#<- for the tags. bc a lot going on there

[volfoss]

back to bad comics

[ID: A cartoonish illustration of an ant holding a bindle. /end ID]

[ciderjacks]

dwarven brew

+

[anotherlikeyou]

Ah shit, here we go again

[delicourse]

Snake Year

[oifaaa]

I can not stress enough that the scene where Percy sends Medusas head to the gods is literally what made me fall in love with Percy as a character bc think about it hes just started his first quest, he's in more danger then he's ever been in his whole life, knowing almost every monster and God is currently out to get him personally, and the most important person in his life has been kidnapped by the god of the dead - so what does he do? He chooses to actively makes the situation worse by sending a middle finger right to the gods bc yeah fuck the gods

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[sforzesco]

paris of troy! during those years he was a shepherd.

I was reading cartledge's book on thebes and every now and then the spartan focuses wrt to the pantheon of gods comes up. sparta has nothing to do with this except for where it does, but apollo karneios was discussed and that got my attention, which circled back to paris, and then I started thinking about the paris + apollo link

I also started thinking about narrative rejections bc paris has a funky absence in the iliad that's giving a kind of...a vibe. your parents shouldn't have had you, the story doesn't want you around, but oh boy are you there anyway, manifested into existence. no matter what, doom must manifest in flesh form. it's a narrative necessity, the actual incident (the judgement) is secondary.

The Judgement of Paris in Later Byzantine Literature, E. M. Jeffreys

weird! love it! almost (but not quite) reminds me of troilos' murder at achilles' hands lurking in the guts of the iliad. it's there, even when it's not. more importantly tho: sheep. I miss working on a farm with sheep and goats and cows and--

[keferon]

I love when JP fics are like

Here’s Prowl. He’s an inforcer. Or tactician. Or detective. Maybe you want something exotic? He’s a mer. Or demon. Or prince. Whatever.

…

And then there’s Jazz. Or wait. It it him? Maybe not. Look how he performs identity acrobatics on you and everyone. It was Jazz over there, but now this one is also Jazz. Meister is Jazz but Jazz isn’t Meister. Or is he? Ricochet is Jazz’s brother? HAHA get trolled, they are the same person. Bet you feel stupid now? Good. Because Ricochet IS actually Jazz’s brother, they aren’t the same person. But there is only one of them now? Which one? Haha GOOD LUCK. Which one of them was Meister? Which one are you looking at right now? Does Jazz even exist? Strap to your fucking seat we are shipping Prowl with the concept of Jazz

[princescar]

Like a rose, gorgeous but not afraid to stab if you get handsy.

letting you know that you have to listen to this song if you want to properly enjoy this art.

[dreadark]

so why is Luka obsessed with Hyuna anyway?

(mostly just trying to get my thoughts on Luka down before blink gone rewires my brain)

every pet human is extremely limited in freedom, but Luka's case is definitely the worst literally even his birth was by Heperu's design... he can't control any aspect of his own life, from his participation of ALNST (twice!) to what he eats on a daily basis

*translations all by whatafruit

humans have no power over segyein, and Luka doesn't even have any power over own his own body so what can he have power over, then?

other humans, of course

most obvious in round 5: Luka would've had an easy win even if he barely tried, but he goes out of his way to provoke Mizi anyway until she finally snaps... and he smiles as he's beaten

because this is his "power." he successfully manipulated Mizi into reacting, proving he has some control over the situation no matter how pointless it is in the grand scheme of things, this is all he can influence, so he makes the absolute most of it and this control is so important to him he doesn't care about his own physical injuries

it's Hyuna talking in this comic, but clearly reflecting Luka's own mentality

while for Hyuna it's likely just her love for singing and performing (whatever happens, they can't take this away from her) for Luka I imagine it's the ability to influence others from the stage (crushing his opponents, but also shaping his fanbase?)

...so back to Luka -> Hyuna

it’s mentioned more than a few times that Hyuna’s a really talented performer, but seeing their respective stat pages really drives it in

(think the “superiority test” Hyuna was put through relates to this also)

Hyuna doesn't seem to have been created in any special way like Luka was… she just has a natural affinity to performing. and that's enough that she’s considered a real rival to Luka—Luka, who was literally made for this, and put through constant hellish training on top (the pain of having your heart stopped...) to mold him into the perfect idol

to Luka… if he can’t dominate Hyuna, he can't even take pride in his own ability (that everything he's forced to go through amounts to something?). and power over other humans is all he has, so he needs to overpower Hyuna (also he likely admires Hyuna’s talents at the same time, which just adds to his twisted feelings)

so since his ability isn't enough... by making someone think of you, only you… that’s another way of having power over someone, isn’t it

“your life is mine” “I told you I only wanted one thing”

whatever exactly happened with Hyunwoo… well that certainly worked. both removing Hyuna's most important person and making Luka someone she can't not think of (oh and he doesn't seem particularly interested in Hyunwoo despite how similar the siblings are in personality? Hyunwoo was even the first to approach Luka, not Hyuna so it's likely because he doesn't have his sister's talents)

but you know how his intimacy(?) value for her is only 70% I figure that's because she escaped, so they could never actually face off onstage... maybe he's disappointed in her "wasting" her ability

what all this amounts to is that she did end up escaping his control, and he never even got to compete against her. so until he can somehow completely overpower her, he'll be obsessed with her

I wonder if this represents his final effort to that... ultimately, he values control over his own well-being, so if he can goad Hyuna into killing him, then doesn't that cement his power over her?

and maybe "saves" him from this hellish life too

kind of a tangent, but I really like how their designs contrast this dynamic Luka looks really angelic and androgynous, so from appearance he seems fragile and like someone to be protected (which even Hyuna seemed to be tricked by when they were younger) and Hyuna obviously looks the stronger one in comparison (very #girlboss (lol...))

but their relationship is one where Luka's trying to control her and Hyuna's trying to escape it... that "beautiful lady" line of ruler of my heart always felt somewhat uncomfortable, and then learning it's actually pitiful (가련한) instead of beautiful is... ...it's a very gendered dynamic, if you get what I mean. despite their surface-level appearances going against what's considered typical

[anxious-chaos-art]

In honor of ep 4 dropping today here’s my page of kips!

[iguessthisisanewobsession]

Just once I would like a Peter stuck in Gotham story where Tony gets dragged along with him for the ride.

Like they drop down and Tony is like

“Not an ideal situation, good news is we’re not dead. Bad news that looked like a one way trip for us. We’ll cross that bridge when we get to it. Now we should focus on short turn goals: food, water and a place to stay, everything else can wait.”

I want Tony to be out there working his ass off from helping people with broken items then getting a job at wayne enterprises and starting a technology revolution in this dimension because he just can’t stand how out of date everything is and then running to pick up Peter from the rich kid school and the two of them trying to do reconnaissance and failing miserably.

Peter for his part is having a great time with school and his new vigilante gig.

Peter’s vigilante friends in school are worried about how bruised Peter looks sometimes and think that Tony is abusive before breaking in and just hearing Tony being a mother hen.

Then one breakout things are not looking too good and Spider-man just says

“Karen, activate Papa Protocol.”

And then like ten minutes later in comes Ironman with a bone to pick with the rouges.

Bruce doesn’t know if he loves Tony or hates him but his kids find him hilarious.

[orpheuslament]

i just think that in general people need to be more comfortable with interacting with art that makes them uncomfortable, as strange as that sounds lol. imo weve gotten way too used to everything being made to appease us & making us feel good (tm) about ourselves that anything that dares cross that invisible barrier is immediately deemed wrong & immoral

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[fiveminuterice]

my shining star, when will he come home :(

[acekindaneat]

supportive bf during Seri's finals week 🫶