#<- which okay arguable. they do take the time to say he was wrong for it. which is. a whole other thing on how genshin handles

[dreampearls]

for all that i might compare colleis writing to scara with scara working as a weird sort of mirror world alternate look into collei if she wasnt smited by misogynistic writing decisions. scaras writing is not all that good either

[pomefioredove]

I have a silly idea: reader comes with Jade, Leona, or whoever else you want when they get their wisdom teeth taken out, so they can drive them home after, you know, but [Jade, Leona, or whoever] has a strong reaction to the anesthetic and is very loopy (and emotional, and honest) afterwards.

I hope you feel better soon!

arguably leona is the funniest one 😭😭 ty for this anon

*ੈ✩‧₊˚ forget it

type of post: fic characters: leona additional info: romantic, reader is gender neutral, reader is not specified to be yuu, reader can drive, I feel like that needs tagging, I didn't write this about jade but he snuck his way in anyway

"Careful. Mind your head. Let's get you into the car- there we go,"

Leona mumbles something nonsensical, holding an icepack to his jaw.

You'd think, with the pain and all, he'd be in an even worse mood than he usually is.

But then, you'd be wrong. He's full of surprises.

He runs his free hand over the armrest of his seat. "Where'd you get this thing, anyway? I thought you were supposed to be poor or 'somethin,"

"It was a gift, actually," ...from Leona himself, which he doesn't seem to remember. Hm.

"Whoever bought it must like you a lot..."

You give him a strange look before you start the car. "I suppose so?"

"Lucky bastard,"

You laugh. Then he laughs, which takes you by surprise. It's not like him to be so... unlike him.

He's very talkative, too.

Leona's been mumbling nonsense to himself since he got out of the dentist's door, but this is actual conversation, now... if a little slurred.

"'s a good thing you're 'doin this. If it was Jack or 'somethin I'd never hear the end of it... you're dependable, 'ya know?"

Laughing gas. The nurse had warned you he might be a little loopy for a short time after the procedure. Euphoric, is the word she actually used.

You can definitely see that now.

Leona is looking at you like you're the prettiest thing he ever saw, his eyelids lowered.

"Do you got a boyfriend or 'somethin?"

The numb, slurred state of his words makes it uneasy to understand him, but with the look he's been giving you, it's not exactly hard to guess.

"No, not presently," you say, trying to keep your eyes on the road. "Why? You gonna ask me out?"

"Yeah. Maybe,"

You roll your eyes. The nurse had also warned you he might experience some mild memory loss.

An effect of the laughing gas, again.

He won't remember this conversation in a few hours. A sense of disappointment hollows out your chest. You ignore it.

"Okay, then. Meet me on Friday. Six PM. I want dinner and a show, your pick," you say, a smile tugging at the corners of your lips.

"Done,"

"And I want flowers. Imported from Sunset Savanna,"

"Can do that,"

"And I expect a kiss at the end. A proper one, not a teen boy one,"

"Pfft. A teen boy one?"

"You know. Eyes open, dumb look on their face, tongue sticking out. You'll have to kiss me like a gentleman, Kingscholar. I really like you. Like-like you. Make it count,"

"Yeah, yeah..."

He mutters, closing his eyes and kicking back against the car seat.

Not all things are so different about him now- he falls asleep just the same. And he snores. All the way back to school.

You nudge him awake and he only growls, though not very menacingly, and lets you help him back to his dorm, your arm under his. Once he's tucked in bed, medication on the bedside table and a checklist in Ruggie's hands, you're done.

Walking back to your own dorm, you feel that same hollow sense of disappointment. And some relief, too. You confessed to your crush, and he won't even remember it!

"Ah, it's you. I was wondering who might be out so late,"

You jump, and spin on your heels towards the source of the noise. Behind you, the owner of the mysterious voice comes out of the shadows.

"Oh. Jade," who else would you expect at this point?

"Good evening," he bows, a little too formally for the sharp-toothed smirk on his face. "Might I inquire what you're doing, out here so late?"

"I had to drive Leona to a dentist thing," you shrug, walking again. Jade follows alongside you.

"Oh? And that went well?"

You chuckle. "Very. Besides the side effects on the anesthesia they put him on,"

That familiar curiosity gleams in Jade's glassy eyes, giving him a predatorial look. It's... unnerving. As usual.

"Oh? I wish you had told me. I've become quite interested in land creature teeth lately... tell me, what anesthesia was used?"

Creepy. But not unusual for Jade. "Some injection, and laughing gas,"

"...Interesting... you were in the car for a long while?"

"Uh..." where's he going with this? "Yeah, I guess. And we had to fill out some paperwork in the lobby before leaving."

"Interesting... very interesting,"

The gleam in his eyes almost becomes hungry, as if he's feeding off of what you're telling him.

Like... he knows something.

You narrow your eyes. "What?"

Jade grins, showing you rows of sharpened teeth. "Oh, nothing..."

You wait for him to go on. He waits for you to ask. You both walk down the long path to your dorm.

"...It's just that the effects of laughing gas wear off no more than ten minutes after the flow has ended. I'd dare to say that Leona was perfectly lucid by the time you got into the car,"

You slow. Then you stop. There's no way...

That... absolutely bastard of a prince.

Jade's grin sharpens.

"It seems as if whatever secret you have so clearly given Leona while you thought he was drugged isn't so secret now... is it?"

[writeyouin]

Lost light megatron trying to have fun with his s/o, but kinda failing cuz he thinks of all the ways it could go wrong? (Maybe they’re on a planet in a theme park?) and reader has to convince him to let loose?

Megatron X Reader – Let Loose

A/N – Slowly, whittling my list of requests down.

Warnings – None.

Rating – T

Megatron snatched the cotton candy from you, earning a startled look from the vendor and the surrounding people alike. You, on the other hand, merely smiled, knowing what he was like.

“Babe, it’s not poisonous,” You told him patiently, waiting for him to agree.

Megatron tore off a piece of the fluffy treat, scanning it with a device he had procured from Red Alert; that bot was equally paranoid about all the things that could poison you, or that could contaminate the ship’s supply of energon, or that could… Actually, the list of things that Red Alert was paranoid about was endless.

He hummed and passed it back to you begrudgingly. While it was true that the food wouldn’t kill you, it wasn’t very good for you either, which is exactly what he told you after you tore a piece off, popping it in your mouth gleefully.

“Would you lighten up?” You laughed, elbowing him playfully. “Today is supposed to be fun.”

Megatron followed you through the Carnival that Rodimus had insisted on making the Lost Light stop at. Frankly, he thought that he had been doing well by not complaining that it was a waste of time and energy to visit such a trashy attraction, especially when the crew had to make use of their holo-forms which increased their energon consumption by 3.7%. That might not have been a lot for one bot, but when used by the full crew, it would ensure they practically ate through their energy reserves.

“I’m sorry, (Y/N), but how exactly would you have me ‘lighten up’?” Megatron used air quotes upon repeating you.

“Just cut loose. Have fun for the day, okay?”

Megatron scowled. His idea of fun was composing poetry to sum up his deepest thoughts and clear his processor, or to spend an evening with you, consuming some of the universe’s best literature, while you spent time on one of your hobbies.

Frankly, this was when another bot might comment on how odd your relationship was. You and Megatron were not alike. You were loud, carefree, and energetic. He was sombre and contemplative, and he preferred not to waste energy on frivolous activities.

Yet, Megatron found himself wanting to please you. Part of this stemmed from the idea that he didn’t believe that he deserved you, and partially because you asked very little of him, taking the relationship one day at a time while he learned how to navigate it with you.

“Very well,” Megatron sighed. “I shall…” He tripped over the words cut loose, finding the slang un-endearing, opting to finish by saying, “Try to relax somewhat.”

“That’s all I ask,” You chuckled, grabbing his hand and dragging him to the first game of the day.

It was a simple ring toss over some bottles, with various prizes hanging overhead. You spotted a plushie armadillo which was arguably the most hideous of the prizes, yet it held your attention, your pupils dilating at the sight of it.

“Oh yeah, that’s coming home with me.”

And so the game began. You tried again and again to win the creature, putting more and more credits on it, much to the vendor's satisfaction.

Megatron watched, bemused, until finally, he grabbed your shoulder, shaking his head disapprovingly.

“What’s wrong, babe? You want a go?”

You held out a ring to him. Megatron glowered first at the bottles, then at the vendor. “You should leave this game.” He told you matter-of-factly. Then in a whisper, he added, “My sensors show that it has been rigged. Winning is a statistical impossibility.”

“Oh,” You deflated. You had already guessed that the game was rigged, but it had been fun to try all the same. Half-heartedly, you threw the last ring before walking away. “Okay… something else then.”

Megatron silently cursed himself for upsetting you, but it was better you knew now rather than trying to win the impossible.

Your eyes lit up again when you saw what had to be the world’s most unstable rollercoaster.

“How about that?!” You pointed to it excitedly.

Megatron scanned the structure, messaging Ultra Magnus to see how many laws it broke. According to him, the ride had 36 structural weaknesses, broke 17 laws, and would only be legal on 3 planets.

You shook your head as Megatron’s face set into its default scowl.

“Oh, come on, please,” You begged, clasping your hands together.

“I won’t stop you, but I shan’t join you,” Megatron said drily, thinking about how he would be prepared to shed his holo-form and rescue you when the ride inevitably flew off the tracks or something equally terrible.

“Really? I can’t convince you?” You pouted.

“I should think not.”

You opened your mouth to argue until Rodimus ran into you, “Hey (Y/N). You here for the coaster?”

“Yeah, I was about to get in line. I’m just asking Meg-”

Rodimus rolled his eyes, “Megatron isn’t going to join you. It would mean having fun, something he’s completely allergic to, you know, alongside joy, laughter, puppies, flowers-”

“Shut up,” You punched Rodimus playfully in the arm.

Megatron watched as you and Rodimus played, eventually getting his approval to go on the ride together. It sometimes amazed him that you hadn’t chosen to enter a relationship with someone like Rodimus. The two of you were quite similar and had a good rapport.

Megatron sighed as he watched the two of you on the ride. He was somewhat you were relieved that you were with his co-captain. At least that way you would be safe with him should something happen. One person with you, and another on the ground in case something went wrong.

Yet, remarkably, nothing bad happened, except for Megatron putting yet another damper on the day, making him practically miserable.

Once you had come off the ride, Megatron made his excuses to go back to the ship, leaving you alone with Rodimus. He had much to think about when it came to the two of you, and frankly, he felt like he needed to find some reasons that the two of you were together, especially after such a disastrous excuse of a date, wherein he had only helped to sour your vibrant mood.

Megatron startled at the sound of the doorbell ringing.

He answered the door to find you, holding tightly onto the plushie armadillo that he had claimed was impossible to win.

“So, you somehow won the ring toss,” He stated, gesturing to the toy.

“Nah. Rodimus distracted the guy there and I took this,” You held out your prize, grinning victoriously.

“Stealing?” Megatron said doubtfully, thinking about what a terrible influence Rodimus could be.

“I’d like to think of it as liberating a plushie who needs a lot of love. Besides, you said it yourself. That guy was cheating, so it’s only fair he loses a prize or two every now and then.”

Megatron nodded stiffly, his optics following you as you entered the hab-suite.

“I’m sorry-” He started, surprised when you said “Thank you,” at the same time.

“What’re you-” “Why are you-”

You laughed as you both spoke simultaneously again, gesturing for him to start first.

“I- I’m sorry for leaving you at the fair,” Megatron sighed in his usual melancholy tone. “And you don’t have anything to thank me for. Believe me, I should know.”

You grinned, holding back a bout of laughter since you didn’t want Megatron to be offended.

“I’ll admit, I was sad that you left early, but… I wanted to thank you, for a really good night.”

Megatron didn’t respond. Frankly, he couldn’t see how you had a good time with him at all.

“I know the carnival isn’t your scene, but you went with me anyway, and… I love having someone who looks out for me all the time. I think it’s really sweet that you don’t want me to get conned out of my credits, or get hurt on the big rides, or, y’know, die from poison. I love you, Megatron.”

That wasn’t the first time that you had told Megatron you loved him, nor would it be the last, and yet, you always said it at the most unexpected times.

“I… Love you too,” Megatron said haltingly, scared as usual that his vulnerability would lead to a terrible end for the two of you. “Would you like to spend the night here?” He offered.

“Sounds good to me,” You beamed.

[miraculouslbcnreactions]

I know you’ve said in the past that you don’t think switching marinette and adrien’s kwamis would solve anything writing-wise, but do you think having the kwamis switch personalities would do the trick? marinette still has ladybug/creation, but with plagg’s personality, and adrien still has black cat/destruction, but with tikki’s personality. thoughts?

No, I don't think that this would fix anything because it's approaching the problem as if the issue is some flaw in the show's base setup. As if you have to make major changes for Miraculous to work. My stance has always been that the base setup is totally fine. The problem is the execution. In fact, I think that the current kwami personalities are a great choice, the problem is that they're not being used well.

Marinette has a pretty strong personality. She knows what she wants, but has a tendency to get caught up in her own head and a tendency to make snap judgments. Those tendencies make her occasionally fail to consider alternate paths or points of view. That means that what she needs most is someone who will make her consider those alternatives. Someone who will be direct, talk her out of mental spirals, and keep her focused. A voice of reason, if you will. Tikki is perfectly suited to that role. She is not the kind of kwami to sit passively by. Plagg, on the other hand, would just encourage Marinette along the path of glorious chaos or let her do whatever she wants so long as he gets his cheese. While I think that could be genuinely fun to watch, it's not really benefiting Marinette much and this ask appears to be treating the Kwamis as potential mentors, so I will, too.

Adrien is a little more complex. Given his rather depressing home life, I can see why someone would want to pair him with loving Tikki over more-detached Plagg, but I'll explain why I think that Plagg is the better fit IF you actually let him mentor.

Adrien is a passive follower. He never fights for himself and he bows to authority at the drop of a hat. While those traits are arguably strengths for his role on the battlefield, they're not great for him in his day-to-day life. There's nothing wrong with being more passive and more of a follower, but he needs to learn that he can make his own choices, too. The best way to do that is to give him the kind of mentor who doesn't just hand him the answers. Someone a little chaotic whose style is subtle pushes and not just handing him a possible path to take because Adrien would absolutely just take the suggested path. Plagg is perfectly suited to taking on this style of mentorship and it is a crime that the show never let him shine.

Example scenario: Adrien feeling left out in season four. (Note the following is a very rough draft)

Adrien: I feel like Ladybug doesn't need me anymore. She keeps calling in other heroes! Tikki: You need to talk to Ladybug and tell her how you feel! Ask her when she's free to meet up! Adrien: Okay, what should I say? Tikki: Tells him what to say.

This is solid advice, but Tikki is just handing Adrien an answer. He's probably not going to learn from this and may even flub up his talk with Ladybug without Tikki walking him through it because he's just doing what he's told and not coming to this path on his own. Contrast this to Plagg in his ultimate form (by which I mean mentor Plagg, not eldritch horror Plagg):

Adrien: I feel like Ladybug doesn't need me anymore. She keeps calling in other heroes! Plagg: And you're left watching from the sidelines every time? Adrien: No, not always. Plagg: So she's sharing the cheese now? Giving you slices instead of the whole wheel? Adrien: yeah, I guess. Plagg: why? Adrien: what do you mean why? Plagg: why'd she start sharing? Adrien: I don't know. Plagg: Huh. Too bad. If only there was a way you could find out. I guess it will remain a mystery. Adrien: (annoyed) Ladybug knows! Plagg: And? Adrien: And... I guess I could ask her? Plagg: I mean, if you started sharing my cheese, I'd be demanding answers! Adrien: I'd never share your cheese! Plagg: You promise? Never? Not even if you were starving? Adrien: Well, I mean, I guess I might if it was an emergency or something, but I wouldn't share it without a good reason! Plagg: And Ladybug's different? Adrien: What do you mean? Plagg: She does things without a good reason? Adrien: Of course not! She's brilliant! She always has a plan! Plagg: Interesting. Might want to keep that in mind for your little talk. Adrien: (after a thoughtful pause) So you think I should talk to her? Plagg: Is there another way for you to find out what's going on? Adrien: No. Plagg: Then why are you bothering me? Sounds like you only have one option!

Note that Plagg never gives Adrien a clear answer here. He just asks questions in a bored manner and lets Adrien think things through. He's guiding Adrien to a specific answer, but making Adrien really think about it, better prepping him for the coming talk. This mentorship style would drive Marinette crazy, but I think it would do wonders for Adrien! The difference is that, in this situation, Marinette probably already knows what she needs to do and is just avoiding it while Adrien genuinely needs help realizing that he can speak up. This doesn't mean that Adrien should never get direct, clear advice, I just wouldn't make that the standard as it's not helping him with his passivity.

All of this is a big part of why I love Plagg so much. That little cheese gremlin is just brimming with potential and it saddens me greatly that canon will never give it to us. They gave him the perfect personality, they just missed the fine details of how that personality should function as a mentor.

[muzzlemouths]

Part 1 of a oneshot based on @juicyyyboxxx's Valentine's Day art because it's lived in my head for months. so if this breaks your heart you have them to blame 💕

WC: 1400

The rejection is familiar. It bites like teeth on flesh, a deep and aching bruise, unseen, it offers no catharsis without the bitter taste of crimson beneath. Circuits sting and spark under plates of cold metal and a heart that tick tick ticks to a pre-programmed pulse. Alive by electric veins, each breath is painfully artificial. That's why they always leave, isn't it?

How silly it is to think this time might be different. Yes, silly, that’s what they always tell him. What a silly robot, with silly little feelings he himself doesn’t understand and a silly heart that goes 01100010 01100101 01100001 01110100 (beat) 01100010 01100101 01100001 01110100 (beat) 01100010 01100101 01100001 01110100 (beat).

He is exhausted by its rhythm. Disheartened each time a scraped knee leaks oil and not blood. It didn’t use to be this way, of course. This dysphoria of sorts is recent — a development which stems from not one rejection, not two, but a number that can’t be contained when counting on both hands. He is made to watch, not to keep. The children come and go. Their parents, too. His coworkers find him endearing, charming, amusing, silly silly silly silly silly.

But not worth staying for.

He tries writing letters, assuming (hoping) that it is his voice or maybe his face which scares them away. Maybe he can’t find the right words, and his hesitance is too ugly to bear. Maybe it’s a matter of not saying the right things, or not saying enough of them. Writing it down will fix this, he thinks, and so he gets to work.

The first letter isn’t good. No, no, it isn’t good at all. He tries it again. This one isn’t much better. That’s okay! He has plenty of paper, see, and all the time in the world to get this right.

Time swims through scribbled ink, his hours punctuated with each shake of his head and the crunching of paper, forced into a ball and tossed over the shoulder to be discarded at a later time. It’s terribly messy and goes against his very coding, but then again, so does this beating heart of his. So do these feelings.

It’s a bug, he thinks. A sickness. There must be something wrong with him, surely. He can’t think of another reason for this madness. There are butterflies where his wires ought to be, a warmth in his chest that no amount of fans can reckon with. He feels so strongly about this. About you. And this time, the letter is perfect.

It has to be.

If it results in that familiar sting once more, well, he doesn’t think he will have the strength to try again.

He spots your orange sneakers from across the room and makes towards them like a bee, high on hope, catching you by your name just as you reach the exit doors. Your heel turns to question him, and your smile is thin. Polite. You want to clock out and be home, already.

The paper in Sun’s hands is folded neatly, basic printer white. The adhesive of a red heart sticker keeps the letter in place. His fingers tap-tap-tap against it for one anxious minute before he works up the courage to hand it over.

“Seeing as it’s Valentine’s Day, a-and everything,” he sputters, “I thought– well, why don’t you just give it a look?”

For all the opinions Moon had to share over the hours that the letter was being written, he is decidedly quiet now, of all times, when his voice and companionship is arguably needed most. There is a shared stillness to the room that is perfect as much as it is daunting as the letter is extended.

His gears tense like a held breath when you raise an eyebrow in his direction. You take it with the patience one might expect from any other retail worker; which is to say, too much. Your breezy attitude has him fidgeting with twice the enthusiasm, and the reasoning behind his restlessness is lost on you.

A confession lies between folded paper, unbeknownst to you, ready to be heard if you will humor him and listen. Your eyes return to the letter with an inquisitive hum.

Taking little care in preserving it, you break his heart.

Sun watches on with quiet resolve as the sticker is ripped in two, and the paper unfolded. He dares not move or utter a word as your eyes look over the small poem written in crayola purple. Short and sweet, with the intention of making his feelings for you known without it becoming too cheesy, he thinks it gets the job done well enough. His best letter yet! This assumption is further bolstered when your mouth upturns into a lopsided smile, but he can’t quite read your face.

Then comes the laughter.

Short, curt, a quick exhale through your nostrils more than anything else, as though he’s just told a joke that you found particularly–

“Oh, Sun…”

The letter is returned to him with that same humoring expression on your face, and it is here where he realizes that the look in your eyes isn’t returned affection at all. It’s pity.

“This is very sweet,” you insist, nudging the paper forward a second time when he doesn’t immediately take it back, “but it’s not like that between us, right? I mean, we’re friends, but…you didn’t seriously think this would work out, did you?” Another laugh, and this one stings. “Don’t be silly.”

There is an echo of understanding between his code. Your words don’t offer him the kindness of sinking in slow, rather, they cascade through his audio processors like a slap to the face, one after the other.

There it is again. Silly, silly, silly. Yes, indeed, how silly it was of him to think he could ever be anything more than a hunk of metal in human clothes, pretending to be something he’s not. At the end of it all, it’s not his face, or his voice, or the words he is too scared to say. It’s him. Silly, silly him.

And he is not something that can be fixed with crayon words and sticker hearts.

“…Sun?”

“Of course!” He abruptly straightens with a vocal tick of metal on metal, swiping the letter from your hands as if it burned you. “Of course I wasn’t being serious,” he continues, “it was a joke — a joke! You know me, silly ol’ Sunny. Just thought I’d give you a laugh before you went home for the night, is all!”

Printer paper white folds neatly over shaking hands. You might have questioned it were you not in so much of a hurry to get home, but as it stands you have more important things to get to, and a subtle tremor isn’t too out of the ordinary for the animatronic, anyway. Old wires, if you had to guess. The company really ought to get that fixed.

“Good one,” you say, a third and final laugh spilling between your grimace. “Well, I should get out of here. Thanks for helping out today.” Your eyes flicker towards the exit, then back, again, to where he waits like a statue, unmoving and with that same ever-constant expression staring back. “See you tomorrow?”

Something clicks and buffers in his voicebox as he realizes you’re waiting for an answer, a thousand responses readying themselves between the silence, questions he’s never dared to ask. How is any of this fair? Is it in vain, all these hours and days and years spent toiling with words that go no where, and feelings he isn’t allowed to have? To run his circuits ragged chasing after a heart he can’t keep? Am I better off alone, he wonders.

“See you tomorrow!” He says instead.

You can’t help but feel a twinge of guilt rising in your chest as the door clicks shut behind you. He sounded so genuine, you might have actually believed it if he were in any way built to host those kinds of emotions. You assume that he’s just mimicking them, instead. Putting on a show like he used to do before the daycare became his new objective. And yet, the idea of an animatronic truly feeling anything in the way of love makes you smile just a little as you head for the parking lot.

“…What a silly robot.”

[hopeforchanges]

okay hot take here don't bash my head in ... Sauron and Galadriel ≠ Orlok and Ellen

idk am i the only one who doesn't see it? i stayed away from speaking on the topic cause i didn't feel i had all the information to engage in any meaningful convo but now that a good amount of time has passed and I have listened and read other people's arguably passionate stances on this (which is great! i love when people enjoy something, it gives me joy too!!) i must say .... i don't get it lol

let me explain myself:

I get that certain aesthetics or vibes might overlap (dark, brooding antagonist vs. a luminous, female protagonist), the comparison completely falls apart when you dig into their actual characterizations.

Ellen as a Symbol of Maidenhood vs. Galadriel as a Warrior

Ellen is basically a paragon of feminine virtue: she's all about purity, innocence, and ultimate sacrifice. She represents a kind of moral ideal that aligns with the trope of the "selfless maiden." Sure there is darkness in here but like ... where? lol in the words of one of my favorite complicated female characters of the silver screen: "I can't see it, I can't touch it, I can't feel it. I can hear it, I can hear some words but I can't do anything with your easy words."

Galadriel is a warrior, a soldier, a power-hungry monarch. She was born a princess into a life of great privilege. Galadriel is ambitious, vengeful, and actively pursuing power. She definitely embodies characteristics that are more commonly associated with male domination. I love both the feminine in Ellen and the masculine in Galadriel. They just don't overlap imo.

Orlok’s Selfish Awareness vs. Sauron’s Delusional “Vision”

Orlok is unapologetically monstrous. He’s a selfish predator who knows exactly what he is and doesn’t care. He’s not trying to justify himself or claim he’s “saving” anyone—he just feeds on people because that’s what he does.

Sauron thinks he’s doing the right thing. In his mind, his actions are about order, preservation, and the “greater good.” That lack of self-awareness is huge—it makes him a completely different type of villain. Orlok leans into his evil; Sauron justifies it - doesn't even think he's the evil force - definitely not in his story.

The Core Dynamic Feels Wrong

Ellen and Orlok’s relationship is built on fear and revulsion. Ellen sacrifices herself to stop Orlok—she lures him to his doom. There’s no room for ambiguity there; he’s the predator, and she’s the prey.

Galadriel and Sauron are equals. None of them can land the killing blow because they don't want to, not because they can't. Their dynamic is tangled up in grudging respect, power struggles, and even a weird sort of kinship. Galadriel isn’t diminished or destroyed by Sauron like Ellen was by Orlok; quite the contrary. Galadriel was empowered by Sauron, healed through him (at least in the show which is the medium i am basing my opinions on, not necessarily the tolkien legendarium). That's why it's so funny to me that in season 2 he can't figure out why she won't say yes to him when she used to drool over his mortal form and so he transforms into Glambrand as his big fix cause he thinks THAT is what the issue is lol you were her friend, dumbass, that's literally it. you supported her and believed in her when no one did and couched her so she could achieve her goals - helped her self-actualize.

There are no such layers and complexities in Ellen and Orlok's relationship. Plus, the fact that he came to her first when she was a kid gives me the ick, sorry. it's giving phantom of the opera. and i HATE phantom of the opera (the original book by Leroux, the musical kinda slaps tbh)

TL;DR:

Yes, Ellen calls Orlok a deceiver, but that’s where the parallels end for me. Ellen = pure, selfless sacrifice; Galadriel = complex, power-driven warrior. Orlok = evil and knows it; Sauron = evil but thinks he’s the hero. Their dynamics are fundamentally different, and the Orlok/Ellen comparison just doesn’t hold up under scrutiny.

If I’m missing something, feel free to convince me otherwise, but for now? Nah, I don’t see it.

[ddollfface]

lm a bit nervous asking this but it’s okay ^u^

I was wondering how your ocs would react to their darlings hurting themselves sorry if this is too weird for you!! I absolutely love your writing btw!!

𝐏𝐮𝐭 𝐓𝐡𝐞 𝐁𝐥𝐚𝐝𝐞 𝐃𝐨𝐰𝐧, 𝐁𝐚𝐛𝐲

LoveSick!Characters reaction to reader doing self-harm

Warnings; obviously self-harm, possessive behavior, crappy writing, me rambling, yandere characters, little suggestive on LoveSick!Friends part whoops! I wrote reader with a fem!person in mind sorry ╥﹏╥ You’re totally fine! I don’t mind these asks whatsoever, thank you for requesting, love! Just a small thing though, and this isn't necessarily directed toward you, but if you're ever, ever having thoughts of self-harm, there's no shame in seeking help! Take it from a gal who went through it herself! You are loved! Always remember that, babes ♡

....

𝗟𝗼𝘃𝗲𝗦𝗶𝗰𝗸!𝗔𝘁𝗵𝗹𝗲𝘁𝗲

He’s not mad, just disappointed, which is arguably worse. LoveSick!Athlete could never ever be mad at you. You’re the love of his life! The center of his universe, and all he ever thinks about, so how could he be mad at you? It’s just that… He hates, loathes even, the fact that you didn’t trust him enough to come to him! He’s your boyfriend, your future husband (not that you know that, yet), for God’s sake! 

Anyways… It’s likely you didn’t tell him, and he found out by accident, seeing new and old scars when your hoodie lifts up, or when you guys go to the beach (something along those lines). The first thing he does is pull you into a hug, pressing your face against his chest, just so you don’t see the intense gleam in his eyes. There are so many things that are spiraling in his mind, so many thoughts, and so many feelings that he can’t exactly pin them down. 

He doesn’t know what to do with himself, and he doesn’t exactly know what he’s feeling, but he knows he doesn’t like it. The idea of you ever, ever, harming yourself never came to mind. He never even thought that’s something you’d ever end up doing! He thought that everything was fine and dandy, that you were enjoying the relationship, that you loved him, but apparently not. 

LoveSick!Athlete scolds himself for not seeing the signs, for seeing how you seemed to take longer in the restroom, or how you covered more, even when it was oh-so warm outside. How did he not see the signs? How could he fail you? 

After a moment or two, he pulls you away from his chest, staring at you with an uncanny look, as if he’s trying to pry into your very being. He needs to know why! Why are you doing this to yourself? Is it because of him? Don’t say it’s because of him (it is), or else he think he might start spiraling. Of course, you make up some half-assed excuse, attempting not to place any blame on him, and so, the next thought in his mind is that it’s someone else. After that thought flickers in his mind, let’s just say that you’re not going to be going out with your friends for long while. 

He’s convinced that he cannot leave you alone, that he needs to be there for you at all times. He cannot let these outside influences spoil your beautiful mind! He has to protect you, and he will. Don’t worry, baby. He understands that you’re going through a hard time, but he’s here now! And he’ll take care of you, just let him do everything.

𝗟𝗼𝘃𝗲𝗦𝗶𝗰𝗸!𝗔𝗿𝘁𝗶𝘀𝘁

Okay, now he’s mad, very mad, extremely mad even. LoveSick!Artist is very emotionally constipated, very quick to anger, and violent with his tendencies. He hates what you’re doing to yourself, and it makes him mad at himself, you, and just the world! What did he do wrong? Why are you harming your beautiful body? 

You’re his muse, his inspiration, and he hates that it’s being tainted by your own hands! Immediately, his mind goes to who else has caused this because there’s no way that you, the sweet angel he’s made you up to be, could ever do this to themselves. Someone, some evil, nasty person, has pushed you to this, and he’s going to find them and make them wish they were never born. He’s already conjured many different scenarios in his mind, but not a single world slips from his mouth, which just makes the situation all the worse for you. It’s awkward. On the inside, he’s scathing, thinking of so many things to say, to do, but on the outside, he’s just staring at you with fiery eyes. 

You can tell he wants to say something, but he doesn’t, and that makes you nervous. Like LoveSick!Athlete, LoveSick!Artist likely found out by accident or something of the sort, probably when he was painting you. At the time, he didn’t find it odd that you were more hesitant, refusing even, to strip off your clothing, to change into the skimpy dress he wanted you to wear, scraping it up to be you just nervous. He found that cute, and let you be, what he thought, was your flustered self. What he didn’t realize is that you were hiding something from him of all people, which just made the reveal all the worse. 

Even though he’s unreasonably pissed, he’ll try to calm himself down for your sake, knowing that it freaks you out whenever he gets amped up. This means that he’ll grab your arm or push you onto some surface to take a look at your leg, this all depends on where you’ve marked up, and he’ll huff as he looks over the old and new scars. His eyes are fiery, flammed with an intense heat that makes you nervous, too scared to do anything. LoveSick!Artist will wait until his mind is, somewhat, cleared, standing up to grab your cheeks, pulling you into a oddly, and uncharacteristically, soft kiss, and wrapping his arms around you.

You can feel him shake as he hides his face against your neck. You’re so stupid, he’ll mutter, suddenly you feel your skin get slightly wet, God, don’t pull this shit again. Next time just… just be fucking normal and talk to me, you dumbass. You guys will stand there for a moment before he storms off, slamming the front door, not knowing what to do with himself.

𝗟𝗼𝘃𝗲𝗦𝗶𝗰𝗸!𝗕𝗶𝗺𝗯𝗼

Okay… She’s a little insensitive when it comes to this topic. Actually, it’s more like a culture shock, in a weird way? I’m not too sure on how to describe it, but it’s in the sense that it’s impossible for her to think that you would hate yourself. To her, you’re absolutely stunning! You’re her hot girlfriend; how could you ever think of yourself like that? It’s something she doesn’t understand, and so she kinda goes into shock when hearing about it. 

She’s very quick to comfort, tackling you into a big hug, tucking her face into your chest as she cries, and cries, and cries, and cries. She cannot believe this is happening! Why would you ever do this?

A situation where you should be the one comforted has turned into you holding her, trying to explain yourself as she straddles your waist, staring down at you with puffy eyes. Her lips are puckered as she cups your cheeks. With the tilt of her head, LoveSick!Bimbo will begin to list off every. single. thing. she loves about you. 

Her hands will start on your cheeks, blubbering out how she loves how full they are because it fills out your face, and then she’ll graze your eyelid, bringing her thumb up to your brow. Oh, how she wishes she had your brows! They’re so, so natural! But she has to get hers done, and God, your eyes. They’re super duper pretty! They’re one of her favorite things about you, can’t you see that? Why would you ever hate such a pretty face, when it’s all so cohesive, all so matching? She’ll go on and on, touching every part of your body as she names something positive, not caring as you try to push her off. LoveSick!Bimbo will hold you down, even using her fluffy, pink handcuffs if she has to! She has to prove to you that you’re an absolute beaut!

Once she’s done with that, she’ll bring you into a big hug, lying next to you as you, somehow, managed to end in her bed. LoveSick!Bimbo will force your face into her chest as she pats your head, urging you to go to bed, baby! I think you’re suppperrr sleep-deprived from finals, and that’s why you’re thinking so silly! Curling up to you, she’ll sniffle a little, huffing under her breath that she can’t believe you’d ever do such things… Maybe we can get our nails done! Manicures always make me feel better!

𝗟𝗼𝘃𝗲𝗦𝗶𝗰𝗸!𝗙𝗿𝗶𝗲𝗻𝗱

Baby, she already knew what you were doing the moment you put a blade to your skin. LoveSick!Friend has adopted the knack for reading you like a book as she’s been around for quite a while and has watched you like a hawk. You think she doesn’t know when you’re falling into fits of depression? Please, baby girl, she clocked it when you started avoiding your guys’s girl's nights. 

Immediately, she took to action, subtly trying to pinpoint exactly why you were doing this to yourself and finding a solution to said problem. Of course, it wasn’t easy as she didn’t want to make her intentions known as she was a little worried that you’d recede into yourself if you knew. She wanted to find out organically, get you talking to her, and then comfort you. 

After all, she is your best friend, and you are hers, so why would you not spill your heart out to her? She’s always been there for you, comforting you whenever your shitty ex dumped you, or when you had a fight with your parents, or even when your other friends conveniently stopped calling (which may or may not have been her doing, but I digress).

Really, because she understands you, and is quite the manipulator, she got you spilling to her in days. All it took was soft touches and sappy eyes, and you folded, not that she didn’t want you to. She wants to be the gal you come to. She wants you to come talk to her instead of tearing through your skin. Baby, you don’t need a therapist when you have her! She’ll hold you through the night, rocking you to sleep as she whispers comfort into your ear. She’s the perfect one for you, don’t you understand?

And don’t question it when her lips travel from your temple to your scarred wrist, and then your scarred thighs. Maybe she can make you feel better? Babydoll, she’ll make you understand how beautiful you are, just you wait. Just lay back, relax, and listen to her. This is what friends are for, right?

𝗟𝗼𝘃𝗲𝗦𝗶𝗰𝗸!𝗞𝗻𝗶𝗴𝗵𝘁

And… What’s that going to do, love? Now, he’s just confused, a little annoyed, but mostly confused. Why would you, the Empire’s Beaut, ever harm yourself? I’m not too sure if this is accurate, but I don’t think self-harm was too common back in the day. From what I know, the only recorded self-harm was self-whippings as a form of penance in the Church, or condoned by the Church at least (someone correct me if I’m wrong, but this is what I’ve found from surface-level googling lol). 

Based on this, the idea of you taking a blade to your skin is insane to LoveSick!Knight. He didn’t understand why you’d ever do such things as you live in the finest conditions he can provide! You’re served the finest meals in the nation and are treated with the uttermost care. To him, those are the only things one could ever ask for, so this is one bitch of a situation you’ve put him in. It’s frankly annoying to him, but he loves you so he’ll sit you down and speak with you.

Scooping you up in his arms, he places you on his lap as he combs your hair back, looking at you with an unamused expression as he gently holds your arm/thigh (whatever you choose to harm). With the click of his tongue, he’ll pinch your cheek and scold you, asking you if you understand what you’ve just done, darling? You’ve gone and scarred your beautiful skin. So now, what shall we do, hmm? Want me to go and patch you up, yes?

Of course, you’ll just nod your head with teary eyes, having no idea how to respond to his softened demeanor. Honestly, you were expecting far harsher treatment, seeing as LoveSick!Knight has done far worse to you before, so this was much preferred for you.   The two of you will sit in silence as he bandages you up, and surprisingly, he’ll mark each scar with a kiss, looking up at you with loyalty. In sickness and in health, he swore to you that he’d always be by your side, even when you’re making silly decisions like this. In the past, he may have harmed you in such ways, but he refuses to see you do such to yourself. Even with his hardened exterior and violent tendencies, you are still his wife, and he your husband, so he’s stuck with you until he dies, whether you like it or not.

𝗟𝗼𝘃𝗲𝗦𝗶𝗰𝗸!𝗣𝗼𝗲𝘁

Oh… Yeah, you thought he was scared of you before? Now, he’s avoiding you like the plague, absolutely terrified that he’s the one that caused you to harm yourself. LoveSick!Poet barely talks to you, and when he does, it comes out in stutters and flushed cheeks. He’s not the best when it comes to talking to girls, so he gets nervous, but you’ve always been so kind to him. However, the moment you open up to him about your self-harming, whether is present or past, he kind of freezes, not knowing what to do. Does he comfort you? Well, duh! But how do you comfort a girl? Does he hug you? No! You guys aren’t that close yet… A handshake? No, that’s awkward…

God! He doesn’t know what to do! And because of that, he disappears for a while, and you fall into your own pit of self-loathing, wondering if you overshared. I mean, he is just your neighbor, a weird one, but one that you see every morning, and one who leaves you little notes. You know that LoveSick!Poet is a sweet guy, and now you’re scared you ruined all that because you’ve told him something personal…

But all that ends when you find a little gift basket at your front door. Inside, there’s a letter, one that looks made out of very fine, very expensive-looking paper, and was written in fancy handwriting. You never knew his handwriting was so pretty. It was in purple ink, and there was a photo of the two of you, albeit a little awkward, attached to it. You forgot the exact occasion, but you think it was a neighborhood potluck? You’re not sure…

In the letter, LoveSick!Poet wrote a beautiful poem (obviously) about you, aimed toward your appearance, but also your personality. It had tiny details that you didn’t even notice of yourself! You were a little confused about how he even knew that, but you brushed it off as you felt your heart thump a little faster. It was very sweet, very genuine. And it was accompanied by a small bouquet of flowers, cheap(ish) perfume, and some chocolates. 

Although you would’ve really liked it if he’d said all these things to your face, as it would’ve saved you a week or two of anxious suffering, it was still sweet to know that he cared, even if it was in his own, weird way. Catching a small note on the bottom, you couldn’t help but feel warm, giggling at the note that wrote to please look at the bottom of the basket. I got you something I think you’d love ♡

And at the bottom, folded neatly was a portrait of you, smiling softly as you seemed to be looking somewhere else. There were pretty, lilacs framing the photo, and you looked otherworldly, if you don’t say so yourself. You have to admit, it was definitely an ego boost, knowing that this is how LoveSick!Poet saw you. But who knew he could draw?

[joseline-woodhouse]

Okay I have to say it.

Will, Ada and Montresor did something way worse than Annabel Lee.

Why? Because motive matters. Now don't get me wrong, a good motive cannot justify an inherently evil action, it however matters more and more when going deeper into more morally grey areas.

Annabel has made it very clear she understands these people, including Duke to be damned regardless of her actions and basically sees herself confronted with a trolley problem that goes: "You, your wife and like X other people are bound to rails. A trolly will run over all but one of you. However if you pull just the right levers, both you end your wife will survive. The first lever you must pull is on Duke." While this doesn't make her actions noble, it gives them a noble cause and one could argue in several ways that she's acting within a moral grey area if we take the situation to be as unshakable as it seems. To make to examples, one could argue in an utalitarian way (this saves more lives than the other option) or in a very human way (this saves a loved one at the cost of a soon to be dead man, who could blame her?). There are also concepts of morality that would condemn her, like for example the categoric imperative or Jewish or Christian (and I think Muslim) religion, in which it is inherently bad to kill a single person even to safe thousands of others.

Annabel considers killing Duke a necessary evil.

Montresor however is acting out of pure sadism and spite and he puts on quite a show to make this clear. He had done so even if he believed everyone would get a happy end and he is having the time of his life killing Duke. That is picture book chaotic evil behaviour right there and by no means redeemable.

Will and Ada? Arguably worse than Montresor, at least not a bit better. This is the kind of stuff that makes large scale modern genocides possible. Hannah Ahrendt (great woman, you should look her up) argues in her book "Eichmann in Jerusalem: A Report on the Banality of Evil" that evil at its worst is not some kind of demonic evil like it has been preached in medieval times, but lays within the sheer banality of an office worker casually doing the phone calls and paper work necessary to send thousands to their certain death, while the office worker goes back home, eats dinner with his family and thinks "I'm just doing my job. It's my supervisors moral responsibility, not mine."

Ada and Will tried to kill for no other reason than because they have been told to do so and the lack of willingness to accept responsibility really shows in their actions afterwards. So I am a bit confused when I see people arguing how terrible Annabel Lee is while defending the "poor boy Will".

So, controversial opinion: in this very specific case, even though Annabel Lee either started this or at the very least didn't stop it when she clearly could have, she hasn't committed anything as immoral as her henchmen committed, who did not even need a motive to kill.

Also I would every day prefer an Annabel Lee willing to kill Duke to safe her wife in the long run over an Annabel Lee that prefers to not be a controversial female character. Let's not forget these people don't actually exist.

[the-phoenix-heart]

hang on lemme cook. LEMME COOK

Okay so I've been thinking about the stolitz breakup since I watched it last night and the thing I keep thinking about is Stolas saying, "Blitzo, I think so very highly of you...I didn't realize you think so low of me." It is a painful line read, Bryce Pinkham at his very best. And in a way Stolas is right, the fact that Blitzo thinks Stolas would willfully manipulate and play with Blitzo's emotions is a low opinion to have of him. It also makes sense that he sends Blitzo away because he's yelling at him (even Blitzo's cadence sounds a bit like Stella). However, I think Stolas misunderstands where Blitzo is coming from.

We know Stolas is aware of the power dynamic between them, and specifically the transactional nature, and that he is aware that it is unhealthy. However, I think Stolas only understands that transactional part as the unhealthy bit. Stolas (in "Full Moon" and "Just Look My Way") focuses on the "unspoken contract" and how tethered they are to each other. He thinks by giving Blitzo the crystal and semi-confessing (Stolas never says the words "I love you") it means they will be on even ground and Blitzo won't feel like he has to whore himself out for Stolas's grimoire (something he needs for his business so he can live). Then Blitzo can actually choose to stay with him or not. But he doesn't understand that even without the grimoire there's the inherent power imbalance on the hell hierarchy level.

Stolas says in "Just Look My Way", "I don't care that you're of lower station" and that's because he doesn't. But that doesn't mean Stolas is an imp ally. Stolas has never indicated that Blitzo isn't just the exception. Just in this episode Stolas was seen making life harder for his imp butler, and then there's the scene in "Seeing Stars" where he is holding the imp butler holding the phone and squeezing him when he gets pissed. His interactions with Moxie and Millie also don't really make it seem like he cares that much about them as people. Blitzo isn't wrong when he calls out Stolas's treatment of his butlers, or when he says that Stolas was dismissing him in a way that felt disrespectful. Even him putting his hand in his face feels like how he would dismiss a servant.

Throughout the entire conversation Stolas is very cordial, very genuine, and very respectful of Blitzo's emotions-right up until he takes Blitzo's response as a rejection-but even then Stolas always has the power in the conversation. Even when he is being emotionally vulnerable, he is still the one controlling the conversation. He's the one stressing Blitzo out with it. Even when he gets on his knees to put the crystal on Blitzo's glove he is technically taking the choice away from Blitzo to choose it. And then his reaction to Blitzo thinking it's roleplay is that Blitzo really doesn't want him is to completely shutdown emotionally and not listen to Blitzo.

And Blitzo is not wrong for thinking it's about sex. Half of this is Blitzo convincing himself it's roleplay because he doesn't believe anybody could truly love him, but also when isn't it about sex with Stolas? The only times where it hasn't been was after Ozzie's when Stolas offers Blitzo to come inside (which Blitzo did not believe and did not react well to) and arguably the Harvest Moon Festival where Stolas invites him, which Blitzo honestly could have misconstrued as Stolas wanting to bring his sidepiece with him. You could also make the case for "Seeing Stars" but that episode has them falling back into horny during a mission they are both participating in. And as I pointed out in an earlier post how is Blitzo supposed to realize how highly Stolas views him? Stolas has called Blitzo his "impish plaything" and covered his face at Ozzie's and has generally been condescending to him ("You are so cute when you are serious"). We know that Stolas is desperately in love with Blitzo and would do anything for him, but Blitzo himself has never really gotten that confirmation.

Hell, Blitzo is actively doing what Stolas wanted. His reaction to Stolas's semi-confession by thinking it's roleplay is specifically proof that he does want to keep this up, even if he doesn't realize the feelings behind it. And then later he is specifically trying to have a conversation with Stolas and process what's going on ("Let's go!" As in "let's have this conversation!"). The fact that Stolas sends Blitzo away when he himself starts crying, when Blitzo has been on the verge of tears throughout most of this conversation proves that Stolas is not ready to have this uncomfortable conversation. He was only ready for Blitzo to either accept or reject him, and he thought that their issues would be fixed.

"Blitzo, I think so very highly of you...I didn't realize you think so low of me." No, it's not that he thinks so low of you, it's that he has almost only seen the outrageously horny part of you, that he's more aware of this power dynamic than you, and is rightfully calling you out for how you fumbled this confession. You clearly love Blitzo, you have the right idea, but you still have these inherent biases and are unaware of the power imbalance, and you need to reevaluate some things.

This isn't to absolve Blitzo of the part he played in the breakup, but since Stolas took the initiative and almost always people are more willing to take his side, I feel he needs to be held more accountable.

[kaythefloppa]

MUFASA: THE LION KING LIVEBLOG/THOUGHTS [SPOILERS]

Today, Mufasa: The Lion King has released worldwide in theaters. Within the hours of being unleashed upon the world as the latest entry in the Lion King franchise and in the Disney movie lineup, the movie has become available online.

As someone who has been anticipating this film since the day it was greenlit in September of 2020, now I can finally watch it to see if it was worth the hype, if it succeeds my expectations, or if it sucks (it does not).

Also, I should preface this by saying that I am not walking in semi-blind. I was not immune to spoilers, some of which I voluntarily exposed myself to, others were stumbled upon without any warning or disclaimer, but this is still my full thoughts on the film as I watch it for the first time in proper.

SPOILERS BELOW.

I think anyone and their grandma can see Pride Rock next to the Disney castle in the opening. It's not really much to say, but in this movie specifically, I smile noticing it.

It was announced that the film would pay tribute to James Earl Jones in the opening. I was not surprised by that, and I definitely shouldn't be surprised hearing his archived recordings in the opening but... goddamn.

LEBO M HOW I HAVE MISSED YOU. Much like in the original and Simba's Pride, he is the first voice you hear in the story and god it fits.

A lot of people have pointed out how unlike the 2019 remake of TLK, this film has a wide array in emotions, expressions, and life, focusing more on actually being an animated story rather than being a nature documentary (eat it John Favereau). This entire opening solidifies that fact and I think this bears repeating as to what one of this film's biggest strengths are.

SIMBA HOW I HAVE MISSED YOU!!!!!!!!

People have made comparisons to Narnia and Jungle Book when it comes to everything the remake got wrong. I'm making those comparisons to praise this movie specifically, I'm getting those vibes.

Nala is out here doing what we all should be doing; Touching grass.

Also Simba and Nala really be out here making long distance work. I love them so f*cking much and I hate hate hate how we're not going to see much of them in the story [for reasons that are perfectly valid, especially if you know how the movie ends which... we'll get to that]

I listened to the soundtrack before watching this film; It slaps so much. It's everything you would want in a theatrical Lion King sequel, so hearing it in the ACTUAL movie, that's astonishing.

Oh look... Timon and Pumbaa are here. Which is nice cause I'm a huge fan of Timon and Pumbaa (I stand by the fact that Lion King 3 is arguably the most god-tier of all Disney sequels) but.... Seth Rogan warthog..

"And that one three-legged zebra." Fuck that's actually pretty dark and I love it.

Kiara exists in this film. I was at first upset that they were retreading earlier ground but... I'm cool with it now. Not exactly what I would've done, but I can nod heads with it.

I get that Timon and Pumbaa overexaggerate things (a later joke in the film would confirm that) but I don't see why Simba is against the idea of them telling her stories. I think any child would be okay with that, even with the circumstances happening. Then again, this could be an indicator of Simba's paranoia and fearing that Kiara could go through the same thing. Jesus, no matter what universe this guy is in he is still traumatized, got-damn.

Oh wait I take it back I fucking love that Kiara is in this film, she is adorable.

Simba really had a glow-up from having a kid.

We all knew that Timon and Pumbaa fighting Scar in the trailers was just them fucking around, so I don't need to comment more on this. I will point out how one of my predictions for the remake was seeing Pumbaa defend Simba from Scar seeing as how warthogs can often square up against lions in real life. So, even in the context of a Timon and Pumbaa joke that makes zero sense, I'm still vindicated.

As someone who had an INTENSE fear of thunder and lightning as a child and.... still has somewhat of an aversion thereof as an adult, I can very much resonate with Kiara's reaction to the storm.

"We sing that song for 6 years straight." I'm going to ignore that line just so that I can continue to headcanon Lion King characters aging by humans (I am coping and seething rn)

RAFIKI HOW I HAVE MISSED YOU.

Rafiki in this film reminds me of my grandfather I cannot stop smiling every time he goes on screen, I want to hug him.

"Ceremonial birthing grounds" Holy SHIT I was not expecting such lore early on. Bravo Berry Jenkins.

John Kani is KILLING this role as Rafiki. I would easily use this as another opportunity to dunk the remake but I'm too distracted by how good this performance is and how it fits the character so well. I'm the furthest thing from a Disney shill, but I would unoequivcally watch a four-season prequel spin-off series about Rafiki if one ever came out, and I have this goddamn movie to blame.

This is gonna be a running theme but Rafiki has some of the best lines in this movie. What the fuck was Jenkins smoking and can I have it? /pos.

They played the This Land theme whilst Kiara talks about how she could never be brave like her granddad and father. The parallels....

Aand here we go, Mufasa backstory time! I mean, you'd have to ignore the three existing backstories that already exist but then again, all of them suck ass," so here we fucking goooooooo.

I really dislike when movies use "moons" as a time indicator because like, what does that mean? Does it literally mean a lunar cycle of nearly 30 days? Months? Years? I'm thinking way too much into this aren't I?

YEAAAH TITLE CARD BABEEEEEYYYYYYYYYYYY. WE ARE SO FUCKEN BAACK.

Goddamn I remember that one frame of Mufasa and his parents being released and it was so stupid. It looks even dumber seeing it to motion but damn it it looks so cute in a way!

Aww, look at how much Mufasa loves his parents. I hope these characters survive all the way to the end of the film without any major catastroph-yeah no, I can't even fucking finish it.

Milele is a good enough song with the vocals, but the visuals are really what hammer it home for me. The wide arrays of gold, pinks, purples, and greens, it brings life into this world, showcases the beauty of Africa, and emphasizes the dreamy aspect of the song. Also, you get Keith motherf*cking David singing in a Lion King movie, game respects game.

Also the T(He)y Lives in You reference was very well put together.

Mufasa chasing a butterfly being a reference to Kiara chasing a butterfly in Simba's Pride!!

I already knew Mufasa's father was gonna die in this but seeing him play with Mufasa, goddamn you Disney. Your never-ending patricide may be predictable, but it will never not tug my heart-strings.

I don't know who this giraffe is but I love them already.

Man, we've really come a long way since Simba's blank expression at the stampede, huh? Nature is fucking healing.

DAM(N)

Bisexual lighting in the water spotted.

You can hear Nants Ingonyama when Mufasa is submerged underwater! Deep cut.

Honestly, the hippos just glancing at Mufasa and swimming past him is hilariously dickish and it makes me forgive how they haven't immediately chomped him /j

Here's Taka (UGGGGGHHH ~ Sorry, I had to get that one out, they could've chosen any other name for him)

From day 1, Scar has always been a little shit lmao.

This doesn't mean anything on any scale, but I would've replaced the crocodiles with hippos. Would've been more scary.

Taka getting Mufasa up is directly contrast to how he will eventually kill him. This movie is going to try and yank my heart-strings out of my chest won't it?

"All important nap of kings." Bro's just like me fr.

Oh wait god I take it all back he's not like me fr HE'S NOT LIKE ME FR.

If I had a nickel for every recent piece of Lion King media that depicts cannibalism with the subtlety of a chainsaw to the pelvis, I'd have 2 nickels, which isn't a lot but WHY THE FUCK DO I HAVE 2 FUCKING NICKELS?!?!?! TWO!?!?

"Do you know what Mufasa means? It means King!" Erhm actually, Mufasa has no direct meaning in Swahili. It's a mix between Mfalme (which is the direct Swahili translation for "King" and the last pre-colonial King of Buganda called Mutisa. Obasi's clearly got his lions crossed. *cinemasins ding*

I love how Mufasa is clearly laughing and joking around as this adult lion is actively trying to fucking murder him. Either he is that oblivious to the danger that he is in, or he is actively trolling this asshole. If it's the latter, or even both, I love it.

I have a feeling that Obasi has actually murdered other outsider cubs before, or maybe even succeeded in sabotaging their initiation rituals so he can eat them. I get that the whole "lions killing cubs that aren't their own" is a part of nature but apply human behavior to that and you can see how sick this is. Not to mention, Taka would have probably been in proxy to these and... shit, no wonder he turned out to be a nasty piece of work.

Oh so THIS is the challenge that Scar was mentioning in the remake.

The PTSD flashbacks jumpscared me.

Oh my god the close up of Mufasa... peak fucking fiction.

Omg that one scene in the trailer of Mufasa leaping from the tree is in the movie- aaaand he is going ass over teakettle afterwards lmao.

The little "I Always Wanted a Brother" instrumental playing when Taka helps Mufasa out of the water🥺

"You will keep him with the females" oh that's not.....

The entiredy of "I Always Wanted a Brother" is amazing. The lyrics cleverly delve into Scar and Mufasa's individual personalities and traits that'll magnify in their adulthood, as well as their growing relationship, and the visuals feel alive as ever with the chorus and beat topping it all off. Lin Manuel Miranda cooked here and I am not afraid to admit it. This song is the best in the entire movie and is everything one would look for in a Lion King prequel. No wonder the marketing loved this song so much.

Also, Mufasa: The Lion King proudly continues the tradition of A) musical numbers with background animal choreography and B) transitions to show characters aging. We truly have come full Circle [Of Life]

Ok but this entire song is way funnier when it's essentially these animals saying "Get your ass back home" to these two little shits.

"Some things you chase but you cannot hold." That line is DEFINITELY a double-meaning and applies to both brothers. For Taka, it refers to how he can't keep/gain the power he obtains + the object of his desires as much as he tries and for Mufasa, it means he won't be able to maintain the relationship with his adoptive brother. The failure to practice this philosophy leads to both of their downfalls so what is at first a cute lyric becomes very dark in retrospect and I have to applaud the songwriter if he was intentional with that.

Ok so if Obasi doesn't allow outsiders and since he values blood and all, then I'm assuming these other male lions are related to him. I'm gonna guess that they're his brothers and/or cousins.

The animals singing in a circle around Mufasa and Taka reminds me a lot of high school dance circles, it's very funny (and also sweet that the animals and Taka are singing for Mufasa).

You heard of the boy who cried wolf; Well here's the lion who cried elephant. (Also, 10/10 prank).

"They did it [the prank] again!" I think the saying goes, "fool me once, shame on you, fool me twice, shame on me." Also I was half-expecting an ACTUAL elephant stampede to knock them down, ;p

"You want to be with the females?" I have no jokes for this, I am legitimately disgusted with how mysoginistic Obasi is and yeah, that's definitely the point, but like, I was NOT expecting that. I guess maybe they needed to emphasize how Taka had such a shitty role model growing up and that a large part of his fall to darkness was not learning how sick and wrong this line of thinking is, and objectively that is good writing when handling such a topic, especially since again, the movie is very much against this and to a lesser degree, it's an origin story I guess I'm just taken by surprise at the sudden mysoginy, and at the end of the day, did we really need this character to be a PodcastBro™ to get the idea that he's not supposed to be someone we root for? Or is it really not that deep and I'm thinking too much into this?

Eshe is such a good mother to Mufasa, helping him home into his senses to hunt, and even offering to help Mufasa find his parents. I think this is a good contrast between Mufasa and Taka when it comes to the nurture part of nature vs. nurture. It's also an interesting mirror to the fan-portrayals of their relationships with their parents as it's usually Taka/Scar being close to his mother and Mufasa being close to his father.

I see a lot of Tarzan similarities here and I think you can notice them well. That being said, Tarzan is also peak fiction that I look fondly towards, and this movie is also looking really good so far, so there is nothing but adoration.

Timon and Pumbaa reacting to Mufasa's line of being a stray with no responsibilities, calling him "one of us" all but confirms that if he was still alive today, they would 100% be friends.

"Hakuna Mufasa" essentially means "There is no Mufasa." I.e. what a good chunk of Simba's childhood was like. Shit, I'm pretty sure Rafiki even knew the fucked up implications of that when he interrupted them.

Timon and Pumbaa I love you but please shut the fuck up right now.

I think everyone has made the Kimba jokes, so I'm just going to say how two white lions would NOT stand out in a sea of tall tannish green grass.

This entire hunting scene is the definition of tension. No dialogue, just music.

Oh, the trailers outright baited us into thinking Eshe was gonna sacrifice herself to save Mufasa. Well played Disney.... well played.

Damn, Taka is horrified as shit.

Go for the juglar Mufasa! The jugular!!

The framing of the scene goes by quick, but I think the implication is that Kiros's son got straight up impaled by one of the branches on the dead tree when Mufasa knocked him down... we're only half an hour into this 2 hour film and we already have a kill count of 3 characters, one of which by the titular.

Ngl, I was hoping/expecting Mufasa to be the aggressor in the fight to try and scare off the lions and this would be how he learns that "being brave doesn't mean you go looking for trouble." And/or that Eshe potentially sacrificing herself would be what gives him that reality check. But either way, as is, this fight scene did demonstrate bravery as a quality of Mufasa in a good way.

"I owe you a great debt" yeah you also owe him an apology for refusing to take any parental custody over him, for the emotional neglect, for your misogyny-driven alienation of him, and oh yeah, trying to FUCKING CANNIBALIZE HIM.

I mean in fairness to the white lion, what the fuck was he supposed to do? Mufasa LITERALLY impaled Sachu.

Obasi lying to protect Taka reminds me of Rameses offering to lie to absolve Moses of his murder. Also, once again, this scene does very well to point out how Taka's upbringing played a role in his eventual fall from grace without making him an abused woobie stripped of any character.

I was gonna complain about how the Outsiders are a thing in this movie but the fact that they are evidently not Zira's pride and also have an explanation to their existence makes it hard to complain.

Ok so the first act of the film is kinda rushed, I'll admit that. Guess they had to go on the journey pretty quick.

So far, Timon and Pumbaa's commentary has ranged from somewhat funny to cringeworthy. Why exactly are they involved in this plot? Or, if they had to be, why not Sarabi and Zazu who actually partook in this story we're being told. You could get alot of colorful dynamics that would add both extra comedy and emotion to the story. I'm getting this out of the way now because even though there's a later scene that is juxstaposed to this, it still confuses me a bit.

"Yours is the last pride of the valley of kings" woah, that actually means Kiros has killed other prides before. This is straight up the lion equivalent of imperialism.

"Everything the light touches belongs to me," well what about when it's dark out? Ever thought of that, asshole? Obasi could easily lawyer up and kick your ass back to the swamp /j

"There will be one ruler. One, Lion King." He said it, he said the thing!

Not gonna lie, Kiros's villain song, Bye-Bye sounds like it was pulled from Jake and the Never Land Pirates. But then again, that show's soundtrack is fucking awesome, as is this film's soundtrack, as is this song. The vocals and lyrics are deliciously villainous and the beat is haunting. My only gripe is that it's too short, and the movie's version of the song doesn't include the background vocals like the soundtrack version. That and the visuals aren't as stunning as I imagined but, still, it's a good villain song! And for a song titled "Bye-Bye" of all things that is a feat.

Man, I thought I was actually gonna see Kiros kill Obasi and Eshe. I mean it's obvious that he did but, showing it on screen would've really hammered home the idea that he doesn't mess around. But instead we smash cut to the brothers running away. LAME!!!!!!!

"They live in you now" oh that hits so hard.

Aquaphobic Mufasa canon???

"It's not my fault crocodiles are simply attracted to you," tell me why my mind instantly went to a visual of Pua x Mufasa (and why I can somehow buy that???)

"My scent? I've been stalking you two all night." Sarabi how I have missed you.

ZAZU HOW I HAVE MISSED YOU.

Sarabi royalty confirmed.

I once saw a theory that Rafiki (a mandrill) was raised by baboons, which explains why he has no qualms with being called one, and gives a new perspective to his phrase "you're a baboon, and I'm not." To whoever came up with that theory, you are a goddamn prophet.

Again, I think all of this goes by way too fast, I think a few more minutes establishing this troop along with Rafiki's character traits and behaviors and THEN hitting us with the tragic fall-out would've worked a lot better.

"Born with a leg that does not work," that explains the walking stick he has in the movie.

"It was Rafiki who found water in the dry season!" Six New Adventures reference!

Rafiki is fucking hilarious.

''A single stick may smoke, but it will never burn." Once again, Rafiki is the best fucking character in this entire film.

Did... Zazu just break the fourth wall???

"I am not a baboon. I am a mandrill." It took us 30 fucking years for a Lion King movie to address this, god bless.

"No offense, but a monkey is a monkey," Mufasa racist moment /j

Rafiki and Mufasa's discussion at the pool is so good. Once again, it has that natural Lion King narrative DNA in it and it speaks a lot about both characters as part of an origin story. Both characters are very heavy key players in the classic Lion King stroy, so this scene does them a GREAT deal of justice.

"I have a report! It's morning." Ok, funny joke.

"Hallucinating baboon!" Sarabi racist moment /j

This plot really knows how to connect together, via using Eshe's sensory training to help dodge Kiros's team.

We Go Together is an amazing song. It's very good for a road-trip/buddy movie, and, not unlike Hakuna Mtata from the original, is a very good palatte cleanser from the story's more darker elements. The characters have enough time to shien in their own ways and the overlaps of their lyrics is kinda growing on me. I substract points for the stupid-ass love triangle bit they imply and trust me, we will get to that when we get to that.

You know that one scene in kids' shows and movies where it is nothing but unabashed second-hand embarassment and/or cringe. The entire scene where Mufasa gives Taka love advice for Sarabi, and Taka's attempts to kiss-up to her is exactly that. If it's not completely uncomfortable to listen to, it's BO-RING. And I wish it was just a one-off gag that meant fuck-all in the end but I've listened to the soundtrack and got spoilered on a later element in the film that just does not help.

Seeing the elephant herd reminds me of when my sister and I were in Africa and saw an entire herd, moms and their babies pass by. On that same vacation, my grandpa and I also saw an elephant pass the road. Huge disclaimer, never piss them off.

Sarabi rendered an entire colony of bees homeless and more than likely killed a good amount of elephants by getting them stung. That's not very Circle of Life of her.

Mufasa saving Sarabi's life!! That man is her HUSBAND.

Ah yes, the epic tale of Rafiki's stick. The mythos of the stick has finally been revealed. This is the REAL Lion King lore I signed up for. Barry Jenkins you are too good.

On one hand Mufasa lying to make Taka look good is an interesting character study. On the other hand.... that stupid fucking love triangle that this builds up to. I hate it so much, SO MUCH. Replace the payoff with ANYTHING ELSE, and I'd be okay with this. Ugh!

Rafiki, Kiara, Timon, and Pumbaa's hug is great. Rafiki explaining the sad reality of social alienation, relating it to his experiences, followed up by Timon and Pumbaa lightening the mood but adding to that emotion with them being outsiders. I knew it wouldn't be long until I started to love them being in this film. Take your crown you kings, you earned it!

Oh my god Mufasa has hella PTSD here, it's a really good representation of it.

Zazu's a real one here, covering up the tracks.

I. Fucking. Love. Rafiki.

"Mufasa, I gotch'u." I headcanon those were Sarabi's wedding vows. No one can prove me wrong.

I thought Mufasa and Sarabi's romance would be a bit rushed here and to be fair... it almost does??? It's not the whole center of the story, and Sarabi is able to stand out as a character on her own outside of the love story. As for their love story itself, it's very well put together with enough screentime and it feels real. Oh and their love song is also pretty great. We were WELL overdue with a Mufasa/Sarabi love song and this movie did not fail to deliver.

Also, Sarabi figuring out on her own that Mufasa saved her and being able to pick up on all of his genuinely best qualities, that's like really impressive, and it's actually a neat twist on the 'liar revealed' trope.

Okay, now here's my allotted time to talk about one of the things I was dreading seeing in this film and am unfortunate enough to be right seeing. The stupid Mufasa/Scar/Sarabi love-triangle. I hate it. I hate how one of the only major changes the remake had to its story was adding that love triangle to give 'depth' to the characters, when in reality, it diminished the characters by not having more for the story to speak about them, made the tension between them flat by consequence, and the remake never resolves this in a meaningful way. Plus it is BORING as hell. And now the movie is apparently using that same love triangle once again, as a MAJOR plot-point. Not only that, but the fact that Taka immediately snaps and goes villain after seeing his crush go after his brother... what the hell are ya even doing man?

The first act of the film gives us a lot of elements to go off of for his villain arc. Being spoiled by his parents, poor parental influence, being a control freak, maybe we see more signs that Taka blames Mufasa for his parents getting killed, or holds him responsible for it, or heck, even his guilt/inferiority complex that stems from the trauma of running away when his mother was in a life-or-death situation. So many other things that could result in a complex but constructive beginnings of a villain, and yet it's this stupid underbaked love triangle, this one isolated moment that changes the trajectory of his entire character arc and oh my god I hate it, I hate it so much. Nevertheless, Brother Betrayed is a good song.

Seeing Taka throw a tantrum over his crush not liking him back and later falling into the snow is cathartic as hell. I want to see this little turd lose.

So he teams up with the white lions... after they killed both his parents and caused him to be banished from his home... not to mention, they tried to kill him?? Unless he's tricking them somehow so he could get close enough to take them out, this is incredibly stupid. I don't care if this snivelling little shit gets punched in the face, but also as is, this is bad writing.

Taka laying out scars to lead the villains to their location. Now THAT is clever foreshadowing.

Pumbaa your husband is right next to you, why are you pretending not to like love 😭😭😭

That is a cool ass background.

The shots of the Pride Lands matching the visions of Milele. This movie knows how to use its visuals.

Man I remember all the theories saying that the big tree in Milele was the Tree of Life from the Lion Guard, or that somehow Milele was always Mufasa's adopted home. Still, magnificent.

I think all of us could predict Rafiki and Mufasa having a brotherly bond. I like how the theme of this movie involves family in ways other than biological relation. I think the brotherhood theme could've been used with Zazu as well, but this is sooooooo cuuuteee!!!

Wait how do the animals know the Outsiders are hunting Mufasa? Did the Outsiders terrorize Milele before? Did they somehow 'sense' the Outsiders' presence like Eshe taught Mufasa to? I like where this is going but there's no reason for them to have that much frame of reference to our protagonists' plight.

Kiros is truly horrifying.

"There are other lions here," wait, so maybe they're members of Sarabi's pride? Hmmm....

"Sarabi chose you... just like my mother, just like my own father." Uhm,,, what??? Obasi never 'chose' Mufasa for anything over Taka. And Mufasa was assigned to Eshe by Obasi. Sure, the dude may have looked Mufasa in a higher regard after the rescue but that is NOT the equivalent of preference? In fact, the very last thing Obasi said to Taka was to preserve the bloodline by outright lying to everyone. Did I miss something??

Hell yeah fight fight fight.

Is... IS THAT SARAFINA AND A YOUNG NALA IN THE PRIDE LANDS??? HOLY SHIT.

Mufasa uniting the animals together in a war rally... PEAK FICTION. This entire speech is peak levels of badass.

Mufasa said Nants ingonyama bagithi. The opening lines to Circle of Life HOLY FUCK BARRY JENKINS COOKED.

Only a villain like Kiros can make the phrase "Bye-Bye" sound menacing.

Zazu be out here using 0.001% of his full power.

W shoebill character (still sad that there's no caracal yet).

I think Zazu could offer a lot more in the final battle, like say, rallying the birds together and raining hell upon the lionesses, poking them with sticks or dropping rocks. He's gotten a decent enough amount of screentime but this climax should've really brought it home.

BEAT HIS ASS MUFASA. BEAT. HIS. MOTHER. FUCKING. ASS.

Okay, fine, give Taka some brownie points for standing in the way, but he still fucking deserves that scar. Fuck you Taka.

Also, the remake implies that Mufasa gave Scar his scar in the challenge, but it never outright said so, and TLK has always been a loose cannon when it came to... well, canon; So I can buy Kiros giving him the scar. I actualy can't believe that my prediction on Taka taking the bullet for Mufasa actually came true! Mark that off the bingo card!!!

The entire climax/stand-off/showdown has little to no dialogue and BY GOD does it ever work here. Mufasa and Taka looking at each other with clear emnity in their eyes, and then channeling all of their rage into their common foe to tag-team him. So much emotion.

"The earth will shake." LET. HIM. COOK.

And scratch "Pride Rock being formed by and earthquake that crushes the villain" off the bingo card.

Mufasa overcoming his water trauma by remembering Eshe's words to sense the rock that he'll use to crush Kiros into the water.

Ok y'all say it with me: Bye Bye Kiros!

I know this is a big emotional moment that shows the last of Taka's humanity and parallels with his first and last encounter with Mufasa.... but the HESITATION to help him, mixed with the clear anger at the beginning would've been enough to make me banish the dick.

See, Mufasa became king after proving his worth of leadership. There is no "he stole the throne/his brother's girlfriend" BS. You Buzzneed nerd-wannabees can fuck off now.

Oh look, I see some hyenas in the crowd. I wonder what their origin stories will be in this Lion King prequel!

"No more Kings, we are all one," setting aside TLK 2 reference, Mufasa is based for implying a democracy.

Are.... are you FUCKING KIDDING ME?!?!?!?! AFIA IS ALIVE???!!! MUFASA'S MOM IS ALIVE!?!?! WHAT THE FUCK?!?!!

Ok I'm conflicted. On one end, I don't like the fake-out death trope, especially when it's used at the end of films. On the other hand... Afia's presence really ties the themes and plot of 'Milele' together and it ~ really works. But still, imagine if Mufasa was visited by the spirit of his mother after becoming king, mirroring Mufasa's later divine intervention for his son. That would've worked so much better. Wasted potential af.

Also, if Afia's alive... who was the lion in the stars Mufasa saw during "I Always Wanted a Brother."

Oh... OH. OH GOD. MY HEART. R.I.P. MASEGO.

Whilst I still think keeping Afia dead would've been more effective, leaving Masego dead and keeping her alive adds an element of tragedy into the story, and the "He Lives in You" callback is well-equipped here.

Fuck you Taka you little shit.

I always took issue with the remake's backstory for Scar implying that he got his scar in a fight with Mufasa; Because if Scar already challenged Mufasa once, why does Mufasa trust him enough to depend on him or let his son romp around the place near him, even if he sticks around bc of "brotherhood." Whilst I don't mind that the remake 'retconned' that story (especially since it wasn't confirmed), I still take issue with that here; Again, if Taka had lied to Kiros, or did something to indicate that he wasn't on his side/wasn't truly against Mufasa, or if Taka could lie his way out of consequences, it would work, but as is, this just feels... off.

Also, Scar calling himself scar as a reminder of his embarassment and what he did, despite him continuing to do awful things rendering that admission completely null and void; it sucked when the books did it, it sucks here.

Maybe the real Milele were the friends we made along the way.

Mufasa's coronation is powerful, and blends well with Kiara's ascension. My only problem is the same problem I had with the remake. The roar came TOO EARLY. In the original's King of Pride Rock, Simba's ascension was concurrent with the swelling of the music, reaching its peak when he reached Pride Rock's peak, and then when Simba roared, that's when the music delved into Busa, which meshed into the reprise of Circle of Life. The remake fucks that up badly, and Mufasa, whilst still better in terms of that detail in pacing, still manages to miss that mark. So close... and yet so far...

Kiara can now Skype call her grandfather. The Circle is now truly complete.

"Kiara, this is your new brother." I... was kinda hoping the film would end with Simba and Nala adopting a new cub and said cub would bond with Kiara the way that Mufasa and Taka used to, and that said cub would be a girl but........ fine, fine. Also, I am 99% sure that cub is Kion. With how Disney recently uploaded The Lion Guard: Return of the Roar onto their YouTube channel in honor of Mufasa, and with how next year is The Lion Guard's 10th anniversary, meaning they'd HAVE to make another large acknowledgement of it, I am more than definitely subscribing to the fact that it is Kion. And... yeah I'm pretty cool with it (if it's Kopa, I will go into hibernation).

Kiara telling her brother the story is a neat way to wrap up this story in a bow.

CONCLUSION:

PROS:

The animals actually emote and express in this movie. Not only that, but the backgrounds and impressive technology are allowed to go all out in strength. We have come a long way. I hope to god the animators get their rents due, especially in an era where animation and animators are constantly getting the middle finger by companies and corporations.

This movie takes a lot of good ideas and executes them brilliantly. Mufasa being an orphan, Sarabi and Zazu being a team, Taka/Scar being descended from a bloodline, the white lions, EVERYTHING about Rafiki. It truly feels original. Regardless as to whether or not it's canon, it's an interesting exploration of the world we know and love, done by people who really understand the movie.

The songs are amazing. Lin Manuel Miranda did his absolute best for them and they manage to serve the plot and characters pretty well. LMM is a pretty hit or miss guy when it comes to music. Sometimes he can flop and we get shit like Scuttlebutt, but other times he hits the bull's eye and we get stuff like Moana, Encanto, and Mufasa. He was on his A-game tonight.

The voice acting had actual direction unlike the remake. The actors had a lot of fun behind the scenes and it's very easy to tell, even without the interviews. And the singing *cheff's kiss.*

CONS:

This movie tries very hard in a lot of directions, but there are some areas where it doesn't really try hard enough. I feel like a few things were a bit underdeveloped. For example, Rafiki's exile. Just, stretch that scene out 3-4 more minutes to establish Rafiki as a character, his traits, the nature of his baboon tribe, and THEN banish him. Or Taka's relationship with Obasi, maybe do a bit more to commentate on the toxic values that Taka grew up with and how they stuck with him, maybe that is one of the things that hints to him not being worthy of the throne, compared to Mufasa's more progressive influence and proaction. Anything besides that stupid fucking love triangle. And maybe some more Sarabi/Zazu backstory, we get to truly see the closeness between them, maybe Sarabi saves Zazu, and vice versa during the climax. What they do with them is fine, but, there was room for more.

Timon and Pumbaa had some good scenes here but also some duds. At the end of the day, they provide some interesting commentary and jokes to lighten the mood but... I think their humor could've been improved upon, especially with how Pumbaa acts too much like Timon and that kinda breaks the whole idea of them being polar opposites. If Disney ever does make a live-action remake of The Lion King 3 (and you bet your ass they will)... they really gotta change how they're utilizing these two.

I know I went on about how this movie's strengths are regardless of canon, especially with how it contradicts both the original and the remake, but there were some parts where I couldn't fully suspend my disbelief, even if you shut canon out of the window. Like, the lionesses we see in the climax helping Sarabi. Is Sarafina amongst them? If not, who? If the cub isn't Nala, who is it? If the cub is Nala, why does she look like she's Simba's age, yet she looks no older than Simba when he's a grown cub? Even if you age them naturally like IRL animals, those numbers still don't add up. And the hyenas. They appear at the end during Mufasa's coronation and bow. Okay... what did they do to get banished or become enemies? I know the story couldn't have shown too much focus over them but why have them there only to gloss over it if it didn't mean much of anything? Not only that, but the hyenas fucking bow down to Mufasa. I'm sorry- BOW??? IN WHAT UNIVERSE???? IN WHAT FUCKING UNIVERSE???? What kind of KFP 4 Lord Shen bullshit is going on here? My suspension of disbelief can only go so far before it is utterly decimated😭😭

The pacing can be a bit better. Some things overall do go on too fast (which results in my first point as to how things can be undercooked, it's a sympton of the issue) or in the case of other scenes like Taka trying to rizz up Sarabi... go on for way too long. It doesn't horrifically bog down the film and there are many, many, many scenes where the pacing is to this movie's advantage, but it could do better in some areas.

Sarabi and Zazu were nowhere to be found in the present day. Unless you count one of those lionesses walking her and her son back home, but still.... HATRED. Is Sarabi not allowed to live past the TLK 1 story???? Is this Disney's subtle way of killing her off, what the FU-

Final Thoughts:

This movie was always destined to be better than The Lion King 2019, but only because of the low bar. A good concept can go along way as long as there is a good execution (there was a lot of potential for the remake, but the management of it lead to an utter waste of a film).

For years I prayed for this film not to suck - with each and every update that this film had, I would manifest that it wouldn't be shit, bare mininum - bc it's a film that SHOULDN'T suck with how good of a concept they had in their hands and how EVERYTHING for this film relied on the execution, especially coming off the heels of an awful film that, like I said, lowerred the bar below the Marianas Trench.

And, despite some of my earlier gripes, nitpicks, and critiques, - I was right.

THIS MOVIE DID NOT SUCK.

Does it have flaws? Yes. Is it perfect? No. Is it as good as the original? Definitely no. But it... it truly is something to behold, and a masterpiece nonetheless that, if anything, will not fail to entertain. With really good writing, nice songs, relatable and interesting characters, a very engaging story, and is [mostly] serviceable as an origin story for some of these characters, canon or otherwise. I am most likely gonna get a lot of people to disagree with me but that's what I stand by. Overall, worth the four year long wait (4 years, fucking really..?). At worst, it's decent, and at best, it's amazing.

FINAL RANKING: 8/10

The movie's opening weekend has only just begun, and reviews and meandering in very opposite directions, but if and when this movie does perform well, I wouldn't be surprised if this was the last time we see these characters again.

[shhrrroooommmmmyyyyyy]

S1: The Birb's Feelings

(pt 1.5 for episode 7 and 2 for season 2 idk when cause shit's crazy rn)

Stolas is one of the most morally controversial characters in the show. With the show revolving around Blitz's relationships, it's natural that the show gives us the most information about him because he is arguably Blitz's most complicated relationship at the moment (I'm not going to include Barbie bc we've literally only seen her for like 5 minutes in one episode which isn't enough information). I wanted to do a quick overview of how I perceive Stolas's feelings throughout the duration of the show in sort of a timeline format

~Episodes 1, 2, 5~

So, at first, it's obvious Stolas doesn't really think of Blitz too romantically and mostly sexually. Ok, completely sexually. However, there's a reason why that people often overlook sometimes. Stella openly said in the season 2 premiere that the only time him and her had sex was to have Octavia. Man's literally been deprived of anything enjoyably sexual his whole life. So when he finally does have sex that's enjoyable for the first time, he naturally wants more of it

As we all know, Stolas isn't the most self aware king (or should I say prince) out there (which is okay; he's still growing and developing as a character). The way he treats Blitz in these first few episodes sort of gives off sex toy vibes. Obviously, this is where Blitz gets that mindset from, that all he is is just a toy for Stolas

But after seeing what Stolas' true personality is now, I highly doubt Stolas knew exactly how he was treating Blitz during this time. Again, self awareness issues. Natural part of his character that, after watching Viv's writing since the Hazbin pilot first released (yeah og right here), I'm positive will be developed on later in the show. So hold your horses people, we're just now 2 episodes away from only being halfway through with the show. Give it time, it'll happen

Anyways, Stolas isn't a bad person (I'll fight anyone over this take, dont play). But he does the wrong things with the right intentions. He treated Blitz the way he did in these first few episodes because Blitz was the first person he's ever enjoyed having sex with. It's a big deal to him as it sort of "awakened" him. I think he was so happy about the sex after around 35 years of nothing, he didn't fully realize how he was treating Blitz in the process

*Not an excuse, but simply a possible explanation for his actions*

~Episode 6~

My favorite episode. Stolas shows up when I.M.P.'s sort of cornered by the agents and scares them shitless with his scawy big birb form. First he makes sure Blitz is okay, then he scolds him for getting caught. Almost like a mother who's mad but cares for their well-being (crying in ghostfuckers)

This may seem small to you guys, but for me this was when Stolas became my favorite character. Not only did this moment show he's more than just the cringy comedic horny relief, it also showed that he cared. Why would he ask if Blitz is okay if he didn't care about him? That has nothing to do with the book. If it got in possession of humans he could literally just kill them in like a second and take it back. Tbh (dont come after me pls) but before this episode I didn't like my first impression of Stolas. Despite the many takes calling the cringiness of his lines in the first few episodes "iconic", I hated it. It was just too much

And in this scene it's not just that he's asking in general, it's how gentle he's being with Blitz. Holding his face and speaking a bit softer with a caring expression on his face. I love it so much (aggghghhghghgahhaagh). I know his attitude changes after a few seconds, but still it was a nice moment that reshaped my perspective on his character for basically the rest of the show

*Like I said before I'l give episode 7 it's own post cause i'm too tired and there's so much to talk abt in that episode*

[mewnewew]

Sir Crocodile x Reader

Hello, hello! Here's something I wanted to throw out and I am. Heheheheheheh

He sighed when he got home, tired from a long day of working, of remaining under the radar for the Marines, a long day.

So where was his partner?

He walked around their shared manor. She had recently moved in with him, him concerned through her safety and loyalty. She was usually free to roam about, having some spies keep an eye on her, but in reality she hadn't done much, other than just meet friends, work at her job and then come back.

He came to their bed, finding a lump within the bedsheets. He hooked one end, and yanked the sheet aside. He met her mildly surprised eyes, looking bedraggled, a mess, and her expression was despondent. Her eyes, however, were drained. He sat down next to her. she sat up, her hair coming forwards in a mess.

"Hey." She croaked.

"What's wrong with you?" He said, blowing out a breath of smoke.

She made an odd face, looking away. As if not really wanting to explain.

"....Nothing"

He raised an eyebrow. She was normally a chatterbox, and a loud one at that. Frankly, he had his hands full half the time, trying to get her to shut up. Hell, sometimes he wanted to strangle her. But now? Something was wrong.

His hand caught her chin and tugged it forwards.

"What."

She scowled at him and then yanked her jaw away.

"Don't. Not tonight."

He furrowed his brows.

"Tell me"

She shook her head.

"It's nothing. You'll think it's silly. I know what to do anyway"

His hook went forwards, pressing against her chest, pushing her down on the bed again.

"Tell. Me."

"I'm having issues with some friends okay?" She huffed out.

He sat back, and scoffed. Really?

"Get over it, it's not-"

"You think I don't know that? Cause I do"

He felt agitated. What the fuck was she-

"You have nothing better to do or say, then just go. I don't need you to-"

He grabbed her jaw, yanking her forwards.

"I've had a horrible day, and I don't need this pathetic-"

She licked his hand, eyes full of fury. Then, as he yanked his hand back in disgust and anger, she slapped him. And he froze. Sir Crocodile, froze.

"Get. Fucked." She snarled

He turned his head to meet hers, his eyes now fully angry.

"Don't you ever talk to me like that, y'hear?"

And then the fight started. Now, arguably, one could say that Crocodile could have easily fought her with his sand or his hook, and he didn't need to resort to basic attacks yadda yadda, but you need to understand. He knew that. She did too. She also knew that he wanted a place to lay off some steam. Heck, she wanted to do the same as well. All, which leads to the current fight they were having now.

He threw a punch, and that started the full on tussle the two were having. She reeled back, nose now broken, and kicked his hook away, hands going to his neck. He grabbed her hair, and she clawed at his face. Punches, kicks, clawing, slashing, all of which was possible because she was quite adept at fighting herself. Why? Well, since she worked at a fight club.

At some point, he grabbed her chin again and studied her. She had a bruise on her cheek, and a broken nose, now freely flowing blood. Along with a split lip and a couple bruises over her body, she looked fierce. Hell, she had given him some decent bruises too. She scrabbled at his arm, snarling.

"You done staring bastard?!"

"Tch"

He let her go and faced away from her, taking another cigar from his pocket and lighting it up again. She scoffed and moved to get out of the bed, heading to the bathroom.

She came back, standing in front of him and grabbing his jaw. Her nose was now fixed, with a bandage over it. She dabbed cotton on some scratches on his face.

"Pig headed bully" She muttered. He grabbed her hand. It was soft. It was gentle. It was loving. He looked into her eyes for a few seconds.

"What now?" She snapped.

"Leave."

She blinked, face becoming more curious.

"What?"

"Leave. I don't want you here anymore."

"Look, if this is-"

"It isn't."

She brought her other hand up to cup his cheek.

"Hey, what-?"

"Leave this place. I don't want to see you here anymore. Understand?"

She recoiled.

"What? Crocodile-"

He left her hand. God, this was awful. He stood up, looming over her, and committed her face to memory. He proceeded to walk away, grabbing his coat.

"I want you gone by tomorrow. You aren't allowed here anymore, and if you come near here or Rain Dinners, you'll be instantly removed."

She chased after him, catching his sleeve.

"Wait! Just wait! Are you mad? Is that it? Do you want me to apologize?"

"No. Just leave by tomorrow. Take your things and go, understand?"

Two days later, she was gone. In fact, she never did understand or know why he suddenly chased her out. She tried coming back again and again to meet him, but soon realised she wouldn't be allowed to. In reality, he realised he loved her. He loved her too much and it scared him. So much so that he couldn't take the fear of her possibly hurting him. He couldn't promise himself to somehow manage to even take her life. She was too precious to him, a poison, a terrible, terrible, perfect thing. And he was scared. He was scared of what it would do to him, to his ambitions, to his will, to his future.

He loved her too much, and he couldn't take it.

So he let her go.

[badaziraphaletakes]

Submitting this... it's a long one, sorry 🥲

*Shakes out very, very long scroll*

*In Bildad voice* "Shall I summarize?"

✅ Demanding that an ab*se victim have a plan for how to fix their ab*ser's Evil Scheme

✅ Saying you would handle the situation better than they did

✅ Acting like outsmarting an ab*ser would have been as simple as writing a sneaky lil note on a sneaky lil piece of paper, like I'm sorry but holy sh*t y'all that is just the most patronizing, trauma-invalidating BS I've ever heard

✅ Saying "idiotic"

✅ Using it to describe an Autistic-presenting character

✅ Who is also an ab*se victim

✅ Calling an ab*se victim "egocentric"

✅ Which is even more problematic given that that ab*se victim is also feminine

✅ Assuming Aziraphale actually wanted Crowley to come back with him, when we aren't yet in full possession of the facts

✅ Assuming Aziraphale meant literally anything he said in the entire Final Fifteen

✅ Assuming that, if Aziraphale really did actually want Crowley to come back with him, he didn't have a valid reason for it (maybe he actually thought it was the safest possible option for Crowley! We don't know!)

✅ Obliquely blaming Aziraphale for maybe being scared to go back alone? Or just not wanting to be lonely when he knows he might very well die up there?

✅ In short, eviscerating an ab*se survivor for having the audacity to respond to the horrendous situation their viewer has trapped them in, in anything short of an entirely morally irreproachable manner, and acting like their (supposed) moral failings gives us license to pronounce judgment on their situation

✅ Accusing Aziraphale of thinking he's always right and Crowley is always wrong, when we know Aziraphale says all that stuff like "You, I am sorry to say, are evil" in the knowledge that heaven and hell might be listening in at any moment

✅ Calling the things Aziraphale said under the ever-watchful eye of his ab*sers "starting a fight"

✅ Ignoring that, if Aziraphale is to blame for "starting a fight" , then just maybe Crowley might share some of the blame. (For the record, we don't think either of them are to blame here, considering Metatrash deliberately trapped both of them in a pressure cooker and turned up the flame, while simultaneously trying to manipulate each of them into thinking the situation was their husband's fault. A strategy which, incidentally, to have worked on a good portion of the fandom... << But we digress. :p )

✅ Saying Aziraphale "meant" the things he said while those ab*sers were possibly listening to him, and had literally just made an extremely explicit death threat

✅ Implying Crowley "doesn't have any spirit left"

✅ Accusing Aziraphale, rather than his and Crowley's ab*sers, of bearing the real responsibility for Crowley's distress

✅ Ignoring that Aziraphale was every bit as distraught as Crowley

✅ Saying Aziraphale "refuses to listen" because he cut Crowley off, even though he was stressed at the time and that's something all of us, especially the neurodivergent folk, do when we're stressed (AND even though he also probably stopped Crowley from saying something that would might have gotten them both roasted on a spit in the flaming cesspits of Abbadon)

✅ Saying that an ab*se victim has been "ignoring" their problem and needs to

✅ "confront"

✅ the "consequences" of

✅ "their" actions

✅ Acting like Aziraphale hasn't already (like any other ab*se victim/survivor) suffered more than enough for a million lifetimes

Did I miss anything lol?

(And okay, yes, the OP is responding to the "Aziraphale has a perfect plan to fix everything" take, which is an arguably slightly-problematic take in itself - but honestly, given that they responded to it by piling on a bunch of crap that was a thousand times more problematic, I'm not feeling disposed to make allowances.)

[bunnyshideawayy]

cassian. great man, wonderful friend, absolutely terrible mate.

we have seen Nesta’s sisters, who arguably have less of a reason, defend her more than Cassian has ever thought about. HELLO?

my issue with cassian acosf and onward is that we are truly expected to believe they he deeply understands Nesta when he’s been shown time and again to never stick up for her and never fully trust her. he does nothing to help her over come and face her traumas / depression, she’s left to do that on her own, but best believe he’s down to fuck and make her hike! (no sarah sex and physical exercise are not cures)

after reading the entire series once and now twice seeing Rhys threatening anyone who dares breath wrong in Feyre’s direction under the guise of just “protecting his mate” i find it extremely hard to believe cassian allowed or even sides with anyone who speaks ill of/to Nesta or threatens her- all of which Rhysand and most of the IC (besides her sisters and Az) do, most of the time while directly in front of cassian in conversations he’s involved in. the most he does is…pout a little? throws a hissy fit? the two times i can remember him even remotely stick up for Nesta he immednantly backtracks as soon as Rhysand pushes back, both times the final decision being put in Feyre’s hands, this continues even into CC3 (and let’s thank the mother Feyre loves her sisters which is something ik yall nesta haters can’t stand.)

let’s move onto something i know yall don’t want to talk about, his verbal abuse. “oh but nesta also said-“ we know what she said, that is not the point. if this man knew all along nesta was his mate and truly wanted to help her heal from her traumas and depression why did he take every chance he could to provoke her? Nesta called Rhysand an asshole, and he IS especially to Nesta, and instead of keeping silent as he does when Rhys/the IC harshly critique her, he immediately gets angry and in her face to defend him. funny he can’t do that with her, his MATE? or let’s talk about this scene

oh okay! that’s totally something you say unprompted to your mate who is severely depressed and traumatized because she won’t eat! she’s totally not shaking because she’s triggered! then to add the lecture “we’ve been here before, too” oh okay! so you admit you know what she feels like (very doubtful although i’m not going to compare their traumas, both are valid he just does not understand her like he thinks he does) it’s patronizing and a little frustrating. she doesn’t want to be there in the first place, purposely throwing a sensitive subject in her face will not magically motivate her or cure her- she is simply doing what she has no choice in. she has been stripped of all autonomy, humanity, and “normality”- she feels alone and valuable in a way she as never felt before and she has NO HELP. none!

i’ll end with the hike. yay more physical activity as punishment- but if i said that was abuse yall will bring up the pregnancy so ill do it for you! Yes, Nesta was wrong to tell Feyre THE WAY SHE DID, she had every right to tell Feyre about her own body and pregnancy, it just shouldn’t have happened the way it did. everyone knew it was wrong to keep it from Feyre, even Cassian, so instead of forcing her to hike a mountain as punishment to ware her down mentally and physically he couldve stood up for both Feyre and Nesta to Rhysand the moment he threatens to KILL NESTA. a simple “hey buddy you knew it was wrong to keep that from Feyre you can’t kill my mate for telling her even if it was out of anger” would suffice. not once during their entire hike or during her breakdown does he reassure her, not even when she is tearing herself apart because she doesn’t feel worthy. don’t even get me started on what happens in CC3.

over all i think Nessian is great and they have some great moments, the end of ACOWAR lives rent free in my mind but i am incredibly disappointed with Cassian. i do feel like Nesta deserves better from everyone (besides Feyre and Elain who, again, are the only ones who i truly believe love her unconditionally.)

anti nesta’s this is not a safe space for you.

[killugon-truther]

hxh analysis: ep. 98 [killua] parallels ep. 116 [gon]

okay but the parallel between killua kinda lashing out/getting defensive towards gon in ep. 98 and gon lashing out/getting defensive towards killua in ep. 116 (but in a more intense way when he did it obv) has been a reoccurring thought in my head for a while now.

esp since i always personally interpreted killua’s goal for splitting up at all in ep. 98 as more than just him believing it’ll be easier to do alone & wanting gon to focus on prioritizing the mission over all else. that’s def part of it, but i also believe that killua’s actions, esp in this arc, always have an underlying emotional response in them, even if he doesn’t verbally mention it & he makes it seem like it’s ONLY for the sake of the mission.

when gon begins to interject, killua’s voice & actions begin to take on a rather defensive tone and then he switches to a more controlled & composed demeanor, acting as if he actually has everything under control (bc killua feels the need to constantly have everything under his control, or at least act like he does or act like it doesn’t bother him even when it’s the opposite); he does this a few times throughout the brief span they talk abt this.

even killua’s words (paraphrasing here), which are “no offense, but it’ll be easier for me to do alone,” had a rather harsh tone to them imo. at the same time, we can’t rly see killua’s expression, just the bottom half of his face, both that and his voice concealing how he rly feels. to me, this is only amplified by gon’s reaction, which was to make a face and say “okay, i get it.” in a rather annoyed/dejected tone.

like, “okay, i get it; you don’t want me around right now, you don’t think i’ll be able to help you. you don’t have to rub it in.” or smth like that. and considering gon is equally codependent on killua as killua is on him, & gon’s own internal insecurities and struggles abt not being strong/good enough to help or save the ppl he loves, i can imagine that probably insulted him even more, esp since it was his best friend in the entire world saying it. even if it wasn’t necessarily a “big deal”, that would still hurt.

all i could think in this moment was that killua was intentionally trying to push gon away, which was weird to me at first bc i didn’t understand why. why would killua be pushing his best friend away right now, arguably when they need each other most (again, i understand killua is also doing this for the mission but at the same time, it feels like he’s somewhat acting out of emotion) at the moment?

i think it’s bc this is the arc where killua’s feelings for gon (idc if you see them as platonic or romantic; regardless, killua is in DEEP) are at their most heightened, and at the same time, is the most aware killua has been of them. i could be wrong, but i feel this is the time he realized how much gon truly means to him, and at the same time, just how terrified he is of losing him (ep. 84, aka the “he’s my most precious friend!”, “i don’t want.. to lose him!”, and the needle removal ep. was when his feelings became more intense & he started to become more and more aware of how he truly felt).

(side note: i 100% believe that killua pulling out the needle, which was bc of how much he loved gon in the 1st place, was part of the reason killua’s feelings seem to steadily become more intense as the arc progressed. he can actually FEEL and REMEMBER stuff better now in its absence. why wouldn’t that make his emotions for his loved one(s) even more intense?)

what’s smth killua usually does when he’s afraid, when he feels like he doesn’t have any or enough control? he hides how he truly feels, he lashes out, he gets defensive, he tries to take control back of himself, his feelings, and of the situation in order to quell all of that trauma-born anxiety, sometimes even at the expense of hurting others or himself (just like gon does sometimes and esp in this arc).

and while this isn’t a perfect one-on-one parallel, it def feels like one to the way gon acted towards killua in ep. 116. gon pushed killua away by lashing out bc he felt like he was losing control; control of himself & feelings, control of the situation, control of the narrative he created in his mind of pitou being evil incarnate & them getting kite back in order to avoid completely breaking, etc.

if gon can't control kite being restored and if he can't control the situation, then he will grasp for smth that he sees as a last resort, one of the only things he can do: pushing away the person who loves him the most & who he loves most in return, the person he needs the most & who also needs him most, as a form of control. he can't directly control killua & make him go away, but he can be harsh and thoroughly even so, so killua leaves, and gon won't have to worry abt being the cause of another person he cares abt, who he values over himself, dying.

in ep. 98, killua couldn't control his feelings or the situation at hand- gon may very well die, & killua just can't let that happen- so he pushes all of that away in order to quell the fear, the vulnerability, the pain as much as he can in order to gain just some control, and in turn, pushes gon away. in ep. 116, gon does the same thing to him.

and look at these !!

ep. 98

ep. 116

they def feel like parallels. like i said, not one-on-one, but very similar !! the fact that killua & gon are further apart and that gon’s completely faced away in the ep. 116 parallel compared to ep. 98 where they’re closer and killua is still facing/looking at gon makes me so sad 😭😭 symbolism of characters separating further and further apart is the best and the worst.

basically... gon & killua love each other very much, but that love isn't always healthy on account that they are very traumatized and immature children who both have a constant need for control and to "fix" things by themselves and are afraid of facing their true feelings, which leads them to them lashing out & hurting each other & themselves lol. we love self destructive, codependent best friends !!

hope u enjoyed this analysis !! if u have any comments, criticisms, or anything else u wanna add, pls do.

[confirmeddead]

Hello!

Can I ask you how you feel about the DM of it all following the season finale and the time that has passed since? If I recall correctly I think you expressed some disappointment at first, and honestly, I am really feeling a bit put off by it all right now… I would honestly be thrilled to be convinced to view it all in a more positive light

I’m just frustrated with a lot of the writing of the last few episodes and with what it may mean for the upcoming seasons. Like, the build up to s2e5 and s2e8 was incredibly but then s2e6 and s2e8 were both really anticlimactic. First the DM of it all, with Armand’s and Daniel’s interactions of s2e5 being basically only about other characters - clearly the DM of it all (their first meeting in the books etc.) was merely rewritten and adapted to provide Daniel with the motivation and clues to expose Armand for Louis’ sake. Don’t take me wrong, I loved the writing of most of Louis’ story this season (his complicated relationship with Claudia being the best part), but reducing another secondary character’s plot to only serve the main plot and characters really made me sad. As someone who really enjoys these secondary characters as well.

A lot of fans seemed okay with it after the episode (and I was too), given that it could be a good adaptation of their first meeting if and only if, DM did happened in the past following this event (or if a DM would have kicked off now in the present, but Armand turning Daniel arguably changes everything about this too much to make it a good prelude).

And now that it has become clear that there probably isn’t a past DM of which that event was a prelude I just feel empty about it. I might have felt more okay if the psychological consequences for Daniel wasn’t treated as a quick afterthought. I mean Daniel has basically one scene of being upset about the consequences of the psychological trauma before it all becomes about Armand’s deception of Louis. I literally rewatched the episode the other day and the turn is jarring. The scene of Armand “apologising” to Daniel being the only interaction explicitly about that event in the show afterwards, before Daniel fuelled by anger exposes Armand was just really strange. I do hope that Daniel’s anger at Armand for San Francisco is still a thing next season, cause otherwise this will all just fall really flat psychologically. And I just fear that it won’t be taken seriously given the writing of it in s2e6. Do you know what I mean? Am I making any sense here? I am glad that Louis’ and Daniel’s relationship was given some more depth though, so I guess there’s that.

I just really don’t know where they are going with Daniel, given how much they have changed everything now that Daniel’s already a vampire. Armand I’m not as worried about because there’s a whole long book to take inspiration from and adapt. I know it’s been said they won’t do the TVA book, but I’m pretty sure I’ve read before that they mean to tell Armand’s story as well - though probably not as it’s own season. Pretty sure AZ leaked it would be a big thing in s4.

Daniel however, only really has that one really intense DM chapter about him. And now that they’ve already turned him, a lot of what happens in it is off the table. There can’t be a Daniel who teaches and drags Armand into the human world, nor a fascinating and thrilling human-vampire relationship, nor intense fights between Daniel and Armand about immortality. Even their f*cked up and intense uneven power balance is pretty much gone now. Rolin saying they are going to do a somewhat Talk Radio version of Daniel just leaves me cold. Talk Radio already exists on screen, we don’t need another version of it. But I dunno, maybe there’s something interesting there? What do you think?

I was really intrigued to see that Daniel will make an appearance in the Talamasca show, but given the awful writing of Mayfair I’m just worried he will become a really dull Phil Coulson-esque character. Someone who exists to bind the shows together.

Regarding s2e8 I just felt it was very anticlimactic with the books falling over Daniel, after it had been hyped in probably all of the trailers - leading to absolutely nothing. And deciding they will never show Daniel’s turning, and just revealing it in a cheap horror movie twist manner, is just a decision I will probably always be upset about. I don’t knew, I just don’t have a good feeling about the upcoming seasons given the writing decisions here. Am I too worried? Hopefully so, I just feel really disappointed. Sorry for the downer ask, I just really enjoy reading your thoughts and feelings, so I just really want to hear what you think of it all. Thank you!

Hi!

Sorry for the delay in my response but let’s get into it~

First and foremost, let me answer your question- yes, initially I was disappointed with how they handled Armandaniel, but moreso Daniel’s turning and the “spite” comment. I’m sure if I were to look back at my post I’d disagree with a lot of what I said or find myself overdramatic haha

The truth is, my feelings on it have indeed changed. My understanding of them as characters and this newfound dynamic have helped with a lot of the apprehension you’re feeling. I’ll get into that in a bit.

For the writing, I understand your feelings. It’s not the first time they’ve done this. The whole Claudia and Madeleine murders were overshadowed with LESTAT SAVED LOUIS and ARMAND BETRAYED LOUIS and LOUSTAT REUNION with Claudia being almost an afterthought. Not for Louis, of course, but for the viewer and Claudia’s memory. Louis still felt it all and mourned Claudia deeply. I’m getting off track but my point is, DM was never going to be a focal point for anyone- characters or writers (I mean, they can prove me wrong!). I didn’t want to view it like this because of my love for DM and I don’t like saying that but I genuinely think it’s a fact. At least there’s Assad! DM is an afterthought.

This isn’t my critiquing of Louis or Daniel or even Lestat but of the writing that overshadowed poor Claudia. I’m not alone in this feeling.

So, my thing with Daniel is the absolute moment they cast Eric, everything for Daniel changed. It was all thrown out the window (I mean, the very few things we did have).

Them changing DM as a whole almost seems par for the course. They started from the ground up with him and for Louis, as well. But with that, I think the same level of care they gave Louis’ characterization will be given to Daniel because of this- and this is why I think they turned Daniel when they did.

Sure, it made Eric happy (I know what you are, Rolin), but they’re building the foundation for Daniel now (while Louis’ roof is being fixed (pun not intended))

Daniel’s vampirism is a stepping stone to everything he will be- and everything he and Armand will and could be. He’s gonna go into it with rockstar sunglasses and a middle finger up but it’s never that easy. I want him to need Armand and find themselves together. I think this is where their adaption of The Devil’s Minion could come.

Maybe the tender and weird past DM stuff happened, I couldn’t tell you. But if it didn’t, their story started incredibly fucked up and continues to be that (foundation, foundation). I don’t think Daniel is over what happened to him, I think he’s very much like Armand and he bottled that up and will Molotov cocktail it through Armand’s figurative window.

In all honesty, I haven’t seen Talk Radio so I can’t comment on that. But I think the weird stuff is still on the table, but it’s gonna be a little different. Armand hasn’t changed drastically, and his… mannerisms… are here to stay and use against Daniel. I’m interested to see what fucked up little relationship they do have.

And the power balance… physically, of course it’s still there but there’s a new dynamic. There’s a taut rope between them and they are tugging for the win, but it’s never that easy (and is it breaking clean in half?)

I’m excited for the Talamasca show! I’m confident Rolin and co gave them some notes or at the very least OK’d the script haha. I’d like to give some chance to the poor writers of the Talamasca show since they only have a few peas and carrots on their plate- they can do a lot at this TVC buffet (I don’t know why I’m talking like this).

Don’t feel bad about being disappointed, especially about the transformation. That I’m still bitter about… how did they fuck up the one unselfish, beautiful moment between Armand and his only fledgling, scrap it and laugh it off and and andkdfklansalknf

Okay, so maybe I’m a lotta sore about it all.

It’s OK to critique or have issues with a tv show and you’re not sounding unreasonable for wanting something of your favorite pairing. I’ve said it before and I’ll say it again, I do wholeheartedly believe they have something good up their sleeves for DM but are waiting to chuck it at the general audience who maybe has no clue what’s in store.

I did see your second ask and will respond later today

We’ll see what happens but until then…