#>>> has not watched a single episode of gravity falls | Explore Tumblr posts and blogs

craftypeaceturtle · 7 months ago

Text

TMNT 2003 Fic Recs

These are mostly going to be hurt/comfort, with a lot of Don fics.

Homecoming by Technodawn

Donnie is kidnapped by someone and held captive for four years.

Posted on fanfiction.net, this fic is brilliant! One of those fanfics that I read entirely one sitting because I couldn't stop. Lots of brotherly moments and the time Don is held captive is emotional and visceral. This whole fic is so grounded and well thought out.

Turning the Blade by Pebr

All of the brothers start experiencing the same intense nightmares and all need to come together to face those fears. Only Leo spirals from these nightmares and falls further from his brothers.

Not for the faint of heart with its vivid descriptions and gore. Fantastic exploration of the characters and Leo in particular. A super creative idea with a unique threat. The exhaustion and injuries make the fic feel real and intense.

Blood-Stained Tiles by RealityBreakGirl

Donnie panics after having to stitch up his father.

I'd recommend anything by RealityBreakGirl in all honesty but this fic has a special place in my heart. It's so sweet and explores the idea of Donnie as the team medic and the pressure that puts him under.

The Gauntlant by T33la

Donnie has been working on a gauntlant that can negate gravity- but it's highly experimental and glitchy. But soon Mikey and Donnie have to bet their lives on this tech.

Again, would recommend you read through everything T33la has ever written, this fic in particular is my favourite. Reads as an episode of the show. The characters are so vibrant and in-character. Some fantastic action and character moments that won't leave my head.

Find the Road by SillySocks

A series of oneshots exploring how everyone is dealing after Leo is sent to the Ancient One.

Such a great exploration of family and what these characters mean to each other. Kind of blows my mind that this idea isn't in a bunch of fanfics. A slow almost grieving look after Leo leaves as everyone finds a new normal and tries to keep going as well.

It Takes a Village by GreenGoddessSmoothie

April is stressed out to the max with dealing with her baby. Thankfully Donnie and Leo come to the rescue.

You won't find a better April hurt/comfort fic. It's so sweet and an amazing fic which explores how these three all see each other. It's one of those fics which is great to read while trying to sleep, very fluffy and a great read.

Can You Break What You Can't See? by lunaless

Donnie struggling after the mind probe.

One of my favourite post-mind probe fics. The struggle Donnie facing to keep his mind in tact and also everyone struggling to get out of the ship is great! It feels intense and the growing realisation that Donnie isn't okay makes for a great read!

The Afterward by halogalopaghost

Donnie after his secondary mutation slowly recovering and being nursed back to health. The cure didn't work instantly and everyone is on edge trying to coax him back to health.

Yes. YES! A great fanfic with a lot of medical speculation and the helplessness of watching a family member fall sick. Leatherhead's exhaustion, everyone's desperation. A fantastic read! Also please check out halogalopaghost, another fantastic fic writer that I could recommend every single work they've done.

Midnight Comforts by mattyj

Raph comforting Don after he had a nightmare about SAINW.

OH! If you want a great character based conversation which completes destroys my heart, you'll find it here. Such a sweet fluffy fanfiction. A fantastic look into Don and Raph's relationship. A must read if you're a sucker for that dynamic.

Matchmaker Matchmaker (Make Me a Match) by LilliputianDuckling

Donnie is in love with Usagi but mistakes that interest in seeing how great Usagi would be in a relationship and so setting him up with Leo.

Okay I usually avoid shipping stuff since it doesn't really interest me but this was so cute and put an interesting spin on Donnie and Usagi. A great little read and the moment when Raph realises what's actually going on is great. The fic that makes me prefer Don x Usagi rather than Leo.

#tmnt 2003 #tmnt #tmnt fic rec #tmnt fanfic #not my writing #2003 donnie #2003 raph #2003 leo #2003 mikey #fic rec

85 notes · View notes

flower-boi16 · 10 months ago

Text

Helluva Boss: A Show For "Mature" Audiences That Isn't Very Mature

Something that's very funny to me is how Helluva Boss is an adult show, meaning that its supposed to be mature, and more mature than a kids show. However, the show really isn't that mature when you really think about it; sure, it's supposed to be viewed for mature audiences, and It by no means is for kids at all but...HB is really just the superficial version of mature. The show constantly crams in gore, swears and sex jokes all the damn time as a way to just appear edgy. It's not mature as in "it has mature and deep messages and themes" its the superficial version of mature, the type of mature that's just "let's shove in a bunch of swears and sex jokes into this show so people can KNOW its for adults!".

The show feels like its trying so damn hard to be edgy and crams swears and sex jokes into its dialogue because its an "adult" show. 70% of the dialogue in this show is awful because of the amount times it feels the need to shove in swears and sex jokes into every single line the characters say. It feels like the show is just..trying to be edgy with no substance to it. The only really mature theme HB has is Stolas's sexual desires for Blitz...but now its just completely dropped as Stolitz is suppoused to be seen as a healthy reletionship for some reason.

A majority of the villains are very one-dimensional Saturday morning cartoon villains too. HB feels like a show that's just overly obsessed with being edgy so it can come across as "mature". And while you can technically say that HB is mature as the show isn't exactly for kids and is aimed towards adults, again, its only the superficial version of mature, the show isn't really that mature in terms of its actual writing.

But here's the REAL kicker here; the shows I primarily enjoy watching are kids shows on Disney Channel, and...well, lets take a look at the themes and messages of these shows aimed towards kids that I've seen, shall we?

Gravity Falls: Tells a story about growing up, and how, while growing up may seem hard, you don't have to grow up alone, and that even when you grow up, that doesn't mean you have to let go

Amphibia: Tells a story about three girls who are all heavily flawed people in a toxic friendship. Ends with a message about change and how while it may be hard, sometimes; things change, and you need to accept that.

The Owl House: Tells a story about a girl who was ostracized for her whole life who was able to make real connections with others and find a place where she truely belongs.

Ducktales: Has an old man rediscover the value of family after pushing away his loved ones after losing his niece

Moon Girl and Devil Dinosaur: Has an episode where the main message is that you should stand up for your community, and how you can make your voice be heard no matter what.

The Ghost and Molly Mcgee (SPOILERS FOR THE FINALE): Final episode has a beautiful and mature message about how you should spend your life to the fullest, take risks and not be afraid or play it safe, and has a character go and spend his life to the fullest when he becomes human again

These "kids shows" have more mature and thoughtful messages and themes as well as better writing than this "adult" show. Helluva Boss has me groaning and getting frustrated at all the bad writing and wasted potential in its second season. Meanwhile, Amphibia's second season almost gets me to cry not once, but twice. These shows have more compelling and nuanced characters than HB, they don't constantly try to coddle them and absolve them of their mistakes, rather for some of them, they make the characters actually grow as people, something HB has NOT done at all.

Helluva Boss is an adult show, yet these kids' shows not only have more nuanced characters than it, but they are also unironically more mature than HB despite being shows targeted towards a younger audience. Its extremely funny to me how Viv said that HB is "Bojack Horseman with demons" when HB is less mature than kids' shows that aired on the Disney Channel.

Helluva Boss isn't a mature show, it's just an overly edgy one.

#helluva boss critical #helluva boss criticism #hazbin hotel critical #vivziepop critical

105 notes · View notes

autistic-android42 · 1 month ago

Text

Genuine question for the matpat haters out there, specifically the ones I’ve seen that claim he’s anti-LGBTQ+

Did you not watch his video all about how the games industry as a whole needs to be better about depicting LGBTQ+ characters? I know it’s an old episode but he literally did an entire video pointing out how problematic it was that every single LGBTQ+ character he could find in video games was either outright villainous or a former villain. He literally told the games industry to do better in that episode.

Is this just about that gravity falls episode from film theory not picking up on the obvious gay subtext? Because y’all know matpat isn’t the only decision maker on the channel anymore right? He’s running a full ass company, he literally took a step back from the channel so he would have more time to be with his family.

I don’t know, I just feel like a lot of y’all are overreacting to how the unconscious biases of the theory team have painted a few theories. Like sure, point them out and correct them, but it seems entirely unfair to use them to claim a guy who has made a clear and consistent effort to be a good influence is actually secretly a bigot. I’m not saying he’s literally perfect but it kinda feels like some of y’all were expecting him to actually live up to perfection. Cut him some slack, he’s doing his best.

#game theory #matpat

49 notes · View notes

elliottshusband · 3 months ago

Text

My theory(?) regarding the Stan Twins This may be obvious or overthinking, but i’ve had this in my head for a day while i was half awake.

I apologize if this comes off very off, im trying to explain my reasonings

VERY MINOR BOOK OF BILL SPOILERS; I ALSO HAVEN’T WATCHED GRAVITY FALLS FOR TWO YEARS I DEEPLY APOLOGIZE

MAY INCLUDE OFFSET RAMBLING MID THEORIZING, SUPER SORRY 90% OF THIS WAS WRITTEN AT 11 PM

Ford was more of a villain to Stanley than Bill was (to Stanley)

This is gonna be such a mouthful. Anywho, To start off, everyone knows it; Stanley is the adventurous free spirited twin. This is basically the root of his entire character. Stanfordwas always the geek-nerdy-know-it-all, and sometimes the “better Stanley” if you understand what I’m saying, both being treated much differently despite being twins, with Ford getting the good given to him in life, while Stanley on the orher hand was as said before

Free Spirited.

And despite all that, all he wanted to be with was his brother. Given so, Stanley was given a rough life after being a teenager doing teenager shit, but doing one wrong costing Fords chance of a prestige college and a comfortable life for Stanley.

No one bats an eye when the smart kid does anything, not even when he disappears for 30 years.

The dumb free-spirit though? Kicked to the curb, given a hard life, and the relationship with his family ruined.

After Ford’s machine was broken, Stan was kicked out when all he really wanted was to be with his brother, since no one really thought he (Stanley) would be in college. And yet the “barely made it out” one is the one who saved his brother after so many years.

And what DIDNT he get from that?

A proper thank you.

It may or may not be well known about Ford being a near-canon person with NPD (narcissistic personality disorder), due to behaviors and such he has expressed throughout the last season. Some factors could include the fact that Stanford had developed a dependency to alcohol during his inter-dimensional travels, yet it’d been seen on the website as well that Stanley also has some attachment to alcohol But to Stanleys dismay, not ONE legitimate sorry was expressed through the series. All he got when he finally brought back his brother was a slap to the face and a reprimanding, as if he didn’t want to be saved. This also factors in for the final episode.

Thank you (for no thanks)

Stanley, even in the last episode, never got a legit, from heart “thank you” from his own brother, Im genuinely not 100% about this part so im sorry. But once again, Weither it be for saving Ford, or literally sacrificing himself to destroy Bill. Stan never got the thank you he wanted.

Imagine, all you get for saving your beloved brother is a slap to the face and everything you remembered to be gone.

Extras

Despite the fact that Ford was gone for 30 years, he acted more like a “friend” towards the twins than an actual responsible figure. While Stan on the other hand, was “portrayed” as a con artist, cheap and (don’t know what else to use) money hungry(?), he did everything in his power to save the teins at every chance he could. Hell, to prove that he was so much better than he was portrayed to be, the final battle scene in Weirdmageddon 3.

Imagine being offered every single thing you could ever have, Money, power, but you decide to still destroy him, just to save the people you loved

Stan was a hero. Ford was the villain to Stan.

(Heres the original theory I wrote at 11 PM the other night inna discord server so it makes more sense)

ford was more of a villain to stannley than bill was to him in my honest opinion. emotionally and mentally for the most part.

yes bills a demon yes he literally tortured the shit out of ford but nobody bat an eye when stanley was literally thrown out, even though he was being a teenager doing teenager shit, always trying to stand up for himself when ford was acting out against him and just ford being a total narcissistic asshole towards him and never saying THANK YOU for saving him, always pointing out what he had done wrong (like fixing the portal or sm) while stan just wanted his brother back.

ford was an emotional villain towards stanley and stanley just let it happen. it could be seen as “how families act” but yet even in the last episode, ford once again was being an asshole and yet everyone blamed stanley for breaking out at him when stan was just seemed to be fed up.

despite all the times stanley messed up, he had always been the one with a free spirit, a loving one too. he spent 30 years fixing the portal up for his brother, was actually there for mabel and dipper multiple times (like the episode where Gideon gets ahold of the shack) and was actually caring, and yet ford was just, there for a bit before ultimately destroying everything again for Stanley.

but he did have a little bit of sympathy near the end for stan, upset when he had to erase his memories.

this may just be some stupid shitass rambling but its half past 11 and i need to brain spew on discord

hope yall enjoy

#book of bill #gravity falls #thisisnotawebsitedotcom #gf #stanford #stanford pines #stan #stanley #stanley pines #bill #bill cipher #THEORY #I LOVE WRITING HALF sensSED THEORIES

28 notes · View notes

ordinaryschmuck · 7 months ago

Text

What I Thought About The Owl House Pilot

Huh. Never thought I’d get to do this again, but oh well.

Salutations, random people on the internet! I’m an Ordinary Schmuck! I write stories and reviews and draw comics and cartoons.

And, above all else, I LOVE talking about The Owl House. I have an entire masterpost dedicated to talking about every single episode of the show and I’m halfway through a six-part review discussing everything that I love about it (Part Four's coming when it’s done. Let’s say…late June. Early July at the latest). I figured that after I’d finished that whole deal, I wouldn’t have anything left to talk about when it came to this series. Then, out of nowhere, the show’s original pilot leaked online…Sort of. It’s just an animatic with the show’s original voice cast voicing MOST of the lines, but it’s very much the pilot episode. It’s just not a finished product and I won’t share a link because I don’t think it’s exactly…legal. BUT I will at least share my thoughts about it because, well…Look at my blog. The Owl House has become the BIG THING that I obsess over for a reason and I love that I got to see what’s basically an alternate version of the show that I love. What do I mean?

Well, a pilot is MUCH different from a first episode. Where the first episode is meant to sell the show to the audience, a pilot is meant to sell it to a STUDIO. It can happen at any point of the story or act as the show’s first episode. Just as long as it shows off the characters, concepts, and tone, a studio can look at it, greenlight it, and allow the show to continue, BUT with some extra notes. Sometimes, those notes can change the rest of the series where others can keep the pilot good enough to stay canon. Some best examples off the top of my head are the pilots for Regular Show and Rick and Morty. You can tell that not much changed from the pilots of those shows and what was initially pitched, but there are clear changes in tone, animation, and even personality. Skips sounds a little more illiterate and Benson being more informed of the consequences of something as simple as rock, paper, scissors in the Regular Show pilot and Rick is noticeably more reckless and unprepared for situations in the Rick and Morty pilot. Nothing is set in stone with a pilot episode, even the ones that are canon. For the case of The Owl House, it’s pilot is no exception. A lot of it is just the same as “A Lying Witch and A Warden” at least in terms of plot and themes, but there are so many changes that show off what the series COULD HAVE been instead of what it was. How different? Well, let’s go through it all.

But real quick, I’m not going to do the “Like/Dislike” format I’ve done for previous reviews. Instead, I’m going to look through this pilot, note the changes it has, and share my thoughts on them. There’s also going to be a few spoilers to what happens in this pilot, so if you haven’t checked it out then I suggest giving it a watch wherever you can find it. It really is interesting to get a peak into what’s basically an alternate version of my favorite show.

With that said, let’s get into it.

Some Things Stayed the Same: Like I said, it’s basically an altered version of “A Lying Witch and A Warden.” The plot is that Eda uses Luz to get King back his “crown of power,” with some bits and pieces carrying over. Certain jokes that must have been too funny to get rid of, specific lines of dialogue that hit just the right notes, and some aspects of the characters’ personalities being just the same, proving that they're already perfect the way they are. It’s the changes, however, that makes for something more interesting. For one…

There’s More of an Emphasis on Comedy: As much as I love The Owl House, I’ll always admit that humor isn't its strong suit. It CAN be funny, really funny. But the jokes don’t land as well as something as Gravity Falls or Amphibia. I can say that a part of that could be because Dana Terrace wanted a more serious show, and we definitely get a sense of how serious it could be later in the series. Here, in the pilot, it definitely seems like there was more of an attempt to make the show comedic. King’s crown isn’t in a warden’s cell held within a magical barrier that only a human can get through. It’s in a Principal’s high school, locked in a human locker that Eda and King treat as something devious. Amity’s friends aren’t preppy mean girls who seem like they could cause conflict to Luz and her friends. They’re characters used for jokes who are amazed by Luz standing up to Lilith. There’s less of an edge and more of a lean towards cutesy fun, waiting until the very end to reveal something heavy. To me, it makes the pilot feel MORE like a Gravity Falls clone than the final product. Because while Gravity Falls has its serious moments, it makes it clear that it was a comedy first, both in the pilot and final product. Any moment of heart or drama was overshadowed by one hilarious joke after the other. Now, “A Lying Witch and A Warden” had a lot of jokes too, but there were also these moments that hinted at something more. You have the oppressive looking prison, the grand beam of light hiding human collectibles, a crazy chase from a threatening looking warden. And yes, the reveal that Warden Wrath was trying to go out with Eda was hilarious, but a warden who tortures a prisoner for speaking her truth gives a hint of how dark this world can be. Meanwhile, a principal sending a student to demon detention feels more like a joke, exaggerating how strict some principals can be.

And keep in mind, I’m not complaining about the pilot leaning more towards comedy. I actually laughed a lot more with it than I did with “A Lying Witch and A Warden.” I’m just trying to explain how the tone is definitely going for something different than the full series. It might have that darker twist in the end, but even that is nothing more than a surprise. I'll get into why later, but while it has darker implications, it doesn't detract from the fun times to be had. Not by much. From what I can gather from the pilot, it’s definitely going for a series with goofy, fun adventures with a bit of heart to it. It’s just missing that personal touch that’s in The Owl House. One good example of how?

There’s Not Even a MENTION of Camila: Before you say anything, this has nothing to do with me being Camila’s number one fan, to the point where I almost made a side-blog dedicated to her (I really should get on that, though…)

I bring up this change because Camila grounds the story in “A Lying Witch and A Warden.” She draws Luz close to reality and is the first thing that comes to Luz’s mind when in real danger, saying, “If I die, my mom will kill me!” More than that, though, Camila is the one real connection Luz has to the human realm. She has no friends nor adventures, but Luz always has Camila, with even the first episode hinting that. So when Luz starts getting herself into trouble or choosing to lie and stay in the Boiling Isles, it lets the audience get ready for the inevitable drama that could unfold when Luz finally tells Camila everything. By removing Camila, though, the anticipation of Luz telling her mom goes away with her. At least, it tells ME that there’s less of a worry about Luz basically running away from home. Either this version of the show is holding off from that for a future episode or that Luz and Camila’s relationship isn’t close enough where it matters. This is speculation, of course, but I still stand by that a sense of something personal with Luz is lost for the sake of having fun and epic fantasy adventures with entertaining characters. It’s still good and entertaining, and the pilot does offer something else that’s personal, but it’s not the same as The Owl House we all fell in love with. Though, it’s notable that our main cast stayed the same.

Luz, Eda, and King: Overall, I’d say that these three, personality wise, didn’t change much. King’s probably the least altered, being the exact same character he was in Season One aside from MAYBE having a design change (It’s hard to tell through storyboards). As for Luz and Eda, they’re more or less the same. There’s a BIG change with Eda (That I’ll get to later), but her devil-may-care attitude is very much the same, as well as her snark and soft nature towards Luz and King. It’s her magic that gets the real boost, being able to do more like teleport across the Isles and turn into a…softer version of the Owl Beast at will. It’s pretty cool to see the power that this alternate Owl Lady has. And then there’s Luz, who’s still the lovable weirdo we all know. Though, this version seems a lot more dim and I’m not really a fan. How does she mistakenly give a book report in geometry class? How did it take seeing Amity’s witch ears to realize that she belonged in the demon realm? Luz had her dumb moments in the show too, but not to this extent. There was still a sense of maturity and cognitive understanding that made Luz feel like someone that seemed weird but intelligent enough to think herself out of a situation. This Luz seems more weird and focused on using brute force on a problem. In a way, it makes Pilot!Luz more of an…emotionally driven Star Butterfly. A fun and capable character, but not the same kind I had made several posts and reviews talking about how much I love/personally connected to her. But, comparatively, I guess it IS the most minor change that could be done to this character. Now let’s move onto BIGGER changes.

The Boiling Isles: The look and feel of the Isles remains the same, but the fact that it’s more connected to the Human Realm is intriguing. From what I can tell, the Demon Realm treats traveling to the Human Realm like it’s going to a new country. You visit, make some memories, and, for some, send your children over to be a foreign exchange student of sorts. Except that racism seems to be encouraged in this regard as the demons and witches don’t see humans worth breathing the same air as them. And some think it’s more than okay to hunt down and kill if one human trespasses into their realm. And the reason for THAT is implied to be Belos’ doing. Er, I mean–*Checks the leaked pitch bible*--Emperor Pupa? Uh…I’ll just stick with Belos.

And that’s extra fascinating to me because Belos being a witch hunter was a major twist that spoke VOLUMES of the kind of people he represents. To find out that this version is more anti-human makes me curious of what kind of angle the show would have taken. Would Belos have been your bare-bones fantasy villain or would the writers find a different way to tackle his symbolism? And is the reason why the Demon Realm is more open up to the Human Realm because he hopes witches and demons can report about their enemies for a possible invasion? There’s no way to know for sure because that version of the story will never come to be, but it’s interesting to think of all the things we COULD have gotten. The same goes for other characters.

Amity: To think, Amity was considered important enough to be included in the original pitch pilot alongside our main trio. It makes sense. Dana Terrace has gone on record in saying that Luz and Amity’s relationship was something she wanted from the get go, so it’s smart to establish it as quickly as possible. Though the route they take is definitely different. Instead of being enemies to lovers, Lumity, in the original pitch, went for the friends to lovers trope…kind of.

Luz, in this version, is someone so desperate for positive attention and respect that she latches onto the first person in school that was nice to her. Except that Amity was looking for some quiet and just so happened to look like she was supporting Luz when telling everyone to leave her alone. It was an act of kindness, but not one done in generosity. It still meant the world to Luz, though, making her go ALL IN with friendship. Only to be a little too forward and creeped Amity out to the point where she was polite enough to say “Thank you,” but you could see the desperation in her eyes to be anywhere but next to Luz. Yet Luz doesn’t see that. She’s still too focused that someone was actually nice to her that she blindly follows Amity into a new world just to return a weird looking passport. Because Amity’s Luz’s friend now and friends do nice things to each other. Only for Amity to accidentally reveal that she couldn’t care less for Luz and shatter her hopes and dreams in one fell swoop.

In a weird way, I’d say Luz and Amity are off on a better first impression here than in the original series. There’s no attempted dissections or witch’s duels. Just…Amity trying to be polite in Luz’s presence only to act like your typical mean girl when she THINKS Luz isn’t around. Tossing away the drawing is harsh for sure, but here’s the interesting thing: Amity didn’t know she was talking to Luz at that moment. She didn’t even get rid of the drawing until someone drew (haha) attention to it. If anything, it’s worth noting that Amity still kept the drawing on her. Almost like, despite being weirded out by Luz, Amity felt as though the drawing WAS cute and only got rid of it when she thought someone would question her for having it. Can’t have that Little Miss Perfect status shatter over something some human gave her.

Am I reaching as a Lumity shipper? Oh, most certainly yes. But we all know the inevitable conclusion between these two. We know where they’re headed. Dana has been pretty adamant about wanting it from the start and this pilot sets the groundwork well. Knowing where these two will end up, it’s easy to make connections and hypothesize what means what. Plus, look at the face of shock and amazement on Amity’s face when she sees Luz standing up to Lilith. That looks like a girl who’s…feeling things for this human weirdo. They’re not off to a ROARING start, but I can see how things could improve between Luz and Amity. And who knows, maybe this version of these two might end up dating sooner with how quickly they seem interested in each other. Again, am I reaching? Most definitely, but I went without any new Lumity content for over a year so LET ME REACH!

The point I’m trying to make is that this version of Amity definitely seems a lot more chill and polite at the start, even though it’s likely she still has issues of even being FRIENDS with a human. But not everyone starts off polite.

Lilith: Crazy to think that Lilith started out as…basically a one-off villain like Warden Wrath. At least, that’s what I gathered from the pilot. The pitch bible hints that there COULD be more to her, but at the same time she gets sent to a fire dimension and loses a hand. That’s one-off villain energy if I’ve ever seen it. But if she is meant to be something more, I would love to see what differences could come of her being the headmaster of Hexside instead of Bump and how she could either develop into someone better through Luz’s influence as a student or regress into someone worse as she makes Luz’s school life a living hell. Whatever could come from her, it was kind of fun seeing Lilith act as more of a threat with her…out of nowhere ability to turn into a bat monster. It’s a pretty cool design and I love that it was brought out due to Eda’s constant pestering, proving that Lilith is still the same insecure nut that I love. And it is pretty great that this pilot confirmed that Lilith really did dye her hair to look more serious. You CAN’T tell me that’s not why the Lilith we know ditched the curly red hair.

But that’s about it when it comes to changes towards characters and locations. Let’s talk about the potential differences in the ongoing story.

Luz Stays Trapped Instead of Choosing to Stay: I mean, technically she chose to stay by breaking that key for no reason, but that’s more of a consequence of not thinking things through. She didn’t NEED to break the key, Luz could have just as easily pulled it out. Instead, she kicked the dang thing, leaving herself trapped in this new world. And it’s here that I would like to once again point out how this makes Pilot!Luz different and what’s lost by not including Camila. The Luz WE know would have been more careful. She always felt like someone who fought smarter, not harder, even in that first episode. Luz didn’t fight Wrath head on, she rallied a prison riot that distracted him long enough for her to hit a firework ball into his mouth. She’s intelligent and resourceful, where this one…kind of is? It was smart to send Lilith to the fire dimension, but again, not a great plan to break the key. Plus, without Camila, this doesn’t feel like as big of a deal as it could have been. Camila was the first person in Luz’s mind as she destroyed the portal door in the Season One finale. In the pilot, with no Camila, it feels like a non-sacrifice or even that big of a deal. She’s stuck, sure, but Luz doesn’t really seem to care that much. She feels happy being with Eda and King and doesn’t seem to be in that big of a rush to get home. Plus, it’s not exactly complicated to get back. There was a whole line of portal doors in the beginning that Luz could potentially sneak through and there’s not yet an established cannon that makes it seem like getting a new key would be difficult or even complicated. Once more, it gives the impression that this version of The Owl House would be focused less on personal stakes and more like giving Luz that fantasy adventure she’s always been craving for. It would make for a fun show, but not the SAME show. However, it is worth noting that there could be some potential drama. Especially for one twist that was a JOLT to my system.

EDA WORKS FOR THE EMPEROR?!: WHAT?!

I’ll admit, I feel like the reason why this is so shocking is because of the Eda I know and the Emperor I learned to fear. I mean, Eda, the woman who would sooner eat her own fist before even CONSIDERING helping Belos, even before the witch hunter business, was originally meant to HELP him. Of all the changes that the series could have made, this was by far the biggest. Everything that I thought to be constant turned out to be a lie and I was NOT prepared for it!

But again, the reason why I got that big of a reaction is because it goes against everything I knew about Eda. If this was my first introduction to her, it’d be less of a shocking twist and more of a…hook. Like how Invincible’s first episode (Don’t watch if you’re a baby) ends with a character you THOUGHT you could trust doing this intensely dark thing. The rest of the season is leading you to figure out WHY this was done and how the other characters would react, making you want to see more as the show inevitably leads up to this big conclusion that changes everything you once knew. The same applies here, with the reveal making me wonder why Eda would do this, how long she’s been doing it, how it will affect her relationship with Luz, and whether or not it’d be an easy fix. And much like the ending of Invincible’s first episode (Seriously, NOT meant for babies), this hook makes me interested in wanting to see what comes next. Except I never will know because that came from a version of The Owl House that will never exist.

The pilot is interesting because it shows me what The Owl House COULD have been. I wouldn’t say that it’s better than what we got or even that it’s a better first impression than “A Lying Witch and A Warden.” It’s definitely FUNNIER, I’ll give it that, but it doesn’t make the original pitch better, it makes it different. Everything looks the same and sounds the same, but the overall feel of this pilot makes it something that would have had a different story, tone, and ideas on how to develop these characters. Would I have liked it? Absolutely. It seems like a fun time. But that doesn’t mean I like the show we got any less. This was more like…getting a peek into an alternate universe where a show I already love would have been vastly different. And after over a year without any new Owl House content aside from stuff that fans have made, this was a very pleasant surprise that leaves me excited for the NEW fan content that springs from all this.

But that’s enough talking about a show that could have been made. Time to get back to a series that came into existence and I still love so much. See you all then as you all milk this gift that the internet has given you.

#the owl house #luz noceda #camila noceda #eda clawthorne #king clawthorne #amity blight #lilith clawthorne #the owl house pilot #what i thought about #the owl house reviews

35 notes · View notes

ariaste · 1 year ago

Note

Hello hello! If it’s all right with you, I would like to vent for a moment: Back in the day, I used to be really into BBC Sherlock. I know it was bad, but it was “Be Gay (solve) Crimes” and I couldn’t resit. One of my favorite parts of the fandom was reading fan metas. I enjoyed reading your ridiculously long meta! I am not very clever and I enjoy reading people noticing things that I can’t. It’s fun watching people passionately pick up clues and put them together.

I don’t think I’m the only one getting superwholock flashbacks lately. Sherlock also tried an unreliable narrator in S4 and it was an absolute shit show. People thought thought the finale was fake, it was so bad. TBH, the entire show was a dumpster fire that thought it was more clever than it was. Moffat was a good writer for single episodes for DW, but a garbage show runner. And they called us crazy for picking up what they were putting down.

But Good Omens gives me a spark of hope. It is unashamedly queer, fun, drinks its respecting women juice, and, unlike moffatiss, I think Neil and the crew may actually be clever enough to pull something big off. I adore the Discworld series and Sir Terry, and I have faith Neil will to do right by him.

Good Omens is restoring my faith in nerdy queer fiction and reminding me why I love fandom so much. Please keep up the crackhead theories. I love them 💕

Thank you, that's very kind!

(Ended up writing a very long reply about the response to my essay and also about queerness in media. Idk why i am writing such long posts these days SORRY LOL. Anyway I'm putting it all beneath the cut so I can tag it without clogging people's dash or the tag pages)

It does make me sigh a little when I see people scornfully comparing my long essay to The Johnlock Conspiracy or saying that they're having Sherlock flashbacks, because the both the contexts of the shows and the methodology of the theorizing are VERY different. To my mind, a more direct comparison of methodology would be the Gravity Falls fandom's "Stan Has A Secret Twin" theory. Writers and showrunners DO like being sneaky and clever from time to time, and many of them are much better at it than Moffat is.

But whether or not my theory is right or not is... kind of irrelevant to me? I wasn't out to force anyone to agree with me, AND writing it was a really fun way to spend a weekend, AND I'm proud of the work I did and the story I told, AND it felt good to have a satisfying workout at the Brain Gym. So even if I'm proven utterly and completely wrong, I won't feel like I wasted my time. :)

Good Omens is a great show, and I am SO HAPPY to see it (and other shows!) embracing queerness, sharing the fans' enthusiasm for the story, and honoring and respecting the fans' love rather than punishing them for it. As more and more time goes on, I think we're going to see more and more shows like that, because some of the people who grew up reading tumblr discourse are going to be showrunners themselves one day, and they'll have learned serious lessons about what it feels like when the audience is met with love rather than disgust and disdain. In fact, we're ALREADY seeing more shows like that than we had 10 years ago! There is so much canonical queerness on-screen these days that the me of 10-15 years ago is ASTONISHED and feels wealthy beyond counting. Of course, there is so much further to go, but man... when i was a kid, we had to walk uphill in the snow both ways just to see two dudes making sustained emotional eye contact, and we were grateful for it. (Jokes but also.... kind of real tho)

We've seen the exact same thing happen in scifi/fantasy publishing in the last seven or eight years, too! (Went off on a long tangent about Queerness In Media from an insider perspective, continuing below a cut so I don't clutter everyone's dash)

Even as recently as 2013--ten years ago--you might not have even been able to get your book published if it was openly gay. Hell, you might not have been able to get an agent to represent it, even. It would have been labeled "unmarketable" and passed over; if it DID get published, the queerness would have been camouflaged and downplayed and hidden in the marketing as much as possible--you wouldn't have known by looking at the cover that it was queer, you wouldn't have been able to tell by reading the back cover that it was queer. In literally 2016, seven years ago, a few months before I got my first book deal, I remember having a conversation with a friend and being very very worried that if I wrote books as queer as I wanted them to be, I would be "pigeonholed" as "ONLY writing Gay Books", that I would be passed over for any of the publisher's marketing budget and publicity efforts, that I would be sidelined and ignored... In 2016, I thought I was facing a choice of writing stories with more "mainstream appeal" OR writing the books I wanted to write and potentially undermining the rest of my career.

That didn't happen, thankfully, because in the next couple years there was this incredible explosion of queer scifi/fantasy. You see, ten to fifteen years ago, a truly stunning percentage of my colleagues -- writers, editors, publicists -- were writing and reading fanfic, and they carried their tastes and story-hungers with them as they grew up and got Real Adult Jobs at publishing companies. And suddenly, as if out of nowhere, a lot of us came of age all at once and there was this absolutely enormous wave of queer SFF that in my opinion has brought us into a new golden age of the genre: The Locked Tomb series by Tamsyn Muir, The Chorus of Dragons series by Jenn Lyons, She Who Became the Sun by Shelley Parker Chan, Ancillary Justice by Ann Leckie, The Tensorate series by Neon Yang, Priory of the Orange Tree by Samantha Shannon, Light from Uncommon Stars by Ryka Aoki, The City in the Middle of the Night by Charlie Jane Anders, the Birdverse books by RB Lemberg, The Traitor Baru Cormorant by Seth Dickenson, The Jasmine Throne by Tasha Suri, Reforged by Seth Haddon, The Sorcerer of the Wildeeps by Kai Ashante Wilson, Ocean's Echo by Everina Maxwell, The Fifth Season by NK Jemisin -- and these only the ones I could remember off the top of my head in 30 seconds, and I have a flavor of ADHD that makes my brain go blank when people ask me to think of specific examples of things! It is harder for me to think of a SFF book published in the last 7 years that ISN'T queer.

And then almost exactly a year ago, my book A Taste of Gold and Iron came out with THIS COVER:

Which. Is not so much a step forward in openly queer SFF as it is a fucking gauntlet thrown down in challenge. I cannot impress upon you strongly enough how much I would not have gotten this cover 10 years ago, and that's if the book was even accepted for publication in the first place. This cover SCREAMS gay fantasy romance. There is no attempt to hide it or camouflage it. It is advertising exactly what it is, right up front.

I got the absolute privilege and honor of having this cover--and I do consider it an incredible honor--because of the work that all my colleagues put in with their own work. Each queer book that got published wedged the door a little wider for the next one, and then a little wider still for the next one, until finally someone could get their foot in the door and squeeze across the threshold, which opened it a little wider again. So when I look at this image, I don't just see a beautiful cover that I am delighted to have on my books--I see an entire history of slow, steady progress by so many incredible writers who risked damaging their careers just to drag us to a point where a book as gay as this one could get a cover as gay as that one and STILL get the full and enthusiastic support of both the publisher and the audience. And the most incredible honor and the most humbling privilege out of all of this is the fact that the success of this book meant that the door was wedged open another little bit, that I got to contribute in this small way to the efforts of everyone who came before me, so that ones who come after us will find the door flung wide -- or that there's no door left at all to block the way, because we've collectively torn it down.

So yes, @eyona, I think that having your faith restored little by little is a very good thing, and I am delighted that Good Omens is doing that for all of us. And what's even better is that even if Good Omens doesn't play out exactly how we want it to, that's... kind of okay? Because there is always the next one, and at the very very least, Good Omens is wedging the door open further so that the next one can have an easier time of it. We don't have to walk uphill in the snow both ways just to get a moment of emotionally charged eye contact anymore. We don't have to starve anymore, not like we used to back in the bad old days. And that alone is a wonderful thing. :D

#good omens #a taste of gold and iron #publishing #queer media

104 notes · View notes

crispyflowerblaze · 10 months ago

Text

is anyone else who has gravity falls on dvd just absolutely obsessed with the commentaries? they have them for every episode, it's the whole episode in the background with alex hirsch and at least one other person who worked on the show (sometimes voice actors, sometimes writers, sometimes artists, his twin sister one time, etc.) doing commentary over it and i dunno they're just so comforting to me, like i just watch them over and over again and will never get tired of doing so. and they're sooooo funny and you learn so much cool stuff about the show and they're great! and all of the people are just so great, like i'm way too attached to all of them lol

some personal highlights: (some might be paraphrases, i dunno)

- "i'm alex hirsch and i'm not rob renzetti" "i'm rob renzetti and i'm not matt chapman" "i'm matt chapman and i'm BOTH alex hirsch and rob renzetti" "whoa really?" (introductions at the beginning of commentary for Into the Bunker)

- "i'm matt chapman and i'm an ungodly monstrosity" "not JUST an ungodly monstrosity, the ungodly monstrosity who wrote this episode!"

- every single time alex says something as a character he plays (stan, soos, mcgucket, bill, quentin trembley, etc.) ("uh oh! gravity is a real problem in this town! i'm quentin trembley" - commentary for Dipper and Mabel vs. the Future; "this is what dates are like for Stan!" - commentary for Roadside Attraction; "yeah yknow, say whatever you want, then you won't see them again, other people don't have feelings" - commentary for Roadside Attraction) (ahhh they're so much less funny written out than they are when he actually says them i promise)

- jeff rowe wanting to be called stabby the boss cat (commentary for Blendin's Game)

- every time they mention how alex chews on pens

- "what if the love potion comes from cupid, and what if cupid is... mike rianda" (commentary for The Love God) (hmm I don't know if this is funny out of context for who mike is, well that's not my problem!)

- the whole thing about jason ritter getting a bit electrocuted by a ms. pacman video game when he was a kid (commentary for Fight Fighters)

i will probably add more as i rewatch more of them. but yeah the commentaries are the best!!!!!!

#gravity falls #gravity falls commentaries #alex hirsch #mike rianda #rob renzetti #jason ritter #kristen schaal #matt chapman #alonso ramirez ramos #shion takeuchi #jeff rowe #matt braly #jackie buscarino #ariel hirsch

34 notes · View notes

peoplesrazor · 2 months ago

Text

youtube

Oh boy...

So in her introduction, Lily names five shows she thinks people talk about the most often for important LGBTQIA+ Rep. Those shows are Legend of Korra, Gravity Falls, Steven Universe, and The Owl House. She mentions three other shows that I'll talk about later that she says people don't talk about, but which either had rep earlier, or had just as good or better rep.

She doesn't mention Ducktales or the Daria movie Is It Fall Yet ?or any other shows. Just in case you're wondering. She talks about Braceface, 6teen, and Lloyd In Space. Now, Lily has mentioned the other two as they were shows she watched growing up. I think Lloyd was a suggestion on her blog. I remember someone mentioning it there.

I'll let her arguments for these stand as she is mostly talking about how "early" they were. I do want to point out these characters were only in couple of episodes in one case, and a single episode in the others. So, Daria should have certainly been at least mentioned as an early example, even if it wasn't a very good characterization.

The three shows she says have better rep then the five she thinks are held up so much:

Craig of the Creek has several couples that fit this description and it's good rep, because it's so low-key. People talk about them though. The show, though very good, can be a bit niche to begin with so it just doesn't have a large vocal audience.

The Loud House has Luna and Sam, which does get talked about too, but it's a contemporary of the other shows you mentioned. Which means Luna and Sam, by your standards for the more modern stuff, have to be main characters. If you count Luna and Sam as main characters, you have to count, at least, fifteen other people. Kind of easy for their couple of 15 minute episodes to get lost in that shuffle.

Kipo and the Age of Wonderbeasts is one of my all time favorite shows. Lily says people are sleeping on Benson and Troy due to racism. What? Kipo is very popular in the fandom circles I hang around in and Benson and Troy are like THE ship. Did you sleep on this one, Lily? Did no one in your circle recommend it because it's a serialized fantasy adventure? Is that why you never did a dedicated video on it, despite it's rep being so good?

It wouldn't be a Lily video if she didn't tear down the shows other people like. First, there is something she repeatedly gets wrong, as far as I know, about Korra. She again says that Korrasami was a popular ship, true, and that they threw it together last minute, false. At least, by everything I've found. No, it wasn't planned from the start, but it wasn't last minute, either.

They started discussing it while writing book one. Writing. Not during it's run, not while animating the last few eps. While writing it. Why wait then? I suspect it's for something Lily has actually complained about before that actually happens. For some reason, showrunners want to wait until the end of the series to have the couple end up together. I suspect it was never anything deeper than that.

Okay, onto the Catradora thing. I'm not going to argue with anyone, not even Lily, who finds the relationship toxic, unhealthy, abusive. Though, now that I think about it, Lily, you sure seem to like to repeatedly show that footage for someone who gets triggered by FMA.

Anyway, I want to point out this hypocrisy:

Lily: If I have to hear it on a live stream, read it in production materials, or on Twitter, it doesn't count. I base my criticism only on what is in the show.

Also Lily: Let me once again call Catra and Adora sisters based on a single line I found on one page of outside materials, despite the show never once giving any indication that is the case.

She also lies and says it does indicate that. It does not. Hey Lily? Are Kyle, Rogelio and Lonnie also siblings? Wait. You never actually watched the show, you probably don't know who they are.

Should have just posted the bingo card again.

#lily orchard critical #lily orchard is a bad critic #youtube #Youtube

12 notes · View notes

cozyforjate · 1 year ago

Text

What a season finale?!!!

It was a great episode, probably one of the best of the season for me but damn, i hate cliffhangers! Especially when there's a strike going on and you have no idea when the next season will air!

But it is what is… The only thing we can do now is pray for the strike to be over as soon as possible.

AMPTP, please pay your writers and actors!

So lets talk about Spock and Chapel (and a little bit about Pike&Batel)

!SPOILER WARNING!

The episode starts with Batel and Chapel helping the colonists. We learn that Chapel left the Enterprise early to start her Fellowship with Dr. Korby and Cayuga is basically her ride.

Can i just say that i love how SNW portrays their female characters? Batel and Chapel are 2 women who are really good at their jobs, love helping people, ambitious, strong, beautiful and charming!

The episode made a clear parallel between 2 relationships: Spock&Chapel and Pike&Batel.

At the beginning of the episode Batel and Chapel’s fates were unknown, both Spock and Pike were worried about losing the women that they love, but refused to give up hope and they were both ready to do whatever it takes to save them.

Both couples reunite at some point in the episode. Pike&Batel’s hug is lovely and sweet. Spock&Chapel holding each other’s hands in space is a beautiful and almost poetic moment. That scene was designed to look visually stunning and it did!

If we quickly remember the status of both relationships:

Batel had a bumpy relationship with Pike at first, she even walked out on him bcoz just like Chapel, Pike had issues maintaining a serious relationship. But unlike Spock&Chapel, Pike&Batel fixed their problems bcoz Pike noticed his errors, they talked, they understood each other and made up!

Spock and Chapel still haven’t done that and we have to wait for season 3 to see them properly communicate again. But there’s still HOPE for them.

“Hope” is one of the main themes of the episode. We have seen different characters talk about “hope” and use it as a motivation to keep fighting.

Una to Spock:

“I would never tell you not to hope.”

Pike to La’an:

“Sometimes... hope is a choice.”

Despite every single fact pointing to Christine’s death, Spock chooses not to lose hope.

“and Nurse Chapel, who I HOPE made it to the surface as well.”

“I have not given in to grief yet. Logic dictates we do not know Chapel's or Batel's fate. And until we do, the best chance we have to save them is if Enterprise takes out the Gorn's interference field.”

Hope is the thing that keeps him going. And i think, one of the reasons why he insisted he should be the one doing the space mission is bcoz he really believed that it might help save Christine’s life (and others').

The zero gravity Gorn fight was amazing. Spock and Chapel defeating the Gorn together was so satisfying to me!

After that, they move towards each other and have an “almost” space hug. Beautiful! And then they slowly fly up together. The filming of the whole scene is breathtaking. Feels like a space dance in EV suits. As a big piece of Cayuga falls down, they reach for each other’s hands at the same time and hold so tight! Aww. The music, the scene… You get the sense that there’s HOPE. Against Gorn but also for Spock and Chapel too.

They energize still holding hands. Chapel seems pretty shook and Spock intensely watches her. He must be feeling so many things at once in that moment.

The way Spock loves Chapel is too pure. He would do anything for her. ANYTHING. Vulcan emotions are stronger than human emotions. That’s why they suppress them. And what happens when they choose not to suppress them? Take a look at Spock! Ethan Peck has been doing an amazing job portraying a half Vulcan-half Human in love. But perhaps his feelings for Chapel can not even be described with the word love.

I have no words for what I feel.

Bcoz it’s more.

Anyway, before they go Spock stops her. He wants to apologize but she doesn't let him. She tells him that they'll have time later. She smiles at him, eyes shining, holding his arm… Spock recognizes that look and that smile. Its Christine. His Christine. And he smiles back. There’s HOPE.

Look guys, I don’t know if they’ll break up or decide to try again. All i know is, Spock and Chapel love each other. Despite their differences, despite Boimler’s “you’re doomed” BS, despite Chapel’s struggle with relationships&deep trauma, despite Spock’s struggle with human emotions… They LOVE each other. Feelings are there and not going anywhere.

Star Trek loves “on again - off again” relationships. So i predict Spapel be the new on/off relationship that will last for as long as the show goes on.

#spapel #spock x chapel #spock and chapel #christine chapel #spock #star trek strange new worlds #star trek snw #strange new worlds #snw spoilers #SNW Hegemony #christopher pike #marie batel #captain batel #captain pike #nurse chapel

48 notes · View notes

enriquemzn262 · 1 year ago

Note

What are some western cartoons you've enjoyed?

Amphibia

A fun western take of Isekai, without the wish fulfillment escapism that plagues Isekai, which was actually criticized with the character of Marcy, with a lovable cast, great animation and a well made story with a bittersweet yet satisfying ending.

Hilda

The best modern cartoon period, a cozy and sweet yet action packed and even sometimes dark adventure show about a little girl exploring her magical realism world.

Gravity Falls

Not nearly as fantastic as everyone and their mom claims to be, but still a great show, with tons of good characters, excellent animation, and an overarching plot that while ultimately flawed (the second half of season 2 really dropped the ball on that one) was still great.

She-Ra

Great solid show from beginning to end, but especially towards the end when the silly princess stuff finally began to be properly integrated with the actual plot. Also Catra best character don’t @ me.

Kipo

The most underrated modern cartoon I’ve seen, a superb show with a great story, characters and a truly unique setting, not to mention it did the whole villain redemption thing everyone and their mom was doing at the time, but actually did it fantastically.

Invincible

Like many others I was drawn in by the brutality of the first episode, and boy did it just keep getting better after it! Just skip everything with Amber in it, and you should be in for the best animated superhero show since JLU.

Arcane

Love it! From beginning to end it was a wild ride of a show, and this is coming from someone that only knows about LoL through memes and porn. At times it almost felt like I was watching an extended movie.

The Amazing World of Gumball

This has to be the funniest modern show there is, at least before they decided to use a ton of “funny faces”, when it went down to being among the funniest. Still, a love letter to animation, featuring just about every style of it there is, and with an extremely weird yet fun cast of characters.

Before jumping back to anime I used to watch a ton of these, so I’m sure there’s more, but these are on too of my head and from the last decade, but I can honestly tell you, that my favorite cartoon of all time is:

Courage the Cowardly Dog

There’s just not a single bad episode in it, and every character has been as memorable as Courage himself.

Dishonorable mentions:

The Owl House: Amphibia but actually embracing the bad of Isekai.

Steven Universe: Started weird, got good but ultimately fell down the stairs due to its terrible obsession with finding good things about terrible people.

OK KO: Garbage character models and too obsessed with making references.

Adventure Time: Everything wrong with modern animation.

Regular Show: Modercai is a simp and just looking at the guy gives me cringe.

Bee and Puppycat: Everything wrong with AT and SU COMBINED.

Korra: Not canon

#Amphibia #hilda #invincible #kipo

94 notes · View notes

thekingofwinterblog · 10 months ago

Note

If you had to pitch why Amphibia is a good show to somebody who hasn't seen it, what would you say? For example, to me it seems as yet another standard kids cartoon, but I'm curious what you and others find in it. Sorry if this sounds combatitive, just curios.

Well the single best part about it is it's three human leads, Anne, Sasha and Marcy, all three of whom are very well developed, flawed and above everythin else, human characters, who are a treat to watch. Most of the more recent good western animated shows tend to have only one character with character writing at the absolute peak. Amphibia has 3 leads, and 4 with the main antagonist included.

the first two seasons is pretty much perfect as far as the human trio is concerned, with the only complaint i have is that sasha deserved a few episodes more.

as for what else, Ambpibia has a surprisingly well developed and interesting world, that feels lived in, with the cultures that have sprung up from living in this death world, where an early demise is common feels very believable and fun to watch.

Which leads me into what makes Amphibia stand apart the most. It's hilarious dark humor. If you liked Gravity Falls and Ducktales comedy, and/or is a fan of dark comedy in general, you will love Amphibias humor, because it's that, only much darker.

It's also very much a deconstructive work in the good way, where it both picks apart and rebuilds the tropes around both isekai and chosen fiction works. So if you like that sort of work, Amphibia is a great example.

#questions and answers #amphibia #meta

12 notes · View notes

dibbs-n-scribbs · 2 months ago

Text

It feels so bittersweet getting back into Gravity Falls again at an age where I can finally fully comprehend and appreciate the show in its entirety. I was 7 when it came out and found the episodes very fun and entertaining. Every now and then I would go back and revisit it, usually being late to whatever new sensation revolving around the show occurred (this was because I grew up with tv providers that would take away the cool cartoon channels for months-years so I could never watch original premiere dates like other viewers. I also didn't use social media till i was like 13, so youtube recommendations would remind me that I had just missed the Mcgucket author theory, Cipher Hunt, etc). Even going back when I was 15-16, it was fun to revisit episodes I would quote very often, but I'd still feel bad about not having watched every episode yet or even missing the series finally. I'm late to every single fandom ever (I mean I just got into Columbo like 30-50 years later), and even with the new resurgence in GF with the Book of Bill, I didn't here about it until weeks later, and I'm not even getting my book until late November. I've been rewatching some episodes, and I'm experiencing a feeling of nostalgia and grief - reliving the old times while feeling bad for not being able to experience it on time with other fans. Even with the resurgence, the saying "See you next summer" hurts to hear, as there may not be any other Gravity Falls content ever again, as Alex Hirsch might want to move onto other projects (also summer just officially ended too :'0). Being 12 years since the show began, I hope there will be more opportunities to share experiences with other GF fans, but even if there isn't, I'm very glad to be alive in a timeline where Gravity Falls exists as a show. It has created a new format of modern cartoons and will forever hold a big place in my heart. All this rambling to say that I love this show and hope to one day become a big part of it and other shows like this.

#dibbs’ drabbles #gravity falls #just me rambling about what ive been thinking abotu the past few days #also did not realize how much i appreciate stan as a character #like i knew he was funny before but he genuinely cares so much for his family #the book of bill spoilers that have come my way are far too plentiful but i need to get that book i need to read it like everyone else #let me be a part of the craze again PLEASE #I WILL NEVER FORGET WHEN I WAS 10 WE WERE ON VACATION WHEN A GF SEASON FINALE WAS GONNA AIR I WAS SO MAD

4 notes · View notes

becausegoodheroesdeservekidneys · 2 years ago

Text

Doctor Who, but Chronologically: 38

It is STILL 1941. I just want to point out that there are no episodes in 1940. None in 1942. But 1941? THIS IS OUR THIRD. It's a wonder the Doctor still goes, given the high chance of meeting a past or future self, frankly.

Anyway, we get a Christmas episode! The Doctor, the Widow and the Wardrobe. The Doctor starts on a big spaceship in space that looks very cool, which he possibly blows up. Eventually he sort of falls off it and falls through Earth's gravity well, trying to grab and don a spacesuit. He takes ages to do it. That's actually quite dangerous - the vacuum of space does dangerous things to living tissue, and yet he survives entirely unscathed. That's good information. It's good to know officially, for example, that if the Doctor is exposed to the vacuum of space, he will not, for example, go blind.

Anyway after landing he meets Madge, a woman who helps him back to the TARDIS. Three years later - in 1941, when "everything in the world happens" - the Doctor Who showrunners, apparently - Madge's husband dies in WW2 when his plane is damaged and a propella stops. She doesn't want to tell her children (a wet boy called Cyril and an annoying girl called Lily) until after Christmas, but they all go away to a... random manor house, IDK that part is weird. I think it's Stradey Castle.

The Doctor is the caretaker. He decides a suitable Christmas present is an interdimensional portal to Narnia Androzani Major aka the twin planet of the place with the caves that are haunted by the Phantom of the Opera in the English series. It's a big snowy wood. For the record, I am 100% on board with this present.

The wet boy opens it early and crawls inside, because of course he does. The Doctor and the annoying girl follow. This is the least fun bit of the whole episode, actually. She's annoying because every single one of her lines is her demanding answers while never working out a single thing for herself or doing anything useful, plus haranguing the Doctor at random points. In return, he's consistently a cunt to her ("GOD Lily weren't you LISTENING?" is a line he has a good four times, plus additional derivatives thereof.) After a while you start to wonder what the point of the episode is.

Madge also follows after them all. A trio of comedians (best scene of the episode) headed by Bill Bailey turn up, and explain that deforestation is about to happen via acid rain, which is literally the worst harvesting procedure I've ever heard of, and I would like you all to remember at this point that what I do for a living is lecture in environmental conservation and climate change with a specialism in trees and woodlands, so I have heard a great many terrible harvesting procedures, both hypothetical and real. Where's the Phantom of the Opera guy and his androids when you need them? This is the dumbest thing I've ever heard. Explain this business model to me, Androzani Major. Fucking idiots.

But it means the forest is trying to escape. They wish to do this by putting all their souls into a living human. It has to be a woman, because at this point Steven Moffat had read a book on gender theory and was trying to make up for past crimes, I assume, but it's patronising as fuck regardless (also there is a viscerally GROSS line about the Forest of Cheem "fancying him" which I know I'm furious about but as we technically haven't seen that episode yet I can't be but YOU JUST WATCH ME add it to the question list). Everyone ends up in a tower with some beautiful tree people and they all fly away in a spaceship - the tree souls just settle among the stars, which is... really not a resolution for trees, actually, but okay. Meanwhile by flying back home through the time vortex, Madge accidentally provides a light for her husband in his broken plane to navigate by. This does not make much sense, given that the issue with the plane is that it has visibly lost an engine and a bright light is hardly helpful to that problem, but okay. It means he lands outside the manor house on Christmas day when they do, though, so they're reunited? I mean there were two other men in that plane, neither of whom are seen or heard from again, fuck knows what happened to them, BUT OKAY

This would have been an okay episode, but regrettably, the actors are woefully not up to the task of the emotional weight and nuance it was built around. Also it bears repeating what the FUCK is that harvesting technique I mean

PLOT THREADS THOUGH

Almost none and then right at the end the Doctor reveals that his friends think he's dead??? So he goes off to visit Amy and Rory and tell them he's alive. Turns out they already knew because River told them. The scene is sterile and lacklustre because they have no chemistry, but Matt Smith does his best to save it.

So that's fun! Maybe next episode we'll get to move to 1943, as a treat

“She” (an unknown person) is returning (perhaps River returned as Missy. Maybe Me? Maybe Clara???!)

There is something on Donna’s back

An entire planet, Pyrovilia, just… disappeared, somehow. (Maybe because the TARDIS is exploding??? Saturnine was also lost, and that WAS because of the TARDIS exploding. The lion man’s planet was also lost but he was a bit of a knob about it if I’m honest.)

Amy is maybe dead (she’s not)

The Doctor has been cubed (he’s out, but how?)

River is possibly blown up (unless she’s Missy. Nope: she is definitely not blown up)

The TARDIS has blown up (It’s fine now. Except it’s sort of melting now because it’s corrupted, but it’s fine again)

The universe appears to have ended (the universe is back again)

The Doctor has employed(?) Nardole

(And Nardole was “reassembled???” Nardole had glass nipples and invisible hair?? WHAT THE FUCK IS HE)

There’s a vault in the TARDIS and it contains Missy but we don’t know why (sometimes she knocks for the bants)

There’s an immortal Viking girl now. Her name is Me and she’s now looking after the people the Doctor abandons

Why was Rory entirely unconcerned by the entire world suddenly going silent when that is Not Normal and should have been, at the very least, extremely disconcerting?

What did the Doctor do to Queen Lizzie One?

Why is Amy seeing a one-eyed woman in a vanishing window? (She’s with the Silents, but we don’t know why Amy saw her)

Why is Amy’s pregnancy inconclusive? (Maybe because the baby had Time Lord DNA?)

Who is Sarah-Jane Smith?

How is the Doctor Bill’s teacher and why/where does he have an office?

What is going on with the Cyber War and the Cyberium???

What happened with the Other Cyber War?

What happened with the Third War that deleted the void?

Why does Rose seem particularly important?

What order do these Doctors go in? (Eccleston, Tennant, uncertain, Smith, Capaldi, Whittaker)

Which companion just… forgot the Doctor, and how?

Yaz and Vinder are about to die as Mori/Mwri/Muuri

There is a Lupari shield around Earth.

What’s a Time War?

What’s the Rift?

What’s Bad Wolf?

In which war did the Doctor become a war criminal, and how?

Who is the Master?

Why has Amy forgotten Rory? NEW INFO: how did she forget a Dalek invasion?

Is Rory plastic or not?

Why is the Doctor sulking on a cloud?

How exactly does the Doctor have a cloud?

What exactly happened with Strax to, uh, tame him?

Which friend killed Strax?

Which friend brought Strax back?

Where did this lesbian lizard and human couple come from?

What happened with Clara as Souffle Girl and the Daleks?

How does Clara actually join?

Why so many Claras?

Why is Missy apparently in robo-heaven?

Why is probably!Missy pushing Clara and the Doctor together?

What is Trensilor and what happened there?

Who is Handles?

The Doctor is about to be dissolved by a beautiful geode man

The universe is being crushed by the Flux

Will the Doctor open the fobwatch?

Sontarans are invading Earth again

Who is Kate?

Who is Osgood? Another name of Clara’s again?

The fuck is the deal with the Grand Serpent

Does Martha get to go to an ice cream planet with 12-fingered massage aliens?

How did the Doctor forget Clara?

Who is Bill’s puddle girlfriend Heather?

How did Nardole die?

When does Bill get Cyberman-ed and die?

When does the Doctor shrink and enter a Dalek called Rusty?

Whittaker is falling to her death rn

Was that ring relevant?

Does anyone know the Doctor’s name?

When did Yaz talk to Dan about fancying the Doctor?

When did Dan talk to the Doctor about fancying Yaz?

What’s happening with the bees?

What happened with Donna’s ex and a giant spider?

What war wiped out the Daleks, and is it one of the ones already mentioned?

What did the Doctor mean when he said “The (Daleks) always live, while I lose everything?”

If Dalek Caan is the last Dalek left why are there more now?

How did the rest of the Time Lords die?

How and why did Amy melt?

What’s the question that will make silence fall?

Why do the Silents… want silence to fall?

How and why are Silents at war with the Doctor when he… hasn’t even heard of them?

How does Hitler get out of the cupboard?

What’s the significance of fish fingers and custard?

Why does the Doctor feel guilt about Rose, Martha and Donna?

What happened with the space whale?

When does Rory defend Amy for 2000 years?

How does the Doctor survive River

How does he erase himself from history

Did Captain Jack lose his memories to the same people as the Doctor? What did he lose?

When did the Doctor send the Daleks into a void to save the universe?

What’s with the weird crack in the wall and is it affecting memories?

Why do Amy and Rory think the Doctor is dead?

Is Matt Smith's Doctor a tree racist?

#doctor whom #and yet we are continuing

52 notes · View notes