#<- i might have to add these in case!!

[asterloid]

i followed k before they blew up

[thebaldursmouthgazette]

I’m sure Dumat being defeated the same year andraste was born means nothing

I’m sure this has nothing to do with the fact that andrastes mother was part of a tribe who helped the grey wardens fight and defeat dumat the same year she was born, meaning that she could have been a fetus affected by the taint in the proximity of a dying arch demon

And the fact that nobody knows which grey warden killed dumat, as seven wardens died from injuries from his death throes, and therefore we cannot actually identify a warden who absorbed his soul, means nothing

And I’m sure it is a complete coincidence that andraste had dreams and visions of the being later referred to as the maker her whole life, and behaved strangely, talking about hearing lost voices and seeing strange auras. That absolutely doesn’t sound like anyone else we know

[meamiki]

isat color palette challenge WOO!! these are always fun :D

[ryan-sometimes]

How do I, as a lesbian, tell a straight female friend that I hate her boyfriend, not because I’m in love with her but because he’s fucking stupid????

[nomoretumbler]

this happens 3 times a week btw (he never looks into it later).

[littlemissclandestine]

Emergence - Behind each arena

Thought this mission was chaotic af. Didn't expect zombies to be in the campaign since they literally have a separate mode for that but anyways let's take a lil dive into EMERGENCE.

⚠️WARNING: Spoilers for Call of Duty: Black Ops 6

-Advanced Combat Research-

For this section, we obtain a grappling hook and need to defeat the director of ACR with the help of some sentries.

I wasn't actually sure about this one since the zombies were just well....zombies that looked like guards. However, that said, the big guy we had to defeat was just a Cerberus/three-headed-dog-like figure.

-Administration-

For this keycard, we have to find the reports and slot them into the holders and this red mannequin comes to life (along with the others...)

Red is an interesting choice. It stands out from the rest and if we think back to Cold War, you'd remember red being used A LOT throughout the campaign.

Anyways, once it's free, the red mannequin goes on the run (a bit like Adler) and we have to chase it, the voice in Case's head saying, "I knew we couldn't trust him," and if we fire at it, the voice mentions, "Bullets are nothing to him," possibly referring to Adler being hardened by his years of service.

He cracks when we reel him in and get too close and then he pushes us away. The cracks remind me of Adler's scars - mental and physical. In fact, the mannequins actually take on the form of Adler mostly as well in this room. A coincidence? I think not.

After the initial phase, the red mannequin transforms into the monster as seen in the third image and again, we get another piece of dialogue - "See? He's a monster, just like the rest of them."

The thing that comes to mind here is Adler's nickname - America's monster.

-Joint Projects-

To acquire this keycard, we play some prop hunt basically! Objects around the room will rattle, signifying the monster's whereabouts and we have to sneak up on it and fire or it will disappear again - kind of alluding to the idea of secrecy, a core theme of Black Ops.

What's interesting to me is the fact that the zombie engages in a prop hunt like game with Case...like being on the move constantly and watching your back when others get too close to the truth perhaps.

We know that Sevati Dumas is the queen of disguise, excelling at being hidden in plain sight so this definitely fits her and that's why we see her in this arena.

-Cognitive Research-

During this phase, we have to drain some water to get the keycard and kill the big guy who's residing in the bathysphere.

The voice in Case's head seems to focus on rage here. I think for this part, there was a mix of Marshall, Sev and Adler zombies.

On escape, we see a Woods horde charging towards us. If we consider the theme of rage, we can certainly see where Woods' anger lies - Hudson and Mason's death especially to Woods' being kneecapped by Menendez and how that's mentally affected him, leading him to suffer. Hence, this is a part of the "cognitive research" bit.

-Biotechnology-

For this phase, we have to defeat a friggin' levitating zombie.

I thought this one was very reminiscent of Case...almost like it's his true form. He's essentially fighting himself for this one, just like looking in a mirror, right?

Troy and Sev zombies can be seen, most likely because this is where the three of them all are in reality.

---------------------

If you made it this far, thank you so much for reading! I'd love to hear your thoughts on this mission <3

[egophiliac]

I always though Mal's mom was meant to be like "Eleanor" but they stuck an M at the start honestly, Sobbing Emoji. But "Maleanor" also makes me feel less insane since in that scene where she's just handed egg Malleus to Lilia and went to battle, it sounds more like Lilia is saying "Maleanor" than "Meleanor" (Japanese accent pending). Mayhaps they went more with what it sounded like the characters were saying :0 (we don't talk about Doodle Suit to Paint The Roses)

the transliteration of her name is Marenoa (マレノア), which is what all the voice lines are saying! all the Draconias' names start with マレ (Malleus' grandma is Maleficia/マレフィシア) as a nod to Maleficent. :D it's almost certainly a take on Eleanor, which is Erenoa (エレノア), but her name is written in English at a couple points, and I was pretty surprised to see it was Mel instead of Mal!

and, like, that's fine, it wouldn't be first Twst romanization that's tripped me up (like Keito for Cater, I know that's something to do with the loanword specific to playing cards(?) but it's just not how my brain wants to read it). but now Eng has given us Maleanor! and someone else said it was spelled inconsistently between Maleanor and Maeleanor??????? so WHO KNOWS it's a SPELLING FREE-FOR-ALL

I AM torn on which I want to use, because Mel just sounds so cute to me (and is what I'm used to now), but...the Mal consistency is kinda too good to pass up. alas, alas, truly these are the most difficult conundrums of our times. 😔

[cloudysarts]

this show would be good if literally everything about it was different

[crystallinemoonlight]

sometimes i'll think about how, at the start of episode four, pete offers to help porsche guess who he might have kissed at the pier the night before, and i imagine a crackfic where porsche goes on a quest to find out who it was by kissing his colleagues one by one - starting with pete of course that man was ready to sacrifice himself for the cause when porsche had questions about casual hookups later in the episode, offering himself up without hesitation

he visits them one by one; pol is confused... but intrigued, it's like one of tankhun's series! arm already knows it wasn't him but insists they check it anyway... just to be sure, right? you never know. ken says he'll break his face if he tries anything (very suspicious, porsche makes sure to highlight his name). big doesn't know whether to be angry or confused, he wasn't even there??? no he and ken didn't sneak in halfway through because of a secret crush, this isn't one of tankhun's series! tankhun asks what they're doing and if he can join but porsche isn't about to open that can of worms.

maybe at some point kinn catches on and realizes porsche doesn't remember but is rating the others based on if they kiss better or worse than the ~mystery person~, which is giving him an ego boost up until porsche declares that one of his friends is actually a better kisser and therefore can't possibly have been involved (said friend is very confused about why khun kinn is giving him death glares for the rest of the week)

you can even throw in some chan or vegas or anyone else if you want to, just go crazy with it, i think that'd be really funny especially if porsche just casually blasts vegas after they make out for a solid minute saying "no you're good but the other guy was just less desperate you feel me, sorry bro".

[puppyeared]

man

[nikolas-ghostbusters-fixation]

Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.

I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.

I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??

Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.

[demigod-shenanigans]

"I can go into why i dislike ToA (especially Tyrant's Tomb is. a book that exists) but box of pandora. Once open good luck shutting me up" (source: your tags)

Now that you said that, i'm geniunely curious. Open the box. I dare you

This should be obvious but @ the people who really enjoyed ToA, this post is not for you. I’m not sure I’ll even tag it because this is mostly me venting into the void because two people asked and not me wanting to ruin other people’s fun. These are just my personal opinions.

I also apologize if I get any details wrong, I did recheck a lot of the things mentioned but it’s been a minute since I read ToA and might not remember everything 100% correctly. Also, obvious spoiler warning.

*claps hands together* Okay, you asked for this but heads up, it’s going to be long. Maybe grab a snack and a glass of water beforehand.

My beef with ToA can be summarized into a few key points that I’ll elaborate on below but basically:

-It tries to wrap up character arcs for some of the seven (and Reyna) but does this through the eyes of someone with zero context and also treats these characters arcs as unimportant footnotes in the larger story

-Jason’s death and everything surrounding it was handled extremely poorly.

-I cannot remember any demigods staying mad at Apollo. Redemption arcs should not mean everyone has to forgive this character for all the shit they’ve done in the past.

-The death toll. This is not helped by the fact that a lot of the deaths feel like they exist solely for the purpose of making Apollo learn death sucks over and over again (Jason is the worst example of this, but there are others)

More grievances I have but don’t have enough to say about to justify a longer explanation:

-There are a whole bunch of new minor characters on top of the old ones already struggling for screen time. I don’t remember much about any of them, which is a shame because the idea behind some of them is really compelling.

-The story is centered around the Triumvirate as antagonists, with Python as a final boss, but book four just dumps an additional antagonist on you out of nowhere? Why?

-Reyna rejecting Apollo is nice and all but I still had to put up with him crushing on her and was very uncomfortable the whole time.

-Chiron sends a bunch of new demigods into what’s potentially a death battle and tells them it’s a fun field trip (what the fuck)

-This is a personal grievance more than anything but it took me ages (book five) until I really got attached to Meg. I feel like that could have been fixed if she at least got a few POV chapters.

-Dishonorable mention to the punch line joke. Two whole camps of people lining up to hit the canonically abused kid that saved them is not funny.

Details under the cut (Pandora’s box, I did warn you)

Character arcs:

The books really do try to tell meaningful stories for people whose arcs weren’t finished in Heroes of Olympus. With some of them, you can even tell the ideas behind wrapping up those arcs were solid. But the books also tells those stories through the eyes of a character who doesn’t know these people’s pasts and quite frankly doesn’t care a lot of the time. People will voice/do something that is huge for their character and instead of going into that it’s followed up with some random Apollo anecdote that’s only tangentially related at best.

Taking Leo as an example: Apollo has no idea why Leo settling down and finding a home somewhere after everything he’s been through is meaningful. That’s a story that could have been the focus of an entire book of its own, but instead it’s just a side plot to a completely different story. And that story really should have been told through Leo’s eyes, or at least through the eyes of someone like Jason or Piper who realize why this is huge for him.

Apollo also does not care why Leo and Calypso are fighting, so it’s not something that’s properly explored. Leo’s fights with Calypso are mainly mentioned/witnessed. You get some guesses as to how they started but they never mention the exact reasons. They both say they care about each other, but only to Apollo, when the other person isn’t present. When they sort things out it happens largely off-screen. I was also not a fan of the way many of their issues ended up being pinned on Leo being sexist when it was actually way more than that.

ToA does this a lot. It gives arcs to characters who honestly deserved to be explored more, but those arcs are barely footnotes in a larger story where these characters just cameo for a hundred or so pages.

The cameo stuff works okay for Percy and Solangelo because the books are very aware they’re cameos and they get to have fun but this is not their story. But the characters the series tries to give proper plots to are all over the place.

It’s said that Jason and Thalia are really close but they never interact in the books. Jason had a bit of a chance at a normal life finally but that’s barely gone into. (More on Jason later because my god did how the books handled him piss me off massively)

Piper’s struggles with her queerness get the random Apollo anecdote treatment. There’s some stuff about her reconnecting with her dad and her heritage but that’s not explored a ton either.

Frank’s firewood burns up and he’s fine, which is just sort of hand-waved and doesn’t feel meaningful, especially because I think the fireproof pouch was already a fine solution? Congrats on being free of this, now you can get stabbed to death like all the other characters, I guess.

Reyna gets a sort of arc but it feels really weird because it happens almost entirely off-screen. She spends a large fraction of the book chiding Lavinia for leaving her post, then gets her leg broken, is off-screen for a while and then just DIPS with the Hunters after her home suffered huge casualties.

I also think her joining the Hunters is a super lame way to resolve her arc in general (she just lays down one responsibility to sign up for the next, and a character not wanting romance/not wanting romance right now should be allowed to exist without having to join the eternal maiden’s club, but that problem isn’t isolated to Reyna and could honestly be a whole post of its own)

This also comes down to the fact that I’m here mainly for the demigods. I care about these kids having good arcs and good lives. I care significantly less about Apollo having to learn really obvious shit like “murdering my pregnant girlfriend was perhaps a little messed up”

Jason’s death and everything surrounding it

Killing off a major character (especially one whose arc isn’t finished) can be a plot twist that works at times. But it has to be handled well. Doing it to a character that’s suffered horrifically and is starting to heal is also a hugely shitty move, but I understand you want meaningful deaths for the plot sometimes.

But you cannot do it the way Rick did it with Jason’s death. If he was going to kill off one of the seven, he should have done it in Heroes of Olympus, with that character narrating and their friends getting to deal with the aftermath and grieve.

Instead, Jason dies in a book that he appears in for like. A hundred pages iirc? Two-hundred at most? You get Apollo narration on it, and sure, he’s big sad about it, but he also knew this guy for two days.

Piper gets a few pages to deal with his death, then disappears from the book and comes back for a heroic rescue later. Leo gets like two pages to deal with the fact that his best friend is dead. They then proceed to fuck off to Oklahoma instead of going to the funeral. For what reason? No idea. The book doesn’t bother to explain it.

Jason gets a Camp Jupiter funeral, with none of his Camp Half-Blood friends present, because fuck the fact that him belonging to both camps was a huge part of his arc, right?

Piper and Leo know Jason is dead but they cannot be there because they’d already used up their time as ToA side characters, I guess. Percy and Annabeth can’t come, they don’t find out due to demigod communication issues until the end of the series. Thalia also doesn’t get to go to her brother’s funeral. She doesn’t find out until the funeral is already over. We don’t even really get to see her grieving, her finding out Jason died happens off-screen too.

Because this is the Apollo show, Apollo is the guy who leads the funeral procession instead of, like, Reyna, who knew Jason for years.

Also, for some reason, the person avenging Jason is Frank? Absolutely no offense to Frank, he’s a great guy and I’m sure he cared about Jason, but that choice still feels deeply comedic considering I can remember exactly one meaningful interaction him and Jason had in HoO (Jason giving Frank praetor position at the end of HoH) and not a single conversation they had beyond that. If Rick had to write Leo and Piper out of the plot, why not at least have Reyna avenge him?

Jason dies specifically because Apollo broke a stupid oath he made on the River Styx. We’re told that people around him will keep dying because of this. He dies as a chess piece in a stupid game between gods, for the sake of Apollo’s character development. He dies so he can be brought up every hundred pages for Apollo to waffle about how sad his death was but how he’d also definitely not want to be brought back (I get it, we cannot revive people constantly, but having Apollo make this point when, again, he knew the guy for two days, is still really stupid. Nico also gets to make the same point at the end just in case the reader didn’t understand before that we’re not bringing Jason back)

Apollo is forgiven by everyone

Related to the above point. Like I said, we’re outright told that Jason dying is a direct consequence of Apollo’s oath. Apollo also knew taking them along on the mission would get Jason or Piper killed and he did it anyway.

Piper gets to be mad at him very briefly, but when he tries to apologize at the end of the book, she interrupts him and tells him “it’s fine” (her voice is described as “no anger, just natural heat”)

Thalia doesn’t get to be mad at him at all. Her baby brother died and she just pats Apollo on the back and tells him “it’s fine, Jason made his own choices. That’s what heroes do.” And then it’s made about how Artemis lost Apollo when he got transformed into a human instead of. Like. The fact that Thalia just lost her baby brother for the second time in her life.

IT’S FINE?? THAT’S ALL ANYONE HAS TO SAY ABOUT THIS??

Hell, Apollo even has a sort of dream hallucination of Jason’s ghost so that ghost can forgive him too.

Was that really necessary? Why do people think that a character learning to be better means absolutely everyone has to forgive them? Wouldn’t it have been a better sticking point for a god to learn people are allowed to stay mad at you?

The death toll

A lot of people die in these books. People dying in pjo books has always been a thing, but it’s never felt this pointless or this much like it was solely happening for a single person’s character development.

Jason is the most pointed example of this, but there are more. Starting with the fact that two of Apollo’s kids almost get torched in front of his face in the first book (Austin and Kayla) and somehow that is not a sticking point. I don’t think it’s ever brought up again afterwards.

Other characters that die so Apollo can learn death sucks:

-Several Dryads die saving the grove of Dodonna

-Heloise the Griffin

-One random unnamed demigod in Dark Prophecy (mentioning them because that’s where it occurs to Apollo demigod deaths also suck)

-Money Maker (Dryad)

-Crest

-Harpocrates and the Sybil of Cumae

The death toll in Tyrant’s Tomb is completely ridiculous. Like, “feels worse than Last Olympian despite not even being the final battle”-ridiculous. And unlike how Percy at least gets to use that tragic battle to change things in a fundamental way, the Camp Jupiter demigods don’t win anything significant. Their home is only almost completely destroyed. Some of them aren’t dead. That’s it.

If you remember the name of any side character Camp Jupiter demigod from HoO, there’s a very high chance they die in this book.

We don’t get exact numbers for how many people die. The book actually explicitly refuses to give numbers, stating “We didn’t count the dead. They weren’t numbers. They were people we had know, friends we had fought with.” (Which gets even more ironic due to the fact that, again, we barely have any named CJ demigods to begin with)

The closest thing we get to numbers are that 25 demigod members of the legion died in the battle before the book started, and towards the end there are fourteen total demigods still standing of the first to third cohort combined. Even if half the missing demigods are “just” so severely wounded that they can’t fight anymore, that’s still 60 dead kids! The pre-book battle was mentioned to have been hardest on the civilians. We don’t know how many of them died, and losses among the fourth and fifth cohort are also unknown, but that is a ridiculous amount of losses. Why are there so many dead kids in this book and why are we all just supposed to be okay with this?

Jupiter explicitly forbids the other gods to intervene. The only one who does is Diana, after an offering, and she takes her sweet time to get there. That camp is named after the guy! That’s people’s kids down there! I know the gods not helping their kids isn’t exactly new, but this is on a whole other level.

There are funerals but those are largely skipped over, and Frank announces that they’ll resolve this by asking Lupa to bring in more demigods so they’ll come back stronger, which. Baffling statement. Let’s just fix the dead people by replacing them.

TL;DR: Good on Apollo for learning to be better, but I really didn’t like how it was done. There were a handful of things I liked in almost all the books, not including Tyrant’s Tomb which wins the award for rrverse book I most wanted to chuck out of a window. Some of the ideas were good. I think the first and last books are mostly solid (largely due to the fact that those don’t try to shove in entire side character arcs). But the things I did enjoy just get very heavily outweighed by everything that annoyed and upset me.

I really wish ToA had been mostly new characters with maybe some minor cameos, and other people’s arcs had been saved for different books. I also think splitting the perspective between Apollo, Meg and maybe the character who was trying to have an arc in that specific book would have helped.

[cathodic-clairvoyant]

Oh hi there transfem discussing her experience in the trans community i just had a quick question about your post

What does tme mean?

Oh okay i see i understand, thank you.

What does transmisogyny mean?

Ah I see, I get it.

What's a trans woman?

Oof scary. One last question.

What's a woman?

Thank you for being my own personal google (not like you had anything better to do right?) and derailing the point of your post for my own personal education. I will now add nothing of value to this post in return. Bye bye!

[aj-lenoire]

i do not enjoy harry potter anymore and even when i did, snape was not a character i ever liked, but for some reason my ‘for you’ page is just full of dedicated snape stan accounts and i hate it

[winteriron-trash]

pinned faq

hi, my name is roman. i used to be a semi-popular winteriron blog, but now this blog is mostly dead. so. rip, gone but not forgotten. but i still get some pretty common questions so here's a one-stop shop for most of them as well as links to the important things.

My Tumblr Fic Masterlist

My Ao3

My (dead) WinterIron Discord Server

Did you write the Tony Stark wifi tower fic?

yes, i wrote that fic! it is by far the most popular thing i've ever written and it will probably outlive me.

I found that fic on [insert site here], do they have your permission?

probably not, no. i have found that fic everywhere. and i mean everywhere. pinterest, wattpad, facebook, instagram, tiktok, mediachomp, and so on. honestly, it's been years and i can't control or chase down every single copy and i have no interest in doing so. i don't love that it was stolen from me (especially on for-profit sites) but it just is what it is. it's a fanfic rite of passage to have your stuff stolen, honestly.

can i do a translation/podfic/write something inspired by one of your fics/posts?

yes! there is always a blanket permission to do any sort of transformative work with my work, especially my older stuff. if it sparks joy and creativity in you, run wild with it. i prefer to be credited, but honestly, i'm just happy to see my stuff still inspiring people.

will you ever write winteriron/mcu fanfic again?

well, you should never say never. but in this case, you might want to say never. i have very little interest in winteriron or the mcu in general outside of nostalgia, and i likely will never write anything substantial for them again. it's sad, i miss it too, but i just don't have that spark for marvel these days. mostly i write dc comics fanfiction.

did you write [insert winteriron fic/post here]?

idk. maybe. probably. i wrote and posted a lot of things. you can scroll the tag on this blog to find all my old posts, some more popular than others. if you think it was me, chances are, it probably was. i got around a lot from like 2018 to 2020.

do you have a tagging system?

i used to but lord if i'm going to use it now. i don't even remember it, so your guess is as good as mine. tbh i just use tags as a place to ramble these days so navigating my blog is about as easy for you as it is for me. which is to say, it's not easy at all. because tumblr's search function is ass. i do know one of my old tags has my deadname in it. you'll probably find it if you look hard enough, but that is what it is.

are you going to revive this blog?

probably not consistently, no. if i have something i really want to say here, i'll say it, but i don't have much interest in maintaining this like i used to. i want to be able to, i miss posting here a lot, i just don't think it'll spark joy for me the way it used to, which sucks but that's just the way things go.

why did you leave this blog?

idk. life happened. i was an 18-year-old fighting chronic health conditions and mental health issues that led to me dropping out of high school so, tumblr sort of fell to the back burner, then got forgotten about entirely. eventually, i lost interest in the mcu as i felt the quality of it took a turn for the worst and i went back to dc, which i'm still into. i read some marvel comics, enjoy an occasional mcu project, but largely i just don't have the interest i used to. it sucks and i miss it, this blog probably kept me alive as a teenager. but now it's mostly just an archive of my past, and i'm okay with that.

can i talk to you/send you an ask/befriend you anyway?

sure, if you want, don't know if i'm good company though. but i'm always open to making friends and reminiscing about winteriron, marvel, and all that good stuff. i've gotta warn you though, tumblr fucking eats my DMs on this blog like no fucking business. i'm regularly fighting it. my discord is devilbonesofmetal if you wanna yell at me there, just say you're from tumblr.

[an-au-blog]

A collection of my aus and posts:

Consider this a map for my blog for easier navigation and finding posts (will be updated when needed). Not all posts are linked but all posts are tagged.

:)

One Piece (they got too many lol)

shuggy

zosan

frobin

more!

even more!!

Trigun

Eye of Michael cigarettes

Beauty(s) And The Beast au (kinda)

Immortal! Vash

Dr Who au

Small town dr Eriks

Guardian x teacher au (1), (2)

Fast and not so furious au (1), (2), (3)

Dating app vashwood

greek mythology vashwood

Orpheus and Eurydice vw

ghost hunters au (1), (2)

thoughts (1)

reborn wolfwood (vw)

"Joline" vashwood

The witcher

bitter Jaskier

non-human! Jaskier

Superheroes

into the spiderverse Peter B and Miguel neighbors

spideypool soulmate au tropes

Horrid Henry

post-canon, (2)

Ralph thoughts

adoption

thoughts ok bg characters (1)

sketches (1)

hh band au

car accident

Henry and Peter's relationship

cowboys

Others

Hannibal coffee shop au

Stranger Things pining Eddie (1), (2)

Murther Sailor Moon au

chainsaw man akiangel incorrect quote