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accirax · 1 month ago

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Project: Eden's Garden Chapter 1 Trailer Analysis

Oh my god it's actually time.

As I'm sure you've heard by now, Team Eden's Garden has finally announced the release date for the fangan's true first chapter: December 20th. And, they did so in a flashy new trailer, which is nearly three minutes long! Naturally, there's a lot of content baked in to those three minutes, so I'm here to take a look at what was flashing by in those rapid-fire montages, as well as make predictions regarding what will happen at the first Class Trial. This will be fun!

And here's hoping I don't run out of images 🤞

The trailer begins with the "mascot" (in this case, Tozu) saying that it's been far too long since we last conversed. Classic.

Next, we see a preview of some locations, both new and old. CAM04: Dorm Hallway and CAM24: Tree of Ignorance were already explorable areas within the Prologue, and CAM08: Damon's Dorm was visible in the Ch1 demo released last year(?). The new locations include CAM32: Hallway A1, CAM35: Pharmacy A1, and CAM39: Pharmacy A5.

(By the way, I'm going to assume that both the numbering of the cameras and the time displayed in the lower right have no particular meaning, because I can't find any connections between them. At first I thought it was weird that Damon's dorm was Camera #8 despite him being 9th in alphabetical last name order, but given that the hallway is Camera #4, I don't think there's a correlation).

While all of the images are intentionally blurry, I'll do the best I can to describe what we can see. The most obvious point of interest is the door at the back of the hallway, under which "CAUTION" is written in big red letters. It also seems that there might be blood dripping down the door, which, if true, would match with the other blood splatter on the floor near the bottom right of the screen. It definitely gives the impression that something happened here before, and that that something was bad. There's also a grate on the wall that's splattered with red, but given that blood is pink in the DR universe, I'm assuming that's rust.

The pharmacies are very interesting to me. First of all, there are two of them. What kind of establishment needs two separate pharmacies? I guess you might if the pharmacies are as different as the two pictured. One looks more like an old-fashioned office or science classroom (it kind of reminds me of v3's Ultimate Detective Lab, honestly), and the other like a scientific research facility. A pharmacy is defined as "a store where medicinal drugs are dispensed and sold," so perhaps Pharmacy A1 is for selling and Pharmacy A5 is for creating?

The "A" in these tags could stand for "area," but they more likely stand for "alpha." At the end of the Chapter 1 demo (watch Weeby Newz's video on it if you want the same level of info I have), the students are about to go through the lowercase "alpha" door in the Tree Room to explore a new area. These three areas are almost certainly behind that door-- perhaps with the checkered pharmacy being room #1, and the blue pharmacy being room #5?

It's also possible that the entire area is considered "the pharmacy," and is dedicated to the production of medicine. But, whether that's the case or not, I have to ask, "why?" Out of all the things they could have put into this falsified Eden's Garden Academy, why make two rooms dedicated to creating drugs? Why potentially make up to five rooms dedicated to creating drugs? With very little information regarding the overarching plot of Eden's Garden, it's hard to determine why. The only connection I can make offhand is that this may have been the origin site of the drugs used to knock everyone out on the train.

I do find it very interesting, though, that this is not just a location in the school, but the very first one we're discovering. Normally, I'd think that places like these, which aren't that conducive to students hanging out (like a pool or recreation center) would be reserved for future chapters. It may imply that drugs and/or poisons are a necessary component of the Chapter 1 murder. We'll see!

Our first of the rapid-fire CGs! This one shows Kai pointing at something within a fancy pink room. There's a canopy bed dressed with pink cloth, some floral-looking wallpaper, and two small paintings of what also appear to be plants on the wall.

Given the appearance of Damon's room earlier in the trailer, I find it likely that this is not a new location in the alpha corridor, but instead, someone's room. There are many pink colored characters in P:EG-- Diana, Toshiko, and Kai himself-- as well as Cassidy, whose character color is close to pink, and Ingrid, who has pinkish hair. Of the main three options, I'm guessing that this is probably Kai's room.

People have been quick to diagnose this as a potential BDA image. If that's true, I acknowledge that this being Kai's room would be a wild choice, because it would mean that someone other than Kai was found dead in Kai's room. It would be a THH parallel, though! I just think that it's likely to be his because, well, he's in there, and all of the references to flowers seems fitting for his butterfly motif. However, Toshiko's kimono does have flower patterns on it, and flowers also match up with the ~romance~ of the Ultimate Matchmaker. If this is Kai providing a BDA in Toshiko's room, though... maybe Toshiko isn't dodging those first victim allegations.

If it's not a BDA, though, what is Kai pointing at? Imagine if it's just a spider or something, lol. He does look pretty worried, so perhaps this could be the arrival of something like DRDT's custom weapons? If a weapon suddenly appeared in my room a the killing game, I'd be kind of worried. It could also be a mysterious note, as (spoilers) we're about to see a few of in this trailer.

One cute(?) thing to mention is that, if this is Kai's room, it likely means that Kai was willing to invite Damon into his room to check whatever this is out. That could mean that they're friends! It's not cute if this is actually a BDA. It's also not cute if Kai is becoming Damon's friend just so that it hurts more when he dies in Chapter 1 :(

Woah, it's a note! (/j)

This and the image directly before it in the trailer seem to be of the same thing: a piece of paper that says "to Damon Maitsu" on it. Or, it's possible that the first one just says "Damon Maitsu" and this one says "to Mr. Maitsu"-- they look a little different, although the handwriting seems identical. I don't think there's any paper conspiracy for me to crack here.

To my memory, the prologue included some flashback CGs, so I would imagine that's what's happening here, unless Damon actually kept his Eden's Garden acceptance letter on his person (possible). It could also be a new letter that Damon receives during the course of the killing game if, as I posited, Kai was pointing out a letter he received in his room.

And furthermore, more note content? Why is this hypothetical piece of paper more visible in the trailer than Toshiko?! (/j)

Or, maybe it isn't. This note seems to read, "Meet in [???] at 8:10 p.m. tonight [???] Damon Maitsu." Due to the spacing of the words-- namely, that it doesn't seem like there's much more to this message beyond what we can see-- this paper appears to be pretty small. Combined with the color, I predict that this note is, in fact, sticky. And therefore, not the same as the piece of paper (which also has a different ink color) as the other note.

Further extrapolating from the spacing, the note looks like it's signed "-- Damon Maitsu". Otherwise, there would need to be a word before Damon, the end of which has no letters tall enough to appear next to the D. (It's LGI's "Ms. Naegi" crisis all over again... /ref) If so, that means that we might have an example of Damon's handwriting on our hands! Or the handwriting of someone who was trying to impersonate Damon :/

I wish we had a better lead on where this note was telling folks to meet up, but it's way too vague.

Then, yet another piece of paper! It's definitely different than the yellow one, and probably different from the signed one as well, due to being typed and not handwritten. Then again, sometimes typed letters have a handwritten signature at the bottom, so it's not impossible.

This text's formatting reminds me of how scripts are normally written: both the font and the center alignment are used in standard scriptwriting formats. I actually at first thought that everything after "beneath a" might have been spoken by a character whose name starts with L, but that would mean that their dialogue starts with a lowercase letter. Plus, names on scripts are usually written more like this (imagine it's centered):

LINDSAY beneath a [shoulder] If only [head]

in the sense that the character speaking's name is in all caps. There appears to be a lowercase i after the capital L, so it's probably not a name.

Still, that begs the question of why the top line is so much shorter than the one beneath it. In a normal passage, all of the lines would have relatively even margins other than possibly the last one. Could the wonky spacing be indicative of a poem, or something else written in verse? Due to the script/poem idea, I'm inclined to believe this belongs to the ever-dramatic Tozu, but I could be wrong.

Next is another CG, depicting Damon, Cassidy, and a sneaky Jean in the background. Based on the shape of Damon's ahoge, we can tell he's a little annoyed or flustered by whatever Cassidy is pointing at.

The wallpaper pattern we see in the background is that of the Dining Hall. Do NOT ask me how I remembered this offhand, because I don't know.

Furthermore, based on the wall being to the characters' left, it's likely that they're standing on the left side of the room. (It's possible in reality that it could be anywhere else in the room in front of the wallpaper only, but based on cinematography rules I won't bother explaining this is probably the case.) So, what is Cassidy pointing at? It could be the fireplace, the painting of the jackal, or the vent. Or, obviously, something new that appears in the Dining Hall in Chapter 1.

Based on my theories that the vent will be involved in the Chapter 1 murder, I'm inclined to believe that it might be what Cassidy's pointing out. If that's true, it means that she (and Jean) (and Damon) is dodging the Chapter 1 victim allegations! However, given that the characters are looking upwards, unless they're on the floor, it's probably not actually the vent. Maybe it's something on the fireplace mantle?

Also, based on straight vibes and nothing else, I don't think this is a serious CG. It might just be that it reminds me of v3's casino CG, but I kinda feel like Cassidy is just trying to teach Damon a game while Jean watches, or something. Projector on the Dining Hall walls? "It's more likely than you think," I lie.

The next six images consist of three spooky screenshots of what seem to be some sort of database which say "Ultimate" (and a picture of Damon), and three zoom-ins on what I believe to be paintings found around the school.

The only one I found of particular note was this one, which sort of looks like two people getting married? Both figures seem to have light skin, and the one in the white dress might have some shoulder-length red hair. Cassidy marriage arc??? I can't imagine what context this photo/painting/CG would appear in, but it might be important.

After that a few illustrations depicting the killing game's rules flash by. I won't be uploading all of them because 1) you can probably guess at most already if you're familiar with DR/fangans, and 2) I think these might have been shown in the demo anyways. To sum up, I think the rules can be attributed as such:

Tozu is in charge (and/or participation in the killing game is mandatory)

No destroying school property, with a focus on cameras and NG bracelets

You can't kill/injure Tozu or Mara*

Students can become the blackened by killing

Once a dead body is found, it's time for a Class Trial

... The same thing again? Oh, maybe #5 was about how to trigger a BDA, then.

Um...

Okay, actually, I don't know what this one is. Is this saying that you can't rip paper, or you'll get executed? As in, papers that Tozu gives you? Dude, maybe my "Tozu gives the students mysterious letters" theory actually had some merit to it!

If not that, could this be something about breaching contracts? The Prologue did mention "registration materials" that Damon presumably signed. Those could have been a cover-up for a real waiver the students accidentally accepted. Or, maybe this is the big reveal that all of the characters are actors in a scripted performance. In Chapter 1? Yeah, probably not.

*Technically, only Tozu (who stands between Mara and the student) has an X over him, which could imply that it's only illegal to harm Tozu. However, it's likely that, when the rule is revealed in the e-Handbook, the graphic will cycle between Xs on Mara and Tozu, or something else to that effect. It would be interesting if the rules don't protect Mara, though. I'd imagine the in-universe explanation would be "see what happens if you even TRY to hurt Mara," but that would absolutely feel like a rule intended by the writers to be broken in the future.

I'm sure someone could do a super in-depth analysis of the religious implications of this painting, but that person is not me. All I will say is, "these are the animals of Mara and Tozu." Oh, and, based on the next image, this painting is located in Pharmacy 1.

New locations! Like I alluded to above, the first image is definitely of Pharmacy 1, and I think the second is too.

The third is a bit harder to decipher. We've got a glowing photocopier with an Eden's Garden Academy logo on it, a tiled floor, many green cabinets, a medical kit, and lots of vines. I wonder if this might be a third pharmacy that functions more like a doctor's office...? I don't know what the photocopier is there for in that case, though. I'm assuming that the location behind Jett in the fourth image is in the same room due to the similar green cabinets, and the fact that you can see a similar first aid kit on the wall behind him. If that's the case, there's also a sink in this room. That's not helping me either.

After that, we have a shot of Jean with a proposition in the Dining Hall, some general purposes art which I think we've seen before, and a slick 3D animation with Damon catching a fallen apple. What do they have in common? I don't have much to say about any of them.

Free Time time! Or, at least, I'm assuming that Ulysses' part is part of his first FTE, given that it was packaged in with all this other stuff. With this, we can conclude that Ulysses, Wenona, and Wolfgang will all be available for at least one FTE in Chapter 1. I am very curious about that in general-- with this first chapter release, will we immediately be able to view all of everyone's FTEs? Or will they cap everyone off at, like, two for now? Unfortunately, there's no way for me to answer that now.

The other three images are more intriguing. The first definitely shows Damon's gift inventory, with the Black Forest Cake being highlighted. The interesting bit is all of the chibi pixels to the side, with positive and negative arrows by some of their heads. At first, I thought that P:EG might be going for something like SDRA2's ambitious FTE system, where characters have positive or negative opinions on you based on actions you take and gifts you give. However, on further thought, I bet that this is an in-game way of telling you who will like which gifts. As far as I can tell, many people either look up which gifts to give which characters or save-scum until they get something right, so taking guessing out of the equation is probably a good thing. Plus, now we know that Diana, Jett, Toshiko, Mark, Wolfgang, Cassidy, Desmond, Eloise, and Kai like cake; Grace, Ingrid, and Wenona don't; and Damon, Jean, Ulysses, and Eva are neutral. It's an extra good system if it gives us insight into Damon as well!

The second is surely P:EG's equivalent of the Monomono Machine, with Damon receiving a zen garden from the funky hourglass contraption. The interesting part to me is that the currency is named Marabucks instead of Tozubucks. Yay for inclusivity? Also, I think it's fun that the percentage reads "1,13%" instead of the standard American "1.13%". (And P:EG seems to be, on the whole, an American-coded game, given that the majority of the characters speak in American-accented English and the cast's live appearance was in Texas.) Gives you a little behind the scenes peek at who was coding this section of the game :)

The last thing... uh, what? It seems to be a Pong-like minigame, probably used to earn bonus Marabucks. You bounce the "orbs" through the "pachinko" to... I guess score points against Mara and Tozu? And, probably if you do well enough, you get varying levels of money. Perhaps I spoke too soon, and the Marabuck is simply the lesser Tozubuck.

Up next comes some dramatic zoom-ins through those spiffy remodeled locations. I appreciate them jazzing up the "outdoor" area specifically; the lack of polygons in the doorway arch always bugged me. Even if they kept those similarly unbeveled shapes in the archways to the side... (/lh)

And now, the moment you've all been waiting for...

WE GOT SCENES FROM THE CLASS TRIAL?!?!?!

To clear the elephant in the room, as everyone has been reporting, Toshiko is the only student who can't be seen in the Class Trial at all. Does that mean she's dead? Uh, probably not. As part of a mystery-writing team, I would have to imagine that whoever crafted this trailer would be smart enough to know that their mystery-loving fans would comb through whatever they're given for answers (hi 👋). And, if there's one to be found, they'd find it. Therefore, I'm more inclined to believe that Toshiko's absence is an intentional red herring. Then again, this is very possibly the P:EG team's first time writing a fangan, so if they didn't think about things like that, it would be understandable.

So, who is dying if everyone else is present? To me, there's a big gulf between how easy it would be to fake someone's participation in the Class Trial. Subbing out a death portrait for a regular sprite is easy, recording a fake line of dialogue is a bit more effort, and creating original artwork is really not worth the effort. Thus, we can divide the characters into tiers.

ORIGINAL ART (basically guaranteed safe) Damon, Wenona VOICE ACTING (very likely to be safe) Diana, Grace, Wolfgang, Jean, Eva SPRITE VISIBLE (possibly most endangered) Mark, Desmond, Kai, Ingrid, Ulysses, Eloise, Cassidy, Jett TOTALLY ABSENT (reverse psychology safety???) Toshiko

Damon's unique minigame sprite and Wenona's Rebuttal Showdown art appearing over his face should also squash the rumors that Damon will be replaced before the first Class Trial at least, lol.

Within those tiers, I also want to highlight two outliers: Wolfgang and Eva. Because, of course it's those two.

Although Wolfgang is in the voice acting tier, in reality, I'd say he should be moved upward into the "basically guaranteed safe" tier. This is because his line is shown in Nonstop Debate format as opposed to the regular dialogue format. Although his lines don't have the animated word art thing going on, I still imagine that it would be easier to create a fake line in the regular dialogue boxes than in the minigame. Also, notice that I said lineS. Wolfgang also has two lines, and unless the team is really yanking our chains, I can't see why they would create two fake lines when one would surely suffice.

Meanwhile, while Eva is in the voice acting tier, she's bordering on the "possibly most endangered" tier. It may just be my "Eva could die first" bias speaking, but her line is a whole lot shorter and less specific than Diana's, Grace's, or Jean's. In fact, if you remove the comma, "obviously the case" could easily be one of her stock dialogue lines that plays over unvoiced portions of the Daily Life. If the team were to create a fake piece of dialogue for the Class Trial, sneakily repurposing a line that already exists for other purposes would be the most efficient way to do so.

Expanding on that, what is "obviously, the case" supposed to mean here? I'll once again draw attention to that comma. Grammatically, it's not that some truth is "obviously the case," but that the case is the thing that's obvious. In what context is Eva saying that, though?

Jett: Uhhh, sorry, what are we supposed to be focusing on again...? Eva: Obviously, the case.

Or, could a physical case, like a briefcase, be relevant to the murder?

Grace: But what could the killer have used to fucking store a disguise?! Eva: Obviously, the case.

The only thing I'm remembering offhand that could be a physical case is the medical kit, but obviously there are plenty of locations and props for this Chapter we haven't seen yet. At any rate, Eva's dialogue raised a flag for me. So, I'll be scrutinizing any cases we may see or any pre-Trial words Eva speaks when the Chapter comes out.

Also, Diana and Grace might be a bit safer than Jean and Eva because what Grace is saying seems to be a response to Diana. They both mention peace, and Desmond is striking the same pose in both of their shots. I doubt that the P:EG team would either record Diana expressing the same sentiment that someone else actually expresses, or come up with a fictitious response from Grace that doesn't actually exist. If you want to get really nitty-gritty about it, consider that tier as ranking Wolfgang as the most safe, then Grace, Diana, Jean, and then Eva :)

Under the dual assumptions that Toshiko is a red herring while Eva's dialogue is genuine (such that both of them are safe), though, who's the most likely victim from our "sprite visible" tier?

Well, the only victim option left from my Chapter 1 Killer/Victim theory is Kai. Fan-favorite first victim choice Cassidy is also on the table. Otherwise, I could see Ulysses, given that (if he's not the mastermind) he gives BIG victim energy with his notetaking becoming a central aspect of solving his Trial. I'd expect they'd save a gimmick like that for a later Trial, where it could better be used to shake up the status quo, but I could see it as a good intro case too. I could also see someone taking Desmond out if they were afraid of his weapon-wielding capabilities, although that's... kinda backwards thinking. Desmond's capability to kill is scary if you're trying to kill him, but it doesn't offer much in the Class Trial.

Still kinda convinced it's gonna be Eva, but I'm aware enough to recognize that's probably just the stubbornness of wanting to believe that my old theory was true.

Speaking of old theories coming true, can we rewind for a moment?

Jean: ...but, I'd rather be suspected than be the reason this trial comes to a standstill.

Hey. WHAT.

For anyone who hasn't read/forgot about the Chapter 1 victim/killer theory I just linked, in that post, I argued my case for why Jean would be our unexpected Chapter 1 killer. Needless to say, when I saw this, I screamed.

What does this MEAN?!?! Full disclosure, I was pretty convinced that the Jean!killer theory would either be, like, 100% on the money, or laughably incorrect to the level of accidentally misinterpreting Jean's entire personality or there not even being a hint of suspicion thrown on his name throughout the entire case. To see Jean acknowledging others' suspicion of him in the TRAILER has me reeling.

Assuming that this line isn't fake (which also guarantees that Jean isn't the first victim), this means that there will be a point in the Trial at which Jean will be suspected as the blackened. The line itself could easily be something that a sympathetic and honest spotless would say, or something that a blackened could say pretending to be just that, so we don't get any hints there. What reason would Jean have to be suspected if he isn't the killer? Why and how would anyone choose to frame him? But also, would the P:EG team really want to have their players go into the first Trial already primed to believe that Jean could be the blackened based on the trailer? I feel like this line was included as a cruel (/lh) trick on me specifically, but my theory wasn't nearly infamous enough to warrant that kind of attention.

It's absolutely going to be eyes on Jean for me when the first Chapter comes out. I'm so curious to see the context surrounding this quote. Did I actually call it early? Or will the "evidence" that I stacked up actually prove to make Jean a believable bait, but not the real blackened? (wouldn't be the first time :P /j)

Moving on, there's a very dramatic scene of Tozu looking over the Trial grounds, while Damon looks back. I double checked, and everyone is visible (in silhouette form) in this shot, which makes sense as it was likely created solely for this spoiler-free promotional material. In my mind, the only clues we can pick up here are that Damon is further cementing himself as the true protagonist of this story. He also blocks out Wolfgang as he looks at Tozu...? Could have symbolic significance, but could also just be a result of the pair being opposite each other in the Class Trial seating.

After that is another fast-paced montage. The first screen is the same shot of the Pharmacy table. I don't know why they put repeat info in here, but as far as I can tell, all of the props and textures and whatnot are the same. If my assessment that the murder would utilize the Dining Hall vent is wrong, I wonder if this could be a hint that Pharmacy A especially will have significant meaning-- possibly, as the site of the first BDA. That being said, they also repeat the same image of the photocopier ivy room as the third image in this montage. So, if that's the case, it means both locations will have to be highly relevant.

I feel like this image out of context looks really NSFW. I promise, that was not my intention...

Anyways, this is from the Prologue BDA.

It's Cara's doll legs, as is made extra apparent by that same cylindrical thing in the back. I'm not sure if this was put here because the Prologue case will continue to be really relevant to Chapter 1, or just because they wanted a BDA-looking thing for the Trailer yet didn't want to put in a spoiler one. Based on the different size/shape of Cara's thighs (now I feel NSFW /j), there is a slight possibility that what's shown in the Chapter 1 trailer is (an image of) the real Cara's body as opposed to the doll. However, we know that some sprites and backgrounds have been redone during the hiatus, and that could extend to Cara's art as well.

This knife is also from the Prologue BDA.

You think you're so clever, P:EG team, don't you...? (/lh)

Can you believe the students are going to investigate area alpha in Chapter 1? Or maybe this is Damon telling me I'm wrong about that, haha.

Hey, they rigged a 3D Tozu model! It's looking good. I'm sure they're glad that Tozu's mask meant that they don't have to make a whole mouth rig for the guy, lol. My guess is that this model will be used for Tozu's "punishment time" animation, the equivalent of Monokuma hitting his button with the mallet.

The last thing of note in this trailer (other than the release date) is the Chapter's splash art! The full version was posted to Twitter, which I'll be showing for clarity's sake.

“Strange that one minor event, one small action, can alter the path of everything.”

... You gotta start dodging these allegations better, Cassidy.

Chapter promo art predictions are always a tricky game when it comes to predicting who will die. On the creator's end, I'm sure you don't want to draw additional attention to your first deaths by spotlighting them in the artwork. But, if you want to highlight some of the most important characters of the chapter, that'll often include the victim and/or killer if the Daily Life is well-crafted. Plus, especially for early deaths like these, if you don't put them in the chapter art early, you'll never have to chance.

But, forget all that. Who's actually shown in the poster? Obviously, Damon, Jett, and Cassidy are, but I believe that Wenona's jacket and hair are shown to the left of Damon? If you squint, you can also make out what might be Ingrid's arm on his right. That would be consistent with where he's seated in the Class Trial. Yeah, and then that weird blob behind Wenona is actually Jean and Eva!

See what I mean? Well, if we have 7 characters on the poster, maybe it's not so suspicious for any of them after all :D

And, really, it's 8 characters. I imagine others have made this connection already (even if I haven't personally seen it), but... that's a chameleon wrapping its way around Damon. AKA, Diana's animal motif. That means that Diana is more or less on this poster as well!

As the literal framing device of the Class Trial, the chameleon makes this poster reek of Diana being the Chapter 1 killer. However, even that feels too obvious, at least to my highly-scrutinous eyes. Then again, if this was just supposed to communicate that Diana will be important, why not just put her on the poster...? I really don't know what to make of it.

And... yeah, December 20th! I'm super excited!!! While we're certainly not in a drought of in new and exciting fangans nowadays (read Danganronpa: One Shot here!), productions of this scale-- especially playable ones-- are few and far between, so I really hope that this first Chapter lives up to the hype. I'm pretty sure I'll have more to say about this fangan in a few weeks, so I'll see y'all then for Project: Eden's Garden's true beginning!

...

(Honestly, after all this time in the DRDT fandom, it's just crazy to me that we're going to learn about the victim and killer at basically the same time... (/lh))

#project eden's garden #p:eg #fanganronpa #damon maitsu #kai monteago #cassidy amber #jean delamer #eva tsunaka #i don't think i talked about anyone else in enough detail to warrant a tag #also i have seen various people bring up issues with this fangan (specifically the behavior of its crew) online #while i am highly sympathetic i don't currently feel like it's enough of a reason to boycott this project for me #however if seeing content of the game makes you uncomfortable please skip this post and/or block the tag! i don't want to upset anyone #and of course i'll assess more in the future if more issues arise (or if i learn of more damning evidence. i know basically nothing #about this drama other than that it exists. i hope the dev team can chill out tho. heard they were bashing other fangans :/)#my theories #anyways i'm excited to start my incredibly one-sided beef with Jean /j

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so-long-soldier-writes · 11 months ago

Text

Feeding 101

kai parker x reader

summary: damon was a great teacher during elena's transition, but he's less than helpful when kai escapes hell and needs to feed. luckily, you're there at the right place, right time, and offer to teach him, (much to damon's disapproval). | heretic!kai

tags: based on s08e13, mention of twilight, blood drinking, blood sharing, feelings, confessions, arguments, protective!damon but also protective!kai, mention of sex but no sexual content, almost kiss

word count: ~2.7k

You’re too busy texting to look where you’re going. A nervous text from Alaric; a warning, judging by his unusual use of the red exclamation + question mark emoji. You stumble to the bathroom to read it, wanting your reaction to be out of sights from the crowded diner. Mystic Falls has been a mess lately; no doubt it concerns the next big enemy.

But as you burst open the nearest door, you catch the sight of two bodies occupying. Right as you turn to leave, you realize it’s Damon by the sink.

“Oh, shit, sorry - wait, Damon?!”

This is an uncommon place to find him. Usually, he’d be at the Mystic Grill or the Scull Bar. Never at the rather unkempt small diner on the end of the street. You, however, go there often, whenever you need to escape wandering eyes and small-town chatter. Damon, often both the cause of the eyes and the chatter, enjoys being in the center of attention.

However, when you catch his gaze this time, his throat tightens in fear. “Y/N, out! Go!”

His urgency scares you. Your eyes bounce around the room for the threat, wondering what’s so imperative that you hurry on your way out the door.

You settle your attention on the figure beside him. Well, not one, but two.

One man slouched against the wall, diner apron still loosely around his waist. Another man is holding him up by his shoulders, feeding on his neck.

You startle at the sight, not expecting it.

“Get out, Y/N!”

The man feeding is too caught up in his gig to notice your presence, but you soon start to recognize his shoulders.

You stop, feet planted into the cement; fear becoming curiosity. “Is that Kai?”

“No!”

At the same time, the man in question lets the diner cook slump to the ground. He turns to Damon, unsuccessfully wiping blood off his face. “So that was-” he finally sees you, “hey, I remember you.”

“She’s leaving,” Damon answers. “Y/N, go!”

“Y/N, that was it!”

You’re having trouble tearing your eyes from his face. Jesus Christ, he’s a messy eater.

“Is this the big emergency Ric texted me about?!”

Damon shrugs, “probably.”

“As much as I love talking about Ric, I need to feed on more than just this big guy. I’ve been in hell for a long time, Damon, and-”

“I know! You’re hungry; I get it. We’re having a little problem right now of finding people that you can eat. It’s not like there’s a line outside of willing participants.”

You swallow hard.

Kai’s always made you feel a type of way you couldn’t explore. His bloodstained lips and teeth multiply that feeling tenfold, reminding you why you came to Mystic Falls in the first place. Vampires, witches, werewolves. You started out as a Twilight enthusiast looking for adventure, attending Whitmore College, but then became a valuable asset to the team.

God, if Kai ever knew how hard it was for Elena to keep you away from him, you’d probably die inside. You fell for him hard. And now, staring at him in his full transition, you can already feel those tingles returning.

“What are you guys doing?” You ask, genuinely curious.

“Kai here says he can bring back Elena, but he needs to be strong enough to do the spell.”

Ah. You shift your feet nervously. Even despite what he did to your best friend, you can’t help your desire for him. “So you need to go,” Damon continues, “and not be a witness anymore, and we need to go find more bad people.”

“Why only bad people?”

“So that Damon doesn’t feel guilty for eating good ones,” Kai answers, to which Damon gives him a distasteful smile.

“And, because like I said, you don’t exactly have anybody willing to be fed on, especially not by you. So we have to get a move on it if we’re to reverse this spell quickly, before Cade gets his hands on you.”

“Cade?”

“He’s coming for me, because I escaped Hell.” He glances down at the diner cook again, wondering if any of his blood is still fresh for a second round. “I really don’t want to go back there, to Hell, and every time I feed, I can feel myself getting stronger, so that’s great, in case I need to fight him.” Kai takes in the sight of you one last time before tearing his lust-filled eyes away. “So if we can find more people-”

“Feed on me.”

“What?”

“What?!” Damon repeats Kai’s question, but with extra dismay.

“You need to feed, but are having trouble selecting people. I’m a willing participant; feed on me.”

“Yeah, that’s a no.”

“C’mon, Damon, you want Elena back, and so do I, and I don’t know… I trust Kai won’t kill me.”

“Y/N, do you not see the dead guy slumped on the floor?”

“Yeah but Kai knows me. You both do. I’m not some villain, or some unimportant cook.”

“That man was very important,” Damon fakes, “he was doing his job, serving burgers-”

“He was forcing his hand on an underage girl,” Kai interrupts, “that’s why we picked him.”

“See? Eating people with a good cause. C’mon, Kai, I trust you. Just heal me back up when you’re done. Has Damon taught you how to do that yet?”

“No.”

“Okay, then I will.” You shrug off your coat, exposing your neck. “Come here. Pierce this vein,” you point, “and drink from it.”

“No!” Damon lunges for Kai when he steps closer to you. “Y/N, this is insane!”

“It’s fine! You’re being dramatic!”

“You’re being under-dramatic!”

“That’s not a thing.”

“It certainly is!”

“He isn’t going to drain me, I’m just giving him enough to make him stronger. You want Elena back, right? So do I. Kai, drink.”

The vampire steps closer, flicking his tongue against your neck. When your knees buckle at the sensation, he grabs your waist to hold you up.

“You okay?”

“Mhm. Go ahead.”

Damon can only watch as Kai follows your instruction, biting down carefully into your jugular vein and beginning to suck. He was never so careful with his previous victims, and would let himself tear messily into their skin before finding his latch. Blood would stream down their neck and his chin, staining them both. You showing him where to latch makes his bite a lot cleaner. Instead of worrying about hurting you, he can focus his attention on keeping you upright.

“Are you okay, Y/N?” Damon asks, also noticing your weak knees.

“Mhm- yes.” You grab onto Kai for support. He pulls off to look at you, but latches back on when you nod the consent to continue.

“Doesn’t look like that from here.”

“It’s just… intense. I’m okay.”

After a minute or two, your skin pales. Your body is weakening under Kai’s strong grip, and he realizes quickly, detaching his teeth from your neck.

“Hey, what do I-”

“Bite here,” you point to his own wrist, “feed me your blood to heal me.”

“Bite here,” he repeats, situating his teeth on himself. He bites, then it bleeds. “Like Damon’s done?”

“Exactly.”

“Okay.” He pushes his wrist up to your mouth, almost force-feeding you. You would’ve grabbed onto his wrist and fed yourself, but the way Kai does it, like he’s desperate for you to heal, makes you wonder if he could really feel that way.

Within seconds, you start to feel like yourself again. The color returns to your face, and you get a little of your strength back. Most of it is turned to mush at the fact that he fed from you - he literally fucking fed from you; your heart is racing - but not all of your weakened state is due to overwhelming feelings.

“Are you okay?”

“Mh- yes.”

“Are you sure?” Damon overrides, coming up behind you.

“I’m good. Fuck,” you’re still trying to catch your breath, exhilaration coursing through you, “felt good.”

“Well it isn’t supposed to feel good,” the elder vampire comments.

“I, um, I just meant… the healing part of it did. Felt good to have my strength back.”

“Mhm, sure.”

“I didn’t hurt you?” Kai asks, head tilted.

“No, you didn’t. You’re okay.” He smiles, then brushes a loose hair from your face. You have a suddenly overwhelming urge to kiss him, but doubt Damon would like that very much. Instead, you point towards the sink, then at his bloodstained mouth. “Let me clean you up, okay? Can’t go anywhere with dead line cook all over your face.”

Kai takes a step back to let you reach the sink, while Damon tries not to be dumbfounded at how okay you are with this whole situation.

You wet a paper towel and add a teensy bit of hand soap, then beckon Kai forward.

“Thanks for teaching me how to feed properly,” he says, watching the first bit of blood wash down the drain.

“Of course. I don’t know why Damon didn’t-”

“-because that’s not my job, Y/N. And it wasn’t yours, either.”

“Still. There’s a huge bloodstain on the wall now, and that one certainly isn’t my problem.”

“We’ll just leave it for the cleaning lady. Put an ‘Out of Order’ sign on the door.”

“Nice,” you reply dryly.

“Hey, while I was feeding,” Kai says suddenly, “I felt this rush go through your body that I hadn’t tasted before. Is that normal?”

Damon’s heart drops to his toes. “It was fear,” he tries to say. He knows you had a crush seven years ago, and Kai does not need to learn about it now.

“I’m asking Y/N.”

“I, um… yeah, I mean, normal sometimes. Blood sharing can be really personal, so since you weren’t feeding to kill, it’s not…” you glance over to Damon, who’s making gestures of cutting off a head to make you stop talking, “it’s, uh, normal.”

“It’s personal? Like how?”

Damon’s eyes roll all the way to space. He slaps a hand to his forehead.

“Um, like… well… that level of trust that I put in you, coupled again, with the fact that you weren’t feeding to kill. Sometimes it can stir up, uh, feelings.”

“Feelings?”

“Oohkay, Y/N, you’ve done enough!”

“I don’t know how to explain it!”

“Blood sharing is personal because you’re feeding off one another in a really intimate way, sometimes more intimate than sex. Now, Kai, another important thing you’re gonna learn about being a vampire is compulsion. Compel her to forget this ever happened.”

“What?” You step back in surprise, “no!”

“Come on, Y/N, it’s for your safety. He doesn’t have any feelings anyway.”

“No! Damon-”

“For the record, I feel things sometimes. Remember - hello - merge with Luke? And before that, I could feel, I just didn’t know what I was feeling.”

“Neat. Great. Compel her anyway.”

“Damon!”

“No! She doesn’t want it. I’m not gonna force something on her that she doesn’t want.”

“I bet this guy didn’t want to die, did you think about that?”

“That’s different. She’s different. She matters.”

“Oh, great.”

“You just said blood sharing is really intimate, so why would I compel her when she doesn’t want it when we practically just had sex?”

“That is not what I said!”

“It is, too!”

Damon sighs, “you compel her because it’s for her own good! Because she should never be caught doing anything with the likes of you. You’re only gonna get her killed.”

“I didn’t get her killed just a minute ago when I was feeding on her.”

“Because she showed you how! Otherwise, you would’ve just ripped into her neck like this other guy here.”

“No, I wouldn’t have fed on her at all if she didn’t teach me, because I’ve never wanted to hurt her.”

Damon throws up his hands. “God! Kai, why?!”

“Oh, is it suddenly bad that I care about someone?! I thought that’s all you ever wanted from me. And now I do, and I’m the bad guy again?”

“You were never the good guy, I-”

“Okay, just stop it!” You interrupt, putting hands between the men. “This is ridiculous.”

“His apparent, sudden feelings for you are ridiculous!”

“I’ve had a crush on her since the day I merged with Luke,” he blurts out.

“What?” You and Damon say in unison, both now looking at him.

He sighs. “You were there for Bonnie’s birthday and helped us all send a message to her. But after my sister stabbed me and Damon healed me with his blood, you were the one that cleaned me up and made sure I was okay. I always thought you were cute, but from that day on, I don’t know, I just felt something.” He looks down, embarrassed. “I never said anything because I’m, well, me, and you’re you - this super sweet and gentle and caring person, and I would be nothing but wrong for you. And the only reason I agreed to feed on you today was because I am really hungry, and your blood smells just so good, and you were willing to teach me how to do it without hurting you.” He pauses, “I’m sorry for lying to you, and I’m sorry for causing such a big fight, and for letting this get out, but that’s the truth.”

“You had a crush on me,” you say, not really as a question. Kai looks up, unable to read your tone, hoping your face gives you away. He expects mocking, certainly not the excitement you seem to have instead.

“Yeah.”

“Damon,” you turn suddenly, “did you hear that?”

“Yep, all three times, Y/N.”

You turn back to Kai, expression unreadable. “For the record-”

“Y/N, don’t-” Damon attempts.

You ignore, “I’ve always had a crush on you, too.”

A smile tugs at the edge of his lips. “You have?”

“Even before the merge, I liked you, but then after it, watching you navigate the world, I couldn’t help but fall head over heels. I wanted to help you through it more but somebody…” you glance at Damon, “held me back.”

“For good reason-”

You interrupt him again. “But yes, Kai, I like you.”

“Even as a heretic?”

“You think I’d let just anyone feed on me? Let alone a baby vamp who I literally just watched rip open another guy’s neck?”

He smiles. “Got it.”

“If anything, it was hot.”

“Y/N-”

“You learning control on me was hot, too, but that display of near-rabid vampirism was also super hot.”

“Y/N-” Damon warns again, not liking the direction of the conversation.

“And yeah, I wouldn’t share my blood with just anyone. So, yes, Kai, I think it’s safe to say I like you even as a heretic.”

Kai’s hand finds its way to the side of your face. An overwhelming urge to kiss you settles in his bones.

“Nope-” Damon speeds forward to separate you. “You can talk about your weird, gross, feelings, but we aren’t going any further with them today.”

“Alright, alright.”

“Damon,” you warn, not liking the grip he has on Kai’s shirt. “Easy.”

“Oh, he’s fine. He’s a big, strong heretic now, right?” He pushes him hard into the wall.

Kai groans, pain coursing through his body for a mere second before any bruises heal themselves.

“Damon!” You come to his side. “Let go.” Luckily, he does. Kai makes another, lower groan as his body is released from the man’s clutches. You try to not let it go to your head. “Can we just… go do whatever it is you were doing earlier now? This guy is starting to smell.”

Damon looks at him, then at the two of you. “Fine, whatever. Y/N, I’m assuming I can’t shake you off?”

“Nope.”

“Alright. Then let’s go make enemies out of my friends.” You tilt your head in confusion.

“Bonnie, who’s helping Kai get out permanently. Alaric, with… Alaric in general. Elena, when we wake her, for letting her realize I failed to keep you two apart like she tried so hard to do. Matt-”

“We get it.”

“Good. Then let’s go.”

#malachai parker x reader #kai parker x reader #tvd fanfiction #kai parker oneshot #this is 2/2 things i wanted to post today!#hopefully my writer's block is over with and life will chill out bc ugh #i hate not being able to write and post #anyway the world needs more heretic kai fics i need him to bite me

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