be fighting that weather to keep it straight- make sure that’s consistent with their personality!
My best friend used to wash and flatiron her hair every day. Like, laser focused on looking that good, Type A shit (she’s a top money banker now, so I guess it worked out). If you have a character like that, it’s fine! If they’re lazy any other time of the day, they’re not suddenly going to be waking up at 5am to flat iron their hair. It’s not consistent.
Conclusion
That’s pretty much what I have! I’m not the guru on all things Black hair, and I obviously cannot encompass every potential scenario you may have for your characters. Really, my intention here is to get you to think about how our hair reflects our character and personalities, and how when you write and/or draw a Black character, you have that ability! And when you’re able to incorporate that naturally, it makes your Black readers feel seen, like you actually cared about that character enough to give them just as much description as your nonblack characters. You don’t have to be a master at it! Just… occasionally the little things that we can go ‘oh, yeah!’ at would be nice. An equivalent effort would be nice.
Remember, it’s the thought that counts, but the action that delivers!
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goldsainz · 3 months
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❝ THE INTERNET WILL GO CRAZY ❞
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MASTERLIST!
pairing . . . lando norris x reader, charles leclerc x ex!reader
◦∘。゚. request . . . “Could you write an imagine based on this video https://vm.tiktok.com/ZMM35uygV/ where reader was Lando new girlfriend (Charles's ex) and Alex was her bestfriend. Then reader was doing a live on Instagram and Alex appeared in the background and many fans made negative comments about her friendship and reader defended her.”
◦∘。゚. summary . . . the internet loves to make up narratives when there are none.
◦∘。゚. note . . . i changed the prompt a bit because i didn’t know how to write the live part, i hope that’s okay! no hate to the wags or drivers this is all fiction and not meant to represent any real life events 🫶 this isn’t my best work, but hopefully it’s still enjoyable!!!!
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liked by landonorris, iamrebeccad and 1,308,297 others
yourusername barthelonaaa 🇪🇸❤️
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landonorris omggg i made it to the dumpppp
⤷ yourusername i put that picture for oscar?
⤷ landonorris have oscar invite you to the paddock then🙄
landofan1 favourite wag ever
landofan2 not lando not wearing shoes
ynfan1 mother and father fr
ynfan2 her glow up since being in mclaren >>>
⤷ landofan3 thank the lord charles fumbled 🙏
ynfan3 she doesn’t know it but she’s my best friend
ynfan4 nobody is giving wag royalty quite like her
user1 how did lando bag her
⤷ landofan4 she’s everything, he’s just a guy who drives in circles
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alexandrasaintmleux updated their story!
user21 responded to your story!
user21 get a job!!!! stay away from her!!!!
ynfan21 responded to your story!
ynfan21 not y/n doing charity work
ynfan22 responded to your story!
ynfan22 you could learn how to be girl’s girl 😘
ynfan23 responded to your story!
ynfan23 WHAT IS THISSSSS
user22 responded to your story!
user22 y/n mogged you BAD
ynfan24 responded to your story!
ynfan24 hope you know us y/n stand do not like you
ynfan25 responded to your story!
ynfan25 hope charles was worth fucking over your bestie
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f1gossip Let the gossip begin! As we all know, Y/N L/N used to date Charles Leclerc and then broke up amicably in 2021. In 2023 she was spotted back in the paddock, hand-in-hand with Lando Norris. As for Charles Leclerc, he too, introduced his new girlfriend Alexandra Saint Mleux in 2023.
Now, what is the gossip you might ask? Well, Y/N and Alexandra used to be besties! The pair were very close, from comments in each others posts (even those with Charles in them, messy, we know) to various pictures of them hanging out.
The pair of friend stopped interacting with each other when Alexandra was first spotted in the 2023 Monaco Grand Prix. There had been rumours of the pair, but it wasn’t until there was actual confirmation that Y/N decided to go no-contact on social media (she never unfollowed her, though).
Shockingly, this past weekend they were spotted alongside other WAG’s hanging out! It even went as far as Alexandra uploading a story with her former best friend.
Do we think this is a new beginning of their friendship or is just attention-seeking, now that Alexandra has made her Instagram public? Let us know your thoughts below!
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ynfan32 how coincidental that alexandra opens her account and suddenly she’s friends again with y/n🙄
user31 it’s definitely suspicious timing! maybe they realised it’s better to friends or just missed eachother
⤷ ynfan33 idc how much you miss me i’m not being friend’s with you if you’re with my ex
landofan32 honestly i’m here for this drama, f1’s getting boring we need some action
user32 i think it’s a new beginning, friendships go through rough patches (especially with exes involved)
ynfan34 i’m honestly curious who reached out to who
⤷ ynfan35 probs alexandra, can’t imagine y/n calling her up
user33 good for them if it’s real! it’s really none of our business what they do 🤷‍♀️
ynfan36 there’s a lot we don’t know about, but still this is all so fishy
charlesfan31 neither of them deserve charles, that’s for sure
⤷ ynfan37 girl charles is also a homie hopper, he has his own red flags so stay out of this😭
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renjunphile · 5 months
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for the rest of ours ᡣ𐭩 song eunseok
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୨♡୧ WORD COUNT: 13.4k ୨♡୧ PAIRING: riize's song eunseok x female!reader ୨♡୧ TAGS & WARNINGS: chaebol heirs!au, rich kids!au, one sided enemies to lovers!au, arranged marriage!au, angsty at the start, overall fluff, reader is selfish and mean to eunseok for a good chunk of the story, brief unrequited love but y/n is an unreliable narrator tbh, second chance romance, she fell first but he fell harder trope, drinking, partying, non linear narrative
୨♡୧ SYNOPSIS: you find song eunseok to be utterly and despicably insufferable. too bad he's your fiancé since birth! and there was nothing you could do about it!
୨♡୧ NOTES: OHHHH im having such an intense eunseok rot that i had to write the most gut wrenching and nonsensical piece that becomes to sickeningly fluffy at the end. theyre just so in love with each other and there's literally no plot at all!!!!!!!!!!! lowkey one of the worst pieces i've written in recent times since i rushed it but i will edit and add scenes and plot in the future :> but for now, enjoy! ♡ i.b let my by zayn at the end :)
˗ˏˋ જ⁀➴ ˎˊ˗
It may be disturbing for some and horrifying to say, but your eyes hadn't even fully formed in the womb to open and your limbs weren't even well defined enough to have joints when your life was signed off to another's. For goodness' sake, it had barely even been a month since your tiny, minuscule heart started beating! What would the Song's have done if you grew up ugly?
You sighed to yourself, muttering under your breath how Korea's third richest family should be grateful you were akin to art in anyone's eyes. You were looking through the dusty photo albums that the housekeeper found while tidying the primary study of the mansion, and you grimaced at the photos of your fiancé that appeared from even the very first page.
It was bad enough that you were engaged before you were born, but did he really have to attend your birth? He probably didn't even have memories then! But there it was, under your fingertips: a perfectly preserved photo of a 3-month old Eunseok bundled up in sleep suit being posed next to where the nurses placed you after they literally just took you out of your mother. You don't even think the umbilical cord had been cut yet.
"Y/N, Mr. Song is outside," your favourite housekeeper coos at you from the double doors going into the study. You give her a terse smile and stand up from your father's office chair, straightening your silk gown before taking her hand as she helped you down the marble stairs of your home.
You roll your eyes (mostly to yourself, but you didn't mind if he noticed) as you saw his car parked at the bottom of the stairs leading to your front door.
"You can't even be bothered to come and collect me? Or open the door for me?" you sneer as soon as you settled yourself into the passenger seat.
"Well hello to you too, my lovely wife," Eunseok smirks, immediately revving and setting off around the fountain of your courtyard.
"I'm not your wife," you snap, deciding to ignore when the word 'yet' seems to slip under his breath, "But seriously Eunseok? This car? I'm going to look so stupid trying to get out of this car in my dress and heels. Why do you love sitting on the floor so much?"
Eunseok has an extensive car range. One that any car junkie would envy, but Song Eunseok knew nothing about cars. He just had them because he could. This car was a sports car where you had to sit in such a ridiculous position just so the car could look cool on the outside.
"It's white!" he defends himself, slightly whining in a cute way to which you swallow down a positive reaction. His eyes flicker over to you momentarily and his tongue traces across his bottom lip, "You look gorgeous, by the way. Very bridal."
You're wearing a white silk dress that looks like it's made for your body. It's draped so beautifully around your hips and hugs every part that needs to be accentuated. You loved this dress the second you saw it in Paris, but you never thought then that it would be used for this occasion. 
"Just shut up and drive," you quip. It takes a few moments of silence for you to feel bad even though his expression remains neutral and you sigh, "I guess you don't look too bad."
"Aw, I knew you were in love with me!" he teases again, a phrase he liked to use every time you said something to him that wasn't snarky, sarcastic or an insult.
You choose not to reply, instead taking in the bright lights of Seoul as he pulls into a main road. You haven't been back in a while, holing yourself up in your penthouse in Manhattan, but you always loved the sight of home.
"But seriously, Y/N," Eunseok coughs to get your attention, his voice dropping down low and suddenly serious, "This actually might be your last chance to back out of this. Just say the word and I'll turn this car around and take you straight to Incheon and you can run away around the world long enough until they find me a new bride."
You turn to look at him, perplexed by his words, "And you? You actually want to get hitched off to some random?"
Eunseok shrugs, not meeting your eyes, "You're not some random. I've known you since you were born. I've known you'd be my wife since the day I could understand what that meant. But if I have to find a replacement because you don't want to do it anymore, I will."
"Gee, ever the gentleman," you deadpan, "I think want is a pretty strong word. I don't want to marry you, but I guess I will."
"You're not backing out? Not leaving me looking stupid up on the altar?" Eunseok taps his finger on the leather steering wheel.
You think about his words sincerely. There's really nothing more in the world that you'd love than to run away to a small little town on the southern coast of Italy- somewhere quaint and quiet where you'd find love and spend the rest of your days cooking, cleaning, baking and finding peace in the ocean. There's nothing more in the world that you want more than for someone to ask to marry you because they were in love with your soul and not having you by their side would be like torture in the cruelest form.
Alas, you're Kang Y/N of the powerful Kang family, the eldest child of your father and the next heir waiting to take over the conglomerate. And because you're Kang Y/N, the eldest daughter of the second richest family in Korea, you were contracted to marry the first son of the third richest family in Korea. After that, your companies would merge and you would overtake the Kim's as the sole ruler of the country.
"It's my duty," you swallow nervously as you begin to recognise the streets of where you were driving, signalling that you were soon approaching the venue, "It's fine, Eunseok."
"I wish it wasn't just fine. I wish this was what you wanted." he breathes out and your heart stops beating for a second before anger seeps in through the cracks of your heart.
"Do you think it's any girl's dream to marry someone that doesn't love them?"
Eunseok sighs as he presses on the breaks, moving through the lifted barrier where they had closed a portion of the street in anticipation for his car and your arrival. He twists his body to look at you, "Y/N-"
"It's fine, Eunseok," you grit your teeth as you repeat your words, eyes trained on the paparazzi camped out on the steps of the venue, eager to get a glimpse of you, "Let's just get this engagement party over with."
˗ˏˋ જ⁀➴ ˎˊ˗
Song Eunseok had to follow you around the world like a lost puppy.
When you said that you wanted to go to that boarding school in Switzerland where only the richest sent their kids, Eunseok was in the seat next to you on that first class flight. When you said that you were going to Oxford to study for your undergraduate degree, Eunseok was tossing away his dream to study at Harvard to join you getting drunk at 18 under the grey British sky. When you said that you wanted to do your masters at Columbia so you could live in New York City, Eunseok was moving into the apartment across yours while he worked at the company his dad created in New York just for him to have something to do there.
If you said jump, Eunseok had to say how high?
That was just the name of the game considering the Song's had more to gain from this arrangement. Your family was richer. Your family was in a greater range of industries. Your family's money went back a lot further than the Song's. And you- you were the most stunning woman in Eunseok's eyes and because of him, you were stripped of your choice to fall in love. That's why the Song family gave you princess treatment from the second you were able to demand things. 
You had protested until your vocal cords went raw when they found out that they were sending Eunseok to university with you. For years up until you turned 18, you had imagined finally getting away from Eunseok for once, even if just for 3 years. He had always talked about Harvard and with the grades to boot, you thought that you'd finally have an ocean separating you.
It certainly wasn't an easy fight at the airport as you threatened to drop out of university the second that you even stepped foot into the new country. All your father did was bat his eyelashes and give you a heartfelt, "Please, princess? Just do this for us."
The phrase 'just do this for us' nearly knocked you sick nowadays after over 2 decades of hearing it spew out of your father's mouth. Ultimately, yes, you were lucky to have such a loving family that never pushed anything evil or truly despicable onto you. This was the one thing they needed from you. They obliged every want and wish for the trade-off of giving your hand in marriage to the Song's first born son.
In June of your third year of university, a couple months out from your graduation, Eunseok turned up at your door completely drunk.
"What are you doing here?" your arms were crossed tightly, trying to cover as much of yourself as possible as you were clad in the smallest pyjamas for the British summer heat.
He grinned goofily up at you, eyes lazily fluttering open and closed, "Hi, Y/N. I'm drunk." He was leaning against the doorway, nearly making out with the frame.
"I can see that," you sniffed the air and grimaced, "And smell it. But what are you doing here?"
"Can't I visit my lovely fiancée on her 21st birthday?" he batted his long eyelashes sweetly at you, taking one step into the apartment. You gazed at him hesitantly, taking one step back.
"I don't think anyone would appreciate their fiancé turning up on their doorstep piss drunk at 2am," you spat, "If you truly wanted to wish me a happy birthday, you would have left me alone."
"I lost my keys," Eunseok groaned, "I didn't know where else to go."
It should be sweet that out of all the places he could have chosen to go to in the city, he went to yours. Instead, it made you feel angrier.
"Eunseok, stop bothering me," your words contrasted your actions as you pulled him into your apartment and locked the door behind him, "Go sleep in the spare bedroom and leave as soon as you wake up. I'm going out for breakfast with my friends tomorrow so lock the door behind you and keep the key with you 'til you see me next." You pulled the spare key out of the drawer and placed it in his pocket.
Like a pathetic dog, Eunseok followed behind you as you led him through the apartment your parents had bought for you.
"Can I sleep with you?" he murmured.
"In your dreams, Song," you retorted, stopping in front of the spare room door, "Plus, you stink like shit."
"Ah, it's okay," he sighed dreamily, resting his head against the door, "We have the rest of forever to sleep beside each other."
You let out a frustrated screech, shoving his chest, "Can you let me live in peace? Why do you have to keep reminding me?"
"In the hopes that one day the thought of it won't make you sick or angry," he replied, opening the door of the room.
Your strong gaze faltered, "What are you- in love with me?"
"No," Eunseok shook his head, "I could learn to though, if you wanted me to."
"The only thing I want from you is to be far away from me," you ran your hands through your hair to soothe yourself, "And even that you can't do."
"I'm sorry, Y/N. Thanks for letting me stay," Eunseok gave up on his tyranny and dropped his voice, "Happy birthday."
You muster up a near half-smile, turning to return to your bed where you'd be tossing and turning until your alarm went off, "Goodnight Eunseok."
˗ˏˋ જ⁀➴ ˎˊ˗
The worst thing about your arrangement with Eunseok was that it was kept secret.
Of course, it was an open secret in your families and to the company- and there were always rumours about it since you two ended up always together around the world. But it wasn't like it was announced to the world at any point to protect the prospective merger happening when you and Eunseok came of age.
That made relationships very hard indeed. It always had to end in heartbreak, at least for the other person.
The two of you agreed that you could see other people if you wanted to, and you agreed on this the same day you had your very first heartbreak.
"Eunseok, can we talk?" you poked his side to catch his attention. Eunseok was bouncing his basketball up and down while he spoke with his friends just outside the school courts. It had been 2 months since you moved back to Korea after spending 3 years in Switzerland at boarding school, where you quickly became homesick. Eunseok followed you home immediately.
Your fiancé bid his friends goodbye and gave you a sweet smile, "Yeah of course. What's up?"
You led him to the adjacent square that was thankfully deserted and settled just under the bloomed cherry blossom tree in the middle, "Um."
Eunseok giggled at your hesitancy and pushed your hair behind your ear, "What is it?"
16 year old you blushed terrifically at that moment, highlighting your plump cheeks and shining eyes as Eunseok peered down at you.
"I know this is um, pretty stupid," you began, breaking his stare and looking down at your Prada loafers, "Well basically, my friend Jimin- you know Jimin?- she told me to-"
"Just say it, Y/N."
"I like you?"
It came out more of a question as you quirked your eyebrow up at your fiancé.
His eyes went wide, taking in a deep breath, "Y/N. You," he paused, "You like me?"
"Yeah," you exhaled, "Is that so bad? We're going to get married someday."
Eunseok looked around and noticed his friends turning the corner to the courtyard, presumably to look for him, "Look, Y/N, I'm sorry but I thought we were going to, you know, try experience life like how others do and meet people and do whatever we want to until they tell us we need to get married. I didn't think we were obliged to date."
Your eyes began to water and your lips began to quiver as sheer embarrassment sunk into your bones, "So what? You want to date around?"
Eunseok reached out to cup your face but you quickly took a step back, feeling humiliated and slightly bettayed, "I'm sorry Y/N. I didn't know you felt like this towards me. Look, can we talk later? I'll swing by your house after basketball practice, okay?"
From the ages of 0-16, you would say that you and Eunseok were close childhood friends. Even though you had no concept of marriage or love, your parents had forced the two of you to be together through every occasion with weekly play dates and attending the same schools. When you finally understood what being engaged to each other meant at around 12 years old, it made you swoon that you were going to spend the rest of your life with your best friend, who you'd always found endearingly cute. He became more handsome as the years went by and at 16, he was the object of all of your desires.
He was manly, he was protective, he was sporty and most of all, he treated you so well. He would run around town with you no question to go shopping and indulge you in all of your cravings even if you needed to have ice cream at 10pm in the dead of winter. He would take the train with you all around Switzerland to see different lakes and ski resorts. He would help you study in the library and pass you your favourite snacks whenever it seemed you were getting tired. He would give you his jacket on the breezy nights watching the local sports matches.
You were so blinded with your affection towards him that you had convinced yourself that he did those things because he liked you back. Because he wanted to treat his future wife well.
The day Eunseok stamped all over your little heart was the day you waged a one-sided war against him. Eventually, Eunseok began reciprocating your snarky attitude and the rest had been history.
You told your maids and house security to refuse entry to the grounds to Eunseok that night, but because of your parents' unconditional offer to Eunseok to make your house also his home, he had spent a good part of the night on the other side of your bedroom door trying to get you to open it so he could apologise. For a man you were once smitten for, it was easy to put on your headphones and drown him out until he got exhausted and left.
˗ˏˋ જ⁀➴ ˎˊ˗
Eunseok opens the car door for you and offers out his hand. In the darkness of his car, you grimace slightly, but force yourself to take his hand and use your free hand to smooth your dress out as you exit the car. The flashes from the press are blinding and carry on all the way up to the bottom of the staircase leading into the venue your parents had hired for the evening.
You try to keep a pleasant smile on your face as Eunseok passes his keys to the valet men before wrapping his arms around your waist. It comes nearly naturally to him, from all the photos your parents had made you pose together in dating back a decade or two. But it's your first official public appearance together, so the flashes intensify and you're taken aback. Eunseok feels you stumble slightly and begins to lead you along the carpet rolled out up to the stairs.
There's shouting from every direction- asking where your dress was from, asking if you were dating, asking why you were with the 'rival' company's son all the time- nothing new to you. After you traverse up the stairs, the two of you turn around and give a small wave at the cameras. You feel Eunseok drop his head down to yours, so you nestle yourself into him a bit more. How sweet, you thought to yourself, pushing down the urge to throw up at all this fakeness.
"Last chance to run," Eunseok murmurs as the doorman opens the glass doors into the foyer.
"Are you begging me to?" you counter, "Why do you keep insisting I back out?"
"I'm not. I just feel guilty, so I'll make up a solution if you want to stop all of this," he whispers into your ear. To others, it's an endearing moment as you keep your face neutral.
"It is all your fault. You should feel guilty. I'm not doing this for you or your family, but for my family. If this is what they want, then I'll oblige," you nod your head firmly.
While Eunseok's family was definitely benefiting more from the merger, it did come with some advantages for your family too: less competition in the market, combined success superseding the current top conglomerate, and for your parents: the knowledge that their first born child was going to have someone that was born to and raised from a good and rich family- someone that would be able to take care of you no matter what and understand your life in a way no other civilian could.
You know that your parents' argument for you to marry this guy was weak- there were plenty of good, rich guys from other companies- but you had been happy with the arrangement at the start and by the time you were 16 and he was breaking your heart, the companies had already started slowly merging or putting the plans into place. It was honestly a shame to your parents that other than rejecting you, Eunseok really had no faults. He was always polite, always courteous and intelligent enough to take over the conglomerate with you when the time would come.
Eunseok drops his arm from your waist, instead sliding his finger between yours.
"Miss. Y/L/N, Mr. Song," your family's general assistant approaches you in the foyer with a tight smile, "The event is about to begin. Please follow me to the stage. Are your speeches prepared?"
"Mhm," you hum, tugging Eunseok with you behind your assistant, "The rest of the family are here?"
"Yes. They're waiting by the stage," she replies as nerves finally settle into your stomach. You suddenly can't even look at Eunseok anymore as the gravity of the situation clicks into your mind. After this, you were going to be officially engaged in front of the world and you were going to be his bride in no less than a year from now. There was no turning back anymore.
Eunseok has to shoot you a look to stop you shaking on the stage as your father and his begin their speeches about their company, and the new era and blah, blah, blah. You tune them out in order to focus on your breathing and make sure you don't barf the second you step up to the podium. After minutes of nonsense, you feel Eunseok place his hand on the small of your back, signalling you to take to the stand.
"Um," you began, suddenly losing all the lessons you had learned in your public speaking classes growing up, "Thank you all for joining us on this occassion. As my father said, we are transitioning into a new era of our company and as I take on the role of COO, we believe it's important to have good people by your side to support you. While my family and the Songs are joining together in business, we are also joining together in family," you look over at Eunseok, who gives you a reassuring nod, "Song Eunseok and I are to be wed in one year's time. We have been close friends and partners since we were born and I couldn't imagine anyone better suited to be by my side. We can go into this business partnership fully trusting each other and our companies and we would be grateful if you could give us your support. Thank you."
You step away from the podiums as gasps ring through the crowd. The business venture was nearly an open secret in the industry, but your relationship with Eunseok was based on rumours only, having never confirmed it. Now that you have, it would stir up all these new rumours- were you only getting married for the merger? Did you two actually love each other? What about all the eligible bachelors and bachelorettes that had been conniving to get even a bit of your or Eunseok's time to beg for your hand in marriage?
Eunseok takes his place beside you, wrapping his arm around your waist again as your families smile together for the pictures. The engagement party also doubled as a celebration for the merger, so at least all of the spotlight wasn't on you.
You're glad that your friends are here. They're all business heirs too, since like attracted like at your school. Your best friend Minjeong attacks you with a hug the second you step down from the stage.
"Ah, my best friend is getting married," she sighs dreamily into your ear, "You know what, Y/N, at least he's handsome. It's harder to hate someone when they look that good."
"Then you marry him," you chide, half-joking, "The problem has never been his looks. It's the situation."
"He doesn't hate you half as much as you hate him," Minjeong tuts, "And he's in the same situation. He never got a choice either."
You know deep down that she's right, but you're committed to making his life hell until the ends of the earth for breaking your heart. If anyone could say anything about you, it was that you could hold a grudge.
"Whose side are you on?" you prod her arm, but she rolls her eyes and links arms with you to join Eunseok and his friends.
"Happy engagement, lovebirds," Sungchan greets you with two kisses on your cheeks, "So excited to be at your wedding."
"I'm sitting you at the back," you retort, sticking your tongue out. You hated that Eunseok's friends were genuinely nice and funny people. It was so hard to distance yourself from Eunseok when your friendship groups had been deeply intertwined since you all could walk.
"Not when I'm a groomsman, right Eunseok-ie?" Sungchan swings his arm around his friend's shoulder, pulling him close, "Now tell me, who's the best man?"
Eunseok shoves his arm off, "You can just draw straws for it."
"I'll be the best man, hyung," Seunghan grins cheekily, "I'll make sure to give a really good speech, okay?"
"It's almost as if it's a real wedding," you smile bitterly, "Jeong, you'll be my maid of honour right?"
"You have to ask me properly," Minjeong whines, "We're going to do this wedding right, okay? My best friend will only get married once. I'm not letting you let your wedding planner do everything; we've been planning our dream weddings since we were 10 so we'll do it according to that."
"C'mon Y/N," Wonbin bumps his shoulder with yours, "We can make it fun. We know you'd rather not marry hyung, but he had always been the groom in all the weddings you'd plan when you were young. Now it's like a dream come true."
"Yah, Park Wonbin," Eunseok grits his teeth at his friend for bringing up the past. You wince at the reminder as Minjeong slaps his arm.
"Y/N, I think your mother is calling over you and Eunseok to dance," Shotaro calls for you softly, and you turn around to see your mother desperately signalling to you to join her on the dance floor.
"I'll see you guys later," you bid your friends a goodbye as you follow Eunseok into the crowd.
The night crawls by. It's nearly painful as you fake a smile with every passerby and acquaintance who congratulates you for your engagement. It feels like you're getting stabbed in the heart over and over again as everyone coos over how in love the two of you seem and how they always knew you were going to end up together. It crushes you as Eunseok leans down to your ear while you dance, apologising for how this was your life.
You get into his car after the party. The ride home is silent, apart from the noise of the city around you that seeps in even through the rolled up windows. Eunseok won't even dare breathe too loud in fear of making your life even less like what you had dreamed it to be.
He pulls up to your house and you make a quick move to unbuckle your seatbelt and open the door in one motion, but Eunseok wraps his hand around your wrist gently, bringing you back down.
"What is it now, Song?" you sigh in frustration, closing your eyes in defeat.
"I know this night has made your hatred for me 10 times worse," Eunseok begins, shuffling in his seat to reach into his inside pocket, "And I know that what we have isn't real to you, but I thought you at least deserved this."
Your eyes flutter open and you look over to him. He uncurls his clenched hand, unveiling a shiny ring in the middle of his palm. You bite back the gasp that bubbles up through your throat, and you reluctantly take the ring between your fingers without looking at him.
It's exactly your dream ring. It's what you imagined the love of your life to propose with when you were younger. It's what you wanted to be someone's physical manifestation of their love and devotion to you. That makes it all the worse when it comes from Eunseok.
"I remembered," Eunseok reads your mind, "When we went ring shopping when we were young for fun because you wanted to make sure I would propose with the right ring. I hope it's still what you want."
You can't bear to look at Eunseok at all, so you clench the ring in your hand and open the door, "Goodnight Eunseok. Thank you. Get home safely."
There's 100 steps between your front door and your bedroom. It takes what's left of your energy to hold back the sobs that threaten to escape prematurely. As soon as your bedroom door clicks shut, you collapse against your floor and break down in tears.
Why did Song Eunseok have to be such a good man? Why did you have to hate him? He was yours now, and that was what younger you wanted all along. Why were you taking it out on him? You had been holding onto a grudge for so long and he had been trying to make amends in private ever since, despite going along with your whole enemies thing for his own fun.
You hated how you knew that Song Eunseok could and would give you the life you wanted. You hated how all you wanted to do was love him like it was your choice and for him to love you back like it was his. But in this world, you were privileged enough to have everything you ever wanted, aside from the choice to love whoever you wanted to.
You hated how you didn't even have a choice in loving someone who didn't love you back.
˗ˏˋ જ⁀➴ ˎˊ˗
You fought with Eunseok nearly every time that you saw him through your university years. You found problems in the way he positioned himself too close to you and problems in the way he would distance himself and act like strangers when you did complain about that. You found problems in the way he didn't talk to other girls despite rejecting you and found problems when he would go on dates after you said that.
In short, Song Eunseok was a problem to you.
Yizhuo was forcing shots into your hands and demanding that you downed them with her as you tried to tune back in to the party going on around you. You couldn't think of anything else the second that Song Eunseok walked through the door arm in arm with some girl.
It was the last party of your undergraduate university days, since exams had finished and you were going to graduate in just a couple of weeks. Someone had rented out some kind of manor in the outskirts of Oxford, dedicated for everyone to stay at and party for a weekend. You knew the organiser through a friend of a friend, but everyone that had been invited was someone you either knew personally or knew of. The spoilt brats community at your university was large, but tight.
You obliged Yizhuo's request and bitterly downed the drink, hissing as it burned through your tracts, "What is this? It tastes disgusting."
"Alcohol isn't made to taste nice," she tutted at you, following your line of sight before sighing, "I guess it's time to get you more so you don't have to be sober looking at that."
Minjeong shook her head on the other side of you, "I can't believe he would bring someone here. He knew you'd be here. So disrespectful."
You saw that Eunseok was about to turn, so you quickly spin away in order to avoid eye contact, "It doesn't matter to me. We're not dating."
"But he's your fiancé," Yizhuo stomped in defiance, "He should have some respect for you."
"Since he didn't want to date me, i'd rather him date other people. Then it just looks like he rejected me because he didn't like me as a person," you affirmed, taking another shot with Minjeong.
"Y/N, please. You were 16 when you confessed and 16 year old boys don't have the most mature outlook on life," Minjeong argued, coughing after the bitter shot, "I'm sure he's not stupid anymore. You grew up hot and he's practically tripping over his own feet trying to chase after you."
"He's not chasing me," you scoffed, "He brought a girl here."
"Oh, you're impossible, Y/N," Yizhuo cried out, beginning to slur, "What do you actually want that poor boy to do? Even I would be confused with the way you act."
Your best friends have been trying to knock sense into you since you turned 18 and Eunseok gave up his dream to study at Harvard to be with you in England. They had claimed that Eunseok realised his feelings for you and wanted to make up for rejecting you. You claimed that if that was his intention, he would have told you that by now instead of pestering you by inserting himself into your new life without reason.
"He can do whatever he wants," you turned your nose up, "I don't care about him."
"Well you better act that way. He's coming," Minjeong warned you, suddenly disappearing with Yizhuo and leaving you stranded with your fiancé walking towards you.
It honestly felt like the grim reaper floating over in slow motion before he came to collect your soul. You fought hard to control the grimace on your face as he stopped in front of you.
"Y/N," he greeted softly, leaning in to give you a hug. You stood still, but you don't push him away. You ignored the way your heart skipped a beat when he pressed his cheek gently against the top of your head.
"Eunseok,"
"How were exams? You're graduating this year, right?" his head is tilted at you, eyes focused into yours.
"Why are you even asking? I'm sure you know my plans for the next 10 years considering you're still following me around," you scoffed, "Does your new girl know you're moving to New York after graduation so you can stalk me while I do my masters?"
"Are you jealous?" he smirked suddenly, gentle demeanour disappearing, "She's just a friend."
"Does she know that? I don't care what you do, Song. I just feel bad for the poor girl whose heart you're going to break when you tell her you're engaged," you feigned nonchalance, pouring yourself another shot, "I guess it's my fault for telling you to have your fun and experience things since apparently you'll be so devoid of love when you get married."
"Y/N," he trailed off, grabbing the soju bottle that had appeared in your hands, "You know it's not like that. I didn't mean it like that when I reject-"
"Save it, Song," you rolled your eyes, "Your girl is coming. Don't go blaming me when time comes to break her heart."
You turned away in time and managed to snatch back your alcohol before arms wrap around Eunseok's and a high pitch voice squeals to him about how she lost him. You find Sungchan somewhere in the crowd and convince him to call you a taxi to take you back into the town where your apartment was. Before he could even confirm the booking, you had already disappeared into the crowd, the shots you had taken truly seeping into your blood and making your head spin.
You don't really remember what happened the rest of that night, but if you try hard enough, you can remember being tucked into a bed on the third floor, big eyes peering down at you as you tossed under the duvet, a hunched figure sat at the end of the bed on the floor and a soft voice singing you to a deep slumber.
˗ˏˋ જ⁀➴ ˎˊ˗
"It's gorgeous, darling," your mother's voice takes you out of the focus mode you're in. The sunlight seeps through the stained glass, illuminating the sunroom at the back of your house. If you look down through the windows, you'd find the garden that your mother has been cultivating for decades. The rose garden with its arches and its vines was where you'd dreamed to get proposed to when you were young.
"You think so?" you showed her the sketch in full, turning the pad, "Do you think it's easy enough to create in real life?"
"We can make anything you want happen," your mother takes a seat in the lounge chair next to yours.
"Can you make Eunseok love me back?" you hum dejectedly, shading in the corset of what would be your wedding dress.
"He does, sweetheart. You just refuse to see it," your mother swiftly utters, and you stop your drawing, clenching the pencil tightly in your fist.
"Why does everyone say that?" you growl, "Everyone but Eunseok."
"Because you act like you hate him. You act like marrying him is the worst thing in the world. You act like there's nothing he could say or do that would bring him back into your favour despite you loving him all these years," your mother is lecturing you now, "He follows your lead, my darling. He will go to the ends of the earth for you and he always has. What more does he have to do for you to accept the way he shows his love? What more can he do to have your forgiveness?"
There's tears welling up in your eyes and your mother takes the drawing pad away from you to examine the dress you had envisioned. She carries on while you chew your lip and fight back the tears.
"You're going to be beautiful in this dress. One year's time will fly by, so make amends with Eunseok by then. Even if you don't go into this marriage as lovers, at least go into it as friends. That will make your life easier."
"I don't want to be friends," you grit out.
"Mhm, you want all or nothing. Why don't you ask him, then? He threw the ball in your court when he asked you if this marriage is what you want. Someone who doesn't love you or care about you wouldn't give you the option to run away to save yourself, you know?" you hate how insightful your mother is as she grabs your left hand, "This ring is beautiful, Y/N. He knows your heart like it's his."
"Cause it is his," you choke as the tears begin falling, "And he stamped all over it 8 years ago."
"He was just a young boy back then. He's followed you all over the world to be by your side ever since. He's sacrificed his own life to make your dreams come true. You have no choice but to marry each other, but he's been making choices to give you the life you wanted," she strokes your hair gently, "Can you give the boy a chance?"
Over the years, your parents had apologised to you for putting you in such a situation. They had told you that if you truly, inside your heart, didn't want to get married to Song Eunseok, they would call the whole thing off. The marriage was a way to ensure the merger wouldn't go awry by putting you and Eunseok as collateral if one side ever did try to betray the other. Tying the two of you together in marriage was a way to prevent either families from ruining the other.
You considered putting a stop to things more times than you could count on your fingers, but selfishly, you would imagine yourself on a rocking chair on a porch, hair grey and skin wrinkly and when you would look over to see who would be on the other chair, Eunseok was the only one you could imagine with you.
"But I've treated him so horribly all these years," you hiccup, trying to stop your crying, "There's no way that Eunseok would love someone like me."
"Because you won't let him," she stands up and places the drawing pad back in your lap, "Y/N, your father and I love you very much and all we want is your happiness. We haven't opposed this marriage despite how hard you've tried to push Eunseok away because we know that if you let him, he would make you truly happy. You're the only person stopping that happiness."
You ponder on her words for a while after she leaves, adding little details to your dress. For someone who was acting like this wedding was going to ruin their life, you sure were investing a lot of your free time into it. Maybe Minjeong had gotten into your head; unless you planned to divorce Eunseok (after the 5 year clause, per the contract), you were only going to get married once, so you should at least do it in your style.
Wonbin was right at your engagement party. You'd been planning your wedding since young. You knew exactly which flowers you wanted to adorn the aisle, which flavour of cake you wanted to eat, which song was going to play while you walked down the aisle, and whose eyes you wanted on you on the other side as you did. Eunseok had always been your dream man- he was your first crush, your first love and your first heartbreak all rolled up into one devastatingly handsome package. You imagined him in his crisp suit, laughing through his tears because you just looked so beautiful, and the thought of that takes you out of your fantasy and back into the room that was filled not with tears of happiness, but of silence.
You look down at the ring. The sun is hitting it perfectly, making the diamond shimmer in the beam. You slide it off and inspect the band for the first time, wondering what size he got since you didn't even know your size. Your heart stops when you first notice it. It's so small that if you blinked at that moment, you probably wouldn't have even noticed it and you would've lived the rest of your life not knowing it was there.
You run your nail against the engraving, your breath hitched as you read it.
To the one I'll always choose.
It's always been about choice. This whole time, it's been about your freedom to choose.
You and Eunseok weren't born with the privilege of choosing the one who was going to love you so hard that it would drive you crazy. You were instead born with a silver spoon in your mouth and a signed contract that because your family was going to have a girl first, that girl would be married to the Song's first born when the time came.
There was no question or argument about it. You grew up beside Eunseok knowing you were going to spend the rest of your life together, so you chose to learn everything about him. You chose to learn that he loved playing basketball with his friends and that he became silly and unserious when around them. You chose to learn that he doted on his much younger baby brother and that he would fight anyone and anything that could bring harm to him. You chose to learn that Eunseok had a soft heart that had its very own soft spot reserved just for you- one that grew bigger after your hatred for him did as well.
While you chose to hate Eunseok for rejecting you, he chose to stick by your side anyways. He chose to join you in Oxford, even if most of his friends went to America to study. He chose to live at the block just down the street from yours, so he could walk behind you to lectures and check that you were okay every day without overwhelming you. He chose to sleep on hard floors and wake up with kinks in his neck because he chose to sing you to sleep while you were drunk and then refused to leave to sleep in a nice bed so he could watch over you and protect you in your state. He chose to take on a job in New York for two years instead of joining his father's company straight out of business school so that you had someone to accompany you on your midnight walks through New York City. He chose to give you the choice to leave if marrying him was truly a burden you couldn't bear, because your happiness was the grand reward of the consequences that he would bear in your place.
When you chose to hate him, Eunseok let love grow in the emptiness that you left behind instead. He would choose you a million times over and over again until the day you'd finally see it. Your hatred for the situation stemmed from the fact that you thought your choices were stripped away in being arranged to marry. You wanted Eunseok to love you not because he had to, but because it was his choice to.
You were too blind by your rage to see that Eunseok had been choosing you over and over again not because of the arrangement, but in spite of it. That was the greatest love of them all.
-
On the next sunny day, Eunseok joins you on the bench in the middle of the rose garden. You'd been sketching up ideas on how you want the aisle to look like. You were thinking light flowers along the bottom with candles dispersed to illuminate it. In your dreams, you'd get married at sunset in a glass pavilion that could hold only your closest friends and families. As the sun started dipping, the candles would take over as the source of light and bathe everyone in a soft, golden glow. In your dreams, the light would reflect onto Eunseok's face, highlighting his sharp cheekbones and large, round eyes that were peering down into yours.
"What did you call me over for?" Eunseok sits on his hands and looks around. It's spring time and the garden is at its most vibrant and beautiful.
You hold out your hand in front of you, "I found the engraving on the ring."
Eunseok takes a sharp breath in, "Ah you did?"
"Did you not want me to see it?"
"I had just hoped that whenever you did see it, you would believe it," Eunseok whispered, "It's true, by the way."
"I know," your response has Eunseok turning his head so fast it almost gives him whiplash.
"You do?"
"Mhm. You chose to follow me around the world despite me hating you and you having to give up on your dream schools just so you could try to prove yourself to me. You chose to keep giving me gifts on birthdays when we were abroad since my family often couldn't make it. You always choose me. Why?"
"In part to make amends for the mistake I made when I was young pushing away your feelings like that without thought," Eunseok explained, "But for the most part because I care about you and I want to make the best of a bad situation we're in. I know that no one wants to be in an arranged marriage. I just wanted to show you that I could give you the life you wanted. That you could be happy with me."
Your heart aches at his words as you realise how truly misguided your perception of him was. You had thought that he was following you around to torment you and to remind you that you could never be free, but all this time, he was letting you live your dreams and staying by your side to show that he was supporting you.
"I've treated you so badly over the years and you still want to marry me?" you meet his eyes that have been trained on you since the moment he sat down.
Eunseok giggles and reaches up his warm palm to your cold face, "Hm, your words are harmless Y/N. You've shown your affection to me in other ways; I know you love me."
You roll your eyes and push his hand away, "In your dreams, Song."
"Mhm, actually in your dreams," Eunseok teases, "Considering you've been dreaming about marrying me for 10 years."
"And I don't know why. I must be sick in the head for that. Did you hit me in the head when we were young or something?" you retort, trying to move away from him.
Eunseok lets out a full-bodied laugh that sends butterflies through you instead of the burning rage that usually ensued whenever he was having fun in front of you. He stretched his arm around you behind the bench and pulled you closer to him, "Just admit it, Y/N. Everyone knows you've had a fat crush on me since we were teens and it's only ever grown. There's a very, very fine line between love and hate."
"I still hate you," you grumble, "This doesn't mean anything."
Eunseok drops his head down, pushing your head into his shoulder. Your first instinct is to recoil away and grimace, but Eunseok's grip on your shoulder is tight, so you try to relax in his hold.
"You'll always be my girl, Y/N. You just have to accept that."
You hum and watch the bees buzz around the rose garden, "I've always wanted the whole ordeal- the crushing, the pining, the courting, going on dates, having your firsts, moving in together, proposing how you want. I feel like that was taken away from me before I even knew what they were and even if we do those things, how would I know what's real and what's fake? What you're doing because of me and what you're doing because of the arrangement- that kind of stuff."
Eunseok's heartbeat is slow and strong, "The arrangement only brought us to each other. How can I make you believe that everything I do for you is because I want to?"
"How about we start with when you rejected me and left poor little 16 year old me heartbroken?"
Eunseok scoffs, "Y/N, I was stupid, okay? It was a mistake, I was young and I was too blind to see what was in front of me. You were still special to me back then and I have always cared for you, but I didn't know what I wanted back then. I grew up and haven't looked back since."
"And the girls you brought around at university?"
"Because you were demanding that I dated other people," Eunseok rolls his eyes, thinking about your past explosive arguments about relationships, "I just went on dates here and there, but never anything serious. I always let them know that I couldn't commit, but you know there was a line wrapping around Oxford wanting to date me."
You chuckle at that. Everyone was falling over their feet for the chance to get just a second of Song Eunseok's time, the same way he was doing to you. He was incredibly popular and girls would approach you to ask you to set them up, but you would always growl and send them on their way.
"You were only the most eligible bachelor because you're the son of the third richest family in Korea," you sneer, jokingly.
"And I'm handsome, charming, intelligent and kind," Eunseok lists off his traits on his fingers, "But everyone knows you've always had my heart."
"I don't know if I can believe that."
He shrugs simply beside you, "Doesn't matter. I can show you now."
"What?"
"We can date from now on. I'll show you how I feel. Then in one year's time, you'll be gladly getting married to me instead of having to be dragged up the aisle kicking and screaming by your family," he says it so casually that you question if the shocked reaction you're having is the abnormal one.
"Date?" you splutter out, completely bewildered, pulling away from him, "Us two? Now?"
"Why are you saying it like it's crazy? I basically just confessed to you," Eunseok crosses his arms in front of his chest and tilts his head in confusion, "Are you rejecting me? Is this payback?"
You wave your hand in dismissal, "Yah, you're really confusing me here, Eunseok. I don't know what I'm feeling right now."
He laughs again, and he's glad that he can finally laugh with you for the first time in years. He takes your hand between his and squeezes assuringly, "It's okay. We can figure it out together as we go. Just stay by my side, okay?"
You sigh into the breeze. The air was crisping up as the sky began to illuminate in visions of pink and purple. You look over at Eunseok and the reflection of the sun makes his eyes look iridescent. One thing you've always known about Eunseok is that with him, you felt safe, so you nod and squeeze his hand back, "Yeah."
˗ˏˋ જ⁀➴ ˎˊ˗
The first time you saw Eunseok again after your undergraduate graduation, it was in New York City at the end of summer.
You had spent the entire summer travelling nearly every country in Europe with your friends, while Eunseok was forced to come home and start learning how to actually work in his father's company before he started his role at the New York branch. You were glad to have this summer without him considering the two of you spent your summers together as children and as teens, your friendship groups overlapped so you also had to hang out with him.
There were endless boxes in your apartment since decorating your space was one of your life's great pleasures. The boxes were organised by room and had been shipped out from England at the start of the summer when you moved out. They'd been collecting dust, so all your windows were thrown open in the summer heat to air out the apartment and the dust. Of course you had AC, but there was something about the noise of the city traffic and the hustle and bustle travelling up to your apartment that made you feel like you were truly in the city.
The knock on your door made you groan instantly and you had to suppress the urge of banging your head into the coffee table you were decorating. You took small and slow steps to the front door, but the pattering on the door wasn't letting up.
"Already here to bother me on my first day? It's only been like 3 hours since I got off the plane," you sighed as you came face to face with your dreaded fiancé.
Eunseok rolled his eyes and pushed past your shoulders into your kitchen, "I know you missed me. I brought takeout since you probably haven't eaten and don't have any food yet." Eunseok held up a bag of his favourite Korean food in the city and placed it on your dining table, dishing out the styrofoam boxes.
He arrived in the city a week and a half before you did, moving into the apartment across the hall so he had been able to get himself settled into both his job and his city before you came to rain down terror on him.
"What makes you think I want to eat with you?"
"I bought it, so I'm gonna eat it. Up to you if you wanna starve or not," Eunseok shrugged, already making himself comfy in one of your expensive dining chairs. He took out some plastic cutlery from the bag and began to dig in to the beef bibimbap he had ordered for himself. There was another few boxes of food in the bag, all of which smelling amazing and instantly causing your stomach to grumble.
Sheepishly, you took the seat across from him and scavenged through the food. He had ordered you some tteokbokki and a stew with some rice. Either he knew you too well or it was a lucky guess. For the sake of your heart, you settled on the latter choice.
The two of you ate in silence for a while, not really looking up at each other and just staring passively at your food. Silence was few and far between when it came to you and Eunseok. It was always hushed arguing or full blown insulting between the two of you no matter where you went or how inappropriate it may have seemed to others. You were sure there were rumours that the two of you didn't always get on despite being photographed together so often, but your families' PR teams were experts in mangling all those 'rumours'. 
You broke the silence first, "How's the new job?"
The heir in front of you coughs and looks at you strangely, as if he couldn't believe you would ask him that, "It's... work. Not horrible and met a couple friendly colleagues. Having this job does make me feel so grown up and responsible, though," after the initial shock of you initiating a conversation, Eunseok began blabbering about his new position at his family's company.
"Well then hopefully it makes you more mature," you snide.
Eunseok scoffed, "Trust me, Y/N, when I say that I'm the more mature one out of us. You'll find out what I mean one day."
"If you were mature enough, you'd know to oppose this crazy marriage with me," you turned your head away from him, feeling the anger bubble up again.
"And it's because I'm mature enough that I'm not," he shrugged, "Unlike you, I don't think this marriage will be the worst thing that can happen to me."
"I'm honoured," you retorted, "I don't know why you think that when all I've done is make your life difficult. Why would you think I can't continue for the rest of our lives?"
He smiled coyly at you, pushing a drink that appeared in the bag towards you, "You'll get tired, sweetheart. Then you'll fall in love with me."
You feel sick at how he's all entirely wrong. Despite that, you appreciate how he's always able to diffuse any tension between the two of you even if his words are always cocky and arrogant. z
You don't say anything to him for a long while. When you finished up your food in silence, he packed everything anyway and placed it in the correct bins. Wordlessly, he began to unpack your boxes with you, unwrapping everything bubble wrapped and placing it on the kitchen counters for you to organise. You would have protested this act of service, but he's right- fighting him all the time does get tiring.
In this light from the living room as the sun setting made your apartment glow and burst with light, Eunseok looks radiant. You hope he can't see you admiring him from the next room. It's almost as if you're a normal couple, moving into their first home and starting their new life together. It's a melancholy sight as you ponder the what if's.
He breaks down all of your boxes flat, humming to himself a song that you think you've heard at the end of parties when you'd be sat on someone's bedroom floor just talking or playing cards half-drunk. Eunseok turned his head towards you and you whipped your head away so fast it hurts your neck.
"You still have this?" he held up a mug that instantly flashed you back to 6 years ago. The mug is majority a light pink and wonky in places since you made it yourself from clay. It was a few months process making and painting the mug, but when you were 15 with the biggest crush on him, having a mug brandishing "Y/N + EUNSEOK" on it made you feel giddy inside.
"All my other mugs broke," you lied through your teeth, snatching it from his grip and placing it in a random empty cupboard, "My mother packed it for me when I moved to Oxford."
"Mhm, okay," you could tell he was smirking but you made yourself busy with the plates, "I'm gonna take the boxes down to the recycling. Do you want any more help?"
"I've had enough of you for today," you breathed out. Too much time with him truly drove you crazy, "But thanks."
"Anytime, princess. I'm just across the hall if you need me and I'll get your number whenever you get it set up." he wiped his hands on his jeans and have you that charming smile that made you fall in the first place.
You see him out wordlessly. You don't argue when he turns up the next day demanding for your number in case you ever needed anything from him (or if he wanted to come and bother you). You feign annoyance when one morning he's insisting that he ran out of coffee in his apartment and wanted some of yours. You leave him in your apartment because you were running late to class, but when you get home, you open the cupboard and try not to fall all over again when you see a matching, much lumpier, handmade blue mug that brandished the words "TO FOREVER <3" on it next to yours.
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You're tossing and turning in your seat as Eunseok shakes you gently. He laughs when you groan under your breath as he wakes you up, "Sit up. We're landing soon."
The sleep you got on the flight was long, but you still woke up incredibly tired since you kept getting woken up for meals. You were grateful that you could fly first class with separate seats and beds, otherwise you'd be much more groggy than you already were.
Buckling yourself in the seat next to Eunseok's, you yawn, "Eunseok, what the fuck is an engagement trip?"
"A trip celebrating our engagement, duh," he looks at you like you're stupid, so you shove him as hard as your tired body could muster, "Like a honeymoon but before. Never too many excuses to take a vacation. Plus, we're going to be busy this trip."
You've never taken a vacation with just Eunseok before. Sure, you've lived in three different countries together outside of Korea and gone on a couple of vacations as children and with a large group of friends, but never just the two of you with a purpose.
"I don't understand why our wedding planner couldn't just pick a venue for herself and call it a day. Why must we go all the way to Italy and do it ourselves?" you're up to your neck in work, but you couldn't protest when you found a week blocked off in your calendar by your assistant, telling you it was 'orders from above' AKA your father.
"It was my idea," he confesses with a shrug, "Won't it be nice if we actually like where we're getting married? If we chose it ourselves because we can see ourselves getting married there?"
It feels like your heart is clenching at the insinuations behind his words. He wants to get involved with your wedding planning, like it's a real wedding. You sniff and turn away from him. It is a real wedding, you remind yourself. You were going to get married legally and this wedding was real, no matter the intention behind it. No matter if you loved or hated each other, it was a real wedding.
"Yeah. Everywhere in Italy is nice so at leadt it'll be a good trip," the past couple of months since you've been officially engaged to Eunseok, you've been attempting to be nicer and hold back your retorts. You've made an effort to argue less and he's been trying to get on your good side. You've both been busy with work considering the news of the merger brought a whole new wave of problems, so you've had no time to interrogate his profession to "date" you. Thank gosh, because your heart would not be able to take that.
The plane lands soon enough and before you know it, you're in a private car going to your hotel. You were staying in Milan, but driving around Lake Como and Tuscany to tour the list of potential venues that your wedding planner had come up with. You were definitely going to be exhausted by the end of it.
The drive was relatively silent, just listening to music and looking out of the window, but when you arrive at the hotel, Eunseok opens the car door for you and snakes his arm around your waist as you walk up to the front desk, "Hello. We're checking in to the penthouse suite. For Song?"
The hotel clerk smiles sweetly, handing over your keys swiftly, "All ready for you both, Mr Song. Congratulations on your engagement."
You're spluttering a thank you with flushed cheeks as Eunseok drags you over to the elevator, "You told them?"
"I just wanted the free champagne that I assume will be up there," he grins cheekily and you roll your eyes. As if he couldn't afford it.
You are however delighted to find a small cake beside the bucket of ice cold champagne and you dig into the red velvet goodness as you watch Eunseok open up your suitcases and hang your clothes up in the master bedroom wardrobe meticulously. You're halfway into the cake when he drags his suitcases out of the room.
"Wait, where are you going?" you frown.
Eunseok snickers, "To the other bedroom? Why? Do you want me to stay with you?"
"Oh. I just didn't know there were two rooms." you say sheepishly.
Eunseok stops in his tracks, hand on his suitcase loosening, "So you went into this trip okay with the thought of sleeping with me? If so, I'll stay here with you then."
"No!" you call out, "Just- just shut up and go."
The smirk on his face is smug as he nods and continues his leave, "Alright, sweetheart, but let me know if you get nightmares and want company."
You bear the butter knife at him and he laughs melodically on his way out. You pop the champagne yourself and drown a glass down, hoping you'd be able to make it out the trip unscathed. He's running into the room with a pout after hearing the loud pop of the corkscrew, so you pour the both of you a glass and you clink them together as you chugged them back.
The days pass by similarly. You wake up and have breakfast together before embarking on a sleepy drive to a venue. You have lunch in endless terraces and gardens under the sun, basking in the heat and evaluating the venue you saw that morning. You both ooh and ahh at different venues that all look the same before you find a flaw in it that stops you from making the decision to host one of the most important days of your lives there. Some are too big, some too small, too pretentious, not pretty enough, the flowers aren't the ones you envisioned, the location too secluded or not enough. You always agree on the flaws of the venues and it's the penultimate full day when you make it to the final venue on the list.
"If I don't like this venue then I'm not marrying you," you huff in the car as it pulls up the driveway.
"Who knew wedding venues were so complicated?" Eunseok exhales in frustration, "Should we just get married in Seoul?"
You puff out your lips, "Italy was always my dream, but I was naive to the process."
Eunseok smiles and takes your hand, "I have faith in this one. At least I hope." The commitment he has to giving you your dream wedding despite it all is unwavering.
When you enter the final venue, you think that maybe it was the last on the list for a reason, since you're blown away every step you take through the grounds. The hallways to the main room is ornate and delicate at the same time, with pretty floral paintings wrapping the walls and big windows letting in the golden light. The room where your reception could be held is stunning with murals all over the walls and a dome ceiling that compliments it perfectly. It's neither too big, nor too small and there's little nooks and crannies for guests to nestle themselves in. You could see yourself in the middle, slow dancing with your head on your husband's shoulder.
"This is nice," Eunseok awes, coming up behind you with the grounds manager, "Very pretty."
You nod in agreement and ask to see the gardens, since you always wanted to get married outside in the sun. The manager gushes over the outside while she leads you out and your heart is pounding in anticipation. Eunseok probably guessed how giddy you were, because he joins you by your side and gives you a hopeful look.
"We're here. Most brides start from here and have the aisle straight down to the arch."
She throws open the double doors and you gasp in admiration at the sight in front of you. The stairs going down to the garden seen steep, but grand. You envision that your father could probably help you hobble down to the garden, where it was staged as a wedding venue. There's chairs laid out in rows, decorated in tulle and bows with an aisle adorned in flowers. At the end of the garden, there's an arch with vines wrapped around it and flowers creeping up. From where you were standing, you could see that this garden was actually on a balcony overlooking a lake that seemed to be glowing and sparkling as the slight wind caused some ripples on the surface
"I'll give you two some time to explore?" she proposes, to which Eunseok nods and wraps his hand around your wrist, tugging you down the stairs.
"First impressions?" he's looking around with blown out pupils as the two of you reach the bottom of the stairs and the beginning of the aisle.
"I like this one a lot," you shyly admit, "It's exactly what I imagined."
"I love it as well. Why don't you walk down the aisle and see how you feel. Imagine yourself on the day," he's taking off in front of you, running swiftly to the arch before you could even take a breath and get a word out.
At his antics, you let out a full-belly laugh and straighten out the ivory dress you happened to be wearing. You look down at the slip dress hitting your ankles and think it might be fate you chose to wear this specific dress on this specific day. You look up and find Eunseok suddenly frozen still at the other end, hands intertwined in front of him and his eyes trained solely on you.
When he notices that you meet his eyes, he gives you a gentle smile as he mouths to you, "Come here."
It takes you a few breaths to actually muster up the courage to follow his direction. You think that walking down a straight path shouldn't be such a big deal, but the thought that this could be the very steps you take to marry the same man at the end in less than a year's time strikes your heart.
The aisle is a soft and smooth stone, perfect for walking on in high heels. It's wide enough that a wedding dress wouldn't drag along the sides and knock over the flowers and long enough for anticipation to build as Eunseok gazes down at you from afar.
"Y/N," Eunseok calls over.
You take the first step and your breath catches in your throat. All you can look at is Eunseok now, with his shirt unbuttoned at the first three to expose some chest and his hair falling over his eyes. He keeps fidgeting with his fingers, as if he couldn't stand still and his lips are puckering and stretching as if he had much more to say.
The second step is easier than the first and the third one even more so. By the fifth step, Eunseok is chewing on his bottom lip and you're ridden with anticipation to meet him at the end.
With each step you take down the aisle, you're flashed back to all the crucial moments in your life with Song Eunseok so far.
You were sandbox best friends. You learned to walk together, and then ride bikes with each other. You learned to swim in the same swimming pool that still remained in your garden. You learned to ski and snowboard with each other in the blustery mountains of the alps. You were each other's first heartbreaks when you were teens. You took your first alcoholic drink together with your friends by the Han river, faces flushed red and hearts beating out of your chests at the prospect of getting caught. You got blackout drunk together for the first time during your first week of university. You posed together as you threw your graduation caps up in the air at the end of the three years. You chased each other around New York City, running around in blocks after he snatched your phone from your grasp when you would ignore him. You begrudgingly invited him to ride swan paddle boats with you in every lake and river around the city since he was the only person that would drop everything for you at a moment's notice. You would leave containers of home cooked food outside his doors when you noticed he was getting swamped with work, knowing he had the tendency to either order too much unhealthy takeout or stop eating altogether when busy.
With every step you take to meet Eunseok at the bottom of the aisle, you accept that Eunseok has been with you for every step of your life.
He's an arm's length away when you notice his eyes are glossier than usual. Eunseok refuses to break the stare between the two of you as you arrive in front of him, exactly where you would stand under the arch if you got married at this very space.
"Are you crying?" you whisper, afraid of your own voice.
He chortles and dabs at his eyes, "It's just the wind."
"Mhm," you hum, fighting back the smile threatening to expose your emotions, "What do you think?"
Eunseok takes a bold step towards you and closes the gap between your bodies. He's closer than you've ever had him and you can nearly feel his breath on your skin. It's making you dizzy but all you can do is keep your eyes on him.
"Eunseok," you murmur in a hushed tone.
His head is drifting closer down to yours, forehead nearly touching. If you moved your face even just by a centimetre, your noses would bump and you knew you wouldn't be able to stop yourself.
"Let's get married here," Eunseok nudges his face forwards. You have to stop yourself from pulling back even with the drumming in your chest, "You're going to look so beautiful. You do already."
"I like this place. Our parents would like it here too."
Eunseok's eyes flutter shut as he sighs and shakes his head gently, "No, let's get married here because we want to, not because our parents would like it. Let's get married because we want to."
"Eunseok," his name falls out of your mouth like it's the most sacred word you can say.
His forehead is still pressed against yours, his eyes squeezed tight and his palm comes up to make home on your cheek, "I love you. I always have."
Sincerity drips from his words and you know that this time, it's the real thing. It's the words you'd been dying to hear him say sincerely for a decade. It's the words that underlined every fight and argument you've had as adults. He finally and bravely bares his heart to you for the first time, still considerate as he always had been by giving you the choice to determine what will end up of the two of you.
There's something different about his profession of love after all you'd experienced together. Back then, when you confessed that you liked him, the world would probably say it was just some puppy love- a silly high school crush. Something that would fizzle over and dissolve when you would experience the real hardships of life and what it could throw at you. You think that a late confession carries a profound and heartfelt meaning like no other.
"Seok-"
He cuts you off before you could finish, pulling away from you and causing you to open your eyes, "I don't need an answer yet, Y/N. I just need you to know that I want to be with you. I want to be your boyfriend, your husband, your partner- whatever you want me to be. I want to make you only happy from now on, instead of angry or resentful. I want to be by your side and keep following you around the world. I want everything with you."
You've never felt more sure of anything else in the world when you bounce up on your tiptoes and capture his face between your hands, pressing your lips against his. It feels like every nerve ending in your body is on fire, but at the same time feeling relief as if this was the one thing in the world that could finally relieve you from all the anger and bitterness you had been displaying and trying to internalise for all these years. Deep down, you could never ever hate Song Eunseok, the boy who has had your heart since you were just young.
He's rigid for a split second while he processes your own confession, but he quickly regains enough composure to part his lips and deepen the kiss, moulding your lips to each other's. It's unlike anything he's ever felt before and he finally understood the real pleasure of kissing someone you really love. As he runs his tongue along your bottom lip, Eunseok knows that he could do this for the rest of his life.
"Song Eunseok, I love you too," your eyes are glistening with adoration as you pull away from his kiss, "Let's get married?"
When he finally looks you in the eye at the moment you give yourself back to him, he can't help the tears that finally break free from their barrier. He's laughing as he finally pulls you to his chest, wrapping his arms around your body in desperation of keeping you close to him. You nuzzle deeper into him and he tucks his head into your neck. His body is shaking with the laughter of relief and his heartstrings tug when he feels his shirt dampening at the exact spot where your face laid.
"You're the one I'll always choose to love," he coo's into your ear words that travel straight into your heart, "For the rest of my life, for the rest of yours."
You look down at your hand and breathe deeply as the ring glistens on your finger. The Italian sun makes it shine bright as the symbol of your love. You start thinking of what you want to engrave on the inside of the ring that you want to get him. You start thinking of the dress and suit you'll be wearing at this very spot soon enough. You're dreaming of the house you move into together and of the company you'll spearhead by each other's side. You fantasise over your future kids- the kids you hope will have his eyes and your nose. You yearn for the life you know Eunseok will give you and your heart is finally at peace, knowing it will always be him.
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856 notes · View notes
diejager · 10 months
Note
Hallo! Truly loved the MonsterAU stories! Wonderful, amazing writing!
Would it be possible for you to write: what if human!reader was turned into a chimera?
Akin to this:
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Feel free to ignore!
Chimæra
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Pairing: Monster 141 x Chimera!reader
Cw: science experiment, human torture, human testing, gore?, blood, canon-typical violence, unethical human experiments, kidnapping, child abuse, malnutrition, child neglect, tell me if I missed any. Wc: 3.6k (A/N): credit to @bluegiragi’s monster 141 designs.
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They were tipped off by an anonymous source that some shady and highly illegal things were being done in a small and remote town near the border of Belarus, their ongoings unknown to both the government and public of their country, but someone had given Laswell a file containing all the horrific tests conducted within the closed walls of the innocuous-looking compound —a laboratory dressed as a simple military base. The folder held snapshots of emails and files sent between scientists and researchers, small indications of what was being done to both humans and monsters, yet withholding important intel about certain things. It disclosed the location, the names and faces of every worker and leading figure in the compound, the number of security and their schedules, and what was done, but not what was truly happening, it left small clues, sublet words here and there with hidden meanings —never clear images, blurry ones as if the person was in a rush.
Despite not having clear indications of the illegal activities, Laswell had enough to have 141 sent to take it down, to bring the dehumanising lab to its ground and burn it down. She didn’t have trouble convincing them, it was telling enough to let them read the condensed files for them to read, to see themselves the monstrosity being done to children and monsters they took, kidnapped from around the world to be left at the deceitful hands of crazed scientists. There wasn’t much to be found outside it, the base wore the facade of a benevolent patron, bearing the crest of kindhearted investors wanting to rebuild rundown houses and reconstruct rough and broken roads and paved streets in the town they took to hide. It worked for the most part, they profited from this by acting without raising any suspicion from anyone, neither the authorities nor the people. 
“Christ,” Gaz swore, looking down at the words in the file he received, the teased truth and the dreadful treatments through a thick layer of secrets and subtle wording, the only clear intel was from the straightforward emails sent to and from researchers and the heads of the facility, unabashed and shameless bragging of their success and the narrative to which these subjects could be used. “Why did it take so long?”
A recurrent theme of these was about a certain subject, it was about C34, spoken with such pride and joy about their creation, the work of the new world and the future made within these walls. Most emails were the exchanges between them about C34’s training, the ongoing treatments and every successful mission and exercises, they spoke of C34 as if they were a dog, a rabid mutt they captured and took on the task of domesticating it. It was demeaning, degrading and cruel, to look at another being as something lower, something needing domestication —it went against every rule and law put in place to protect humanity, the many conventions sworn to protect the goodwill and security of the innocents.
“We’ve had our suspicions before,” Laswell sighed, the images of the screen switching with the small click of her control, laser pointing at the images of various weapons cache and illegally procured weapons. “There was a slip up in the shipping, it was dropped here-” she motioned to a circled area in the map, a closeup of a secluded road near the town, “and we were able to retrace it to the facility. We needed more intel about the facility before acting and we needed to know what we're facing here, if we should send a team or send you.”
“What now?” Price tilted his head back, smoke leaving the sides of his frown, a deep and unpleasant one. He couldn’t even look at the intel given with a straight face, the shadowed truth of cruelty and dehumanising acts done by humans. “Figured you send us after seeing this, Laswell?”
Laswell nodded, jumping to another slide, showing blurred images of subject C34, a blurry figure, tall and imposing in every way possible. They stood high, stature seemingly one belonging to a monster or hybrid: on four legs and the wide, familiar shape of wings, everything about C34 cried monster. Perhaps one they captured as a child, taken from their mother and kept in this cell. There were many pictures of this one, blurry and disfigured, but others had smaller shapes, the size of children with various characteristics. 
“Steamin’ bloody Jesus!” Soap spat, disgust dripping from his tone in waves, unending as were the other’s curses, each holding their level of horror and repugnance. His face was wound tight, brows dipped lowly and lips pursed, he balled his fists, anger rising within him with every image he saw, the deplorable conditions and the care given to the monsters —what could they even expect from this shady company engineering monster and human DNA to fit their preferred narrative, for money, for reputation, for strength. “We ‘ave tae do somethin’ about this, Price!”
Soap - Johnny - had always been the more emotional one, letting his good heart lead his decisions when the situation seemed to fit it. His wolf made him more susceptible to emotional attachment, a pack mentality driven deeply into his mind and heart, he was viciously loyal and wore his heart on his sleeve, uncaring of how he’d be hurt by a betrayal, he simply saw the best in the world, something many couldn’t after a while, but Soap could, Johnny was a good man at heart. That’s why he reacted the most out of everyone, voicing his distaste and hate, his need for revenge and the sanctity of the lives being stolen in the facility. 
Soap pushed Price to agree, seeing no reason not to lead the breach, to uncover everything done to innocent lives. His eyes connected to the man hidden in the darkness, his blue eyes gleaming with fierce justice, a contrast to the wraith who lay in silence, abhorrent and seething quietness. Ghost peered at him, head tilted up with white pupils darkened by black eyes, death layering off him with calmness. He gave Soap a curt nod, affirmation for him to continue to voice his mind, to help those in need. 
“Seems like it’s been decided, Kate,” Price gave her a lopsided smirk, amber eyes narrowed with what could be read as anger, teeth sinking into the girth of his cigar, ash falling. “When are we going?”
Her lips parted in a proud grin, eyes gleaming with something dark and wrathful. She leaned on the table, head held high and shoulder broad while she flicked off the projector:
“Wheels up at 1500 tomorrow.”
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You stared down the man before you, watching him tremble under your cold gaze, steps hesitant to approach you despite being seated, body prone on the hard floor you called a bed. He was new, possibly recently employed and his boss - or his direct manager - played a dirty game with him. It was some kind of rite of passage for every new employee courageous enough to accept their recruitment, all bright-eyed geniuses wanting to build their place on earth with forthgoing discovery, desperate and narcissistic; yet they were so easily tricked into you cage, locked in by cackling and grinning guards and coworkers. 
He smelled young, fresh-faced and a bit nervous, most were when they first saw you. You remembered everyone who walked in, the smell of fear and anxiety, the disgusting scent oozing off their bodies, rotten and putrid like a rotting corpse. You would’ve gagged and choked if you weren’t used to it, having grown close to the smell of death, calling the reaper your friend. You weren’t bothered by him, only the cart he was wheeling over, a big and heavy cooler that smelled fresh. He was made to bring you food by his boss, a cruel joke played on every new scientist who was always so eager to meet you before cowering in terror once the lock clicked. 
Standing before your third cage, he unlocked the small hatch and, with effort and a loud grunt, pushed the cooler into the hole, big enough for a big cooler but small enough to fit your arm through it. You waited until he stumbled away, distancing him from you before reaching for the container, it was light, weighing little in your palm. They fed you raw meat, sometimes buying the fresh catch of a Belarus hunter, usually an elk or a wild boar, but if they were lucky, a bison or a bear, other times they would have conserved meat shipped from outside the town, bigger cities or outside the border. 
Today was an elk, the meat cold and free of rot, it smelled as good as a fresh kill did, bloody and heady. You ripped into it without care, tuning out the loud retch from the scientist as you gorged on your meal, claws tearing it in half and biting into the bloody meat. Blood rolled down your lip, painting your cheeks crimson and staining the cream-coloured rag they considered a shirt. It would be changed after your meal, as it always was. Despite the elk weighing around six hundred kilograms, you finished it quickly, with pointed teeth cutting and pulling flaps of meat and ligament, blood spraying and dirtying the metal ground near the hatch. 
It was filling, albeit cold. You cleaned your hands of blood, licking it off like a grooming cat, tongue laving over the sharp edge of your claw and under your blunt fingernails. You peered at him from under your lashes, eyes gleaming in the darkness. You watched - pleased with yourself - him shudder, face growing green with unnerve at your show. You knew he was desperate to leave, to get a breath of fresh air outside of your cell, you understood his fear and wanted him to suffer for helping your owner, the man watching over your training, but you wanted him gone before he emptied his stomach on your floor. So you pushed the cooler out, clawed arm breaching past the hatch to leave it farther from your cage. 
He left hastily, legs shaky and face pale. 
“I want a bison next time,” you growled, words rolling off your tongue huskily from its rare use. 
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It looked as inconspicuous through the NVGs as it did in the pictures, a few grey buildings built lowly to hide an immense labyrinth dug into the ground, secret passages crossing unending halls with locked doors and tipped with surveillance cameras to watch over the whole facility. They studied the very walls that made this place a secret fortress, from the body to its heart, like mounting a brigade against a castle, Laswell’s team found the few hidden entrances that connected to the lesser-used passages, winding through many hallways and wide vents, big enough for humans but too tight for monsters the size of C34. Task Force 141 led the mission, infiltrating the base under the darkness of night where they could crawl and slink through shadows to catch what they hunted. They were joined by Marines, all experienced and skillful, wearing scars like a badge of honour. It would either be a quick in and out, or a long and strenuous infiltration. 
Price took Gaz and led half of the Marines through the west, breaching the lab from above. They pushed in steadily, relaying information and physical cues to Watcher - Laswell - with a body cam recording everything they saw, the facade they wore above ground, hiding their dark enterprise. Ghost, as usual, has Soap watch his six, following closely behind him with puppy-like loyalty and the other half of the Marines. Team Two’s - Delta - mission started through the underground passage they sniffed out, a long and unwinding hall that went straight through the heart of the facility. Ghost’s team went dark, needing the cover of silence to stay hidden in a highly protected area of the base to run this clandestine mission. They spoke only when needing to, to make calls, to reaffirm intel or to let both Bravo and Watcher know a change, the tech team in the temporary safe house a few miles away from the compound watched through the cams, from the subtle change in the air to a jarring lead to what was happening. 
While Price and Gaz worked on creating a distraction, taking a load off team Delta’s shoulders, they could work through the system faster and more efficiently with the fire taken off their backs and front. It was controlled chaos for both teams, creating a mass discordance within the enemy lines: panicked higher-ups at the sudden attack, while they had a small squad of personal soldiers, they were unprepared, taken by surprise by both teams attacking on two fronts; and confused mercenaries, their quiet and boring schedules made them lose the edge of suspicion, of wariness towards what awaited them and the sheltered job with little to no action apart from a few failed escape attempts by the subjects.
“Delta 0-1 moving in,” Ghost mumbled into the coms, his team following him closely, rifle held tightly with the muzzle pointed forward as they crossed the threshold of section C, heading towards the one holding the monster subjects. 
They left behind them groups of bodies, slumped over the walls or limp on the ground, blood painting the sterilised and glossy walls, turning the once white hall into a grotesque place, dead bodies covering the length of the corridor like the ones they walked through before, leaving the stench of death that even the Marines could sniff out. It wasn’t clean - they weren’t aiming for it to be clean - but they wouldn’t need it to be clean when the Laswell would send a clean-up team to deal with this, Ghost would steal a bite before they arrived, quenching his hunger for revenge with them. 
A few guards stayed to watch over the cells, doors unlocked by a keycard that most guards kept in their back pocket, Ghost would have to take one off a dead body. Under Ghost’s cover, Soap dashed to the other side of the hall, taking a few with him to corner the mercenaries, boxing them into a closed hallway until they all died. Despite a few of the Marines taking shots, bruising the skin under their plate, black and blue blossoming like a bloody flower under the thin layer of skin, they kept their heads high and minds clear, moving forward without a misstep or hesitation. Soap swiped a few cards from the bodies, throwing one to Ghost. 
“Delta 0-1 to Watcher, can you hear me?”
“Solid copy, Ghost,” Laswell voice rang out clearly, reaching his ears in seconds.
“We found the cells,” his eyes roved over them, white paint over thick, cement walls to hold whatever they locked into the cells, perhaps the children the saw or the big one, C34.
“Do you have the keycards?”
“Affirm,” Ghost growled slowly, hearing Laswell's confirmation to continue. “Going in.”
He tapped the pad, a loud beep ringing in their ears as the lock’s mechanism creaked to life, unlatching from its metal hold to let them in. Both he and Soap walked in, leaving the others to watch their backs while they surveyed the first room. It was dimly lit as it was bare of any decorations apart from a visible toilet, a small sink and a few metal beds. It looked like any usual cells they came across, made barren and empty of anything useful to prevent the prisoners from escaping or causing a ruckus, but the people they kept in these cells were children. Soap swore under his breath at the sight of children huddled together, seemingly no older than 12, he lowered his rifle. They were backed into a corner, three older kids holding a younger one in their arms, protecting her from them, from whoever meant to harm these children. 
They looked malnourished, left to slowly rot in these cement boxes until the scientist found something worthwhile in them, their cheeks sunken in, eyes droopy and swollen with bruises - they were beaten, it made something ugly rear its head inside Ghost dead heart - and lips dried. One was armless, having wings that they used to cover both of their cellmates, naked with only feathers covering their body, this one looked more like a harpy than it did human. The two others had arms, both having the lower half of a mammal, neither of them was sure which four-legged mammal it was, but one had a pair of wings, while the other’s back was bare of anything. 
“We’ve found the children.”
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You could hear the chaos from your cell, the blaring alarm and the smell of death. The building shook from its foundation, vibration emanating from both the ground floor and the basement, just farther from your hall, the closed and sectioned-off area. They separated you from the defective ones, all your young mistakes they made after achieving success —you. They tried to recreate it, but it never came out how they wanted it. Maybe it was a mistake on their part or maybe it was the lack of a certain gene in their DNA, a subtle difference that you and the rest had. You didn’t want to know and you didn’t want them to succeed a second time, it was painful, the shift, the tests and the change, the storm of pain, terror and confusion weren’t worth this power. 
You could hear the booming sound of gunfire, a loud ricochet of the bullet when the nitrocellulose sparked and sent the bullet outwards, finding its destination in the warm flesh of human guards. You usually enjoyed this kind of chaos if you knew what started it, and laughed when something caused trouble for your captors, but you were cautious of this one. You neither knew who thought to disturb the peace nor did you know who was behind this, their scents strange and the sound of steps unknown. All you knew was that their steps were heavy, out of breath but pushing their way into - what you thought to be - section C. The place they kept the young and willful. 
You might be blinded by your cell, but the guards outside your confinement knew how to talk, their chatter and barking orders loud enough for you to hear through the thick walls. From them, you knew they were strangers, unknown players on your board of pawns. You didn’t know their goal, whether they were here to let you out or keep you in a cage of their making, but you knew they were a gamble on your fate. As the noise got closer, you sat down, crossed your paws and waited, cautiously awaiting to see what your verdict would be.
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Strangely enough, there was a different section, separated from the other one by many gates and stricter security, but they were able to break through it. Security was concentrated in one hall as if the monster they locked at the end of this hallway was of big importance. It had higher security, stronger and thicker. Ghost wondered if it was to keep the monster in or keep people out, either way, this meant that they found the thing they first came here for: the trained and dangerous subject C34. 
Ghost was apprehensive about opening this metal door, built taller than any doors he’d seen, it was as wide as it was tall, metres over what would be considered normal for a human or monster, similar to the wide gates that protected British castles, tall and imposing, but the most worrying was it’s vast amount of security measures. He thought back to the blurrier giant he saw in the picture, their shape indescribable and otherworldly, almost alien-like. His eyes met Soap’s reassuring ones, standing steadfast and unyielding to do good in the world. So with a nod, Ghost worked through the locks and scans of the heavy, metal door made to keep this cement cage closed. This door clicked loudly, echoing down the hall with ominous intent, foreseeing something damming and destructive. 
Yet they hadn’t expected to see another cage within the cage, a box made of reinforced glass, large and robust and inside of it was another cage, a rough metal one with bars for walls, a sick joke of a bird’s gilded cage. It would’ve seemed almost exaggerated to have three layers - three different cages - to keep one subject safely locked up until he caught sight of the monster. Lying on the cold, metal ground with legs folded in, tail curled around them and staring at both him and Soap with cautious curiosity. It looked like a gryphon if it were more reptilian than a mammal, this monster had a human torso, a head wearing a stoic expression, dressed in rags. Where there would normally be legs was the body of a bird, an eagle perhaps from the golden-brown plumage and reptilian legs from the knee down, followed by a fully scaled back, hind legs and a strong tail. Each toe was tipped with a sharp claw, big and deadly if it got its hands on someone, it could easily rip into anyone without putting in much effort. The biggest thing about it was the folded wings, feathered and equipped with a talon. If it could fly, these wings would be powerful. 
He understood why they kept it locked, it was neither man, monster or hybrid. It was a beast of human creation, a creature made to be at the peak of its condition. It was smart, he could see it, the glint in its eyes and the pursed lips, mien kept monotone and calm —observant. 
What did Laswell sign them into? 
Taglist: @craxy-person @crowbird @dead-cipher @iwannabealocalcryptid @iizx7y @mxtokko @yeetusspagheetus @capricorn-anon @perfectus-in-morte @sae1kie @yeoldedumbslut @tallmanlover @distracteddragoness @konigsblog @vxnilla-hxrddrugs @havoc973 @angelcakes-22 @cassiecasluciluce @ramadiiiisme @ramblingsofachaoticthinker @ki-cant-spel @im-making-an-effort @love-dove-noora @jinxxangel13 @daisychainsinknots @0alk0msan @mul-pi @danielle143 @dont-mind-me-just-existing-sadly
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infamous-if · 1 year
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✮ CH. 2 PART I ✮ 92k (+86k) -> 178k ✮
PLAY CHAPTER 2: PART I
It's here! First, sorry for the long wait. Chapter 2 has proven to be a behemoth, and I'd gotten sick this past week, my computer broke, my documents went kaput and I had to do some Frankensteining for the last few pages of this part. I'm not too worried, as Part II update can help smooth out all the kinks. I will definitely be looking for beta testers once chapter 2 is complete ha
Anywho! Enough about my problems. This demo update adds 86k words (86, 818 to be exact) and is the first part of a two part chapter. Which means the narrative in this chapter is not complete, but I kind of closed it off at a pretty satisfying place. As with every Infamous chapter, this is very character driven. So have fun!
What to expect in Chapter Two PART I:
get on the bus & deal with the consequences of your actions lol
arrive to your first tour stop and do your first gig...which might get messy (both literally and figuratively)
hang with a familiar father and daughter duo
have some heart to hearts/ some cheeky little POV passages
meet more BOTB crew and learn exactly what's in store for you this season
get roped in some ValenReign mess !
Maintenance:
this chapter has a lot of flavor text, or at least, more than the demo did, so if there are any errors or if there are lines that don't correspond with your choices, please let me know so i can fix that!
you will no longer be forced to write your own lyrics and the update will offer you pre-written lyrics by yours truly. im not t swift so i would advise you not to expect professional level songwriting, but they work well enough lolol
lyrics page is up as well as stats, but i don't really like the system i used to balance it, mostly because new...stat things will be added as the story goes on, so that's still getting reworked. still, good enough for now, as there are some personality stat checks!
Prologue and Chapter 1 errors/typos/grammatical bits fixed. (Wouldn't be surprised if I missed some though...) + variables updated.
Scenes not showing up fixed. hopefully, that huge error in which it throws you back to the fight after returning to the house is fixed (It was a bit wonky for me, hopefully it works for everyone else)
Stat and relationship pages updated ( + lyric page to look back at all your lyrics).
Can choose to be asexual and any sexual scenes will be skipped or replaced with romantic scenes. Flavor text in which MC displays any sort of sexual desire will be skipped. (This option comes up during Dakota's party scene. If not, it will show up when it presents itself again.) (Nothing sexual has come up yet, but if there are any scenes or even lines/ internal thoughts that should be skipped or changed for Asexual MCs, please let me know!)
If there are errors or anything, im always open. I've play tested but you girl is always prone to errors. As always, thank you for your love and enthusiasm! It makes me really happy and motivates me to keep writing ! <3
(Also, if you're thinking "omg amy how did you go from 65k to 86k?!" i don't want to talk about it /j)
See you on tour!
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qiu-yan · 1 month
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MDZS and asshole victims: thoughts on the second siege of the burial mounds scene
this post is not about morality judgments. this post is about reader sympathies only.
one rather clever rhetorical trick MDZS employs is putting all the more background "surviving victims of wei wuxian's actions" into one big angry mob at the second siege of the burial mounds, instead of letting them crop up anywhere else in the story. it's easy for a first-time reader to write off the guy who lost a leg at nightless city, or the guy whose parents died at nightless city, because both of those guys are being dicks. they're part of an angry mob baying for wei wuxian's blood--unfairly baying for wei wuxian's blood, because this time he didn't even do the thing they're saying he did. by putting these two victims into a mob of not just fellow victims but also unaffected individuals (ie. sect leader yao, who just showed up for kicks), the story can effectively equate these victims' grievances (ie. "you killed my parents") with unreasonable mob rule--even if these two things might not actually be equivalent.
the effect of this rhetorical trick, then, is that the reader can at once perceive the themes about mob mentality MXTX wishes to convey, and also effectively write off the victims' complaints. "yes, i did that to you, but i literally died already, what more do you want me to do? shall i walk on my knees repenting?" becomes easier for the reader to accept. and more importantly--wei wuxian's likability as a moral and just protagonist is not impacted.
ngl tho. it would be a bit more difficult for the reader to write off these victims' complaints if, instead of meeting said victims in an angry mob, the reader instead met these victims almost anywhere else. imagine if, instead of meeting mr. "you killed my parents" at the second siege of the burial mounds, we instead met him getting smashed at the local bar and crying about how his parents are dead. imagine if, instead of meeting mr. "you chopped off my leg" as a member of an angry mob, we instead met him begging for alms on the side of the road because his disability rendered him unable to work in a wuxia-esque setting. or imagine--if either of these background characters, overcome with survivor's guilt and trauma from nightless city, hung himself in his bedroom, and the next day his body was discovered by his 15-year-old daughter.
all of these scenarios are entirely plausible. you could easily include any of them into the story without changing the main plot at all. but suddenly shit just got a lot more depressing.
however, no such scene would ever be included in MDZS. the reason is that, as a work of fiction, MDZS's single most ardent goal is for us the readers to conclude not just that "we like wei wuxian as a character," but also that "wei wuxian is ultimately a morally righteous person." when the narrative focus shifts onto the people who were actually helped by wei wuxian's actions (mianmian and her family, lan sizhui, the few months of dignity the wen remnants were afforded) this becomes much easier for us to conclude; wei wuxian does indeed look like a hero. but the more narrative focus is given to the negative impacts of wei wuxian's actions--the more the "victims of wei wuxian" (whether actual victims or not) are given a face, instead of abstracted away by broad summaries--the more the reader might side-eye wei wuxian instead. every new victim given a name, given narrative attention that isn't just focused on making them look like an asshole, arouses the reader's sympathies in the opposite direction--and thus increases the risk that the reader might ultimately disagree with the novel's conclusion of "wei wuxian is a righteous person."
tbh, this does not seem like a risk MXTX particularly wants to take. instead, she's mastered the art of writing Asshole Victims.
which is an entirely valid writing decision, because imo basically every work of genre fiction out there does this to some extent.
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anneapocalypse · 2 months
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On Wuk Lamat's Role in the Back Half of Dawntrail
(Note: You do not have to like Wuk Lamat, you do not have to like any character, that is your business; however this post is not an invitation to expound to me on why you hate her, so if you aren't open to discussing her positively, please move along.)
Wuk Lamat is vital to the back half of Dawntrail. Her presence in the story there is both narratively and thematically important and its lack would render her character arc incomplete.
For context, I have seen some comments that there should have been less Wuk Lamat in the back half of Dawntrail. I truly don't see how that would have been possible or made sense without throwing out most of what was set up in the first half, or simply writing an entirely different story. Regardless of whether you personally vibe with her, Wuk Lamat is the main character of Dawntrail; this is her story, and it's themes and narrative beats are inextricably interwoven with her character arc.
First of all, can you imagine what people (in-universe and out) would say about her if after the attack on her people and the appearance of the dome she just... stayed in Tuliyollal with Koana and let other people do all the work? She's the Vow of Resolve. Of course she's going to be at the forefront of the action. The whole point of her choosing Koana to rule with her in a new interpretation of the tradition of blessed siblings is that they have complementary strengths, and they have a benefit that blessed siblings don't: they can be in two places at once!
Second, a big part of Wuk Lamat's journey is learning about the cultures of Tural so that she can fairly preside over them all, and in Alexandria we get to see her bring that lesson to bear in a big way when she learns about the regulators and the processing of souls. She's rattled by it but pushes past that personal reaction to say, as the Dawnservant, "Please teach me of your history and culture so that I can understand the importance of this practice." In doing so she learns critical information about the situation. This is a culture so far removed from the Turali peoples Wuk Lamat knows, and they're also a separate kingdom not technically under her rule at all, but that doesn't actually change her response. She still reaches out with curiosity and compassion, always seeking to learn and understand.
As she comes to understand Alexandria's history, she also learns the context she'll need to understand Sphene when her true motivations are revealed later. Moreover, Sphene is a very clear foil for Wuk Lamat. The Dawnservant characterized by her love for her people and her desire for their peace and happiness vs. the Endless Queen whose love for her people has been twisted into something destructive and terrible.
And then there's the narrative beats about family, and particularly the loss of parents in different ways: Wuk Lamat earning the trust of her brother's abandoned son and taking him in as family, and her being there for Erenville as he struggles to come to terms with the death of a parent (something Wuk Lamat has also experienced very recently).
And that's to say nothing of how personal Zoraal Ja's betrayal is to Wuk Lamat; of course she has confront him personally. It couldn't be anyone else (except maybe Koana, and they both seem to agree that it should be her).
The Rite of Succession is not Wuk Lamat's whole character arc; it's only the first half. It's after Wuk Lamat comes into her own as Dawnservant alongside her brother that she truly shines. It is in the back half of the story, when the stakes are dramatically raised, that all the lessons she's learned in her journey will be tested, when the peace she seeks to preserve is so brutally disrupted. We get to see her struggle emotionally with the shock of that in Tuliyollal, then rise to the challenge of leadership. How she responds to all of that is her character. It is the culmination of everything the first half of the story has set up. This is still her story.
And personally, I think it's wonderful to see a female character not only featured so prominently in the story but getting so much character development and such a complete character arc.
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secondhandsorrows · 8 months
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Some Vital Scenes to Include in a Romantic Subplot, pt. 1
I’ve been in the plotting stages of a novel I’ve been working on for some time now. It’s not a romance novel, per se, but the romantic aspect is very prevalent… dare I say important. Anyway, so as I was working on my scenes and character arcs, I began to realize that I didn’t have enough fleshed-out about romantic arc, nor deepened the protagonist’s love interest or their connection, for that matter. This led me to devise up some scenes that I felt were crucial to the story if I wanted to keep this romantic angle to it, and now that I’ve most of them arranged, I find now that I’m way more excited about my characters’ love story. 
These tips will be unnumbered because, obviously, the sequence of these events and how they will fall into your storyline will probably be different. Also, you don’t have to use only one scene for every suggestion that will be mentioned, as you can have multiple scenes of flirtations or deep conversations, for example. They usually blend all together into the narrative at this point. Just remember that there should be some relevance to the plot at hand in some of these scenes as to not derail completely from the main narrative or other conflicts.
I was going to post this all at once, but decided it was too long and wanted to split it into two parts to go more in-depth and for easy reading. /-\ Enjoy ~
- The meet-cute, or the meet-ugly:
Ah, yes, the first encounter. Or, as we sometimes like to call it: the meet-cute, or the meet-ugly if you’re feeling a little unconventional or perhaps mischievous. Though we may enjoy setting up our star-crossed characters in a whole range of moments from awkward to swoon-worthy, the initial meeting is what’s important (if your characters haven't already met before the beginning of the story, ofc, but this is useful to have in mind). Let us quickly define the two:
Meet-Cute: A charming and serendipitous first encounter between the characters in question that sets a positive, memorable, and oftentimes romantic tone.
Meet-Ugly: An unconventional, awkward, or disastrous initial meeting that adds a unique twist to the start of the romantic connection, often leading to unexpected chemistry and an added intrigue on whether or not they’ll get together.
You don’t have to nail your characters’ first encounter into a label or bubble such as these two examples, but I like bringing these up for a general idea. 
- Bouts of flirting and/or banter:
Just as the title suggests, these are scenes containing the flirtaious communication between the two characters. These kinds of interactions will, of course, develop over time and deepen the bond or relationship. Playful interactions, gazes, and witty exchanges between the characters can create a lighthearted and flirtatious atmosphere that hints at their growing attraction.
The way they might flirt or tease can reveal their personalities. For example, one character might be more sarcastic, while the other responds with quick wit, or quiet bashfulness. There’s an element of subtlety, as flirting lets the characters express their romantic interest without explicitly stating it (unless one of your characters lacks subtlety in general and prefers to shout their undying love from the rooftops, which would make for an interesting dynamic, but I’m only spit-balling). 
Banter, teasing, and romantic tension underscoring heated debates or loathsome gazes suit just as nicely, especially if you’re writing with enemies-to-lovers or rivalry tropes in mind. But be careful! A little goes a long way: too much all at once can repel any growth for the characters or narrative.
- Initial conflict or struggle:
Depending on your story’s big-picture conflict, the introduction of challenges or obstacles can create tension between the characters, adding depth to their relationship and making their eventual connection all the more satisfying. This might include cultural or class differences, opposing goals or values, history of past heartbreak, personality weaknesses such as stubbornness, or external pressures that threaten to keep the characters apart. Even a nosy family or a disapproving mother can be considered. How the characters navigate and resolve these conflicts contributes significantly to the overall emotional impact of the romance subplot, as well as allowing for some exploration of each character's strengths, weaknesses, and resilience. 
- Shared vulnerability:
This kind of scene involves the characters opening up to each other about their innermost fears, insecurities, past trauma, or personal struggles. Shared vulnerability goes beyond surface-level interactions. It involves characters revealing their authentic selves, exposing their emotional vulnerabilities, and allowing the other person to see them in an honest — and sometimes new — light.
This is a symbolic gesture of commitment we’re talking about, here… something that requires trust. As characters share their fears or past traumas, they are entrusting the other person with sensitive information, fostering a sense of trust and emotional intimacy. It might be scary, it could be out from left field, but they will end up learning something new about themselves, their situation, or about the other person, and thus deepen their connection, little by little.
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ktownshizzle · 1 month
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Wild & Free (Teaser)
Min Yoongi x Reader
Summary: Everybody says they want to marry Min Yoongi. But what if he only wants to say 'yes' to you.
Alternatively: While on the last leg of their PTD tour, Yoongi discovers there was such a thing as drive-thru weddings in Vegas, something that his pretty little brain can't seem to process having lived the last decade of every second of his life being planned by his management team, which includes you. When he goes down a rabbit hole of Youtube videos about The Little White Chapel (Omo! Michael Jordan got married there!), he starts getting all sorts of ideas - all of it starring him and you.
Genre: Fluff, Angst, Eventual Smut, Childhood friends to lovers, Idol!au, Coworkers to lovers (reader is a HYBE employee)
Notes: What can I say? We got all the tropes in this bad boy, because I don’t know when I can write again, so let’s put everything in this sucker and call it a day! This is canon-ish. I included some real-life events during this period, but it may or may not be loosely rearranged to fit the narrative - just go with it. Ginger Yoongi, because this is the LOOK I don’t give a damn what haters say. I have not written in a decade and this is me attempting to pick things back up, I hope you like it xo
BTW, the teaser scene is inspired by that leaked video of the BTS tour crew’s  private party in Vegas. It’s here if you want to see it. Enjoy! xo
Read the teaser under the cut!
!!!! Edit: Read Part 1 here !!!!
P.S. Leave a comment to be part of the taglist 🙂
***
"Yoongi, marry me!" You shout at the top of your lungs, earning laughs from the people around you. On the other side of the room, a couple of other people shout the same catchphrase, including Taehyung, who seems to get the most kick out of it out of all the members.
Coerced to do one of those Tik Tok dance challenges, Yoongi stands in front of the room, hides his face behind his hands and you watch in delight as he awkwardly sways his hips side to side. More cheers erupt and two seconds after he decides he was done.
"Hajimaaaa!" Your friend says to no one and everyone, cheeks burning as he stalks back to the chair he was occupying across yours.
You push his beer bottle towards him, "Good job, gramps."
"Fuck off," he says with no real bite, taking a long swig off his drink to cool off his reddened cheeks.
It's great to finally get some down time with the crew. After such a fast-paced, high production tour, everybody needed to blow off some steam. This Korean BBQ restaurant off the Strip was the perfect venue to get the team together for samgyupsal and drinks. The vibes were, as the kids say, immaculate.
You are already sufficiently buzzed so you sit down as Seokjin takes his turn to do the challenge. He really seems to be more into it than the man currently giving you a look.
"I heard you." He narrows his eyes at you, a small smile playing on his lips.
"What? It's the new viral catchphrase," you shrugged. "Everybody and their grandma is saying it these days."
"Not their grandma."
"You should be flattered."
Stop, you thought he would say. But his response catches you off guard.
"Only ‘cause you said it."
And he has the audacity to lick his bottom lip, a ghost of a smirk forming.
Fuck. Your throat dries up. When did it get so hot here?
“And in case you were wondering…” he leans forward, a dopey-ass grin now on his face. “The answer is yes.”
***
WHAT DO WE THINK? Join the taglist by leaving a comment so I can let you know when this story drops.
Tag: @jajabro @yooglefics
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bonefall · 10 months
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⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️
I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.
But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.
Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.
I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!
OH LET'S GOOOO
Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.
The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.
As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.
BIG POST. Glossary;
INTRO TO BREEZEPELT: The Sight and Dark River
ABUSE: Outcast, Social Alienation, the Tribe Journey.
DARK FOREST: How these factors push him towards radicalization.
For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.
INTRO TO BREEZEPELT: The Sight and Dark River
Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.
But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,
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From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.
Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.
He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.
(And Nightcloud has a cute moment where she watches over them until they fall asleep)
As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.
In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;
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Crowfeather.
Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.
(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)
So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.
We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.
The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.
When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,
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Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.
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And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.
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All this to point out,
Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.
We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.
ABUSE: Outcast, the Tribe Journey.
In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.
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Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.
They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;
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They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.
When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...
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Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.
But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?
Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.
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Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.
Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.
The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.
Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).
Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.
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I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.
In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.
At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.
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EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.
Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.
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The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.
And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,
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And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"
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Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.
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This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.
It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.
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It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.
Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.
That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.
As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.
DARK FOREST: How these factors push him towards radicalization.
Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.
But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.
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Escalating to violence was about making Jayfeather feel the way that he does.
When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.
When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."
Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.
Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.
We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;
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The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.
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This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.
At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.
A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.
Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.
In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.
But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.
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Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!
(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)
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lornaka · 4 months
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My five cents on Tech’s fate in TBB
It’s been over three weeks since the show ended and I’ve been writing this in my head ever since, mostly to have it summed up in one post for posterity lol. I considered letting it go at this point but I know it’ll drive me crazy if I don’t get it out of my system so might as well.
So here we go, some of my rambly post-finale thoughts on Tech’s death (and a few other issues) under the cut!
Disclaimer: while this post is in critical spirit (because that’s how my brain works), I want to make clear that I have nothing but respect and gratitude towards everyone who’s worked on the show. My criticisms are of the final story as a whole as I interpret it (art is art, everything is subjective, you know the drill), but one never knows what goes into the process of making it behind the scenes, so I’m not holding anything against the creative team. I love this show dearly and am in awe of how good it is at its best, despite certain things I wish they did differently.
To begin, if I had to sum up the biggest problem that TBB writing suffers from, it would be lack of closure, and too many red herrings. Not just for Tech, but many things. Major plot threads as well as little character moments are cultivated or thrown in just to never culminate in anything or to be immediately discarded after serving the plot, some of them incredibly misleading. Some of the top examples:
- Crosshair’s chip. We never get an exploration of how the trauma of his chip activating and being left behind not only affected his motivation and choice to stay with the Empire, but his relationship with his brothers. While it was made fairly obvious, if subtly, that Crosshair became free of the chip’s influence after getting hit by the ion engine on Bracca, the narrative treated this change as if it didn’t matter at that point, while it obviously mattered a lot within the context of Crosshair’s character. Add to that all these little details with him clutching his head in s1 finale, Omega expressing her disappointment in him, and Tech’s comment on how “it is just his nature” (as if it matters!!! See what I mean about the narrative treating Cross’s chip as if it didn’t play the key part in his trajectory? They throw in this line, like we are supposed to take away that it’s simply Crosshair being Crosshair and not like, the results of brainwashing and abandonment), Wrecker blaming Crosshair for not going back to them, all while we as the audience have been shown and told repeatedly how these chips work (and so were the Batch), we ended up with an incredibly confusing situation with lots of mixed signals from the writers. And once Crosshair makes his choice to stay with the Empire in s1 finale, his chip and the confusion it brought to his relationship with his brothers is never brought up again, because the plot simply moves on.
- Cid’s betrayal. After her being a major character for two seasons with a continuous relationship build-up with Omega in particular, she is discarded as soon as her betrayal serves the plot, with all that character development getting thrown out of the window. You can be mad at Cid all you want, but to me it’s incredibly weird and wasteful to end two seasons worth of build up on that note without it having any closure for the characters, especially Omega whose whole theme is trusting people and bringing out the best in them. It’s fine if they decided to make Cid exactly what she appeared on the surface (untrustworthy and self-serving) after playing around with her potentially growing through her fondness of Omega, but then at the very least the betrayal should’ve had an impact on the characters, Omega most of all. Even just one casual line from Omega in s3 about how Cid’s betrayal impacted her emotionally, however minimally, would have solved that problem. And no, CX-2 mentioning how he extracted info on Phee from her off screen absolutely doesn’t count as closure, because I’m talking about emotional closure for the main pov characters as well as the audience. Cid had a presence for two seasons, then as soon as she executed her role as a traitor to further the plot, she was discarded like she was a random extra.
- Emerie’s relationship with Hemlock. We are led to believe that he basically raised her, instilling in her the idea that she had no chance without him and owed her purpose and “safety” to him. You can’t tell me that this didn’t deeply affect her struggle and eventual decision to break away from all that and choose to help the kids, basically betraying Hemlock. I get that the show only had so much screen time and Emerie is a supporting character in season 3 at best, but common, she has more tension with Dr. Scalder than Hemlock while the potential for this rich deep conflict between them is right there.
I can probably list more smaller examples but this is getting long and I don’t want to go on any more tangents, so, finally, the biggest example of lack of closure and tendency of TBB writing to display foreshadowing that leads nowhere:
Tech’s death.
First of all, I’ll die on the hill that it wasn’t denial or delusion that led to such a big portion of the audience to believe that Tech didn’t really die in s2. If we look at the facts:
- there was no body
- it’s the finale of season 2 out of 3, pretty early for one of the main titular characters to get killed off
- the only/last character to allegedly see Tech after his fall is a villainous scientist who is known to experiment on clones specifically
- not a fact but: the whole scene with Hemlock presenting Tech’s goggles to Hunter was incredibly suspicious. In hindsight, I think the whole purpose of it was so that the Batch got Tech’s goggles back in their possession as a memento (and to show how evil Hemlock is to rub it into Hunter’s face like that) but it was executed in a way that read as something much more. It read as if Hemlock was going out of his way to convince us/Hunter of Tech’s death, but with us knowing who Hemlock is, his background in experimenting on clones, everything screams at us to not trust a word he says. Is it really so surprising that so many of the viewers immediately jumped at the conclusion that something more was going on there?
- Hunter’s (lack of) reaction/immediate narrative fall-out. More on that later as I address lack of emotional impact of Tech’s death in s3.
- it’s Star Wars. And there was no body.
So yeah, to me, it is completely justified that so many people read that whole thing as open to speculation at the very least, foreshadowing Tech’s survival at most.
Personally, I was 70% sure Tech was truly dead prior to s3, but not because the text told me so, but because at that point I was used to the show’s writing regularly sending out mixed signals, and a part of me was resigned to Tech’s death becoming another example of the writer’s intent clashing with their accidental empty foreshadowing.
As season 3 aired and the whole CX-2 plot was unfolding alongside continued lack of closure for Tech’s fate, my hope for Tech Lives reveal grew and grew, but in the end my initial doubt was proven right, unfortunately.
Oh, CX-2.. what a mess. You can’t tell me the creators went over all of these scenes, all of these lines, looked at the whole picture and *didn’t* see how it was incredibly easy to interpret CX-2 as potentially being Tech with all these little potential parallels. “Domicile” alone.
If they didn’t want us to entertain the idea that it could be Tech, they could’ve done it differently, but for some reason, they chose to leave that space for speculation. My question is, why?
If they truly wanted us to believe Plan 99 was it, Tech’s Noble End that we were supposed to take as this dramatic super emotional ultimate sacrifice and all that, then why would they not make it clear that CX-2 couldn’t be Tech? Why breed confusion? And breed confusion they did. It’s hard for me to believe they didn’t foresee the “ohh is it Tech?” speculation.
When so many members of the audience immediately and individually jump at a theory or have the same take away from the story they are being told, yet the authors say it wasn’t meant to be taken that way, something went seriously wrong with the writing.
I don’t like to speculate on such things because we will probably never know for certain, but I wouldn’t be surprised if they had at some point considered CX-2 being Tech or at least something more for the whole CX plot thread, but changed and reshuffled things at the last minute for whatever reasons.
Which is fine and understandable. But it brings me to the heart of my biggest issue with how Tech’s fate was handled:
lack of impact and closure.
Let’s disregard all the Tech Lives theories for a moment and focus on what we did get: Tech, one of the main characters, getting killed off at the end of s2 out of 3, for stakes and consequences and NOTHING else. When I say nothing, I mean nothing.
Imagine, for a moment, he survived and stayed with the Batch. Nothing would have changed, in the grand scheme of things. Nothing. We wouldn’t have had a few obligatory “Tech mention, everyone feel sad now” throwaway lines/goggle shots and whatnot, sure, but that’s it.
Tech dying didn’t change the trajectory of the plot in any way, nor did it affect any of the other characters in a way that changed their trajectory. And anything less is simply not enough to justify killing one of your main characters. Stakes and consequences ain’t it.
Consider Mayday, for example: a supporting character, but his death in s2 affected Crosshair in such a way it completely redirected his journey, AND in s3 we got an episode that cemented the impact Mayday had on Crosshair and provided emotional closure for them. That’s a narratively meaningful death.
Tech’s death was not meaningful to the narrative beyond removing him from it. That’s why so many Tech fans insist he deserved better treatment: not only was he not present in one third of the show physically, but he lacked any sort of presence even in death. His absence was never processed or grieved by any of the main characters and so by extension by the audience.
And before anyone starts with the whole ‘they are soldiers/they had no time to grieve/etc’ arguments, it is the responsibility of the writers to provide the space for all of that emotional impact. It they don’t, there is no impact.
A few reactions here and there, moments of missing Tech as a person and a brother, not an asset, anything would have made this whole thing easier to accept.
The lines that we did get, from Omega mentioning the stuff Tech taught her to Echo commenting on how decryption would be easier if Tech was with them to “Clone Force 99 died with Tech” from Crosshair - each and every single one of those lines linked to Tech’s functions as part of the squad, his usefulness, but we didn’t get a single line in remembrance of him as a person of his own, no one missed or remembered him for himself or his personal impact on them.
Just one line from Omega about how he taught her about change being a constant part of life or whatever, or Wrecker making a comment on how Tech used to info dump about stuff, anything would have instantly provided that much needed sense of “he was here, he was a person and is still a part of us”. Instead, Tech was killed off to show that messing with the Empire is dangerous and risks are real, I guess, and immediately lost any and all presence within the story.
We never even got to see Crosshair’s or Phee’s reactions to losing him.
Speaking of Crosshair, that’s a whole other example of complete lack of closure: they never closed the loop on the family being reunited again after initially leaving Crosshair behind, and with Tech dead, it’ll forever stay broken.
They could’ve given this a bittersweet yet meaningful spin if they developed the angle of Tech dying on a mission to bring Crosshair home, making a sacrifice so Crosshair had a chance.
Instead, the moment Tech dies, we get Hunter (and through him, the narrative) immediately abandon the idea/plot thread of going to rescue Cross all while saying “let’s not waste Tech’s sacrifice”. Sacrifice for what? Clearly Hunter doesn’t see it as a sacrifice for Crosshair’s sake, so, what, to make sure the rest of them makes it from the mission? The mission to save Crosshair. That mission. Right.
I see people talking about Tech’s noble sacrifice that ensured his family got to live and eventually have their happy ending, but all I can think about is how the creators chose to have him die on a mission that was immediately abandoned and the only take away from that whole sub plot was Tech’s own demise.
And after Crosshair is back with the Batch, his reaction to Tech’s death is never explored at all.
So yes, to me Tech deserved so much better. If you are going to kill off a major character, it must be necessary to be compelling. The way I see it, Tech’s death was not necessary at all because it didn’t change anything. And if it was meant to, the creators failed to communicate that by choosing not to explore the emotional impact of it and not structuring certain story beats in a more precise manner.
To wrap this up, if the way Tech’s death was handled was satisfying for you, that’s valid and I’m glad for you. For me, unfortunately, it’s completely the opposite and will forever remain the biggest and most unfortunate low point in the story.
And while I welcome anyone to share their own perspective if they wish, please don’t take this post as an invitation for debate, since there is no one right or wrong way to interpret or be affected by art.
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carlyraejepsans · 3 months
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UTY!Flowey, "lore" and how to criticize a fan prequel without being an insufferable pedantic, a guide by Biscia.
(for my muskless fellows, here's a transcript of my thread on Undertale Yellow that I posted on Twitter. enjoy!)
There's this really frustrating attitude in fan spaces i like to call "lorepilling" where people are substantially more concerned with encyclopedic knowledge of details & minutiae (so called "lore") in place of full-text thematic/narrative analysis as if the two are mutually interchangeable.
It's especially common in large franchises and story heavy videogames, and it's like... Are You Treating This Piece Of Art Like A Trivia Battle Or Are You Treating It Like A Story
This is coming from a person who is also deeply autistic about UTDR trivia btw, I'm just saying that when it comes to transformative *stories*, depending on the impact it has on character, themes, and narrative structure... lore is expendable.
Ultimately this is why most of the UTY criticism i see (on twitter specifically) falls flat. What does it matter if "lore" means Flowey couldn't chronologically be there when the justice human fell, as long as the game narratively justified his presence in the story in a compelling way?
The real criticism, in the end, is that it didn't.
He's a plot central, main cast character from the canon returning in a cast of mostly OCs and what does he have to show for it? An admittedly sick boss battle in 1/3 endings, sure but... not much else. He has no significant "presence" in the story, no tie, interaction, or even just... an opinion on the rest of the cast. Which is a huge miss when Flowey's meta role is to be Thee completionist player mirror. He's the OG lorepilled UT fan! He's an opinionated little shit!
This isn't to say that UTY *didn't* engage w/ his metanarrative. When me and @a-town-called-hometown first started playing the game (we were both skeptical of Flowey's inclusion), he immediately said "It would be really cool if they made it so this has been going on for a while and Clover has no idea". Which is precisely what the game did in the neutral ending, and what I will openly say was the most well written & well executed part of this game's story...
...a part we almost didn't see, because the pacifist ending disappointed us so much we lost all will to replay.
To put it in the words of my friend Mel @clowwwnbytes, there's a deafening hollowness to UTY Flowey's motivations & core principles where his guilt towards Chara—and resulting black and white thinking—should be. You're telling me Mr Kill-or-be-killed, "sacrificing yourself to do the right thing is stupid", would stand there after 1000s of failed attempts to make Clover survive, look on as they make the same mistake Asriel he did, and fondly call them friend? Cue the guitar, roll the credits?
He would lose it. Oh my god he would lose his goddamn mind, he would throw the nastiest temper tantrum in the world. Are you serious? How dare you. How DARE you. All this effort, all my patience, and you just let yourself DIE for a few worthless idiots? I should've let you ROT!
*clears throat* sorry got a bit too into character. as i was saying.
I can understand a UT prequel wanting to distance itself from the canon Chara storyline in order to form its own identity, but then turning around and choosing Insane About Chara The Character™ for a sidekick is... far from optimal. In the end, Flowey comes across as underutilized and inconsistent, with a whole lot of wasted potential.
This is an issue I have with UTY's character writing (original AND returning) and story structure as a whole. Lots of inconsistent character arcs, tonal dissonance, overuse of situational sadness... it's an amateurish work, after all, and you can feel it. There's no shame in that.
(Though, there ARE some issues that i take more seriously with its writing, especially when it comes to its two main female characters—Ceroba's lack of narrative agency and depth borders on misogynistic writing imo. But that's a topic for another day)
Over all, UTY was an incredible piece of collaborative transformative work, with gorgeous art and a genuinely incredible OST, which... would have benefited from more experienced writers. But hey, you can only ever learn by trying!
For all it could've been a better story, it certainly did not fail to entertain: both when my friend was playing it, and after in our many discussions of its writing, its faults and how it could've been improved (royal scientist!ceroba character fix you will always be famous. to ME!)
I'm sure this project served as an incredible source of experience for the developers: as individual creators AND as a team. I look forward to their future projects!
but also if i have to see another person say UTY is better than Undertale i might turn into The Jonker.
end of the essay! really couldn't stand any of the pedantic ""criticism"" I'd seen of this fangame so far, so i had to say my piece as someone more versed in analysis. happy to elaborate on anything in the replies or in my inbox!
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writers-potion · 3 months
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Let's Talk About POV for Dark Fiction.
Deep POV
Deep POV is like real life - we only know the perspective of one person. These POVs have the effect of drawing the reader in so deep that they forget they're only reading words on the page.
You can write a "deep POV" in first, third or even second person, as long as the narrative is concentrated (and limited) to the mind and emotions of a character.
For most dark, horror-like stories, deep POV is the best choice.
However, there are some drawbacks:
You won't be able to describe important events that happen outside of the POV character's sight - you'll have to use phone calls, television news, or telepathy.
You cannot directly show what the MC looks like unless you have their friend comment on it.
When the POV character dies, the story is over.
To convey what other characters feel, you need to rely on dialogue and body language.
Here are some tricks to engage the readers:
Don't state that the character saw/heard/thought/felt something. Just describe what the experience is like.
Show how the weather and the temperature affect the POV character.
Shows how emotion affects the POV character's body.
Show how emotion affects the POV character's body - especially fear in all its forms (anxiety, terror, panic, shock, etc.)
Serial POV
Alternatively, you can use more than on character's POV, one after the other. Short stories would use this less often, but if your story is long and your MC dies in the middle, you'd want to use this format.
Serial POV doesn't give the same intense experience, but the flexibility in the narrative is well worth it.
Omniscient POV
This is where you would drop into a character's head for one paragraph, then jump into another.
To make this work, stay in one character's head for a short time, but avoid making mid-para POV switches. Insert at least one POV neutral sentence before you enter the next character's head.
Other POV Styles to consider!
Cinematic POV: This is like a video camera - it sees everything, but only from the outside, not inside anyone's head.
Fly-On-The-Wall POV: Here, the POV is a person but somehow not involved in the action and has no stake in the outcome.
Detached POV: This is a dry, factual reporting style, such as a newspaper article or official report. Horror stories narrated in this manner can be chilling to read.
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