#[ when i say i'm so done with this whole concept

[boobav]

!season 1

Viktor is, you've clearly observed, insecure of himself.

Quite valiantly, due to some looming social norm or personal feeling, he tries to hide it. But in moments like these, such an act becomes impossible. Try as he might, desperately at times, when he's pressed against you in the warm water, your fingers over his skin, your fingers in his hair, his failure is palpable.

"Are you okay?" You murmur into the nape of his neck, his back against your chest. The water threatens with gentle churns to spill over the bathtub.

He turns his head to press a kiss against your wrist.

"More than," he says, voice quiet but firm, "I just feel, sometimes," and he hums, as though forming an adequate description of his emotions were the hardest task on the planet. Viktor, your genius scientist, hesitant not to innovate, to change the world with his research, no. He's hesitant only to make sure he says the right thing to you.

"Like I'm too good for you?" You ask, catching his eye. By the gentle look you know that's what he means. He faces away again, nods in a vaguely ashamed way.

How, you've always wondered, can you truly change someone's perspective? When words don't seem to persuade, when actions bring only fleeting relief, what can you do?

"It's irrational, I know, some... flaw of the mind. You don't need to keep reassuring my senselessness." He leans into your touch, takes your free hand into his, soap suds bubbling between your fingers.

"Sometimes you talk about yourself like you're a machine, you know." You muse. He gives a half-hearted laugh.

"Not a well functioning one."

Are words or actions worth more in this game of convincing? Does he feel it deeper when you press your lips into his hair, or when you mumble compliments and honeysuckle words into his ear? He shivers either way.

It's a long game, you know. It's taken months to even reach this stage, where the self-deprication is a rarity, not the norm. Maybe it'll take his whole life before he can accept every part of himself like you can, before he can truly see himself through your eyes, gleaming and gem-speckled as they are.

You free your hand from his, reach up instead to knead shampoo into his thick hair. He responds with a sigh and sinks somehow further against you, the water falling slowly to a more lukewarm temperature. You're not sure how long the two of you have been in here, talking quietly about very little, exchanging words that'll disappear forever with the water. But you really can't find it in you to care.

There's work to be done, errands to run. Errands that should've been run a week ago. This ceremony, this meditation makes all of it null. For where else would you want to be? Where else exists besides here, this room, this moment, static in the cooling water with the embodiment of perfection.

When you tell it to him, as you so often do, when you tell him that he's perfect, he can't believe you. The first time you ever said it, peering into his eyes as if they held some secret treasure within, he thought you were joking. He'd laughed, more out of obligation than actual humour, but your expression remained still. Sincere. To say he was moved would be a wildly inadequate explanation. What he felt in his chest that night was something otherworldly, something without a name. He's come now to associate it simply with yours.

You run water through his hair, rinse out the shampoo as he lies pliant in your hands. He insists you use your soaps in his hair, some floral-scented collection you've used for who knows how long, because the smell reminds him of you.

There's no point in overthinking it, you suppose. No point in trying to map out and organise moods, emotions. No point in trying to turn a gentle human experience into something clinical, something without humanity.

That swirling, omnipresent yet transient concept of humanity. You simply must cradle it within your own. You press your lips into his wet hair, whisper words made of ginger and lavender into his ear. Because at the end of the day, you're human. You're in love. And sometimes, that's all that matters.

[libraryofgage]

so i wrote this yesterday and now it's become a whole thing

basically: Steve is actually smart but nobody realized it until he just fixes their various STEM related problems

anyway this is Eddie's very first experience with how smart Steve Harrington actually is

also please don't call me out if my physics explanations are wrong. just suspend your disbelief, i'm begging you lmao

also also, if you see any typos, no you didn't

---

"You're going to fail my class, Munson."

"Gee, no need to sugarcoat it," Eddie mutters, shoving his hands into his pockets and avoiding Miss Chester's gaze. His eyes land on one of the posters behind her desk, a cat hanging off a tree branch. Maybe it would like to trade places.

Miss Chester sighs, looking pointedly at the desk closest to hers. She waits until Eddie sits on it, legs hanging over the edge. "I'm serious," she says. "You're going to fail, Eddie. I don't want you to, but there's just some...disconnect happening here."

He appreciates that she's not totally blaming him. Most of Eddie's other teachers would've been berating him for his laziness by now. This, among other things, is why Eddie likes her class even if he can't wrap his head around physics at all. "I don't know, Miss. It just doesn't make sense."

"So I'm noticing." Miss Chester leans back in her chair, her finger tapping against her desk. Eddie immediately recognizes it as the drum beat from a KISS song. "You know you'll probably be held back if you fail, right?"

"Not the first time."

Miss Chester waves off his words, looking deep in thought. "What do you think about tutoring? I think you'll do better in a one-on-one setting. If you understand the concepts better, I can start grading you based on the work you do with the tutor."

"It wouldn't be you?" Eddie asks, frowning slightly. He's not sure he wants some random geek tutoring him. Not that he has anything against geeks, of course, but he's never known one to talk in a way he can understand. They get all...technical and Eddie's eyes glaze over whenever he overhears their conversations.

"No, I don't have the time. But don't worry," Miss Chester says, smiling reassuringly before pulling her roster close and looking down the list. "The student I have in mind probably knows more than me, if I'm being honest. He should be able to answer any question you have."

"What student?"

"His name is Steve."

Of course, Eddie immediately thinks of that Steve. King Steve. Steve "The Hair" Harrington with his blinding smile that's always looked a little strained in Eddie's opinion.

He then dismisses Steve Harrington as a possibility and reviews the other kids named Steve at Hawkins High. There's Steve Paulson, Steve Meyers, and Steve Barns. Maybe it's Barns? He's the only one that Eddie could imagine being somewhat good at physics.

"Are you open to tutoring?" Miss Chester asks. "For one session, at least?"

"Yeah, sure, one session. Won't help, though."

Miss Chester smiles like she knows something Eddie doesn't. Which, to be fair, she does. She knows a lot more than Eddie in terms of physics, at least. "I'll set it up. Just come by tomorrow after school."

--------

On his first day at Hawkins High, Steve realized two things.

One, his parents weren't kidding when they'd said public school would be vastly different from the private group tutoring he'd received up to that point.

Two, if he wanted to have a good high school experience, he needed to be cool. And being cool, it seemed, meant not being smart. He didn't need to be dumb, but he couldn't breeze through his classes, either.

He's done a good job of it so far. He's bored beyond reason in most of his classes, sure, but he's also popular. Nobody bothers him or tries to copy off of him, and it's great. He can even swallow down the weird surge of frustration and annoyance and guilt whenever his classmates assume he's too dumb to be a good project partner, or when his parents ask why he isn't enrolled in AP classes, or when his teachers give him confused looks after he aces tests for a unit he seemingly didn't pay attention to.

Anyway, he almost rejected Miss Chester's request to tutor a student from a different class period. He was just about to say he didn't have the time when she leveled him with a look so profoundly hopeful that he just couldn't. So, Steve said yes and now he's hesitating outside the physics classroom.

What if the student inside uses this against him? Steve thinks he could play it off, maybe convince his friends that the kid is lying, but he's not sure. Nothing dire would happen, but Steve would have to reorient himself to a new place on the social ladder, and that sounds exhausting.

"Just get it over with," he mumbles. Then, before he can chicken out and just leave the other student hanging, he opens the door and steps into the classroom.

Miss Chester isn't there. Steve knew she wouldn't be. She'd said something about a department meeting that would take her time but leave them with the classroom to themselves.

The only other person in the room is Eddie Munson, bent over a notebook and furiously scribbling on the page. He looks up when the door opens and freezes at the sight of Steve. They stare at each other for a few seconds before Eddie breaks the silence by asking, "What, get lost on your way to the locker room, Harrington?"

Steve blinks, frowns slightly, and takes a deep breath. Okay. Fine. Eddie Munson it is. "Nope. Miss Chester asked me to tutor you," he says, because that's the only reason another student would be in this room after school has let out.

Eddie laughs. He nearly falls out of his chair with how hard he laughs. He's wheezing and clutching the edges of the desk by the time Steve moves another desk to face him and sits down across from him. "Are you done, Munson?" he asks.

"Holy shit, you're serious," Eddie says, his voice slightly strained and his face red from laughing. "No fucking way Steve Harrington is here to tutor me in physics. You probably don't even know what two plus two is!"

"It's four. Do you know what 12 times 40 is?" Steve asks, watching as Eddie blinks.

"I'm not a fucking calculator, man."

"No, you're not. It's 480, by the way."

"You could've just memorized that."

Steve sighs and reaches into his bag, digging around some before pulling a calculator out. He places it on Eddie's desk and says, "Ask me something."

Eddie looks at him like he's grown a second head but still pulls the calculator closer. "1,239 plus 378."

"1,617."

He watches Eddie use the calculator, feeling smug when his face twists into confused disbelief. He then puts the calculator down and frowns at Steve. "So you can add, big whoop. Doesn't mean you can teach me shit about physics."

"Won't know until we try," Steve says, resting his elbow on the desk and propping his chin in his palm. "So, what don't you get?"

"...All of it. Just assume I don't know shit."

"You don't know Newton's laws?"

Eddie snorts, looking back down at his notebook. "There's that motion one and the reaction one," he says.

"Right. Newton's first law and his third. What about the second?"

"It's just...some equation or some shit."

Okay, Steve is starting to get an idea of where things stand. He thinks for a moment before asking, "What kind of stuff do you like?"

"What?"

"What do you like?"

Eddie looks so shocked by the question that he doesn't really think before answering, "Heavy metal. And, uh, D&D, too."

Steve knows heavy metal is music, and he could work with that but the D&D Eddie mentioned might be better. "What does it involve? The D&D?"

"It's a fantasy role playing game. Like, using your imagination to go on adventures with friends and stuff. Needs dice to work."

Oh. Perfect. "Do you have dice with you?" Steve asks. After another brief pause, Eddie nods and pulls one out of his pocket. He passes it over and watches as Steve turns it between his fingers. "Oh, an icosahedron. Cool."

"A what?"

"Icosahedron," Steve says, looking at Eddie. "It just means a twenty-sided polyhedron."

Eddie still looks confused, and Steve is about to explain it again when Eddie says, "Just call it a D20, dude."

"Oh. Sure. Anyway, let's use this," Steve says, rolling it between his fingers before letting it clatter to the desk. It bounces a few times before settling, a 17 facing up. "Do you know what made it stop moving?"

"The desk. I'm not an idiot, Harrington."

"I didn't say you were, Munson," Steve replies, leaning back slightly. "Just...yes, the desk stopped it. This is Newton's first law. If the desk wasn't there, it would have kept falling until it hit the floor. It stopped bouncing because it lost power each time it hit the desk. An object, the D20, will stay in motion, falling, unless acted upon by another force, the desk."

"That...kinda made sense," Eddie says, blinking a few times.

"Great!" Steve says, unable to help the bright smile at knowing Eddie understood him. "Okay, for the second law, the equation is mass times acceleration equals force. Basically, the movement of an object depends on how much it weighs and how much force you apply."

"Aaaand ya lost me," Eddie says.

"Okay, uh, you fight things in that game, right?"

"Yeah, kind of the whole point."

"Right, yeah, and the stuff you fight comes in different sizes, right?"

"Well, an orc isn't gonna be as big as a dragon, is it?"

Steve isn't really sure what an orc is, but he nods anyway. "Right. So if you want to move a dragon, you need to land a stronger hit than you would need for an orc."

"Duh. You're not gonna fell a dragon with a basic cantrip."

"Not sure what that is, but yeah. For this example, moving, or defeating, an object, or a dragon that weighs more than an orc, relies on how much force you apply, which is the strength you use."

"Oh. So, because an orc weighs less, I don't need as much force to defeat it," Eddie says, grinning as he fidgets with his pencil. "This doesn't really sound like math, though."

Steve shrugs. "We'll get to the math part later. Right now is basics. You need to understand those to do more complicated stuff. So, the third law, this is the action-reaction law. Music might be better for it. What happens when you strum a guitar?"

"It...makes a sound. Because it's an instrument."

"Well, yeah, but do you understand how the sound is being made."

"By...strumming it?"

"Yeah, that's part of it. Sounds are vibrations in the air that we can understand. If you touch your throat while talking, you'll feel your voice box, your larynx, vibrate to make the sound of you talking."

He waits as Eddie does exactly that. While holding his fingers to his throat, Eddie says, "Didn't know it was called a larynx. Oh, fuck, yeah, there are vibrations."

Steve nods, waiting patiently as Eddie hums for a few minutes before looking back at him. "So, vibrations. Instruments make sound because playing them causes vibrations. When you strum a guitar, the strings rapidly move back and forth, and that movement is translated into notes."

"I can't believe I'm saying this, but yeah, I'm following you."

"So, the action of strumming a guitar creates the reaction of the strings vibrating. That action of the strings vibrating creates the reaction of air rippling, and those ripples create the reaction of audible noise. Did that make sense?"

"Yeah. It did," Eddie says, his voice soft as he stares at Steve like he's really seeing him for the first time.

Steve shifts uncomfortably, unused to this aspect of himself being known so well by someone at school. He's almost tempted to end things now and apologize to Miss Chester for walking out halfway through a tutoring session. Steve is practicing the apology in his head when Eddie says, "Hey, by the way, sorry for earlier."

"What?" Steve asks, trying to blink away his confusion and failing.

"You know, earlier, when I laughed at you? Pretty shitty of me to do. So, yeah, I'm sorry."

"Oh." Steve stares at Eddie for a few seconds before his shoulders relax. "It's fine. I'm not exactly known for being smart."

"Why not?"

"It's just...easier to let people think I'm dumb. Most of our classmates look at me and think I'm just, you know, a typical jock. They don't expect more from me than that, and I don't expect them to look any deeper."

"Does anyone else know, though?"

"My parents and the teachers. And you."

"Well, don't worry, big boy. Your secret's safe with me."

"Big boy?"

"Don't like it? Would you prefer Stevie?" Eddie asks, grinning as he leans in and exaggeratedly waggles his eyebrows at Steve.

Steve can't help snorting at the sight. "Whatever. Just call me what you want, Eddie," he says.

He tries to ignore the weird swooping in his stomach when Eddie's smile gets wider and he says, "You better not regret it, Stevie."

[revelboo]

Oml the cliffhanger on metroplex. Big guy needs more love in his life.

I absolutely love your work on these stories you got cooking here. Each and every one of them have so many characteristics to them. Can't wait for your next work. 🤗💖💖💖

Thank you!

18+ 🌶️

I Can Feel You Pt 6- extended cut

Metroplex x Reader

Monitoring as you step into the labyrinth that makes up his interior, for a moment you hesitate. Looking back up at the light streaming down from above like you want to go back. He knows he could close that exit to you, force you to continue on. Would you resent him then? If he takes away your choice? Little hands twisting together as you stare up toward that light, he knows he can't take that away from you. Needs you to choose him. And finally you take a shuddering breath and square your shoulders. "Okay," you whisper, eyes wide as you look around. "Okay. Show me, big guy."

Slowly he begins flaring his biolights, feeling the strain of redirecting energy where he needs it to give you direction. It's slow going when you're so small. Turning again and again, following the pulses of light. Trusting him to guide you and occasionally reaching out to brush your fingers against him almost absently. Those little touches helping focus him, because if he's wrong, if he's not careful, he'll burn through too much energy and be forced into recharge again. That unease twists through him as you follow, because he's not sure you'd be able to find your way back out. You're so little, so easy to overlook. How long would it be until the Autobots above miss you? Before you slowly starve to death wandering around inside him? That fear is a living thing, urging him to turn you back around. Let you go.

Just once, though. He wants to speak to you at least once. More than your stilted conversations as precious to him as they are. Wants to feel you reach out and be able to touch you in return. "I didn't realize all this was down here," you whisper, brushing against a cable. "It's like a whole other city." Except its only him here and now you.

You don't complain as he leads you, but as time passes, you are slowing. Shoulder and wrist bumping a wall as you turn a corner. Time is a hard concept for him, but it's different for you. You'd have taken a rest interval by now, right? He's not sure, but as you stumble guilt sets in. Knowing you're exhausted, but you're so close. Please, just a little further. "Metroplex? I think I'm done," you say, leaning your head against him. "Is it much further?"

Pulsing warm light, he waits, and you reluctantly push away from his walls to keep going. Knows you're tired and he's asking much more than he has a right to. But just this once, he wants to wrap his arms around your little frame. Needs you to understand how precious you are to him.

Exhaustion pulls at you as you scrub a hand over your eyes, your head pounding. It feels like you've been walking forever, trusting that there's a reason you're down here. It must be night by now or early morning. There's no way to know down here in his labyrinthine interior. He's seen you eat and must know you'll need to soon. Should already have. You keep your eyes on those warm, comforting lights of his, not on the empty shadows beyond. If not for the low hum of his spark vibrating under your feet, you'd think you were alone. Abandoned. Know you're inside him and there's nothing to fear, but panic is just there under the surface. Screaming at you to turn and run back the way you'd come. That this is a tomb, maybe yours.

And then light, warm and beckoning. Leaving the tunnel you were in to enter an open space limned in warm light along the walls, pulsing slowly as they run upward with a low thrumming you feel in your bones. Breath catching as you tip your head up to find his spark. It's a shocking thing to see, knowing it’s everything. It’s him.His life force pulsing and glowing above you, little arcs of energy trailing through the air around it.

"Metroplex? This is your spark, right?" The part of a Cybertronian they protect and keep hidden, and he's shared his with you. It feels like trespassing on something private as your eyes drop. Like this isn't something meant for you to see.

Directly under it is something almost like a closed metal flower, pulsing with that same energy. And along the ground, his biolights pulse. Slow, deliberate flares that draw you forward. As you approach, that strange structure opens, metal petals unfurling slowly as thick cables unravel from around it. "You wanted me to see this?" You ask, because of course he had. That thing that's not at all a flower is pulsing slowly like his spark, that light almost hypnotic. One of those cables brushes your ankle and twines about it as you approach and reach out. Fingers brushing him and feeling energy arc through you, shattering you.

That contact jolts through you as everything falls away and you’re left in a space limned in the warm pulse of his spark, surrounded by him. You can feel him in a way you never have before as you try to figure out if the space you’re in is small or infinite. And if touching whatever that was just killed you, because it’s so hard to focus here. You feel like you’re drifting and just want to sleep.

So hard to focus. That’s not your thought, is it? It feels like yours, but there’s a faint dissonance. Ground me, little one.

“Metroplex?” You whisper, reaching out and a figure materializes in front of you, bigger than you but not as massive as the Autobots are. Ghostly and insubstantial until his servos touch your fingertips and he solidifies some. You’ve never seen his bot form, but you know this is him. Metroplex. Warmth spilling through you as he offers you a big hand and you lay your palm in his.

“Touch me,” he says, the words a deep rumble, a plea as his servos curl around your hand.

Because he becomes more real where you touch him. Encouraging you to reach for him, hand lifting to cautiously cup his jaw. And his other arm curls around you and draws you near, feeling solid against you. The warmth of him, the thrum of his spark against you all so real. “Hi,” you whisper against him.

“You saw me,” he says, chin on top of your head, that deep voice so grateful it hurts you. Like acknowledging him, speaking to him is unthinkable. “Woke me.”

It breaks you wide open, that wonder in his voice over something so simple. Thinking about how he takes care of you, watches over you, has tried so hard to reach out. “I’m here. I’ve got you,” you whisper, reaching for him, cupping his helm in your hands and pulling him down. Because you understand that loneliness, of being unseen. Knowing you’re so much smaller than even the smallest Autobot, that you’re easy to overlook. To forget. And among them you feel alone, alien and unseen. His mouth is warm when you go up on tiptoes to kiss him. And he rushes into you, tangling what you feel with what he feels.

Knowing that he won’t be able to maintain this for long, but he’d wanted to tell you how much he appreciates you speaking to him so he doesn’t drift away from reality completely. All those little touches, the sound of your voice and your stories, you’ve held him together. Giving him something to focus on. A sense of self after so long.

You can’t separate yourself from him as his mouth slides against yours. Can’t tell if the need and heat are yours or his. But knowing that you see him and that you want to wrap yourself around him, protect him against that fear of being forgotten. Of losing what little of himself is left. Dying alone and forgotten.

Not sure how much of this is real, it feels like it is as he drags you against him. The kiss becoming something desperate, needing to show him he’s still alive. To feel him hold you, touch you. Big servos on your hips, lifting you as you wrap yourself around him. You feel the head of his spike slide against you. Sex and need and fear of being forgotten, left behind, all jangling through you. His thoughts, your thoughts. There’s no separating them as he pulls you down, the hard length of his spike sliding deep to stretch you.

Those big hands on your hips, moving you against him as your mouth brushes the corner of his mouth, hearing him venting raggedly against you. “I see you,” you moan, clinging to him.

“I feel you,” he whispers, against you. “I have you.”

You know it’s true as he keeps moving against you, his spike stroking deep again and again. You’re safe and sheltered here in his arms. He’s been watching over you all along, reaching out but unable to say a word. When he pushes you over that edge and you fist his spike, your climax is a gentle warmth spreading through you. Feeling him rock himself against you, groaning with his own release, helm resting against your forehead as those optics seem to devour you. Because he does see you, he’s seen you all along.

Previous

[gothnitsa]

"Bioware's writing has gotten worse"

Ok, so I'm going to rant post about something and make it everyone elses' problem.

So, I recently came across a video that compared a scene of a queer character interacting with an unsupportive character in Dragon Age: Inquisition and a similar situation Dragon Age: the Veilguard. The video and the comments seem to imply that one scene is markedly worse than the other in a way that is immediately apparent. I want to push back against this.

Aside from the transphobia/anti-nb shit that is suggested by the video's framing and rampant in the comments, saying one scene is worse than the other is a mischaracterisation and discounts a lot of queer experience.

The scene in Inquisition is very dramatic: the language is flowery and elaborate, the performances are intense, it is a very compelling and dramatic scene. The framing for the scene and visual tone communicate a great deal of intensity and anger from Dorian: there are heavy shadows and dim lighting from torches that flicker, creating a scene that visually has a darkness and instability to it. The blocking of the scene puts a great deal of distance between the player character, Dorian, and his father, representing the distance in their relationship. It is very much a well crafted scene.

Now, the scene in Veilguard is much different: it opens with a very casual tone and atmosphere, the lighting of the scene is very warm and saturated. It feels like we are at a dinner table having a friendly conversation. Then, when the bomb gets dropped, we start to get close ups of each of the characters, interrupted by wide shots of the whole table. The shot of the table reminds us of the physical separation between these two characters, an echo of the rift that exists between them. We then get various close ups of each of the characters which get progressively closer, mirroring the intensity of the scene and the emotions.

Ok, so now we have the "Dialogue," the actual matter under discussion and point of comparison for these two scenes.

As mentioned above, Inquisition's style in this scene is deliberately intense and dramatic. It feels almost Shakespearean. We are given exposition on why Dorian's homosexuality is frowned upon, we get a tug of war between these two characters and the pain they both feel is palpable in the performances: the way Dorian's father speaks with such pain in his voice and Dorian's ferocity and anguish illustrate how this conflict isn't what either of them want, how the values and cultural circumstances have burned this bridge between them.

Now lets look at Veilguard. Right off the bat someone might feel critical of the sort of awkward start to this conversation. I won't lie, it was quite funny to hear someone go "here are some vegetables...so I'm non-binary." It's clunky, it's awkward, it's a strange way to introduce the topic but if you call this "unrealistic" or "bad writing," frankly I don't think you've seen many people come out.

Coming out is often awkward, painfull, and full of conflicting feelings. There's so much hesitation and anxiety baked into the very concept that there isn't anyway to bring it up that isn't awkward. This is actually a pretty realistic way to depict it. Furthermore, the actual conversation is also what I would call pretty realistic for an outing: the child tries to put it in as simple of terms as they possible can, lay it out in a way they think anyone can understand only for the parent to simply reject the explanation. What follows is a brief exchange that rapidly increases in intensity that is brought to life by some well done voice work (though, personally I think the music was a bit over bearing and did a little too much heavy lifting; I would have preferred the scene silent).

You can feel their frustration that is only further compounded by the mother's past behaviour and general presence. Even in this short video clip you can tell right off the bat that this mother child relationship isn't the most healthy, so this is just more fuel to the fire for them. The exchange is brief, harsh, and loaded with baggage and past bad blood between these two. You don't need to even know who these characters are to feel that. This is a much more realistic example of a character coming out to an unsupportive parent. It is laden with tension, awkwardness, unresolved anger, the burden of past expectations. There is, bluntly, a lot going on in this scene. Even just from this short clip you can get so much from these characters and their relationship while at the same time conveying a pretty impactfull and, honestly, real feeling queer experience.

So, no, one scene is not "worse" than the other. One scene has a deliberately awkward moment to convey the difficult and uncomfortable nature of coming out while at the same time communicating a great deal of character and struggle.

The other scene is an intense and dramatic confrontation that is meant to be more instep with the dark and intense tone that this scene holds within the narrative.

Both are well crafted scenes with deliberate directorial, cinematographic, character, and music choices that successfully convey what these moments are supposed to represent.

[lawofangie]

hello! I need some advice. I've seen numerous success stories and many blogs claiming that you can manifest seemingly illogical and unrealistic things. I want to manifest a completely different desired face, probably similar to looking like a celebrity. Although many people say it's possible and some even claim to have achieved it, I still have doubts that it's true and worry that I just might be wasting my time. I think part of this is from the lack of success stories with photos that show they changed there appearance and look like a whole different person. I really don’t want to have these doubts because they stop me from trying my hardest, but I can't help feeling this way. I’m really scared i’m just wasting my time and even if I continue to assume that i have my df in imagination nothing will change or i’ll just get very tiny differences but end up not looking exactly like my df or that it could just be a placebo and i’m just completely wasting my time. I hope i’m not bothering but thank you for taking the time to read this! ❤️

there's definitely a lot to unpack here. first off, i have seen many success stories on this app and twitter of people manifesting various things, including appearance changes (with and without photo evidence). i've done this myself with various things (i mention them in another post. i haven't touched my face though). the law works, appearance changes are real. if they weren't, nobody would have any reason to say they were. i think it is very obvious when people collectively disagree on something.

second, i think this doubt and lack of faith in the law is due to the fact that so many people are misinformed and misinform other people. the point of the law of assumption is to make assumptions. an assumption is believing something without proof. there is a quote that says "an assumption, though false, if persisted in, will harden into fact." manifesting is just assuming, people literally just have a way of rewording and misconstruing things like usual.

but anyways, you make assumptions on a daily basis, you believe things without proof on a daily basis. it's nothing new. you're just being informed that your assumptions affect your reality, and since they do, and you have the ability to assume absolutely whatever you want, you should just do so in your favor. not because you need to, or anyone's forcing you to, but simply because it's in your best interest to do so.

this is why you affirm "i have ___" or you visualize yourself having ___ or you script about having ___, because assuming you have it now is how you get it. you're literally just being told that you can use this ability to assume to obtain whatever you want, that's all.

third, there is no "trying". you either have your manifestation or you don't. i'm not sure exactly what you're doing, but if the point of the law is to assume, what do you think "trying" implies? obviously, it means you're working to get something, which means you don't have it yet. the point of making an assumption is to believe something without proof. in this context, you're being told to accept you have it now without waiting for proof. you're being told "if you accept this as true without proof, it will materialize in your reality."

i personally don't really care for the "imagination" stuff anymore, i understand what the concept means, but honestly all these concepts get unnecessary at some point. i feel like if you take it the wrong way, it implies some kind of separation between the 3d and 4d (your imagination), when there really isn't any. believing you have it "in imagination" just doesn't sound right to me. i would rather just accept my assumption as the reality and take whatever the 3d is showing me as false.. which is again, literally what assuming is.

like, i have it, no matter what i see, it's still there. i think about my desires the same way i remember i have a bed when i'm not home. you know it's there at home, even if you can't see it, even if you can't feel it. you know it's yours. you may even imagine yourself laying in it sometimes, tired from a long day and being excited to finally go home and sleep.

this is all that's required of you, believe you have it. you don't need to make something appear, you don't need to try and force something to happen. just decide it's yours, like you're being told to.

you have to literally treat your assumption as the proof, like how you would do with the 3d. you have to genuinely believe your assumption, then the 3d will follow. waiting to be validated by the 3d will never work. you will always fail.

also, i think your ability to stay true to your own beliefs about wasting your time and none of it being real perfectly shows how easy it is to accept something as true despite what you're being shown, how able you are to make an assumption. because honestly, why would anyone be preaching the law if it didn't work? there's no logical reason to not practice something you preach or just admit that the law of assumption is not real.

if the law happened to be some sort of scam, it would be obvious. people would clearly be asking you for money, leading you on with all sorts of rules and twists and turns, they would overprice the hell out of their services, etc. but people like me are literally running blogs to help people for free. (most) people literally run these blogs for fun, nothing more. the motivation behind my account at least, is entertainment. talking to and helping people is entertaining. i have no ulterior motive, hardly anyone does.

people have lives, they don't have time to waste hoping something happens. if the law didn't work, so many people wouldn't be telling you it did. it's irrational to think every single person in the community is simply making claims that may be true or false, someone's had to have done it before.

also, you shouldn't need your manifestation validated by the internet. i can understand maybe seeing if someone's manifested one or two more "challenging" things (things being difficult or easy to manifest is completely up to you. no manifestation is different from the others unless you decide it is or attach some meaning to it.) like, to me that would be some like grades or hair texture. but to you, that's an appearance change.

the point i'm making here is that your opinion is different than mine, we find different things difficult. if everybody can have differing opinions and find different things more challenging than others, then it is not up to the object or specific person, but ourselves. if everything can have different levels of difficulty to different people, then these objects and people are inherently neutral, until you add your own assumptions or meanings to them and the way they operate for you.

so, proof, while i understand you want to be validated, is useless. there is tons of it out there, if not on tumblr then on twitter, but i think having photo proof of something not specific works just fine as proof too. you're already told that you can manifest anything, that no manifestation is too big or small, everything is neutral, you are limitless.. so what's the point? everything inherently has an equal value until we as people decide to change that with our assumptions. if you truly need to believe, then prove it to yourself. obviously no amount of internet success stories will help you, they just make you anxious and paranoid.

often times, we think external things are the cause of our problems, so we try to achieve a goal or make a change without changing ourselves first. for instance, i used to think that certain things would make me happy. like finally getting good grades, having my desired body, my desired weight, my desired friends and whatnot. while all of that was nice, i still felt depressed, obviously my life quality changed, so it wasn't exactly as bad as it used to be, but i still felt the way i did because i still needed to do the internal work.

its your perception of things, the way you choose to react, your decisions, etc. that shape your reality. its all you. it will always be all you, because this is YOUR life. the cause of your doubts and worries is you.

getting partial results can't be a thing when manifesting if manifesting is literally just about making assumptions. if you're assuming something to be true, then it's going to be true.. if you think the law magically won't work for you, that's your belief. if you believe that to be true (also without proof because this is purely paranoia), you cannot be surprised that it happened. that's literally the singular rule of the law of assumption, make an assumption, no matter what you decide to assume, it will be true. WE are the ones suggesting you assume in your favor.

and honestly the more i read these asks (no offense to you), the more i wonder what you guys think manifestation is. do you just say a bunch of words, create a bunch of images in your head, etc, and wait for something to happen? i mean, who or what exactly do you think is "giving you" your manifestation in the first place? why are you receiving anything? is it a reward for affirming enough? for visualizing enough? for scripting enough?

your inability to answer this question correctly is most likely the reason why you have so many doubts. you clearly think someone or something outside of you dictates what you do or don't get.. which doesn't make any sense, neither do the questions i asked. the law of assumption does not work that way.

you aren't receiving anything for doing a good job. there isn't some god or higher being giving you anything or dictating anything regarding your manifestations. it's you. the point of making the assumption is that your assumptions create your reality. whatever you believe to be true materializes. you're just being shown a way to use your ability to assume to your advantage.

i would suggest you build faith, maybe put that manifestation aside for now and at least manifest something with less significance to you, but still specific. something that you can use to help prove manifestation to yourself. then maybe come back to this desire when you feel more confident in your manifestation abilities.

this is really all i can say because there is no way of getting around the way the law works. in order to have favorable things happen to you, you have to assume in your favor. that's really it. however you practice and get the hang of manifesting is up to you. still, this is the only rule and you have to use it to your advantage if you want manifesting to work for you.

[adamnablelittledevil]

Only Blood Communion and Interview With the Vampire to go now. I'll make more elaborated posts about my thoughts once I'm done with everything, but here are some of my opinions:

TVA is absolutely my favorite (I've said it before and will say it again: the most purifying cry I had in my life, it destroyed and restored me in the best possible way), TVL, TQOTD and Prince Lestat are also on my top 4, though I don't know where to place the latter on my personal ranking. The others are sort of tied and the order changes according to specific aspects. Like, Blood and Gold covers a lot of eras and places of the world, has multiple interesting characters, so it's fun in the sense there's a lot of stuff to see, even if I'm not a Marius's fan and he isn't the best narrator imo. On the other hand, something like Merrick is more packed, just her, Louis and David (and some Lestat), but I just love her as a character and the whole story of her family. I can't really choose.

Memnoch would be the last because it was the one I struggled with (tho I loved Armand on it), I thought the concept was great and I could've loved it with a more active, intense and eventful execution. Prince Lestat and the Realms of Atlantis is second-to-last because most of the plot was dumb to me, the part that made sense was solved in an unconvincing way, I had to do a lot of suspending disbelief even for a supernatural/sci-fi story... But it was nice to have so many characters I love reunited, even if some didn't have lines, it's nice to know they're around and I enjoy the vampires having sort of a healthy little community.

Favorite character is definitely Armand, then Lestat, then Pandora, Maharet, Mekare, Flavius, Merrick, Bianca, Gabrielle, Mona, Benji, Avicus and Petronia (they didn't appear much and did awful brutal stuff, yes, but having an intersex/gender-fluid character was great and they had so much baggage I could empathize with them). Most after Armand and Lestat are tied. I don't know if I'd call Benedict a fave, but I'm somewhat attached to him (and I KNOW about those spoilers). I LOVE Vittorio and Ursula too and I hope they can appear in some shape or form on the show. I don't looooove Antoine, but he's alright to me. He just seems to be a poor/broke dude who wants to live, have friends and dedicate his existence to his hyperfixations and I can relate because same lol. I get him.

Favorite pairings (either as an OTP or brotp): Lesmand (👑👑👑), Pandora and Flavius (👑👑), Maharet and Mekare (👑, they just don't get more crowns because they don't appear as much as I wanted 😔), Armand and Benji and Sybelle (as duos and a trio), Armand and Riccardo, Armand and Bianca (pretty much Armand and everyone that isn't Marius lol), Lestat and Mona (their childish siblings-coded beef entertains me), Maharet and Jesse and Vittorio and Ursula (👑👑). I wish I had seen more of some characters/dynamics, tho.

MAYBE I could tolerate Marius and even love Magnus (he seems to have a sad and interesting story) if all I'd seen of them had been the content of the last trilogy, but given the previous books, I'm not sure I can enjoy Anne's decisions. I have a lot of mixed feelings about Magnus apologizing and Marius's behavior not even being seen as something to apologize for in the first place, but that's for another post.

Some of the books I would've been able to read and love with or without the show, some I only read to get information, but I'm mostly glad I'm equipped with so much of the lore now. That's not to say there aren't problematic things even for the genre that I need to compartmentalize and ignore (to some extent and not completely) for my enjoyment, because there is a lot of that, but it hasn't been a waste of time. And I'm glad I know what can happen in the future, make silly little fancasts and have events to look forward to seeing on the series. Obviously, opinions can change with the next books, when I re-read the novels or even with conversations and discussions... And that makes me excited as well.

[thefloatingstone]

The older I get and the more terrible takes I see the more in favour I become of gatekeeping

[thetardisisnotourdivision]

Hey did I ever tell y'all about the time I dreamed that I had a baby daughter called Ellie that began with my finding out I was pregnant and ended on like her third birthday?

I legitimately woke up thinking "I should go check on Ellie" and then realised she was never real and when I tell you I SOBBED. I've been haunted by an implacable sense of loss ever since. Did I travel to another dimension? Wtf happened because that was insane.

[stop-breaking-my-heart-telltale]

if dorian didn't show up, do you think louis would have shot minnie?

I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.

Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.

Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.

Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.

Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.

Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.

If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.

So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.

[moe-broey]

Fuck tjis shit I'm making base Alfonse my greeter again

AWESOEM......

[flutteringfable]

ive been playing with a rewrite of syo because kodaka cannot write a non-abelist non-sanist depiction of did to save his life. here's what i've got so far, after some research into how systems and alters actually work. because again. kodaka cannot be normal about neurodivergence and ESPECIALLY not about did.

syo is a protector alter, formed from toko's emotional abuse from her childhood. whenever toko feels strong social pressure or fear in social situations, syo tends to front. she's a lot more forward than toko, for better or for worse depending on the person causing the stress. she gets more aggressive if the person doesn't let up on whatever it is that's bothering toko.

she doesn't actually like byakuya all that much, especially after putting the pieces together and realizing he ruined their reputation by exposing syo. though, to avoid the weird serial killer alter angle kodaka went with, i think syo would only claim to be the killer, in order to intimidate others and keep them from trying to get close and mistreat toko again. she's a lot more toned down than the original canon, but will put on the sort of unhinged act if it means others will stay away.

she is still a lot more blunt than toko, and speaks more clearly. toko is cautious about others, but syo is even more so, and is immediately suspicious of anyone who attempts to make friends with them. it takes quite some time to gain her full trust.

[trehontin]

' That is--- what even is that? '

' Is it dangerous? '

' It-- doesn't - really seem like it? '

─────

It was a surprise, amongst everything that had been left behind in this grandeur of a now empty empire that had grown over months, years, decades, nearly centuries worth, countless structures stretching themselves far and wide. The sheer immensity of this whole creation, worth shattering the mind unable to fathom that it had been conceived and devised, planned and ultimately created by minds of so very few. But even with all that aside, even with permitting oneself to get lost in all those possibilities not expected, even less predicted, there were those around and struck with heavy emotional tremor, that could never, and should have never, had the means and opportunities to get to know all that he had hidden away. 

And what a serene, hauntingly disturbing masterpiece this all was. 

There were those few choice souls that survived their Creator's preparations for war and unleashed madness for blind opportunism in destroying all in his wake that would lead him not to his desired goal. Those very special someones had been left alone and to rest, to scamper and hide for the time being, as breaking open this marble fortress, find entry and pathways alike, was the 'intruders' mission for hours and hours that had just passed. And many, so many more that would still come. 

Easy it was at first. A maze made by a mad King, following corridors over and over as if he had desired to lead any 'guest' of his endlessly spinning magnum opus through the same halls, having them feel like walls close in around them, and the heavier the suffocating delirium of this unexpected pull, the swifter and quieter those rats could be disposed of. Like a mouse in a labyrinth, followed by a cat, a prey and a predator, chasing each other around in infinite circles till bringing up their mutual ruin. So it had felt, till throne-room had been discovered, with the marble throne so high above and out of everybody's reach, for the Maker of this rotten Kingdom to look down upon his servants: to judge, to be admired - all those emotions drowned out towards simple desires. 

There were not only a few squad members whose glassy eyes and faraway gazes had shimmering notions hidden in the depths of lidded want. To either see him stand above amongst the heavens or even, even just, if powers would lead and harbour, mayhap they could have stood there as well---?

─────

' Hey! What are you doing there?! Back to work! '

' Stop staring up at this thing! '

─────

Stops and stops. As if broken apart by those who had garnered their strength again inside this cacophony of sounds and smells and palpable emotions running rampant at that moment those that had lingered in something similar to awe-struck god-given reverence where the God itself was jailed, should not ever be in their reach anymore if not for those that deemed it necessary [ or possible? ] for him to walk amongst those that are mortal again. 

What a deliberate, mind-numbing thought process. And it was that very one, that one could cling to in winding their weary forms, broken in body, broken in mind, through this sheer unending craft appearing like an immaculate white sea. If one were to truly think about it, one could suppose that this whole picture of sharpness and grace intermingled with this or that odd little phantom of a peculiar little display [ was it made by him? was it made for them? ] of masonry would be nought else but fitting for a man that had planned and pursued something as ludicrously lavish in all its broken brilliance as this whole Kingdom being a base to his desires of the end of the world. 

Or so--- it seemed?

" What--- " 

Soft and light just as much as her voice would barely break through the ongoing chatter about a room they had yet only discovered barely half a bell ago, and what a stark contrast of colours and vibrant feelings had it not been? From the very place they stood in, could see the radiance of a multitude of facetted greens illuminating the otherwise rather dark angle of Sousuke Aizen's private quarters. It is just what had been found out maybe an hour ago, when capturing one of those discardable little beings still rummaging through carved architecture and the murmured words of fear and terror had attempted to explain where their former Lord had hidden all of his sacred privacy with enough of a promise to behold to let the jittering and trembling mass flee again. 

Whatever the Hollows would do in these hours and days, the Shinigami, for now at the very least, would not care about it even for a single heartbeat. So thus? To watch lower officers of one of the Squads having set to clean out this place of tormented, fractured entities, stagger back and away from the sheer intensity of a brilliant glow, to put distance between what they could not understand - could never even imagine to grasp - and the output of pure and radiant power that suddenly [ or so it at least seemed? ] had unfurled itself to search and search while formerly it had been so dormant --- " What is happening? " She had not been alone in her pursuit of a truth that the man that had been part of her carefully crafted world had all hidden away from her so meticulously and cruelly, but even though it was not the case---

---she suddenly felt like the only person in this whole world who could even begin to understand. 

" Sasameki---? " With how faraway her husband's voice just sounded. With how she had wound herself through the onlookers, those that are damned in their attempt to stop her, to make her shy away from the sheer outbursts of pure unadulterated rage, settling into the beauty of this whole creation. How could any of this be? How was any of this real? It was undeniable! - the little gift bestowed to him she had been so sure, so certain that he might have had it destroyed over the years in the past that he was gone - because! Sasameki had searched for it in his quarters, nothing to be found, not even a trace - and yet here? 

Here of all places, this shimmering ocean of lush green and vibrant hues of lighter leafy overgrows, the darker shades of verdant, making the room even bigger than it probably already had been. It was all Sousuke's powers to behold. All these depths and riches created by small little pieces of reiatsu in blinding perception, near hot to a seeking touch, while the sheer simplicity of his reishi, on the other hand, was cooling and light, similar to something that conjures the picture and light whispers of a rainstorm's worth. How can this all just be? This sheer magnitude of this sweet creation, but had he not mentioned it before? When all but drawing back over memories and how mind-numbing was not the wish to recall his words how he had spoken them to her? 

 " I will probably see if I can nourish it myself, that would be interesting, no? " 

It broke in that moment with a single tear trailing along fair cheek. What had she answered? What had she found as a reply to his mild jest in their gentle back and forth that was so filled with admiration and adoration for each other that knew no bounds? What had she said? " Dear, please--- " A call that does not reach her, when the call she wanted to hear so much more than anything else was from his voice. Was any explanation he had refused to give her, that child she once knew, grown into a man, a monster of such grotesque proportions, larger than life and even if he had offered solace and aid by a margin only, he was too far gone. Too far beyond. 

Silence in a world that was screaming with sounds. 

Tenderness in a presence that latched to burn her whole. 

Yet it did not. When she had dropped to her knees in front of this forest. This Macrocosmos nurtured out of a single instance, a single little mushroom given to him as a gift, as a treasure perceived for the worth it had. And he had kept it. Raised it. Brought it to new heights even Sasameki might not have reached, if not for his hand to guide her anew. And guide he did, was it not true?

Because in these moments? These very short seconds that boiled down to nothing but her and his secret left behind, the way these little roots would stretch for her hand so kindly, so carefully extended towards life and vigour itself. She could hear those exclamations, for her to be cautious and alert, his powers left behind and stretched beyond the etchings of the stone, like a fine spidery web, would lash out and push back any not allowed, not desired to behold a part of his crafted soul. No, but for her [ and had Shunsui not hushed them down to nought with a mere wave of his hand? ], they were reaching. 

Climbing. Trying to gather at a place to know they have been accepted. For her, all that power, shining oh-so-bright, muted in its subtle calm, like a velvety softness of gentle touch --- it broke just the moment she realised that. That there was something. Something that is so truly known to her. Something only she was able to perceive. Something only she had ever had the pleasure, the chance, to truly recognise. What a mind-breaking thing he had left her behind---

---this Cosmos that had grown and would sing. That velvet she felt, was just like his voice - far too kind.  || @jinjahime | @bornhollow ♡

[severepink]

Observing Adam

Where I go way too deep into something that probably isn't that deep. It's long, it's long as hell.

Okay, so you'd think with how Adam talks he's just a typical misogynist, right?

This man worships pussy. So much so, he's named a whole ass angel, one of his best, Vagina. You'd say that he objectifies them and thinks of them as being lesser, but I don't think that's the whole story. In fact, I think he might be the original simp.

All of these exorcists so far have been women. All of them. He refers to them as ladies or bitches interchangeably, he sees them as being completely capable of absolutely decimating leagues of some of the most vile beings who have ever existed, and they have, to the point it was only after thousands of years that there's been a risk to this hierarchy.

He's a self-centered, egotistical, loud-mouthed, arrogant asshole, no doubt about it, but I'm beginning to suspect something now.

If Adam and Lilith were created from the same dust, if they were created as equals, I am more than willing to bet... Lilith is also a self-centered, egotistical, arrogant asshole. But, she's likely far more intelligent, composed, and duplicitous.

Lilith was allowed to refuse Adam and leave of her own free will and garnered her own independence. A new wife was created for Adam, she was replaced. My guess, is she thought Adam wouldn't be able to live without her, to come back and find herself replaced entirely, she was enraged.

I believe both Adam and Lilith were both incredibly dominant individuals who fought over ideas, thoughts, and ultimately in the bedroom as well, if we take into account the creationist stories.

I'm willing to bet she likely manipulated Lucifer into twisting humanity against its original concept. What if Lucifer's intention truly was to just spark something within Eve, like independence and thought and creation, but it was Lilith's poison within the fruit that tainted her, then subsequently Adam, with sin.

Lilith thrived in hell, while Lucifer's dreams of creation were dashed. She didn't suffer as he did, instead the power of her voice grew with hell. Her voice grew so powerful that heaven found it to be a threat, her actions instigated the beginning of exterminations.

Charlie said that when she was a little girl, she didn't know Lucifer at all. I don't think this was because of Lucifer, he's seen here, picking her up, inviting her to share in his thoughts and dreams, showing her something wonderful. Something she could see within herself.

Charlie says that it's this moment that sparked her will to fight for her dreams. Which is strange, because at the very beginning of the story, Charlie says it was her mother's dream that was passed down to her.

Lilith took Charlie away. In this scene, Lucifer wasn't done showing Charlie his thoughts and dreams, he's still yearning to show his daughter these things at this point.

Lucifer loves his daughter. He loves Charlie so, so, so much. So why wasn't he allowed to build a relationship with his daughter for the longest time? He was waiting for the opportunity to get to know her, but with how much he adores her why didn't he do it sooner? He didn't comment on 'It took you a while-' he just said he missed her smile. They don't want to be pulled apart, again.

Now, we know Vivziepop has said that Lucifer and Lilith love each other, but Lilith 'wears the pants' in the relationship. We see all of the pictures all over the walls of a supposedly happy family. I don't think the relationship was as loving as originally portrayed and Lilith is a woman who desires control above all else. She likely tried to mitigate what influence Lucifer had over their daughter when she thought his angelic thoughts and behaviors became more than what she approved of.

Lets take it back to Adam and Lute for a moment. Again, Adam is a loud mouthed idiot, he's a jerk. The moment he realizes there are demons in heaven, he's ready to go on the attack. It's only because of Lute that he didn't end up doing something absolutely idiotic.

I gotta say, Lute and Adam's relationship is an absolutely fascinating one. He's a disrespectful dick head in how he talks, but how he acts is a different story. He allows Lute to man-handle him. He does listen to her, even if he's a whiny bitch about it.

Look at him, this is the face of a man listening, a dumb one, but a dude listening all the same. He doesn't manhandle her back, he doesn't even pull away until she lets go of his collar. Of all the shit he complained about, between being grabbed and being told what to do, his biggest complaint is that she's telling him to shush.

We know that Adam is the one who suggested the exterminations to begin with, so Sera says, and this was because of the power that Lilith was amassing. To him, Lilith is a threat. Even when he was willing to move on, to go to another wife when Lilith didn't want him or want to submit to him (fair babe, he's a bit of an idiot), she came back with an angel and proceeded to manipulate his new wife Eve. This is the supposed progenitor of man-kind, the original dick (hilariously enough), the reason civilization even exists at all. He and Eve had to fight for their lives after being tempted with the fruit. They had immortality, they had no ideas of shame, they were supposedly 'innocent' creatures before Lilith and Lucifer came along. He and Eve had to fight tooth and nail to survive after being cast from Eden. I think it shows in how willing and ready he is to take lead and do what he believes needs to be done, now out of a need for entertainment rather than a need to defend or protect. But, he still stopped to listen to Lute's advice. In the mythological story of Adam and Eve, Adam is the one who has to tell Eve that god said don't eat the fruit. Eve never heard god speak to her, so she was vulnerable to the snake's manipulations. She will now die because she ate it, and because she did not want Adam to take another wife, convinced him to eat it unknowingly. Funnily enough, Adam tried to explain to god that 'she lied to me and gave me the fruit' and in this actual mythology, Adam was punished for listening to his wife. Even without mentioning Lilith in the original mythology, Eve didn't want Adam to take another wife, so when we consider it within the context of Hazbin Hotel, it may be likely that's how it went down. Eve knew of Lilith, knew that she could be replaced, and decided that she would take Adam with her.

I believe that Adam does and did rely on the women in his life to help him with direction. I think Adam knows he can be an idiot and is willing to listen, even if he doesn't agree with what he's hearing. He did listen to Charlie in the beginning, he just didn't believe in her, like everyone else and he, out of anyone there, probably had the most reason not to. Cain and Abel were his and Eve's sons, his own child became the first murderer. Out of jealousy, the same kind of jealousy that no doubt has caused Lilith to act how she did. Adam isn't going to have empathy for sinners. His family, his legacy, were filled with the original sinners. He probably had to kill his son Cain in hell during the first exterminations. What do you think he would have had to feel, if it came to be a fact that sinners could be redeemed? That maybe his son, could've been redeemed? Or any of his progeny for that matter? How did it feel when his sons, his progeny, weren't given the same mercy as the Hellborn that Lucifer managed to keep protected through some deal with the angels or god? Not to mention that Charlie could've been his daughter. Charlie is the product of the people who completely and totally destroyed the paradise he'd been born into. She's the daughter who is protected and immune from the slaughter while all of his sons and daughters are judged and killed. I believe, even though he was a dickish prankster to Charlie, he was surprisingly patient and even somewhat amicable, willing to even ask her how her weekend was like he was just trying to get to know her.

Adam could just see all of the angels under his employ as being disposable. He doesn't have to name them, or think about them in any individual fashion. But, he knows Vaggie, recognized her instantly. Thought she was badass. Lute's the one who saw her, tore her wings off, and walked away. I'm surprised they even let her live, because this just goes against everything they're doing. They're an army and they saw one of their own showing empathy to the enemy.

Look at this dumb ass. He's being a shit-head, a dick, a bastard. But, he admires Vaggie's ability to pull Charlie, congratulates her, this dude isn't even judging her for being a lesbian. I don't think it's because he objectifies women, this dude loves women, he just does. He respects fellow vagina lovers. I don't think he respects liars in the slightest though. He's being underhanded, he's trying to be manipulative (he's not very good at it). I think he's brutally open and honest about everything and that's probably one of the reasons he's such a bastard anyways, because sometimes you just need to shut-up and he's not good at that.

I don't think he respects Sera for that either, he's more than willing to let others know what the hell he's doing, but under Sera's lead, he can't be open about it. I don't think it's his jam to act this way, it's why he sucks so bad at it and I think that's why Lilith is so antithetical to him. I also think that's why he's possibly even being manipulated.

It's kind of crazy that Adam is the only one who tries to come up with what allows someone to get into heaven. So here's his list: 1. Act Selfless: Maybe at one point he was! He had to have been, to be one of the progenitors of mankind, he would have had to work, sacrifice, and give to his wife and children for them all to survive. Eve would have had to do the same, no doubt. He may not seem selfless, due to his raunchy behavior, but he's served heaven since he's been there. He's served humanity in some kind of facet. 2. Don't Steal: Considering the only other humans are his spawn, he likely had to try and get them to not steal from one another for them all to have an equal opportunity of survival. He and Eve likely both knew they would need to work together to survive.

3. Stick it to the man: This, however, is interesting. Who is 'The Man' he speaks of? God? The only other people over him or were equal to him were women. He speaks like a rocker, and I think in this case he's using the term 'The Man' in a gender neutral way. I think he allowed some amount of Authority to Lilith when they were supposed to be seen as equals, it comes so naturally to him as a character when it comes to the other women he's been interacting with. I think she is the 'man' that he's been sticking it to- Pun somewhat intended. ((This third one may also simply be a tongue in cheek reference to when Alex Brightman played Dewey in School of Rock on Broadway! Thank you to the user who brought this to my attention!))

Adam is a bit of a hypocrite, isn't he? He likes to fuck, he's made that abundantly clear. Full of lust you could say. It was his original purpose after all, and he is judging Angel Dust for something he probably would've done himself at one point or has considered doing (maybe not the having sex with men part). Angel Dust does all of these things, Adam doesn't even deny it. He even looks nervous. He's angry, but doesn't deny that Angel has done those things. He doesn't explain it away or try to lie or move the goal posts, he's just asking what is an actually very valid question.

Why isn't Angel Dust there if he can do things equal to what Adam himself hasn't done? Serenity continues that line of thought. It isn't until Charlie is realizing no one knows what it takes to get into heaven.

Adam is more than willing to let Lute take the lead here, he's willing to give her the stage to clap back, he's giving her back-up antics. By all means, they could be pushing and fighting one another, there could easily be body language expressing something other than their general comfort around one another. They aren't fighting for a spotlight like you'd expect Adam to try and do considering his egotistical attitude.

Adam fucking sucks at keeping his mouth shut and he sucks at lying. He nearly blew the secret out of the bag once, this time, Sera is the only one who tries to stop him and to be honest? Lute looks a bit too thrilled at it. He knows he fucked up, but he doesn't think it's a big deal that anyone would know. For fucks sake, they've already condemned souls, his progeny, to suffer. What's the big deal if he kills them?

I have to re-iterate what's happening here. Charlie is proud she caused this chaos, that she caused these angels to fight amongst themselves, even if in this case it's a good thing. But, this is like history repeating itself to Adam, the reflection of his ex-wife, entering his domain, causing strife among his people, being happy about it.

And the venom he expresses when it comes to the 'liar' portion, god Alex Brightman destroyed when he got to this portion specifically. There is some vehement disgust in his tone when he says liar.

Adam isn't a good person now. But, I think he used to be a good person. By all means, Adam himself could've been the first murderer when his wife made her mistake. He, at one point in time, had to have been good enough to foster civilization itself with Eve. Both good and bad. Adam's original purpose was to be fruitful and multiply. Ordained by god (or maybe just angels) himself, divine power directed and created him to fuck. He didn't chase his ex-wife down, he was given a new one, Lilith was allowed to leave. When he left things alone, when he tried to move on, his ex-wife and a scorned angel destroyed the paradise he was in with Eve. He had to struggle and toil, he had to feel shame in his own body. He had to find out his first born son was the first murderer. His second son killed. We don't know if this is going to be canon in the story, a lot has changed, and if Adam is the first soul who reached heaven, then what did happen to Abel? Was Abel considered a sinner? Or did Cain kill Abel after Adam had passed? Either way, he had to witness his children kill, he had to watch his descendants behave in a range from saints and monsters. He's seen genocides, he's seen famine, war. Adam is desensitized to the plights of his descendants. Maybe he even saw it as a duty to cleanse the universe of their existence at one point, because they were his responsibility.

At the end of this episode, he is properly scolded by Sera and does seem ashamed of himself. He isn't huffy, he is reminded that he should be ashamed of acting that way.

I love Lute's enthusiasm, she's absolutely brutal when talking about Vaggie and with how she handled Vaggie. I think it's funny that Lute is so brutal she's even made Adam uncomfortable. It's cute that he's made uncomfortable by the excitement and all he does is tell Lute, the premier hype woman over here, to chill. She's so proud of herself too, look at her.

He fully expects these exorcist bad bitches to go in there and fuck shit up. But, you know it's hilarious that he's throwing horns? This dude, this angel. First human soul in heaven, loving rock n' roll, the devil's music, and throwing motherfucking horns. It's poetic really. I think we can probably assume where things are going.

Now, this is the first point we've seen Adam being a real piece of shit to Lute. I don't think Adam likes it when people think he's too dumb to notice something, especially something so damn obvious. This is such a drastic moment of vitriolic, uncontrolled anger directed towards Lute. Adam knows he isn't the brightest tool in the shed. He likely knows he's obtuse and misses shit. It's why he sucks at lying, he knows he's not smart. That is why I think he's afforded women opportunities to direct him without fighting back against their advice and their choices. I'm sure Lilith made it obvious how dumb she thinks Adam is. I'm wondering if this might be where their ground breaking fight might've come from. Who's to say he didn't allow Lilith to take the lead, or listen to her like he's done with Lute here and now? Perhaps to an even greater point? He listened to Eve and ate from the fruit of knowledge and he was punished for it. Being seen as so dumb he can't formulate a simple fact is a sore spot for him.

Adam is incredibly powerful. It took a bit out of him to exercise that power, probably because he's out of practice just like Lucifer said. At one point, he probably wasn't so sloppy and weak willed. He's gotten lazy. Sloth like.

I think it got real personal here. How viscerally and personally he attacked Charlie. No one but Charlie truly thought sinners could be redeemed, or that they were even worth it. Not even one of the original sinners. Maybe he never considered the possibility, maybe what happened really did make him see the world as black and white to cope with that happened to him, his wife, his children. Charlie's desire to fight this idea would destroy the foundation for all of his coping through the years. He stopped seeing them as family, even though he's grandiose about his founding role in humanity. Does that itch the guilt that may lurk under the surface?

I don't think Adam thought much of Charlie at all. I don't think he had any intention of coming to kill her in the beginning, despite seeing her, despite who her parents were. But, I think with the constant push, with how eager she was to disrupt the pre-conceived idea of order, it reminded Adam and reflected her parents so much, he was eager to kill her for revenge against them. I think this electrical interference on the mask is a direct reflection of sin. Namely, wrath, in this moment.

Now, this. THIS. Is something that made me want to write this whole fucking essay. Is Lucifer implying that he not only gave Eve the Fruit from the tree of knowledge, but FUCKED HER TOO? Homies, I'm sorry but holy shit. That is some hydrating tea. I'd be pretty pissed too, fucked over twice by women who were supposed to be literal soul mates, who you were made for, who were made for you?

I knew he would have a goatee, I could almost hear it. I gotta say, I'm a sucker for how he looks. I think he's hot. He is a bastard, but so are a lot of the hot dudes in this show. It's just a theme.

This exact series of lines prompted so many of the thoughts that I had about Adam and why he thinks or acts the way he does. At one point, Adam did have to work himself to the bone and learn to survive from scratch alongside Eve. He isn't entirely without cause to not think that he deserves some respect or recognition from his descendants.

But, that doesn't give him the right to act like god himself. It's... well... Blasphemous. Isn't it? One of the worst sins is to think yourself to be worthy of worship, as if you're a god.

This is the moment that gave me empathy for them both. You could probably see the kind of loving person Adam could have been at one point with how he looks at Lute, even as he's laying there, dying. He's not crying like a bitch, just looking at Lute softly. Lute screaming for him, screaming his name. They cared for each other deeply.

And this... and this.... and this. WHAT DEAL DID YOU MAKE, LILITH? Did you make it with Sera? Did you make it with Adam? Did you make it with Lute? Did you really just want a little 'vacay' away from the hell you helped create? Left her husband, depressed and lonely. Left her daughter without any care or guidance. Maybe Alastor was sent in her place, perhaps? Seven years since he was seen after all, but why wouldn't he show up sooner if Lilith did care? Did she make a deal with Lute and Adam? Did she let Adam smash it so she could stay in heaven? Did Lute let her stay in exchange for getting Adam out of a position of power? Or was it maybe Sera who commissioned Lilith with a deal? Either way, I'm in full belief that it wasn't Adam's idea to move the extermination day up. I think he's a patsy, a scapegoat. I think Lute may have been manipulated, potentially, into manipulating Adam into this position. Was it even really Adam who came up with the idea to do the exterminations? Or was he the one who simply decided to fight originally because he was told heaven was at risk due to Lilith's rising power? The Road to Hell is Paved with Good Intentions. I think it could be any number of these. Either way, Lute certainly does think she had authority over Lilith. Is it Lute just having hubris? Or is Lilith truly bound, just like Alastor, Husk, and Angel Dust?

Of course, now that we know a soul can be redeemed... and we certainly know that angels can fall. I don't think this will be the last we see of Adam.

[foxmulderautism]

beau is such a trailblazer of an oc cause he's the first dallonwrites protagonist to have a good relationship with his family

[scintillatingshortgirl19]

thoughts on house and wilson and queer repression

i'm endlessly fascinated by the way both these men are so overwhelmingly repressed yet it plays out in such different ways for each of them

to me wilson is someone who is repressed in such a way that he's constantly fighting his feelings for house/attraction to men in general - while house's brand of repression has resulted in house burying his feelings so deep he isn't even aware of them

so when people mistake them for a couple (and when wilson catches house jerking off) wilson gets flustered and nervous bc deep down he doesn't feel secure in his straight man status.

house is chill and makes gay jokes and doesn't mind pretending they're a couple because, unlike wilson, he has successfully convinced himself he's a straight man

in fact, at this point i very much see house's gay jokes as his own way of continually proving to himself that he's straight

"see? look how comfortable i am with my straightness! i make gay jokes every day. i don't care if people think my best friend and i are a couple. i can talk about men being hot. i'm just that secure."

(there's also the fact that wilson is obsessed with being "normal" and house actively tries to be as edgy as possible - but still, the frequency with which house's brain seems to instantly, specifically go to gay jokes in a given situation is...sure something. and there's a whole other conversation to be had about the way comphet has affected them differently in the sense that wilson still clings to the Straight Man American Dream concept whereas house let go of that a long time ago. but that's another post).

anyway, i feel like another reason house is able to be more comfortable than wilson is - despite the repression and in his own weird way - house sort of has acknowledged his attraction to men?

the thing is, he's done it in such a way that he can logic his way out of admitting he's queer. of course he admired other guys' asses in the locker room in school - all guys do that, right? yeah he's thought about sex with nearly every single coworker regardless of gender - but hey, all that says about him is that he's a perv. maybe he looks at the man sometimes when he watches porn - whatever, he was looking at the woman too and that's all that matters. he's enjoying the thought of wilson in a porno because it's funny and it's embarrassing to wilson that's it there's no other reason he's so enraptured by that film (stop thinking about it)

tl;dr:

wilson's repression is more active and his attraction to men lies just below the surface of his subconscious - deep down he's insecure in his straight man status, which is why he gets so flustered every time somebody mistakes him and house for a couple

in contrast, house makes gay jokes on the daily because he's buried his repressed feelings so deep in the ground he doesn't even feel threatened by them

[erstwhilesparrow]

i more or less understand why 'platonic relationship' as a category exists and i get that some people find that useful but sometimes. when someone's like, "platonic relationships are so important!!" it really feels exactly the same as saying, "non-outer-space forms of transportation are so important!!" it's just. okay. i'm sure this is a statement that needs to be made, in certain circumstances, but it is fascinatingly difficult for me to fathom this being a useful distinction.