#>St.

[sad-trekkie-life]

My fellow Trekkie (who’s in her late 40 I must add) has pointed out that the fact that Kirk was so convinced that it was Spock who’s massaging his back in Shore Leave means that Spock actually gives Kirk massages pretty often. I think I need to share her wisdom here.

[grvning]

No wonder romance in other media feels dull.

Theirs is simply much more than that. 'romance' is an unfitting term for them. Spock felt Kirk's conscience from Gol, of all places.

The poets of old would have written much about them.

Picture taken from a TMP novelization copy, with a picture of TMP Kirk right next to it (the book was bound like that and the pictures are gorgeous). Might be coincidental, might not be.

Edit: Roddenberry's DELIBERATE decision to create a Vulcan term which he specifically used in this book was bold and telling, especially as it was used for the very first time to describe Kirk and Spock's bond. ''Screw censorship, I will get the gayness across no matter what," he might have thought. ''Let's give 'em fans some candy, but let's make it almost subtle.''

Almost.

Also, props to Shatner for making Kirk even more in gay love with Spock than Roddenberry's. Peak acting choice.

TMP might be my second favorite Trek movie of all time. While I do find immense delight in the Enterprise sensual sequences -- Scotty would be proud, the shift in dynamics between Kirk and Spock within the paradigm of their wrecked relationship hits deep. Many a one has published well-documented, detailed studies of their whole story from TOS, so I shall not elaborate on that further, as their works explain it all infinitely better than I ever could.

Ramble over.

[laur-the-cat-prince]

this book has me in a death grip.

[and-her-saints]

St. Michael Archangel by me!!!

[randomfansstuff]

i also wanna just mention the probably most obvious metaphor in dark heir and rise. the hair lengths.

sarcean and anharion both being described as having really long hair. hair holding memories. both james and will having short cut hair. james having slightly longer hair than will since he's been aware of his circumstance for longer.

will's hair growing longer in italy, when they're close to the old palace and his past. hair holds memories.

their distance to their past being symbolised by how long their hair it.

[melaninpov]

Trevante Rhodes aka Daddy in Candy Cane Lane (2023)

[fictionadventurer]

Fun Catholic Lord of the Rings trivia for you:

Tolkien had a devotion to St. John the Evangelist (which should not have been surprising, given his name).

Traditionally, the symbol of St. John the Evangelist is an eagle.

There's no indication it's intentional allegory, but it does add a very cool layer to those scenes.

[dadrielle]

I can't stop thinking about just how emblematic everything in those conversations of Ashton being "a child" are of how, even at her most beaten down, triggered and traumatized, Laudna is not and will not be what Delilah wants her to be.

For Delilah, "they're still a child" is dismissive, a bit derisive, but doesn't even merit being truly hateful. She doesn't find Ashton worth the attention Laudna is giving them, not when there are such more interesting, important things to pull the attention of an adult. Children are only important when they are useful. She will indulge Laudna on the subject, because Laudna is useful, is her vehicle for action in the world, but she only cares about it in the context of getting Laudna to do what she wants. Calling someone a child is calling them unimportant. (Laudna is a child to her)

But for Laudna, who loves children and who understands intimately what it's like to have the helplessness of child, to be trapped under the authority of someone who will never treat you as a full person, even when they are being ostensibly kind, to be so confused and lost and powerless...a child deserves attention more than anyone else. Of course children lash out. Being a child IS in many ways quite awful because the world is so big around you and you don't know yet how to react to any of it, how to soothe yourself - and if you aren't given the attention, you never learn how. Ashton never learned how. Her instincts - instincts trained into her by manipulation and abuse from inside and the world around her - may say kill him, but she fights them the whole way because her heart is stronger and her heart says that the angriest, most volatile child needs care as much as any other. More, even.

Laudna hears Delilah call Ashton a child and agrees on the word, but they have diametrically opposed understandings of what that means, and diametrically opposed instincts on how to treat a child. Laudna doesn't want to hurt anyone, especially children. She loves children. She loves so much and so selflessly. And Delilah is so very very good at manipulating her but she has tried for 30 years to change the bedrock of Laudna's psyche, the truer thing that drives her beyond the base animal instincts of survival, and it hasn't worked.

[babybirbb]

no bc the way i literally got excited when i saw them actually being in the same room together

[sonohban]

@genisflyingkites sent me this amazing gohan figure so i had to redraw it correctly

[solidusgrilo]

St Patrick's She-Hulk.

[littleartistwithloveandheart]

This is a little video I made about our girls aboard the ship.😭😭😭😭😭😭😭❤️❤️❤️❤️❤️❤️❤️❤️❤️I love them so much❤️❤️❤️

This is what makes us girls😭❤️ had to show some of their sader sides to underline how strong they are💪🏻❤️💅🏻😘

But there are also lovely moments in it!!

[pjshermann]

Jude, after sickness

[zasmn]

Bunny has to carry everyone around here ᕙ⁠(⁠⇀⁠‸⁠↼⁠‶⁠)⁠ᕗ

[byler-alarmist]

Something just occurred to me......almost all the times Will is shown crying, it's not with Mike there. He may have tears in his eyes, but he's usually alone or with his family when he full-on cries. The only time Mike even alluded to Will having cried in front of him is when he said it sounded like WIll whimpering over the walkie because he'd heard him sound like that when he'd fallen of his bike and broken his finger.

I wonder if Will actively tries not to cry in front of Mike. I wonder if the van scene was the first time in a long time he had cried with Mike present, and even then, he turned his face away so Mike wouldn't see.

[amartianonmars]

Description: Four panel comic

First Panel: Julian Bashir and Miles O'Brien kissing in Mile's quarters on a bed, shrouded in darkness. Julian is on top cradling Mile's head while Miles strokes his hands down Julian's back, which show's that his jumpsuit is zipped down

Second Panel: Julian pulls away from the kiss with a sigh and sits up. Mile follows and asks Julian, who has an anxious expression on his face, " Julian? What's wrong? Are you ok?"

Third Panel: Julian has now shifted towards in the end of the bed, where you can now see the rest of the room is accommodated with a small side table, a round lamp sitting on top, and a large chair besides the bedside, all hidden in the dark besides their outlines. Julian is leaning on his hands with his worried face dipped low, Miles behind him sitting up on his knees, a reassuring hand on Julian's shoulder and a mild expression on his face. Julian says " This doesn't seem right, Miles. What about Keiko?"

Fourth Panel: The room is suddenly bathed in yellow light as the lamp is clicked on to reveal Keiko, who has been sitting on the large bedside chair. She tells a screaming and exaggeratedly shocked Julian, "It's alright, Julian". Julian is holding tightly onto Mile's, his legs and arms draped over his body and his mouth thrown open in a scream, his eyes popping out of his skull. Mile's, casually holding Julian's back, says "Hi, Keiko!"