#@ netflix hire me

[heartbreakterrorbird]

Les Mis and Comedie of Misery:

Act 1, Scene 1:

Inspector Javert enters M-sur-M to meet the Mayor

Inspector Javert

Is that Jean Valjean?? What the Sigma?!

Audience laugh track

[godidontgaf]

did I tell you guys about that dream I had yesterday where ricky had to build something for julian while he was away (for like an hour) and when julian came back ricky had used the materials julian gave him to make a catapult and start a war with the neighbours

artistic rendition

[hiraya-sa-dilim]

proposed change-up for "facade" for netflix

abandoning old dc references, we get urania blackwell, a woman depressed and isolated after developing an untreatable career-destroying (career being modelling / acting / anything that relies deeply on keeping up w conventional beauty standards) chronic skin disease. she tries different ways to kill herself but always chickens out last minute until, in her frustration, death actually heeds her call. death promises to take her like she wants... after a year. urania is furious, cursing death for prolonging her agony.

but then things start to just... get better. urania learns her friends and family don't hate her for changing and instead love her more strongly for it. she finds a community of those with similar afflictions and forms bonds with them beyond the hurt they share. she discovers a new talent she uses to excel at a new job she enjoys and basically expands her identity beyond her looks and shame.

and then death keeps her promise. except urania doesn't want to go anymore. but death keeps her side of every deal, always. urania mourns what would have been a long, fulfilling life ahead of her and settles for being grateful she was granted another year to be happy and loved again.

[vrooom-vroom]

drive to survive had better title an episode "papaya rules"

[hichdjb]

so apparently my art is gonna be in the background of a Netflix show???

for context: I'm currently in highschool and Netflix is going to film a show set in a highschool so they got some artwork off the walls n stuff to put in the background to make it ✨ authentic✨ (and also prolly to save on budget tbh) and something I made for an art project got chosen?? So my art is going to show up in I Netflix film ig. I most likely won't watch the show because I tend to dislike ✨ teenager movies✨ with 💅drama 💅 but I'll update with that eventually maybe. If the art shows up I'm probably only really going to be able to write down a timestamp because you can't screenshot Netflix and Tumblr doesn't like me putting photos into posts but yeah. Newest featured artist on Netflix: some nerd from a highschool in literally the middle of nowhere. Where's the artist from? Idk cactus town! So yeah that's neat ¯⁠\⁠_���(⁠ツ⁠)⁠_⁠/⁠¯ (⁠ヘ⁠･⁠_⁠･⁠)⁠ヘ⁠┳⁠━⁠┳ (⁠/⁠¯⁠◡⁠ ⁠‿⁠ ⁠◡⁠)⁠/⁠¯⁠ ⁠~⁠ ⁠┻━⁠┻

[mecwmellc]

another line i need from tshoeh: and to anyone tempted to kiss the tv tonight, please don’t chip your tooth

[andorerso]

Rogue One as a Netflix series: what if the team survived Scarif? (in/sp; template)

[luminarai]

I’ve seen a lot of people wonder if Taigen’s gonna pull a Li Shang from Mulan once he finds out about Mizu’s Secret™️ but I mean. This man’s internal logic is already so damn weird, this might as well happen, y’know??

Bonus:

[thenationofzaun]

Arcane's Music Videos and Storytelling

Many have complained about Arcane Season 2 overusing "music videos" compared to Season 1 and I agree. Two in particular - "Sucker" in episode 2 and "Hellfire" in episode 3 - are particularly bothersome because instead of being supplementary to the storytelling, they replace the storytelling. Entire plotlines are told through these music videos and barely expanded upon further through writing. Despite both depicting very major events that are incredibly impactful for both Zaun and the characters involved.

First, the Chembarons' gang war. Shown entirely through the "Sucker" sequence, dialogueless. Later, there are only a few brief written scenes related to it (Smeech heading to Margot and the meeting table discussion, neither of which actually depict the war). Smeech is later killed and the gang war story is abandoned by episode 3. This would have been such a major event for Zaunites. Not just for major characters, but for everyone who has the misfortune to live in that city. If they had actually written this subplot out, the worldbuilding could have been expanded upon and given much more depth, these Chembarons with excellent designs could have been fleshed out and not felt like a waste of characters, and we would have gotten more insight into the lives of the average joes in Zaun. It would have been a natural continuation of the Chembarons' introduction in Season 1 too. This subplot could have easily taken up the entirety of Act 1, but because of too many competing subplots, it had to be cut short and summarized by the song.

Next, Caitlyn's squad releasing The Grey into Zaun. Shown entirely through the "Hellfire" sequence, also dialogueless. The impact of this action is only briefly mentioned later through dialogue, when really this would have had a huge effect on many people living in Zaun. If they had written this entire sequence out regularly, we could have had character building for the three new enforcers as they interact with Vi and Cait while moving through Zaun. We need this, as two of them don't even have names yet. One doesn't have any dialogue yet. We could have seen in detail the impact of their actions on Zaun, rather than only being told. We could have had much needed characterization for Vi. What was her reaction to this plan when it was first conceived? Did she oppose it initially and have to be convinced?

Edit: The "Hellfire" sequence also covered all the Chembarons getting wiped out and Shimmer being dismantled.

I want to experience these events as a story, not as an AMV. It's admirable how artistic and beautifully made these sequences are, but they are the epitome of "style over substance." In my opinion, rather than being at the beginning of the episodes, these sequences could have worked as end credits. They are summaries of subplots after all. The episodes themselves could have these storylines written out regularly, and then the end credits have beautiful imagery summarizing what happened.

They could have taken a page out of Chainsaw Man's book. Each episode of Chainsaw Man had a highly stylized end credits sequence, all with different animation styles, with imagery of that particular episode's plot. The episodes themselves have normal written storytelling. This way you can flex your artistry as much as you want, without sacrificing the writing. Arcane's end credits are just a black screen with text. If anything could have been replaced with stylized visuals and have nothing of value lost, it was that.

[lexosaurus]

Water. Earth. Fire. Air. Long ago, the four nations lived together in harmony. Then, everything changed when the Dannypocalypse attacked. Only the Danno, master of all four elements, could stop them, but when the world needed him most, he vanished. A hundred years passed and my brother and I discovered the new Danno, a Danno named Danno. And although his dannobending skills are great, he has a lot to learn before he's ready to save anyone. But I believe Danno can save the world.

[ryllen]

Watch 'My Daemon',

it's about a very good boy & a very good dog,

told in in very good stories.

[nathaniacolver]

full guns for hire scene

bc i feel like people only ever talk about the climax! the climax is GOOD because of all of the musical, tonal, and character buildup*

[not-the-living-ghost]

i finally got my friend to read love for hire, and he started crying when he got to the breakup scene. he’s in complete anguish now, but i know i’m doing the lord’s work 🙏🙏

[stopper-my-heart]

Have you considered the shenanigans happening in between episodes 4 and 5 of season 1 of Heartstopper?

This was Nick and Charlie at the end of episode 4:

Charlie had been panicking that he was behaving in ways that would reveal the secret romantic aspect of their relationship to others and that that would be upsetting to Nick. Nick was beginning to reassure Charlie, or at least to take on the blame for their predicament for himself ("I'm the one who should be saying sorry..."), when Isaac abruptly entered. Isaac then left, but it was too late: Nick beat a hasty retreat and Nick and Charlie's respective guilt was left unresolved.

Jump to where we pick up with Nick and Charlie at the beginning of episode 5:

We have Charlie between-the-lines inviting Nick to his birthday party ("Me and my friends are going bowling, and I was gonna ask you if you wanted to come, but I know you don't really know them so you don't have to."), and Nick enthusiastically accepting almost before Charlie has finished speaking. There are smiles and small touches (and arms pressed together) and fond looks...All seems well in Nick-and-Charlie land.

But why? Or, maybe, how? What happened between that...I don't want to say "catastrophic" but surely unfortunate lack of discussion or closure between them in the infirmary and the cosy happy times in their form group?

This is why I call shenanigans.

Except I think there weren't shenanigans.

Potentially even worse, I think there was wilful ignoring and wishful thinking.

I think both Nick and Charlie are choosing to ignore their issues and act like things are okay, and since the other's acting like things are okay, well, everything's okay then, right?

(No.)

For Charlie's side, I expect Nick's cut-off apology in the infirmary has left him trying to keep in mind that Nick isn't blaming him but probably otherwise very unsteady and out of the loop.

From Nick's point of view, he's likely not yet ready to make any promises to change things, so what good would randomly bringing up his conflicted and difficult feelings do? Besides, maybe Charlie understood what he was trying to get at (Nick can hope).

Not only is this relationship pretty new and feeling tenuous, but relationships in general are new to Nick, and a relationship with someone who cares about him is new to Charlie. They're both insecure and uncertain about how the other feels and what they want (while feeling and wanting a lot themselves, making it extra scary). It's easier not to rock the boat, especially if the other is acting like things are okay.

So where does that leave them? Not in a bad place, but certainly in an unresolved one. Episode 5 shows us more of that and finally brings us some resolution. (Not all, mind you, but some.)

Note that the resolution that episode 5 brings is some of the resolution missing from all the way back at the beginning of episode 4 rather than just at the end of it. Although the kiss in the rain under the umbrella went towards affirming their relationship, it seems like Nick and Charlie never had a conversation about what 'they' are, just that they're keeping 'them' a secret.

(It's reasonable to point out that the infirmary (sort-of) conversation likely happened on a Saturday and the birthday (sort-of) invitation likely happened on the Monday right afterwards, plus for the latter they're in school, so having any sort of bigger discussion in between these events would be challenging.

That said, Nick and Charlie also don't seem to have a bigger conversation during the week between Nick agreeing to go to Charlie's birthday party and the party itself, and they probably could have found time at some point if they'd really wanted to.)

More on episode 5 to come. In the meantime, want a refresher on the infirmary scene?

[justafewsmallsteps]

Hot take, but they should’ve done a live action Korra instead of trying to do the gaang.

1. Older protags! Easier to cast older actors w/o too much stress over their aging.

2. Not as well-loved/sacred to the fandom. Some characters can be tweaked without it causing major character assassination and uproar.

3. Grittier setting.

4. Darker and more political nuance would translate well to live action and would appeal to more mature audiences naturally, instead of stripping the joy and lightheartedness of the original series.

5. You still get to see the gaang in flashbacks and older versions.

6. Gaaaaayyyyyy

[stevenrogered]

me trying to sell one day to people: do you like seeing a beautiful man cry? cause do i have the show for you!