#[ ESPECIALLY in the later seasons ]

[impossiblebeararcade]

majority of south park fans depict the characters as teenagers so there's always this underlying theme of growing up and changing and i think that's exactly what i needed on my second semester of senior year

[selfcareselfships-moved]

I had a dream last night about VLD (which is weird because I haven’t watching any part of that show in like three years) and now I want to rewatch it (probably excluding the end of season 8 tbh, not even nostalgia can make me rewatch that) and dust off and update my old s/i from when I was like 15-17.

[writer-at-the-table]

I would get rid of all of the weird 'xtianity as actual truth' stuff.

okay, I'm curious. if you could change one thing about txf canon, ONE THING AND ONE THING ONLY, what would it be?

it can be anything from changing one conversation to eliminating a whole character or the entire myth arc.

[bixels]

Bit of a weird question, but what is your overall least favorite thing about MLP? 

Sparity.

[giinity]

rewatching bones for the umpteenth time and damn season 1 was filled with episodes that just got me hooked right away like i may come back and do a deeper dive on this but season 1 did a wonderful job of establishing just how important bones is to booth and how much their partnership means to bones.

For example in season 1 alone there is: booth threatening a gang leader for her in ep 13

two episodes later when bones is a target by the mob he breaks out of the hospital after literally getting blown up to rescue her

THEN two episodes later he drops everything to go out to the desert to help when angela’s boyfriend was murdered specifically because bones requested it!!!

AND THATS NOT ALL, then another measly two episodes later when bones was drugged in louisiana he flew down for her because he was so worried and refused to even entertain the idea that she could have possibly been the murderer

like for all booths faults (and he has many) the one thing he has always been good at and his main redeeming quality for me is how dedicated he is to bones like that is his PARTNER, in every sense of the word and it is established from day 1 that there is nothing he won’t do for her and he sticks to that no matter what detriment it may be to himself

[see-arcane]

"She may have been placed here since last night." "Indeed? That is so, and by whom?" "I do not know. Some one has done it."

Van Helsing, now fully aware that he is in the novel Dracula, holding Jack's face down in a pile of Evidence That Weird Supernatural Shit is Afoot, extremely tired: "Friend John. Come on."

Jack, spitting and hissing: "Rationalism did this. I don't know how, but it did."

[blindmagdalena]

The Fall

2.8k mostly sfw homelander x reader. christmas adjacent. depowered homelander.

Summary: After being struck by an unidentified projectile that renders him powerless, Homelander crash lands in your backyard, wholly at your mercy.

this is a rework of this original prompt. inspired by the fable of the mouse that aids the lion whose paw has been stuck by a thorn.  ♡

Homelander is over a hundred feet in the air when he hears something whistling through the sky behind him. Some kind of projectile. A small missile, maybe. It's nothing he hasn't handled before: It could blow up in his face and he would be fine. He’s more curious about what exactly it is, who’s stupid enough to fire it at him, and where it’s coming from. 

With that in mind–in that split second he has to react–he decides to forgo dodging it and instead attempt to catch it.  However, as the mystery projectile gets nearer, his vision begins to tunnel. 

What the fuck? 

His reflexes slow, and before he knows it, the projectile strikes him hard in his left side rib, exploding in fumes that fill his lungs and coat his skin. In an instant, he feels pain like he's been turned inside out, a sensation worse than anything he’s felt since childhood. Instantly he's plummeting towards the ground, crashing directly into your backyard in an eruption of snow and yard furniture.

With his vision going black, the last thing he hears is the sound of the world turning deafeningly quiet.

When Homelander comes to, he's being shaken. No–compressed, hands over his chest, pushing again and again in a steady rhythm. Warm lips press against his, and a rush of air fills his lungs. His eyes snap open, and out of pure reflex, he drives his fist into your unfamiliar form, sitting up with a frenzied look in his eyes.

You should have flown back thirty feet with a hit like that. Instead, you only fell back onto your ass, coughing. Homelander's hands are shaking as he looks at them, and he can feel blood dripping from his ears, taste it in his mouth. He's disoriented, his whole body heavy. He's having trouble breathing, every ragged inhale a struggle, and his heart is pounding.

"Someone tried to kill me," he rasps in disbelief. Not surprised that someone tried, but that someone very nearly succeeded. "Someone... Someone tried to fucking kill me," he says again, growing more hysteric the more the pain sets in. His own brain is hammering against the confines of his skull, beating at the backs of his eyes.

He’s certain that he’s halfway to cardiac arrest, but no matter how he tries to focus, he can’t calm himself. His strength is gone. It’s gone. He looks at you, you, who should have a hole punched through your chest. Instead, you’re staggering to your feet, totally unharmed. 

"Homelander!" You address sharply, audibly trying to rein in your own bubbling panic. He can see his own fear reflected in your eyes. You’re just as confused as he is. Just a stupid little mouse that crawled out of your hole and found him like this. "I can help you, okay? Let me help you."

There’s something about the sharp authority in your voice mixed with an undeniable quiver of compassion that catches his attention. It could be the degree of his vulnerability sinking in, but after a second of dumbfounded staring, Homelander nods.

It must be pure adrenaline that gives you the strength to help him into your house. You don’t look like you should be able to carry him. He's practically dead weight in your arms, barely keeping himself on his feet as you both stumble into your living room. The height difference does neither of you any favors.

You get him down onto the couch before fetching a wet rag, a bottle of water, pills, and a first aid kit. He watches you fumble with it, hands shaking. He assumes it’s adrenaline, though you lack the acidic stench of it. No, you probably don’t. He just can’t smell it anymore. He can’t smell anything except the faint tinge of blood, and whatever nauseating scented candle you use to stink up your home. Though, even that’s distant compared to what he’s used to. However, he finds he doesn’t have it in him to panic. Is this what shock feels like?

He takes the water you offer him, but denies the pills. “No, no. I have no idea what that shit will do to me right now.” You nod, setting the bottle aside. You then lean over him, inspecting the level of damage. His ears are ringing, and his whole body is throbbing with sharp, painful aches. Maybe the pills would help, but he’s never had to take painkillers before. He’d rather swallow tacks than lean on something so pedestrian.

As you work, he notices a mottled mark blossoming darkly across the center of your chest, just under your collarbone, approximately the size of his fist. Without thinking, he reaches up to touch it, remembering the blow he’d dealt you.

You startle, looking down where he touches with a wince. The skin looks as tender as he feels. It must sting. Is he bruised like this beneath his suit? The thought of these same ugly dark marks mirrored on his own body brings him visceral disgust. 

"Don't worry about me," you tell him, as comforting as your voice can muster. You grasp his wrist and gently lay it back down at his side.

I'm not worried about you, he thinks derisively. "That should have caved in your chest."

"Guess it's my lucky day, then," you say absently, more focused on using a wet cloth to wipe away the blood from his temple, up into his hairline, seeking the injury. You're meticulous but gentle in the way you handle him, cupping the side of his face to turn him one way, then another.

If not for how clumsy your movements feel, he’d think you’ve done this before. There is care and determination in the way you tend to him, but no obvious medical expertise. Even the kit you pull from looks out of date and sparse. You probably picked it up from a gas station on a whim because you needed safety pins. "I think these need stitches," you say as you carefully apply bandages, brows furrowed. Homelander's gaze lingers on your lips as you speak. What kind of person sees someone fall out of the fucking sky, blowing a crater in their yard in the process, and then thinks to give them CPR?

"I'm calling an ambulance," you say, moving to stand. That breaks him out of his stupor. He catches you by the wrist, stopping you in your tracks, despite how pitifully weak his own grasp feels. "No, no, not... Don't do that," he says, screwing his eyes shut briefly. No one else can know that this happened. Besides, if those psychopaths are still out there, it will draw them right to him. "Too much attention, I just... give me a fucking minute," he says, flexing his hands. They still feel weak, tingling like they've fallen asleep, but the bizarre sensation is gradually beginning to abate.

Whatever was done to him, it doesn't seem to be permanent. 

He hopes to fuck that it isn’t. "Okay," you say tentatively. Instead of leaving, however, you reposition to continue wiping the blood from his face, gently rubbing from his temples down his jaw. He watches you like a hawk, rolling his fingers in and out of fists, gradually feeling his strength return to him.

He's unaccustomed to the way you're handling him. One hand cupping his jaw, ginger in the way you move his head only when you absolutely need to. The concern wrinkled between your brows is so palpable, so sincere, that for a moment he almost forgets you're strangers to each other.

"What're you doing?" He asks eventually, voice low. You pause, looking down to meet his eye. "Oh, I just... There's still blood, and I didn't want to leave you alone."

Your response tightens something in his chest, like a steel coil wrung too tight, leaving him uncomfortable. He feels small, vulnerable, and the tenderness of your touch is doing nothing for it. "I don't need you," he snaps defensively. "I'm fine."

"Okay," you respond, aggravatingly calm. Still soothing. "What do you need?" Homelander opens his mouth, but hesitates. Your earnestness is infuriating, waiting on bated breath for what you can do for him. He closes his mouth, jaw tight. His gaze flickers back down to the bruise on your chest. It's darker now, varying shades of purple and yellow fading into one another.

Looking back up at you, he schools his expression into calm focus. "Close the blinds," he says, gesturing with his head to the window, where you have twinkling white Christmas lights strung up. 

"I need to lay low awhile." He can feel his powers steadily returning. Once he gets back to Vought, he'll find out who it was, and rip out their fucking spine.

You've already gotten up to do as he asked, drawing the blinds down, and then closing the curtains over them. Afterwards, you turn to leave.

"Hey," Homelander calls, frowning. You stop in the doorway. "Where are you going?"

"The kitchen," you answer, hand on the doorframe. "You can call if you need something."

"Stay here," he says, ignoring the bit of petulance he can hear in his own voice. He doesn't care if you're confused. He doesn't care that he doesn't entirely understand himself. He just wants you to stay.

He watches you take a seat at the end of the couch, near his feet. He exhales, closing his eyes. It isn't as though you could do anything if proficient killers did appear, but for whatever reason, no matter how useless you would ultimately be, he feels better for having you near.

Even a curtain is better than no door at all.

After half an hour, his senses begin to sharpen again. It begins as a dull, irritating buzz at first. It has him rubbing at his ears, screwing his eyes shut. It rolls in and out of focus, making it difficult to adjust to. “Are you okay?” You ask from the other end of the couch, where you’ve been sitting with remarkable patience. Maybe you’re afraid of him. He hates not being able to tell by the rate of your heart.

“Peachy keen,” he replies flatly. “Hearing’s coming back.”

“That’s good,” you say, though the inflection you end with makes it sound more like a question.

“Yeah, yeah, it’s good, it’s just… Loud,” he says, grinding the heel of his palm into his temple. His skull is still pounding. “Everything’s all… Coming back in a jumble. Giving me a fucking headache,” he says, though as he speaks, he realizes he’s able to focus fairly well on the conversation, drowning out the more intrusive ambient sounds. “Keep talking.”

You look surprised by his demand, but after a beat, you oblige. After maybe an hour of idle conversation, he learns your name, that you work from home, you like decorating for Christmas even when you spend it alone, and that you've lived a thoroughly dull, ordinary little life until this very moment.

That’s just what you’ve told him.

From his personal observations, he's learned that you’re a perpetual fidgeter, that you touch your face when you're nervous, and that you would rather laugh than take any of his disparaging remarks about your mundane life to heart.

"I think it's lucky for you that I’m so boring. I might not have been here otherwise," you counter. Your smile is so inexplicably charming–nose wrinkled like you’ve somehow pulled a fast one on him–that Homelander forgets to refute your point. Instead, much to your alarm, he sits up.

"Oh, steady! Are you sure you're okay?" You ask, standing as he does, hands out as if to catch him. He stretches his hands out in front of him, and then curls his arms back in. Exhaling, his eyes flare crimson. He likes the way it makes your heart jump when he looks at you through the red glow.

His lips quirk, lasers fading out. "Good as new," he says confidently, though the aches of his fall still linger in his joints. Not quite new. He takes a few long strides across your living room, pausing in the doorway to your kitchen, where he can see through to your yard, and the absolute crater he left in it. "Vought will... take care of that," he says, gesturing vaguely to the destruction.

You can't help but laugh, crossing your arms loosely to survey the damage with him. "I appreciate it, but really, I'm just glad you're alright," you say honestly, staring out into the wreckage of your yard.

Homelander purses his lips slightly, glancing at you from his peripheral. Above him, he feels something brush the top of his head. When he glances up, what he sees hanging in the doorway makes him smile deviously.

Without warning, he puts his hands on your waist and spins you to him, lips landing warm and firm on yours. He absolutely devours the surprised little noise you make against him, halfway tempted to see what other sounds he can wring from you.

Your heart quickens to a race in his ears, and much to his delight, you kiss him back. You even surprise him by grabbing the back of his head with both hands, deepening the kiss of your own volition.

Not one to be out done, he adjusts his hold on you, one arm wrapping properly around your waist while the other slides up to cup the back of your neck, gloved fingers gently squeezing your bare skin.

To his delight, you retaliate with your tongue, slipping it between his lips and coaxing his forth.

Just full of surprises, little mouse.

Maybe you aren't so boring after all.

He meets you eagerly, exhaling a rough, excited little huff through his nose, dropping the hand at your waist to grab a cheeky squeeze full of your ass, wringing a soft moan from you that sends a bolt of heat straight to his cock.

When Homelander pulls back, you're flushed warmly all over. You smell of antiseptic wipes and peppermint, like Christmas in a hospital. It’s bizarrely appealing.

"What was that?" You ask, dazed.

"Mistletoe," he purrs, tipping his head back without taking his eyes off you, settling his hands back on your waist.

You look up slowly–taking a solid few seconds to process–and huff a gentle little laugh, nodding at the aforementioned ornament dangling above you. 

"Is this your way of saying thank you?" You manage to ask after swallowing back the lump in your throat, your shoulders relaxing, though your heart continues to gallop in your chest. "I hope you're still going to pay for my yard."

It's Homelander's turn to laugh. "Oh, no. I haven't even begun to say thank you yet," he assures you, hands lingering on your hips. 

The kiss had been pure unrestricted impulse, nothing he intended to follow through on. However, now that you're toying with the hair at the nape of his neck, your skin warm against his, your eyes half lidded, he’s not sure that he wants to let you go. Your lips shine where you’ve licked the taste of his from them. 

“I think for your good deeds, you’re owed a very merry Christmas,” he says, waggling his brows. 

You give a flustered, incredulous bark of laughter, covering your mouth as you look away from him, that flush of yours intensifying, making your whole body thrum warmly. You wouldn’t need to worry about keeping warm on these cold winter nights if he had his way with you.

“Okay, well, uhm, thank you for… for that thought,” you say, tripping over your words in a way you haven’t this entire encounter. “You hit your head pretty hard, though so maybe before you make any promises, we make sure you get checked out by an actual doctor,” you say, pushing lightly against his chest.

He maintains his hold for just a second longer, utterly immovable. It feels good to be himself again. He runs his tongue along his teeth, downright predatory in the way he stares down at you, but he does relinquish his hold.

“You should come with me to the tower. You know, now that you’re… Compromised,” he says, folding his hands behind his back. “Someone might come looking for me here. Interrogate you on my condition.”

Real fear flashes in your eyes at that. “Wait, you’re serious?”

“As a heart attack,” he gives back gravely.

“Uh… Okay. Uhm, let me… I’ll pack a bag,” you say nervously, stepping away from him to do just that.

“Okie-dokie,” he gives back simply, glancing around your home while he waits. He picks up an odd little gnome with a big red hat that covers everything but a little button nose, and a long white beard. Maybe he’ll convince you to bring along some of your festive decorations.

Merry Christmas to me, he thinks, already daydreaming about twisting the head off of whoever hit him with some kind of neutralizing agent.

He might thank them for the impromptu date while he’s at it.

[sanders-sides-uncorrect-quotes]

Pre-AA Virgil save me

Save me

Save me Pre-AA Virgil

time taken: 2 ½ hours

[gayofthefae]

You know of course depression plays a part in it but people say with Mike his inability to say it was what was causing her to think that besides that but I'd like to remind us all of the saying "If he loved you, you'd know"

We need to come back to the fact that yes, Mike couldn't say that he was in love with El. But there are other ways to convey to someone that you're in love with them.

Actions speak louder than words and, really, it was never about lacking the words. It was about how lacking the words pointed out clearer than ever that the actions weren't there in the first place.

Having the words can shield the fact that he doesn't seem like he's in love with either. You assume that both are there. But if one goes away and there's nothing left...you can't really unlearn that. She knows that he loves her now. I wonder what she knows of him being in love with her.

Because she didn't confront him on the word itself until prompted. Their original fight was about his actions. "The way you looked at me," for example. It wasn't he was in love with her but just couldn't say the word.

It was that not being able to say the word meant that there were no bells and whistles to distract

from things like this

Because that argument looks different with no supporting evidence of him not loving her outside of the words. But the words are her supporting evidence. To her initial point: his actions. The words weren't even part of her original argument. She hadn't even felt the need to reach for them as proof.

That argument was not just based on his words. So how can the solution be? He was acting like he wasn't in love with her. She caught it. And at that point, probably started noticing he never said it. Because I doubt she started counting days from when he first said or even when she left if she assumed as she seemed to for a while that she did. It didn't seem like she's was counting every day for eight months. It seemed like she started to notice and checked her facts to find they were right. Something prompted that. Maybe a couple letters in a row were a little dry. Maybe she needed it more one day, then noticed that week after week it didn't come and checked back.

But her observation of him not saying it was prompted by his actions. It's why she didn't even bring up his words herself. Only when he argued her. They were her trump card, not her argument.

The fight was about Mike's actions. His words were just an example. He still hasn't solved his actions. Remember, by her account:

This was him not convincing her too.

He has not fixed this. He has stalled it. At best, he put it back to where it was before she noticed, not before it was true.

[charmac]

How are you feeling about S17? I'm getting reaaal worried that it's going to be terrible. No Glenn in the writers room? A crossover episode?? Rob's gradual transformation into pondslime??? Help

Pondslime 😭Lmfao

I'm feeling more than fine about 17, really truly. I don't think anyone should be worried at all.

I think sometimes my interactions with Glenn come off a little more serious or abrasive than they really happened in real life (because we have to shout due to how loud it is in the bars), and my immediate transcription is just to get people *information*, which really doesn't convey tone.

For example, reporting that Glenn said "you don't want to know" in response to me asking for any teasers (as to plots this season) was met with a lot of "oh so this season is gonna suck" on Twitter, and that could not be further than the truth (sorry to the people I split-react blocked for saying that lol). In hindsight I get the reaction, because written out it's a response that can be easily misinterpreted and reads as potentially concerning, but know that when Glenn said "you don't want to know" he looked like this:

And when I was genuinely just asking for script information (regarding writers of individual scripts after he mentioned they had broken already) and mentioned Nina (Inflates) and Ross (DTAMHD), he gushed about both of them and then said, transcribed word for word, "It's been a good room, I'll say this it's been a great room. It's been an all-star room, it's been...like, breaking the stories this year has been really fun. [Me: Yeah?] Yeah. [That's great, that is great to hear.] It's been really fun."

So the idea of "no Glenn in the writers room" is really much more akin to Season 16 than 13/14. He was there to break stories (meaning he was in the room when they were brainstorming plot ideas and when they settled on which plots would be turned into scripts) but Rob and Charlie are taking the brunt of writing their (RCG's) scripts because of Sirens. This is the same thing that happened with The Gang Goes Bowling. Glenn's name is on the script, but Rob and Charlie wrote the majority of it while Glenn was shooting Blackberry. (I remember originally being convinced it was a mistake Glenn was listed as a writer for Bowling, lmfao). And Glenn is definitely still contributing, will be on revisions for the non-RCG scripts, and will classically change or improv whatever he thinks is best for Dennis when he's on set (see: the Risk E. Rats script).

Also, I know the crossover is concerning to a lot of people just given the nature of it, but as of what we know right now it's only on Abbott, so it's really just as if this season's The Gang Cracks the Liberty Bell or The Janitor Always Mops Twice took place on a different show instead of ours...

I promise promise promise Glenn was clearly holding his tongue for good things coming up, and Friday night very much restored my confidence that Season 17 will be good. (But..if you don't think Glenn has good contributions to Sunny or understands the agenda, then sorry this response probably sucks lmfao)

[sluttybibuck]

actually angels too now that i think about it. does possession just come with a snazzy suit like a special two for one deal??

why are demons always wearing tailored suits do they possess random dudes and then go straight to the formal wear store before going on their evil demon way??

[augustameretrix]

I think this one line in episode 3 sums up what didnt work for me in season 2 and that is the idea that the arcane problem is not eminently political

[wojtekaneko]

Some character sketches from s3! I love all of them so much!!!! This season destroyed me </3 There was so many great moments, dialogues and statements aghhghh I wanna draw it all!!!!!

[dariusaurs]

i think dinostar is such an interesting ship right now even if i've kind of turned away from it after this season. the problem is that it's complicated, and fandoms historically don't like nuanced situations or takes. i don't think it's fair to say darius is putting brooklynn on a pedestal, since from his perspective, she hasn't done anything wrong, and kenji has been framed as this unfair partner to her. it does feel like his feelings are very immature and more of an infatuation right now ("if he loved you half as much.."/"unless?"), especially when you compare them to kenji's own feelings for brooklynn - his girlfriend who he's loved for 6 years - but that isn't a horrible thing, it's just different. i do completely understand if people dislike the ship right now, and even criticize darius' way of handling the accidental confession, but i just think people have been way too harsh on all three of them without being willing to see that all of their perspectives are different

[howlsofbloodhounds]

would Angelkin killer fuck with the angels from supernatural

[keen-eye]

TL;DR: you can’t compare hating dean to hating sam

the difference between people who hate dean and people who hate sam is that it seems like most dean “haters” still enjoy his character. they’re just rightfully critical of his actions (he’s abusive, i’m scared of/for you if you think he isn’t) and the narrative bias towards him (because someone has to hold him accountable). part of what makes him/the show fun to watch and dissect is the horrible way he treats others while still making you invested in his character. the audience puts up with, or even justifies, his behavior because we’ve grown attached to him (sound familiar?). it’s disturbing and it brings back the horror that was missing from the “family is hell” show (but if you just want to watch the “perfect found family” show then idk what to say lol)

on the other hand, it seems like sam “haters” tend to dislike him with little nuance. people are allowed to like dean more and find sam annoying/boring but you have to separate sam’s personality from his actions/opinions within the family dynamic or else you need to do some self-reflection (& read some sam meta about victim blaming). of course there are those who’ve made up their minds on this due to shipping brain but there are plenty of other people who feel this way. something particularly annoying is equating hating dean to hating sam while ignoring the clear power imbalance in their relationship.

anyway. if everyone can wrap their heads around this and lift the curse then we can finally be free from this cycle. cycle…hey wait a minute—