#?estate

[dandeland]

Even without words, we can communicate through our eyes.

[primepaginequotidiani]

PRIMA PAGINA Il Piccolo di Oggi martedì, 03 settembre 2024

[animentality]

[dispatchesfromtheclasswar]

[chanafehs]

da2 posting again. I'm so normal about Merrill

[s-aint-elmo]

part 2 of my pining falin agenda aka I STAND WITH MARCILLE THAT DRESS WAS CUNT

part 1

(ID in alt text)

[clairiko]

stealing each other's clothes feels very sibling-like

[sugas6thtooth]

This genocide never has been about the hostages, never will be about the hostages.

Mind you, the IDF shot and killed three hostages today. (They spoke Hebrew and held up a white flag in surrender btw).

If you still think this is about the hostages you are gravely mistaken and your ignorance is profound. 🇵🇸

[dozydawn]

[hometoursandotherstuff]

I follow the lady who owns this home, on Instagram. She flat-out refused the realtor's advice to redo her colorful home in Richardson, TX, in white & gray, in order to sell it . She wrote: The hubs got a job opportunity in Austin that he couldn’t refuse…so I am being kidnapped and forced to sell my colorful pattern party dream house to one of you losers. (Don’t listen to me, I’m just bitter.) The 1976 home has 3bds, 2ba, & is listed for $469K. She was right, it's already under contract.

I notice that the real estate photos are so dulled down. The entrance is bright pink with flamingo wallpaper. It looks dull and beige.

I mean, really, this is the actual color of the entrance.

The photos have to be dulled down on purpose.

The blue in the living room is much brighter and I bet they made her take up the area rug.

The dining area has a great ceiling mural.

A nice arch includes the kitchen peninsula with a counter and seats.

The actual kitchen with a view of a pink room.

The kitchen's pretty big, even though it's a galley layout.

The top photo is dark and subdued. The real dining area is lively and bright.

Look at the color of the wallpaper.

What a difference.

The primary bedroom. Both the realty version and the actual room.

They even dulled down the bathroom.

The subdued deck and the real deck.

8,624 sq ft lot

https://www.zillow.com/homedetails/1808-Villanova-Dr-Richardson-TX-75081/27166199_zpid/?

[liluzimakivert]

[dudedidujust]

Au where Damian comes to Gotham with the goal of infiltrating and eventually overthrowing Batman instead of inheriting the mantle. Not much changes from canon except for the fact that he views everything that batman owns as his. That's his future cave and his future batmobile. This also includes his robins. After all everyone knows Batman wouldn't really be Batman without them.

Cue a very bewildered Tim being lectured on his eating habits by a righteous Damian who won't let one of his people take shortcuts with their health.

[primepaginequotidiani]

PRIMA PAGINA Il Piccolo di Oggi martedì, 03 settembre 2024

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[terriblerealestateagentphotos]

"We always liked the idea that the preparation and the consequences happened in the same room."