#<-mentioning in case someone wants me to post it

[softerwider]

Response: I need help. I have to think deeply and I do not know anybody who will help me. It is uncomfortable to think, and especially so when one must make oneself vulnerable to do so. But here it is: I'm trying to be vulnerable and explain myself clearly; writing my thoughts. I'm reposting this here because it gave me hope. It gave me pause. It spoke to me deeply. It is kinky--but it really carried a level of introspection about the nexus of kink and shame and power and disgust and pain and pleasure and arousal. Paperfeedee laid a finger on how these all share in a close connection to one another. Her post describes perfectly the insane network of social signifying practices and intuitions that I have, and that I always imagine other people have. Not everybody as I am. I mean to say that this post of hers was, is, and shall continue to be enlightening. I have been a part of the feedist kink scene since some time in the early 2000's. Scary to think of myself wandering all over the internet like that. But anyway, even so, all this never once thought that I have internalized fat phobia. And, just like is described in Paperfeedee's post, there are elements of my kink that I am now realizing that I might have to disentangle from that fearful place. I caught a glimpse of what that might be like. There's a complex story about why my kink is closely tied to fat phobia, and maybe I'll get to speak it someday, but I have always wanted to gain weight. I've always considered myself a feeder switch, but I've had some v e r y intense sex dreams about being fed and fattened--none have been about feeding others. And yet, for as much as I enjoy overeating, indulging in fattening foods, and the idea becoming fatter and fatter, I've never been able to do so. I've blamed my bad (very efficient) metabolism; I've blamed my inability to buy enormous quantities of fast food on the regular; I've blamed my partner for being unwilling to be my feeder. I never looked to myself. Each of these things (enjoy overeating; love fattening food; want to be fat) is also tied in significant ways to formative, stressful, and traumatic times in my life. I won't get into them now. Suffice it to say that each thing, for as desirable as it is, is also overloaded with shame, discomfort, and is incredibly connected to my libido. Here is the nitty-gritty. I do not want to demonize anybody, least of all myself, for having the particular flavor of fetish that they do. I think that shame, discomfort, and arbitrary over-significance play crucial roles in the way that I experience sexual pleasure. Fear and helplessness is singed onto the texture of my jouissance. But what I think is most salient about Paperfeedee's post here is that it makes the case for the way that identification in phobia is sustained by the fascination it makes of the object of its fear. Identification is a process whereby a relationship between more than one thing and itself is defined, sustained, and elaborated. So, when I see someone in the store buying groceries and I notice how fat they are, that they have a lot of junk food, and my mind goes racing as it is wont to do about what an unrepentant glutton this person must be (etc.), I have participated in the process of identification. Phobia is a kind of identification that places the thing that is desirable at as far a distance from the self as possible. This distant relationship is a relationship nonetheless. The "Subconscious Hint" that Paperfeedee mentions here indicates precisely the way that this distance is a relationship, and one of the most intimate kind. My most intense sex dreams (or maybe just all my sex dreams) are about getting fat. Yet I'm afraid of what people will think if I get fat; frustrated that I can't do it; worried for the consequences; don't have the right body for it; etc. SO I think that I have been afraid of getting fat. I have neglected to examine the ways that my interest in feedism and fat fetishism have sustained these fears. I have never looked at the way that these fears could sustain the fetish.

I think that I have gleaned something about how the 'subconscious hint' leads to the inversion of the phobic dynamic in my personal case. I PROMISE that I will be thinking about this post for a very long time to come. I'm sorry if you are already tired of hearing me go on and on about this shit, because I am going to be on this for...ever? But to come back to the main point of this thread: I need help. I would like to use what I've learned here in order to examine the way that I sabotage my weight gain. I may try to gain weight, I may just allow myself to identify with the fear-object in a way that is emancipatory and also erases the fear from the relation. I can let someone else be afraid of my fat ass! I can hear that shitty fat-phobic comment that someone makes about how much I am eating and feel butterflies or go find a room and jerk off about it. I have become that which I rejected. I have embraced the part of myself that I shunned. I do not want to use my fetish as an excuse to sustain fat phobia. The point is that I will need help in thinking about this. (And also maybe tell me I'm looking fatter.) Thank you, and have a good night.

back when I was still thin and had yet to discover the whole "really into making myself unrecognizably fat" fetish, I still had like, a preoccupation with fat people that usually alternated between being super judgemental and being terrified that I'd get fat, which was like, definitely some kind of subconscious hint at like, man, I'm going to find out something crazy in a couple of years, but anyway

I distinctly remember grocery shopping with one of my friends in college, and seeing a woman who was pretty fat buying like, little debbie cakes and whatnot and just like, could not stop talking about it to my friend, could not let go of it, could not stop harping on "how does a person let themselves get that fat? how can you be that fat and not be trying to lose weight? how are you not embarrassed to be that fat and be seen buying those?" Even my friend had to ask like, what is your damage with this random woman?

anyway, obviously that wasn't cool of me and I've clearly gone on my own ✨️journey✨️ with confronting internalized fatphobia since then, but like knowing now that I have fully become that woman in the grocery store is like, part self actualization, probably part karmic retribution, and all like, getting to live a peak horny fantasy for me now, and I'm so here for it

(especially since my favorite grocery store is right next door to this really big, really nice gym, so it's just me and all the Lululemon wearin ass pilates baddies at the grocery store together)

[yumeka-sxf]

Spy x Family merch updates and manga hiatus

I wanted to post about some recent fandom news, starting with the good news: while I mentioned in my 2-year anniversary post that we've been in a dry spell lately as far as SxF content, we just recently got a bunch of new merch/designs! (mostly from various Jump Festa vendors) I'll start with my favorite of the new designs, from HMV's Jump Festa set - Forgers in winter outfits ❤️

Next is the "French casual" set from Chara-Ani~ Bond's little red beret looks so cute!

Another winter outfit set, from Animate. Gah, this one's so adorable, too 😭

Next is merch from Ichiban Kuji. Not sure if it's for Jump Festa as well, but either way, I want the acrylics and the plate!

And lastly, Ensky's merch for Jump Festa - Forgers baking cakes/cookies!

Again for those who don't know, Jump Festa is a yearly event held in Japan in late December that's dedicated to Shonen Jump IPs. SxF will have its own panel with the four Forger voice actors in attendance. We've always gotten exclusive announcements and content at past Jump Festas, so fingers crossed it will be the same for this year! I'm gonna try my best to get some of this merch when it goes on sale in late December. And of course, if I'm able to make high quality scans of these new designs, I will post those as well!

Now onto the bad news, which most of you probably heard about already: the hiatus for the SxF manga has been extended to December 23rd. I believe this is the longest hiatus the series has had so far, and what makes this one concerning is not only that the date kept changing, but also the noticeable silence from Endo and other official outlets.

In the Japanese version of the manga, the last page of each new chapter typically notes the date the next chapter will come out. In the case of the most recent chapter, 107, it said it would release on November 25th, meaning Endo would be taking a break from the bi-monthly schedule, which isn't uncommon. But then, just a few days before the 25th, official English manga outlets like MangaPlus updated the release date to December 9th. It was disappointing since we had all been waiting longer than usual for the new chapter, but again, a second postponement wasn't too alarming...what was alarming though, was the third one that came just yesterday, only a few days after the last. People started noticing that official manga outlets had, again, changed the date for the next chapter to December 23rd this time.

The fandom got stirred up quite a bit when this happened, mostly out of concern for Endo's well being. What made me particularly worried was the fact that, while these hiatuses had been going on for the past month, Endo hadn't posted anything on his Twitter account, which is very unusual considering every month prior he's posted at least a few unique illustrations. Not only that, but the last thing he posted was this oddly cryptic image on October 19th, with text that says "Don't look for me." And he then deleted it soon after, which makes it even stranger.

But thankfully, Shonen Jump must have noticed the pandemonium happening in the fandom, because just a couple hours later, they made this statement on the official Jump+ Twitter, apologizing for the delay and confirming that chapter 108 will indeed come out on December 23rd.

This to me was good news, since their official statement about it makes it unlikely they'll change the date yet again. But some sort of explanation would have been nice, even a vague one. I'm not someone to spread rumors, but my own personal speculation (which could be totally wrong) is that there was some dispute between Endo and Jump. This is the only explanation I can think of as to why his Twitter would suddenly be barren for a month after he posted consistently for so long - my guess is that he has to get approval from Jump for all the illustrations he posts there. I don't know much about the inner workings of the manga industry, but I would assume he has some contractual obligations where he can't freely post stuff on social media without some sort of publisher's approval. It is possible he's just been too busy with Jump Festa and other things, but he's still posted at least a couple times a month even when he's sick or busy, so I don't think that's the main reason. Again, this is just my speculation that could be completely wrong. There's also the fact that they so quickly changed the release date to the 23rd, the day right after Jump Festa ends, which could indicate that Endo's been busy cooking something big to be announced there. Regardless, I'm happy we finally have a new chapter release date that's pretty set in stone now, though I won't feel totally better until we get clear acknowledgment that Endo is okay, either from himself on his own Twitter or somewhere else official.

Anyway, despite this setback, I'm relieved that SxF is still going strong with all the hype for Jump Festa and season 3. Between that and the new chapter right after, we'll be eating good this Christmas!

[mochinomnoms]

*slides in* PTM!Silver you say? Please elaborate! I love Silver. He's so handsome! And his arms! The sprites don't do him justice, and i will forever be bitter about it. And they way his face can go from j gentle smile to his intense angry face. I feel like his mind would be mostly sweet daydreams. Hanging out in the woods with his head in your lap. Maybe even dancing in the forest surrounded by his animal friend (like in sleeping beauty when Aurora met Prince Philip) Or! Since he mentions that the Prefect might have some talent with swords. He daydreams about showing them the basics. Hands lingering on theirs while they grip their sword. helping them correct their form as an excuse to hold them close! He has such a serious face. But he fantasized cute little outings.

Any lewed thoughts, I think, would be more like wet(day) dreams. Maybe you were taking a nap with him, and He's was just dozing off thinking how pretty you were. How nice your voice sounds. It's soothing to him. And the way you just sighed and stretched. Now, his mind is else where.

He thinks how beautiful you'd be while he gently rocks into you. Would you stroke his hair like when he naps on your lap? Would you sigh and groan like when you woke up from a nap together? Would you kiss him when youre close to your release and tighten your legs around his waist when he cums in you- he snaps awake. He shouldn't be having such thoughts to his Lord's friend. To His friend. That would be disrespectful. While he was in turmoil beside you, you are desperately trying to face away from him and hope he doesn't see your flustered face. I'm sorry I forgot how obsessed i am with Silver >~<

Refering to this post

I didn't have too much interest in Silver when I started writing PTM, so while he was one of the last options for the fic (mostly because he fit the personality of the manga lead I took inspiration from) I kinda tossed him out right away cause Jade was more appealing and funnier.

I think if I had written it with Silver, your thoughts here would probably match up! He is a lot softer to me so i would imagine his thoughts would be soft when about you as well. I think the drama/conflict in this would be very different though! In Jade's case, it's such a remarkable difference between his personality and thoughts that it sends you into a loop! It's embarrassing (and flattering, though you won't admit it)! So you don't want to address that, and deny it, which only makes Jade want to chase you more!

In Silver's case, since PTM would be the next school year, the conflict comes from Silver not wanting to confess to his Lord's friend, someone the prince holds near and dear. What if he confesses and you reject him and distance yourself from him, will you distance yourself from the others as well, from Malleus? It's a bit irrational, he has to admit, but you are a kind and silly human who won the affections of the Briar Prince, and he is just a knight. What if Malleus were to invite you to his court? If you were to become a noble or diplomate or something similar for Malleus, you couldn't possibly be seen with some knight, can you?

Overall, I think Silver's version of PTM would've been a lot more angsty than Jade's, which does have it's own appeal!

[dear-ao3]

hi it's me the person from like a week ago who's writing that college paper about f1 i was gonna respond and then i immediately forgot lol. the paper is on the different media strategies and narratives of the fia, teams, drivers, gp locations, etc, and how they interact with each other. and also how the ways liberty media and the fia are marketing the sport and drawing in new fans is actually alienating people and suppressing the authenticity of the sport. especially post drive to survive.

i'm a comms major lol i am a massive public relations nerd

also a couple questions: idk how well versed you are in business stuff but how would you say f1 has changed its branding, especially pre liberty media to now? and how were drivers marketed before the era of portraying them as like,, pop stars? when was that shift? also if you have any specific examples (or places i could find examples) related to that stuff or sexism in f1 or just how f1 tries to control the narrative i would appreciate it because jesus christ the lack of research is terrible

ok dump over the essays not due for another like 3 weeks but when its done i can send it to you if you want to read it :)

aaaaa this got lost in my ask box i hope i’m not too late posting it :/ unfortunately i have no real sources for you. i know the shift was post drive to survive, but i think it also depends on the country because like f1 hasn’t really been a huge Thing in the us, but like ferrari has been italys second religion for years. so it might make sense if you focused it on a country. like in the time since dts first released they added two more us gps: miami (2022) and las vegas (2023). i know there’s a lot of british bias, especially by sky sports and sometimes in the penalties as well. i think fernando alonso called that out this year (?) and max also usually mentions it a few times (at brazil this year he definitely called out the british press) i know there’s also interviews of drivers saying post dts people recognized them way more (maybe this was daniel? or lando?) but some of them really like it (daniel) and some of them don’t (like max) you could also play the angle from social media, like george used to i know at least run his own twitter way back in the day (might have been pre f1 but i think he was still running it loosely in 2019 or at least tweeting himself) and now he doesn’t really touch social media At All cause of the comments he gets. lando used to run most of his own social media also until i think like 2020? 2021? (as in i don’t think he had a social media team) before he passed it off to someone else, though i know he still goes on for sure. i think a lot of them definitely cleaned up their media presence post dts (like lewis was certainly a pr nightmare at one point earlier in his career which a lot of people don’t realize or remember and we’re not even going to talk about fernando alonso). the sport has gotten more tame for sure over the years, they used to get away with doing and saying way more but that could also just be a general cultural shift, there’s also i know pockets of people who are like oh this sport used to be so respectful and manly and blah blah blah and like. there’s photos of michael schumacher at a party in a wedding dress. david coulthard used to pretend to kiss his teammates on the lips in front of the cameras. as for sexism, there have been female drivers before, usually only doing short stints. i know susie wolff has talked about this with the f1 academy how pretty much only lewis consistently shows up to support it. i think max (?) said earlier this year that academy is great but if they want them to make it to f1 they need to give them faster cars. there’s also the whole horner fiasco from earlier this year.

idk if any of this is useful. or if you’ve already turned in your paper. in any case, good luck :)

[sk-touchthesun]

It has been a bit over a month since the first time I watched Dead Boy Detectives and I now have watched it from start to finish four times. Oops. I don't know how that happened—I certainly wasn't prepared for this level of love for a series.

Since I haven't really been in any fandoms or tumblr in, like... ten years or whatever, I wanted to write about why I fell in love with Dead Boy Detectives when I saw the series for the first time. I don't know if anyone's interested in reading a long-ish post, but in case you are, buckle up because this is going to be pure love and positivity from start to finish. It's mainly about Edwin and Charles, though.

I started watching the show without any background information and never having seen the Sandman either. I rotate streaming services and it was Netflix's turn. I read queer fiction quite a lot and watch queer movies and series as a hobby, and remembered someone mentioning Dead Boy Detectives.

The beginning on the series was intriguing enough already, but it was during this scene that I knew I was going to watch the entire thing:

This leads me to the reason I love the series so much: the carrying force of the story is the love Edwin and Charles have for each other, be it platonic or romantic. I'm a sucker for themes like found family and being loved as your authentic self because that's something I crave. I have always been more or less lonely because of social anxiety and struggling with social situations. Perhaps that's why stories containing those themes have such a profound effect on me each time.

Of course, the way the series combines elements of horror and comedy with heartwarming and wholesome sweetness is delightfully refreshing in itself. Dead Boy Detectives kept me glued to the screen so that I finished it in a day the first time I watched it. However, the characters are what makes the show so brilliant. I think the cast in general is phenomenal, but it's the love between Edwin and Charles that I felt most while watching.

This obviously is where I have to praise George Rexstrew and Jayden Revri for their acting. I think it's largely thanks to them that I love Edwin and Charles so much. Their characters' chemistry and the fond way Edwin and Charles interact with each other in the series is something I felt viscerally right from the beginning. It's obviously ingrained in the overall plot, but the love can also be felt in the smallest gestures. How many shows do you have where your favorite character dying is one of your favorite moments in the series because it's so sweet? (I'm sure you can deduce my favorite character from this...)

Personally, I also think that George Rexstrew and Jayden Revri's acting is particularly spellbinding during the moments their characters break down and show raw emotion. In an odd way the characters' suffering is what makes episodes like The Case of the Devlin House and The Case of the Very Long Stairway so brilliant. The characters' emotions during their most vulnerable moments are so tangible.

I know there has been talk about how season two would look like if the series was revived, and honestly, I think there's one crucial thing that should be kept as it is or the entire thing would be ruined: the carrying force of the show being that Edwin and Charles are willing to do anything to not to get separated.

I can't see any universe where someone becomes more important to the two main characters than what they're to each other. Charles says that Edwin is the only person he'd go to Hell for. We know how Edwin feels. The love is there already. If either of them had a long-lasting romance with someone else, the love interest would get two with the price of one. Equally important? Well—possibly. Love isn't finite. More important? Never.

I'd like to see Edwin and Charles get together, though. They're like an old married couple already and I can't imagine them being together with anyone else in the long run. At least the first season left things open enough for interpretation, with the cancellation and all.

Last but not least, it's a bit crazy that I only saw the show for the first time a bit over a month ago and was ready to splurge on a cameo. It was my birthday during the gameoden week and I got a birthday message! It was very sweet and has cheered me up ever since. I'm not sharing it here because I feel it's a bit personal with my birthday and all, but I loved it.

In case you ended up reading all this, thanks for reading my love letter for the show and the characters and the actors!

[realitythroughthelensoffiction]

Good Omens: on fate and reality

In season 1 of Good Omens, The Nice and Accurate Prophecies of Agnes Nutter, Witch play a vital role in helping to avert the Apocalypse. Anathema dedicated her life to understanding Agnes's prophecies and thereby helping to fulfill them. But in the final episode of season 1, when the package with the follow-up collection of prophecies arrives, she decides to burn them, because she does no longer want to live her life according to the writings of her ancestor.

This is interpreted by many as Anathema taking her fate in her own hands instead of subjugating herself to something that was foretold. But the fact that she burns the prophecies instead of studying them does not necessarily mean that she changed her fate. It is entirely possible that her life will still take the road that Agnes foresaw for her. Agnes probably even predicted the burning of the new prophecies.

The only difference is that now, Anathema knows that all the decisions she makes are of her own free will, while otherwise she would have always wondered what she did because she wanted it and what she did only because Agnes had prophesied it.

A further indication that people acting according to their free will does not contradict the idea of fate is God's Ineffable Plan itself. At the end of season 1, when the Apocalypse has just been averted, Crowley asks Aziraphale: "What if the Allmighty planned it like this all along? From the very beginning?" Aziraphale agrees that this might very well be possible.

So even though all the people involved made their own free choices, they could still have been acting according to a plan God laid out very long ago.

Conclusion No. 1: Free will and fate are not mutually exclusive.

However, it seems that some things can be altered. Adam as the Antichrist has the power to bend reality. He uses it to change the fact that Satan is his father and to bring back people from the dead, for example Lesley. When Aziraphale expresses doubt about Mr. Young really being Adam's father, Crowley says: "It is. It is now. And it always was. He did it."

So Adam did not only change reality for the present and the future, but also for the past. He was able to make things that had already happened undone.

Conclusion No. 2: In the Good Omens universe, reality can be altered, even retroactively.

And the ability to change reality does not seem to be limited to Adam. Another example, as Goldfarb Styrt (cf. p. 127; cited below) points out, is Crowley being able to get himself and his Bentley through the burning M25, while Hastur gets discorporated. Crowley simply imagines that everything is fine, and by imagining it, it becomes real. Goldfarb Styrt (cf. p. 123, pp. 126-127; cited below) also suggests that it might be the individual's interpretation of reality that matters.

That sounds really fitting to me. Because the Bentley is burning, no matter how Crowley imagines otherwise, and it explodes as soon as Crowley isn't concentrating on keeping it together anymore. And, as @indigovigilance mentions in this post, the people who witnessed the incidents during the attempted Armageddon, like Atlantis rising from the sea, still remember them, even after Adam undid everything again.

But Crowley and the humans interpret the aforementioned events in a different way than you would expect, and their interpretations have an impact.

In any case, reality and the ways in which it can be altered are important themes in season 1 of Good Omens. And season 2 contains hints that they might play a big role in the finale as well. The most prominent example of these hints is the recurring mention of the Book of Life.

I will go into more detail about the Book of Life in my next post, but the important bit for now is that by erasing someone's name from it, you create a version of reality in which "they will never have existed". So the Book of Life is another tool to effectively alter reality.

Conclusion No. 3: Reality and the possibilities to alter it are important themes in Good Omens and will be relevant to plot of the finale.

That's it for now. What are your thoughts on fate and reality in Good Omens?

Work cited: Goldfarb Styrt, Philip: Sola Fide. Ineffability, Good Omens, and the Reformation. In: Giannini, Erin and Taylor, Amanda (Eds.): Deciphering Good Omens. Nice and Accurate Essays on the Novel and Television Series, pp. 120-132.

@kimberleyjean

[taylitruther]

Max’s motivations confuse me.

This isn’t a Max hate post. I actually think his inconsistent motivations make him a compelling character to watch, especially as the season(s) continue and he develops more.

Example A: He takes the job on the Odyssey on the first place because he wants a better work life balance. Except, now he’s living where he’s working. Speaking from some level of experience (RA at my college for 3 years), living where you work is actually kind of sucky if you want balance. You have to put in a lot of effort to turn off work mode.

Plus, all of your friends are then also your coworkers (or in his case, your boss or subordinates). It’s hard to relax and let your guard down, especially for someone as Type A as Max.

And he should know this difficulty. As an accomplished doctor who has worked in remote areas, I can’t imagine he was living very far from his patients and any coworkers he did have, who ultimately would be his friends as well.

So, why did Dr. Max Bankman really take the job?

Example B: He dances with and kisses Avery (his subordinate) literal minutes after Tristan (his other subordinate) confesses that he loves her.

Like, he knows he’s going to have to work with these people for the rest of the cruising season. Why would he invite that potential tension into the infirmary?

Example C: His “one-woman man” speech in reflection of the threesome. More specifically the fact that he gives the speech to both Avery and Tristan, but then doesn’t have any sort of follow up with Avery alone about being his “one woman”.

He said he enjoyed it, he had a good time. He didn’t mention anything in it about them being his subordinates, and we know he is distinctly attracted to Avery (see Example B). Why would he not say anything to her?

I think Max Bankman is not a confusing character, but a confused man, which makes him a compelling character to watch. And I am so excited to see him develop.

[uskglass-mirror-house]

So I went to a con and bought myself this very cool piece of art by Lothlenan. It features Howl and Sophie from Howls' Moving Castle as The kiss by Gustav Klimt. The more I looked at the fanart, the more I thought "Man, this is a great idea for most of my fictional couples". And this is how I ended with this piece of John Uskglass/ William of Lanchester fanart!

Overall, I'm pretty satisfied with how this turned out. I like how John's robe looks and also I'm pretty satisfied with the background. William's moustaches and beard were also a lot of fun to draw.

However, there are some things that I want to improve (and that I will change when I make another version of this): fixing John's eyebrow and eye (they look weird af and idk what happened there they were fine in the sketch lol), improving the design of William's armour, maybe trying to get my hands on some paint and do a mix to add some difference in texture, replace the ivy with the original yellow flowers (I put the ivy there because magicians, but for the colour composition the original is better), and make the background way darker to invoke John's shadows. I also think William's clothes need to be darker to match John's and be true to the spirit of the original painting (studying the original for inspiration made all the things I learned about it resurface and I realised that next time around I have to try and maintain some of the original symbolism).

Anyway, happy 20th anniversary to Jonathan Strange & Mr Norrell and to my favourite niche blorbo ship!

[hinamie]

noir

[nostalgia-tblr]

i nearly anon'd the thorki non-con fic out of SHAME but in two weeks it's become my third most clicked-on fic of the year, behind only a multichapter fic and a bit of angsty sifki porn lololol

[sincerely-sofie]

*skitters up to you on all fours with a bunch of drawings in my mouth* *drops them at your feet* *skitters away*

enjoy some schizophrenia / psychosis / mental health-based humor.

[here-there-were-dragons]

i'm seeing three times as many people bitching in the tag about the very idea that someone might not like this breed than i see people actually expressing unambiguous dislike for this breed

[nerosdayinanime]

"Im worried what people would think of you then, that you're just a personal whore or something- i don't want to ruin your reputation.."

"Are you kidding? 'My dick was so good i got promoted-' Thats the biggest flex i can think of!"

"Well, you're certaintly enthusiastic about this."

[gladosluver]

i think about that scene with mikan and ryota in the despair arc way too much and scream about it.

/ mentions of s/a & attempted rap3

it's so sad to see him be brave and step up to help kyoko because she was in the same position he was when mikan assaulted him. + the fact he doesn't usually try to stand up for himself until later episodes, and sticks to defending others instead

maybe im digging too far into this, but the way this is a reoccuring thing in the series (appearing twice in dr3 future/the comic anthology) is a bit disturbing. it seems that whenever mitarai is brought up, something about s/a is sure to follow, like his trauma is being downplayed for the sake of some joke/bit.

i cant help but think the two references in the future arc were written in just to be funny. like "haha, stupid mitarai, thats not sexual harassment!!" this is further influenced by how the other characters react, brushing it off and moving on (as well as kizakura, quite literally, defending himself in anime terms)

i dont want to get too deep into dark stuff here, so if i continue this it'll be via a reblog from my other account that i've kept secret until right now

[edwinisms]

I really don’t wanna be that guy but completely honestly why does anyone think that a petition is going to do anything

[numberoneanika]

Honestly the roleplay blogs are stronger than I am because if I saw a post where people were saying my blog was annoying and calling me corny I would jump in a large pit and rot away