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dragonkeeper19600 · 3 years ago

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Jaws: The Musical (Concept)

So, out of curiosity, I looked online to see if anyone had ever adapted a musical from Jaws. There is a musical called Bruce that’s scheduled to debut in Seattle next year about the production of Jaws (and I would be interested in seeing that), but as for a musical of the Jaws story itself, I found one that’s for kids and about 48 minutes long.

Now, I’ve never seen this musical, so I cannot attest as to its quality, but, in my opinion, both of those choices are wrong. This musical should be the full two acts, and it should be aimed at adults.

I’ve been brainstorming, and I think I’ve got a hypothetical musical all mapped out. You might think a musical based on Jaws is silly, but a lot of successful musicals have been adapted from really strange things (such as a comic book artist’s coming-out memoir, a crappy Roger Corman movie, and a collection of goofy cat poems), and I feel like a Jaws musical could be really epic. The story easily lends itself into a two-act structure. The first act is the shark attacks on Amity Island, and the second act is the hunt for the shark in the Orca.

However, the musical wouldn’t make the mistake of putting lyrics to John Williams’s iconic Jaws theme. The theme would obviously be used as a leitmotif throughout the show, but it’s not the type of song that lends itself to lyrics, and I think that would be corny,

So, the musical would play out like this:

ACT ONE:

The movie opened with Chrissie’s death, so the stage show will do the same. The scene will be short and all dialogue, no singing. The shark will also not be seen, but its presence will be implied by the music, lighting, and Chrissy’s acting.

First song: “Welcome to Amity Island.” Functions as an intro to the setting of Act One. The tone is joyous and celebratory as the islanders welcome the flood of tourists that always come in the summer. A big portion of the song is sung by Mayor Vaughn as he sings about what a wonderful vacation spot Amity Island is. We also meet Brody, and a dark undercurrent is introduced to the song as he finds Chrissy’s mangled body.

Brody, of course, takes steps to close the beach right away, but he’s stopped by the Mayor, who sings the second song, “Summer Dollars,” where the Mayor insists that closing the beaches is bad for the town and that Brody shouldn’t be causing an unnecessary panic and causing hysteria that could drive tourists away. Brody tries to argue back but in the end, Vaughn has his way.

Brody returns to the station, apprehensive about keeping the beaches open. Here, we’re introduced to Brody’s wife, Ellen, who saw no problem with visiting him at work since nothing ever happens on Amity Island. Brody expresses his uneasiness, but Ellen assures him that his fear of the water is making him overestimate the danger. This gets Brody’s coworkers curious, so, with a little prompting from Ellen, Brody sings his first solo, “Drowning,” about his fear of the water. In the song, Brody sings about a childhood incident where a bully held him underwater at a public swimming pool. Not only did this give him a fear of water, but the bullying he received as a child is what set him on the path to become a cop, since he wanted to be able to protect people from suffering the same mistreatment he did. However, he moved from New York City because the working environment there was unfriendly to cops who wish to protect and serve instead of, well, being typical American cops.

Next song: “Blue Sky” Just as the Mayor wished, the beaches are open, and summer is in full swing. Brody is there with his family, anxiously keeping an eye on the water. The rest of the ensemble doesn’t share his anxiety, however, as they frolic and play in the sun. Brody is jolted to his feet several times by the sound of screaming, but it’s always a false alarm. However, the mood turns scary as we segue into the next song:

“Shark!” - While out swimming on his raft, young Alex Kintner is attacked and eaten. Brody sees it and screams the title of the song. It’s pandemonium as people rush out of the water, and the song is fast-paced and chaotic. However, it ends on a mournfully quiet note as Mrs. Kintner calls for her son. (”Alex? Alex!?”)

Quick scene transition, and we move immediately into he next song, called “Something Must Be Done.” Here, at a town council meeting, the townspeople argue back and forth about what to do about their shark problem. I imagine the music here sounding like the “Mayor’s Meeting” theme from The Legend of Zelda: Majora’s Mask. Brody argues strongly in favor of closing the beaches (in song, of course), but he is shut down not only by the Mayor but by the rest of the townspeople, who still rely on the income brought in by the tourists. People throw around various suggestions, with one woman finally declaring that she’ll reward whoever catches the shark with three thousand dollars. The song descends into a cacophony as people argue over each other.

The noise is interrupted by the screech of nails on a chalkboard. It’s Quint who sings the titular song, “Jaws,” as he sings about his job as a shark hunter and how dangerous sharks can be. (”Those jaws will swallow you whole. / A little shakin’, tenderizing’, down you go.”) He offers to kill the shark for ten grand, not three. The woman who made the offer balks at the high price, and the Mayor explains that kind of money isn’t in the budget “right now.” Quint takes it in stride and tells everyone they’ll know where to find him if they change their minds. He’s supposedly addressing the room, but he looks right at Brody as he says it. He can tell Brody is the only one who will actually listen.

Many sailors of various aptitudes come to Amity Island, hoping to catch the shark and cash in on that three thousand dollars. Among the new arrivals is Hooper, who introduces himself to Brody as a marine biologist from the Oceanographic Institute. Hooper sings his intro song, “Beautiful,” referring to his views on sharks. Hooper recounts how he was bitten by a shark as a child, but instead of coming to fear them, Hooper walked away fascinated by them and now views sharks to be beautiful creatures. However, the song takes a somber note as Hooper is brought in to examine Chrissie’s remains, and the word “Beautiful” is shifted from referring to sharks to referring to Chrissie when she was alive. (“She was just a kid. / So much of life to live. / Now, bits and scraps are all that’s left. / Of a girl who was once so beautiful.”)

“Hell of a Fish” - The fishermen succeed in catching a large tiger shark, presumed to be the shark that killed Alex and Chrissie. Brody joins in the celebratory atmosphere, but Hooper examines the dead shark’s teeth and is convinced they’ve got the wrong fish. The Mayor and the fisherman who caught the tiger shark argue that this is the shark that’s been causing the trouble, while Hooper argues back that it’s definitely not. Hooper angrily demands that he be allowed to dissect the shark to confirm whether there are human remains inside, but Mayor Vaughn rejects his request. He doesn't care if they’ve got the right shark. He doesn’t believe a third attack will happen either way. (”We’ve got a hell of a fish to show. / And shark attacks are pretty rare, you know?”)

This song is interrupted by the entrance of Mrs. Kintner, in funeral attire, who goes up to Brody and slaps him. She then sings “My Boy Is Dead,” a slow, tragic lament about her son, Alex. (“He was just a boy. His whole life still ahead. / Now, I’ll never know what he would’ve been. / Because my boy is dead.”) Mrs. Kintner blames Brody for not warning the town after Chrissie’s death, and Brody takes the blame to heart. The song ends with a callback to “Hell of a Fish,” as Hooper bitterly remarks that he hopes Mayor Vaughn is right about the tiger shark being the culprit, otherwise there’s a “hell of a fish” still out there somewhere.

“Cloud on the Horizon” - Song is kicked off by a TV reporter, who delivers a brief story to the audience about the recent shark attacks on Amity Island. The holiday-making resumes on Amity’s beaches, but people are more nervous than before, The ensemble sings amongst themselves about whether they should go in the water. They finally do so with a little encouragement from the Mayor. Meanwhile, Brody encourages his son Michael to stay in the shallow pond.

“Shark! (Reprise)” - A shark fin is spotted in the water, and the ensemble takes up the alarm, scrambling while frantically singing a reprise of “Shark!” However, the alarm dies down when the fin is revealed to be a fake worn by a swimmer. However, a lone woman takes up the cry again as the shark is spotted swimming toward the pond where Michael is. The music ramps up as the shark takes down a boater mere feet away from Michael, and the audience gets their first clear view of the shark.

“Red Sea” - The song functions as a reprise of “Blue Sky,” but also contains musical elements from “My Boy is Dead.” Brody pulls his son Michael out of the water, unsure of whether he’s still alive. Luckily, Michael is only in shock. Ellen runs to call for an ambulance. As he waits by Michael’s body, Brody sings his second solo, loudly berating everyone in town, including himself, for allowing this to happen three times. All of the beachgoers, including the Mayor, are cowed by his song.

“(Can’t Find) a Good Man” - This is the first song between all three crew members of the Orca. Brody goes to hire Quint to kill the shark, agreeing to pay whatever he wants. Quint knows he has Brody by the balls and keeps upping the price, demanding additional payments like various kinds of booze and a color TV in addition to the ten thousand dollars. Brody agrees to all of it, but Quint’s one crew member refuses to go out after the shark, so Quint fires him. Hooper and Brody volunteer to go along, but Quint is reluctant to bring them aboard. He contemplates whether he should go alone, since Hooper and Brody will be useless on deck. Hooper loudly argues that he's qualified and “doesn’t need this working class hero crap,” but Brody is more gentle and persuasive. He reminds Quint that his own son was nearly killed by this shark and feels he owes it to both his family and the town to help in whatever way he can. Quint is won over by Brody’s humility and agrees to take them both on.

“Farewell, Amity Island” - Reprise of “Welcome to Amity Island” and the Act One Finale. Like “Welcome to Amity Island,” this is a huge ensemble number, this time centering around the Orca’s upcoming departure. Several characters come to see the ship off as Quint yells at Hooper and Brody, including the Mayor and Ellen. The Mayor apologizes to Brody (“I know you’re angry. You have every right to be. / My own children were there in that same red sea.”), where Ellen bids a tearful farewell, knowing she might never see Brody again. Brody’s sung farewells are intercut with a spoken back and forth between Quint and Hooper, as Quint snarks at everything Hooper does. The song also contains instrumental traces of “Spanish Ladies.” Brody and Ellen’s embrace is broken up by Quint as the Orca shoves off.

ACT TWO:

After the act two opener (which is an instrumental of “Jaws,” the song Quint sang earlier), we return to the Orca where Quint fishes off the stern, loudly singing “Spanish Ladies” a cappella. It sounds pretty good, but he’s interrupted by Hooper, who yells that he’s been listening to Quint sing for three hours and can’t take it any more. Brody has no choice but to listen to the ensuing back and forth as he chums the water.

The childish behavior is interrupted when Quint gets a bite. He's convinced it’s the shark, but Hooper, still annoyed with Quint, believes it’s some kind of sport fish. Hooper begrudgingly goes to help Quint pull in the line, but a moment of inattention causes the line to snap.

“City Hands” - Quint berates Hooper for losing the shark and trying to tell a professional shark hunter how to hunt sharks. Their animosity finally erupts into an angry duet as they hurl very personal insults at each other, with Hooper calling Quint a drunken, senile sea dog, while Quint berates Hooper for being a coddled, privileged city boy. Their musical fight looks like it’ll get physical when Hooper snatches the beer Quint was drinking out of his hand and chucks it into the ocean. Luckily, Brody breaks it up, pointedly reminding them why they’re here and that they don’t need to be at each other’s throats when the shark will gladly do that for them. Quint sheepishly apologizes to Brody and only Brody. Hooper likewise backs down.

Brody returns to chumming the water only to toss a shovelful of chum directly into the shark’s face. The shark is right beside the Orca, and it’s huge. There is an instrumental score but no singing as all three men work together to try and bring in the shark. The shark seems unfazed by all the bullets and harpoons they shoot into it, but they manage to attach one barrel to the shark. Quint is satisfied that the shark will tire itself out with the barrel attached and that all they have to do is wait it out. Brody is all for returning to shore and calling the Coast Guard, but Quint ignores him.

Scene transition, and we’re in the ship’s cabin that night. All three men are staying up to wait for the shark, and they’ve had a bit to drink. Quint catches Brody examining the rope burn he got on his hand earlier in the day and reassures him that it won't leave a permanent scar. This segues into the duet “Something Permanent,” as Hooper and Quint compare scars. The tone isn’t angry and harsh as before but jovial and upbeat. Clearly, the earlier animosity is forgiven.

“Those Eyes” - This is Quint’s solo about the sinking of the Indianapolis. Brody asks Quint about a scar on his arm that he hasn’t mentioned. Quint offhandedly mentions it’s a tattoo he had removed. When Hooper makes a joke about it being a “Mother” tattoo, Quint informs him it’s actually for the U.S.S. Indianapolis. Hooper clearly knows the story, but Brody doesn't, so Quint tells it. The song is slow and eerie. The words “those eyes” are used to refer to both the sharks’ eyes and the eyes of his crew mates as they were devoured or lay dead in the water. Quint sings that he still sees those eyes looming up at him in the dark of the night. He then catches the looks on Brody and Hooper’s faces and chuckles darkly, telling them not to look at him with “those eyes.” After all, they delivered the bomb. No one comments on this, but all three men have now sung their backstories at some point in the show.

Hooper quietly starts to sing “Show Me the Way to Go Home.” The other two join in. Their singing is interrupted by the shark ramming into the ship.

The crew scramble back on deck. Quint, his mind still swimming in the memory of the Indianapolis, wildly fires a rifle at the shark, but he only succeeds in driving it away, Hooper goes belowdeck to assess the damage. The ship can still run, but it’s struggling. Brody loudly advocates returning to shore, but Quint refuses.

The shark returns, leading to the next song, “Barrels.” The song has a lot of dialogue and instrumental but also functions as a reprise of “Something Permanent,” as Quint gleefully proclaims his intent to leave “something permanent” on the shark. The crew manages to attach three barrels to the shark, but they lose track of it again.

Quint decides that since barrels and weapons don’t seem to be working, and the ship is only becoming more damaged, that the thing to do is lure the shark back to shore and drown it in the shallow water. Hooper warns Quint that he’s overtaxing the engine, but Quint only leans harder on the throttle. The engine gives out.

Brody goes to the radio to call the Coast Guard for help but is shocked when Quint smashes the radio with a baseball bat before the message can get out. This leads to an even angrier reprise of “City Hands,” now with Brody insulting Quint instead of Hooper, calling him “certifiable.” Quint shouts more than sings that he can handle it and he doesn’t need rescuing “this time.” The song shifts to the slower, gentler melody that was used when Brody calmed Hooper and Quint before as Quint tells Brody he vowed that would never be helpless in the water again. Both Brody and Hooper, who was heard the entire outburst, are struck silent.

“Beautiful (Reprise)” - Hooper somberly volunteers to be lowered into the anti-shark cage. Brody argues against it, but, for once, Quint is willing to hear Hooper out. Hooper sings about how putting himself in harm’s way is his only chance to the tune of his intro song, “Beautiful.” Hooper then admits that Quint is right, he hasn’t been through what Quint has, but he’s willing to try and prove his worth. Quint and Brody realize they don't have much choice and agree.

Hooper goes into the cage. Brody takes Hooper’s glasses, and Hooper gives them both one last look before he puts on his mask and goes under.

“In the Cage” - Instrumental. While below the water (which is just another part of the stage covered in blue spotlights), Hooper tries to attack the shark with the syringe on the end of a spear, but he drops it. The shark begins to break its way into the cage, but Hooper manages to escape and hides behind some rocks, apologizing to the men above for failing.

Quint and Brody, of course, can’t hear him, nor can they see what’s happening below. Quint and Brody pull up the cage to find it mangled and empty. Brody is devastated, thinking that Hooper is dead, but Quint seems to be truly unraveling. He sings a shaky reprise of “Those Eyes,” this time obsessing over the look Hooper gave them before he went under. He frantically recalls that he saw the same look on the faces of his crew mates after the sinking of the Indianapolis. Tragically, the song also functions as a callback to “My Boy Is Dead.” (”It’s far too late for me now to take back the things I’ve said. / They’ll haunt me ‘til my dying day. / Because that boy is dead.”)

“Quint’s End” - Instrumental, spoken dialogue. Quint can’t get the last image of Hooper out of his mind and begs him to stop looking at him like that. Brody is alarmed as Quint’s pleas to Hooper change to pleas to his dead crew mate, Herbie Robinson. Quint has slid into a full-blown PTSD flashback. In his mind, he’s back in the waters of the Pacific thirty years ago, surrounded by sharks and dead crew mates. Brody tries to calm Quint down by reminding him where he is, but at that moment, the shark leaps onto the stern, and the Orca lists backwards. (In my head, the Orca set is on some kind of platform that can be raised at an incline.) Both men begin to slide toward the waiting jaws of the shark. Brody manages to grab onto the door frame leading into the cabin. He tries to hold onto Quint, but Quint slips out of his hand. Quint tries to fight back against the shark, but with a sickening crunch, Quint falls silent. The shark retreats with Quint’s lifeless body.

“Smile!” - Payback time. The Orca is sinking fast, and Brody knows that if he ends up in the water, it’s game over. Brody manages to ward the shark off with one of Hooper’s scuba tanks. The shark takes the scuba tank into its mouth, giving Brody the chance to climb onto the mast with Quint’s rifle. The music ramps up in speed and intensity as the shark closes in. Brody’s singing ramps up to match as he fires at the shark again and again, reminding himself of his promise to protect others and vowing that this shark will never kill anyone again. Then, with a final, bombastic, “So, smile you son of a bitch!” he gets a hit on the tank, and the shark explodes. He whoops and hollers as the music swells.

The finale instrumental is both sad and sweet. The sinking mast deposits Brody in the water. Hooper surfaces besides him. They laugh together, relieved that it’s over. Hooper asks about Quint, but Brody only responds with the single word, “No.” Hooper and Brody are close enough to paddle back to shore, so they do just that. As they set off, Brody begins to sing, “Show Me the Way to Go Home.” Hooper joins in. The curtain falls.

#jaws #the musical #i spent way too much time on this #steven spielberg #martin brody #matt hooper #quint #ellen brody #mayor larry vaughn #fan fic #what if #long post

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popculturebuffet · 4 years ago

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Ducktales Comics: Spies Like Us and Dime after Dime or Weblena: The Preschool Days (Lena Retrospective) (Comissioned by WeirdKev27)

Hello all you happy people and welcome back to Shadow Into Light, My Lena Retrospective, which fittingly has now come to Women’s History Month! I sadly do not have anything besides this arc prepared for the month. This month is pretty packed for me with two shows a week to cover, as while there’s only two weeks of Ducktales left final space starts up right after to take it’s spot, two arcs to cover, and two time specific movie reviews: animal crossing the movie and the 1990 TMNT film. I will try to get more than the currently planned top 12 superheroines list out there... but this month is very tight as is, so if I do not I deeply apologize.

Now that’s out of the way, it’s appropriate we start Women’s history month on some likely lesser known parts of Lena’s history, with some comics stories focusing on our faviorite emo lesbian duck and her 87 counterpart. Before I get started on that though Kev my patreon pointed out something intresting a few weeks back i’ve been forgetting to get to and since we’re looking into Minima, I felt this was the perfect time to do so: Lena’s Concept art.

There’s quite a few things to gleam from this. For starters as pointed out in the reddit thread I got the image as a whole from this was made in 2015, meaning Lena was one of the first new characters designed for the series and was part of it from the VERY early stages, as evidenced by the fact that despite clearly having their new personalities established, Beakly and Webby still had the old designs.

The other notable change is that her first design was way more like both Magica nad Minima, a bit more modern, but clearly far more obvious who she was related to. She also had all black feathers making the shadow twist a bit more obvious and was likely done away with both to avoid giving that twist away, the same reason for the fake lestrange name, and to avoid accidently black coding her, as while Lena being black would’ve been intersting, it also would’ve invited a firestorm of controversy given that their one black character in season 1.. woul’dve started off as a homeless, manipulative antagonist, and none of that would play well nor was it something the progressive crew of this show couldn’t spot from a mile away. And even this early on they have an almost final design ready, simply changing the shirt to fit her personality more, and her hair to be pink because it honestly looked better She also had green eyes throughout, but for whatever reason they phased them out. That part I don’t quite get as they look nice but probably they were hard to translate to the reboot style once they settled on their own. Her purple eyeshadow and haircut though have stuck since and were good calls.

One last VERY obvious note.. Webby was gay for Lena from minute one. While Dana helped it is now VERY obvious they gay coded this relationship from the design phase, and the crew was entirely aware the whole time and I gave them less credit than I should have. They clearly had this in mind, and it’s very likely ONLY subtext because Disney, while making more and more progress, is very reluctant to have queer characters as Owl House was a struggle and since they have a tighter leash on properites based on the sensational 6, that means Frank knew they had the same odds of making Webby or Della queer in anything but subtext that a pig has of suviving in a slaughterhouse. I bring this up because I fear the series getting accused of queerbaiting somewhere down the road instead of doing what they could with a bad hand and hoping they could make the show as gay as they could. Penny is as out as they posisbly could get her, and Violet and Lena’s dad’s got a full apperance, if no speaking role that made it obvious beyond a shadow of a doubt their gay and did it in a plot important episode. So they did their best and I want them to get credit for that.

But while this is all intresting stuff, join me under the cut for the meat of today’s review as I dig into Lena’s only apperance in the tie-in comic that was never punished here, and the only apperance of her protoype Minima.

Spies Like Us: As I mentioned this comic was never published here which is doubly weird to me because of how I knew this story existed. Since I follow comics weekly and buy trades reguarly, I read the solicits companies put out eveyr month to see what new series are coming, what the ones i’m currently reading are doing, and what trades are coming out. That sort of thing, and it’s something I love. I know their basically adds.. but their well put together adds that really pull you into the books you like. The big two and the indies are all very good at it and sometimes i’ts the only way to know a comic is coming if the company dosen’t make a press release for it ahead of time.

So naturally given there are several comics I follow at idw, paticuarlly the TMNT comics, I read those solicits and found they were going to do an issue with Webby and Lena becoming spies, and was excited about it. I ended up forgetting about it and never really followed the Ducktales comic as it came out, and upon reading an issue or two recently, one for another comission by kev as one story, happy happy valley, was particularly terrible. For those who haven’t read the story or my review, it involved the family getting stranded on an island where their forced to partake in activites and smile..that somehow turned into an aseop about Louie wanting to be rich. It ended with this

Yes.. really. That actually happened. But even with this, I fully planned to cover the issue when I covered Lena, and brought it up to Kev when he commissioned the retrospective. He gave me the discord equilvent of a blank stare and had never heard of it. I soon found out why: the story was replaced as, and fair play to disney, it spoiled Beakly’s past from the agent 23 episode which wasn’t going to air in time. What dosen’t work is they never reprinted the story in The US.. didn’t put it in a future issue and just swap it’s place didn’t put it in the nothing. And the story was fully complete as we’ll see, with a cover and everything so they had no excuse whatsoever to NEVER use it, even with what happened to Lena in the season finale, this clearly took place before that and it was weird to just shelve it because of that. But thankfully when a bunch of the stories were reprinted overseas, this and another one, also webby centric got published overseas. But not in english.

Lucky for me, I was able to find an english translation of an english story which you can read RIGHT HERE. It was translated by @neopuff and I thank them for it as without them this review would not be possible and want to give them all the credit. So was it worth all their hard work translating it? Well let’s take a look.

We begin at the Manor where Lena is skulking around suspiciously.. though it turns out she and Webby are just playing hide and seek. Though Lena accuses cheating. The dialouge here is pretty flat though that’s not Neopuff’s fault at all. As I can attest from reading other stories a lot of the early IDW comics are just this flat in dialoguge no matter the writer as they were likely given character descriptions and basic info about the show they likely had written up for merchandising and Frank and Co were given no involvement and likely weren’t made avaliable to consult on the comics to help them be a bit more fleshed out. It’s very obvious to me Disney just tried to get these pumped out so they’d have a series in stores to tie in without carring about qualities and given Scrooge debuted in comics, their lack of care toward that side of things in general, but especially in the first american published original duck comics in a while, bothers me a lot. It’s inexcusable.

That being said the story isn’t half bad nor is the setup as the two hear a beeping and find it’s Beakly’s phone going off with a mysterious message from Q, Webby thinks she’s been reactivated, and is encouraged by Lena to go look after her while she stays along. While Webby says in response

It just feels grossly out of character for both. Lena is far more subtle about manipulation as shown five minutes ago and Webby blindly trusts her. Because she has a massive crush on her and is naïve about how the world works. It just seems very odd of her to get suspicious as she never does on screen, and again it comes off as Disney having barely given the writers any materials on them when i’m sure Frank or Matt would’ve been happy to write up a thing for them to help outside of the usual press materials they were given.

Though hte last line isn’t all that out of character and has an obvious answer as within a jumpcut Launchpad’s taking them to London and is told to blend in.. which he does with an australian flag and accent.. good gag.

So our heroines do some heroic breaking and entering and look for the package, but soon find while hiding it’s already in transit.. and had obvious bows on int. Whoops. Our heroes trie the old follow tha tcar bit and refreshingly, it dosen’t pan out as the guy stops and tells them to get out. A nice twist. Unable to follow, our heroes instead find launchpad lost, as his map is upside down

So Lena dares him if he can follow that plane, a nice bit of character for both. I will give Joe credit. While the dialouge’s a bit flat and there was that out of character moment.. for the most part he does nail the actual character down and does use it decently enough. He’s just not given enough page room or actual details to work with is all.

So while our heroes follow they end up having to crash as they run out of fuel.. lucky their with the expert but end up near home where the package is delivered to. Turns out this wasn’t a spy thing, this was just a thing with her aunt. That’s fine and a nice gag.. it’s just ruined by just sorta.. ending. Lena leaves disapointed and Beakly scolds webby for “playing spy” and she’s sad. That’s it that’s how it ends. Which dosen’t fit the characters, as while Beakly would defintely scold her, it just dosen’t FIT that she’d be that tearse or not appricate the effort or give her an actual lecture and it feels like Joe had no idea how to end this after the gag and just.. ended it.

Final Thoughts for Spies Likes Us: This was okay. It is a bit of a disappointment as for the only story not available.. i’ts just okay and not really above an average Ducktales comics story, with some nice character bits but feeling a bit weak overall, as do at least the first half of the idw comics. I haven’t read the later stuff to see if it got better. It’s worth a read if you like Webby and Lena as characters and it’s not BAD, it’s just not anything impressive and is a simple hyjinks filled misunderstanding story.

Dime After Dime:

So now we go back a bit to the original. I didn’t do these in chronological order because frankly, Dime after Dime is the better story of the two and the bigger one at that, so I have more to work with here. But the original also had comics and honestly from the few i’ve read much BETTER comics. I chalk this up to two things: The Ducktales 87 comics seem to have come out AFTER the series was already a hit, and since Ducktales is pretty close to the original uncle scrooge comics minus it’s own tweaks here and there, it’s easy enough to just write the stories like you would a regular uncle scrooge story, just with Webby and Launchpad added, whereas the idw writers were staffed with writing for all new versions of the characters with noticable differences without much to go on. It’s why to me with tie in comics you have two options: Wait long enough so you can put your story inbtween the episodes like the Steven Universe and Regular Show comics did or just make your own continuity entirely like the Adventure Time Comics and the Archie TMNT Adventures series did. The ONLY time i’ve seen a comic work like this is the Bravest Warriors comic, which had a talented writer and fit well enough in the margins until it sadly ended.. and honestly is BETTER in some cases than the series. I might get to it someday. The point is this comic shows why you need to have a deft hand adapting something instead of just falling your arms about and hoping it’ll work.

So today’s comic was part of some Disney Series called cartoon tales, which clearly repackaged comic stories from wherever, and put them together. I don’t know much about it and the only other issue avaliable collects the disney adventures adaptation of “Just Us Justice Ducks”, which I might cover at some point. This book does have two other stories which i’d be happy to do on comission or on my own at some point, one involving gladstone the other gizmoduck, but for now, i’m just sticking to the title story and the reason you all came here.

So we open with Magica gazing into her crystal ball from her Mt. Vesuvies base saying that Scrooge will never know what hit him I know exactly what and who wiil hit him thank you very much.

Scrooge is seeing Webby off to her first day of day camp, getting all teary eyed which is touching. Beakly apparently goes with her as the story never SAYS Sshe does but she’s not also not around when the story moves on, as Launchpad says it looks like rain. Scrooge dismisses him, though Launchpad turns out to be right. Scrooge had good reason for once though, instead of just being a dick good on you comic for making me not want to punch him in the face, trust me that is a high bar to clear with the scrooge comics, as the weather was fine just a minute ago. Naturally it was Magica All Along! Nothing scrooge can do now that eveyrthing has gone wrong! Her entrance though is sadly not a catchy earwormy tune, but .. this confusing line

I think your thinking of Gladstone. And he’s still single so.. have at that but no Scrooge is the one who values hard work over anything else and brags about THAT or being rich. I .. I don’t get this line and frankly I don’t want to. Even in stories where the dime is supernaturally lucky and the source of his wealth he dosen’t boast about it because he’s not stupid and dosen’t want everyone knowing how to bankrupt him instantly. This line will baffle me until I die, presumably, given my life’s tragetctory, after reviewing an episode of mighty ducks and slipping on some a jerky wrapper.

Scrooge asks what she wants...

No this isn’t that kind of story sadly. Her plan is to.. zap the bin with lightning and take the dime. Really just went with your first draft didn’t you magica? But as stupid as this plan is Scrooge has prepared for it. He installed a lightning rod on the bin to save on power, and to power his new super soaker traps. So all Magica did was save him money. She flies off and nothing is acomplished.

So we get back to Webby at the Teenie Weenie Day Camp.. and just so you don’t think that was a terrible joke on my part...

My theory for how this name got approved at all is the editor KNEW how that sounded and just wanted to see if Disney would actually print a comic with the phrase Teenie Weenie without getting what it means in slang or how hilariously inapproriate it is to namme a children’s camp after it.

Your probably wondering who that grown woman calling Webby a dweeb is. Well story wise, she’s SUPPOSED to be another kid at the camp around Webby’s age. In practice, she looks like THIS in closeup

So it looks and plays like a 30 year old woman snuck into the day camp and no one’s noticed she’s not actually a children. Or their just humoring her because she had a week to live. I don’t know. I do know she doesn’t get to judge on names.

Snippy Von Glitz, proof rich people really do hate their kids and this this comic is trying personally to give me material. Snippy is your average alpha bitch, taking a chair from Minma and being obnoxious and classist and all that jazz. Minima gets hers back by making the chair bouncy then returning it to normal so Snippy gets in trouble when she makes up things about the chair, with the lady in charge getting ready to call her Dad. You cannot convince me that her “Dad” is just what she calls her husband, this is how they both get off, and that the lady at the preschool only tolerates it because they pay her a lot and so far the kids haven’t noticed Snippy is 30. Webby likes minima finding her name pretty, proving that the ho yay is alive no matter the webby and magica relative, and Minma returns the favor by saving her from a block.

Minma is reluctant to make an actual friend, finding they aren’t worth anything and given most of the kids here apparently pick on her and her aunt is well.. Magica, it’s understandable why she’d be so cold. But Webby presses on and says something from Scrooge about friends. Which given Ducktales scrooge has none goes weird but it gets Minma to find out she knows and lives with Scrooge, so she cons webby into taking the dime for show and tell, showing that she can manipulate them with her powers, and that he won’t notice it’s missing, getting her with “I thought you wanted to be friends”

So let’s pause for a second and compare and contrast the two: Both are the niece, or at least sorta in Lena’s case, of Magica, both manipulate webby, and both are her first real friend: The 87 boys are little monsters and I don’t consider them friends or even brothers, while the 2017 ones are just that: brothers. Their her siblings in all but blood, not friends and have hteir own long complicated history.

But otherwise the two are vastly different. Lena is a far more complex character as she’s been abused her whole life, is a rebel because Magica hardly gave her agency, and while she starts wooing webby out of self interest it’s clear even as far as the first episode she cares. Lena would gladly be part of the world if she could and this whole scheme is to gain that choice.

Minma is still sympathetic but very different: She walls herself off because the other kids laugh and mock her for being herself and lashes out at them.. not unreasonably mind , but still feeling she needs no one else.. but as we’ll learn later she’s only helping Magica to finally feel accepted, to get all the fancy clothes and stuff that will make her popular instead of that grown woman masquerading as a kid for disturbing reasons. Minma is at her heart just a hurt kid desperate to fit in. And while Lena shares the desire for a place to belong.. it’s at it’s core much sadder. Lena.. wants a family. Someone to love her and to care about her and actually look after her. Minma has that she just wants to be loved. it’s similar but very diffrent and I can see why Lena evolved into what she did, as Frank and Matt ended up going in a far darker but ultimately more interesting direction. Minima is not a bad character at all though and without her I don’t think we would’ve had Lena, but at the end of the day the 87verse is just not that complicated, so the reboot needed something more and that more evolved into who we have now.

Both kids excitedly talk about their new friends, with their respective guardians being distracted. Scrooge is distracted by the fact his car is a bit bumpy and Launchpad offers to fix it up for free with some parts from a buddy, which given the sentence “This won’t cost you anything” makes him erect, Scrooge agrees. Magica meanwhile, whose watching Minima while her mom is away which raises a LOT of questions we don’t have time for like who she is, is she’s poes wife or does Magica have other siblings... it’s a lot of questions we’re never going to get answers to.

The next day Webby got the dime easy as Scrooge was distracted. so Minima swaps them while she’s distracted. But while swiping it was easy, which to be fair Webby is likely approved in his security so it woudln’t match her.. or the story just needed to progress. You make the call.

Magica does the logical thing and goes and get sthe dime and the story ends there.. and i’m shitting you, she of course brags to scrooge, reveals minima as her spy, and offers to RACE him for it shortly after he realizes he has a fake.

The only major flaw in this story is Magica’s overconfdience, which isn’t BAD persay, but here has gotten to dumbass proportions. She just can’t plan for anything and a CHILD has a better plan than her that only dosen’t work for reasons we’ll get to. And that plan is almost ruined by Magica taunting scrooge!

So a race is on but Launchpad has transformed Scrooge’s old Model T into this

Damn that’s cool. Scrooge of course dosen’t like it, but honestly you get what you paid for. Oh that’s right you paid nothing for something you NEED to use every day for transportation.

At the rickity thickity bridge, Steve Buschemi’s worst roll and her minion ask Webby to roll with them and Minima mistakes this for betrayal planning to soak them all.. only for Webby to DEFEND HER, pointing out minma’s her friend, how she dresses is fine and she loves her no matter what.. the last part’s implied. The 30-year old asshole and her minon leave Webby and Minma is genuinely touched, as no one’s done that for her before. She put up so many walls... she didn’t realize someone could ACTUALLY care about her, so obessed with thinking she had to be like that soccer mom in preschoolers clothing, she just had to be herself: kinda werid but in that fun adams family way. Webby says she knows Minma would do the same.. so while she prepares to let’s get back to the race. Magica realizes Launchpad’s roadster is actually gaining and spreads some tacks, but Scrooge counters with some money.. because of course he has a lot of money in the trunk. But Magica takes out the bridge and while scrooge awesomely JUMPS IT... he’s still too late.

As you probably guess though, Minima had a change of heart, and gave Webby the real dime back, and Scrooge confirms it. Minima TRIES to tell Magica, and Magica is horrified her niece is a goody goody “I”ll never hear the end of it at my astral aerobics class”.. I.. I want to see that. Let’s raise those spirit ladies and kick kick that soul, doge that shadow king punch them in the soul. Yes! Now eat it eat it and absorb it’s power!

We end on a button joke as Webby apologizes for taking the dime., Scrooge accepts it and Webby tells them magica learned to carpet and they gulp for some reason.

Final Thoughts on Dime after Dime: This story was decent. It has problems, some jokes don’t land and Magica is made horribly incompetent, but minima’s character arc is endearing, and Webby herself is precious as always and her winning Minima over feels genuine. And Scrooge is in prime adoring uncle mode with her and i’ts just so cute. And the roadster race is pretty awesome to watch honestly. It’s an exceptional and enjoyable tie in story.. and not the last ducktales 87 story we’ll be covering here. Wink wonk.

Next Time: Things get DARK as Lena and Webby head into the depths of Scrooge’s hidden bin and Lena heads into the depths of her own soul.

Tommorow: Woo-Ooo mofos as we go back to the very beginning of the reboot! A family restored, a lost city to explore, and a glomgold rises! Be here or be square.

#ducktales #ducktales 1987 #webbigail vanderquack #lena saberwing #weblena #minima de spell #magica de spell #bentina beakly #launchpad mcquack #scrooge mcduck #dime after dime #spies like us #idw #comics #animation #shadow into light

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aion-rsa · 3 years ago

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The Walking Dead Season 11: Who Lives and Who Dies

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This Walking Dead article contains major spoilers.

Many of us thought this day would never come, but as all of The Walking Dead‘s characters know very well, everything that has a beginning has an end. Season 11 of AMC’s flagship zombie drama will be the show’s final run of episodes, but fortunately it’s an expanded season. Fans will get 24 more episodes, broken up into three parts, before the show — and a few of its characters — meets its end.

And it wouldn’t be a season of The Walking Dead without a few big deaths along the way. As we have in past seasons, we’ve made some predictions regarding who will bite the bullet in season 11. For the final time, here are the characters we think are on the chopping block and the ones we believe will live on to remember them after the credits roll on the series finale.

Keep track of all The Walking Dead season 11 deaths below:

DEAD

Roy (C. Thomas Howell)

Prediction: Dies

Result: Dead

Roy took an arrow to the face during a Reaper ambush.

Gage (Jackson Pace)

Prediction: Dies

Result: Dead

Gage stabbed himself in the chest twice, attempting to kill himself before being devoured by walkers in a train car. Zombie Gage was then put down with a shot to the head by Gabriel.

ALIVE

Pope (Ritchie Coster)

Prediction: Dies

I’ve never seen a guy more likely to die in the first half of a Walking Dead season than Pope, the leader of the show’s newest villains, the Reapers, who themselves strike me as filler villains for Maggie and Daryl while the real story at the Commonwealth develops. I assume the Reapers will be out of the picture by the time Alexandria needs to turn its attention to the much larger settlement in the second part of season 11.

Pamela Milton (Laila Robins)

Prediction: Dies

The Governor of the Commonwealth is poised to be the final season’s big bad. A bureaucrat hellbent on preserving the way things were before the zombie outbreak, Milton even established a caste system within her settlement to propagate class inequality. She represents everything that was wrong with the world before the fall of society and the complete anti-thesis of how the Alexandrians do things.

If you’ve read the comics, you know how Pamela’s story ends in Robert Kirkman and Charlie Adlard’s story, but the TV series is known for taking sharp left turns when you least expect it. One thing we know for sure is that the Alexandrians will have to reckon with Pamela’s rule before the series finale.

Lance Hornsby (Josh Hamilton)

Prediction: Dies

A Commonwealth acolyte and bookkeeper of the community, Lance is one of Milton’s chief personnel, helping her run the settlement’s government. He’s also seems like cannon fodder to me as things heat up between the Commonwealth and Alexandria, an early death that could spark a conflict between the two factions.

Mercer (Michael James Shaw)

Prediction: Lives

Mercer is loyal to the Commonwealth but there are more sides to him than his distinct orange military armor lets on. He’s one of the most interesting characters of the comic’s final storyline, and it would be a shame to lose him before we can see his story through.

Elijah (Okea Eme-Akwari)

Prediction: Lives

Elijah made his debut in one of the most WTF moments of season 10 when he rescued Aaron and Alden from the Whisperers. For weeks after his reveal, people wondered who the man in the steal mask could be. When he returned in the final six episodes of season 10, the show just kind of moved on without fleshing him out, which is unfortunate since he looks so cool! I’m going to assume that the series is saving a big Elijah-focused episode for later in the season and that he’s too awesome to kill off. You don’t just introduce a blade expert in a steel mask for no reason!

Virgil (Kevin Carroll)

Prediction: Dies

Virgil has a lot to atone for after kidnapping and drugging Michonne in season 10. At the end of the season, we learn that he’s found a disoriented Connie in the woods. His redemption arc will likely include helping Connie survive on the walker-infested road back to Alexandria. Will that eventually involve a final sacrifice to save her?

Connie (Lauren Ridloff)

Prediction: Lives

Connie’s been through a hell of a lot in the past season. After surviving an explosion, a cave-in, and an entire walker horde, Connie’s made it out of Whisperer territory but is still a ways from home. Expect part of season 11’s story to be about Connie’s odyssey and ultimate reunion with her sister and Daryl.

Lydia (Cassady McClincy)

Prediction: Lives

Lydia was at the center of Alexandria’s conflict with the Whisperers for a season and a half. With Alpha and Beta defeated, and their faction all but obliterated, I have to wonder what Lydia has left to do on the show. That said, the writers have continued to find interesting ways to explore this character, and someone has to live on to lead the next generation of Alexandrians. I think Lydia is in it for the long haul.

Magna (Nadia Hilker)

Prediction: Dies

Magna was sidelined pretty quickly after her introduction. While a reunion with Yumiko seems like the logical direction for her story, The Walking Dead universe is a cruel one. She could be headed toward tragedy.

Yumiko (Eleanor Matsuura)

Prediction: Lives

In season 11, Yumiko is inheriting a major storyline from the comics that likely means she’ll survive the final 24 episodes of the series. Of course, the TV show could always alter that storyline to bring a tragic end to Yumiko’s story.

Luke (Dan Fogler)

Prediction: Dies

It’s pretty wild that Luke has survived as long as he has. A man of the arts hardly has a place in the cruel world of this show, but he has clumsily persevered thus far. But if the writers are planning an especially bloody final season, I’d put Luke on the short list.

Kelly (Angel Theory)

Prediction: Lives

Kelly has been one of the best late additions to the show. It would suck for her to finally reunite with her sister only to meet an unexpected end.

Alden (Callan McAuliffe)

Prediction: Dies

Another candidate for the chopping block. I’m surprised he’s even made it this long.

King Ezekiel (Khary Payton)

Prediction: Lives

Yes, Ezekiel has thyroid cancer, and were he in Alexandria, that would mean his inevitable death. But the Commonwealth is a different ballgame, an advanced settlement in the comics that will likely have the doctors and surgical resources needed to save him. That is, if Ezekiel isn’t caught up in Milton’s caste system.

Jerry (Cooper Andrews)

Prediction: Dies

I love Jerry and don’t want to see the tank with a heart of gold go. But if the season needs an early death that pulls at the heart strings, Jerry is a prime candidate for a midseason casualty.

Father Gabriel Stokes (Seth Gilliam)

Prediction: Lives

Gabriel has evolved so much since his debut in season 5, becoming one of Alexandria’s key leaders. He’s come so far and even survived longer than his comic book counterpart. I’d hate to see him go so close to the end. So I’m just going to say he lives.

Aaron (Ross Marquand)

Prediction: Lives

Aaron seemed destined to die seasons ago, too kind and trusting to survive this long. But here he is, still fighting and surviving. He’s lost the man he loves, his arm, and many friends — and it’s all hardened him into a war machine. It’d be a shame for him to die now.

Rosita Espinosa (Christian Serratos)

Prediction: Lives

In the comics, Rosita’s head ended up on a pike during the Whisperer war, but her TV counterpart has persevered. It’s difficult to predict where her story goes at this point, but since she survived her comic book death, I assume the show’s writers have something in mind for her in season 11.

Eugene Porter (Josh McDermitt)

Prediction: Lives

Eugene has become an unlikely protagonist going into season 11. From a mulleted coward hiding behind his intelligence so that others protect him to the Alexandrian leading his people to the Commonwealth, Eugene is central to the plot of the final season, and I think that means he’s safe. Plus, Eugene is hilarious, and The Walking Dead can always use a little comedic relief.

Judith Grimes (Cailey Fleming)

Prediction: Lives

Result: Lived

NO.

Rick Grimes Jr. (Antony Azor)

Prediction: Lives

Nah.

Negan (Jeffrey Dean Morgan)

Prediction: Lives

I think The Walking Dead is going to end with one last big death, one last sacrifice before the credits roll on the massive zombie drama. Like Rick in the comics, one of the major characters of the TV series will likely become the martyr who inspires change inside the Commonwealth’s walls. Negan would probably be on the short list for this big moment from the comics, a villain finally choosing to do the right thing for a cause bigger than himself, a fitting conclusion to his seasons-long redemption arc. But Jeffrey Dean Morgan recently teased that he was already having discussions with AMC about a potential Negan spinoff after The Walking Dead has concluded, which means the former Savior leader is safe…unless the Negan show is a prequel.

Carol Peletier (Melissa McBride)

Prediction: Lives

This one’s an easy one: Melissa McBride is getting her own spinoff that will follow her character after The Walking Dead series finale. That means she’s safe.

Daryl Dixon (Norman Reedus)

Prediction: Lives

Norman Reedus is joining McBride for that spinoff, so he’s safe, too. The actor even told us what the Daryl and Carol show will be about.

Maggie Rhee (Lauren Cohan)

Prediction: Dies

That leaves The Walking Dead with one logical choice to pick up Rick’s final storyline from the comic. It’s Maggie. It also makes a bit of sense from a logistical standpoint. Lauren Cohan has already left The Walking Dead universe once before to pursue other small and big screen projects. She’s back for the final 24 episodes of the series as a welcome legacy character but that doesn’t mean Cohan wants to stick around for longer than that. I assume Cohan’s returned to bring closure to her character, not to prepare for a spinoff.

Let us know your predictions for The Walking Dead season 11 in the comments!

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miyuki-scourgeofthefirenation · 5 years ago

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Bop to the Top

Oh boy what have I done? I wrote fanfic, that’s what I done. Basically, I was just chilling, minding my business, when I came across this YouTube video:

youtube

I then had an idea for a fanfic that would not let me go until I wrote it. So I wrote it. Please be nice, this is my first time writing fanfic ever. It also became longer than I anticipated so here it is in all its unedited glory. Enjoy! Story begins under the cut, because yikes, why is this over 2000 words?!?

(Set roughly five years after the end of the war. Zuko brought in a special team to help with Azula and her situation, because Zuko is a sweet boy who still loves his sister and wants her to be okay. The comics? I don’t know her.)

Sokka was spending a perfectly pleasant afternoon strolling around the gardens at the palace when he was unexpectedly tackled by someone sneaking up on him. Actually, make that two someones sneaking up on him.

“Ooof,” he grunts as his body makes contact with the ground. Any hope he might have had for regaining his breath is dashed when the two someones who tackled him promptly fall right on top of him as well.

“Sokka!” a giddy voice shouts, followed by peals of laughter. Sokka opens his eyes to find himself face to face with a chirping lemur. The pressure on his back disappears as his two attackers stand up.

“Sorry, sorry!” another voice rings out, reaching down to help Sokka to his feet. “We were just so excited to surprise you!” Sokka turns around to see his sister Katara, and Aang standing there.

“Guess we got a little carried away!” Aang adds with a sheepish tone in his voice that somehow doesn’t match up with the light in his eyes or wide grin on his face. Sokka doesn’t say anything, just reaches out to scoop Katara and Aang into a hug as Momo scurries up to perch on his shoulder.

“I had no idea you were coming for a visit,” Sokka says, releasing the others from the hug after a few moments.

“It was a last minute decision,” Katara explains. “We were charting our course to the next destination on our itinerary, and realized that it wasn’t that far out of our way to stop by here en route. Thought it would be nice to come see you and Zuko for a day or two.”

“And I thought ‘What would be more fun than making this visit?’ Making this a ‘Surprise visit!’” Aang crowed happily. “Hope that’s okay,” he said then, a bit more tentatively, as if it was just occurring to him that maybe advance warning of their arrival would have been a good thing.

“Of course it is!” Sokka beams, “You know I’m always excited to get to see you two!” A slightly angry chirp comes from the direction of his shoulder. “And you too Momo. I couldn’t forget about my favorite flying lemur.”

It is at this moment that two palace guards come running up to the group out of breath. “Master Sokka,” one pants, “Your sister and the Avatar have arrived unexpectedly and wish to see you immediately.”

Sokka exchanges a brief look with Aang and Katara at this obvious statement, but decides not to comment on it out loud.

“We apologize for not leading them here for a proper greeting,” the other guard says, looking somewhat miffed as well as quite sweaty. “But…” He trails off looking at the two visitors, neatly conveying the hesitance of the guards to attempt to stop the waterbending master and Avatar from going anywhere they might want.

“That’s quite alright,” Sokka states, addressing the red-faced guards. “If you could please see to it that appropriate arrangements are made for my sister and Aang to stay here for the next few days. Thank you.” With that the two guards make their bows to the group and depart.

Katara and Aang loop their arms through Sokka’s as they begin to walk towards the far end of the garden. “So,” Katara begins, “how have you been? How’s that Fire Lord fiancé of yours?”

Sokka grins at this. “I’m good, he’s good. Been keeping busy with Ambassador duties, and Fire Lord duties for him. There have been a couple of small uprising plans discovered recently, but nothing like the turmoil of the early days…” he said trailing off. He still didn’t like to remember those difficult months after Zuko assumed the throne, which featured a steady influx of plots to remove him from power and resume the war. Based on the looks on Katara and Aang’s faces, they didn’t like this reminder either. The three quickly shook themselves out of their momentary gloom, focusing back on the present. “I know he’ll want to see you as well, he’ll be so thrilled you’re here!”

“Where is he?” Aang questions.

“He’s spending some time with Azula,” Sokka explains. “She’s been doing really well recently,” he adds after seeing the dubious expressions on their faces. “Ever since we got those new healers in and the new chambers in the hospital wing set up specially for her she’s been showing a lot of improvement. Way fewer rants about taking back her rightful place as Fire Lord!” Katara and Aang still don’t look convinced, and he supposes he can’t blame them for that. If he didn’t live here and see the daily workings of the situation he probably wouldn’t believe it either. “It’s just about time for Zuko to be finishing up with his visit to her,” Sokka says somewhat hastily, eager to move past this particular subject. “I’ll go over and get him, let him know you’re here. Then we can all have dinner together, properly catch up.”

“Great!” Aang exclaims. “Me and Katara should go see about getting Appa settled in, he can be very picky about how he wants things you know!” Katara gave a slight roll of her eyes as Aang bounded off with Momo flying behind him.

“We’ll see you at dinner!” she calls with a wave as she follows her boyfriend. Sokka smiles at their retreating backs. He’s so happy that they’re here, and he knows Zuko will be as well. With that thought in mind he heads off for the hospital wing of the palace.

As he rounds the corner leading to Azula’s chambers he hears something extremely unexpected. Typical noises that can be found in the hallway are soft talking, loud screams about Azula finally breaking free and reclaiming her place, tears, or silence. This is none of those things. This seems to be… music? Sokka is confused, and quietly pushes open the door to the room. He learned the hard way that making his presence known immediately was not necessarily a smart idea. Who knew a hairbrush could be such a powerful projectile weapon?

Sokka instantly freezes at the sight that meets his eyes. Zuko and Azula are in the center of the room and they seem to be doing some sort of… choreographed dance routine? There is an entirely unnecessary amount of jazz hands and shimmying that seems to be happening and Sokka is absolutely thrilled. He breaks out into an unbelieving and slightly wicked smile. This is good, this is just the sort of low level embarrassing incident he can use to tease Zuko for ages. The two dancing firebenders haven’t yet noticed Sokka’s presence, they’re too focused on the dance. The song continues to play in the background, something about bopping and glory. Sokka isn’t paying close attention to the words of the song, the sight in front of him is far more entertaining and deserves his full attention. The song comes to an end, and Zuko and Azula make their grand finale on a ladder (where did they get a ladder from? Sokka muses briefly). It is only then that Sokka makes his presence known, by beginning to clap. He knew that they would instantly stop dancing if they were aware of him earlier, and he was not about to sacrifice seeing this for anything. The two whirl around at the sound of his clapping, as well as the muffled laughter he’s been holding in this entire time and is starting to lose control of.

Zuko flushes red. “How long have you been standing there?” he asks, a slightly panicked look in his eyes. He knows his fiancé, and he knows full well the amount of teasing he can expect to get from this sort of situation. At this point he can only hope for the damage to be minimal, and that Sokka didn’t see too much of the routine. He knows he’s lost when he sees the evil gleam in Sokka’s eyes.

“Oh,” Sokka laughs, “I’m pretty sure I caught most of that, and let me say I am very happy I did. When can we expect to see performances of it in the theaters around town? Personally, I think all Fire Nation citizens should have a chance to witness that. It would probably be very good for morale.” He crosses his arms and grins at the siblings, who have since come down off of the ladder. Surprisingly Azula hasn’t said anything yet, and has kept her face aimed downwards towards the floor. Both Sokka and Zuko dart their gaze to her, somewhat nervously gauging her reaction.

She looks up abruptly, her gaze moving back and forth between the two. A small smile spread across her lips. “What do you think Zuzu? A couple more months of practice before our grand debut?” Zuko looks shocked for a minute before getting his expression back under control. She turns to Sokka. “You know,” she drawls to him, “I could be ready to perform for the masses tomorrow, but you know Zuzu, he’s not as fast a learner as I am. He needs more time to practice, and I refuse to perform if the routine is not perfected! But, alas, it is now time for dinner, and so perfection shall have to wait another day at least. We can pick up with practice again another day Zuzu,” she states imperiously, laying a hand on his arm as she walks into the small dining area off of the main room. When she gets to the doorway she turns her head slightly to look at him. “Thank you,” she murmurs softly, “I had fun.” Then she sweeps into the other room and out of their sight.

Wordlessly, Zuko and Sokka exit her chambers and begin walking back towards the main part of the palace. “Wow,” Zuko mutters.

“I know,” Sokka says, “She was actually… nice for once. Glad to see the new environment and healers are helping her so much.”

“Me too,” Zuko says quietly, lost in his own thoughts.

“And you,” Sokka blurts out. Zuko looks up at him questioningly. “You’re really helping her too. Clearly,” Sokka rambles. “She seems to be coming around to trusting you a lot more. I know that’s important to you.”

Zuko smiles a bit at that. “Yeah, yeah it is.”

“Sooooooo, about that dance….” Sokka grins at him

“Oh no. No, no, no,” Zuko whines. “I just had a major breakthrough with my sister, can’t I get a pass on the mocking for once?”

Sokka looks vaguely affronted. “Do you know me at all? I am very happy about the whole ‘Breakthrough with formerly evil sister thing,’ but if you think you’re gonna be able to get out of this on the strength of that alone…” he scoffs. “That dance routine is the best material that has fallen into my lap in years, there’s no way I’m about to pass it up!”

Zuko groans affectionately, he knew that was gonna be the answer, and despite his embarrassment he can’t find it in himself to be too upset. He goodnaturedly puts up with Sokka’s shrieking about it as they begin to make their way to dinner. He’s only half paying attention when Sokka says “Oh man, Katara and Aang are gonna love this! Dinner just got so much better!” That snaps Zuko out of his trance right away.

“What do you mean ‘Katara’ and ‘Aang’ and ‘Dinner’?” He demands.

“Oh,” Sokka says slyly, looking at him out of the corner of his eye, “Did I forget to mention? Katara and Aang have dropped in for a surprise visit. We’re headed to dinner with them right now. And trust me, this story, is gonna be the highlight of the evening!” With that Sokka gives him a quick kiss on the cheek, flashes a wicked grin and runs away down the hall and into the dining room. Zuko huffs indignantly, realizing Sokka had run away before he had a chance to respond. Grumbling, but still smiling slightly, he follows his fiancé into the dining room, looking forward to seeing his friends.

#avatar the last airbender #atla #sokka #zuko #zukka #azula #aang #katara #kataang #momo #appa #high school musical #bop to the top #fanfiction #me? writing a 2000 word fanfic over a 1 minute video?#it's more likely than you think

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doctorofmagic · 4 years ago

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Thoughts on this? I wonder if Magik will show up in WandaVision. If the rumours about alternate versions of characters played by the same actors come to be true, I want the same to happen to Illyana and Anya Taylor-Joy. We could forget about that hot mess of movie and do it right with Roberto, Dani and Xi'an.

Greetings and thanks for asking!

That’s a pretty good analysis regarding Magik, Belasco and the elder gods, as well as her connection to Wanda. Although... I do recall a post in which said blog doesn’t read comics anymore, so I wonder if they touched Doctor Strange v4, X-Men: Empyre (even though it’s bad), Civil War II and Strange Academy, assuming they feature important moments between Magik and Illyana.

As I said previously, I strongly believe Illyana and Wanda share a good relationship mostly because of magic - mutant issues aside. I use these comic books as reference to support this idea, and I do cherish their relationship.

That said, I have a few theories about characters from alternate realities who will enter the MCU in MoM, especially the X-Men and Deadpool. From what I’m gathering, it seems to me that the MCU will indeed reuse characters from older franchises that didn’t belong to Disney before their deal with FOX. Still, I’m not sure what will happen to the mutants. I find it hard to create them from scratch all over again. Will they hire the same actors or will they create a whole new alternate reality and bring them to the main universe? Maybe bit of both, considering that leak in WandaVision?

Not gonna lie, I’d love to see Laura and Logan in the MCU, but - unpopular opinion here - the “young” mutants from the recent movies are an easy pass to me. And concerning The New Mutants... *sigh* I love Anya Taylor-Joy but I’m not pleased with her role as Illyana, for many, many reasons. Not because of her performance, heavens no. She’s a great actress, loved her in Queen’s Gambit. I’m not pleased with her characterization, reduced to a racist straight edgy girl. And that’s on the script and the director, who also whitewashed Roberto. Not to mention that the movie failed big time.

With that in mind, I find quite difficult to bring these characters to MCU based on the New Mutants movie. Still, Illyana is the only one who has a slight chance to make it, mostly because of her magic side and her canon connection to both Wanda and Stephen. However, considering that Wanda BARELY shares any connection to Stephen because she was denied both her mutant powers and chaos magic, and assuming people over there hate magic, odds don’t look so good.

I have hope, though, that WandaVision will finally bring chaos magic to the table. And deep down, I wish Illyana made it into the MCU, certainly, played by Anya Taylor-Joy, but definitely not the same character seen in New Mutants. I’d love to see Leah’s characterization from What If? and The End. And that’s my not-so-reliable opinion on that matter because, even though I know the importance of Illyana’s mutant life with the X-Men, especially her connection to Kitty/Kate, Colossus and her team, I also adore her relationship with Stephen.

It’s hard to predict it. The New Mutants definitely deserve a new chance, especially Roberto, Dani and Illyana - not to mention Xi’an. As for me, I can only dream. If I had any control over the MCU, Illyana would defintiely make her debut in MoM haha. I suppose many fans feel the same...

#how can the sorcerer supreme be of assistance?#ask #doctor strange #stephen strange #illyana rasputin #magik #wanda maximoff #scarlet witch #mcu discussion #the new mutants

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recentanimenews · 4 years ago

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Manga the Week of 4/14/21

SEAN: There certainly is a lot of manga coming out. Remember years ago when some weeks had three or four titles?

ASH: It’s almost unimaginable any more.

SEAN: Airship has the 11th Arifureta: From Commonplace to World’s Strongest in print, and the 4th volume of The Invincible Shovel in early digital.

Cross Infinite World has another villainess reincarnation story with Since I Was Abandoned After Reincarnating, I Will Cook with My Fluffy Friends: the Figurehead Queen Is Strongest At Her Own Pace (Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu). A woman newly shunned by her fiance, the prince, finds herself now married to a different prince – one who hates women! But… his kingdom is filled with adorable creatures, and she doesn’t have to do anything but her hobby – cooking! No death flags here, just fluff.

ASH: I mean, I do like cooking stories?

SEAN: Denpa’s website lists femme fatale: The Art of Shuzo Oshimi for next week. An artbook dedicated to the creator of Flowers of Evil, Blood on the Tracks and more.

J-Novel Club has a veritable plethora of digital releases. Are You Okay with a Slightly Older Girlfriend? 2, Banner of the Stars 6, Black Summoner 4, Der Werwolf 11, The Ideal Sponger Life 2, Slayers 7, Sorcerous Stabber Orphen: the Wayward Journey 11, The Tales of Marielle Clarac 6, and Tearmoon Empire 4.

Kodansha Manga has one print release, which is Witchcraft Works 15. Kodansha Books also has the 3rd volume in the Pretty Boy Detectives Club series. Thus all the Kodansha print releases next week are ex-Vertical.

MICHELLE: I didn’t love the first Pretty Boy Detective Club as a novel, but I’m still looking forward to the forthcoming anime!

SEAN: The digital debut next week is a full-blown josei title. It even runs in Be Love! Nina the Starry Bride (Hoshi Furu Oukoku no Nina) is an orphan girl who ends up being sold as a slave… to the royal family? Turns out she looks a lot like the recently deceased princess. Now she has to live her new princess life… no matter how much she does NOT want to. I’m interested in this, despite the well-worn premise.

ANNA: I am too, but I have a very poor track record with digital titles.

ASH: Likewise.

SEAN: Also out digitally: the final 16th volume of GE: Good Ending, Peach Boy Riverside 6, Shojo FIGHT! 16, Tokyo Revengers 20, and the 27th and final volume of Yozakura Quartet, whose first volume was put out by Del Rey in 2008.

ASH: Oh, wow, Yozakura Quartet is a series I haven’t thought about in a long while.

SEAN: One Peace has the third and final volume of I Hear the Sunspot: Limit.

MICHELLE: Oooh.

ASH: It’s a big one, too! (I got my hands on an early copy.)

SEAN: Seven Seas has some debuts, both based on light novels they’ve also released. Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells (Hazure Waku no [Joutai Ijou Skill] de Saikyou ni Natta Ore ga Subete wo Juurin Suru Made) runs in Overlap’s Comic Gardo, and Muscles Are Better Than Magic (Mahou? Sonna Koto Yori Kinniku da!) runs in Kadokawa’s Comic Walker.

ASH: For some reason I was expecting Failure Frame to be about windows and defenestration.

SEAN: We also get Gal Gohan 7, The Girl from the Other Side 10, Harukana Receive 7, How Heavy Are the Dumbbells You Lift? 6, Love Me for Who I Am 3, My Next Life As a Villainess! 5 (manga version), and Reincarnated As a Sword 5 (also manga version).

ASH: Always glad to see a new volume of The Girl from the Other Side (although I will admit to being behind in my reading).

SEAN: And there’s three more Alice books – Nightmare, The Lizard Aide, and Toy Box – that get digital releases.

SuBLime has a 5th Candy Colored Paradox and The World’s Greatest First Love 14.

ASH: I’ve largely been enjoying Candy Colored Paradox.

SEAN: Viz debuts a new Shonen Sunday series, a phrase not heard often these days. Call of the Night (Yofukashi no Uta) seems to combine romcom and vampire stories together, and looks fun.

ANNA: Always up for more manga vampires.

SEAN: Viz also has more Shonen Sunday! Case Closed 78, Komi Can’t Communicate 12, Persona 5 6, Pokemon Adventures Collector’s Edition 7, Pokemon Adventures: Black 2 and White 2 3 (that title hurts me to type), Sleepy Princess in the Demon Castle 14, and Splatoon: Squid Kids Comedy Show 3.

ASH: Yay, Sleepy Princess!

SEAN: Lastly, Yen Press debuts the manga version of the beloved light novel In Another World with My Smartphone. This early in the series there’s far less genocide to worry about, so I will cautiously recommend it. It runs in Kadokawa Shoten’s Comp Ace.

What manga will you read while waiting for your vaccination appointment?

By: Sean Gaffney

#Anime #News #Manga Bookshelf

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fearsmagazine · 4 years ago

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April 2021 Kodansha Comics Digital Manga Debuts Announced.

Girlfriend, Girlfriend

By Hiroyuki

🚨 Now an upcoming anime! And also from the same hilarious mangaka as Aho-Girl🚨

Naoya just got a girlfriend, the gorgeous Saki-chan, and though their intensities often pit them against each other like ice and fire, they're totally, uncontrollably in love with each other. He vows never to cheat...when out of the blue he receives another confession! Nagisa's cute, sweet, and she's made him lunch to boot! He knows he can't cheat, but he can't let a cutie like this get away...so he does the logical(?) thing: Asks Saki for permission to date them both! The confidence! The arrogance! The very gall! No matter the outcome, Naoya's future will be lively!

Release Date: April 6, 2021 // Available Digitally

Nina the Starry Bride

By RIKACHI

Nina had a rough start to life, stealing to survive—and eventually being sold into slavery by her own brother. But to her surprise, her captor, Prince Azure, ordained that she would live the life of a princess...specifically, that of the recently deceased princess-priestess, Alisha. But despite her changing fortune, Nina won't give up her old life without a fight...and Azure might just be the one to finally match her wits. But how much can she trust Azure? And can she stop the feelings budding in her heart, knowing she must eventually marry another...? Release Date: April 13, 2021 // Available Digitally

The Honey-blood Beauty & Her Vampire

By Toma Fuyuori

Kagari Tojyo is smart and beautiful...but what really draws a crowd is her rare "honey blood"—a crowd of vampires, that is! Enter Ryotaro, her bodyguard and a vampire himself...with quite the perverted, sadistic streak! What's Kagari got to do to have a "normal" life?

Release Date: April 20, 2021 // Available Digitally

These new digital debuts as well as returning favorites will be available upon release at participating digital vendors including Bookwalker, comiXology, Google Play, Kindle, Nook and izneo.

About Kodansha USA Publishing, LLC Established in New York in 2008, Kodansha USA Publishing (KUP) is a subsidiary of Kodansha, Japan’s largest publisher. Its manga imprint is Kodansha Comics, which began by releasing Katsuhiro Otomo’s Akira and Shirow Masamune’s The Ghost in the Shell. Today, thanks to hits like Attack on Titan, Pretty Guardian Sailor Moon Eternal Edition, Noragami, and FAIRY TAIL, it is now the No. 2 manga publisher in the United States by revenue. VERTICAL, which publishes fan favorite manga titles like Chi’s Sweet Home and BLAME!, as well as the popular MONOGATARI novel series, is also an imprint of KUP. Both Kodansha Comics and VERTICAL are distributed by Penguin Random House Publisher Services. http://www.kodanshacomics.com

#book news #publishing news #kodansha usa #april releases #toma fuyuori #rikachi #hiroyuki

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theshipscloset · 5 years ago

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Plenty of people (myself included), gave you suggestions of games to try during quarantine. How about we switch roles? Did you happen to come across any interesting material you would like to recommend? Anything, really. Books, tv shows, movies, comic books, video-games?

Since I recced a bunch of the games I’ve played recently, which has taken up most of my time, I’ll make this a ‘music to listen to since you have more time on your hands’ list:

Delta Rae - Their songs tend to fall into one of three categories: soaring Americana, dark witchy soulful southern gothic, and traditional-yet-not-boring country. One of my top two favorite bands, period.

Marianas Trench - Pop/punk at its absolute finest, neck and neck (and at times surpassing) Brendon Urie during Panic’s Vices and Virtues/Pretty Odd phases. The other of my top two favorite bands, period.

Amanda Palmer - Piano and/or ukulele driven with absolute honesty and fearlessness at the forefront. A lot of her stuff isn’t for everyone, so I started you with her more “””””palatable””””” album from 2012. At the very least you must hear The Bed Song.

Alice Merton - Indie pop with a unique voice, flair for percussion, and a debut album that is, frankly, flawless.

The Glitch Mob - Glitch techno with big, big sounds and serious artistry.

Emilie Autumn - Indie electronic industrial Victorian-punk violinist, her voice isn’t for everyone or may take some getting used to, but holy shit.

Foxes - Indie pop, but I have no idea why she isn’t mainstream. Both of her albums are solid fucking gold.

Hem - Indie folk, best for contemplation/relaxation/sitting in your feelings.

Imogen Heap - The queen of breathy electronic pop. Her most famous (and arguably most poignant) song became a meme and I died a little inside.

Jukebox the Ghost - Piano-driven indie pop, and way more fun than they have any right to be.

Labrinth - Draws from several genres (electro, soul, jazz, pop, funk) and combines them in a way I literally cannot fathom. He’s a genius. (He also did the Euphoria soundtrack.)

Lucius - Retro indie pop featuring two lead vocalists with ridiculous harmonizing.

Owen Pallett - Indie vocalist and violinist who pulls off some stuff that’s equally unique as it is great. Went by Final Fantasy until Square Enix made him stop, so bonus rebel nerd points.

The Paper Raincoat - As indie pop as indie pop gets. Only made one album, flew under the radar, and I will die on this charming, thought-provoking, wonderful little hill.

Vienna Teng - Indie pop/folk, amazing lyricist and composer, every song on the album I linked is perfect.

#TSC Asks #Music Recs #Quarantine #Anonymous

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sagehaleyofficial · 5 years ago

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HERE’S WHAT YOU MISSED THIS WEEK (12.4-12.10.19):

NEW MUSIC:

· SWMRS geared up to release a live video of “Too Much Coffee,” recorded at Orange Vélodrom in France. The world premiere was last Wednesday, and the band also held a live Q&A leading up to its release.

· Halsey took to Instagram to finally reveal the tracklisting for her upcoming album Manic. She also opened up on why her anticipated collab with Bring Me the Horizon was missing, and dropped two new singles, “Finally // beautiful stranger” and a track with BTS’ Suga.

· Motionless in White dropped a tear-jerking new music video for their track “Another Life,” taken off their latest album Disguise. Directed by Max Moore, the imagery follows a broken love story as a gentleman replays sweet memories he and his partner shared together.

· Fall Out Boy dropped a new animated music video for “Bob Dylan,” taken from their most recent album endeavor Believers Never Die – Volume Two. According to Billboard, the track was originally a B-side for American Beauty/American Psycho.

· Waterparks’ hit track “Dream Boy” got an EDM retouching courtesy of producer and DJ, JVNA. The band praised the remix on their social media accounts last Wednesday, with the producer also sharing her hype for the new remix.

· Machine Gun Kelly announced a rock album for 2020 and said a new song would release by the end of this year. Collaborations with Goody Grace, Blink-182’s Travis Barker, blackbear and Attila‘s Chris Fronzak also seem to be on the horizon.

· Billie Eilish made her directorial debut on the much-anticipated music video for her hit “Xanny.” As per usual, the video has a few jarring visuals and some disturbing movements, but is overall pretty straightforward.

· Pure Noise Records released Keep Shining On last Friday, a tribute album featuring the songs of Tim Landers, the late guitarist/vocalist of Transit. The six-song mini-LP features Landers’ songs performed by Man Overboard, the Story So Far, Elder Brother, Casa Loma and Misser.

· Scene veterans The Used returned with a new single and video, “Blow Me”. The song and video both feature Jason Aalon Butler of Fever 333, and the band is currently working on their eighth full-length album.

· Blink-182 dropped a new Christmas track, “Not Another Christmas Song,” highlighting the downsides of the holiday season and causing a raucous on the North Pole. The accompanying music video is a claymation of the band performing the song for elves.

· Selfish Things dropped the music video for their song “Torn,” which also features Spencer Chamberlain of Underoath. The video takes inspiration from the old silent films, with slides describing the action.

· Blink-182 and the Chainsmokers’ official collab release came nearly an entire year after it was initially teased by the latter group. The song, “PS I Hope You’re Happy,” was announced on the Chainsmokers’ social media pages.

TOUR ANNOUNCEMENTS:

· 5 Seconds of Summer recently announced a U.K. and European tour, and also launched an album pre-order for a release that hasn’t been revealed yet. The band took to Twitter to remind fans of the new package, which comes with early access to the No Shame 2020 Tour dates.

· Coheed and Cambria announced on Instagram even more bands joining them for their 2020 cruise aboard the S.S. Neverender. Thrice, Power Trip, Sheer Mag, Radkey, Hail the Sun, and Peelander-Z were also announced.

· Hayley Williams of Paramore is bringing back the Sanctuary of Self Love to the Bonnaroo Music & Arts Festival next summer. This is the second year the iconic Williams will be curating the plaza, which was a mega-hit last year.

· Scary Kids Scaring Kids revealed they will be bringing along Secrets and Push Over on their upcoming reunion tour. The tour kicks off in January, with tickets and VIP packages available for purchase now.

· Third Eye Blind announced they are going to be joined by Saves the Day on the second leg of their headlining tour in support of their latest album, Screamer. The tour kicks off March 11th in Seattle, and its announcement arrives alongside the news they’re also launching a new podcast.

· Twenty One Pilots’ Bandito Tour secured a spot on Billboard’s year-end lists as one of the top-grossing tours of 2019. The top spot went to pop singer-songwriter Ed Sheeran, who grossed $223.6 million with 2,587,445 fans attending 54 total shows on his Divide Tour.

· Knuckle Puck announced an intimate U.S. club tour that will run in spring 2012. The tour kicks off at the Beat Kitchen in Chicago on February 21st and ends at the Hoosier Dome in Indianapolis on March 22nd.

· The latest My Chemical Romance show to be revealed is one with Thursday in Osaka, Japan. MCR previously revealed the band will support them on their forthcoming reunion in Los Angeles on December 20th.

OTHER NEWS:

· Musician Juliet Simms revealed her casting in the upcoming American Satan TV spin-off, Paradise City. With news of Sleeping with Sirens frontman Kellin Quinn joining the cast over the summer, the spinoff was first announced in June 2018 with the film’s cast teasing their return.

· Fever 333 announced the first signing to their own label, 333 Wreckords Crew. They introduced the Nova Twins, the London-based duo of vocalist/guitarist Amy Love and bassist Georgia South, who are two black women in rock music twisting the convention of a genre.

· My Chemical Romance frontman Gerard Way announced he is dropping the final issue of his brother Mikey Way‘s first comic, Collapser. The final issue ends the series, which began back in April and marked the first comic book collab between the two MCR brothers.

· Angels & Airwaves frontman Tom DeLonge revealed that an older solo track of his titled “Suburban Kings” is about his former band Blink-182. In 2015, just a month after departing the band, DeLonge dropped his first studio album titled To the Stars…Demos, Odds and Ends.

· Former Lostprophets bassist Stuart Richardson opened up about his time working with ex-vocalist Ian Watkins, who has been convicted of several child-related sex crimes. On a recent episode of ‘Sappenin’ Podcast with Sean Smith, he revealed what happened while in the band.

· Some Spotify users noticed that Brand New have been removed from their #spotifywrapped lists. Many current and former fans speculated that the band have been blacklisted from the site’s stats following their sexual misconduct issues that surfaced in 2017.

· Rapper Juice WRLD, aka Jarad Anthony Higgins, passed away at the age of 21 after suffering a seizure in a Chicago airport, TMZ reported. In a statement from the Cook County Medical Examiner’s Office, an autopsy conducted has come up inconclusive regarding Higgins’ death.

___

Check in next Tuesday for more “Posi Talk with Sage Haley,” only at @sagehaleyofficial!

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neoclassic-sonic · 5 years ago

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What about the rest of the Forgotten Sonic Characters?

With Sonic Mania Plus comes two returning characters, Mighty and Ray! After 20+ years they’ve finally made their comeback ever since their debut in the segasonic arcade game! Even the Hooligans have made a semi-cameo appearance in the form of the Heavy Magician’s illusions in Mirage Saloon Zone! Since Mania is a celebration of every Sonic game ever it was nice to experience these old characters revitalized back to life!

But with the revitalization of old characters, what does that say about the state of the rest of the forgotten sonic characters? Will they ever see the light of day again? Do some have a more chance of appearing again? Or are they doomed to obscurity? Let’s review the list, starting from when they were introduced and their last major appearance! Starting with:

Sonic CD’s Rosy the Rascal (1993) Latest appearance Sonic R (1996)

I’m sure all of us were disappointed when she wasn’t playable in mania plus. But! With her appearance in the christmas special, she may become playable in the next sonic mania game! Or at least a cameo other than an Amy Doll.

Sonic Triple Trouble’s Fang the Sniper (1994), last appearance Sonic Fighters (1996) and you know what? Let’s throw in Bean and Bark (1996), last appearance Fighters Megamix (1996)

“Hey! What’s the big idea! We just saw them in Mania! You even said they were in Mania!” Well that’s where you’re kinda wrong kid. I said semi-cameo. The hooligans did not actually appear in Sonic Mania, at least not in their actual forms. Right, remember those three were just illusions by the magician. While those were references sure, those aren’t actually the hooligans. While their appearance in a next game like mania is less likely (given they were mirage saloon’s gimmick, and they’ve already had their representation) I wouldn’t be surprised if there wasn’t at least one reference to them in the near future.

Next up! Knuckle’s Chaotix’s Chaotix! (1995) with Espio’s last appearance in the Sonic Fighters (1996)

“Uh hey, what gives? The Chaotix crew have already appeared in modern games, they were just in Forces and Vector is in TSR! what are you on?” Well what I’m on, you see reader, is on Iizuka’s bullshit! You see since their first modern appearance on Sonic Heroes, Takashi Iizuka has stated on record that the modern chaotix crew is not the same characters as the ones in the 32x game. You see when development on the chaotix game was shifted from sonic team to another developer, the story hadn’t been written yet. Same with the characters characterization. That’s why you have a sophisticated 16 year old Charmy. Hot headed detective Espio. Pacifist nomad Mighty. God-fearing, music-loving Vector! While some of the character traits were carried over (like charmy being the glue that held the chaotix together, mighty is still a pacifist in mania, vector still has his headphones, while espio’s detective shtick got applied to the whole crew), they were basically new characters. Even though the chaotix game was viewed noncanon for years, with countless references to it in sonic mania, it seems that sega is much more willing to accept the chaotix as it was. It is very likely that this may get retconned (given how bullshit some of Iizuka’s statements on plotline are), they even might actually cameo in the next mania game if ever!

Tails Skypatrol’s Witchcarters! (1995)

Finally some actual forgotten characters! Bet you didn’t know they exist huh! Well you probably do if you’re reading this list, but i digress. Introducing the witchcarters, Carrotia the Rabbit, Fockewulf the Wolf, Bearenger the Bear and Witchcarter. These characters served as one-off antagonists and henchmen in this spinoff game, where they were left ignored for around 20 years until Archie Sonic’s Eggman’s Dozen arc where they were given redesigns to fit the modern era. They are the less iconic of the two groups of antagonists that Tails has had to fight. But they are very likely to appear in the next mania-like game.

Tails Adventure’s Battle Armada (1995)

Oof another Game Gear title but one that’s more memorable than skypatrol! Along with a metroid-style gameplay, we are introduced to the battle armada! Speedy, his father and Dr. Fukurov are a few of the notable casts introduced here! For around 20 years they were ignored until Archie Sonic (again). They are given a much bigger role compared to the witchcarters! The idea of Speedy as a rival to Tails like metal sonic is to sonic, is such an interesting concept to me! they have a greater chance of appearing in the next mania like game as compared to skypatrol!

Sonic the Fighter’s Honey the Cat! (1996)

Yeahhh, ok let’s be blunt. I love honey the cat. But she probably won’t appear in a game any time soon. Here’s why: She’s basically the mobian version of an already existing character (candy from fighting vipers). She’s a hacked character in the arcade version, removed from the gcn port and an easter egg in the latest port. She was only limited to cameos in the comic before finally debuting properly in the sonic the fighters arc in archie sonic. While Sega has definitely been more lenient with her, unless there’s another fighting game that will come out, honey won’t be appearing any time soon. (and if she does I really hope they use the rest of the fighting vipers cast too, Pane the Boar exists now! and it’s not like anyone’s using the IP! I’d like it if they just,,,, retooled fighting vipers and it’s characters for a sonic fighting game spinoff without sonic characters haha)

Sonic R’s Metal Knuckles and Tails Doll (1996)

Sonic R introduced the counterfeit counterparts to the other 2/3s of team hero. Metal Knuckles and Tails Doll. While I bet they were only created to fill out the roster, we can’t deny that their designs are cool. I don’t want to rule them out because they’re 3d characters since Bean and Bark made 2d appearances in mania, but it’s a mystery on what kind of role they’ll fulfill. Metal Sonic’s first appearance in CD was explicitly clear that he was your rival, someone to beat. These two’s appearances are kinda shoehorned as someone you have to race with but there’s no backstory. Unless there’s racing challenge in the next mania game or these characters are retooled to being a miniboss, they probably won’t appear in a major role in the next mania game, if they ever appear it’d probably be as a background cameo. (which is a shame!)

Sonic Adventure DX and Adventure 2 Battle’s Tikal and Chaos! (1999) latest appearance Tikal-Sonic Runners (2015) Chaos(illusion)-Forces (2017)

Finally we’re out of the classic era and into the adventure era! The adventure era is regarded by a lot as either a. a transitional era between classic to modern sonic, or as a part of the modern sonic era. either way this is where tikal and chaos’s first and playable appearances were made. Now this is a weird case since Chaos came from the Master Emerald and Tikal is a ghost. In their ending you can see them hanging with the chao. Ever since then they’ve been MIA. While I thought they went back into the emerald, it seems that it’s actually questionable what happened to their fate. Will we ever get to see them again? Well this is where things get pretty dicey here on out. These characters don’t have “Classic” immunity, meaning they dont have the possibility to appear in the next mania-like game since they aren’t classic. Unless we have another storyline regarding the echidna colony (unlikely due to penders) then we probably wont see tikal and chaos in a major way any time soon.

Sonic Shuffle’s Void and Lumina (2000)

With character designs looking more akin to NiGHTS into Dreams than a sonic characters, void and lumina are the more different looking characters. Opting for a more fairy look instead. Sonic Shuffle is a board game somewhat akin to mario party. These characters were one-off characters, and i guess that’s it. Unless sega makes another board game using the mainline sonic universe (not storybook sonic) then we won’t see these two again anytime soon.

Sonic Hero/Advance 3/Battle’s Vanilla and Chocola and Emerl/G-merl (2003-2004)

Woof, that’s a lot of characters. So let’s tackle them one by one shall we? Vanilla is Cream’s mother. Kidnapped ala princess peach style in the advance games, she is cream’s driving force to join sonic’s team into taking eggman down. Likewise, Chocola is Cheese’s brother. These two chao are pets of Cream. Chocola is Cream’s driving force to join team Amy into taking down eggman in sonic heroes. Emerl was a robot that died in Sonic Battle and Gemerl is the reconstructed gizoid from emerl’s remains, after the events of advance 3, gemerl lives with cream and vanilla, often portrayed in the comics as the bodyguard for the two. So how likely are they to appear? Well not anytime soon by the looks of it. They only appear if Cream has a heavy role in the story, and with each passing installment cream has been getting lesser roles. I like to think of Cream as the “next sonic”. She has the drive and the heart to become the succeeding hero. I’d love for her to get her own series of games where she is the hero. But unless she gets more roles or she gets her own spinoffs (not likely), these three wont appear anytime soon.

Sonic Riders (2006) latest appearance for storm-Sonic Free Riders (2010) for Jet and Wave-Olympics (2020)

Sonic Riders introduced three babylon rogues. Jet was introduced as Sonic’s rival when it came to races, a title loosely held by metal and shadow (metal was created to be sonic’s rival at everything and shadow was conceptualized as being an antithesis to sonic, jet is the first to be his rival in speed only). Given the nature of these games it’s actually a surprise as to why they didn’t appear in team sonic racing, or in their two previous racing games. Jet and Wave appeared in the olympics 2020 recently but storm has been mia lately. When the next racing game does come out and when they expand their roster we might see the babylon rogues debut in some sweet rides!

Sonic 06′s Elise

Unless it’s in a remake Elise has no chance of returning back due to the whole nature of 06 (and it’s storyline)

Sonic and the Secret Rings and the Black Knight’s Shahra, Merlinus, Caliburn

Not likely given that they are one-off characters in a storybook.

Sonic Rush Adventure’s Eggman Nega and Marine (2007)

I’d really love for Marine to appear again. Eggman Nega appeared in Rivals, he even appears in the olympic games, why can’t marine appear again? Sadly, unless we get a game that involves the sol dimension, these two are out of the question.

Sonic Chronicles’s entire cast (2008)

Haha. no. Most well-known as the first rpg-like game that involves the sonic characters. This game introduces Shade along with other characters. However due to the Penders lawsuit, these characters are now off limits, even to sega. this may also be the reason why we have not seen gemerl again.

Sonic Unleashed’s Lah and Chip (2008)

Chip is the Light Gaia and Lah was made for the special. We probably won’t see these characters again despite having the best writing so far.

Sonic Colors’s Yacker (2010)

Yacker didn’t fare well compared to the rest of his wisp friends. and honestly? I don’t feel too bad. while he may appear if sonic ever does need a flagship representation for the wisps, i doubt he’ll have another big role like in colors.

Sonic Lost World’s Zeti (2013)

Cause let’s face it, only Zavok and Zazz are in the limelight recently. The Zeti are a very polarizing addition to the sonic cast. they don’t have the same rep as the wisps, yet they’re designs are a bit too unique to just be left behind again. What sega’s doing now though is a bit disappointing. Half ass shoe horns into plots. Well at least for TSR, which is a racing game spin-off. We also saw this in forces (along side chaos and shadow of all people). I just hope this isn’t a trend that persists. Either make a proper plot or don’t include the character at all sega. as to when we’ll see them again, that is up to sega. this is a bit of a cloudy are cause sega doesn’t seem to be afraid to use them, but for some reason they arent too confident either.

Sonic Boom’s Sticks.(2014)

Unless There’s another boom game or Sticks is redesigned to modern standards as opposed to boom standards, we’ll probably not see her again. which is disappointing.

Sonic Forces’s Infinite and OC character (2017)

They aren’t really forgotten since it’s only been 2 years. But infinite’s basically been forgotten already! He has no appearances in other games outside forces. Not even in team sonic racing, you’d think he’d be a shoe in, but he isnt! You’d think the make your own avatar would be something that’d be implemented from everygame onward (ngl it was the only good thing about forces) but it’s also isnt seen in tsr. which seems like wasted opportunities!

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popculturebuffet · 5 years ago

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Hickman’s X-Men Line: One Year in Part 1: Prelude, House and Powers of X, X-Men and New Mutants (Hickman)

Under the cut is an explination of how hickman’s run happened (the mass decay will be covered another time probably), and dives into his x-books: house of x, powers of x,x-men and his breif run on new mutants and what i thought. Pax Krakoa baby.

One year ago, I breathed a sigh of relief as I read the utterly masterful house of x #1. See for the past few months, i’d been waiting on baited breath for this comic with a level of anticipation not matched by any before or since. Even the debut of a spinoff to Chew, one of my faviorite comics of all time that i deftnetly need to do a retrospective on, this week got within the same galaxy and it still wasn’t on the same level. This was big, grandiose and everything I hoped for. And whatever issues I had as House and it’s sister series came out slowly died out as the full story unfolded, my jaw dropped and my faith in Hickman to save the x-men was fully delivered. At last the x-men were back on top. And it was going to be one hell of a ride.

As you probably know the x-men had been treated pretty badly at marvel due to fox having the movie rights, a move that still baffles and frustrates me. Instead of making money to rub in fox’s face by promoting the hell out of them in merchandise, animation, video games and of course comics ALONGSIDE the avengers, they basically ignored the x-men and fantastic four to give fox less to work with to spite them while fox.. entirely ignored this as since both franchises have been around since the 60′s and the x-men had had mountains of spinoffs to give them mountains of characters. So in short: a decision to spite and hurt their compeitors only cost marvel money, pissed off fans and fox’s eventual absortion as far as I can tell had absolutely nothing to do with any of this.

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Thankfully marvel DID stop being stupid eventually and relented: The Fantastic Four came back a year before house of x with a decent run by dan slott, which is thankfully more like earlier spider-man work and ff work, and less like what his spider-man run became from superior onward despite the ocasional misfire but i’ll talk about both runs another day. I mostly bring it up because with this revivial, marvel also slowly reintegrated the four back into the marvel universe and made their return feel like a big deal. The X-Men however took a bit: while they got an earlier shot at returning with ressurxion. Buuut with the idea of having hickman return in their back pocket, marvel apparently refused, at least according to cullen bunn who I fell has no real reason to lie, to let the writers rock the boat too much and the era perdictably was just meh, especially flagship book X-Men Gold which was written bafflingly by Mark Gugenhiem and outside of one or two good ideas basically felt like the comics equivlent of one of those party store albums where every song is a cover done by someone who couldn’t give half a damn. There were bright spots though with Cullen Bunn finishing out his awesome x-men tenure with x-men blue, Sina Grace’s wonderful iceman that took the wonky execution of Bendis’ decision to make bobby drake gay and made it work beautifully, and the decent if somewhat baffling x-men red. But overall it just felt like a missed opportunity and with the fox deal in bloom and a new EiC, marvel NEEDED something bigger, bolder and grander to do with marvel’s strangest heroes of all. After all all eyes would be on them while Marvel’s Movie department took a few years, probably longer now thanks to the pandemic, to let things cool off before bringing the x-men into the mcu. Enter Jonathan Hickman: Writer of another one of my faviorite runs of all time, his Fantastic Four run, along with an enjoyable but heavily flawed avengers run, a secret warriors run i’ve read half of that was a hell of a ride, tons of ultimate comics, and a bunch of indies I haven’t read but are probably great. A wordy weirdo and i’m convinced the second coming of grant morrison, and I hope one day the two work together on something tha’ts equal parts weird and amazing.

The morrison comparison is also apt as both came into the X-Men at a time when the x-men badly needed them: Just like Hickman morrison had to deal with a largely stagnant x-men and changed them to fit the times. And yes unsuprisngly i’ll also be covering morrisons run, warts and all, and it’s also one of my faviorite comics of all time. However Hickman was given a huge advtange his spirtiual predecessor, and really few comics writers EVER have gotten: full control of the x-men line. Unlike morrison who wasn’t even allowed to use certain characters despite writing the main fucking x-book, Hickman got full creative control: full say in the direction of the story, full say in who came on board and to let them pitch whatever they wanted to do. And honestly it’s an apporach that’s not only reovlutionarly but makes the books FEEL like their actually occuring around the same time. Sure their all still seperate entities, but it DOES feel like one coheisive universe. Contrastingly with the avengers Black Panther’s solo has had him on a year long sojurn in space, before returning to earth.. while also running the avengers over in jason aaron’s run and having his own spinoff team, without any fucking clue as to when intergalactic empire of wakanda takes place in relation to everything else. Tony Stark is currently just taking back both his own damn name and the iron man name in his own book, but is also a major player in avengers, and empyre with no mention of his seeming drunken spiral (itw as a ploy) or arno taking up the armor and I feel these issues rather than the neglect the x-men once had are why krakoa’s impact isn’t being felt more in other titles. I’m not saying don’t let books do their own thing, but I am saying let them have fucking consequences and weight instead of just acting like one isn’t happening or at the very least have a character be absent for an arc so you can fit the other stories into continuity easier. As X-Men’s shown it dosen’t stifle inovation and hell even immortal hulk easily fit into no road home with a fucking note saying “this takes place before x issue” it’s not that hard. This advantage was likely part of Hickman’s terms for coming back. See the x-men were the one thing at marvel he never got to do. The Gillieon and Aaron runs and Bendis runs meant the spot simply wasn’t open and by the time he was leaving it was clear marvel wanted to bury the x-men not praise them, so his ideas had no run. But the X-Men were what got Jonathan into comics. A shocking fact I learned at last years comic con, during which most of the dawn of x titles were revealed, was he WASN’T a fantastic four or avengers fan as a kid, not hating them but like me with the avengers for some time, not really caring about them. But with both runs, he did his homework, read as much as possible, and BECAME a fan, and it shows as both runs show a deep love for both marvel and the teams present. With X-Men they were his dream, his golden goose, his windmill, he just never was in the right place at the right time... but with Marvel needing his starpower and creativity and having nothing to loose with the x-men and badly needing a big run to hlep keep intrest in the x-men till the new movies, he finally was. So seeing the company needed him and he could get his dream and the control he needed, while dc had just taken bendis, didn’t need him and until very recently was ran by a moron, his choice to come back to marvel instead of go to dc as he’s admitted, was obvious. And it ended up being the right one. House and Powers of x were massive creative and commerical hits and the following titles have all been mostly praised. The new direction has been a boon for the franchise,k the fans and marvel. So being a fan of this direction, as you can tell by the massive intro, to give my thoughts on each book so far: what I think their doing right, where some went wrong etc, since I’d rather wait another year or so befor ediving into these and let some more of hickman’s plans and future story hints spread throughout his books pay off first. WIth that all out of the way it’’s time for a deep dive of x.So grab some plant based snacks, your x-shaped helmets, and your krakoan coffee, it’s time to finally get into hickman’s era of x-men.

HOUSE OF X AND POWERS OF X The opening salvo and just with two mini series that are one, though why he DIDN’T just have them be one big mini series I genuinely do not know, probably to justify having two diffrent artists to carry the load, is an utter masterpiece. Plain and simple. Let’s get the status quo the series set up out of the way so I can dig into it more: Magento and Xavier were revealed to have been working together for years behind the scenes.. with Moira Mactaggert, one of my favoirite x characters who the series changes utterly and forever. See instead of being the one human who consitantly is on mutants side and one of the x-men’s staunchest allies who sadly hadn’t been resusrected in 20 fucking years, she was a mutant herself, her ablility being reincarnation.. and thus had lived through 9 of her 10 lives seeing mutantkind always loose so told xavier and magneto about this in the hopes of breaking the wheel and letting mutantkind live this time. However hickman , while revealing the alliance does brilliantly still make it work in continuity for me: it’s clear from moira’s notes in one issue, as house and powers and any following titles love having charts or text based sections that I feel give the comics a unique flavor and really help boost most issues, that Charles optimism she was trying to break him of and faith in humanity took years to fully shatter: he plotted and schemed with her to protect his species but it was clear he probably felt it woudln’t be necessary that humanity would prove her wrong.. and by this series it’s clear, no they haven’t changed, the majority of them just want to genocide mutants and have tried again and again and again while the rest who don’t necessarily want it, paticuarlly the superheroes did nothing while Magneto chaffed against her after the whole “alter his infant self after he was deaged by a mutant he made into a baby to be more pacificsitc which naturally pissed him off when that wore off”. Yes that’s a thing that actually happened pre and post retcons it’s why a survivor of the holocaust is , while not a YOUNG man, still healthy and vibrant. It’s a clever way to not undermine those stories while still telling this one and this retcon is a move I like as unlike most retcons it’s both there to tell a good story and excuted in a way that outside of moira dosen’t undermine anything. The Moira retcon I was and to a degree still am mixed on. While the new version of her is brilliant, creative and intresting and I can’t wait to see what happens with her next time she shows up, I do mourn the old as the x-men had few human allies and now their only big one is now a mutant herself, but it IS in service of a really damn good narraitive and the twist that the bad futures presented were in fact other lives of moira was brilliant, and it’s nice to see SOMETHING done with her. I’d rather something that i have a small problem with lead to really great things and be worth the sacrifice of her former character, than just changing things because “fuck it I want to do this and their letting me do this’ as a lot of retcons tend to be. Hickman’s story needs moira and her cycle of defeat to truly soar to the heights it’s reaching, and to make Charles and Xavier’s back alley actions make sense, so i’ll glady sacrifce one version of a character that I really liked for another version of her that’s also really good. The other big swing though I was completley on board for: Hinted at early on by serveral dead mutants being alived, after a sucidie mission against new big bads and mutant hating extermists orchis, who are far better written than other extermists, it’s revealed just why death has seemingly taken a holiday: the big plan that has been decades in the making for xavier and co? That will reshape mutant kind and required working with mr sinsiter of all people? Revivie all dead mutants. See in a brilliant reveal Cerebro isn’t just a mutant tracker; It’s a copier, copying their essecnes reaguarly and storing them for later, updating them every so often and thus meaning any who died can come back. Why it took Chuck so long to do this is also explained as he needed 5 specific mutant power sets to do it and thus had to wait till they had everything they needed: Goldballs, yes goldballs, spits out his giant golden balls, phrasing, which hickman in an insane and awesome turn revealed to be EGGS. Yes EGGS. Proteus, Moira’s son and former villian whose now pacificed since this body cloning process means he has an infnite suply of xavier bodies to burn through and thus isn’t killing people, warps reality to mamke the eggs viable. Elixir, a healer whose been through some shit the poor guy,gives the eggs , once injected with the mutant in questions dna via syringe because of course, life, and Tempus, goldballs former classmate fellow bendis creation and mistress of time, speeds it up a bit so they don’t have to wait a good few decades for some mutants to rerez. The fifth that makes all this possible is hope summers, mutant messiah and adopted daughter of cable returned to promence once more, whose power is revealed to be power maniulation and thus can boost their powers to the degree neded for this. it’s a BRILLIANT turn that not only undoes all the pointless deaths mutants have undergone, but changes the game: Genocide is now near impossible, as humanity has no idea bout any of htis, and instead of mutant lives going down, they can only go once.. as one man once put it...

And as an x-men fan having watched characters I love die again and again for stupid reasons, especially int he placeholder run right before house of x, this was so satsifying. Everyone the x-men had lost, every character I loved who was gone and forgotten.. they were back or would be back. And thanks to Krakoa they were thriving: By giving mutantkind a homeland instead of a headquarters, a nation given to one of their own because he demanded itbasically, or an island fortress designed to give a dying species refuge, they have a goregous sentient island (I’ve always loved krakoa for the record though I wonder what happened to his clone son), with abundant food, teleporting gates across the world to visit wherever they like or live in the various worldwide habitats if they please, and peace and security they’ve neve rknown. No more being woken up to get to a panic room because a sentienl attacked. No more having religious maniacs blow up busses containing your tine. No more having the vast majority of the superhero community do nothing as a fucking plauge cloud wipes out your species. Anything apporaching krakoa now has hundreds of the most powerful beings alive defending all mutants.. and that includes the worst of the worst, all given amntesty.. but they must tow the line or else be given a fate worse than death. After years of pain and suffering and misery mutantkind is free safe and happy. They still have to fight to get the rest of their kind out of racist hands and to saftey, the fight’s not over.. but now the odds are in mutantkinds favor. It’s paradise. And yet this mini, and this whole run dosen’t run from tough issues; The mutants are now isolationists and only mutants are allowed on krakoa itself.. on the one hand this is a bad idelogy and potentially dangerous, instead of fighting for harmony fighting for my land alone.. but it’s also see why Mutantkind has taken to it. The X-Men have tried for at the least a decade in universe and at the most and most likely 15 years to live in harmony, fight for mankind and make peace with them.. and only a small chunk has acutally tried to help them with that. The other large fraction? They either build death machines to try and wipe out all mutants, and in the case of Cassandra NOva who while not a human is still a racist genocidal bitch, SUCCEED in wiping out a large chunk, or do nothing while mutantkind suffers. The series forces you to think about the implications that marvel comics themselves previous ignored: That with all the superheros in this world who arent mutants.. more often than not htey’ve done fuck all when terrible shit happens. When Genosha died, not a one asked the x-men what happened or tried to hunt down those responsible. When Decemation happened, the avengers were more concerned with helping the x-men cover it up than helping them move on and did nothing as the goverment made xavier’s into a reservation, even after regrestration happened and the goverment had more heroes than ever to spare to helping them. When the T-Mist happened years later instead of stopping terrigin or asking the inhumans to stop it for the good of another race, the rest of the heroes just did fuck all. Sure the avengers were on a budget and the ff were asbent, but there were enough heroes in the world still and enough teams to do something about it and only the ones with mutants on them did!. IT’s hard to say “well you shoudln’t exclude them”.. when the rest of superhero kind has been subtly doing it their whole lives. But it dosen’t shy away from the claims of racial superiority the isoaltion or the fact the x-men basically sued for nationhood by making requiring recognizing their nation hood the price for trading for their life saving and extending, world changing drugs, which you would still need to buy. There’s other issues, one that i’ll get to in a moment as it was only revealed in x-men. Various characters, Corsair in issue one of the ongoing, the fincial summit in issue 4 and the ff both in house of x #1 and ff/x-men, all question this and some of the ethics. Hickman brilliantly decides instead of just painting the x-men as absolute moral rights, to show their new nation warts and all: the genuine good their doing and trying to do but also the price they have to pay for it and the mistakes they may be making. And the compromise necessary to build a nation. It’s all chiling, compelling shit that’s even more releveant in a time when bigotry is piling up like crazy. Both house and x-men, which i’ll get to in a second, ask questions with no easy answers and it makes them a compelling read. Also compelling is the two mini series use of flashbacks: The two previous moira timelines, which we learn are just that as we go, are compelling with the apoclaypse timeline having loveable heroes were are heartbroken to see die in the struggle, while the last timeline seemingly sees the mutants turn as bad as the humans.. only to peel back a layer at the end and reveal humans are still very much the real monsters, and them evolving via machine is a threat to mutant kind's natural evolution. It was a good story twist and of course there’s FAR more to dig into in both books, and I defintely will at some point in the future as I said. But there’s tons of great ideas here: Sinsiter not only being a mutant but a reluctant ally, the same of apocalyspe, the heavy questions I got into above, the idea of machines being mutants greatest threat which makes a ton of sense, and the various ones I already went into. I can’t gush about this book enough, but since this is already long enough i’m trying. The point is both mini series are great and how you do a self contianed event perfectlY plenty of consequence, plenty of scope but enough character and brilliant ideas and a FUCK TON of quotable and iconic lines, all blend into one of the very best series i’ve ever read. And lead directly into..

X-Men I talked about a lot of what this book represents above as it’s a direct continuation of the above, but the book on it’s own is still something diffrent. while it continues setting things up, playing with the new toybox hickman set up, and asking the tough questions, x-men does it in a diffrent way. House and Powers bounce around through time while all telling one huge story and one huge bundle of setup for this status quo. X-Men instead is a bunch of single issues. It’s still a ton of setup, though with enough payoff to house and powers that it at least so far hasn’t become tedious, especailly since hickman specifically has plans for all of it and has shown in the past he’s a long game man when it comes to storytelling, but through more action packed stories that, with the exception of mistque’s spotlight issue so far, have one shared element: Cyclops, aka Scott Summers, who as grand captain of krakoa is the nation’s ruling council’s go to guy for missions and who he himself can form any team he once for any mission. Cyclops, like the x-men hadn’t been treated well for years; Various characters lambasted him after the phoenix force drove him mad and lead to him killing charles xavier, and before that his run as leader of utopia, not helped by x-force painting him as a cold heartless dickweed, had him forced to make questionable decisions that made fans turn agains thim despite the hard position he was in. But now with the burden of absolute leadership of mutantkind in other hands, HIckman writes scott beautifully and has restored him to his proper place. WIth Xavier taking over as absolute leader of mutantkind and his race no longer hanging by a thread for the first time in years scott can relax and ENJOY himself. As the first issue shows he has everything he ever could have possibly wanted: A healthy marriage with Jean again, and an open one at that with him free to still see emma and Jean openly seeing Logan. Logan himself no longer trying to murder scott for his mistakes or kill his teenage self due to bad writing, but being his best friend again and also living with him and presumibly having threeways because they have connected bedrooms and of course jean would want both at once. Maybe they also just fuck each other sometimes again the details haven’t exactly been clear but it’d explain the tension disappearing. Maybe the schism would’ve ended quicker if Cyclops and Wolverine just fucked each other after children of the atom. Hey not every question is a deep personal one on krakoa sometimesm it’s just “Are these two fucking and could it have solved things faster in the past if they did?”. Also I almost forgot to mention, and added this near the end of writing this, in additoin to everything else scott now lives ON THE FUCKING MOON, on the blue area with a breathable atompshere, on a moon house with his family and fuckbuddy and Vulcan’s buddys. It’s fucking amazing. But moving back to other things scott’s gotten besides logan’s wang up his butt, as seen in issue one thanks to the gates his dad can now visit anytime, his brothers live with him with Vulcan going from genocidal dickweed to weirdo thanks to his experinces between his “death’ and this series, and he’s just. happy. And as a leader he takes the x-men on thrilling missions: the series combines action with character and worldbuilding and it is great. The worldbuilding part has been tremendous; we’ve seen new foes in the returning children of the vault and horticulture, aka what if the golden girls were tv ma, and also plant based supervillians plotting a better future for mankind that krakoa’s drugs clash with. We’ve seen nimrod creeping close, charles and magneto not playing ball with mystique start to backfire, the return of krakoa’s lost love, and in my faviorite arc, we’ve seen broo, one of my faviorite x-people and intellegent brood, eat an egg and thus become god emperor of the brood, not only giving the vicious race a chance to reform but giving the x-men a huge advatange in space, doubeldby events we’ll get to in a second. And biggest of all we saw the crucible: Since those depwoered by the decimation can get power back by dying again, and to prevent overworking the five with mass sucidies krakoa came up with a nasty solution,: earning resurection via ritual combat. And like the above there aren’t easy answers to this: mass sucidie isn’t better or faster, but having mutatns forced to EARN repowering by dying brutally isn’t a great solution either and is kind of sick. And it also opens up questions about ressurectoin that Nightcrawler feels made need reegion to answer htem. It’s again good heavy instreating stuff. We also got my faviorite issue #4 where the x-men go to a fincial summit, and while security detail cyclops and gorgon fight off hired goons...

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Xavier, Magneto and Apocalypse discuss with world leaders about the implications of krakoa’s policys, with Magneto not hiding his love of flexing his superiority. And Charles ends the confrence, after it’s revealed one hired them in an utterly masterful moment: Taking off his helmet to reveal no this is charles, this is him and that even after they tried assintating him he has and always will love humanity he’s just sick of being treated like crap and suffering for doing it and his people suffering for it and he won’t tolerate this sort of shit again. See it for yourself it’s an absolute triumph:

It’s a great scene. Overall an utterly great title that really keeps the momentum moving and I feel is only setting up for even more things.. the only real issue is that A) the title’s been slower at coming out than the other dawn of x titles, though in the case of the empyre tie in’s it’s not hteir fault but the rest sure as shit are, and B) that it has mostly been just setup but it’s been good enough and enjoyable enough and I feel payoff is coming, so I truly don’t care. At long last we have a main x-men book that’s not only fantastic but uttterly engaging and I read most issues multiple times. An utter slam dunk

Giant Sized X-Men: This one is incomplete, so I can’t fully say what the full picture is.. but for the three released so far it’s a mixed bag, though the art in all three is gorgeous as Hickman brought on the best artists in the buisness but it’s telling that while New Mutants bellow had issues that bugged me but was still kinda fun, and the above havem y utter priase I nearly forgot to include these issues. None of them are bad and all have gorgeous art as I said, these are some of the best in the buisness, they feel padded. These were supposed to be annuals, but when they decided to change this to one shots.. they shoudl’ve just made them regular length instead, as there simply isn’t enough story here to fill them and so far only Davis’ issue has both had huge setup (both revealing doug’s fusion with warlock is a secret for some reason and that he is indeed still fully alive and revealing what happened to the x-mansion), and due to Davis background as a writer/artist the pacing to fill one issue and even then it could’ve been trimmed. Not bad and I don’t fault the artists for not being used to being writer/artists or having to do so while also conforming to a larger narriative which likely didn’t help or in the third one’s case having to take over for someone else entirely, but it’s , while not bad no ton par with the two above books and I expect better from hickman.

New Mutants (HIckman’s Issues) I’ll cover Brisson’s issues next time as they feel like a diffrent run entirely, but New Mutants was.. a disapointment. I was utterly pumped for this title going in being a huge fan of the team thanks to finally reading the claremont and sikenwitz run and before that re-reading abnett and lannings utterly great run and hey jonathan hickman who’d already done gangbusters was writing it! It had a great roster!

And it starreed one of hickman’s faviorite mutants and one he’d taken a shine to on avengers, and one of my faviorite superheros, Roberto DeCosta, aka Sunspot. On Avengers hickman took Roberto , already a decent character and made him amazing. He was still rich, young and a playboy as ever.. but he used said wealth and his love of fun wisely. When undercover at an AIM casino instead fo throw down, he offers the agents a free day of partying and gambling on his huge dime, then puts them on payroll as his undercover agents. So to recap Roberto DeCosta won the avengers two valuable double agents in what at the time was one of their biggest threats.. by buying them tons of beer and gambling and presumibly hookers. And later got the loyatly of the rest of AIM through these guys, and when Steve found out tony betrayed him and went off hte deep end hunting him instead of stopping the end of the goddamn world, TOOK OVER AIM HIMSELF IN COMBAT WITH THE AIM SUPREME, and then formed his own avengers.

Literally. He got his own avengers team, most of which left after the apocalypse but he simply found younger and hungrier replacements, and aim.. with blackjack and hookers. The man is a legend. And knowing Roberto if hookers were actually involved he probably treated them with respect and overpayed them because he’s a class act. Then under Al Ewing’s mighty pen, Roberto not only formed another avengers team since most of the avengers he formed to stop the end of the world were busy elsewhere, of young and great avengers, while dying of the aformentioned death cloud, but became an utterly brilliant chessmaster, only failing ONCE becaue of hydra cap getting into his head while AIM was working for the us goverment towards the end as the USAvengers. And yes that’s a real team. It’s as insane and beautiful as it sounds. And his new avengers once fought american kaiju, a godzilla with a flag painted on it chaning usa. Al Ewing is the best and I love him. But he also became a master stratigest and schemer with schemes within schemes within schemes, his crowning one being faking his own death and using his fake funeral to clear out any remaning enimies in AIm, and only quitting AIM to keep it out of goverment hands and in the hands of a trusted friend. He was and still is one of the best avengers there ever was and ever will be. But here, as the new mutants go on a road trip to get sam? He’s a fucking dumbass who hires the worst space laywer possible, only gets off trial because Sam and his wife save them, glad they weren’t broken up by the way, and is utterly useless most of the time. It’s like HIckman forgot the last part of his run.. granted time runs out isn’t very good but still, that wasn’t a good thing to forget and like Hickman wants to ignore ewing’s work for no damn reason, even though Ewing did great things with Roberto and kept him relevant when marvel was choking the x-men to death. It’s fucking embrassing and disapointing to see. The rest of the New Mutants aren’t much better mostly being happy but also not really acting like themselves, with only mondo really standing out since he gets great moments and hasn’t done anything in a while. And Doug, who I negelcted to mention above is one of my faviorite mutants and thanks to being krakoa’s primary method of commuincation, is now one of krakoa’s most important mutants, has a seat at the council with krakoa, and weirdly has his best friend warlock hiding on his arm for reasons that haven’t been explained yet. In Short doug went from beign forgotten to being used awesomely again. Roberto instead of getting the same is set back as a character and ends the arc deciding to stay in space because he misses sam, and will likely become third in his marriage i’m sure, and wants to bone deathbird, x-men villian and frequent shiar usuper. But while rahne actually being happy is a good sight to behold they , except Dani, really dont’ do much. Though Magik gets a fucking amazing scene where she asks the various assasians sent ot kill them if they want to make out , not only revealing she’s bi, but that she’d prefer that to killing them all but does so when they dumbly refuse .. I mean seriously who, whose not in a relationship that’s open or way older than her, not take her up on that? The plot their thrust into isnt’ great either, mostly just more setup but not present as well as in x-men about Gladiator giving the shiar empire to xavier’s daughter.. yes charles has a daughter that was created from his and his ex wife lilandra, whose still dead’s dna, and letting DEATHBIRD Of all people teach her instead of his damn self. Xandra taking over isn’t a terrible idea it’s just handeld poorly. It just feels disapointing.. like hickman WANTS to do a JLI style book here but the combination of him only doing one arc and not really wanting to write the characters as they should be, an issue that only pops up here and in the new mutants cameo during x-men proper and not for doug ever, that makes it fall falt.. I mean there are utterly great moments like the above, and hte image i used to lead off their just stifled by misusing roberto and everyone else.

But overall hickman’s works on x-men are fucking great, intresting and engaging. I’ve read the issues a ton and will again. One small mistep dosen’t take away from all the large good he’s done and he’s made the franchise feel alive again and hopefully the MCU take on it will take after this run, as it’d be a great way to break from the endless xavier vs magneto battles of the fox universe. So yeah overall 2 great books and a thankfully short misfire, HIckman’s on top. And next time we’ll see who he picked to help him carry the x banner home to us all, and who did well with it and whose stumbled a bit as part two delves into the rest of the dawn of x. For now subscribe for more comics stuff as I plan to get back on that, including I hope a restrospective on the fox era x-men sometime soon, animation reviews, and more fun stuff. And until then, courage.

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aion-rsa · 4 years ago

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The Suicide Squad: What’s Next for Harley Quinn in the DCEU?

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This article contains major spoilers for The Suicide Squad. We have a spoiler free review here.

The Suicide Squad might just be the best DCEU movie yet. Not only is it a sterling ensemble piece about the horrors of American imperialism but it’s also the world’s weirdest buddy comedy. And in a film full of stunning performances–Idris Elba, David Dastmalchian, and Daniela Melchior please stand up–we got another killer turn from Margot Robbie as Harley Quinn.

After kicking all kinds of ass in Birds of Prey, the Mistress of Mischief is back and better than ever. This is a truly emancipated Harley, one who hates the Joker, will kill an abusive man in a second, and who plays a huge part in saving the day after choking out a man with her thighs, of course.

While Robbie has said she has “no current plans to reprise the role” after The Suicide Squad, we couldn’t help but think of where the DCEU’s most badass and brutal on-screen anti-hero has been and where she could go next. Thanks to the comics, cartoons, and imagination of those at DC Comics, we’ve got plenty to draw on.

Let’s start with where Harley has been to see how it impacts her potential future…

Before the DCEU

Harley began her career in the beloved Batman: The Animated Series cartoon as a one-time henchwoman for the Joker. But that quickly changed and she soon became a core part of the show, and not long after became a fan fave character in the comic book universe.

This iteration of Quinn was a huge influence on James Gunn in bringing her to The Suicide Squad and might explain that unforgettable animated sequence as she escapes from the palatial prison of Corto Maltese.

It’s also important to note as until The Suicide Squad her most popular contemporary iteration was once again in a cartoon, but this time it was the DC Universe turned HBO Max smash hit adult animation series that bears her name.

Harley Quinn in 2016’s Suicide Squad

While David Ayer’s Suicide Squad might not have been for everyone–apparently including Ayer himself–one thing stood out: Robbie as Harley Quinn. While she was mostly sexualized and used as eye candy, Robbie gave Harley depth, humor, and heart. It was the standout performance and is a huge part of why the DCEU version is so popular today. While it’s great to see Harley’s growth, we have to mention the movie where Robbie made her debut.

Birds of Prey

Cathy Yan’s brilliant Birds of Prey let Robbie go wild with her take on Harley. This was the action heavy R-rated take that fans wanted to see. With a predominantly female creative team behind it, the film eschewed the male gaze and misogyny that Harley has sometimes had to fight through.

Here we saw a Harley who was freed from the Joker, had her own crew, her own incredible fashion sense, and even her own burgeoning moral code. Not only was this a badass outing for Harley but it feels tonally and aesthetically in tune with the route that James Gunn went in The Suicide Squad. The emancipation of Harley Quinn began here, long may it reign!

The Suicide Squad Sets Up What’s Next for Harley Quinn

While it’s unclear where Robbie sees the character going next, we get a good feel for Harley and her new found freedom here. The world is her oyster. She has new allies–maybe even… friends?–and a magical javelin. Basically, anything can happen as she heads into the future.

Poison Ivy

This seems like the clearest and most popular option for more Harley Quinn.

While it looked like it might happen in the form of the now not happening Gotham City Sirens movie (which Suicide Squad director Ayer was once attached to), there’s still legs in this partnership which has been delighting fans for decades. In both the comics and cartoons her relationship with Poison Ivy has been a key part of Harley’s lore. While they began as friends, the canon has shifted to being on-again off-again romantic partners in all mediums. So we need to see that on screen in live action… SOON!

It would be really easy to take the comedic action stylings of the HBO Max Harley Quinn series which saw the pair traverse the hard realities of love in Gotham and bring that to either a longer format series–which we’d love–or a movie. Just putting these two A-listers together would be a huge selling point and if they played into the queer romance it would make huge waves.

“Trust me, I chew their ear off about it all the time,” Robbie recently told us when we asked about the possibility of adding a live action Poison Ivy to the DCEU. “They must be sick of hearing it, but I’m like, ‘Poison Ivy, Poison Ivy. Come on, let’s do it.’ I’m very keen to see a Harley-Poison Ivy relationship on screen. It’d be so fun. So I’ll keep pestering them. Don’t worry.”

If DC decided to go a little more dramatic they could take from the pair’s comic book canon. It would make a lot of sense to explore Harley’s love life post the Joker as both of her most recent DCEU appearances have made note to mention his negative impact on her life.

During the 2013 Harley Quinn comic series fans got to see the pair finally become official as Harley came to terms with her abusive relationship with the Joker. An easy route for the DCEU to take–either seriously or more comedically–would be to make Harley and Ivy a sort of Thelma and Louise of the DCEU, a couple of cool gals against the world… and if they have their “daughter” Cass Cain with them too we’d be very happy.

While they broke up in the official DC Comics continuity, they are currently getting back together in Harley Quinn: The Animated Series – The Eat, Bang, Kill Tour. The hilarious sequel to the cartoon expands on their romance and plays into that more humorous angle. But simply the fact that the pair are together again in the comics means that there’s even more canon to take from here.

Female Furies

In spite of the sad news that Ava DuVernay’s New Gods movie is no longer in production, we might have found a silver lining. In recent years Harley has faced down against Granny Goodness and even joined her Female Furies. This has happened in both the ongoing Harley Quinn comics series and the DC Universe cartoon. It’s a really cool and out there idea for the character in the DCEU, and could be a cool way to introduce the more cosmic aspects of the universe through the lens of one of the world’s most popular comics characters.

It would be pretty easy to do a Female Furies movie or TV show where Harley is enlisted into Apokolips’ hardcore squad of warriors. There’d be an exceedingly fun fish out of water element as well as the potential to do something totally different than we’ve seen before.

There’s also the option to emulate the Harley Quinn TV series and follow Harley as she seeks out Granny Goodness in order to gain the nefarious power of the Motherbox, which would obviously go wrong pretty quickly. While we’ve seen elements touched on in Zack Snyder’s Justice League, DC isn’t afraid of reimagining things regularly and we’d love to see Harley on an epic cosmic adventure with Darkseid on her heels!

Another HBO Max Spinoff?

If the villainous Peacemaker is getting his own HBO Max show, why shouldn’t Harley? And there are a ton of incredible routes the series could go. The most obvious right now would be continuing the Harley we see in The Suicide Squad.

Seeing as Rick Flag and Harley were clearly close, it would be very easy to intertwine the Harley show and the Peacemaker series. What if while Peacemaker was trying to “save the world,” Harley and potentially Bloodsport–he served with Rick and clearly cared about him–were hunting him down in their own series? That would be a pretty smart way to expand the radical world of The Suicide Squad while giving Robbie far more space to play with the character she’s long defined.

Ever since Birds of Prey, fans have been wishing for a Black Canary or Harley-focused spinoff. With Peacemaker setting the precedent for solo DCEU shows, this could be another great route. We’d love to see the return of Ella Jay Basco as Cass Cain or even the return of Rosie Perez as Renee Montoya. This is a little more of an outlier but the gritty crime movie tone of Birds of Prey really fits into the current DCEU and HBO Max vibe. And in our real dreams, Cathy Yan would get the Gunn treatment and direct.

Batgirl

We’re finishing off with what is currently the most likely of our options. The upcoming HBO Max Batgirl movie is penned by Christina Hodson. Hodson and Robbie have a close working relationship as the Bumblebee screenwriter also wrote Birds of Prey. There’s also the fact that Robbie is a huge supporter of female-led storytelling so bringing her clout and fan favorite character to Batgirl would do just that. It would be really cool to see Harley pop up here as either an antagonist or ally to Barbara Gordon.

As this is going straight to HBO Max, there’s likely more freedom to play with canon and format. But with Robbie unsure of Harley’s future it could be more realistic to expect a brief cameo rather than a full on-screen Harley storyline when the movie hits the streamer down the line.

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The Suicide Squad is on HBO Max and in theaters now!

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