#[i really want it to be digital but im VERY new to digital art]

[2001hz]

hi, i just want to preface this by saying that i admire your blog and your dedication to archival and the preservation of culture.

i wanted to ask you a few questions about it since i’m interested in developing an archival project myself.

what is the process like for you doing your own scans? where do you source these materials and how do you choose what you’re scanning? is it an intuitive process or do you have a specific vision for what you seek out?

i’m interested in knowing what your journey is with archiving and how you became interested in it to begin with.

i hope you have a good last couple weeks of summer!

hello and thank you!

the process of scanning magazines and books from my personal collection/library is almost always specific Im always going through the years of said fashion designer’s work and trying my hardest to research as much information as possible, for example; naoki takizawa great designer has designed some of the best menswear and womenswear for ISSEY MIYAKE, I’ll scan and research the womenswear collections he worked on that the majority of fashion consumers rarely talk about, I’ve always loved learning and gaining new knowledge about fashion so doing that not only helps me but fashion enthusiasts as well. that’s really the joy of it all.

it’s the same process for art as well, but different, I love imperfections and grotesque things. so I research artists that express ‘ugly’ imagery beautifully. hr giger work has always portrayed that for me so I scan his concept art for alien and his work before and after that.

sourcing information digitally is troublesome especially if you want a handful of coverage, I’ll just recommend collecting as much fashion magazines like WWD.

I became interested in archiving on the internet back in 2017 and I didn’t really start scanning things until 2019, I love spreading information and passionately telling people about my favorite fashion designer’s work so this has been a passion project for me ever since then. im a student of art and fashion so I humbly think I open thought loops like no other but one’s ideas is truly not original so I do things with my blog a little differently than others when dissecting the world of art and fashion.

on the topic of archiving and preserving fashion, when I was younger had met a model in real life before knowing she was a model I just thought she was really tall, funny enough the next day I had seen her on america’s next top model very surreal moment for me but I live in NY so I guess things like that could happen at anytime. that gained my love and passion for fashion but it wasn’t until I got my hands on a Y-3 jacket I had found back in 2011-2012 while on the clock with my dad in manhattan, super cool memorable moment for me, I’ve always been fond of Yohji Yamamoto.

being from NY you live and breathe fashion through every era, so that played a huge part of me being the fashion nerd I am today, seen every phase in real time, the nigo bape era, 2010s supreme, rick owens, ralph lauren rugby polo, the marmot 'biggie' era, street goth, glunge, indie sleaze etc, my palate for fashion has grown overtime leading me more into passionately connecting to fashion on a spiritual level and continuing to do so as Im typing this.

so this has been a long journey of mine and if my blog and the essence that I bring to 2001hz impacted you in anyway I appreciate you and wishing u the best of luck.

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[kyurochurro]

HAPPY HOLIDAYS!! here's a cozy lil drawing of Rosalina and he Lumas for the Christmas season :D 🎄💫

[that-last-alliance-fan]

Sea Shanty - The Barrel-Riders

(apparently pinterest has an app for making collages??? since when??? anyway send me TLA songs and I'll see what I can do >:] )

[sc3n3kitt3h]

IM LIKE IF A BOY WAS A MANIC PIXIE DREAM GIRL WAS A SCENE FAG

[pyrriax]

hi tumblr im pyrr pyrriax and im in my trimonthly artist arc, lord help me and all the projects that are currently sitting in my drafts while i am lured in by the siren song of drawing

[steffyanie]

oh iris how i love you and the weight of your magic

[mclalan]

What art program do you use? sorry if you already answered something like this but im so mesmerized by the techniques you use in your art.

Thank you. No need to apologise; I don't mind answering this question because it's an excuse to walk through my latest image!

The concept for this piece is based on being perceived online through interpretations of posts and artwork, yet how artificial this can be. The relationship the viewer forms is more with the narrative of the work, and any insight into the artist through this feels highly awkward to me, which is precisely what I want to explore with this piece.

In this example, I wanted an attractive sitter to look like someone out of a new romantics music video or like an Enya video, because this genre and era of media is very aesthetically pleasing and nostalgic for me. I hold it as an unobtainable ideal— a hauntology. So, as wonderful as it is, it equally feels shameful and perverse because it's an aesthetic object of desire that I am contriving.

The sitter is holding one of my cartoon characters, Lauren Ipson, the protagonist of my Ersatz world project. A trope in writing is when a character acts as a self-insert of the author, and I'm conscious to try and avoid that with Lauren. I try to write Lauren as dry and sardonic yet also fun, dramatic, and friendly. I don't think of these as personal qualities of my own, but I imagine personal qualities bleeding into fictional characters is inevitable.

Yet Lauren Ipson feels much more alive a character to me compared to any attempt at self-portraiture or self-expression that I've done, which is very little because I'm not interested in constructing a perceivable identity. (I'm aware this text itself can be interpreted as self-expression; however, to me this is just another construct.)

So Is the sitter meant to be me, controlling Lauren? I'm definitely baiting the viewer to think this, and you can interpret it that way if you want, but really I don't think of the sitter as me at all. My intention is to show how it's all a facarde. The sitter is basically just as much a doll, a puppet, a mannequin as Lauren Ipson is, if anything more so.

There's a deliberate irony between Lauren's cartoon rendering and the sitter, who I wanted to render with more detail and evoke a modernist style. I'm inspired by Hans Bellmer and Dorothea Tanning with their work with dolls. However, despite that implied visual hierarchy, the more detailed sitter shares a similar, stilted vector construct to Lauren. They're both born from vector drawing after all. And it's further undermined with the way Lauren the doll looks directly at the viewer, as if she's alive, while the sitter looks to the side with a blank, almost dead-in-the-eyes expression.

Anyway, with that in mind, almost all of my work starts as a thumbnail sketch. Although I often draft digitally and am fine with doing that, I feel more confident doing it freehand on paper. Digital rendering feels more like a refinement process to me. Funnily enough, although I often prefer to sketch with physical materials, I'm anxious of refining or rendering with them.

I like my designs to be very direct and conceivable, so a solid silhouette, pose, negative space etc. I often create a quick digital sketch with this in mind, either by tracing or referencing the thumbnail, although sometimes I skip this step and go straight to the rendered drawing. The aim is to establish a visual guide, dividing the drawing into various shapes for digital airbrush rendering later on.

With this composition, I made a second draft with more attention to details such as the face, hands and feet. Sometimes I'll use photo references if I'm struggling with posing or anatomy. These drafts are often blue because it's easier to render the black linework over a transparent blue sketch.

The chair took some time but was relatively simple to render. It uses the line tool set to magnetic anchor point, following two-point perspective vanishing points. I like two-point perspective because it feels sort of digitally native to me to have these impossibly perfect vertical lines. I also know the horizon line should be at eye level or something, but I just like the idea of the top of the chair to be perfectly horizontal.

Here I'm drawing the final rendered form. I use the stroke tool with it set as smooth as possible. Often I'll redraw lines over and over if it means getting certain curves to look right. Once the lines are drawn, I'll fill them in and remove the stroke, leaving just the solid vector shape. The shade of grey I use is done to simply denote the shape. It does not represent any kind of shading or anything; in fact, when I bring it into Photoshop, all these shapes are set to the same shade, but if I had that here in Animate as I'm drawing, it would be impossible to see what I'm doing. The red background is just for clarity.

Once it's all drawn, I'll make sure every shape is clean, overlapping nicely, and divided into its own layer. A composition can often be comprised of hundreds of separate shapes.

Each shape will be its own layer in Photoshop, which will operate as a clipping mask. The clipping masks act like masking tape or shielded off areas for soft brush opacity rendering, similar to the soft atomised rendering from an airbrush, just done digitally.

I follow very rudimentary painting techniques of simple shading, lighting, and bounce-back highlights. I follow a simplified Grisaille technique, focusing on strong values in greyscale before adding a wash of colour with a color gradient map set to layer style color. Sometimes my values can be a little off, but as long as the values are all consistently acting together, I can correct them with transparent washes or color curves. If the greyscale looks harmonious with all the forms clear, colour will likely work.

Proper digital painters will say this is an amateur process, with results that look mechanical and stiff, as colours in the real world all bounce together off different surfaces, resulting in colour harmonies. However, I don't mind the inharmonious nature of the colours, as I find the values give the composition enough harmony. I'm working digitally, so why go to all the effort to make it not look digital? It's interesting to me to have the red chair look blindingly red, the green skirt look blindingly green.

Colours can look boring without some form of harmony though, so I will add in blue-greens with the darker areas, more turquoise greens towards the highlights.

Skin tones are far more complex, however, as it's something that's more informed by realism. This is why kigurumi dolls with their plastic flesh look so artificial to the eye, because we're familiar with how light passes through flesh and skin and all the subtleties of colour that it picks up. This piece is the first time I've explored flesh tones, as typically I avoid all this by rendering skin as grey porcelain.

I needed to really up the contrast, with shaded areas becoming purples and highlights verging on washed out. Areas with more blood, like feet and cheeks, appear more orange and red. Areas closer to bone and cartilage, like the bridge of the nose, can look almost blue and green. Exploring these colour values and tints in the aim of natural tones was fun to do, and ironic given how blank the face is.

Although in the moment I feel very much like I'm rendering a realistic reality, when I step back, I'm reminded how stylised and unrealistic the painting actually is. It looks kind of insane, like everything is so uniform and overtly saturated. It doesn't feel present in a real space, despite the shadow and form implies one. But I'm not consciously thinking of these things, of style, as I'm working. To me, it's a process of world-building and problem-solving.

[xanwyn]

animation for THE NEON VOIDD BABYYYY

this post is for @sugarpasteltmnt

‼️‼️MEGA YAPPING AHEAD PLEASE BEWARE‼️‼️

this might end up being really long and rambly and sappy but maybe not who knows.( it was) (and also featuring numerous spelling errors i am way too tired to fix and i am not re reading what i just wrote) SO. yknow how when chap idek..25(?) came out and i was all like “yeah so i made this animation for TNV and ill drop it when the fic ends” in your ask box? so. I FINISHED IT RAHHH. technically it has been finished since i sent that ask but ohhh my goodness did it need polishing. i haven’t animated in 4 years before that and omg it felt so good getting back into it but IDFK SOMETHING IS STILL NOT UP TO MY STANDARDS. i feel like i could have done so much more with it and i deffo wanted to but as soon as i told myself “oh yeah this is basically done” art block literally sucker punched me in the gut out of NOWHERE. I COULD NOT PICK UP MY I PAD. I COULD NOT DRAW. I WOULD STARE AT THE WIP ANIMATION AND BE UPSET BC I DDINT WANNA WORK ON IT AHH. that goes with saying. i kept having this thought in the back of my head “you need to finish it. you have a wip sitting. finish it. go do it. what are you doing are you STARTING ANOTHER PROJECT??? anddd yeah i got super distracted with other stuff and other projects and then i started spending my free time rewatching 2012 turtles and omg this summer has been a mess. i have all the free time in the world and i choose to be the least productive as possible with it even though i have a job that lets me literally sit on my phone and do whatever i want if no one is there. (i’ve brought my switch to work numerous times ☠️) what i was trying to get at is the fact that TNV has inspired a lot of the old me to come back and i lowk missed her. i really missed the point in all those words up there but im here now so whatever. BUT. TNV made me make a tumblr account, i got back in to animation AND digital art in general, got back into longfics that are ongoing, AND it also helped kickstart ideas for writing. i’ve got so many stories now!! you are such an inspirational person pastels i just- every time i read a new chapter of yours it made me wanna go get up and do something. i wanted to create something. because at the end of each chapter, i would think- “woah. a person out there just wrote this. they just sat down one day and committed. i wanna do that” so i did that. just huge thank you and shoutout to you pastel. like damn. idk no words from me here. just a bunch of platonic hugs and kisses and thankyouthankyouthsnkuou for this lovely heart wrenching but also sweet story. i love this fandom (tmnt) so SO much and i think it’s so awesome how interactive you are with your own personal NV fans. crazy how we’re all here because of a bunch of turtles. 

STUFF ABOUT THE ANIMATION:

okay i really like to talk and if you let me, i will run my mouth. this is the internet so im gonna do just that. so more words for you to read 😁. AHEM. so like i stated before in the genuinely scary mess of words up there, i haven’t touched animation in a while, like, 4 years a while. yes i’ve done digital art here and there along the years, i haven’t been doing it nearly as much as i need to to use some programs to their full potential. layers are still confusing, and don’t even get me started on multiply and all that jazz. shading never comes out right on digital for me, i gotta work that one out. so, for this animation, i decided to go with a very rough style. nothing needed to be perfect, i just wanted to live my little life of trying to experiment with a bunch of different things all at once in one short animatic. I wanted to do that little ball bounce thing all animation artists start with (i kinda included that with the key). i also wanted to have a go at lip sync (no hate it was my first time) and also timing the animation with the music. i wanted to see how smoothly i could move a figure in and out of and out of the screen as well, which honestly, i think that part might be my favorite. i think i did a good job, and thats what matters. the animation itself lost a bunch of quality on importing it- no clue how it happened but now the ending is grainy af. ignore that pls lol- but it was sitting in my flipaclip for god, i dont even know, 3 months now? i kept going back and forth on if i wanted to share it or not, so im throwing it to the wolves and i guess whatrver happrns happens and im good with that. yay. im actually rrwlly tired now sooo *leaves this absolute pile of words with a video attached at your feet and stumbles away quickly*

also i’ve genuinely never posted anything so i’m learning how to use tumblr too ☠️

[epiicaricacy-arts]

without the sour the sweet wouldn’t taste

why are you as a man eating another man’s ear after you failed to make him eat his ex girlfriend. 🤨🏳️‍🌈⁉️

im allowed a bit of toxic yaoi. as a treat

process discussion utc ⬇️

for those familiar with my work you’ll know that i like trying a lot of new styles and experimenting in order to achieve a certain vibe. usually those are heavy painterly styles such as the sunday art inspired by Yuming Li, which is what i’m familiar and comfortable with, both traditionally and digitally

what im NOT familiar with is watercolour. i’ve never had a good time with it 🥲 i just cant seem to wrap my head around the process since its requires me to work backwards (light to dark vs dark to light)

for this piece i just couldn’t imagine myself rendering it in my usual style. i needed to do something new so that i’d stay invested enough in the piece considering that it has two people, meaning double the work. for some reason i thought it’d be fun to do double the work with a style i am completely uncomfortable with but oh well!! i managed to do it 🤷‍♀️ i was specifically looking at the works of Ko Byung Jun, an artist i’ve seen all over my pinterest feed

while i didn’t end up really following the style super closely i still learned quite a lot just by looking at it while i drew. i tried my best to stick to watercolour brushes and an ink pen but as i was nearing the end i needed to make some alterations that i wasn’t bothered to try fixing with the watercolour brushes so i just went over it with my digital ones 🫡 i did my best that’s what matters!!!

i had to repaint rody a few times cause i just couldn’t get it right and the colours never ended up matching vincent. i painted them separately and i think i got possessed while painting vincent cause it happened in like. 40 minutes. and i couldn’t get it to happen again 😔 it didn’t really matter cause i ended up going ham with the curves tool as always but you know 🤷‍♀️

here’s the image without all the effects:

i find lately it’s been more and more common for me to be sketching several iterations of a concept for days, even weeks before i land on something i like. i have an entire separate canvas that i’ve spent 5 hours just doing thumbnails trying to figure out how i wanted to pose these two in a way that would showcase the characteristics that mattered in the story of this piece.

that’s my process for coming up with drawings: i find inspiration somewhere, i figure out the key concepts/characteristics/symbols etc i want highlighted, and i work around those. sometimes i have a composition in mind or just a general vibe i want to portray. for this one i wanted to make sure the towel, rody’s injured finger and vincent’s face could all be clearly seen, while also portraying the fight scene and the vibe i get from the reference song. almost all of my work revolves around a specific lyric from the song which drives the story of the piece. here i interpreted the line “without the sour the sweet wouldn’t taste” as a connection to all the little actions vince takes with rody that can be seen as “sweet.” drying rody’s hair, bandaging rody’s cut. i then asked myself how i could take those actions and make them “sour” or show them in a different light, in which vince is biting the finger he bandaged and pulling rody closer, preventing his escape with the towel he used to dry his hair. what im trying to communicate in this illustration is the idea of “if it weren’t for how i’m treating you now, you wouldn’t understand how kind i was to you then” in an attempt to illustrate the complexities of the way vincent acts towards rody.

i’m truly in love with the story telling of this game. it’s hard to really say anything about how the characters acted during the story because it’s so complex in how it’s done. it’s very hard to summarize their relationship because there’s so much about it i can’t explain without just quoting the game directly. i think it’s such a beautiful portrayal of obsession and just being fucking weird about someone. i wanted to ensure the elements i mentioned in the above paragraph because i didn’t want to be portraying vincent as solely a villain and rody as a victim. i wanted the storytelling of this one illustration to live up to my impression of this beautiful game and i hope i did it justice.

thank you for reading this if you’ve made it this far. i love rambling on all my art posts cause i think it’s so valuable for artists to expand on their work outside of the result alone. i hope what im saying is at most helpful to someone and at the very least a good read. i’m probably gonna take a bit of an art break after this since it took a lot out of me, plus im on the last days of my trip. thank you again for reading!

here’s my dog

[shrimpbat]

Hii Im just starting doing digital art and your artstyle inspires me a lot<33 But I really struggle with lineart, can you please give me some tips?? Thank you anyways :33

Hello there! First, thank you! I'm very glad my art could inspire. ^_^ ♥ Second, yes! Ofc I can assist with that! :D

For me, to have my line art appear smoother, I have my stabilizer set to 60!

This makes the lineart over the sketch appear really clean and smooth! I also have a very angular and toony style, which helps make the lineart cleaner overall, but if your style's more round and realistic, make sure to try and erase lines coming off the edges if you don't want it to appear more sketchy than clean!

But if you're trying to go for a more sketchy effect you can leave that little line! :]

Shape language is huge in my art too, and it can help with lineart! For the sketch, try drawing a character with a specific shape in mind! For me the character doesn't have to completely be made up from these shapes and can have multiple shapes make them up!

Shapes can really help with line art!! Honestly it helps you guide your hand on what you're going for in your art a little more. And it feels smoother! To me at least. ^^

For the last one, and this one is COMPLETELY optional, but I color the lineart of the characters that I draw's hair!! I use the clipping tool for this above the line art. It gives a 2000s feel since a lot of cartoons back then used that style!

Sometimes when characters have completely black hair, I discard the line art around it, like with my characters Bonnie and Nora.

But I can break this rule sometimes, like with my characters Vex and Sara.

Quick tip! If you're willing to do colored line art for characters with black hair, use the clipping tool! Make a new layer above your top layer and then check clipping. Then use the color you want!

Just a disclaimer tho, in my own art I don't use a lot of layers lol. I use one for lineart and one for coloring! And ofc one for the hair lineart.

But overall I hope this could help!! Thank you for asking me! ^_^

[asclexe]

⭐️ government-forced blog intro post ⭐️

(new and improved!)

welcome to marvin’s marvelous mechanical museum!

🌟⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️🌟

^ me if you even care..

art above by the one and only @pingunaa

remember 2 to do ur daily clicks for palestine

free everyone!! help some people in need!!!

fun websites masterlist

suicide hotlines

this could save your life!

kys /j <3 (KEEP YOURSELF SAFE /srs.)

hai!! hello!! hey!! what’s up!! basic info/fun stuff below the cut (very long intro soo sorry)

*flash/blink warning for the blinkies

name: asclexe formally? cameron causally, but call me whatever! no, seriously! idc! nicknames (ex: cam, ronnie, cammy, etc) are welcome! feel free to call me your pookie or your son or child or something, be creative!

⭐️gender and pronouns: i am uhhh. nonbinary i think. they/them preferred, but it/its or he/him are also fine!! i prefer gender neutral terms, but i also am more masc leaning. like im a man. but also just a person.

⭐️not specifying my age but im a minor. B cool!! internet safety!!

⭐️sexuality: aromantic asexual aplatonic lesbian dumbfuck

⭐️nationality/country: american fuck my stupid baka life (EST timezone)

⭐️ i am also white :/

⭐️star sign: leo :3

⭐️personality type: intj (also houses mtbi if u care)

⭐️religious alignment: atheist cause im god /j 💪💪

bigots and pedos/zoos are lame and not welcome. i bite scammers. exclusively nsfw/kink blogs not welcome. im a kid. ed blogs please do not follow me because im uncomfortable with that. also don’t expect a follow back if youre over 24 cus thats weirdd

also if ur a diehard stan of anything pls think :3

dni if you’re from earth or human. aliens only blog. /j

and everyone else is welcome :3

⭐️fandoms im most active in:

house md

doctor who (only on season 2!!)

good omens

warrior cats (on arc 5 but i don’t plan on reading them)

dungeon meshi

movies in general

+ any other fandoms i consume in the future!!

⭐️fandoms i rarely post abt but still enjoy

tbosas/the hunger games

dead poets society

six feet under

a series of unfortunate events

fnaf

she-ra/the owl house/steven universe/gravity falls/etc

bluey

barbie/monster high

doogie howser md

scott pilgrim

the amazing digital circus

the middle

stardew valley

the spiderverse

abbott elementary

aggretsuko

i will post abt my sims occasionally :3 most posts are text posts bc im untalented

*i’m looking to get into evangelion, supernatural, hannibal, saw, and dexter 👍

i write fanfiction and poetry (i take requests feel free to hmu), i do local theater, i make pride icons (also requests hmu) i drabble in the occasional doodle, and i like baking and watching youtube and scrolling through tumblr and walking through the forest and my neighborhood and making bracelets and spending money and laying on the floor and singing and dancing and being silly and reading medical textbooks and cool novels and hanging with my irls and idk, yeah! life! carpe diem!

*also i’m trying to get into reality shifting! (im not a freak i swear)

⭐️my fav music artists (a little all over the place:3) jack stauber, will wood, lemon demon, tally hall/miracle musical, dazey and the scouts, mommy long legs, the oozes, bear ghost, mitski, chappell roan, weezer, the smashing pumpkins, my chemical romance, laufey, liana flores, faye webster, MARINA, pearl & the oysters, queen, no doubt, slipknot, korn, mindless self indulgence, hole, some olivia rodrigo, charli xcx, some vocaloids,

i love pretty much all kinds of jazz, rock, and showtunes (except ballads. i dislike ballads)

my music taste can be described as like. neurodivergent weird kid alt rock and hot girl summer pop.

(music recs are very much welcome <33)

*taylor swift enjoyers follow at your own risk (i hate on her occasionally. i really dislike her music and she’s also not that great of a person)

random facts about me :3

⭐️i’m left-handed (bully me for it ik im a freak)

⭐️unfortunately a theater kid :/

⭐️tall for this website

⭐️the most insufferable and annoying person ever

⭐️DOESNT BITE!! (i swear)

⭐️ i’m genetically pitch perfect but i’m awful with rhythm

⭐️favorite planet is ur mom (i ❤️ venus)

⭐️honors roll baby 🔥🔥

⭐️im most likely neurodiverse?? undiagnosed but speculated

⭐️perpetually alone only child 😔 please talk to me i love chatting with people, asks and replies preferred, dms okay <33

⭐️favorite color green. all of the shades.

⭐️i haven’t cried properly in like a year and i am not breaking my mewing streak

⭐️minorly touch/attention starved :3

⭐️single & ready to mingle!! (please don’t fucking talk to me like that im aroace and a minor )

⭐️REBLOGGING MACHINE 💪💪

⭐️i’ve never seen an episode of spongebob but saw the musical

⭐️#1 BEST XBOX SIMMER 🔥🔥

⭐️im nicer than i seem (i’m also a very negative person in general but i keep my thoughts to myself!)

⭐️i have a massive sweet tooth :3

⭐️(new) tags guide!⭐️

*note this is a new system i’m trying out, some older posts do not apply

#asclexeposting - all original content

#camyyaps - unhinged text posts/late night eepy time posts/yapping in the tags

#cam touches grass - the rare times i go outside and touch grass and do stuff

#ask the fellows - relating to my ask blog (go follow it go do it its @ask-the-ducklings go ask stuff)

#me ask :3 - reblog of something i asked another blog

#mootie :3 - if we’re mutuals and you send me an ask i tag it with this :3

*you also get your own individual tag for asks, for example @pingunaa is ping :3 and @rubeslovesthesmiths is rubes :3, etc

#cammy’s 4 later tag :3 - stuff for later!!

#cam plays the sims :3 - my simming tag

old man doctor yaoi prompt list :3

my house md oc :3

⭐️side blogs!⭐️

@ask-the-ducklings - ask/roleplay blog 4 the house md duckligns

1/2 of @meanwhile-on-the-road, the other half is pookie @sillyhyperfixator

@house-md-referrer - house md references

@theindierockcafe - writing blog

this will be mostly reblogs of my silly mutuals/my fyp, i try to make original content often! I ❤️ REBLOGGING ART YOU SHOULD DO IT TOO!!!! hope we can get along! ask me whatever! i don’t know! be nice and respectful cause i’m a minor!

SPAM MY ASK BOX :3 create lore, send me images, ask for comfort, WHATEVER!!!! im friendly and ill answer your ask eventually.

disclaimer; i live in the us and a snowflake so im occasionally political, nothing too extreme im just scared 👍 i also don’t spoiler tag!! sorry!

if you want me to share your fundraiser; give me some time to verify you!!!! i promise im not ignoring you!!

blinkies made in the blinkie cafe :3

[maskedchip]

I am looking thru files rn and take a lot of pictures of my own art for progress, bc I think like many creatives, it's hard to explain or describe how i get from point A to B in art. im a horrible teacher but this piece for example: (explained under cut)

i tried drawing their little cafe outfits really fast but i just didnt vibe with it. idk what made me want to redo the whole thing. i like the attempt at cooler colors for asougi though. so then we move onto these and:

the first pic looks like an absolute MESS, but what i generally do is get a sketch down, and COLOR out of the way first? I assume it's to set the general tone/ vibe for the piece, which is why you notice a lot of plain color blocks in the bg. then i go back and do lineart and merge all the layers to paint! :D

tbh it's a very back and forth process, and the best way someone described it to me is "you put down blobs of color and then go crazy" which is very, very true.

I think i like the aspect of "carving" in traditional art, where you kinda play around with paint so you go over it again and try something new. so i try to apply that to digital. i think in a lot of my pieces you can see i teeter on the line of messy lineart with color to full blown painting.

anyways there was no point of this, but this is why i always wanna keep track of old art and why i go and revamp old concepts. like i can always try again! also why thumbnailing is very. very. important. but my main goal in art is to have fun when u can, so that's why i play alot.

[gentlebeardsbarngrill]

02/11/2024 Daily OFMD Recap

TLDR; Cast&Crew Sightings; Rhys; Wee John Wondays; Rosie; Vico; Kaimana; Vico & Samantha Rei; Claudia; Articles; S2 Rewatch; Relax I'm From the Future Watch; Articles; People of Earth Season 1 Watch Party Reminder; Apple Tv Valentine's Video; Love Notes; Daily Darby/Tonight's Taika;

== Cast & Crew Sightings ==

= Rhys Darby =

Our favourite Captain attended the 28th annual Art Directors Guild Awards at The Ray Dolby Ballroom on February 10, 2024. He announced 2 of the winners and both those people weren't there to receive it! "This feels personal. What's so bad about meeting me?" NOTHING RHYS EVERY ONE OF US WILL COME MEET YOU DON'T WORRY. Thank you to @rhysdarbinizedarby for all the pics.

==Wee John Wondays==

Wee John Wonday's are back tomorrow! 10.30 PM GMT (5:30 PM ET, 1:30 PT) Looks like there's a Mystery Special Guest! Could it be Nathan? Or Matthew Maher perhaps? Someone cute!

== Rosie and Vico and Kaimana ==

Rosie also attended the Them Fatale last night! She got to meet up with Vico and Kaimana and it looks like everyone had an amazing time! These three are so adorable together.

Vico also met up with Samantha Rei! Check out their Live IG here

= Claudia O'Doherty =

Not OFMD related, but it's nice to see our lovely Claudia (Mary) out and about and being a goofy fun lady as usual.

== Articles ==

The Best New TV Shows to Stream on Max This Week

== Today's Rewatch Party / Relax I'm From the Future Watch ==

= S2 Rewatch Party =

Our friends @adoptourcrew had a Rewarch party with Q! today in honour of Season 2 being on iPlayer. Just some highlights for you folks not on twitter:

= Relax Im from the Future Highlights =

== Watch Party Reminders ==

Feb 12 - Feb 16: People of Earth Season 1

People of Earth is no longer on any streaming platform, but it is available for digital purchase (ex, on Amazon). If access is an issue, DM Me @gentlebeardsbarngrill (@iamadequate1 may be indisposed so I have access if you need it).

Season 1 watch next week from February 12th to February 16th. 

Skipping the week after in case people want to participate in the next Palestine strike. 

Season 2 watch from February 26th to March 1st 

Times will be 10pm GMT / 5pm EST / 4pm CST / 2pm PST. Watch two episodes per day. Episodes are 21-22 minutes each. Use the following Saturday for the tags/watch if interested but not able to make this time.

Hashtags: 

#PiratesOfEarth 

#SaveOFMD 

#AdoptOurCrew

== Apple TV Valentine's Video ==

Some of the crew put together this lovely video for the Apple TV #WooAsACrew event! Check it out!

Vocals: twitter.com/ferventrabbit Video: twitter.com/Giulianaazr & twitter.com/ragsandmuffins

View this post on Instagram

A post shared by SaveOFMD Crew (@saveofmd_crew)

== Love Notes ==

Alright lovelies, it's that time again. Covid brain is still pretty strong with me tonight so I hope I don't sounds like a raving lunatic. Over here in the US it's Sunday night. For those of you on the other side of the world it's already Monday. I hope you all got some good rest this weekend, you deserve it. You've been working so very hard at just living lately. It's tough I know, and it can really wear on you over time. You're doing great though, you really are. It's so hard to see how far we've come when we are living in this constant state of survival, but you know what's really cool? There's a past version of you right now that is so incredibly proud of you. If that you could see yourself right now, they'd be in awe at how far you've come, and how much you've grown. Where you are today will be that same person in a few months or a year, marveling at your progress. You are doing so very well, even on tough days. Remember that. The crew and I are so very proud of you lovelies, and we know past you is too (and hopefully present you, but I understand if that's harder to do). Get some rest and keep at it, you got this. <3

== Daily Darby / Tonight's Taika ==

So for tonight, I have a serious question. How the HELL did I miss that Taika did a TED talk, in a goddamn suit vest? Holy Frijoles, someone please make him wear these more often, it's uncomfortable how good he looks in that. Ted Talk Src.

So, uh ya, tonight's vest themed, IDK it just needed to happen, I suppose.

[dailyranchers]

Hello every nyan,

This is the Daily Rancher blog, here is where I post rancher art everyday (hoping)

I will mostly draw simple drawings like doodles (sometimes traditional art too but hopefully just digital!) doodles, shitpost, memes screenshots likes almost everything!

Feel free to send me any requests you want for ranchers!

You can also ask for specific shitposts that you think suits them well, you are all free to just send memes for me to draw as the silly guys, or Outfits and costumes UGHAA ANYTHING REALLY !!!!

and if you have any questions and want me to say something about for example my hcs for ranchers then don't be afraid to send a ask in my inbox on my main blog !!

even if dont answer all your asks, remember I appreciate you all for giving so much support <3

Even though I want all art to appear platonic so most people can enjoy it, I will sometimes draw them in a romantic way, as I love them as a ship too. I will tag it properly though as trafficshipping and with their ship name solidaritek!!!

My main blog is: @XattenQ

And I use any Pronouns!!! ( any means any I rn I don't prefer any of them :P)

Main tag: #daily ranchers

I wont tag replies to asks cause I'm very lazy

i will use a day count by putting it at the top like for example:

[ 34 ]

Im not very experienced on tumblr as I escaped from prison and now need a new home to live in

I'm a minor and won't draw anything weird and shit so please don't send me weird stuff in my inbox , just be a descent human <3

, and I won't draw anything gory, or very heavy mechanical like robots and stuff. I'm also not a fan of backgrounds or difficult time consuming backgrounds

I will insert my own lil hc of these two, like for example cheetah tango and golden retriever Jimmy as I find cat and dog dynamics very cute and it just fits <3

[cdlum]

Hi I just wanted to know how you get that paper-y pixel-y texture on your art, it's really fascinating

(not just cause of the obvious)

sure thing! i often use a number of post-processing effects to achieve results like that with stuff like backgrounds. that sounds a lot more complicated than it is, really all you need is any art program that utilizes a layer based system. i use clip studio paint and it's what i'll be using as an example here.

for the sake of simplicity, what i recommend doing is creating a seperate folder for whatever aspect of your piece you want to apply an effect like this to, though you can layer it at the top of the stack if you want it to affect everything beneath. this is the base canvas example im using, which is just a flat color with a gradient background.

so for an effect like that texture grain, what i do is create a perlin noise layer, by making a new layer and going to filter > render > perlin noise. this creates what is effectively a bunch of tv static on your canvas.

this in itself isn't too useful unless its the effect you're going for on its own, so what you want to do is scale the noise so its really fine. i tend to set it as small as it can go but you can certainly go a bit bigger and still achieve the same effect. too large and itll look a bit too inconsistent to look like textured paper.

if youve done all this, what you'll have is some very fine tv static, so what you'll wanna do now is head to the layer settings and change them to something like this. things like opacity are up to you, but it basically controls how pronounced the effect is which may vary piece by piece depending on what you're shooting for.

additionally, you can add a posterization layer that will make things even more granular. i think the two effects can really compliment each other but really its all about experimentation. here's a comparison with and without.

a lot of programs will group a lot of these features together and i recommend messing about with them to see what does and doesnt compliment your style. its a real benefit of working with digital to be able to easily mess around with a piece, and ive often made some 11th hour adjustments to my own work this way. hope this helps!