#<- for the second image lol

[soundleer]

whatever uhh sleep deprived drawings GO‼️

————————

references:

[pcktknife]

fryesweep please for the love of god 🙏🏾🙏🏾🙏🏾

[skeletood]

imagine being in love with your best friend looool imagine

[foursidecity]

Little comic about hunk before he got his prosthetic^^

[artilite]

many many isabeaus... and some sloopis's of course :^) !!!!

i like consolidating my doodles so that's probably what i'm going to do for the most part from now on (^^ゞ!

[artuurle]

Okay so about those headcanons-

I believe ascending to god-hood in Great God Grove is heavily Tied to a persons mental health, whole post is under read-more for the sake of everyone, poorly written ramblings by someone that struggles to write out thoughts below with some doodles (obviously spoilers too!) :

Aka dumb idiots who girl-rot (/silly) and don't handle their internal issues end up ascended in the realms hours to DAYS after the event instead of immediately after like in the case of King. In my headcanon this is because a gods new form is tied to who they are, and if you hate yourself, don't know who you are, or think you're nothing, it'll effect how you turn out, fighting with other aspects of how you see yourself for dominance. The harder the struggle to create a form, the more of a recoup period for said god to actually start being able to do things- think about it like recovering from exertion or from being sick.

This of course can lead to some problems for the said gods with more problems than others, like Inspekta:

He fears being nobody, dying, leaving nothing behind, and being forgotten- and when he ascended he quite literally lost his whole torso and his tail popped off! hands possibly representin' the others that propped him up! Finally waking up after ascending I'd take it he took his form rather poorly and actually needed extra time to recover *emotionally* before anything on top of the time needed to pop into full existence as a god. I believe when the other gods saw his entrance into the realm, it was quite literally him dropping in from a long ways up with a thud for the jacket and his head bouncing away (really silly, like a ball). while being able to put it together for the other gods he ended up really struggling about what he'd become in private.

Another god i believe may have had issues with ascending is not surprisingly, Click Clack. A god i feel in his human life spent making himself palatable and burying editing out how he felt about things and being unnoticed. Also wouldn't be surprising some of the burying editing came in during the time between him and Thespius ascended, his lover was above them now, after all! I actually drew how i envisioned his entrance to the god realm, because i'm biased.

like a sudden ink spill appeared after a while and he crawled out, exhausted.

anyway i've rambled incoherently enough hope u enjoyed my nonsense and the doodles [explodes]

[screwpinecaprice]

*dusting off another drawing found in my old folders* Oh waw early 2020 connverse. And I drew in 97 dpi RIP

[ask-the-pioneer]

Out of curiosity why do you bow before eating?

"It's a sign of respect."

"When I kill to eat, I know I am taking a life. I do it out of necessity. The creature's life moves to me so that I can survive and prosper. With this gesture, I pay tribute to its sacrifice."

"The bow is also to acknowledge the work of a person who brought the food, to feed me and the others. You're not pressured to do that, but even if the meal isn't to your liking, you would still recognize the effort. Our colony was small, with Hunter as the only adult, so any food brought back was celebrated."

"In my later cycles, the ability to craft explosive spears became incredibly useful for hunting and self-defense. I had a natural advantage, but it was to be exercised with caution."

"Truth is, I can do a lot of damage with my «powers». It's a big, alienating responsibility. And it was an issue in my younger cycles when I couldn't control it well - sometimes people around me would get hurt, but despite that, I was shown kindness and given guidance by my mentor. My adoptive family did not treat me like a freak, and it mattered a lot to me. It still does."

"I feel no need for bloodlust. I am content with my life… for the most part. Whatever grievances I may have, I know it's bad to take it out on others. For the temporary relief it gives, you realize it really is not worth it. To kill for sport, it makes my stomach turn - a sad waste of life. Just because I can, doesn't mean I should. Cruel thoughts are the domain of a scared animal. I don't want to live in suffering because of such fear, and most of all I don't want my family to think less of me. Does that make sense? I wouldn’t want to disappoint them, or lose their trust…"

"When I hunt for food, I often think of what my mentor would say. Those thoughts guide my spears, the memories remind me to be kind in the face of the vast, indifferent world. Most of the creatures out there have it considerably worse than me, trying to survive nature day by day. I've been blessed with a mark, I know things that a typical slugcat would never need in their life. I don't think I can ever go back - knowledge, like my «powers», are both a blessing and a curse. And, dare I say, I think it is better that I have those powers… for I know, at the very least, that I trust myself to use them wisely."

"The bow is a sign of respect, and a gentle reminder of the things that I stand for."

[cokoweee]

Sumthin sumthin to me it makes sense don’t care don’t care 5AM ME APPROVED THIS UPDATE SO 9AM ME HAD TO COMMIT

K bye I’m running away forever💃💃💃

<===—===>

[amielot]

Animal magnetism

[iknowicanbutwhy]

"I'm going to design my own Loop!" I thought. "It's going to be so fun!" I thought. "Surely modern clothing - that isn't just a hoodie and shorts or anything with jeans - is something easy to design!" I thought.

It was fun. But I am aware that all I wear are t-shirts and shorts.

^^^ extra little outfits. Glitter pants are super fun, alright? You ever wear swishy glittery pants? They're SO fun.

[gunk-ice-tea]

They do share a burden and it's being misinterpreted (mostly by junkers) an atrocious shitpost under the cut

Personally i think he rocks the resting bitch face look 24/7

slay

[shaadowmilkcookie]

One of Shadow Milk’s many prop replicas of himself, left behind. Even though the eyes are forever staring straight into the distance… Oddly enough, you still feel like you’re being watched.

But surely, though, it won’t hurt to take it home and touch up the colours, right? :)

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[bleeding-seraphic]

The beginning.

[ch1zzie]

HES HERE

LOOOOK

Barnaby now has two of his pals