#<- some lyrics in this album that are not great for some folks

[danielpowell]

If you wanna be clean You gotta scrub until the blood comes out Get the spots in between Slip your skin right off and hang it out

[spiderfreedom]

Not a fan of most of the album of the year noms but midnights is definitely not the album of the year

[friend-dispenser]

Just realized I wrote these tags in their own post not in a reblog of the post I was trying to add them to!!!!!! Ugh!!!!!

AND I LOST THE POST!!!!!

It basically went like "I'm sick of hearing about taylor swift. Tag the most obscure band you listen to." If anyone comes across it please let me know cause I wanted to look through the notes again in a week or two! And also share my tags!

[finleycannotdraw]

can u recommend some bands? i think i like ur music taste and i am terrible at finding music

ty :)

of COURSE I can <3 you’ve probably heard of some of these, but maybe there’ll be some you haven’t! I don’t know what you already like, so… here we go :)

Hozier. Yeah this was always going to be first on the list I’m currently listening to basically nothing else! He’s an Irish folk/soul/blues/etc idk musician who uses a lot of religious and mythological themes in his lyrics and has a lot of songs that include social justice commentary.

The Amazing Devil is a folk rock band with an incredibly unique sound. Their songs are incredibly emotional and have an awesome fantasy vibe going on—plus there’s two singers, and they often sing independently from each other, which is something you don’t see often!

Good Morning Bedlam is a bluegrass band that I’ve gotten into recently! They’re sort of like… a mix of the amazing devil and the crane wives?

The Crane Wives, while we’re at it, and

The Oh Hellos. they’re fairly similar and I don’t have a ton to say about their stylistic differences, but they’re all definitely worth checking out!

Florence & The Machine. Most people have heard of them but I always like to recommend them anyway

Alec Benjamin, if you’re into softer indie music! He has a lot of different styles of lyrics, but his voice is consistent, so he’s great to listen to if you’re looking for that sort of variety.

Chxrlotte doesn’t have a lot of music out, but I’m a big fan of the music she has released, including the ones about Good Omens! The others are more angsty which I love too.

The Family Crest is an orchestral indie pop rock band, which blows my mind. I can’t believe orchestra isn’t a more utilized tool in popular lyrical music, because they do it so well.

Good Kid is actually my brother’s favorite band, and I love them too. They’re also indie rock, but they have a very distinctive style and are easy to get into! Plus they haven’t released a shit ton of songs like some other artists, so it isn’t overwhelming to explore their discography.

Jonatha Brooke is an artist I only know about because my mom liked her music a lot in the 90s, but she’s got a super nice voice and has some awesomely relatable lyrics. I especially recommend her album Ten Cent Wings!

Midlake is a super melodic folk rock band. I’m obsessed with their album The Courage of Others, which has a melancholy vibe that’s super easy to get lost in.

Palaye Royale is harder rock than anyone else on the list so far, but they’ve got an awesome style. Unique voice and definitely darker themes in their lyrics.

Tears for Fears is a pop rock band that I love because my dad does. (My parents are musicians—I trust their music taste).

Toad the Wet Sprocket got their name from Monty Python, but PLEASE go listen to the Architect of the Ruin EP. You will not regret it. Also the song Something’s Always Wrong is like… entrenched in my very being.

Elbow is a band that I never see in fandom circles, but they’re definitely not obscure. Check out their album Little Fictions! They’re kind of like Midlake.

Will Wood ranges from chaotic and fun (The Normal Album) to absolutely soul-crushing (in case I make it)! Sometimes even both at the same time!

(I would’ve also put Paramore, Fall Out Boy, My Chemical Romance, and other rock/pop punk bands I like on there, but I assumed you already know them.) (If you were looking for harder rock or metal, let me know, because this list is not that.)

If you want more genre-specific recs or even album/song recs, don’t hesitate to ask!! Music is the fuel of my soul.

[drowninginredink]

Favorite Albums: choose 9 and then tag 9 people!

For my own sanity, I didn't include musicals because I could fill up a whole other 3x3 grid with them, and comparing musicals to non-musical theater albums is weird.

Those last 4 that you definitely don't recognize are by Old Earth who you should definitely listen to if you want artsy ambient indie folk with really intricate guitar. My absolute favorite artist by far, and also the most obscure artist I listen to by far.

Electric by The Pet Shop Boys — I think this is my favorite album period. I am still pissed off that Tom Scott called it "not that great" in the old Technical Difficulties podcast. Maybe I'm biased because it was my favorite album when I was 14 and because it's where I really fell in love with the Pet Shop Boys. God I love them. So much. I'm way too excited for the new album and I worship geowayne's website where he analyzes all their songs. I probably should have put another PSB album on here, but there isn't another where I'm in love with every track. Plus honestly so many of my favorite tracks of theirs are B sides. They still release B sides with their singles, and this album cycle, the B sides are honestly better than the actual singles. Anyway electric is pure synthy electropop and I adore it in that way you can only love something you first heard at 14.

Pure Heroine by Lorde — I read a quote somewhere where Lorde said she tried to really put all of being a teenager into the album, so much so that once she became an adult, she probably wouldn't understand or like it anymore. I can definitely say that I'm not nearly as attached to it anymore now that I'm an adult, but God, it was my life when I was 13. She really did capture the unique ennui of being a teenager. I wrote a novel in eighth grade, and I wrote at least half of it to tracks from this album. Also, hot take: Royals is my least favorite track by a lot. Buzzcut Season is my favorite.

My Head is an Animal by Of Monsters and Men — God, this one was my life when I was like, 12. I fell in love with folk there, and I'm still in love nearly a decade later. Another album where I still love every track.

Strange Trails by Lord Huron — hey look, an album I actually discovered and came to love as an adult! The fact that I love Lord Huron's brand of folky horror/fantasy/western music that tell stories with characters should not surprise anyone. Also, if I had to describe my experience with schizophrenia in one song, I'd choose Meet Me in the Woods.

The Tragic Treasury by The Gothic Archies — Look. Hear me out. Is it a album based purely on A Series of Unfortunate Events? Yes. But. Is it also an album where I genuinely love every track and have genuinely been known to just throw it on shuffle? Yes. I mean I think of one lyric from this album, like, weekly. I swear it's not just ASOUE brainrot that makes me like it so much. If it'd ever gotten a vinyl release, I'd absolutely own it. I wish it had gotten one.

a low place at The Old Place by Old Earth — honestly this is probably only my favorite Old Earth album because it's the one that I was able to actually get on vinyl and being able to play that vinyl is so lovely. I mean, it's good, but so is everything by Old Earth. Then again, Less Words is my favorite single track by them and it is on this album. Look. All the Old Earth albums I've listed here are, at most, 20 minutes long. If you like ambient artsy indie folk with lyrics that are there more for the way they sound than their meaning, try one.

light shaped by Old Earth — god the lyrics to this one. Normally I don't like Old Earth for the lyrics but. "It gets old/then it's done" and "what if it's just some song that gets you home" and especially "I'm holding your arms/and you're holding my eyes/and I lie like the right thing to do" are all just so great. And so is the middle track with no lyrics.

... until they're called by Old Earth — have you ever heard an album so good that you a) just played the whole thing and danced to it in your basement nonstop for the full 12 minutes, and then b) wrote a poem about the experience? People talk about finding God, but dancing to that album was the moment I found athiesm. The beauty of us all being here for no reason, just feeling things and living and doing our best to make something beautiful out of it.

Two Torches, at a Place Where Three Roads Meet by Old Earth — I'll be honest, I don't have much to say about this one. They're just a really solid three tracks.

... Yeah okay I really like Old Earth. Don't judge me.

Thank you @cygninae and @thehistoryone for tagging me! I'll tag @ven10 (I'm surprised neither of the people who tagged me tagged you), @weirdthoughtsandideas (ditto), @70snasagay (hmmmm i wonder what you'll put), @cat-boy-tom, @thetreetzar, @buncoreclown, @notthatalex, @unfortunate-sapphic-disaster, and @roach-in-the-kitchen. No pressure, obviously!

[dd-is-my-guiltypleasure]

David Duchovny: ‘The X-Files took up my life, but it was a miracle’

It's behind a paywall so if somebody has access I would love to read the article

Update : got it, thanks @aimsies-mctaymellburg

David Duchovny: ‘The X-Files took up my life, but it was a miracle’

As Fox Mulder in the hit sci-fi show, the actor and singer peddled fringe conspiracy theories. Now the 63-year-old says Mulder’s paranoia is everywhere.

In hindsight it wasn’t a great idea for me to kick off an interview with David Duchovny by suggesting that he was a musical dilettante. You’re most likely to know Duchovny, of course, as Fox Mulder, the conspiracy-theory-guzzling FBI agent in The X Files, one of the biggest shows of the Nineties, watched at its peak by 30 million in America alone. Perhaps you saw him as the womanising writer Hank Moody in Californication or the 1960s detective Sam Hodiak in Aquarius. You may even have read some of his five books.

Duchovny, a New Yorker living in Los Angeles, is less known for music, although he’s been making rather decent folk-rock for a decade — songwriting, playing guitar and singing in a honeyed drawl. His 2015 songHell or Highwater has been streamed more than a million times while Layin’ on the Tracks, from 2020, has pointed lyrics about a certain politician (“It’s a killing joke that no one laughs at/ A stupid orange man in a cheap red hat”). He has released three albums, with a fourth due next year, and this month plays Latitude festival in Suffolk and the 2,000-capacity Shepherds Bush Empire in London.

So does the 63-year-old feel that he should no longer be seen as just a musical dabbler? “That’s part of a lazy person’s perception,” he says, bristling slightly. “It’s a lens through which people want to see me. I think music is an innocent art form — you listen to it and you have a response. To bring any kind of baggage to bear on it in the beginning seems to me to be dishonest, but that’s the way things go.”

YouTube clips of recent shows suggest people were having a lovely time, I say. This doesn’t have the soothing effect intended. YouTube footage lingers “because of the horror of the cell phone”, Duchovny says. “It’s a pet peeve of mine.” Is he tempted to ban them at his shows, as artists from Prince to Bob Dylan have? “I don’t know that I can enforce that view on anybody.”

For Duchovny, it’s as much about phones limiting his performance as it is about the audience not living in the moment. “To do something unique or for the first time, to reach for a note or play a different melody — all these are chances you might take if you weren’t inhibited by the fact that somebody is [recording] it,” he says. “You’ve got to be able to fail and the ubiquity of cell phones makes failure scarier than it needs to be.”

Failure is the key to another of his jobs: podcasting. In his series Fail Better, he adroitly interviews guests including Bette Midler, Ben Stiller and Sean Penn about their failures. “I feel like I’ve been failing my entire life,” Duchovny said on launching it in May. That may sound strange from a man with English degrees from Princeton and Yale, who has won a Golden Globe for The X Files and another for Californication.

Is he familiar with Elizabeth Day, the British journalist who has hosted a successful podcast called How to Fail since 2018? When Duchovny announced Fail Better, Day tweeted: “I might invite David Duchovny on @howtofail to discuss his failure to be original.”

“This is the first I’ve heard of it,” he says. “If she wants to be rigorous in her thinking, she would investigate what my approach to failure is. I don’t know what her approach to it is. My sense, since failure is universal, is that there’s room out there for more than one discussion.” This is a rather po-faced response to what seemed like a playful comment from Day, and surprising because Duchovny has a wicked sense of humour. He can also afford to be more magnanimous, given that his podcast is at No 12 in the UK chart and hers is at 54.

Gillian Anderson, his X Files co-star, certainly likes his podcast, writing this week on Instagram that she had listened to all of the episodes and found them “intimate and vulnerable … very smart questions, although I wouldn’t expect anything else from you [David]”.

“It’s very sweet,” Duchovny says. “I will email her and thank her. I’m sure somebody running my social media is … I don’t really like to be on social media.” Later that day his Instagram account replies to Anderson’s post: “Thank you for listening, you have an open invite [to appear on his podcast]!”

That encounter would be worth hearing because his relationship with Anderson is fascinating. Despite their chemistry in The X Files there were rumours of friction — although they looked to be getting on swimmingly when they appeared on Jimmy Kimmel’s talk show in 2016 to publicise the return of the show, which ran for two more seasons.

When asked by Kimmel about frostiness between her and Duchovny in the Nineties, Anderson collapsed into giggles, laid her head in Duchovny’s lap and put any froideur down to the dampness of Vancouver, where the series was shot. Her hair kept going frizzy, she explained, and “for every single take we’d have to stand there and blow dry my hair again”.

“And I got pissed at that?” Duchovny asked.

“Well, I think it added to the tension,” Anderson said.

“It kinda makes me sound like an asshole,” Duchovny replied.

Anderson had nothing to do with him leaving The X Files in 2002, he says now. “That was just me wanting to have a family, but also to try other things. It had kind of taken up my life. There was no animosity with the actual show and the people that I worked with. I am proud of the show — it was culturally central in a way that it’s very hard to do these days in a fragmented landscape. There’s so many lightning-strike aspects to it that I can’t help but think of it as some kind of a miracle.”

The X Files gave conspiracy theories a kind of nobility — “the truth is out there”, as its tagline ran. Now they are more widespread and pernicious. “Mulder’s way of looking at the world was through conspiracy and that was the fringe at that point,” Duchovny says. “It doesn’t seem to be so fringe any more. It’s really the world that [The X Files creator] Chris Carter foresaw happening almost 30 years ago. He’s almost clairvoyant in that case.” Is Duchovny more evidence-based than Mulder? “Not at all. I’m an artist — I am associative-based and I see poetry as science and science as poetry.” So are there some conspiracy theories that he buys into? “No, I’m talking about art. I think conspiracies are mostly just lazy thinking.”

One failure that has shaped Duchovny is that of his marriage to the actress Téa Leoni, who starred in Bad Boys and Deep Impact. They married in 1997 and have a daughter, West, 25, and a son, Kyd, 22, but divorced in 2014. “That darkness does deepen you. It makes you more empathetic and humble,” Duchovny says. One of the themes of his podcast is “the difference between humiliating and humbling. Often we focus on humiliation in our culture. I don’t see any positives coming from humiliation, but I see a lot of them coming from humility.”

One wonders if the reference to humiliation has something to do with Duchovny checking into rehab for sex addiction in 2008. Could him playing the bed-hopping Hank in Californication be a case of art imitating life? “People never tire of trying to figure that out,” he says with a sigh. “But to me, that’s not what acting is about. I don’t look for things that are mirroring my life in any way.”

Well, there are parallels in Reverse the Curse, the 2023 film that Duchovny directed, starred in and adapted from his book Bucky F***ing Dent. He plays a would-be novelist who has “sacrificed his artistic dream to put food on the table”. His father, a publicist, did the same, publishing his debut at 75, the year before he died. The film has some really funny scenes, including one where Marty and his son have a farting competition in a motel room that ends up smelling like “an aquarium that fed a sock”. That may have come from a line in Aquarius where someone says something similar about a police station. “I might have ripped it off, I’m not sure,” Duchovny says. “ You can ask Elizabeth Day about that.”

David Duchovny will perform at Latitude festival, near Southwold on July 25 and 02 Shepherd’s Bush Empire, W12 on July 27

[whenanafallsinlove]

FOLKLORE (ana's version) - 150 Celebration

An anthology of short stories inspired by the songs in my favorite album. Happy August, and happy 150! I hope you find catharsis with me.

Guuuys! This is my first celebration; thank you so much for 150! There are two parts for this. I wrote short stories for each song in this album and I'll be posting them during the next couple of weeks; but ofc we need an interactive part! So here's the dynamic:

🩶"CALAMITOUS LOVE" - send a fandom and some of your personality traits, I'll do a match up with you + two characters and theorize who would be who in the folklore love triangle. 🪩"JUST LIKE A FOLK SONG" - send a character, and I'll make a moodboard with the folklore song you + them give me vibes of! ✒️"SAD PROSE" - send a character + your favorite folklore lyric, and I'll write a short blurb

FANDOMS: jujutsukaisen, haikyuu, my hero academia. If you want to ask for more than one dynamic, pls send them separately! OPEN TO EVERYONE!

► folklore (ana's version)

the 1 cardigan the last great american dynasty exile (feat. Bon Iver) my tears ricochet mirrorball seven august this is me trying illicit affairs invisible string mad woman epiphany betty peace hoax the lakes - bonus track

@miyamoratsumuu, @angeliicheartt, @the-hangry-otter, @donnie2929, @twusizz

@lauffey, @just-tough-love, @elliestanaccount, @idkidk32, @makiglazer

@iloveroblox48, @ksukiii, @k1tk4tkatsuki, @seastarchive, @ayatosleftball3

@sikuthealien, @mikasasmango, @s-3lliot, @xpixie, @vampkats

@with-my-calamitous-love, @beforenowafter, @ducksarereallycool, @marisbarbosaa

[celticbotanart]

the other day on bluesky I made one of those "1 like / 1 song" sort of post, and I decided to make all songs BR music to celebrate our BR community in there, and I decided to also put a brief description on each song to give non-BRs some context [LINK to the post on bsky!] Well, I got like 64 likes lmao so I made a playlist out of the post - here it is!

and to those curious, I'll also paste the context I gave behind each song, down the cut. BR music is SO incredible and so full of colors and variety, you guys should really give it a try 💚💛💙 I hope you like it!!

commission info | patreon | Ko-fi | VGen | bluesky

1. Caxangá - Elis Regina and Milton Nascimento Opening the thread with two of the biggest singers in our BR history, Milton Nascimento & Elis Regina (who has passed already years ago, unfortunately). They were best friends when she was still alive, and their synergy is out of this world, both with super unique voices <3

2. Domingo no Parque or "Sunday at the Park" - Gilberto Gil & Os Mutantes BR used to have these big music festivals back in the 60s, this is one of these performances. Gil is this larger than life singer, and Rita Lee,lead singer of Mutantes (RIP) was so full of energy too <3 This is a song about love and jealousy that ends in a tragic murder 👀 3. Construção or "Construction" - Chibo Buarque I'm only bringing the big guns to this thread lmao this song is NOTORIOUS for the way it was written, musically and lyrically. It's a protest song commenting about the BR dictatorship (1964-1985) in many layers. The orchestra here is insane, mimicking the sound of a busy traffic!

4. Faraó or "Pharao" - Margareth Menezes this song is iconic AF in so many levels!! Lots of African-BR influences, and Margareth sings about the golden era of Egyptian gods as a way to celebrate the black community <3 (pretty much a fast course on Egyptian mythology in the lyrics, no joke!) 🚨🚨🚨EU FALEI FARAÓOOOOOOO!!!🚨🚨🚨

5. A Vingança de Cunhã, or "Maiden's Revenge" - Pietá this one's about the boto(river dolphin)myth we have here(river dolphin turns into a man to seduce young women and leaves them after). Here the dolphin seduces this girl but she reverse-uno-cards him and he cant shapeshift anymore. Very pretty song full of BR folk instruments!💛

6. Malandragem or "Trickery"(???I guess??) - Cássia Eller time to show what BR music is widely known for:LESBIAN / BISEXUAL / WLW SINGERS lmao (I'm so serious!!) Cassia Eller (RIP!) had the most unique voice, and had such a great stage energy! This one is one of her most well-known performances in an MTV Acoustic <3

7. Nós or "Us" - Cássia Eller bc I can't get enough of Cassia, I'll add in another one from her, legit MY FAVORITE- a torch song with this flamenco-like sound???? It's just so cool!! And she showcases her voice skills even further here, she was incredible!

8. Vamos Comer Caetano or "Let's Eat Caetano" - Adriana Calcanhotto I love this performance bc this song is so fucking weird but also such a bop (and hard to explain, if anyone wants to try, be my guest lmao)

9. Veleiros or "Sailboats" - Ney Matogrosso singing Heitor Villa-Lobos this is a 2 for 1 situation, the song is performed by ICONIC BR singer Ney Matogrosso in an album of songs written by BR conductor and classic composer Heitor Villa-Lobos! I'm crazy about the entire album this song is in for real, it's called "O Cair da Tarde", I highly recommend it!

10. Bachianas Brasileiras n5: Aria (Cantilena) - Heitor Villa-Lobos and since we are at it, here's the most famous song by Heitor Villa-Lobos (I'm a Villa-Lobos stan ngl) Full on opera mode!! It's a beautiful aria, sang in BR-Portuguese <3

11. Choros no 10 - Heitor Villa-Lobos Another Villa-L just to showcase his range - last 2 I mentioned were very romantic / operatic w/ solo vocals,etc. This is an instrumental orchestral movement and here you can see how he mixed in classic European orchestra with our identity, using folk/indigenous instruments on the 2nd half!

12. Miragem do Porto or "Harbor's Mirage" - Lenine Perfect segue into this performance of Lenine my beloved <3 <3 He sings as if he's a castaway, dreaming of going back home. This version has a full orchestra, also full of folk instruments and influences. It's so full of energy even the conductor can't help but sing along! EASTER EGG TIME cause this version I described on bsky is not on Spotify, I had to use the album version on the playlist. So if you are A TRUE CHAD reading this, here is the version I described!

13. Preciso Me Encontrar or "[I] Need to Find Myself" - Cartola Cartola was the most important samba composer from the early 1900's <3 And YES! Using the Cowboy Bebop AMV someone made w/ it, bc it's so beautiful and I think it's so AWESOME how this song echoes through all culture and ages! And it matches CB's aesthetics so well!

14. Preciso Me Encontrar, Liniker cover I have to throw in this AMAZING cover of "Preciso Me Encontrar"; it's sung by Liniker, an incredible BR trans singer! Again, I think it's beautiful how this song resonates so much after so many years (it was originally released by Cartola in the 70s), and this video is just gorgeous overall <3 - ALSO NOT AVAILABLE ON SPOTIFY, here's the link!

15. Floral Fury - Cuphead OST Thread intermission - Cheating a little bit here, since this isnt composed by a Brazilian person afaik, but!!! I have to include Floral Fury here bc it's literally early 1900's samba! IT EVEN HAS A CUÍCA (the "straw through plastic cup sound" lmao), it's very accurate and ngl, it's FUN AF!

16. Um Girassol da Cor de Seu Cabelo or "A Sunflower in the Color of Your Hair" - Lô Borges / Clube da Esquina Clube da Esquina is formed by this group of singers from Minas Gerais (including Milton Nascimento from the first song in this thread!) Vocals by Lô Borges, it really has a melancholic, storytelling vibe to it,especially through the arrangement <3

17. Cantiga Por Luciana or "Song for Luciana" - Evinha Another oldie from the 60s I love so much, she has such a pretty voice ahhh<3 She's one of the "voiceclaims" for an OC I have (AME from my drizzle/LAND OCs!) Fun fact! Evinha was the one who sang the BR versions of the songs in Disney's "The Rescuers" (I'll link one next so you can hear it)!

Brazilian dub version of "The Journey" from "The Rescuers", performed by Evinha, from the previous post! Here, the movie was titles "Bernardo e Bianca", after the protagonists I legit think this is one of the best BR versions, and this animated intro in general is a freaking masterpiece. THIS BR VERSION ISNT IN SPOTIFY, HERE'S THE LINK!

Favo de Mel or "Honeycomb" - Milton Nascimento Speaking of BR singers in animations, I HAVE to link this one from no other than freaking Rio 2. It's "Real in Rio", that intro song from Rio 1, but a "sad version" of it performed BEAUTIFULLY by Milton Nascimento my beloved <3 I legit teared up watching the movie when this song came up. NOT ON FUCKING SPOTIFY, HERE IS THE LINK!

"Only a Dream in Rio - Milton Nascimento and James Taylor On Milton Songs That Makes Me Teary Eyed, this one which he collabed with James Taylor?? It's such a random, unexpected feat, but it turned out so beautiful! I think it's a good one to share in here, bc the song is sung half PT-BR, half ENG, I think it's rather appropriate for this thread <3

21. Fairy Tale - Shaman LEGENDARY live performance from metal band Shaman from the early 2000's, when their original vocalist Andre Matos (song writer, pianist, conductor; RIP) was still in the band. Here you can see why Andre was so, so beloved, guy was skilled AF and this song SLAPS SO HARD. BR IS SO AMAZING, GUYS (the version I mentioned above is the one on the playlist, HOWEVER I encourage you to actually watch the video of him performing!!

22. Carolina IV - ANGRA Still on Andre Matos, this is a song from his previous band, ANGRA. This song is part of a concept album where ANGRA mixed in metal+BR elements, you can say this is BR folk metal! The album Holy Land was all around the concept of Brazil, its culture, the colonization and so on. SO COOL!

23. Dança das Borboletas or "Dance of the Butterflies" - Sepultura and Zé Ramalho I can't talk about BR metal without mentioning Sepultura! So here's their cover of Zé Ramalho's song, featuring Zé in the vocals. This was used as soundtrack in the BR movie "Lisbela e o Prisioneiro" (a fave)(Don't be fooled by the butterflies in the title lmao)

24. O Matador or "The Killer" - Sepultura another Sepultura song for the soundtrack of "Lisbela e o Prisioneiro", I like that movie a lot. This is the theme song of Frederico Evandro, a character who's a badass gun for hire. I love how it sounds so metal but still so Brazilian!

25. O Encontro de Lampião & Eike Batista or "The Meeting of Lampião & Eike Batista" - El Efecto More BR folk metal! This is hard to explain w/word limit but TL;DR this song criticizes capitalism and colonization by corporations using the images of Lampião (BR historical figure) and Eike Batista (a real BR CEO); it uses lots of northeast BR influences!

26. Cílio or "Eyelash" - Casa de Caba YOU KNOW WHAT TIME IS IT ITS TIME FOR LUSO-BR PIRATE SHANTIES OK not really but this is how I see this song! Again northeastern BR influences + mention of Yemanjá (yoruba orisha of the seas, she's a big deity in afro-br religions!). If this isn't BR pirate enough idk what it is hehe

27. Arueira - Geraldo Vandré Another one in the "BR pirate shanties" list, which is kinda funny - is a protest song from the 60s and it in fact has elements in common with some sea shanties - CALL/ANSWER singing, it mentions how workers are suffering under hard work / a master,it even has nautical themes (sailors,sea,etc)

28. Canção do Mar or "Song of the Sea" - Dulce Pontes cheating a little again cause Dulce Pontes is a Portuguese singer, but mentioning all the "Luso-BR Sea Shanties", I had to mention this ICONIC performance! This is "fado", a melancholic Portuguese genre of music; I like to parallel it a bit with Irish keening style of singing

29. Canto de Oxum / Inscrição or "Oxum's Song" - Maria Bethânia still in the theme of waters! Iconic Maria Bethânia sings to Oxum, the orisha of fresh waters and beauty! Here in BR, we have afro-based religions that worships such yoruba deities, and we often hear songs praising them like this. The second half praises Yemanjá, deity of the seas!

30. Deixa a Gira Girar - Ana Mametto This one is a cover of Ana Mametto (og song by The Tincoãs released in the 70s), praising Iansã the orisha of the lightning and storms! This performance is so cool cause there's a dancer there with Ana, as Iansã herself dancing onstage + lightning sound effects. ITS JUST INCREDIBLE [LINK TO THE VIDEO!]

31. Vapor Barato or "Cheap Vapor" - Gal Costa and Zeca Baleiro this version of Vapor Barato/A FLor da Pele is everything. Gal and Zeca being fucking iconic for 6mins straight, this song is so melancholic, almost theatrical <3

32. Garoto de Aluguel or "Rentboy"- Belchior and Zé Ramalho it's easy to say Belchior (RIP) is like. Pivotal BR music icon. And here with Zé Ramalho they perform together in this song that's lowkey my favorite lmao, the tango vibes ARE STRONG and I love it so much!

33. Na Hora do Almoço or "At Lunchtime" - Belchior Another Belchior banger-it describes this young person talking about their family at lunchtime, and how everyone is so disconnected from another, "I'm still too young to be this sad", damn </3

34. Trem das Onze or "Eleven's Train" - Adoniran Barbosa ADONIRAN BARBOSA, PORRA <3 another super important samba composer~ In this one, the protagonist laments he can't stay with his love a bit longer, bc he has to go home and he can't miss the train that leaves at 11. The way the choir ends with a train-like sound, SO GOOD!

35. O Rei do Gatilho or "Cowboy / Old West King" losely translated - Moreira da Silva THIS ONE I SWEAR. It is a SAMBA THAT MIMICS A COWBOY/WESTERN MOVIE. But like, in a BR way of course. It's a pretty hilarious song with Moreira making different voices, it has sound effects of shots, horses running, applauses and so on, it's so fun!

36. O Vira or loosely translated as "Shapeshifting" - Ney Matogrosso Going back to Ney Matogrosso, I have to mention this one, the title kind of means "Shapeshifting"(as in werewolves)but it goes beyond that,it's hard to explain lol Ney has always been very out & about on genderfuckery and being gay so this song plays with that. a true icon Also THAT OUTFIT! 👌👌👌 [Link to the video so you can see his cunty looks!]

37. Rosa de Hiroshima or "Rose of Hiroshima" - Secos & Molhados / Ney Matogrosso on a more serious note,this is another famous song from Ney/Secos & Molhados (his former band). It's a tragic song where he lists the victms of the bombings in Japan, but in a very poetic manner BR and JP have history, so this is in a way our tribute to that sad event

38. Hinamatsuri / Se Essa Rua Fosse Minha or "Doll's Festival/If This Lane Was Mine" - Iuri Salvagnini speaking of BR/JP ties,this is one I found totally by chance and I'm SO HAPPY I did.This album has medleys of both JP and BR nursery rhymes. Se Essa Rua Fosse Minha is a very famous BR folk song and so ominous in a way, this version really reflects that!

39. Pegasus Fantasy - Edu Falaschi And speaking of which - ANIME TIME! Edu Falaschi, the vocalist from ANGRA that came after Andre Matos, was the iconic voice of Saint Seiya's first opening theme, "Pegasus Fantasy"! Saint Seiya was HUGE here in BR/Latin America in the 90s!

40. Descobridor dos Sete Mares or "Seeker of the Seven Seas" - Tim Maia Tim Maia (RIP) was like, a BR soul singer, his performances were all like this, full of energy with a big band and everything! (There's also this meme where ppl say this was supposed to be a Jojo's opening song, lmao)

41. Mania de Você or "Crazy About You"- Rita Lee and Milton Nascimento LEGENDARY performance of Rita Lee (RIP) and Milton Nascimento! A very sexy song, and their performing energy just brings everything to whole other level. It gets even better when we see Rita teasing Milton (around 5:33) haha <3 so cute!

42. Chuva or "Rain" - Gaby Amaranthos This one is kind of funny, but also kinda moving??? The lyrics are about the cycle of water -literal, textbook information about the cycle of water and how rains are formed At the same time she also sings "Water cycle is an eternal dance" which is such a beautiful way of putting it??

43. Ela Disse Adeus or "She Said Goodbye" - Os Paralamas do Sucesso I remember watching this music video as a kid and I loved it. It stars the incredible BR actress Fernanda Torres & the members of the band, all of them mistreating her character so badly until she just decides to kill them one by one lmao this song/mv still is so good!

44.Segue o Seco or "Draught Goes On" - Marisa Monte I also remember watching this one as a kid and being just fascinated by the video, it's legit a fucking masterpiece, the aesthetics and everything are very dramatic and theatrical. Marisa has such a GORGEOUS voice hnggg Still a favorite to this day [LINK TO THE MV!]

45. Ainda Bem or "Thank Goodness" - Marisa Monte another one by Marisão that I thinnk is so cool, especially the video, I love that's pretty much her just dancing with no one other than MMA wrestler Anderson Silva??? lmao so random but so cool!

46. O Céu é Muito or "The Sky is [Too] Much" - Lenine Lenine's heavy metal phase dkjfhskdjf jokes aside, I freaking love this one bc it's a bit different from his usual stuff (which I also really love). I think it's so cool when singers are so versatile and their voice will fit into any genre!

47. Matheus Embaixador or "Matheus, the Embassador" - Antonio Nóbrega Antonio Nobrega is an actor/folk musician that I really like. He plays rabeca (that folk violin he's holding) in his music as well! This goes into the BR Pirates Playlist thing for sure! hehe

48. Abrição de Portas or "Opening the Doors" - Antônio Nóbrega is a folk song / adaptation from Cantigas de Santa Maria, a compilation of medieval Portuguese poetry/songs! This one goes way back haha. And it really has the Royal Castle vibes to it, it's very Brazilian High Fantasy 👀

49. Bandolins - Oswaldo Montenegro This one is another mix of kind of funny with brilliant - Oswaldo wrote this song based on a friend of his, the song is really heartfelt and the last portion really GOES HARD with the vocals and harmonies holy fuck; but is also has some weird word choices lmao overal, it's a true bop, so dramatic!

50. Admirável Chip Novo or "Brave New Chip" - Pitty more BRmetal! This one was popular in the early 2000's and now I look at the lyrics like DAMN.She didnt have to go this hard-it has the obv ref to Brave New World on the title and she heavily criticizes consumerism and the lack of critical thought thats encouraged by capitalism??

51. Garganta or "Throat" - Ana Carolina Ana Carolina, BI ICON from my teenage years fr fr, I was obsessed. She has a very unique, deep voice, and her guitar skills are pretty insane, this one really shows all of that!! [The version in the playlist is the same as the video, BUT linking the video bc SHE'S SO BADASS!]

52. Eu Comi a Madona or "I Fucked Madona" - Ana Carolina lmao this song is what is says on the tin, Ana came out of the closed in the early 2000s as bi and ever since she has been VERY UNABASHEDLY BI and honestly good for her Iconic song for real kdjfhdkjfh [LINKING THE VIDEO OF HER LIVE PERFORMANCE. BECAUSE OF REASONS.]

53. Auroras Flamboyans - Sofia Freire I don't even know how to explain this one, Sofia has such a dream-like songwriting - she keeps saying things, listing them as if to paint an imagery, it's kinda abstract and so beautiful tbh. She also layers her vocals and plays piano for it, honestly just give it a listen, it's legit so good <3

54." Valsa Pra Lua or Waltz to the Moon" - Vítor Araújo absolutely gorgeous piano instrumental that's soundtrack to the BR movie Elena. I never saw the movie, but this song is soooo good <3

55. Espumas Ao Vento or "[Like] Foam in the Wind" - Elza Soares another version done for the Lisbela e o Prisioneiro movie (srsly that movie has SO MANY BANGERS in the soundtrack it's ridiculous). Elza (RIP) was another huge name in BR music, here you'll hear her iconic voice and singing style!! <3

56. Fixação or "Obsession" - Kid Abelha a song that's super relevant even nowadays lmao she describes the PoV of someone obsessing over a celebrity 24/7, how they keeps making up scenarios in their head featuring their fave. It really contrasts w the way she sings/the arrangement! I really like this version a lot ngl

Ragatanga - Rouge BRAZILIAN Y2K GIRL BAND TIME. Rouge was a girlband formed in a reality show, designed to discover "the next pop stars and form a pop group". Rouge was MASSIVELY successful, at least for a while. This one is their master hit (which is actually a cover from pop Spanish trio Las Ketchup)

58. Lua de Cristal or "Crystal Moon" by Xuxa and the Paquitas PERFECT SEGUE INTO XUXA'S MASTERPIECE lmao Xuxa ("SHOO-SHAH") is a former kid's show host and in the 90s she starred the Cinderella retelling movie Lua de Cristal. Big bop song, the movie not really,its kind of a cult for meme reasons lol the song is very Sailor Moon-coded too ngl

59. A Lenda or "Legend" - Sandy & Junior speaking of kid-oriented 90s pop music, I HAVE to mention Sandy & Junior, a duo of siblings that were super famous back then. A Lenda is definitely their best song, I non ironically still listen to it, cheesy-ness and all, it'ss dramatic AF dkjfhdkfjh

60. Sete Vidas or "Seven Lives" - Marcus Viana & Adriana Mezzadri this one was soundtrack to a historical period BR miniseries in the 2000s. It was composed by musician Marcus Viana (the guy playing violin in the Shaman video from before!) and it's sung by AMAZING Adriana Mezzadri, (actually Peruvian and not BR!) I LOVE this song, it's so good!

61. Sob o Sol or "Under the Sun" - Marcus Viana Marcus Viana also composed the ost for the absofucking popular 2000's telenovela O Clone! The songs were so iconic; the version in the playlist is the og version, but I linked this version in the thread, a version that's in Arabic! Lebanese singer Raya Hilal also sings the PT-BR version on the second half <3

62. Romance de Duas Caveiras or "A Skeleton's Romance" - Alvarenga & Ranchinho this is like. Old BR country/folk music and still hilarious AF lmao They are describing the romance of two skeletons in a cementery,how they go on with their...lives...death...?Until the day one of the skeletons ditches her skeleton bf over another guy(a fresh corpse lol). The video of them performing seems straight out of the Pixar movie Coco in every sense lmao

63. O Bêbado e a Equilibrista or "The Drunkard and the Tightrope Walker" - Elis Regina second to last song has to be Elis again! This one is a notorious protest song, really about hope and just waiting for things to finally be better

64. Evidências or "Evidences" - Chitãozinho & Xororó AAAAAAND LAST SONG IS, IN THE GREAT BR SPIRIT, EVIDÊNCIAS LMAO, it's a widely cherished song, but also kind of a meme, and everything in between. It's a cheesy love song in the classic sertanejo style (BR country genre), sung by Chitãozinho e Xororó, a duo of brothers!

[cedarnommer]

Queer music with trans undertones.

That's a topic that I've only breached recently. Call me a little baby queer, but I never knew the wealth of cool music done by very cool people before this. There's a wide range of genres and different types of lyrics to go along with it. In this post, I'll focus down on music that I personally like. It may not be for you and that's perfectly understandable.

Glass Beach is a very cool band and their first album, while unrefined, has 2 songs in particular which I'm obsessed with.

Bedroom community is such a fun song and really holds true to much of my life experiences throughout my life. Because I live in an environment that does its best to isolate queer folk, that meant that the only way I could explore my gender identity and my sexual preferences was through the internet. And while not the point of the song, the song really gets me pumped up to be an annoying blasphemous little gremlin to all the nasty christo-fasc out there.

This song brings me to tears every time. The lyrics are just insanely personal and I think many trans femmes could connect with this song. Being misgendered by your peers and especially your family. Needing a desperate escape. Tackling with adulthood. The little holiday feeling of getting your HRT. It's much. It's so much. I'm bursting into tears even as I type this out. This song is so powerful. I can't help it! It's a song about me! Just for me and me alone! It's so personal aa!

While this song doesn't bring the same reaction from me, the lyrics and the melody is so melancholic and it's such a wonderful song. One of their later and more "mature" works as a band. It's great.

Now I'll do some randomly assorted different artists. I haven't explored their music as deeply as Plastic Beach. But these songs are a highlight for me. And I'm usually a really chaotic listener anyway.

This song is simple but it rocks. While I'm a gender conforming and very woman identifying trans femme, I'm also aware of the absurdity of the gender binary. And I think that even someone like me is inherently confusing and terrifying to the social systems that uphold this nonsensical binary. This song is a good way to remind ourselves how absurd and pointless our divide between "males" and "females" is not based around chromosomes or other confused markers but purely on cultural indicators of identity.

This song's lyrics are wonderful. It kind of reflects my recent posts on Tumblr and my frustration on weirdo internet people obsessed with my genitals and being creeps. Because bigotry is creepy and weird. The chorus of this song is especially really good and I find myself humming it along sometimes.

I'm not into ska, but I really enjoy this song in particular from this genre. The lyrics are fun and the theme of breaking apart and mixing gender identities is fun. It's a fun song. Because once gender stops being used as an authoritarian tool to enforce a binary, it can be fun finding the way to express yourself.

This is some of the stuff I've discovered recently. I think the main reason I'm making this post is a bit more of a serious and grim topic that I've touched upon a bit. I live in the Balkans and I live in a city that's infamous for street fights and toxic masculinity. You can imagine that being a trans femme, even if I pass well, still sets me up for a bunch of dangers. My country's politicians are conservative enough to the point that any idea of rights to LGBT folk isn't even considered, with concepts of queerness being considered a "threat" to the "traditional" family structure. Of course, all of this is a bunch of nonsense.

But it means that spaces for queer people are difficult to find. Apparently people congregate on Facebook, but Facebook where I live at is essentially Twitter. I'm not interested in torturing myself with that. That's left me feeling very isolated. I've recently actually tried to join some local Discord servers, but they were overwhelmingly dominated by cis gay men that seem to only be interested in sex. That's just not for me.

I think listening to music like this helps me feel less alone and more hopeful for the future. If anyone out there is dealing with the same loneliness I am, please find music that reflects your feelings. You'll feel a bit better about the world, knowing that you're not alone and your ideas aren't as foreign as you think.

You're wonderful.

You're valid.

And you're rad as heck.

Queer, trans, non-binary, non-conforming and any fun mixture of sexual orientation. You're the best!

[justforbooks]

Paul Frederic Simon (born October 13, 1941) is an American singer-songwriter known for his solo work and his collaborations with Art Garfunkel. He and his school friend Garfunkel, whom he met in 1953, came to prominence in the 1960s as Simon & Garfunkel. Their blend of folk and rock, including hits such as "The Sound of Silence", "Mrs. Robinson", "America" and "The Boxer", served as a soundtrack to the counterculture movement. Their final album, Bridge Over Troubled Water (1970), is among the bestselling of all time.

As a solo artist, Simon has explored genres including gospel, reggae and soul. His albums Paul Simon (1972), There Goes Rhymin' Simon (1973), and Still Crazy After All These Years (1975) kept him in the public eye and drew acclaim, producing the hits "Mother and Child Reunion", "Me and Julio Down by the Schoolyard", and "50 Ways to Leave Your Lover". Simon reunited with Garfunkel for several tours and the 1981 Concert in Central Park.

In 1986, Simon released his most successful and acclaimed album, Graceland, incorporating South African influences. "You Can Call Me Al" became one of Simon's most successful singles. Graceland was followed by The Rhythm of the Saints (1990), and a second Concert in the Park in 1991, without Garfunkel, which was attended by half a million people. In 1998, Simon wrote a Broadway musical, The Capeman, which was poorly received. In the 21st century, Simon continued to record and tour. His later albums, such as You're the One (2000), So Beautiful or So What (2011) and Stranger to Stranger (2016), introduced him to new generations. Simon retired from touring in 2018, but continued to record music. An album, Seven Psalms, was released in May 2023.

Simon is among the world's best-selling music artists. He has twice been inducted into the Rock and Roll Hall of Fame, and has been the recipient of sixteen Grammy Awards, including three for Album of the Year. Two of his works, Sounds of Silence and Graceland, were inducted into the National Recording Registry for their cultural significance, and in 2007, the Library of Congress voted him the inaugural winner of the Gershwin Prize for Popular Song. He is a co-founder of the Children's Health Fund, a nonprofit organization that provides medical care to children.

In 2012, in an interview reprinted in American Songwriter, Simon discussed the craft of songwriting with music journalist Tom Moon and talked about the basic themes in his songwriting: love, family and social commentary, as well as messages of religion, spirituality and God. Simon explained how he wrote his songs. "The music always precedes the words. The words often come from the sound of the music and eventually evolve into coherent thoughts. Or incoherent thoughts. Rhythm plays a crucial part in the lyric-making as well. It's like a puzzle to find the right words to express what the music is saying."

When Simon moved to England in 1964, he met Kathleen Mary "Kathy" Chitty at the first English folk club he played, the Railway Inn Folk Club in Brentwood, Essex, where Chitty worked part-time selling tickets. She was 16 and he was 22 when they began a relationship. Later that year they visited the U.S. together, mainly touring by bus. Kathy returned to England and Simon followed some weeks later. When he returned to the U.S. with the growing success of "The Sounds of Silence", Kathy, who was quite shy, wanted no part in success and fame and they ended their relationship. She is mentioned by name in at least two of Simon's songs: "Kathy's Song" and "America". She is also referred to in "Homeward Bound" and "The Late Great Johnny Ace". There is a photo of Simon and Kathy together on the cover of Simon's 1965 album The Paul Simon Songbook.

Simon has been married three times, first to Peggy Harper in 1969. They had a son, Harper Simon, in 1972, and divorced in 1975, inspiring the song "50 Ways to Leave Your Lover". Simon wrote about this relationship in the song "Train in the Distance" from his 1983 album Hearts and Bones. In the late 1970s, Simon lived in New York City next door to Saturday Night Live creator Lorne Michaels, who has been described as Simon's "best friend" during the period.

He and Shelley Duvall lived together as a couple for two years until she introduced him to her friend Carrie Fisher. Simon and Fisher became a couple, and his second marriage, from 1983 to 1984, was to Fisher. He proposed to her after a New York Yankees game. The song "Hearts and Bones" was written about their time together, and the song "Graceland" is believed to be about seeking solace from the ending of the relationship by taking a road trip. A year after they divorced, Simon and Fisher resumed their relationship, which lasted for several years.

Simon married singer Edie Brickell on May 30, 1992. Brickell and Simon have three children, Adrian, Lulu, and Gabriel. On April 26, 2014, Simon and Brickell were involved in a domestic dispute. Each was issued a summons to appear in court on disorderly conduct charges.

All four of his children are now adults and are musicians.

Simon and his younger brother, Eddie Simon, founded the Guitar Study Center sometime before 1973. The Guitar Study Center became part of The New School in New York City, sometime before 2002.

Simon is an avid fan of the New York Rangers ice hockey team, the New York Knicks basketball team and the New York Yankees baseball team.

Daily inspiration. Discover more photos at Just for Books…?

[popbloganddropit]

The Tortured Poets Department - Taylor Swift (Part 2)

9. Guilty as Sin? - you cheeky little minx, Taylor!!! I’m not sure she’s made me blush like this before! A song about…fantasizing outside of your relationship that sounds like the first day warm sun hits your skin after a long, cold winter. And I personally love a song with some good old fashioned yearning, so the bridge really takes it over the top for me. 5/5

Best Line: I really love a lot of lines here, but if “Drowning in the Blue Nile, he sent me ‘Downtown Lights’” is such a killer opener.

10. Who’s Afraid of Little Old Me?- this song is an insane, showstopping moment. Edgy, raging, biting, and even still a little witty - “So tell me everything is not about me. But what if it is?” WAOLOM strikes such a good balance of being self-aware of her image and faults with genuine anger. Being the biggest pop star doesn’t make everything just roll off your back. Perfect production that builds and escalates exactly as it needs to. 5/5

Best Line: “I was tame, I was gentle 'til the circus life made me mean. ‘Don't you worry, folks, we took out all her teeth’”

11. I Can Fix Him (No Really I Can) - I really like the pseudo-western vibe going on and that lower register is always welcome in my books, but lyrically this doesn’t do a lot for me. It’s building to a punchline we all know is coming. She can’t fix him, shocking, and there’s not enough for me to root for the protagonist being delusional. Ending with just, “Whoa, maybe I can’t” is funny, but it’s not satisfying. If a common complaint is that this album is too long, this song doesn’t feel essential, story-wise. 2.5/5

Best Line: I said all of that, but I do really like the second verse, the best part being, “His hand so calloused from his pistol/Softly traces hearts on my face”.

12. loml- I had a really hard time picking a best line for this song. I almost made a list but decided that would be a little obnoxious. There’s references to her other work expertly weaved in to really great wordplay and metaphors and imagery. The development of the story in the three times you hear the chorus is stunningly good. It’s a pretty simple piano in the background with additional vocal layers right where they are needed for emphasis. There’s something a little bit missing from this song for me to give it a full 5, but I can’t quite put my finger on it and I also think loml really is a grower that’s not meant to be gobbled down in one bite. There’s a lot of lyrical details to be noticed and anything additional might take away from that. I vote this song most likely to be my favorite in 6 months that I don’t understand how it took so long to fully click. 4.5/5

Best Line: I had to do two, from the very beginning and end, that echo each other so it’s kind of like I only picked one then, right??? “Who's gonna stop us from waltzing back into rekindled flames if we know the steps anyway?” —-> “Our field of dreams, engulfed in fire. Your arson's match your somber eyes” Kill me (complimentary). The never before, never since turning into never before and ever since is also brilliant.

13. I Can Do It With a Broken Heart - This song is great. There’s a long history of Miss Swift making bops tinged with depression and anxiety and this may be her most unhinged version yet. A celebration of putting on a brave face when you’re going through some shit. Chanted like a mantra she tells herself, we get a peek behind the curtain of reaching glittering professional peaks not seen in this generation while her personal life was crashing. But no one can ever say Taylor Swift is not a professional - I love the delivery on the outro where she laughs off being miserable and ends with a little spoken zinger. Try and come for her job, indeed. 5/5

Best Line: “I’m so depressed, I act like it’s my birthday everyday. I’m so obsessed with him, but he avoids me like the plague,” tickles me so. This her comedy album. Inevitably going to go viral on Tik Tok at some point.

14. The Smallest Man Who Ever Lived - An absolutely killer bridge. It builds the drama up until the very end. Unfortunately, the verses could use a little stronger melody, the first half of the song is a little forgettable and feels a little clunky. 3/5

Best Line: “You kicked out the stage lights, but you’re still performing” is a close runner up but had to go with the opening of the bridge. “Were you sent by someone who wanted me dead?” is such a perfect escalation and so descriptive of a feeling without saying any feeling words.

15. The Alchemy- I really enjoy some parts of this song but I unfortunately have the desire to hire someone to dub over every single football reference so I can fully get into it. It’s too much, it’s too on the nose. I like the verses, I love the way she says, “I haven’t come around in so long,” and I think “who are we to fight the alchemy?” is a great line. There are just parts that feel like football Mad Libs in a way that makes this song pretty unlistenable to me. 1/5

Best Line: “This happens once every few lifetimes. These chemicals hit me like white wine”

16. Clara Bow - She’s known for writing about relationships and that has let the fact that songs about her relationship with fame are consistently top tier (despite being unrelatable to almost anyone since she is the most famous person on the planet) slip by mostly unnoticed. One of my favorite Taylor tricks is when she alters the lines a bit each go-round and/or flips the script in some way in the final chorus and this song is really an excellent combination of some of the best Taylor moves. I’m not going to pretend have known who Clara Bow was before this record, but it works and I don’t mind an album that makes me do a little Googling to understand some things. The Stevie Nicks reference is perfection. Saying her own name in a song really snaps you to attention. And I think this is a perfect album closer. She’s reckoning just as much with her own desire for notoriety and the consequences that go along with it as she is with former lovers, if you’re listening. 5/5

Best Line: “Crowd goes wild at her fingertip. Half moonshine, a full eclipse.” I’m not even sure I should include the first part. “Half moonshine, full eclipse” is one of my favorite things she’s ever written. (Side note as this is the most appropriate place to put it: the fucking personal poem from Stevie in the liner notes??? Stevie being a loud YOYO,K stan??? I weep at the coolness. Which is the opposite of cool and continuing to comment on it is even worse, sorry!)

Part 3 on the way!!!

[kaizey]

Ceol comhaimseartha as Gaeilge (Contemporary irish language music recommends)

Many foriegners looking more into more music as gaeilge following from Unreal Unearth and have been asked afew times about it. So Im gon give afew recommendations

Seo Linn - Folk/Indie/Soft Rock group formed in Conamara and have a good range of sounds ranging from newer covers of our most popular folk songs (Óró sé do bheatha abhaile , Siúil a Rúin and Mo ghile mear are among the best) and are a good intro point

IMLÉ - More of a collection of artists who bring different sound styles together and topics in their lyrics. Honestly, just take the entireity of the self-titled album as a taster

Róisín Seoighe - A great soloist and someone who transfers aspects of Canadh Sean Nós into a newer format. Alot of her work and songs touch on the state of Gaeilge (Níl mé marbh and Sín do lamh).

Kneecap - One of the more well-known, atleast over here. A rap trio from Belfast/Derry, and alot of their lyrics and flow focuses much more on the specific experience of both millenial life and Gaeilgeoirí and An Ghaeilge in the North, and what its actually like trying to engage with society through our language when half of the the governmental institution has contempt for its existence. CEARTA, one of their singles, has still stayed a sort of aintiún (anthem) for language rights up here in the North. Also, heavy heavy anti-colonialism, mar sin craic Mhaith (see their JOE.ie interview). Otherwise, some of ther best works you might like are Cearta, Bouncers agus Gael-Gigolos

TG Lurgan - A sort of summer school/learning scheme that started out of the Connemara Gaeltacht, meant to help irish learners pick up the more natural flow specifically by learning through music. Nearly all of the music is sung by school kids and leading musicians with the majority being covers of pop songs. So you can find the lyrics online easily, and can be a helpful way for people trying to learn how to deal with the lack of real word-for-word translation ó Ghaeilge go Béarla.

This is just a handful of artists, and the first handful rarely scrape over 2000 streams a month. Modern irish music is still very much a niche in its own way, miserably so even on our island. Theres no shortage of music you can find being made by newer artists though, even if ceol as gaeilge only makes up some of their work

Tá súil agam go bhfaighidh tú roinnt a mbaineann tú taitneamh astu, agus má tá tú ag foghlaim, go gcabhraíonn sé leat

[slugtranslation-hypmic]

Haiiiii ^_^ can you translate Rivals! from the block party album? pretty please with CHEESE 🧀

Sure. Under a cut for length.

This one just seems to be goofy vibes and doesn't have as much imagery or anything requiring reworking as the last three requested songs. As a result, the translation is pretty darn literal. No attention paid to rhyming, line length, or rhythm.

Don't let screwing up or getting screwed over get you down! Action plz For everyone born under an unlucky star: Passion plz We're constantly flipping out over where we went wrong. 1, 2, 3! Turn it up, yo! Action plz I feel like I'm pulling a blunder, shooting craps and betting on big 6 [1] at the last second. Don't stop the game! Oh please, can't I get some fiction plz? [2] To hit the button to go back and redo everything. Just you wait; I'll destroy the current reality! Aren't you about to go off the rails? Aren't you about to fall off the tightrope act? Take it easy, baby, now. Take it easy, baby, now. [3] And screw it! Let's play it fast and loose! Let's gooo!

Don't let screwing up or getting screwed over get you down! Action plz For everyone born under an unlucky star: Passion plz We're constantly committed to flipping out over where we went wrong. We say, "Boo-hoo! Boo-hoo!" Go, go, go, go! UGH. Time to bolt down the meal I paid for with my overtime. Hm? My cellphone's ringing off the hook. Slapping down hardcore rhymes on my time card, Participating in another joint effort so we can all clock out with a bang. 1, 2, 3. Yup, let's all line up. 2, 2, 3. And march in step. We take our lyrics very seriously, and we're strongly committed to providing you with a great singing experience! [4] My eyes can tell, tell, tell what it takes to win. [5] The one and only guy to cross the most ridiculous lines, living on nothing but adrenaline, taking each day as it comes and winning! Yeah, take it easy, baby, now. Take it easy, baby, now. And screw it! Let's play it fast and loose! Let's gooo!

Don't let screwing up or getting screwed over get you down! Action plz For everyone born under an unlucky star: Passion plz Everyone's gotta struggle and put in the hard work, even the folks you're sick and tired of. We say, "Boo-hoo! Boo-hoo!" Go, go, go, go! I bet all my chips right from moment one. It's all or nothing. It's the uprising of the corporate drones. Don't mess with guys who've got nothing to lose. There's no doubt about it; we're gonna burn out sooner or later. That's just our fate. Poor us! Dead or Alive in da house Crazy DOPPO in da house Yeah, yeah, high, high, let's gooo! [6]

Don't let screwing up or getting screwed over get you down! Action plz For everyone born under an unlucky star: Passion plz We're constantly committed to flipping out over where we went wrong. We say, "Boo-hoo! Boo-hoo!" Go, go, go, go!

Don't let screwing up or getting screwed over get you down! Action plz For everyone born under an unlucky star: Passion plz Wishing you all the luck--or, well, as lucky as you can ever be. Someday we'll laugh over this together, but until then we're Rivals! Rivals!

[1] Craps big 6

[2] This part's written in English, but I assume he means "fiction" in the sense of 空想 or 絵空事--something he wants that's too good to be real. In this case, it's a button he can hit to go back and redo everything.

[3] If I am correctly assuming what they're trying to say, this is more naturally worded as "Now, take it easy, baby." [4] Admittedly, this part's not very literal haha. I was having difficulty with the tone otherwise. Like a lot of Doppo's raps, it's written in a style reminiscent of business language. I drew inspiration for this bit of PR BS from some real life companies in a BBC article. [5] This (勝ち線, kachisen, lit. "victory line") is a pun on 勝ち戦 (kachisen, a fight someone wins). Dice then uses this to perform a piece of wordplay on the phrase "一線を越える/cross the line" which, unlike its English counterpart, can carry a connotation of breaking an established norm in a good way. (Hence the Cross a Line song--ie, breaking the norms by going above and beyond in new, revolutionary ways)

[6] Partially a pun on how はい (yeah) 灰 (lit. ash, part of the line I translated as "burn out") and English "high" all sound similar and partially evoking a sense of high energy.

[elliegoose]

got tagged by @annunakitty in a thing! yippee tag game!

now the tag game was to introduce yourself with:

one tv show

one movie

one album

one video game

however, i'm doing two for each category! why? because i'm cute and special and get to change the rules, of course! and also because i'm really enthusiastic about sharing my favorite things with people.

tv shows: adventure time & scavengers reign

not being able to pick between these two shows is the reason i'm doing two for each category. adventure time is my all-time favorite show hands down, but scavengers reign took second place (overtaking russian doll, which previously held that rank) when it absolutely blew me away earlier this year. i've watched it twice now and definitely plan on giving it a third watch sometime soon.

movies: i saw the tv glow (2024) & suspiria (2018)

as someone who repressed my gender really hard throughout most of college after flirting with transitioning in high school, this movie really spoke to me. i've seen it twice now and found a lot of value in the rewatch. i definitely want to watch it again at least one more time. this is an incredibly profound movie that has changed me as a person.

on the other hand, suspiria (2018) is an enduring favorite of mine for a very silly reason. it is a straight up good movie, but the actual reason it's my second pick for this post is that for like a year after first watching it, i kept seeing the mangled bodies of characters from it as sleep paralysis hallucinations. it was terrifying at the time but i find it incredibly funny to look back on, and think very fondly of this film in general. i got to rewatch parts of it for free irl! thanks, sleep paralysis demons!

albums: feather river canyon blues by pigeon pit & kudzu, devour everything! by levees

for two years now, feather river canyon blues has very unambiguously been my favorite album of all time. it's lomes oleander's bold, dense, imagery-filled lyricism at its best, backed by the full band that her voice deserves playing alt-country sounds that strike the perfect balance between gentle and energetic. it's simultaneously desperate and hopeful, joyous and melancholy, and at every moment filled to the brim with emotion and beauty. this album feels like watching every sunset at once surrounded by your best friends and loved ones. transgender folk music will save us. if you have to pick one song from this album to listen to, make it milk crates:

kudzu, devour everything! is the reason i started playing banjo. levees is a friend of a friend, and i was introduced to their music because said friend was praising this album in our friend group's discord server. i find levees' idiosyncratic manner of clawhammer playing--often very fast and full of non-traditional rhythms--to be absolutely magical. their songwriting is also excellent, full of vivid stories and characters sung about in prose that weaves effortlessly between the elegantly straightforward and beautifully dense. i also recommend listening to their album vultures, as well as quarantipilation volumes 1 & 2. it's actually not one of the songs that contains banjo, but if you have to pick one to listen to from this album, i recommend her/hymn/their, which won't embed for some reason but hey here's the link

(also, honorable mention to drink the sea by the glitch mob, which is the first album i ever really fell in love with, and which inspired little 13-year-old elise to grab a copy of ableton and learn how to make music myself. until feather river canyon blues came along, i would have probably picked drink the sea for this post.)

video games: signalis & mice tea

first off, i cried at the end of signalis! while streaming! it was really, really good!!! it has a delightfully dreadful atmosphere, great story, very interesting worldbuilding, phenomenal art style, and excellent character design. plus, it was great for practicing my german. i strongly recommend signalis to anyone who likes survival horror.

second off, yes, i am choosing mice tea, a transformation fetish visual novel, as my second pick here. judge me all you like. i stand by my choice. its story is fun! the characters are excellent! its humor and conceptual ridiculousness disarm you and make way for genuinely emotionally impactful storylines! it has a lot of interesting commentary on gender! it almost single-handedly turned me into furry! also, it's hot! go play mice tea!

now, finally, it is time to tag! don't feel pressured to pick multiple things or provide explanations like i did! i just enjoy doing more than is assigned lmao. tagging @rotten-spaceymage, @birras0, @citrusuprising, @roboticvenusian, @femboty2k, and anyone who sees this and wants to do it themselves!

[cricket124]

The Great Impersonator

So I've listened to Halsey's new album a few times now. I have never listened to her music before, and am normally not really a fan of indie/folk rock, but this album is really something special. ESPECIALLY if you consider the background behind it and all the things Halsey has gone through... it's a really powerful album.

I'm not going to do a full review on it like I did with 143, but I do have a few things to say. Firstly, I love how emotional the vocals are, and how much she experiments with her voice. At times, her singing reminds me a bit of Dolores' from the cranberries with some of the noises she makes. I also love the more experimental parts of the music, like the ending of only girl in LA and Dog Years. But the best part of this album are the lyrics... man they are amazing. The moment I heard the lyrics to Dog Years and Letter to God (1974), I knew this album was special. The vibes from many of the songs are incredible as well, as most of them give these great vintage vibes, topped with great ambient noises such as birds singing and background voices. The instrumentation is great as well; For example, I love the way the old piano sounds in Life of the Spider (Draft), and the untuned sounding guitar in Dog Years.

I also love how the letters to God tie together and how you can see her perspective on life change through each of them as she gets older.

My favorite songs overall are Dog Years, Letter to God (1974), Darwinism, Lonely Is The Muse, Arsonist, and The Great Impersonator. I would definitely listen to this album in its entirety for the full experience (though its 18 songs long, so you might need to do something in the background while listening).

We need more albums like this. I can't say I've heard music that sounds quite like this does.

Overall, using a similar metric I used in my 143 review, this album scores a 9.3/10.

[skeeverboy]

hi i love making lists and rankings. this is my ranking of all tfb albums from worst to best.

yes i've ranked tfb albums before im trying to go more in depth on this one and also my opinions may or may not have changed

Going Grey

It's experimental. It's stylistically different from the albums leading up to it. It's branching in a new direction, their first step into a slightly more pop sound. And it is boring.

A couple tracks sound the same to me. There's no pull factor for me, it's all around just kind of dull when compared to other TFB albums.

That is to say, though, I do love this album. Peace Sign goes hard, love the connection to Tie Dye Dragon. You Used to Say is a pretty solid opener. Vacation Town is a classic (though it is overplayed ngl)

8.4/10

In Sickness & In Flames

I love this album, I really do. Stylistically I think it's really significant to the TFB timeline, marking their journey into the more pop side that they're exploring recently. There are some absolute BANGERS also - love bus beat, love montgomery forever, love Fairbanks, Alaska. This was also the most recent album when I started listening to TFB.

With that, I think a lot of the album is kind of forgettable. I mean, come on- new song d, the hard way, make way, love at first sight. I forget they exist. Also, for some reason, I just cannot stand everyone blooms and it's the opener to the album. It puts a bad taste in my mouth for the entire thing.

8.9/10

You Are Who You Hang Out With

I reviewed this album on my other blog and gave it an 8.6 but that's changing today because my opinions are subjective and change every hour. This album is great, I don't care what anyone says. Most of the time I genuinely think the autotune and heavy editing works.

It did take some time for me to get used to it, not going to lie. I loved Outlook when it came out, but Emotional was... rough at first. It's absolutely warmed up to me, though. It can feel kind of repetitive sometimes, but I really like how they experimented with style and put out something truly unique.

9.0/10

My Grandma Vs. Pneumonia

I am such a sucker for 2000s/early 2010s TFB. I love the raw sound, and this shit is the DEFINITION of raw and unfiltered. I love this album with all my heart, I love the vocals (controversial, I know), I love the style, I love the simplicity and the lyrical style.

Some of this album is a little forgettable, and there are a few in here that were remade to just be so much better. The Theresa version of Supply of Power and the Rose version of Flying Model Rockets absolutely desimate and are just incredible. Though, I will say, the original I Think Your Nose Is Bleeding is better.

Definitely a hit or miss depending on who you are, but I am the type of person to EAT THIS SHIT UP.

9.3/10

The Front Bottoms

This album is an absolute classic. Really similar in style to IHMF and MGVP but sounding just a little more polished. This album has some of the gayest songs ever.

The lyrics speak to the heart. Every track is memorable and incredible. The use of trumpet in certain tracks is really nice, though it's incorporated better in later albums.

9.5/10

Talon of the Hawk

Just an incredible album all around. It's super energetic in an absolute delightful way. It's the perfect blend of their older kind of rough folk-y style while remaining polished and sounding complete. Older albums often sound like they're unfinished demos. Not TotH.

The use of trumpet and other instruments is strong. Some of TFB's most iconic songs are in this album. The knife is iconic. It is the Front Bottoms album.

9.7/10

Back on Top

I love this album so fucking much. Every song is incredible. The style, with the heavy use of electric guitar, is wonderful. It feels very light, very summery.

While it's less iconic than TotH, I'd say some of the most underrated songs are in Back on Top. 2YL, Ginger, The Plan, HELP, all absolutely breathtaking songs.

God I love this album.

9.9/10

I Hate My Friends

This is the most biased top pick ever. But yeah, this is one of my favorite albums of all time, maybe even my favorite of all time. I love the old TFB sound, I love the lyrics, I love the subject matter, I love the immature angst, I just overall love it so much.

I'm getting a fucking tattoo of this album, I have to put it at the top.

10/10