#[ i'm like a completely different person now ]

[genderqueerdykes]

holy shit wait…your 32???

I…im gonna cry

I didn’t know we can live this long…

not just trans mass but…

alterhuman…and plurals..and…

I can’t…

so happy

gonna cry……..

yes i am! i was born in 1992 :)

that's exactly why i have my age in my bio- i've wanted to show people that you don't "outgrow" fundamental parts of your identity. it's natural to adopt and shed identities as we age, but i've been out as genderqueer since 19! nothing has changed, i'm still the same genderqueer person i was all those years ago!

and if anything- life has gotten better in my 30s. as a word of advice to most people out there: your teen years and your twenties FUCKING SUCK!!!!!!!! they tell you those are the "best years of your life" but they're NOT- you're growing into a world that is terrifying and doesn't understand you. you're scared. your brain and body are still developing and you're constantly facing new challenges. those are honestly i think the HARDEST years of your life, hands down

when i was a teenager, i would think to myself "phht there's literally no way i'm making it past 25 lmao" and figure that life ends after 25. well, that day came where i turned 25... and nothing changed.

and then i turned 30. still, nothing changed

now i'm 32 and... nothing has changed. maturation happens with age, yes, but it doesn't mean that you're suddenly a completely different person. people have such a shitty view on 30 year olds, like it's somehow "embarrassing" to be above the age of 25 years old. people in their 30s are constantly picked on, we're constantly told to "act our age" when... we are. i'm happier than ever realizing that I made it to my 30s, still trans, still nonhuman, still plural

i've been in treatment for DID since 2017, and while i've healed a lot, i have not integrated with my alters, and i never will. i don't want to. this is how my brain functions. the dissociation can be a nightmare for me, but my brain needs different people inside of it in order to be able to function properly. we tried to force ourselves to live as a singlet for 3 years and what ended up happening was that host at that time cracked from being under the constant pressure and still has never returned. the amount of stress it placed on us to try to live as a singlet was not worth it. at all

there hasn't been a singular moment in my adult life where i stopped being nonhuman, either. that was something that i never even tried to force myself out of. i never viewed it as weird or something that i should "outgrow"- i told my own mother that i did not identify as human as a child and that never left me. even now, i still wear dog collars, ears, tails, and take nature walks and do things to make myself feel more like my nonhuman selves. i'm still a furry, too!

i might not be a queer "elder" yet, but i'm happy as can be to be able to be an older queer person who can use their experience to help younger folks. thanks for sending this message! trust me, there really is a life after your 20s. your teens and 20s suck massively. but after i passed 30 i became more down to earth about my age. it's not a bad thing to live past 20- in fact, it's a badge of honor. i made it. i'm still breathing, i'm still here, still queer, despite all attempts to prevent me from still being here.

i'm going to continue be here for a long, long time, and you can be here with me, too.

take care of yourself! thanks for stopping by!

[vi-arcanes-left-bicep]

Spoilers for Arcane S2 Finale❗❗

So, i keep thinking about Arcane's last pieces of dialogue and though they sounded kinda funny when I watched the end at the first time (in a 'really? This took 27h to write?' way), the more I think about it, the more I like it.

I think it has a ton of layers to interpret and I'm still missing a few of them.

Please forgive my multiple tangents while I try to gather my thoughts.

First, how Caitlyn finds Vi: no bandages, a glass of alcohol in her hands.

No bandages means many things for Vi: she's vulnerable -both because of what she's going through and beacuse she can allow herself to be vulnerable for the first time in the show, with Caitlyn-, and her fight is over, she doesn't have to fight anymore (Re: Ep7 Powder saying Vi fights because she's scared of losing everyone, and she has lost everyone). (Everyone but Ekko and Caitlyn, who have repeatedly proven they can fend for themselves and are leaders on their own right, I'd love to say Vi is in a point where she's able not to feel responsible for them too, though this is something I'm not so sure about). Bandages were also an important part of her character design, of herself, so this gives a sensation that she's lost a part of her identity too. Who is she, if not the big sister, the protector, the brawler?

Alcohol is another small details that just says she's not okay. We've seen her drink herself senseless for, presumably, months, in Act II, to cope with all that happened in S1 and particularly S2 Act I: accepting the loss of her sister after the attack on the council, becoming an enforcer even though she was completely against it because she still feels responsible for ending Jinx, recognising her sister again for just a glimpse and gaining faith that Powder is still there (with the realisation that she almost killed her sister -not the monster she convinced herself jinx was, her sister) falling in love with Cait and seeing her become a completely different person out of grief.... So after everything that just happened in Act III, where she saw that many people die, either strangers or friends, and where she lost her sister and father AGAIN, of course she's considering getting back to drinking. So much happened to her in the span of few months that she's considering drowning the pain away again.

Caitlyn's question: "Are you still in this fight, Violet?"

The line delivery is incredibly soft and intimate, and Cait calling her Violet is the cherry on top. She's knows Vi is not okay. She's knows she's going through a lot right now.

Caitlyn's question seeing this is really, at least, three questions:

First and clearest is a check-in: "How are you?" "Will you be okay?" "Do you want to talk about this?"

Second is "Are you staying?" Vi could leave to be alone as she did at the beginning of Act II, could go with Ekko to Zaun... I can also see an "Are you staying with me?" After everything that happens, after the little time that they've had to be together and to solve the many things between them, her asking "Are you still in this fight" can mean both "hey, are you holding up" and "Are we still together in this?"

Third would be "So, are you up to face this, solving things between Piltover and Zaun?". I know some people have criticized the lack of resolution in the Zaun/Piltover conflict. I'd argue, as much as I'd love for the class conflict to be expanded, it is not the core of the series, and both the writers and the characters know that a conflict like this cannot be solved in such little time. The series was not going to solve it. What it does is solve it's main plot and character arcs, and leave a space for this theme to have the start of a resolution. Piltover an Zaun joined against Ambessa's army, and the ending gives us a glimpse of the will to change the relationship between topside and bottom (e.g. having Zaunites in the council). It's not a perfect ending nor it is a resolution for Zaun's class struggle -I'm pretty sure that was never the intent, though I would have liked for both cities' relationship to be more comented upon in this season-, it's the opportunity to advance towards a resolution. So Cait is asking Vi if she is willing to deal with that too. "Are you still in this fight?" can also have an implication to mean fighting to make things better. This also means fighting for them to be together.

Then, Vi's answer: "I am the dirt underneath your fingernails, Cupcake. Nothing's gonna clean me out".

Now, I like this because it sums up to Vi saying "I'm not going anywhere" but the line itself and the delivery gives it a few more layers of meaning.

First of all, Vi is clearly not okay. She's very emotionaly scarred and considering an unhealthy coping mechanism. She looks incredibly sad. And she's deflecting with humour to the question because she's probably not ready to talk about it. So her delivery here, plus the strange joke/comparison and calling Caitlyn "Cupcake" (which she's only done when she's teasing her in a flirty or funny way or deflecting the conversation by doing so) is telling Caitlyn that she's not okay right now, but that she isn't going to leave. "

I interpret "Nothing's gonna clean me out" as her basically saying "I'm tough, I'll get through this" to Caitlyn's "How are you?" and saying "You're not getting rid of me" to Caitlyn's "Are you going to stay?"

Furthermore, calling herself "The dirt underneath your fingernails" has an obvious implication about her being a Zaunite and Caitlyn being from Pilotover. I've seen some people saying this is insulting to Vi's character and to Zaun's storyline.... I don't think so at all. Yeah, I can get to see a layer of self-depreciating humor, but for me this is Vi using her humour as well to reinforce herself and her identity as a Zaunite (which arguably she left aside/lost sight of during Act I) while also teasing Caitlyn for being a topsider. I like to interpret this as Vi saying "Yeah, Piltie, I'm sticking with you and I will keep bothering you". The tone and calling Cait "Cupcake" reinforces this as a tease as well. Reinstating her identity as a Zaunite also gives insight on Vi's position on the Zaun-Piltover new relationship: yes, she's willing to help out manage this, always from the position of a kid from the Lanes.

Zaun and Piltover are also stuck together after the ending - they've fought together against a common enemy and that has also forced Piltover's elite to sit and listen to Zaun's demands. For sure Piltover's aristocracy still has to get their heads out of their asses but this is how I like to read the phrase in regards to Zaun-Piltover, layered upon what Vi is saying: I am the dirt underneath you = I (Zaun's state and problems) am a consequence of your (Piltover's) actions and I am not going anywhere. (You will have to listen).

Anyways, lots of rambling and I'll still be missing stuff!

Another thing is, native spanish speakers as I am use the phrase "Nail and flesh" to say that two people are inseparable, and this has enough similarity to that for it to feel like Vi is also saying they are inseparable. So yeah

[alexanderwales]

One of the things they went over when I took linguistics was the "euphemism treadmill", the tendency of initially-clinical or neutral words to undergo pejoration to the point that someone felt the need to replace the pejorated word with one that was clinical or neutral. And then of course the process of pejoration would start again.

The best example of this were words related to what we now call intellectual disability. In the past, "idiot", "simpleton", "moron", "feeble-minded", and "imbecile" were all relatively clinical terms. (This is one of those things that's often repeated, but if you go looking at newspapers from the 1920s, you do kind of wonder whether the negative connotations were just completely acceptable then, especially when they're talking about the successes of sterilizing the feeble-minded.)

The reason that pejoration happens is that while the word changes, the societal attitude toward the underlying thing most often does not, and so if they change the word and declare that this new word is totally neutral, then society's negative view is just going to keep making those words take on bad connotations. This will happen even with the most anodyne descriptions, like "mentally handicapped", which Google will inform you with a little warning is offensive and dated.

The linguistics class I took in the early 2000s spent a little time on the word "retarded", which by then was well on its way to complete pejoration (federal law was changed in 2010, from "mental retardation" to "intellectual disability"), but had not reached the point when it was "the r-slur". If I recall correctly, this was when "mentally handicapped" was still relatively in vogue, and sitting in that classroom I had thought that "retard" was going to go the way of "moron", a word that was used exclusively in a disparaging way. I thought it would be about as acceptable as calling someone an imbecile, I guess, which is impolite but which doesn't rise to the level of "slur".

But no, I was wrong. The euphemism treadmill will probably continue because we have not done anything about the underlying condition (that people with intellectual disabilities are less valued and looked down on), but "retard" has now become a slur, even if every other fucking word for low intelligence is still in common use as a disparagement.

It's wild how much you can see people dancing around this. I said above that Google gives an "offensive and outdated" tag to the term "mentally handicapped", but they also give that to "retarded". However, if you go to "imbecile" they don't give that tag. To save you the trouble of looking it up:

noun: imbecile; plural noun: imbeciles

a stupid person.

archaic a person of low intelligence.

Ah, lovely. So it's okay, because it just means "a stupid person", it used to mean "a person of low intelligence", but it doesn't mean that any more, so ... not offensive, I guess?

Except hold on, what does "stupid" mean again?

adjective: stupid; comparative adjective: stupider; superlative adjective: stupidest

having or showing a great lack of intelligence or common sense.

Oh, okay, I see. So in the archaic sense "imbecile" meant a person of low intelligence, but now it means a person who has a lack of intelligence. Totally different, very understandable. Nevermind that "imbecile" was pejorated in the same way that "retard" was, and that using a negative word to refer to someone who is lacking intelligence is basically the same thing.

I think if you want to fight against the pejorative use of the word "retard", you should probably be fighting against a lot more words, and you should definitely be fighting against the societal view that people with lower intelligence are lesser. You can fight the language issue all you want, but it's just going to lead to more cycles of pejoration. There's no way that switching over to saying "person with a learning disability" (as it seems the UK bureaucrats now favor) is going to somehow end it.

Personally, I'm the kind of person who just goes with the flow. I think people with intellectual disabilities are just as much people as anyone else, deserving of care and compassion, but I also value intelligence at least as much as my surrounding society does, and while I do make attempts to temper my language, saying that an idea is stupid rather than casting contempt on a person who is stupid, that's a mighty fine line to tow, and ... people just don't care. If I call a politician a moron, no one will bat an eye. I will refrain from saying the r-word, because people get mad at you when you do that. I think if I got hit in the head tomorrow and became intellectually disabled, I would be more or less happy with this.

I don't have a strong principled stance, more a stance of "come on, what are we doing here". Euphemism treadmill goes brrrr, language gonna language, I just wish the whole linguistic and social process didn't feel like some out of control machine that wasn't actually doing anything for anyone, and that people would pay more attention to the underlying mechanisms for how/why pejoration actually works. Changing the word is not going to usher in an era of understanding and equality, we've proven that, haven't we?

[14dayswithyou]

no way you dropped the biggest river lore in the tags and moved on like it was nothing 😭 can i ask if this is still your intentions with him? bc it sounds like you changed your mind halfway 🤔

im ngl though i really enjoy how ren and river are similar and different to each other, but does that mean river would hurt his angel but leave our friends alone the same way ren would never hurt his angel but would unalive all of our friends? since they're suppose to be each other opposites. i really hope this makes sense 😬 my final question is what is ren doing on thursday? i want to go on a cute pier date again 🩷🌸

@secretkoa asked: and can i hear more about what unsent memory is suppose to be about or is that off limits? idk if i asked this in my previous question so ignore me if i did! thank yuo and remember to drink lots of water 🐸🌱

⌞♥⌝ For those who haven't seen the original post, I want to quickly clarify once more that while River was originally my OC, he's since been picked up and revamped by my friend Jesse/@unsentmemory!!

However, now that Jesse has stepped away from the yandere community, River's fate (and da fate of Unsent Memories) has kinda been put on the sidelines for the foreseeable future.

‼️ Massive Unsent Memories and River spoilers under the cut ‼️ CW for: mentions of gore, torture, mutilation, self-harm, etc.

With all of that being said, yes, Jesse's original intention for River was for him to be your standard "serial killer-turned-yandere once he accidentally catches feelings for his latest victim (Bunny)". The only main difference is that I originally planned for River to be a generic murderer first, whereas Jesse had him become a yandere right off the bat.

You also asked to know more about Unsent Memories, and I think giving a general synopsis(?) would be fine?? ^^ But basically... After getting involved in a car accident, Bunny wakes up with amnesia and gets tricked into thinking that this random guy — whom they've never met before — is their loving, supportive boyfriend named River. In turn, he convinces Bunny that staying in their shared home would be more beneficial than staying in the hospital as it might rekindle some old memories, he'd be able to take care of them, and it would be easier for them to recover at their own pace. But surprise!! River is actually a frequent patron at the Murderer Motel™ and now has trapped Bunny in his Torture Basement®!!! <3 He also maaaay or may not've been the one who hit them with Ren's car as well... ^^ Oopsie daisy hehe

And yeah!! Similar to what you've said, River was also supposed to share (somewhat of) a narrative foil with Ren!! I personally wanted them both to have similar, complimenting vibes with each other — all while having completely different/separate motives and incentives when it comes to the object of their affection. I'm glad to see it was conveyed well enough; even after Jesse's additions to River's characterisation :3 I know I already shared some examples in the previous tags, but I can share a few more:

Where Ren puts Angel's feelings and opinions above his own, River purposefully ignores Bunny's and does everything for his own personal benefit. Essentially, "I'm doing this for you" vs "I'm doing this for me".

While Ren would never dream about harming Angel in any capacity, he's perfectly happy to kidnap, extort, torture, and kill everyone else... In contrast to River, who's accustomed to torturing and brutalising others for his own twisted enjoyment and sees it as a way to show his interest in Bunny.

Kinda silly how Ren claims to be a freelance programmer (but is actually a hacker) and how River claims to work at a music shop (it's a coverup for his second torture chamber lmaoooo).

[CW: implications of SH] Ren is willing to go as far as mentally and physically hurting himself if Angel asks him to, whereas River is willing to physically mutilate Bunny if it means keeping them by his side. [end CW]

With that being said, you can assume that Ren is easily swayed by Angel's words, opinions, and emotions, whereas River can easily sway and manipulate Bunny due to his own feelings and emotions.

This is something I've actually mentioned before, but Ren always prefers things to be tidy, so he often cleans himself up after disposing of his victims. Compared to River, who casually wears the bloodstains with pride and blames it on getting a bit rough with someone else during a boxing match.

It's no secret that Ren is willing to change every aspect of himself to earn Angel's love, and River is willing to change his serial killer ways to return Bunny's love. Da power of friendship and repressed childhood memories gksdgjh T_T /silly

Ren pretends to be a Normal Guy© with tons of empathy to spare, whereas River pretends to be a Regular Person℗ with the heart of a himbo.

I could go on but you get da point lol

So, yeah!! This is essentially the vibes we had planned for River (and Unsent Memories) before Jesse stepped down /pos ^^ I feel like talking vaguely about UM is fine since River only has a small cameo in 14DWY — and I'm sure that if Jesse ever returns from war (/silly), they'll give River muuuuch more justice than I possibly can :3c

[ianwaite]

How sweet, yes I indirectly do, so what? IF your best was ever a Snafender and became after reading the original hp books properly a Snater, then your best friend shall prove it. Otherwise I don't believe your friend.

Cause both blocked me now:

Your answer (the indented text) has shown me that you have never dealt intensively with "snafending", if at all.

Yknow-you can hate someone and still find them interesting at the same time

I do not hate. Hate is very strong, childish emotion. I dislike, f.e. Dumbledore to leave Harry blind for a whole year and forced Sev to kill him.

I am aware of what they bring to the story, they're very interesting and I'm glad they add what they do to the story-and I still hate em.

If ya hate them, you should hate Lupin, Black, Voldemort etc even more.

Snape bullied children.

You didn't read the link, sad.

He bullied Neville so much he became the kid's Boggart. Boggarts show a persons worst fear.

Then Hermione fears McGonagall.. you don't hate her, no? The boggart argument is no argument to allow yourself to hate Sev. If you use it, you should hate ALL the things/livings that became boggarts to the children in HP/that scene.

At the time a infamous killer was supposedly on the lose, and his worst fear was his teacher.

And Hermione's was McGonagall and Ron's was a spider and ...

He didn't care about anything else except for Lily-He called her a slur though. And people wonder why she ditched him.

I do not wonder about it. I dislike her, cause she was no true friend. She wanted to get rid of Sev after she no longer had any use for him.

He told Voldemort to kill James and Harry but not Lily. He told Voldemort to kill a newborn.

What? He didn't told Voldy this. Voldy told him, he will kill them all! You switch POVs here. How could Sev in his position beg for the child that is THE enemy of his Master? Voldy would have Avadad him immediately, the Potters after that and what story would we have had then? You never were a Snafender - otherwise you would not have come to such unlogical conclusion.

You're saying this like I don't acknowledge the good things he's done. Again since they were influential to the series I kinda have to. But to overlook all the bad? Yeah not happening. I've dealt with my fair share of emotionally abusive teachers for that to happen. I've dealt with my share of emotional abuse.

And to copy your own experience on Sev is correct? He is not your teacher and he never will! If he reminds you of your teacher, he helped you to see their abusive behavior and that helped you - I bet - to think it over. Their abusive behavior was their fault, never yours and I bet, they had their personal reasons too and those had nothing to do with you personally ... like Sev had - no trauma help, no education how to teach, no supportive love of his parents (as far as we know) and the wrong peer group (DE) - he had to fit in to stay a spy.

Harry did think it over and named his kid after Sev, and you think his parents wouldn't have allowed that? Why do you think Harry named his kid after Sev?

Cause all his "emotional abuse" was only Harry's POV. Seeing Sev's memories opened his eyes, seeing Sevs POV made it clear to Harry that Sev only had to be this way and could not become differently - he had to be the spy, to fulfill his promise, to keep Harry protected. If Sev would had been kind to Harry (THE enemy of DEs) - not emotional abusive - would he had been an accepted DE? No.

You're assuming quite a bit about me. I've read the Harry Potter books a dozen times over. There what got me into reading in the first place.

Read them again in 5 years and the link completely, please.

I am not a senseless hater. I am not senseless. I need reasons for my hate. I need proof. And I have it.

That's why I changed my outlook on him. You have proof to 'love', I have to 'hate'.

Your proof is no proof to me, cause it his based on Snaters POV not on neutral human POV.

Let's go on our separate ways. Where either you block me or I block you. Or you just get off my blog. Love with the people who love with you. Leave me be.

Ok. Sadly you decided over my head. I use an old trick now ... I am sorry, but I feel the need to do so.

I will use the anti snape tag. I'll still get interaction. I already have by fellow 'Snaters' I mean have you seen the likes and reblogs?

Oh really? No, didn't see it. I am sorry. Yeah some of us Snovers can be very ... rude.

I still don't believe you were once a Snafender and became a Snater after reading the books properly ... properly reading btw means that you read sth from a neutral -meta- POV. You have to accept ALL in the text at first without judging it (morally) and find out why it's written this way and not the other way. Most readers read a text from their personal POV. That's why we have many -mostly young- Snaters and still some Snafenders.

I hope you are alright and are old enough to not take this and the internet in common too personal.

I wish you all you need.

RIP James and Lily Potter you would've never let Harry name his kid 'Albus Severus' Potter

[filipfatalattractionrblog]

The thing about Episode 7, Jayvik and Timebomb

We like to joke about the whiplash from constantly shifting between Ekko's visit in paradise and Jayce's suffering, but....

I actually have to put the shipping googles back on for this one.

When Ekko and Jayce meet, Timebomb and Jayvik have basically been torpedoed. Ekko almost killed Jinx last season, and only hesitated at the last moment. He spent so much time telling himself Powder is dead and Jinx killed her, but now he is no longer so sure. Jayce meanwhile kept drifting away from Viktor and every time he thought he would bring them back together, he would fumble, last time they meet he was yelling, unable to understand why Viktor given up on him, as if Jayce haven't broken every promise he made to him by not destorying the hexcore and by weaponizing hextech. Ships aren't completely sunk, but they're gaining water fast.

And then the Wild Rune sent Jayce and Ekko to different worlds. Ekko gets the world that could have been, Jayce gets one that may be.

Ekko's life in a near-utopian version of Zaun quickly focuses on him falling in love with Powder that could have been. And why wouldn't he fall in love with her? Shems a genius, she's funny, she's creative...but I think with time he realizes that all these things can still be found in Jinx. He realizes Jinx didn't kill Powder, Jinx is Powder lashing out in pain.

And yet, this Powder is not free of pain either. It's different pain, that he actually stupidly pokes early on. Pain caused by different trauma, which she got to deal with, while having a better support network, but sitll present (I have seen somewhere a good argument she shows signs of depression, but forgot where). It's not that she deals with her pain better than Jinx, it's just different. And I see with time Ekko realizes that and realizes how wrong it would be to give up on Jinx, that the same person he loves is in her world, but she has no one to be for her what this Powder has in her Ekko, Mylo, Claggor, Vander and Silco (that last one is an assumption on my part, it's unclear how close he is with Powder in this world, but considering he apparently co-runs the bar with Vander, he has to be present in her life in some way). When Ekko decides to come back, he isn't doing it only because it would be unfair to Ekko of this timeline and to Powder and everyone who loves that Ekko. He also does it because he realzied what an asshole he'd be to give up on Jinx.

And remember, he has no fucking idea about the seven hells of bullshit that went down in his world when he was absent. He doesn't know about martial law, about Warwick, about Viktor, about Noxus. He's coming back expecting to deal with his tree being sick and Chem-Barons war.

Now let's look what Jayce goes through. He gets sent to hell where his dream goes horribly wrong, yes. But what quickly happens to him? He breaks his leg falling down the chasm. He ends at the very bottom of where Piltover used to be. Correction, where Zaun used to be. The enviroment is slowly poisoning him. He is forced to fight every second to survive. Poisoned by enviroment, limping, forced to use leg splint and a staff as a crutch. Sounds familiar? Moreover, he is then forced to climb his way from the bottom all the way to the highest tower of Piltover. I'm surprised more people aren't talking about this, the metaphor is laid down pretty thick. Jayce gets crash course version of Viktor's life, he is literally forced to walk miles after miles in his shoes. They even made his leg splint look like one League of Legends' Viktor had until 2024.

he never really could understand where Viktor is coming from, even at his lowest he still was a minor noble house, he still lived in good part of the town. And sure, he and Viktor became close, but then Jayce got seduced by the fame, by glamour, by being man of progress, by being savior of the future, by cushy council seat. Power makes it hard to see evil, and privledge makes you blind to human the suffering. This experience was eye-opening to Jayce. I wonder how many times he must have stopped himself and realize this is what Viktor goes through on daily basis. And, as we learned later, after Jayce climbed this way to the top of hell, he saw how much HE means to Viktor, how HE is the only person who can give Viktor hope and save him from his own internalized ableism. He goes back to save the world, but he also goes back to save Viktor.

These stories weren't paired jsut to fuck with us, they're pararells. Jayce and Ekko both were blinded, one by glamour, the other by hardship, they could no longer see real Viktor and Jinx, too wrapped up in the people the world forced them to become. Each one was forcefully stripped from his ideantity, and therefore his biases, and forced to actually SEE the person they love, not the false image they built, but real them. And then each one went back and each one reached to their respective love and save them. And jsut like Ekko went back in time over and over to make Jinx see he's there for her even if she hates herself, Jayce was willing to sacrifice it all to show Viktor he doesn't need to be perfect to be loved, because for Jayce he always was beautiful.

And I could probably write a whole separate essay about how this theme of tearing through your own bullshit and actually SEEING the other person is present in this season. How Jinx and Vi are forced to go through microcosm of each other's experience to rebuild their love. How Caitlyn is saved from her own descent into villainy by being forced to see how much pain she caused Vi, see a human in Warwick, see a wounded child in woman who killed her mother. How Vi stops her self-destruction by trusting Jinx and seeing Vander in Warwick. How Mel literally has to fight Illusionary Sorceres, a.k.a. LeBlac THE DECEIVER and defeats her with words "I see you". How Ambessa is the only person who doesn't go through this identity destruction this season, even i nthe opening proudly wearing red of Noxus, and that's why she fails. How Maddie being a spy is telegraphed from her first appearance, where she's blocking the sun, effectively obscuring Vi's vision and making herself harder to be seen. How Jinx and Sevika are forced to see people in one another now that Silco's gone. How even during sesbian lex Vi doesn't let Cait get bogged down in guilt because she sees the woman she loves and that's all that matters. How Ekko defeats Viktor by showing him he's wrong to think only he can achieve power of Wild Rune, but also by literally tearing off the mask of god from his eyes, so that Viktor can SEE Jayce again.

But it's 4 in the morning as I type this and I'm no longer being coherent. Episode 7 is literally the microcosm of the whole season and Ekko and Jayce go through the same character arc in it.

[jazjelspen]

ex-girlfriend

jeff the killer x fem! reader

(you've dated Jeff the Killer since high school and have known him for longer. You stayed even after he became who he is now.. but what if you became stronger than him? what if you became a completely new person entirely? and left your heavy-hearted killer boyfriend to rot?)

(notes: took inspo from fanon Jeff but also tried to write him into his own person of course :) will try to be realistic when it calls for it + took some creative liberties in certain aspects too. I also apologize if the characterization of Jeff and others isn't super fitting.. I'm still getting used to how I want to express them and construct them as characters and the world around them.)

(CAUTION!!!: includes dark/serious themes, mention of murder/death, use of cannab1s, slight implications of s3x, toxic relationships, physical abu$3, possible ooc(?) )

(NOT PROOFREAD)

[part 1/2]

you and jeff are a killer duo.

seriously and figuratively.

you two have always been attracted to each other, a connection you two couldn't see but you both knew it was there.

the older and closer you two got, the more you two realized you had more in common than you two initially assumed..

way, wayyy more in common.

but to skip a long origin story short, let me give you some details on how you and Jeff suddenly got separated in the way that you did.

you see, you and Jeff resided at the Slender Mansion.. mostly just to get Slender off your backs due to you guys finding solidarity and a sense of safety in the deep dark forests, far away from home. it kept you two safe from police, as well as anyone or anything else that could be a threat.

of course, the specific area you went into was territory of the thin and tall boss of the forests.. and you would've been dead meat if you two didn't create a sort of alliance with the deity, not exactly proxies yet you two still had to trade something in return for your lives.. the lives and bodies of others seemed to quell Slenderman's hunger quite well.

nonetheless, tonight was one of those nights in which you and Jeff had to find more lives to take, blood to shed.

this night was different though, as Jeff was currently stuck in your shared room after going through a minor operation at the hands of Eyeless Jack, another being that came and left as he pleased.

"You think he'll recover quick?" You perked up as you watched EJ sew in the last stitch in a cut that reopened earlier as he was helping Jeff into your room, cutting up the thread before standing back as you two stared at your injured boyfriend from beside the bed he laid on.

"Not as quick as you may think," spoke EJ, his calm, raspy, and slightly demonic voice sounding monotone as he isn't intending to comfort you in the slightest but just to inform you. "Slenderman's healing properties can only work so fast, the rest depends on his own body's will to repair itself."

"Makes sense, with how much the victim fought back and the cops almost got him by a hair.. " you let out a huff through your nose before crossing your arms over your chest and shook your head slightly. "It has never gotten this bad before..." You murmured before moving away to open the door for EJ to find his way out. "I know you don't usually accept 'thank you's but, thanks. I owe you one for saving his ass."

"Hm." hummed the blue masked being. He may have the form of a human, and sound like one to a certain extent.. but he doesn't have the feelings of one for all you knew. "I'm sure you know how to stitch him up again if another injury reopens, I won't be here the rest of the week as I'll be doing my own business elsewhere."

"Got it.." You opened the creaky wooden oak door to let him through, and he left just as fast as he came in.

Closing the door behind you and letting go of the rusty brass door knob, you sighed in exhaustion.

"Yknow, you've been awfully quiet--"

"Shut the fuck up or I'm going to slice your throat."

Your shoulders dropped as soon as you heard Jeff's empty threat escape his throat. You walked closer to him, your shoes making small thuds and the wooden floors creaking beneath your feet.

"There you are." you cooed, finally hearing him talk after being silent the entire time.. incredibly out of character for him yet you were sure the shame of getting as injured as he is now and having to be 'taken care of' definitely got to him. "I almost started missing you."

"Get my knife, get the rest of your shit, and let's move.. we have people to kill for fucks sake.." Jeff's hoarse voice cracked even further as he attempted to sit up yet the pain coming from his abdomen only caused his nerves his fire up, making him fall back onto the moldy mattress yelping in pain. "You're absolutely stupid for even thinking you're able to go out tonight Jeff." You proceeded to sit on the empty side of the bed beside him, your hand slowly reaching over to gently caress his brutally cut up cheek yet your lover only harshly smacked it away with the back of his own hand. "So.. you're telling me you're going to ignore what I'm fucking telling you to do?" Jeff groveled and huffed in irritation, if he wasn't so incapacitated he'd probably be pulling you by your arm or hair to get you to do what he told you. "Since when have you gotten so brave, doll?"

"Since I followed you and helped you kill your own family that night." You pulled your hand away, reminiscing the night when your Jeff turned into who he is now.

You remembered how much your heart swelled when you saw him covered in his family's blood, his fresh cut up smile and red inflamed burns across his body and face. You continued to love him just as much as you did before he became so disfigured.

He was your religion, and you followed him in devotion.

"Now, we still have to keep our deal with the big boss right? I'll do your kills for the night, then when your better tomorrow we'll finish up whatever else we have to do.. or hell we can just kill for fun to make it up to you, " you hopped off the bed as you spoke and walked over to a wooden rotting vanity in the corner of your room, with drawers that were unable to close and doors that were hanging by their hinges. Your hand reached over to get an empty crunched up ziplock bag and continued on to walk back to your boyfriend with the object in your hand. "What do you say? I'll even get you some of the good stuff to make you feel better." you spoke lovingly, your hand with the bag grazing over his misshapen nose as he inhaled it deeply with a faint sense of delight. It still lingered the smell of his favorite thing to smoke and get high off of.. aside from your kisses and affection of course.

"Fuck that smells good.." he mumbled before his beady black eyes then suddenly shot up at you with this look of angry hesitation. "This is the only damn time I'm ever letting you out of my sight, make it quick, come back, and if you take a fucking second too long I'll get up and drag you back by your hair myself, got it gorgeous?.."

"You won't even have to bother Jeff." you bent over slightly to give him a quick peck on the lips, but just as much as he was addicted to the green he was also addicted to your warmth, your lips, your presence and self.

You couldn't help but have to suddenly sustain your own body weight by resting an arm beside Jeff's head as his own uninjured arm went to grab you by the back of your head to pull you closer in a deeper, much more passionate kiss.

Hearts beating aggressively in a dark passion that was just as fiery and scarlet as the blood you two would spill on the daily, the faint smell of dried blood, mud, and rubbing alcohol reeked as you two struggled to inhale air with your noises clashing against each other, his aggressive and hungry kisses tasting of iron but also of old cigarettes and booze.

Normally this would disgust any one else that wasn't you, but you liked the way he smelled, how he tasted.. it reassured you that this was in fact Jeff, your Jeff.

Eventually, he would finally let you go by harshly pushing you away in order to break the kiss. He knew that if you stayed any longer he was gonna want you all to himself for the rest of the night, as close to him as you physically could.

"Get out of here and get back, ______. Don't make me wait longer than I have to."

You smiled at him, a sweet and sinister little smile that would somehow always get him hard every time you did it.

"You've got nothing to worry about."

two weeks.

two weeks passed since you disappeared that night.

Jeff recovered the night after you left, but you could imagine the absolute horror and rage he felt when he realized you never came back later that night.

With other residents also living in the mansion, residents with personalities and have bits of humanity left similar to Jeff, you can also imagine the slight wave of rumors to those that knew or noticed the two of you in your years in the mansion. Some say you made a deal with Slender and got to leave, others say that you got kidnapped, that you got brainwashed, caught by police, sacrificed to another higher being, stuck in an asylum or- simply that you died. There were endless possibilities but they all ended the same:

you hung Jeff dry, left his grasp and simply didn't come back.

Jeff would obviously try to get in contact with Slenderman as to know your condition, since he knew that the deity had the consciousness and psyches of every being or person he's made some kind of contact with in his hands.

Although he had to go through one, two, three of Slender's proxies, just to have a word with him somehow.. He would eventually get a word from the big boss through one of his more well known lackeys.

"She's fine, Jeffery. She isn't dead, she hasn't made any deals with him, and she isn't injured to death or whatever." the annoyed and exasperated voice of Masky would echo in the empty halls that the pair stood in, the arms of the mustard-yellow colored jacket would fold over his chest while also being in a sort of stance that expressed the fact that he simply just didn't want to be there.

"Then why the hell is she not back?? Does he know where she could be? If she was kidnapped? If she got arrested or put in a fucking ward?" Jeff yelled in an almost desperate sort of tone yet he would never admit it openly.

"Look, I don't fucking care whether she's alive, dead, stuck in a fucking hole or hell! if she's sucking some other guy's dick that isn't yours! But all I know that is that if she left on purpose he would've already had me or one of the others to get her back, but he hasn't so maybe she's nearby or some shit like that."

Anyone around could see that Jeff was on the verge of reaching over for his knife and cut Masky in half, yet he knew better than to do that to him of all people. "Does he at least know where she is?? I'll get her myself if I have to just give me a fucking address, some place to know where she could be!.."

If Masky wasn't wearing a mask, he'd probably be rolling his eyes to oblivion, irritated beyond belief at something like this even being a problem. "No. But as I already fucking said, if he isn't asking one of us to chase her down and get her back then you shouldn't have to overreact the way you are right now." the proxy proceeded to brush past him without a care, but said one last small thing before he left Jeff's vicinity completely.

"By the way, stop bothering the other proxies about this as we could care less about your girlfriend, just get a new one and fuck off!"

Jeff stood there, trembling in an anger he hasn't felt since the day he attacked his bullies and his brother took the blame for it.

He wasn't exactly reassured, but he also knew that he was very limited and there wasn't much he could do.

But he was restless, so you bet your ass he was going to go look for you even if it was just stalking the streets and killing anyone in his wake.

luckily for him, his waiting would end soon enough.

the week after that, he'd get the news of his life.

he'd been killing all week, killing innocents as he usually did but at a quicker and animalistic pace, he would almost get caught this time by the cops yet again but before his spree could continue he received some news thanks to that cheeky voice that would speak to him through the screens.

he would come back to the mansion, battered and bruised beyond belief. the calluses on his hands split and bled, cuts everywhere all old and fresh, he was ruthless in his murders as well as he was careless.

he needed you to ground him, you were the reason as to why he has even been alive for as long as he has.

his hand seemed to be superglued to the handle of his sharpened knife even as he was dragging his legs towards EJ's basement, where he was led to believe he would find what he was looking for.

He aggressively banged on the metal door with his fist in anticipation, not being able to wait any longer than how much he's already had to. The one to answer the door would be Eyeless Jack as it is his "resting" place in the mansion so to speak.

Once the door opened Jeff would quickly push past EJ not needing to be accepted in the space for him to go in.

"Where is she??" he shouted, his voice boasting in the cold concrete room. "I was told you found her, where the fuck is she?"

EJ would calmly close the door before slowly leading Jeff towards a corner of the large space, where a long, clean-white room divider seemed to hide something.

well, more like someone.

That was when Jeff finally saw you, your limp body laying there and your face had this gentle expression you'd usually make when you were sleeping. Beside you stood Nurse Ann, who was gently cleaning the countless cuts and lacerations you had around your body with several cotton pads and changing gauzes as well.

Jeff's heart fell down to his stomach, he would've started reeling and throwing up if he didn't rush to take a closer look at you only to see that your chest was still rising and falling.

He sighed in relief.

"As you can see, she's alive." spoke EJ as he took a few steps closer, "Nurse Ann found her as she was coming back to the mansion, she found her body laying on the edge of where Slender's territory ends and the rest of forest. She also claims that ______ wasn't there when she left, so she probably appeared a little later that same day."

Jeff's hand trembled slightly as he reached out to touch your face with the back of his hand, yet hesitated slightly when his hand could almost feel the warmth of your skin.

But that's when he took a minute to really take in the rest of your appearance.

Your entire body even your face was dirtied in dried mud and soil, your fingernails were dirty and chipped, your arms and cheeks were decorated in scratches and cuts of various sizes, and your clothes.. seemed to have been replaced with a clean hospital gown and your missing shoes were replaced by socks.

EJ continued on, "And so you don't go attacking me, Nurse Ann changed her clothes. According to her they were tattered and beyond repair, and that they were completely soiled in blood."

"Blood?" Jeff spoke up in slight concern,

"The blood wasn't hers."

[aryesdanger24]

I'm done with comparisons here.

I need everyone to understand right here and right now.

Everyone had a good ending that befitted their character arc!

Spoilers below for the ending of Season 2 of Arcane, be advised.

We can be mad about Jayvik dying and not getting an absolute confirmation (though some may argue it is pretty clear) .

Some can be mad that there wasn't enough verbally said to add that romantic nature to CaitVi (once again, some may believe they have done more than enough)

IT ISNT A CONTEST!

I personally we are fortunate to have an ending that truly feels complete in some way. It was a good ending overall for everyone expectation wise.

Most of the time we get a physical show of love to confirm anything gay whereas lesbians often say some soft confirmation of love to be 'official' but this gave what media needed.

Lesbians showing a very physical and verbal show of their love while men are having their soft confirmation through verbalizing their love.

It's wonderful, even if you are unsatisfied by the ending for your ship (if you have one) that's why we have fanfiction, to explore what could have been.

You got a problem with the finale, write a what-if spinoff or write how it should have ended or what happened after the official ending.

Stop comparing Jayvik, CaitVi, and Time bomb. It's a waste of your time when you could be writing what you wished would happen in fanfic.

Be happy that the ending is something you can work with, be happy the possibility exists with a solid world built to utilize.

Heck, don't like the world? Build an AU (alternate universe) for them! Make them coffee shop owners, have them be military personnel, make them crazy European tourists!

Do something constructive and add to your Fandom instead of tearing down someone else's.

Getting mad at someone else's ship or flaunting about your own having a better ending is a waste of time and just literally detrimental to the show itself. Respect Arcane and what it was able to accomplish without push back, it is able to walk firmly because previous shows and their small steps.

So, in short, behave yourself. This may be the internet but your words stay forever. Don't try to bolster the status of your ship by pulling down someone else's.

If you feel called out by this, evaluate your recent behavior.

If you feel offended by this, really think about why you feel this way, because it probably isn't because of my language.

Yes yes, I know comparing shows is how we understand and make progress, but I am specifically talking about unhelpful dissertations or memes that specify a ship.

It's fine to write a logical explanation of why you prefer a different ship. It's absolutely fine to explain how something could have been better or evaluate the show and what it has done and could do better.

What's not fine is bashing it because your ship didn't have what you deem a good ending.

Not all people have good endings, not all characters will achieve their good ending despite how good they may be. That's simply the truth of reality and sometimes an author wants their story to mirror their idea of truth.

Respect the show and the work people put in it, and respect that someone else's joy does not deserve your anger just out spite.

[cynassa]

Hi!! would you mind elaborating on the lobotomy and Jason is trans metaphor? 👀 I'm very interested

Hallo! I'm so sorry this is so late and still incoherent but i prommy it is less incoherent than a week ago when I first started writing it in between three microecon assignments SO:

Content warning: talk of abuse, conversion therapy, homelessness, not pleasant about Bruce Wayne

Most of the time I have to say about my headcanons that I don't know where they come from, but with Jason-is-trans, i know EXACTLY where it's from:

"No one's son" – welllllll, there’s a thought. (I know that’s not how Winick intended it, but forget that.)

Now, I'm not sorted on whether he's a man or woman or non-binary or whatever, but I do think this is an important part of who he is. We all focus a lot on what Jason wanted from his father, but it IS important that at some point in this entire mess, he also decided that he's okay with not having parents, and that we basically see him completely reinventing himself.

The rest of it is honestly just vibes. Three specific things stand out to me:

Jason outgrowing the Robin costume/choosing his own identity: this very strongly reads to me as the trans child choosing their own identity while their parent(s) memorialise the child they thought they had. Jason has (both literally) outgrown the costumes his foster father put him in, including the one that Bruce has memorialised forever. He’s about a foot too tall and too big for them, but also he does not want to be Robin anymore. His antipathy to a new Robin would also take on interesting new dimensions if he felt forced to be a certain type of boy in order to be in that costume, and he didn’t want, in fact, to be that type of boy, or a boy at all. Or even if he was okay, at that time, but found after some years that no, actually, this isn’t what he wants to be, and he’s angry then, because people shouldn’t be forced to be a certain type of boy? Anyway, it would be delicious angst-fest but that’s not what I’m writing right now.

All of the bits where Bruce is still mourning Jason when Jason is literally right there: This is so so so on-the-nose for a certain type of parent when their kids tell them they’re trans. Jason is alive, but he’s not Jason, and he’s alive but he’s not the Jason that Bruce imagined he would be, or he’s alive but does he have to be this way, or maybe he isn’t alive really, because how could this be Jason. And all the while Jason is standing there being like ‘I’m alive, my death isn’t the most important thing about me, that isn’t why we see things differently’ while Bruce just keeps insisting that if Jason isn’t exactly the type of man Bruce wants him to be, then Jason doesn’t have the right to exist in Gotham (in comic book terms, this might mean he doesn’t exist at all, as many characters don’t ‘make it’ in solo runs outside of the core stories.) Does that make Jason trans? Not in text! But the metaphor stands.

Forcible medicalisation - In multiple situations, Jason has reacted to his trauma in reasonable (note I do not say pleasant) terms seeing as he’s in a comic book where aliens, demigods, and supervillains are an everyday thing and people keep coming back from the dead. And in response to his trauma he’s been forcibly medicalised for it. Of course there’s the battle for the cowl thing where he was shoved into Arkham. But the most recent being *DRUMROLL* Bruce injecting him (yes I know it wasn’t Bruce-Bruce, but like, he agreed to killing Jason just a few issues later, so I’m not applauding him as father of the year just yet) with something that literally forcibly changes him back to what Bruce thinks he should be. I’m likening it to like conversion therapy.

So I think Jason being trans would be an amazing metaphor for how he’s not the person he used to be, and also he’s not the person that people say he used to be, and how even now that he’s right there, people keep making up a version of him in their minds and never really engaging with who he is. I mean, clearly some of it is just the medium. Jason gets to be competent (sometimes) but never win, because he wouldn’t fit his ‘role’ in the comic books otherwise. But if we’re taking a Watsonian view then it is impossible that Jason is not winning sometimes, because if he were that useless then the Bats wouldn’t engage with him. They do engage with him because he’s dangerous at least some of the time.

Anyway that’s my essay on how I think Jason deserves to be the cool queer cousin who only comes to family events when he thinks there’s going to be a disaster he can laugh at while sipping his cocktails. He can wear his little outfits and keep people guessing on his pronouns (he hands out knives as gifts to anyone who guesses okay).

Thank you so so much @bestangelofall for letting me talk about my favorite Jay headcanon!!

[aishabellasbigblogofeverything]

Support Khawla's Family in Gaza Crisis!

My name is Abi from Lincoln, NE, and I'm raising money for Khawla and her family from Gaza. This is her story:

"I am Khawla from Gaza, 34 years old. I stand before you as a person trying to support her family of 5: Me, my husband, and my three children: Muhammad, who is 5 years old; Sham, who is 3 years old; and Ghazal, who is nearly a year and a half old. In our terrible conditions, My son Muhammad contracted hepatitis from drinking contaminated water, and both he and Sham are deprived of their right to register in kindergarten, daycare, or other educational institutions. Additionally, due to the circumstances and lack of income, necessary benefits like milk are not provided to baby Ghazal.

With that, my husband's livelihood ha been completely destroyed since we are no longer entitled to work; and we expect to live under miserable conditions in tents in Mawasi Khan Yunis. It is difficult for me to find the words to describe what we face every day in Gaza; with no food, no medicine, no clean drinking water; with oppression, helplessness, psychological pressures, doubts, and daily traumas caused by everything around us and inability to care for loved ones. the fear of danger, disease and death never leaves us.

Now, I find myself in this difficult situation, and humbly ask for your help to save the lives of my family, especially my children, by getting us out of Gaza or helping us have money for medication or other necessities we may have access to. Asking for help is not easy, but we were left with no choice because we want to survive and we strive to rebuild our broken lives. We are very grateful for any help you can provide, no matter how small, as your help will contribute greatly to alleviating our suffering. I hope you will share my story with your family and friends."

Everyone please donate whatever you can! Even one dollar makes a difference! and if you can’t donate, then please share and reblog! Thank you! 🤗

@punkeropercyjackson @yumnasfunblogsaysfreesudan @maxarat @sanyu-thewitch05 @fancylala4 @shuinami @reesethedndencantolover @blackyumegirls @vampiricvenus @lesbianslasherfilm @minaglobe @cryptid-catnip @loudobnoxioussoul @baeddel @naoko-world @pinkcarabiner @gothhabiba @doloressprettygirl @cloudly-moonlight

[cipher26]

Arcane Brain Dump 1/? | Jinx & Caitlyn

There were a lot of things I wanted to see in the finale that I didn't get, which wasn't surprising knowing there wasn't much time. But one thing that I really wanted and didn't actually expect to get was a 1 on 1 conversation with Jinx and Caitlyn. I was so excited when it was happening, because I felt like it was necessary for both characters to talk with each other, especially after episode 6 when they're suddenly fighting on the same side, and where they COULD have become family if it hadn't all gone to shit.

Before the season started I didn't think there was any hope for Jinx and Caitlyn to actually reconcile. Like, I thought at best Cait might stop hunting her for Vi's sake, but would still hate her. But then Isha came along and Jinx changed so much, and Caitlyn was isolated and depressed and tired, and I thought "hmm maybe they can get past the feud?" Unfortunately I guess we'll never know for sure, but I really do think that conversation was step 1 for them getting along. It was so interesting to see because you can see that Caitlyn is still in pain about her loss, but it's also been enough time since then, and so much has happened that the rage she was feeling in the beginning of the season has fizzled out. Which is relatable. It's exhausting to keep up that kind of hatred for someone, especially if they change in the way that Jinx did. The Jinx in that cell in front of Caitlyn was a completely different person than the one who kidnapped her out of the shower and killed her mother. I think that seeing Jinx with Isha and Vi and Vander also showed Caitlyn how much had changed. Because even from her first meeting with Jinx, there was tension between her and Vi. Jinx held a gun up to Vi's face in that first meeting, and was instantly aggressive towards Caitlyn. But in that tent with the whole family, Jinx didn't even care that Caitlyn was there. If anything she seemed kind of smug, because Caitlyn still thinks of her as an enemy but Jinx just saved her life. It's almost like a game, like what can Caitlyn do now? She lost some of her argument about Jinx being evil. Also, in that moment she can't do anything even if she wanted to. I saw a lot of people talking about how it didn't make sense that Caitlyn was suddenly fine with Jinx and didn't try to kill her. Which is silly because first of all, Caitlyn didn't have her weapon, she left it in the tent with Vi and Vi hadn't returned yet. So she couldn't really do anything. Also they just watched Beast Vander throw this huge man out the side of the building to protect his daughter, so if Caitlyn tries to hurt Jinx in any way she's absolutely gonna get torn to pieces. And then immediately after that everything starts to go to shit, and Vi is there, and they have other things to worry about in that moment. Especially once Ambessa starts attacking. It's a shame that we didn't also get to see the immediate aftermath of the battle with Cait, Jinx, and Jayce rushing Vi to safety. I mean idk how far Piltover is from the fissure, but it's not a fast journey lol. The three of them together must have been interesting, especially since Caitlyn hasn't seen Jayce in however many months it's been since before the time skip. Another thing I was sad to not see actually, was Cait and Jayce's reunion and Cait being like "wtf happened to you? where have you been?!" Alas...

Anyway, I'm glad they gave us that prison scene with the two of them. They just came out and addressed their issue, realized how different things were, and both kind of chose to move on. I mean Jinx is devastated and suicidal, she's completely given up, and also she's still the good person that Isha helped her become. Jinx has no reason to hate Caitlyn. The only thing Caitlyn's done to Jinx is hunt her after Jinx murdered her mother. And because Jinx wants to die, she tells Caitlyn to just do it. Except Caitlyn's changed too. She's tired of fighting, and the kid in front of her (cause Jinx is a kid...) looks as sad and tired as she feels. Even more so. It wasn't a long conversation, but I think it was just what they needed to hear from each other, and what the audience needed to hear. Caitlyn admits that her hatred for Jinx changed her in ways that made her hate herself, and she didn't want to be like that anymore. And then Jinx comes pretty much as close as she's gonna get to apologizing to Caitlyn for killing her mom. She doesn't say the words "I'm sorry," but when she says "I didn't know your mom was there" it kind of does feel like an apology. Or at the very least, I think it's Jinx telling Caitlyn that it wasn't personal. She wasn't trying to hurt Caitlyn specifically, she was trying to hurt the system that had oppressed and neglected her home for so long. And in that moment, she was too filled with grief over Silco to hold back.

So I think that conversation really brings some closure to both of them. They kind of get past their feud and just move on. There are so many other things to worry about now, and so many bad things have happened. And in the process of rushing Vi back to Piltover, I imagine it helped each of them see how much the other loves Vi. And I think that loving Vi is part of the motivation to put it behind them. Vi would never forgive Jinx if she killed Caitlyn, or hurt her. And now, despite what Vi told Cait before their first fight, I think Cait knows Vi would never forgive her if she hurt or killed Jinx. They both do what they do in the end of that episode FOR Vi. Jinx runs and locks Vi in the cage so Vi can't follow her, and she tells Vi that she deserves to be happy without feeling guilty, and specifically tells Vi she deserves to be with Cait. I mean that's a HUGE deal. Especially since Vi wasn't present for the journey back from the fissures, so she didn't actually see Cait and Jinx working together. In her mind they're still at square 1 for the most part.

And then Caitlyn goes and calls the guards away so that Vi can free Jinx, knowing she'll do so. I've seen a lot of people confused about Cait's line "did you really think I needed all of the enforcers at the Hexgates?" which is fair because I was also confused at first lol. But what Caitlyn is telling Vi, is that she knew VI would come to free her sister, so she did what she could to clear the way for Vi to be able to do that. She's basically telling Vi in that moment that she's moved past her anger enough to let Jinx go, and to stop hunting her. It's such a freeing moment for Vi, because the two people she loves the most, who were furiously trying to kill each other before, have finally made peace. It takes a huge weight off of Vi's shoulders, no longer having to be stuck between two people she loves who hate each other. And Jinx has just told her "go get your girl" and now Caitlyn is standing there smugly telling her that she basically let Jinx go. That's why Vi reacts the way she does, it's such a relief to be past that conflict and have permission from both of them to be happy.

Anyway, I thought it was a great moment, and even though it wasn't a long conversation between Cait and Jinx, I think it's exactly what they both needed. It was the closure they needed to move on. If Jinx had stayed around, they still would have had more work to do surely before they actually got along well, but it was suddenly possible after that talk. And I hope that in the continuation of this story that they finally get there someday. Because based on the ending I really don't think Jinx is dead. And Caitlyn is holding Jinx's monkey bomb in her hand, contemplating and looking up the Hexgate plans. She has to be looking to see if there was any way Jinx could have escaped, probably because Vi is devastated and she wants to help take that hurt away. Imagine if Cait could bring Vi her sister back? Or at least if she could let Vi know for sure that she wasn't dead. That would be huge. What a difference between the way these three started, and where they ended.

[mirai-e-jump]

TV Life, 11/29/2024 Issue (No.23) ft. Miyabe Nozomi & Miyazawa Yu (translations below)

Publication: November 13, 2024

GavvPare! Vol.6 (Miyabe Nozomi)

-The main episodes that gave me confidence-

Let's backtrack abit and go over episode 7 and 8, which focus on Sachika. When I first read the script, I felt the difficulty of having to express a completely different side of Sachika's usual self through her past troubles and the problems she still faces. I'm not the type of person who shows alot of emotion on a daily basis, so I've never been angry like that in real life. I wasn't sure how to act it out, but Director Sugihara gave me the advice to "put more power into my eyes," and so I tried to play the role while being conscious of both the impression being conveyed through my eyes, and the gap between Sachika's typical smiling face and her enraged expressions. I was happy to receive tons of messages after the broadcast from viewers on SNS saying, "I cried" and "It was really good," and Director Sugihara also praised me. I gained confidence in my performance through these episodes, and it also motivated me.

Also, the scene with the paint being thrown on me was a valuable experience. In actuality, the paint wasn't real paint, but a mixture of dyes and flour, so it was alittle heavy, but during practice we used water, so the sensation was different. I think Tsujioka-san, who played Egawa, had a difficult time managing to do it. Still, I feel that the tension in the air, combined with the urgency and anxiety we both had, made for a scene that left an impact.

In episode 11, Shouma, Hanto, and Sachika finally work together. I personally enjoyed Hanto being pushed around by Shouma and Sachika (laughs). Hino-kun's comical performance really drew us in. Since there's been a series of episodes with more serious elements, I'd be happy if you could watch episode 11 while giggling.

Q: Tell us an unexpected side of Chinen-kun!

A: My first impression was that he was such a reliable person, that I couldn't believe he was younger than me, but right after filming started, I began to think that he "might just be an airhead." Recently, after the Director told him, "Next, we're going to shoot a close up of Shouma," for some reason he replied with, "Thank you very much" (laughs). I keep a close eye on him while thinking how adorable he is.

Off Shot: Nails that look like corn! I'm sure "Shouma" will say they look tasty. I also change my nails every time to match my outfits! _

BakuDAYS Vol.18 (Miyazawa Yu)

-I'm acting while being conscious of Sakito's growth-

Recently, the scene in episode 32 where Genba and Sakito clashed was particularly memorable for me, especially the sumo wrestling scene. From episode 35, in which Bundorio's past is revealed, as Byundi's partner, he had alot of feelings about it. I think it's only because Sakito's shared many experiences with Byundi up until now that he's able to understand both the joy of reuniting with Bundorio and the shock of learning about Bundorio's past. Although he understands Byundi's feelings better than anyone else, Sakito's very clumsy, so I was conscious of portraying the clumsy way he approaches Byundi, as well as the kindness he shows to him.

Sakito's been living in space since he was 10 years old, so there probably wasn't an environment for him to attend elementary or middle school to learn anything. Because of this past, my interpretation is that Sakito's a character that has trouble keeping his distance from others, is strangely calm in situations where others would normally be in a panic, and that he has an incredibly childish side to him. The experience he's gained as a Cleaner is an important part of Sakito, but there's also alot he's learned since encountering the Boonboomgers. He's always lived in space, so naturally, I'm sure he was confused and anxious about the sudden increase of friends. However, as a member of Boonboomger, Sakito has definitely grown. I'm conscious of acting in a way that brings out such perfect characterization.

Things will continue to rage on from here on out! Spindo, the final boss, has appeared, but I wonder what'll happen to the Boonboomgers from here. And then, how will the ISA play into the story? It'd make me happy if you'd look forward to the conclusion!

Q: Something you want cleaned up by the "Cleaner"

A: I've been filming Boonboomger for over half a year now, so I want to get my clothes in order. I'd like to get rid of things that need to be thrown away, so I'd like to have this cleaned up by the end of the year. I don't wanna have to drag this into the coming year! (laughs).

BakuageSHOT: A photo that was taken after filming the final scene in episode 37. Filming has entered the climax, and developments are going to continue to rage on from here on out, but as the Boonboomgers, we'll continue to overcome these "raging waves" until the very end! I don't want it to be over, but the six of us are going to push forward until the very end!

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/767347744265355264/things-i-hate-that-i-thought-were-tumblr?source=share

Anon, if at all possible, grow a beard. I know that's bad advice because you might not be able to go on HRT and might not even get good facial hair if you do, but if that is possible for you, absolutely wear a bit of scruff.

My beard is the only thing that's really changed about my looks since I was a college freshman. I'm 37 now, I started wearing a beard around age 30, and I still look 25. I can't even grow much on my cheeks, I just wear a small goatee and mustache.

And the amount of respect I got from random strangers and people I end up stuck with absolutely skyrocketed almost as soon as I stopped shaving.

I'm autistic and I used to be treated as a freak and a weirdo and everyone made it very clear that I was Doing Gender Wrong. I was also treated like an idiot child.

But now I'm not only treated like a man, but like an adult. The infantilization is completely gone in person even though people guess my age to be exactly the same (it's still there online and in other contexts where people can't see my face, so I know it's the beard, not my mannerisms or method of communication, that makes people treat me like I'm not 5). The autistic traits are less commonly pointed out and when they are they're more likelt to be pointed out as neutrally weird things rather than as terrible social failures which must be corrected.

I dress the same, I act the same, I talk the same, my social skills haven't improved in the slightest since I actually was 25. But one minor fashion choice makes people treat me like an entirely different person.

It sucks, it's stupid. It's straight up toxic masculinity. I want to dismantle whatever gendered ideas are making people respect me simply because I don't shave my chin.

But in the meantime, take any basic human decency you can get. It'll be better for one guy to get through a college course without being misgendered and infantilized to his face than it will be for him to set some example of how men don't need to have beards to be real people.

It's extra stupid because cis men who aren't autistic and who perform gender in a way that readers correctly to randos can wear as little facial hair as they want and still be correctly gendered and treated like adults, but autistic men and trans men and men who like to wear lace and any other types of men who aren't "normal" don't get that default basic human decency.

But apparently a stupid little goatee can steamroll over a giant pile of toxic masculinity and transphobia and ableism. Use it if you got it.

--

[antispopausandstuff]

stans criticize antis for including the scene of Catra scarring Adora as a child in the cycle of abuse, going on about how she was just a kid, that a kid can't be abusive, etc., but here's the thing:

there's this kid i know and love. they're autistic, non-verbal // limited in speech, and are prone to emotional bursts. they always know more than people think, try to help you if you cry, and absolutely loves sharing food // treats with others and meeting new people.

but there are times i'm scared of them. hell, there's times i, admittedly, hate them.

i understand that they have little impulse control, that they're a child, a disabled one at that, and they don't understand the consequences of hurting someone or maybe even that they're hurting someone at all, but your "fight or flight", your anxiety, your fears, PTSD, etc. does not care who or what it is.

that and, honestly, i still resent my bullies. i know they were kids, too, but that doesn't take away from the pain and embarrassment i felt. for so long, i thought i was completely unlikable, and it was because of them. my ma tried to teach me the "ignore them", "kill them with kindness", "sympathy // empathy" lessons, but none of them worked.

bullying and abuse aren't that different, if they are at all. the victims always suffer, in one way or another, and bullying // abuse can lead to suicide, mental decline, physical decline, and overall ruin your entire fucking life for so long.

i understand that kids are little balls of energy and don't understand the consequences of their actions. my bullies likely thought what happened to me wasn't a big deal or was just a joke. maybe they didn't even have bad intentions in the first place. but that doesn't take away what i've gone through since then, because of them.

Catra was a child, yes, but so was Adora. why do you forget that? any child would be scared of someone, even their best friend in the whole world, if they just suddenly clawed them in the face just for asking "why did you do it?", any child. anyone, in fact.

there's exceptions, but generally speaking, we're afraid of what severely hurts us. Catra severely hurt Adora, just for asking a question that anyone else would've asked.

the cycle of abuse continued when Catra didn't care about Adora's health and safety, meanwhile Adora always cared.

now, after this, it's just speculation, but i had an interesting thought.

Catra punched Lonnie ( presumably, as there's no scar or implication that she clawed her, just that she hit her, and that typically means punching ), but clawed Adora. and hard enough to send her flying halfway across the room.

yeah, Catra was angry with Lonnie ( jealous ), but, ultimately, it's Adora who suffers the worst consequence. the writers obviously let Catra do what she likes, but i think this is just more evidence that she knew, even subconsciously, that Adora wouldn't fight back.

i originally thought that Catra only used her claws against Adora because of her hatred and knowing that Adora wouldn't do anything, but there's something else to consider.

she's clawed Octavia, disabling her, and almost did the same to Lonnie.

now, why would she do that to either of them, when neither have that much important to her, in comparison to Adora?

in the first scene, Catra did it just because she could. just because she thought Octavia was, more or less, ugly.

in the second scene, Catra did it because Lonnie pissed her off. but she's been pissed off before, many times, even to Lonnie, so why only try to claw her now?

to me, it reads as her using her claws on a person ( directly or indirectly ) when she knows the other is defenseless, in some way or form, or as a form of punishment. not necessarily because they have importance to her.

Adora just happened to be the one she wanted to punish the most.

[moons-and-mobility-aids]

Chapter One | Chapter Two | Chapter Three | Chapter Four | Chapter Five | Chapter Six | Chapter Seven | Chapter Eight | Chapter Nine | Chapter Ten | Chapter Eleven | Chapter Twelve | Chapter Thirteen | Chapter Fourteen | Chapter Fifteen | Chapter Sixteen | Chapter Seventeen | Chapter Eighteen | Chapter Nineteen | Chapter Twenty | Chapter Twenty-One | Chapter Twenty-Two | Chapter Twenty-Three | Chapter Twenty-Four | Chapter Twenty-Five | Chapter Twenty-Six | Chapter Twenty-Seven

Content Warnings: Adult content, mostly accurate depictions of being an onlyfans creator ( hi, I am one), reader is fem, uses a wheelchair, and has cerebral palsy. Taglist: @alohastitch0626, @jspidey5, @laceandsuch, @kneelforloki

The day begins as it often does for the three of them. James sits at the kitchen counter, scrolling through his OnlyFans messages with one hand while he nurses a steaming cup of coffee with the other. Sirius is sprawled out on the couch, still half-asleep, the faint hum of the television lulling him back towards dreams. And Remus, ever the early riser, has been awake for hours, hunched over his laptop at the dining table, editing their latest video.

Then, a new notification pops up on James's screen: a message from you. And in that moment, the ordinary morning transforms into something far more electric.

"Hey, she messaged," James announces, trying to sound nonchalant but failing miserably. There's an unmistakable edge of excitement to his voice, a giddiness that betrays just how much this means to him. He's always like this when it comes to you—eager, hopeful, almost boyish in his enthusiasm.

Sirius straightens from where he's slouched on the sofa, an eyebrow raised in intrigue. "Video?"

"No, just text." The corners of James's mouth lift into a slow smile as he reads your words, savouring the familiarity of your tone—a casual greeting that masks the depth of your connection. "Just saying hi. Checking in."

"Just checking in?" Remus echoes from behind the screen of his laptop, a sceptical note colouring his question. He knows as well as the others do that your interactions with them often carry more weight than what meets the eye.

"Yeah, just... normal stuff. Friendly, a bit flirty." With a shrug, James opens the message thread, allowing the soft glow of the screen to illuminate his face.

You: Hey, Prongs 😊 Just checking in to see how you all are! I've been back for a few days now and wanted to properly say hi. Hope everything's good. 💖

The three men exchange glances, each trying to decipher the underlying intent behind your words. It's not unusual for you to send messages like this, but today it feels different—less formal, more personal. Whether it's the fact that you're back online after your hiatus or simply the way your words seem to be reaching out, bridging the gap between fan and creator, something shifts in the air around them.

“Well, this feels... normal,” Sirius says, leaning back on his hands with a small smile playing on his lips. “Almost like we’re just chatting with a friend.”

"Perhaps that's what she wants it to be," Remus muses, always the one to seek layers beneath the surface. "We're creators like her, and while we are fans of her content, maybe she craves conversation with those who understand."

James nods, his fingers hovering over the keyboard as he considers their reply. Keep it cool, but let a hint of flirtation linger—the balance that has become their signature.

ProngsPlayground_free: We’re good! Been busy with our own stuff, but we’ve definitely missed seeing you around. How’ve you been? 💕

He hits send, leaning back and watching as the message goes through. They all fall silent, a sense of anticipation in the air. It's not that they're expecting anything grand—just the usual banter they've come to enjoy with you—but there's an undercurrent of excitement nonetheless. Every exchange is a chance to learn something more about you.

Your reply comes sooner than expected.

You: I'm okay 😊 Not completely better yet, but getting there. Sometimes life just throws things at you, you know?

Remus leans in closer, reading the message over James's shoulder. His brow furrows slightly. "That's... more than she usually says."

Sirius squints at the screen, shadows playing across his sharp features. "Yeah, she normally keeps it light. But this—this feels like she's letting us in, even if it's just a crack."

James's fingers hover over the keyboard, the usual quick wit stilled for a moment. He's always been the one to push boundaries, to toe the line between amusement and recklessness, but even he recognises the gravity of this shift. It's one thing to flirt with danger in the guise of laughter and camaraderie; it's another to tread on the fragile ground of vulnerability. Yet there's an opportunity here, an opening for connection that goes beyond the surface.

ProngsPlayground_free: Yeah, I get that. Life can be a real bitch sometimes. But we’re glad you’re feeling better! What’s been going on? Anything we can help with, even if it’s just to listen? 😉

Sirius watches James's fingers fly over the keys, an eyebrow arched in amusement. "You're not holding back, are you?" he asks, a note of respect threading through his words.

James shrugs, the corners of his mouth pulling up into a small smile. "Why should I? It's true, isn’t it? People just want someone to talk to sometimes."

"Exactly," Remus adds, giving a nod of agreement. "We're here for more than just sharing videos. We're here for each other too."

A pause hangs in the air as they wait for your response, their eyes flickering between the screen and each other. When your message finally appears, it feels like a door creaking open, the smallest invitation to step inside your world.

You: Honestly, I’m just dealing with a lot of personal stuff. Nothing too serious, just... life things. You know how it is. It’s hard to keep up sometimes, and I needed to take a step back and breathe for a bit. But I’m getting there. Thanks for asking.

James reads your message aloud, his voice steady despite the gravity of your words. The room's ambience shifts subtly; the playful banter that usually fills the space has been replaced by something more sombre, more real, and they sit in silence for a moment, absorbing the weight of your admission. It isn't much—just a few lines of text—but it's more than you've ever let on before. They've always known there was more to you than the online persona you project, but this feels like the first tangible glimpse beyond that façade.

"Seems like she's letting us in, just a bit," Sirius murmurs, his usual bravado absent from his tone.

Remus nods, thoughtful. "Yeah. Not the whole picture, but...more than before."

James takes a deep breath, fingers hovering over the keyboard. His response needs to tread carefully, acknowledging your vulnerability without prying too far or setting expectations for disclosure. With a nod to himself, he begins to type, each word chosen with deliberate care.

ProngsPlayground_free: That sounds tough. We completely understand needing a break—sometimes life just gets too much, and you need to step back and breathe. We're glad you're taking care of yourself. If you ever want to talk about anything—or nothing in particular—we're here. No pressure. 💖

There is a pause after they send the message, the three of them exchanging glances that speak volumes. This is new territory, a shift away from light-hearted teasing and shared videos. It feels less like fan and creator now, more like...people connecting.

Your reply takes longer this time, allowing them a moment of respite. When it finally comes through, there's a warmth in your words that makes them smile despite the circumstances.

You: Thanks, Prongs. 😊 I'm not used to opening up about these things, especially with subscribers. But you three have been nothing but kind. It means more than you know. Sometimes, it does feel like I'm carrying too much and it's nice to know there are people out there who get it, even if we've never met.

The corner of Sirius's mouth twitches upwards in a half-smile as he leans back into the plush cushions of the couch, running a hand through his dark hair. "That... doesn't feel half bad."

"Right?" James agrees, his attention still on the screen, fingers poised over the keyboard. He can't help but feel a sense of accomplishment, like they've managed to bridge an impossible gap. "Feels like we're getting to know her, the person behind the posts."

Remus is quieter, more reserved, but there's a subtle change in his demeanour—a lightness that suggests he's been hoping for this. "People need that sometimes," he murmurs. "Just to know someone's listening."

The corners of James's mouth twitch upward as he composes his reply, a delicate balance of camaraderie and sensitivity. His fingers dance across the keys, each word chosen to assure you that they're here for you, no distance too great, no hour too late.

ProngsPlayground_free: We're always here to listen, love. 💖 And if things get tough, you can always distract yourself with us. We've got plenty of chaos going on to keep things interesting. 😏

Sirius barks out a laugh, throwing an arm around James's shoulders. "That's putting it mildly."

Remus's lips quirk into a smile, his eyes warm behind his glasses. "He's not wrong, though. We're excellent at providing... distraction."

The response comes quicker this time, your words carrying a hint of playfulness, a spark of connection kindling in the space between.

You: That sounds perfect. Sometimes a little chaos is just what you need to get through tough times. 😉 You guys are the best.

The message sends and James leans back, feeling a sense of satisfaction that goes beyond the usual thrill of their banter. It's something deeper, more significant—a subtle shift in the dynamic. They've breached a delicate boundary today, but rather than recoil, you've leaned into the connection. You remain an enigma, yet there's a sense of texture now, layers unfolding with each exchange. It's as though they're crafting something tangible from the ether of the internet, a friendship forged in bytes and pixels.

"See?" James murmurs, the relief palpable in his voice. "She's letting us in—bit by bit. It's not just about the videos anymore."

Remus smiles, the lines around his eyes softening. "That's what makes this meaningful, isn't it? The understanding that there's depth beneath the surface."

Sirius nods, his lips tracing the ghost of a smile. "Exactly. We're earning her trust, even if it's just a fraction for now."

The three of them sit in silence, the weight of their conversation not quite settled. James is right; it's not just about the content anymore, and they all feel the shift. A connection is growing, one that stretches beyond the typical boundaries of creator and fan, and it feels right—like the next step in a dance they've only just begun.

James glances at the time, mindful of their individual schedules and the messages awaiting their attention, but he doesn't rush to break away. For now, he lingers in this moment of shared understanding, savouring the sensation of moving forward together.

"We'll take it slow," Remus suggests, his gaze moving between James and Sirius. "No need to push her."

James nods, his hand resting on the back of his neck as if to ease tension that isn't there. "Yeah. No hurry."

Their eyes meet across the table, each acknowledging the unspoken agreement. This is new territory for them, but they're ready to navigate it—to learn more about you, about the person behind the words that have captured their attention.

As the day unfolds, they return to their routines, their thoughts often drifting back to you. They wonder what else you might reveal in your messages, given time and trust. They look forward to their next interaction, eager to peel back another layer of the mystery that is you.

[starheavenly]

hiii!!! loving your locket comics!!!!!! just wanted to ask a few questions about your process, if you dont mind :D

whats your general process like?

do you do thumbnails, how do they look like?

roughly how long does it take you to complete a comic panel or page?

how detailed are your sketches? do you do multiple?

do you have any specific techniques for lineart?

do you typically use references for your comics?

generally, how much effort and focus do you put into your comics?

do you have any advice for drawing comics?

sorry for for the absolute bombardment of questions, lmao. just really enjoy your art and comics and very interested in the behind the scenes!! feel free to skip any questions (or this whole ask) well wishes and salutations!!! :D

Hello! I'm so glad you enjoy my comics, and I totally don't mind breaking down the process!

For a normal comic page, I would likely actually write a script since it's much easier to keep track of dialogue and actions. But since these are short, I just write it into my thumbnails.

Step 1: Thumbnails. Easily one of my favorite parts, since I get to throw all my ideas down. I do these comics on a 2-panel grid, so I don't have to worry about actual paneling, and it allows me to focus more on the setup of each shot. Think of it like storyboarding!

Step 2: Add cleaner thumbs if needed. I actually made 3D models of Deadlock and Ratchet's chest in Blockbench, so I often trace them to save myself some time! (It might look insane, but I promise, for me, it's not.)

Step 3: Lettering! I actually like to get the lettering out of the way right away since it can take a while. Ever since I started treating lettering as its own form of art, my skills have gotten better, but it also takes much longer.

Step 4: Clean sketch! I'm just now finding out that people think I’m doing lineart for these? I am not… these are all just clean sketches. Maybe doing the blackwork gives the illusion of lineart?

Step 5: Color! Most of these comics are in black and white to save time, but it also lets me focus on values and shot framing again. I add my glow overlay to the eyes, and boom, done!

Roughly how long does it take you to complete a comic panel or page?

It really depends on how complicated the panels are. I like to step out of my comfort zone. I know the Grimlock and Misfire one took longer because of how many panels there were and the fact that I was drawing characters I’d never drawn before, but I’d say it usually takes around 5-8 hours for a whole page.

Do you typically use references for your comics?

I'm literally the reference GOD- we all know this. But yes, I love using references and doing character studies. I have yet to do a study on LL Drift, but I have a few references of him that I’ve made.

Generally, how much effort and focus do you put into your comics?

I mean, I wouldn't say I don't put in a lot of effort? I put in enough. I don't know… there's a point in the clean sketch process where you can kind of just turn off your brain. I'm passionate about comics, but we can all agree there's a point in a drawing where you just zone out.

Do you have any advice for drawing comics?

I think being able to balance dialogue and visuals is super important. I don't know if you guys have picked up a graphic novel from Barnes & Noble recently, but if you open a page, you'll see a character sitting with the biggest bubble you've ever seen, filled with paragraphs of text. While I get it—being a novel as much as it's graphic—I personally like to visualize emotions more. If it means adding two more panels to make an interesting dialogue setup, I don't mind doing it. Another thing to remember is that not all panels need to have details or 100% effort. Sometimes you need to simplify and move on, and that's okay! Those two extra panels that are giving you a better stage setup might be the ones that need fewer details and less time. I would consider my comic page work and my 4-panel work very different. One is about paneling, setup, and visuals, while the other is very much like storyboarding. Both are skills you learn with practice and study.