#<- PLEASE do not bring discourse here i do not give a shit this is not the point of this post

[pragmatic-optimist]

An Appeal re: Anon Asks

For the last week (although honestly, the last six months), I've been having conversations on and off about the responsibility of answering asks on your blog and the impact it has on fandom as a community. 

At some point during Season 2 of Lone Star, the Anon asks, in particular, got truly out of control, and it's only gotten worse over time. Your blogs are your blogs, and I respect that. At the same time, as a fandom community, we share this space. Whether or not we all know one another, we're all coexisting in the tags and on this site. It takes a lot of emotional labor and time to filter and block on Tumblr, especially when folks don't tag consistently or correctly. Like many in this fandom, I also want to have fun while I'm here, but it's hard to do that when there seems to be little to no discernment in answering asks or properly tagging them.  

When it comes to unnecessary negative comments on fanfic, we often say, "it's not hard to close out of something if you don't like it." The spirit of that applies here, too. It's easy not to answer an ask, especially an Anon ask.

If someone isn't putting their name on something they're asking you to post to your blog, I would argue it requires an additional second and third look and careful consideration of how you answer it. (Certain asks are answered flippantly and then tagged for all to see, but that is an entirely separate post I won't be writing). 

Everything you share gets eyes; how many depends on how loud of a voice you're considered in the fandom. And it's been my experience that the louder the voice, the more substantial the likelihood you'll find problematic Anon asks in your inbox. Answering these asks on your blog gives them a platform, and tagging them gives them an audience outside of your followers. If you're a "big blog," it increases the odds that some of us will also be subjected to these problematic asks through reblogs. All of this broadly impacts fandom conversation because now it's deemed acceptable to send XYZ type of ask, use XYZ word(s), bring up XYZ topic, or talk about XYZ actor(s) or character(s) in any type of way.

The whole "this is Tumblr, it's not that serious" argument is privileged because some of this stuff is serious for someone like me (and others in this space). I can't just pretend someone isn't implicitly making it seem okay to say certain things, especially if their blog is looked at as a popular fandom source.

This ask is just one example of what I'm talking about:

It's the use of a racialized fetish term, and honestly, it's super cringe. Seeing this in the show tag is deeply uncomfortable as a Latinx person. What was the point of answering this ask and then tagging it? It serves no purpose and hangs out in the show tag like we all just throw it around (we don’t). It's been brought to attention, and still, it lingers. 

A fandom community should be safe and fun for all, but we don't live in a perfect world, so it takes work. Part of being in a community and doing the work is kindly holding people accountable to make it that way and being willing to have constructive conversations when concerns are raised. It's not accountability if you only show "remorse" when your friends bring something to your attention, and then nothing changes.

Accountability also ceases to exist when the fandom community chooses deep avoidance, handwaving things away whenever someone tries to share a concern. I have no idea why this keeps happening here, but I do know that every time it happens, it is profoundly isolating and makes it clear that fandom is only meant to be fun for some. The rest of us have to either put up with it or leave. 

If that's the message the Lone Star fandom intends to send, it's being received loud and clear. 

****

(Edit: the post is finally down, but I’ve shared a screenshot because it took three days and more than one person to address it publicly and this is exactly what I’m talking about.)

[planetary-go-fuck-yourself]

PROPARA/PARAPHILES DNI - THIS POST IS ABOUT MY GROOMER DO NOT DERAIL

back on my bullshit. realizing my ex is a paraphile online openly WITH MINORS is fucking insane on its own but ontop of that realizing they they wanted to do somnophilic shit on a whole ass 15/16 year old. lmao only comfortable w sharing a screenshot bc the acc they used is deactivated so you cant find the kid

photo text id under break:

user 1: hi! as a minor following you i think you should post more objectum bc i think its interesting can you keep this on your main blog /ref

ranboorebrand (my ex): YIPPEE !! RUNNING AROUND IN A FLOWER FEILD CHEERING

tags: #hero.ask #mutuals

[biioniic-biiohazard]

((NOTE: i was going to keep this in tags but decided not to :3) this was such a common word and thing in 2000s to 2010s fandom spaces, especially anime fandom spaces. like you could not go to a convention or open deviantart or even tumblr without seeing at least one mention of the word- ''glomp me'' signs and shirts everywhere, cosplayers and internet friends running up to each other just to hug on sight at meets, artists online drawing and animating their ocs doing this with their friends' ocs or making bases of anime screenshots of characters doing the exact thing, getting dms and replies and comments with just a simple *glomps u* thrown in there. you would see such a specific kind of closeness and joy in these people, and frankly it upsets me deeply knowing it as a phrase and term in fandom ...is almost completely gone :( so yknow what! im glad you discovered this word! bring back glomping or whatever yknw? lets have more fun in fandom spaces and be silly together okay? :D

I just....I just learned that there's a word in the English language...for when you run into someone to hug them with all the enthusiasm and strength you have....I learned that it's called glomp.

My God, English has so many words to describe physical intimacy, I'm in love

[osachiyo]

please for the love of god, read my rules before interacting/requesting.

𝐆𝐄𝐍𝐄𝐑𝐀𝐋 𝐑𝐔𝐋𝐄𝐒

do not steal/copy/repost/translate ANY of my works. plagiarism is not cool.

I write and interact with nsfw stuff so minors (-18) please don't interact with my blog. I am not responsible for anything you consume on the internet.

this blog contains dark content. if you are uncomfortable with that, I suggest you click off and don't attack me. just because I think something is hot in fiction, that does not mean I condone such acts in real life. fiction is not reality, keep that in mind.

be patient while requesting. I have a life outside of tumblr and this is not my first priority. please remember this is just my hobby, not a full time job and don't rush me/demand things from me because I will most likely ignore your ask if you do.

be nice. I write for fun, please remember that. writers don't owe you anything, and I'm not being paid to do this, so have decent manners while requesting

please refrain from trauma-dumping in my askbox. While I do love talking to you guys, please refrain from sending me extreme stuff. I understand if you are going through something, but I am a stranger on the internet, not your therapist.

any anon hate, threats or bullshit like that will be ignored or I'll most likely clown on you.

don't bring any drama in my askbox, especially not about other creators. this is a writing blog and we're just here to be horny and read stuff, not partake in any drama's.

absolutely no kind of discourse. but I will speak up if I sense some bs going 'round and esp if it involves my moots.

refrain from giving me criticism unless it is asked for.

be specific but not too specific please, like paragraphs after paragraphs. only a few sentences should suffice.

don’t spam like me. if i spot that someone’s spam liking my work without a single reblog, it’s a block. if I spot you liking 5+ posts without a single reblog, you'll get blocked. remember, likes don't share my work, reblogs do :)

if you're gonna send me fanart that doesn't belong to you, please please PLEASE credit the artist in the ask, or just don't send it at all.

please don’t spam my inbox. i receive lots of asks and i try to answer as many. sending me constant asks makes things harder for me and doesn't increase the chance of me responding to you. i’ll delete them or just ignore them to avoid spam.

𝐈𝐅 𝐘𝐎𝐔'𝐑𝐄 𝐀 𝐌𝐔𝐓𝐔𝐀𝐋

if you wanna break mutuals then hard block me. if you soft block i'll most likely think it's a glitch and follow you again. please DON'T just unfollow and have me still following you.

please don't feel offended or attacked if i block you.

if you have a problem with me, don't be shy to dm me about it. don't subpost about me, because i WILL see it. let's handle shit like adults, yeah?

tba

Stuff I don't write ↓

amab/male reader + etc, pseudo/step-cest/incest, necro, vore, character x character, age regression, lolicon/shotacon, ddlg, foot fetish, bukkake, gang bangs, pedophilia, breast feeding, watersports, piss kink, domestic abuse, brainwashing, scat, cbt, food play, snowballing, race play, m-preg, knotting, bestiality, eating disorders, wound fucking, heavy bleeding, milf! reader, shock play, shoe licking, high school au! setting (nsfw), panty sniffing, sounding, race/color specified reader, oc's, SUKUNA, aging up minors etc. — these are subjected to change.

any confusions? don't be afraid to throw me an ask !

↪ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓𝐒

[the-conversation-pod]

The Pillars: The Return of OffGun and TayNew

And we're back!

NiNi and Ben bring Shan back to the recording booth to discuss how BL is not just a young man's game. We break down why we enjoyed Cooking Crush and Cherry Magic Thailand so much, and what makes OffGun and TayNew so special.

Come and join us for a healthy mixture of simping, genre appreciation, examinations of conflict writing, and love for queerness in BL.

Timestamps

The timestamps will now correspond with chapters on Spotify for easier navigation.

00:00:00 - Welcome 00:01:15 - Intro 00:03:58 - Cooking Crush: A Surprisingly-Good Romcom 00:08:02 - CC: Comedy Ain't Easy 00:16:59 - CC: Dynamite’s Queer Writing and Ten as a Rare Romantic Lead 00:32:08 - CC: Final Comments and Ratings 00:41:14 - Cherry Magic: Beating Expectations and Simping for Tay Tawan 00:54:13 - CM: Relationship Development and the Powers 01:02:15 - CM: Other Characters 01:13:51 - CM: Ratings 01:19:34 - The Pillars: Overall Thoughts

The Conversation Transcripts!

Thanks to the continued efforts of @ginnymoonbeam as transcriber, and @lurkingshan as an editor and proofreader, we are able to bring you transcripts of the episodes.

We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes (Coming soon thanks to @wen-kexing-apologist). When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.

Please send our volunteers your thanks!

00:00:00 - Welcome

NiNi

Welcome to The Conversation About BL, aka The Brown Liquor Podcast.

Ben

And there it is. I’m Ben.

NiNi

I’m NiNi.

Ben

And we’re you’re drunk Caribbean uncle and auntie here sitting on the porch in the rocking chairs.

NiNi

Four times a year we pop in to talk about what’s going on in the BL world.

Ben

We shoot the shit about stories and all the drama going into them. I review from a queer media lens.

NiNi

And I review from a romance and drama lens.

Ben

So if you like cracked-out takes and really intense emotional analysis…

NiNi

If you like talking about artistry, industry, and the discourse…

Ben

And if you generally just love simping…

NiNi

There is a lot of simping on this podcast…

Ben

We are the show for you!

00:01:15 - Intro

Ben

And we're back. Welcome to the second spring outing with The Conversation. Shan is here with us today. Say hi, Shan.

Shan

Hiii.

Ben

And we're going to review the GMMTV pillars.

NiNi

So, Ben, what are the pillars? Let's do a little GMMTV history.

Ben

So when we refer to the pillars, we're talking about the original BL ships at GMMTV. The two we're going to talk about today are Off Jumpol and Gun Atthaphan, and we're gonna be talking about Tay Tawan and New Thitipoom, who've been together four times now — soon to be five.

Shan

I think what's important in the BL context about these two pairs, OffGun and TayNew, is that they have been at this for years at this point, like nine years, I think this year?

Ben

Nine years? Yep.

Shan

They have been at GMMTV, leading BLs, for almost a decade. And they have aged with the genre. They are now in their 30s. It's great, in my opinion, to see them continue to make shows and come back. 

There was this idea that Thai BL was only for very young actors, that actors, once they exited their 20s, would also exit the genre, to move on to, quote-unquote, “mainstream” work that was heterosexual. And I think that these pairs sticking around and coming back to make new shows in their 30s is really important because it just shuts that whole line of thinking down: that BL is only about and for young people, that it is a phase of a career that actors need to quote, “move on from.” And also it gives us the opportunity to actually see adult stories in GMMTV BL, which is not something that we've gotten much of yet. To see stories about adult characters actually played by adults who are the right age for those characters is really refreshing. 

So it's been really interesting to see these pairs come back into the public consciousness and to see that the fans are actually happy for them to stick around. I think that's been pretty cool.

Ben

I think what I enjoy the most about these two pairs coming back together is, both of the shows they're attempting have a more grown-up feel than their previous work. And in both cases, I think the fact that these actors are experienced and know each other really well genuinely benefits the work that they're doing.

00:03:58 - Cooking Crush: A Surprisingly-Good Romcom

NiNi

So let's dive into the first of the pillars. We're going to talk OffGun, and we're going to talk Cooking Crush. So, Ben, what is Cooking Crush about?

Ben

Cooking Crush is about how the most effective way to introduce a new actor at GMMTV is to slide them in around a bunch of other veterans.

Shan

[laughs] That's what it's about for you, for sure.

[all laugh]

Ben

Cooking Crush is a college-set BL about a team of culinary students who are trying to win a cooking competition, and the complications in their romantic lives around them. This show is actually really simple. Like, our protagonist, played by Gun, is named Prem. He lives with his grandmother and his sister. His grandmother runs a formerly very popular restaurant, and he has a goal of helping his grandmother's restaurant become more successful, and he wants to open a chef's table type of restaurant in the future. 

He and his two friends, Samsee and Dynamite, are kind of the oddballs in their culinary school? They're considered the lowest ranked students. They get kind of picked on a bit. Prem is considered kind of clumsy; Dynamite is just really young, because he's kind of a prodigy; and Samsee is just picked on because he's old, because he's pursued three different degrees without completing them. 

They're having some difficulties with school and Prem ends up having an interaction with Ten, played by Off, who is a med student who was a little bit overworked at the time and has accidentally starved himself to be pissy with his dad. The two of them have a very cute moment and a little relationship starts to build between them, originally off of Ten wanting Prem to teach him how to cook more, and Prem basically scamming that man because his little sister lost her tuition money.

NiNi

I think that's a good explanation of this setup. Shan, I want to come to you first. What's your headline on Cooking Crush?

Shan

Ohh, Cooking Crush is a warm hug of a show. And I love it. And it's not perfect. But it left me with such a good feeling and I intend to rewatch it, many times.

NiNi

OK. Well, Ben, I think we got your headline: Cooking Crush is about Aungpao.

Ben

That's about him.

[all laugh]

NiNi

Cooking Crush for me… what is my headline on Cooking Crush? That everybody in this is really good at comedy! Except maybe Gun, who's a little less good than everybody else, but everybody that they put in this is a very funny person, including Gun’s real-life sister, who I laughed my ass off at several times.

Shan

It's surprisingly good comedy. This one has been kind of a weird one in terms of the way it's been received by fandom. It didn't really fit the mood of the moment, I think. I think right now Thai BL fandom is very much paying attention to like, these more high-concept shows that are doing really fancy shit. Crazy visuals, supernatural, and mystical stuff. Cooking Crush is just a sweet romcom that wants to be really good at being a sweet romcom [laughs] and that's kind of it. It has kind of modest goals, but I think that people underestimate how hard it actually is to make a romcom that is actually sweet, and actually funny, and actually makes you want to support the couples in it—and this show succeeds at those things.

00:08:02 - CC: Comedy Ain't Easy

Ben

I think that's probably the biggest thing I would want to highlight about this show. Comedy is not easy. [laughs] At all. Comedy and comedic timing is really difficult to do, and Gun’s admitted that it's not his strongest skill as an actor—that he needs a lot of help from the crew and his cast mates to do comedy well.

Shan

Whereas for Off this is where he thrives, and he hasn't gotten to do it before in a BL.

NiNi

I think that they had the right idea in making Gun’s character Prem sort of the straight man of the ensemble, so to speak.

Ben

A great joke unto itself.

NiNi

[laughs] And surrounding it with a bunch of really good comedic actors who could sort of take up the zip and the zing of it all. Like I think that was the right idea. And I did enjoy, like, all that sort of zany, madcap stuff that was supposed to be happening around him from a writing standpoint, and the shape of what I saw it was supposed to be. I absolutely enjoyed that. My little niggle about it was that the direction doesn't zing enough for me, in terms of how I feel like this was meant to go. 

It's really surprising for me because this was directed by Golf Sakon, who did my nemesis Fish Upon The Sky, but [laughs] Fish Upon The Sky, for all that we could say about it—and trust me, I have said plenty—it was visually interesting, it was zippy, it was well directed from that standpoint. And I feel like Golf’s direction in this was a little bit flat. It didn't have the zing. That sort of is my main complaint about the show, but the show itself is really, really good. I just wanted it to zip a little bit more.

Shan

Yeah, I agree with that critique, NiNi. I think the directing and the editing—[laughs] cannot forget the editing—is definitely the biggest ding on this show. There was some weird stuff going on in the production. The most notable of course being right in the middle of the show when we suddenly had an episode that was mostly reshoots, which was extremely obvious because Off got a haircut after they finished wrapping this show, a very obvious haircut, and then they had to come back and do reshoots. There was some really hinky editing throughout the show, like some dropped beats, some confusing scenes, some flashback sequences that didn't make sense as flashbacks… They were trying to do some stuff in the editing booth that I just think didn't work, and sometimes really undermined the good work that the writing and the acting was doing. 

In terms of overall production, this show was not quite at the level it should have been. In the end, that didn't get in the way of what was a really strong story and really good performances from the cast, and so it still came together well enough, but it's a definite ding.

Ben

I want to talk about the writing portion. Shan, you're usually really good at detailing conflict writing. How about you go through the various major beats of this show and how this show executed them?

Shan

Obviously, we had the main romance, which was between Ten and Prem, and that was a pretty straightforward, simple romance, that actually worked amazingly, because what this show did extremely consistently was it set up all of these really annoying like classic drama tropes for the romance, and then every single time it just knocked them down by having the characters communicate with each other. An obstacle came up for the couple that would normally cause a one- or two-episode conflict. Instead, Ten would insist on talking to Prem about it, coming to some kind of alignment and understanding each other, and they would sail through it. That was kind of the consistent throughline with their relationship, and it was really strong and really lovely to see. 

We also had a side couple romance that was between Fire and Dynamite. That one was a little bit more contentious. It was tied to a couple different things that were going on with Fire, with internalized homophobia, with some struggles that he was having in being his authentic self in his family with his mother. Dynamite was someone who kind of pushed him, and kind of made him aware of the things within himself that he was stifling. And so they had a very adversarial dynamic when the show started: Fire was very committed to kind of trying to be the son that his mom wanted him to be, including dating a woman, and so really fighting against what he was feeling for Dynamite. Dynamite is a great character, who I'm gonna let you talk about more, Ben, but I think their dynamic really pushed both of them along a good character growth arc through their relationship. 

Alongside that, we had a couple big threads about the friendship between particularly Prem and Samsee and Dynamite. They were working together on this cooking school dream, they were trying to get through their classes, they entered this cooking competition and there was a lot of story about them as like a group of people who are kind of considered losers within their cohort, trying to get to a place where they were a good and efficient cooking team who could actually play at the level of some of these other folks that they were competing against. 

We also had another big thread for Ten’s family situation. His mother had passed away some time ago. He had a lot of anger and resentment with his father about the circumstances around that, and a lot of trauma around his mother's death, and he was kind of working through that as he was falling in love with Prem. 

So we had all of these different things flowing into the same story, and one of the things that was so impressive about this show is that they actually did all flow together. The writing was very consistent. The characters were figured out from the beginning of the story. It's one of those things where, once you have all the context of who these people are, you can look back at all their previous behavior and it totally makes sense, and everything tracks. And all of these plot threads came together in the final three episodes through an actually pretty well executed conflict arc, which is something that doesn't happen very often in Thai BL—usually that's where Thai BLs completely fall apart. But here all of the conflicts were well laid throughout the show and built to kind of come to a head at the same point, and then we had them converge in the final arc. 

Not everything about the way they played out was extremely perfect or satisfying, but most of it was, and the characterization stayed true the whole way through. So it was some pretty strong writing for a show like this.

NiNi

I have to concur that the writing was really strong on this show. It's logically laid out. It makes sense, the characters behave like recognizable human beings, which I can't always say [laughs] is the reality of a lot of these dramas that we're watching. For example, Dynamite, who is a complicated character—with the mix of the writing and the acting, I could see underneath where his pushing of Fire was coming from, and why it was something that he felt like he needed to do? 

We find out through a flashback later, which—was a weird way to get this information—Fire was the one who made Dynamite who he is. He made Dynamite feel like he had to stand up for himself and be out there, and all he's doing is trying to do the same for Fire. It just plays out in this way that I think made some people uncomfortable, but I could see it once the context information was there. This is where [their] editing got hinky, because clearly the character was written this way. The hinky editing needed so that it took almost 2/3 of the show for the motivation to meet up with the character. That's not a writing problem, that's an editing problem. 

I found the writing on the show was incredibly strong, everything logically follows on from everything else. There was a lot of surprisingly deep writing around Ten’s whole issue with his dad about his mom, and his feelings about his mom. Around Samsee's feelings of potentially getting left behind because he's older, and they're getting into these relationships and he's starting to feel like, ‘what is there for me? It took me so long to find my people, and I feel like they're leaving me.’ And that was a particularly strong thread that I really enjoyed. I enjoyed Metha, who is Fire and Ten’s friend—hilarious, played by Tum, super good actor. I love him, very, very funny. I really enjoyed the writing on this thing, and I can't always say that for, particularly Thai BL… it was delightful.

00:16:59 - CC: Dynamite’s Queer Writing and Ten as a Rare Romantic Lead

Shan

All the characters in this show are great, but there's a couple that really, really stood out, and I think we should talk about them. And Ben, you should definitely lead us with some Dynamite talk. Tell us why that character matters so much to you.

Ben

Dynamite has the great honor of getting The Conversation’s first blorbo of the season award.

Shan

[laughs] So early in the season, too.

Ben

I know. He is the winter ‘24 blorbo for me! I love this boy. Here's the thing. With Dynamite: he is canonically young, he's like 17-18 in like his third year in school. And his only friends are played by Gun Atthaphan and Dome Jaruwat, who… create this very visibly queer friend group dynamic? This communicates a ton to me almost instantly, very early in the show, particularly with Dynamite living in some sort of like tenement housing, and then having really no one else to rely upon when someone died in the apartment above his, and contaminated the apartment he lived in, so he ends up moving in with Samsee. 

It’s a very obvious story to me as a queer person, that he had to finish school early because he could not stay home. And he has no one else to rely upon except his closest friends when he's in trouble. Samsee is communicated as a person who is like ‘I don't want nobody in my house,’ but immediately opened up his house to Dynamite when Dynamite was in trouble, because where else was that kid gonna go? 

And so, with Dynamite, we eventually learn that he was kind of getting picked on when he first got into the school with the rest of them, because… obviously he's a kid, and boys suck. And Fire saves him from this bullying instance, which almost read as a bashing? And this clearly rearranged his view about who he is in his life, where he recognized that he was gonna get clocked regardless. And so he was just going to be who he is. Fire gave off this whole fuck-you aura that he was clearly drawn to, and so he didn't go at Fire timid, because that's not what he saw in Fire. 

Dynamite spends the early part of the season determinedly pursuing Fire, who feigns annoyance about this, but is eventually revealed to… not want Dynamite to stop pursuing him. When he gets drunk and calls Dynamite out to come hang out with him, he tells him very directly: ‘even if I say no, don't stop.’ Which, very familiar to me dealing with my own closet issues and a bunch of other closeted folks growing up. 

Fire and Dynamite work really well for me, because familial acceptance is something that they're both struggling with. When Dynamite reveals his story to Fire, he tells Fire that he's okay with Fire not being ready to come out. Even if it's something he would prefer they do, he has lived through the worst things you can experience when you come out, which is losing your family support network. I really like that Dynamite’s understanding and belief in him is clearly what allows Fire to rebuild his sense of himself when he finally tells his mom that he cannot live up to this ideal that she has of him. That's built out from him recognizing who he is, because Dynamite has helped him figure that out. 

Dynamite hits a really specific queer note for me, because they create a character who I think is genuinely funny to watch, but you can feel a lot of his queer angst running underneath him the whole time, and they don't overextend it and make it be [laughs] way too melodramatic. Like his character’s just not gonna behave that way. I really like the way Dynamite has accepted the reality of his world, and has decided to build his own space in it, and it started with his friends. 

Most of these shows often get queer characters wrong in that they don't have like a reliable queer support network around them before they go rushing into some fuckin’ romance with some guy that's supposed to be the romance of their lives. Very glad that in this particular case, Dynamite has rock solid besties as he's pursuing Fire.

NiNI

In terms of other characters that I really responded to—and Shan's gonna like pick up the torch and run with it here—I loved Off as Ten.

Shan

Yeah!

NiNI

I am a recent Off convert. I really started getting into Off around Not Me, because the roles that I was seeing him play, from Not Me and continuing, I could see the growth that he's had over the years, and I really liked the energy that he was starting to bring to his roles, the maturity and the gravitas that he was starting to bring, whether it was something serious, like playing Sean in Not Me, or Mote in Midnight Motel, which I really enjoyed—or even, especially actually, playing Ten in a comedy like this. I mean, I just bought it 100%. They put Off on screen in those glasses, and the first thing we saw him do was argue with his dad, and I was like, yes absolutely, I am here, let's do this. 

I love the character of Ten. He's such a combination of tightly wound ball of stress and also incredibly fun and relaxed human being. I don't know how those two things work in one character, but they do, and Off plays both sides of him, I think brilliantly. I really enjoy getting into why he wanted to be a doctor, and the little mini arc that we had towards the middle of the series where he gets to recommit to being a doctor because he had sort of slid off course slightly. And he gets to recommit to, ‘no this is really what I want to do, I want to save people.’ Really loved that. The angst that he had around his mom dying, the angst that he had around his dad moving his girlfriend in, apparently it seems not too long after that… there's just a lot happening with Ten, but through it all he's just so delightful as a character. He saw Prem, he decided: ‘Yep, that's the one for me.’ He pursued him openly, he was just very forthright and honest at every step of the way, communicating all the way through… just love it. Love the character, loved Off in the role. I know. Shan's gonna, like, take that and run with it. [laughs]

Shan

I just want y'all to know—

NiNI

Shan is a babii, Shan loves Off.

Shan

I am living. I am getting my whole life right now. I just want you all to know, all of you listeners, that I was pretty much the lone babii around here until very recently. [laughs] I have always been an Off girlie, I have loved him since way back in the Puppy Honey days, I've always found him so charming. 

He started out as a pretty untested untrained actor and we've seen him grow across his roles, and so a lot of people have only kind of recently, in his last couple of shows, like fully come on board. But I have always been an Off girlie. I know that this show has turned Ben into a full blown babii, finally, [laughs] and that NiNi has come around on Off, and it's been very amazing to see. 

For my money, Ten is Off’s best character. They found the perfect character at the perfect time for him to play to all of his strengths. What's great about Ten — everything that NiNi just said is true, he's a very well written, very well-rounded character, and I love him specifically as a romantic lead. He has some really important qualities that you typically don't see in romantic leads, and that's why so many romcoms and romances are frustrating. Ten is a very honest person. He's a straightforward person. He is loyal. He kind of insists on building trust and on talking things through. 

One of my favorite things that happened in the final stretch of episodes was, Ten found in Prem’s room this sticky note that Pang had written, that said something like ‘the money from scamming Doc’ or something like that, basically making a joke about Prem scamming Doc for money. Ten found this sticky note and… he got his feelings hurt about it. He was like, ‘wow like, this kind of seems like you all were mocking me, this hurts my feelings.’ And in a typical drama you would see that turn into a big conflict. You would see the person who found the sticky note not saying anything about it, maybe be passive-aggressive, probably leave and go sit in their hurt feelings by themselves and then later it would blow up into a big fight. That's not what happened here, because Ten wouldn't let it happen. He takes the sticky note directly to Prem and he says ‘I found this, it kind of hurt my feelings, can you explain what this is about?’ And then he actually listens to Prem. And Prem apologizes because it was kind of mean-spirited, and he admits that. And then Ten says ‘OK, thank you for telling me. I forgive you, I'm gonna let it go.’ 

And I just love that! You don't see that kind of mature communication very often in romance at all, let alone in BL that's typically centered on younger characters. That was what Ten was like through that entire arc. He was just so honest. He wouldn't let silly misunderstandings get in the way. He always made sure to be very clear with Prem about what he wanted and what he was feeling. And he was respectful when Prem wanted space, but he always made sure that Prem knew that he was waiting there for when he was ready for more. Such a good model for a romantic lead, and because of those qualities in him, he and Prem ended up becoming a great couple that just—were a team. They faced things together. Our friend Twig called them a battle couple. They faced challenges together and didn't let things come between them. 

We haven't really mentioned Chef Chang Ma, who sucks and we hate him.

Ben

Sorry, Victor, your character sucks.

Shan

Your character sucks! He's a mentor to Prem, but he's also trying to hit on him the whole time. He's super inappropriate, he's always crossing boundaries, he's kind of a piece of shit, if I'm being real honest. But that guy was not able to get between Ten and Prem at any point, because every single time he tried, they communicated with each other, and figured out how to get back on the same page, and worked around him or shut him down. 

This couple's gonna stick with me in that they were able to work through so much together, and that they really sincerely made each other happy and made each other more confident and better at the things that they wanted to be better at. It was just lovely. I really loved this romance.

Ben

I'm going to continue behind Shan and continue praising Off Jumpol on this one, because I have not been kind to that man for the last decade. [laughs] He has not always been necessarily my favorite ambassador for BL. He's come a long way. This is definitely his best BL role. 

I'm making a Venn diagram after we're done with this recording, and it's just going to be Patts from La Pluie and Ten from Cooking Crush, because these characters have a lot of great crossover traits I really like. They're really kind with their partner and their friends, but… they have a temper, and it comes out with people they don't like. Off is funny, but also he's really good at playing… kind of pissy characters, and I'm really glad that they were like, ‘we gotta have Off be pissy with somebody. Let's make the correct choice for once, and not make it Gun that he's gonna be pissy with.’

Shan

[laughs] The crucial change!

Ben

Let's make him be pissy with his dad!

Shan

Mhm.

Ben

An excellent choice. And why is he pissy with his dad? Because his dad's a doctor. He didn't save his mom. That's a fairly valid reason to be pissy with someone about. And I think it works in terms of the family dynamics they go into. The dad's not going to tell his son that he's hurting because he feels like he failed to save his wife, the only woman he says he'll ever marry. He clearly cares about his son, because despite the way his son’s always talking out his fucking ass at him, he's not really punished him in any way. Despite the fact that Ten is clearly upset about the mom, and the dad in relation to that.

Shan

Yeah! Ten’s scenes with his dad were intense, and he was not being respectful and backing down in those scenes, ever. In this finale, he, like, took a power pose across the table from his dad, sat down at the other end of the table, planted himself firmly, and was like, ‘this is my boyfriend, and you are gonna fucking deal with it.’ I love that shit!

Ben

This is what I mean with the implied writing, because the way the stepmom is playing, she is way too familiar. It's very clear she's meant to be read as younger…

Shan

Mm-hmm.

Ben

And is trying to figure out what line she's supposed to take between being the partner of an older man, but also being closer in age to the kids. And like they mirror the positioning, she's sitting next to the dad, at the same position that Prem is sitting next to Ten. And there's this whole, ‘you brought this woman here. I wasn't consulted. This is my boyfriend. You're not getting consulted.’ And so I think the conflict between Ten and his dad is really great. Off needs to have, like, hostile conflict with other characters, because that's what we want to get out of him as an actor [laughs], directed in useful ways at his dad and at Chang Ma, and not at Gun's character, which is usually the problem I have with them in their shows.

00:32:08 - CC: Final Comments and Ratings

Ben

I was really glad to get a solid romcom out of OffGun. They also gave us some really ridiculous hilarity moments, like, they got that shot with their hands in the oven glove, twice? [Shan laughs] Unhinged. Holy shit.!

Shan

The interior oven glove shot? Amaaaazing. 

NiNi

Off getting hit in the face with Chinese kale? Not something I ever knew that I needed, but oh my god, I needed it.

Shan

Ten—he’s a big-ass goofball, which we saw with his fantasy sequences! Every time they were having cooking lessons, he was having fantasies in his head about Prem and various food items. [laughs] And they were the wackiest shit. Listen, I wish GMMTV would stop playing these games, but there was a YouTube version that had a lot of scenes cut from it and a WeTV version that had the full scenes. A lot of these food fantasies got cut from the YouTube version, but these sequences just really let you into Ten’s head, how wild and weird he was getting in there, and I just loved seeing that aspect of his character.

NiNi

It was a lot of fun. I have some dings, I have some critiques. The final episode went a little bit flat. They did round out and complete every single arc, except maybe one. But it did feel a little pat at the end? And out of left field, Pang and Samsee getting together in the end of the final episode.

[all laugh]

Shan

That was quite a choice—I was shipping Metha and Samsee for the whole show.

Ben

I was—

Shan

I was kind of disappointed.

Ben

I was disappointed.

Shan

I didn’t expect to actually get Metha and Samsee, but I kind of hoped that they would have left the door open for it. Firmly closing that door with having him get together with Pang at the last episode? I didn't hate it, but I didn't love it either.

NiNi

It was a choice. But. It did kiiind of work, and the only reason that it kind of worked is because of my first nominee of the year for the Mark Pakin 6th Man award, and that is Dome Jaruwat.

Shan

Mmm! Dome was great.

NiNi

Dome is a great supporting actor.

Ben

You wanna know how good Dome is? I've been half joking about rewatching Until We Meet Again since we started doing this show. I haven't actually started until recently, because watching Dome every week reminded me that he sang on the Until We Meet Again soundtrack. And I had to go back and start watching the show.

NiNi

Yeah, cause Dome is primarily a musician, you do forget, but he is actually a very good supporting actor. When he shows up, I am always delighted anew by how good he is.

Shan

I've seen other shows that had him in it, but this is the first one where I really sat up and paid attention to him. He was fantastic as Samsee. And he got some real shit to do. One of the big conflicts in the final run of the show was about the way that these new romances were affecting the friendships. Dynamite and Prem were paying attention to their boyfriends, they were blowing Samsee off, they were missing cooking practice, and he was feeling some kind of way about it. He was kind of feeling a little bit abandoned. And it was just awesome that the show actually took that seriously, not just in letting Samsee express his feelings and get mad and have the other characters take that seriously and care? But they actually very deliberately, in the narrative, prioritized the friendship reunion and makeup scene over Ten and Prem getting together and making their relationship official. They had Ten approach with the intention of asking Prem to be his boyfriend, and stop and see that they were repairing their friendship in that moment, and back off and walk away.

Ben

It felt really important for BL, because BL friends are so ridiculous. BL friends are basically shippers half the time. Like, if they see, like, one of the boys is possibly getting with another boy that becomes the only thing that that character cares about.

Shan

Everyone's a fujoshi.

Ben

I like that that wasn't the case here! I like that Samsee had genuine beef with his friends deprioritizing him, when they were in the midst of something really important to them as a group that they've been working towards for a long time. Like, are you all fucking up our big project for dick? Come on!

Shan

This show really let its side characters shine. It was a really good showcase for a couple of actors: I think Dome and Aungpao, in particular…. Tum also got great stuff, Neo got to do great stuff… We haven't even mentioned Prem's grandma, who was also awesome.

Ben

She was great.

NiNi

Amazing. She was so good.

Shan

Fantastic, no nonsense, cut the bullshit, but at the same time, very loving and supportive. She was awesome. I loved her.

Ben

There's a little bit of a dropped bit that happens in episode 11, that I kind of wish the show hadn't cut out as much. Fire and Dynamite go back to Fire’s place and the mom comes out of Fire’s room in this very weird jumpscare, and Fire has the closet panic and ends up kicking Dynamite away from him. And he kicks Dynamite hard enough that he goes flying across the room and gets hurt a bit. And I kind of wish they had followed up on that scene. Because… I feel like Fire, recognizing that he actually hurt Dynamite is probably one of those things that tilts him on to the other end of ‘I'm going to come out now.’ And I kind of wish the show had followed up on that properly and let us see Fire make the decision.

Shan

Yeah, I do wish that the pacing of the Fire and Dynamite plot had been a little different in the final episodes? I think that it ended up feeling a little bit rushed at the end, and I think that was just about the timing of the beats. If a couple things had shifted back a little bit, I think it would have worked. As it was, it kind of all got shoved into the finale, and so it felt a little too quick, a little too easy. I like where it landed… like NiNi said earlier, the way that all of these story arcs ended felt correct and felt right. They rounded everything out. It's just that some of the beats in the final stretch got kind of weirdly compressed.

Ben

It was a little bit frustrating for me because Dynamite and Ten are both very forward and overt pursuers of their romantic interests, and I kind of wish that the two couples’ romantic pacing had been better aligned across the show.

NiNi

And again, that goes to the editing. It's a good show, it's incredibly well written and incredibly well acted, but I think that the direction and the editing let it down a little bit, and that's why for me, it got an 8.5.

Shan

I gave it a 9. The show was such a positive experience. I was so excited every Sunday morning to watch it, it was such a great way to start my rest day, to like, have a good vibe to take me through my Sunday. The writing was so strong, and that's the thing that I tend to care most about in shows. If the writing is strong, if the characters feel right to me? That is what I prize most in a show. The editing, the directing, definitely had some flaws. There are some things that I would change, but the most important parts of the show held up really well for me and I definitely will be returning to it often.

Ben

I think I'm going with a 9 because they got the gay portions of the show right, and I really liked the character drama of this. All the big moments for the characters in this show land correctly for me. This show held together the whole way through. And that's kind of what's good about the writing. Like when you're noticing editing issues in a show, it's because you're following the writing, and you see the editing stumbling to try and not let it down. I think the character writing is really strong and holds together for the whole show. I think the conflict writing that comes out of who these characters are is really good, and I just really like the way these characters work together. When I see these folks together in the ‘It's been years later! Let's go to Prem’s restaurant!’ it doesn't feel like a ridiculous impossibility.

Shan

I loved that flash forward. I love a time skip when it's used to tell us that everything is still good in the future, after all the conflicts have been solved in the present. I hate a time skip when it skips over conflict, but once all the conflicts are solved, yes! Take me to the happy epilogue. I love that shit.

NiNi

So that's a 9 for Cooking Crush from The Conversation.

Ben

It's a good show, it's an easy recommend.

Shan

Thank you for coming back, Off and Gun, and thank you for sticking around for The Trainee in 2024. We look forward to seeing you again.

00:41:14 - Cherry Magic: Beating Expectations and Simping for Tay Tawan

NiNi

OK, so moving on, and it's time for us to talk about Cherry Magic Thailand! Now, I am not so big an original Cherry Magic girlie as a lot of other people. I enjoyed it, I had a great time with it, but I'm not a stan of the original Cherry Magic live action from Japan, in the way that some other people are. 

Ben

I was!

NiNi

[laughs] Let's see. So, go ahead and lead us in. What is Cherry Magic Thailand about? And maybe you could talk a little bit about the original Cherry Magic as well.

Ben

Cherry Magic is about a young man, in this case named Achi, who is a low-ranking member at some sort of large corporation, who at the age of 30, because he's a virgin, gains telepathic powers. When he touches someone and makes any sort of physical contact with them, he can sort of hear their current internal monologue and what might be going on with him. He learns fairly soon after getting his powers that the hotshot salesperson in his company has been nursing a long-time crush on him, and complications ensue. There's also a very great supporting cast, which also in one portion features the same power.

NiNi

So this is an adaptation of an adaptation, or an adaptation of an original that was also adapted in another way… like [laughs] it's a little confusing. So this is originally a manga. The manga was adapted to Japanese live action. The manga has now also been adapted to a Thai live action, and then there's a third adaptation currently ongoing, which is a Japanese anime version. So there are three adaptations of this manga. We're going to talk about the Thai version in the most detail here, but I think we're going to come maybe to a couple of things to be said about the Japanese live action and the anime version. 

Shan, what were your overall initial thoughts when you heard Thailand's gonna adapt Cherry Magic and it's going to be done by GMMTV?

Shan

I was so skeptical. I am a TayNew girlie, I love them. I loved Dark Blue Kiss back in the day, so I was really excited to see Tay and New doing BL together again — I was not at all excited to see them doing Cherry Magic [laughs] when I first heard about it. I did have an affinity for the original Japanese live action. I don't think it's a perfect show, I have my own notes on it, but I did enjoy it a lot, I thought it was really well done. And I was just unsure of why GMMTV and Thailand needed to do their own version. 

That said, I was also hoping that if Thailand was going to do this, that the main purpose would be to address the biggest shortcoming of the Japanese live action, which is that in this narrative about a virgin who acquires magical powers, and then falls in love and then loses those magical powers via having sex with the person he's in love with, there was no sex! There wasn't even a kiss on screen! That was a huge flaw of that version that I hoped to see Thailand correct. And honestly, what I thought was going to be the main thing they could bring to the table in tackling this adaptation, was kind of finishing that narrative in a more sex-positive way that Thailand is kind of known for that Japan doesn't always do, particularly when they're doing their lighter BLs.

NiNi

Ben, what about you? When you heard about this adaptation, what were your thoughts?

Ben

Opposition. I was deeply opposed to this. [everyone laughs] I was not keen on a Thai attempt at this. I was kind of curious about what Thai humor would look like for this, and I was interested in the adaptation because I don't know what corporate culture in Thailand was like. So I thought that there was a real opportunity there. I was interested in a TayNew comeback, particularly because Tay hadn't really lost a step—even when he was doing other work—and I thought Newwie had gotten a lot better. And so I was excited about the two of them getting back together, and I thought that they were the best choice at GMMTV if GMMTV was going to do this. But I was not looking forward to it. 

How about you, NiNi? Did you have any initial feelings or concerns about it?

NiNi

I had no intention of watching this. [laughs] I was gonna give it a pass. I love Tay Tawan—I'm just gonna spend a few seconds here being a simp. That man is gorgeous.

Shan

He's so beautiful.

NiNi

He is so beautiful. And he is such a good actor. The first thing I ever saw Tay Tawan in was 3 Will Be Free, and I literally remember thinking, who is that? I think I might have said it out loud. Since then I have been a devotee. He can do no wrong as far as I'm concerned. Tay Tawan is everything to me. 

I have not been a big fan of Newwie. When I watched the parts of the Kiss series that I watched, loved Tay, was into Tay, Newwie I wasn't really feeling. I came around on Newwie a little bit last year after watching him in The Warp Effect—I thought he did really well there. And so I was not as down on him as before, but I still didn't feel like Cherry Magic was a story that I was interested in seeing Thailand adapt necessarily? 

A, it felt like an incredibly Japanese type of story and B, the director, X Nuttapong, is not one of my favourites. I do not tend to like his work. X did Vice Versa, Theory of Love, neither of those are my favorites. So I was saying, ‘OK, I'm only now kind of starting to feel like Newwie could maybe do something. I don't really like X’s work. I think I'm going to give this a pass.’ And I did give it a pass initially [laughs]. And then all of you started watching it and getting incredibly excited about it. Somewhere near maybe episode 10, I was like, ‘ahh! Fine!’ and started watching it. And I'm glad that I did!

Ben

So Shan, since you are the TayNew girlie—I don't remember their fans are called—of The Conversation—

NiNi

Polcas, they're polcas! How do I know that? I don't know.

Shan

Yeah, I don't know what polca means, but that's what they're called. I do not identify as a polca, ‘cause I hate the name. But I do love TayNew.

Ben

Why don't you break down why this was such an excellent viewing experience for us?

Shan

I mean, you heard all that skepticism that we were all bringing to the table, right? And this show, just, like, blew us all out of the water. It was such a good adaptation, it was so impressive. There's a lot of reasons for that, and we'll get into all the things that this production did well, but right at the core of it, the most important thing, is that Tay and New just killed it in these roles. They were just absolutely perfect as Karan and Achi. 

If you're familiar with the story of Cherry Magic, you know that Karan, or Kurosawa in the Japanese version,  is meant to be this kind of otherworldly perfect man, like he's excellent at his job. He's kind to everybody. He's beautiful. His very presence is just intimidating, because he seems too perfect to be real. And of course, he's not actually perfect, he's a human being. But that's kind of the image that he has. And so Tay Tawan [laughs] honestly, is a perfect casting choice for that role.

NiNi

No notes, no notes whatsoever.

Shan

Right? That man is beautiful. Every single time he is on screen in this show, I just got to get a hold of myself, and it's difficult every single time. Seeing that man and his beauty properly appreciated by the camera, wardrobe working, hair working, everything working for him… it was just such a good role for him. Not only on the looks either, but on his performance! 

He really nailed the inherent kindness of Karan, but also the inherent loser goofiness of him, which is the part of him that you don't see on the surface, and that's the secret. He seems like this cool, suave guy, but he's actually a total simp. He's super in love with Achi, and real fuckin nerdy about it. I think Tay Tawan was really able to… balance those aspects of him so well, so that they came together believably as one person. 

And then New as Achi, I think brought a really interesting dimension, because in some versions I think that character can feel a little bit self-contained, to the exclusion of being able to empathize with others. And Achi didn't feel like that. He felt like someone who had self esteem issues, he felt like someone who was intimidated by others and wasn't always sure what he could bring to the table, but who was interested in other people, and kind, and really wanted to learn how to communicate better with others. 

I thought they both did such a great job, both as their individual characters, and then together. We already knew they had awesome chemistry, but they really brought their A game to this show in terms of developing a believable chemistry between these two characters. We got to really see, over the course of the show, Achi's awareness of his attraction to Karan build, and his feelings genuinely grow, from kind of liking him in kind of a generic way, to actually getting to know him as a real person, taking him off that idol pedestal he'd had him on in his mind, and falling in love with him genuinely, and learning how to return his affection and develop a mutual relationship together. 

This Thai version really hit all of those really important landmarks in a romantic relationship, including the physical intimacy, with perfect pacing, such genuine emotion… they just really, really sold it. They did such a good job with this show, and I'm just so happy to eat my words and to have all my skepticism proven wrong. They did awesome.

Ben

I think you're right about Tay Tawan being a good choice, ‘cause Kurosawa slash Karan is… eminently charming in a really accessible way. The big part that works for him as a character is the fact that he's such a fuckin dork! And Tay Tawan is a dork. [laughs] That is a… important piece of his public persona, that he's really charming in a way that's not always intentional on his part? It's funny when it is intentional, and it's hilarious when he trips over himself because he's like, wait, did I just do that? It's great. It works really well here. Tay Tawan.

Shan

What a man.

Ben

I say like, these boys are beautiful, like every week, but he really is gorgeous. He's just absolutely stunning to look at all the time and he is just so delightful as Karan. This is probably my favorite role for Tay. I don't think, like, it's Tay’s best work, but I think it's my favorite role for him.

NiNi

I understand exactly what you mean, because I think that his best role is Shin from 3 Will Be Free, but in terms of like a great just nailed-on role for him? It's exactly like you said: he's gorgeous and the camera loves him. And so every time the camera turns on him and shows you Achi looking at Karan, and the camera is Achi in that moment—he takes your breath away! 

When Karan goes to see Achi during Songkran and he has to basically wash himself, there's a slow-motion thing when he starts throwing the water on his face, and I just kind of literally was watching that with my chin in my palm, and just like, wowwww, full zone-out moment. The camera loves that man. And it spent so much time on letting us see how gorgeous Karan is, but especially how gorgeous he is to Achi. I thought there was some really clever camera work and it was a good use of Tay’s good looks.

00:54:13 - CM: Relationship Development and the Powers

Ben

Speaking of Tay Tawan being a dork and being perfectly selected for this: at the end of episode 3, when they are returning from the company trip, and [laughs] Achi falls asleep and ends up leaning on Karan and wakes up because Karan starts screaming in his head—

NiNi

[laughs] Screaming internally, that's so funny.

Shan

That was so perfect. There has never been a more perfect moment on television. I don't care.

NiNi

It was amazing. It was incredible. It was delightful. It was fantastic. I can't even describe it well. Like you just have to see it.

Shan

It's the way that he keeps his face so controlled…

Ben

But like you can see like his mouth opens slightly, his eyes widen a little bit.

Shan

His eyes are screaming, while his face— 

Ben

Ahhh!

Shan

And then you see the “AAAAHHH” Like on the subtitle, which is perrrrfect perfect perfect. They did so well. They had so much fun with the mind reading jokes, and there were so many of them.

Ben

There were, they got a lot of traction out of it, it was great. Like, even after that moment ends and he wakes up Achi, Achi leans against him again, and he's like, ‘I wish I could fight all of Achi’s nightmares.’

[laughs]

Shan

Every time we heard his simp thought it was so perfect, it was always something so cheesy, or he's having a fantasy about like wiping Achi's nose or something, or like dreaming of their future together. Or he's singing a love song off-key in his own head. It's just so good! [laughs]

NiNi

I actually really like the way that the Thai show used the mind reading power. I like the jokes that they made out of it better than the Japanese version.

Ben

I think that's one of the things that they had extra time for, and I think they calibrated the humor for the Thai approach really well.

NiNi

Just simple things like, after Achi tells Karan about the mind reading power and Karan decides to use it to A) get Achi to move in with him, and B) once Achi has moved in with him to quote-unquote “test” the mind reading power at every potential opportunity by saying, ‘can you hear me now? Can you hear me now?’ And just like touching him randomly… [laughs] He touched his ankle and I was just like, oh my god, ok, this is ridiculous.

Shan

My favorite—he stuck out his elbow. He stuck out his elbow like a huge dork, leaning on his shoulder. And he was like, ‘can you hear me? Can you hear me?’ It's like, it was just so charming!

Ben

My favorite thing about Karan is he was never embarrassed about how deeply attracted to Achi he was. There was a toothpaste moment, where he started having a fantasy and Achi was like ‘oh my god, bro, please step back,’ and he's like, ‘wait, you see those things, too? So you saw… oh! ok.’ And then he walked away giggling to himself.

Shan

He just thinks it's funny. Actually that is an under-discussed, really cool thing that this adaptation did. Once Achi confesses to Karan that he's been able to hear him the whole time, Karan doesn't get upset. He actually thinks it's awesome. Because to him it's so meaningful to know that this whole time, Achi has known how he feels, and Achi has decided to be around him, he's OK with it. Karan, he’s someone who seems very confident on the surface, but he's very insecure about his feelings for Achi, because he doesn't think that they're returned, and he's always very worried about whether or not he's being a burden to Achi with his feelings, whether or not he's pushing something on him that he doesn't want, he's very conscious of that and respectful of boundaries.

Ben

It's an excellent gay choice.

Shan

Right? And so for him to learn that Achi has known the whole time how he feels and has been comfortable being around him anyway actually really made him happy. He was delighted to know that he didn't have to hide himself in that way.

Ben

Achi called that out, too. He's like, ‘why is the real beneficiary of my powers Karan and not me?’ That's actually a source material joke that they brought over really well. Kurosawa learns about the powers and starts actively flirting with Achi at work. And he's like, ‘why is he better at using my powers than me?’

NiNi

As much as we love the use of the powers, I actually want to talk about the moments that he chooses not to use his powers and instead to, for example, use his words. Because part of this story is about Achi coming more into himself and learning to be bolder and to be more open with himself and his feelings. And I really enjoyed that story happening alongside the powers. One of the things I found in the Japanese version was that Adachi really, I felt, leaned on his powers perhaps a little too much, in his relationship with Kurosawa? Achi, in this version uses his powers more sparingly, and also more accidentally? Whereas in the Japanese version he uses them more deliberately.

Shan

I thought they were so intentional about it. Achi confesses earlier about having the powers in the story. He expresses clearly to Karan his fears, about how their relationship will stay intact when he doesn't have that crutch to lean on. They talk about it directly. They do their really silly practice long-distance thing because Achi's feeling so nervous about whether they'll be able to maintain their communication while they're apart and he can't touch Karan to hear what he's thinking. 

Like you said NiNi, in some really crucial moments in the later stages of their relationship development, he's not using his powers, and he doesn't even think to, because he has grown to be so comfortable with communicating with Karan, using his words and listening to Karan and trusting what he's saying. We saw that evolve over time, so that in the end, when they finally decided to have sex, it really wasn't about the powers at all. That had already been resolved and they were already on really solid footing, Achi wasn't even using them anymore in that way. I like that they did it that way, that they separated those things a little bit. They had sex when they were ready to have sex and it wasn't related to wanting to get rid of the powers; the powers were not a barrier for them.

NiNi

I really liked how they went about the whole progression of their physical intimacy.

Shan

I think it felt…really right. I felt like I could trust this show to address it in a way that not only tied off the plot of the story and the narrative, which was rooted in sex or lack thereof, but also to make sure that it felt emotionally authentic to where the characters were, that any moment of intimacy between them was building their relationship development arc. And they pulled that off so beautifully.

Ben

They have their first kiss in a way I think is really satisfying, because Achi initiates it. Which I think is an excellent choice for Achi compared to Adachi.

Shan

And it felt very earned because their relationship was already so deep at that point, and you felt like Achi was ready for it. And of course, the build to them deciding to have sex for the first time. I like the way that that played around their temporary separation. Achi went away, and they hadn't gotten there yet in their relationship—not because of any big reason, it's just the natural progression, hasn't happened yet. And I like that when Karan went to visit him, things just felt right, and they progressed. I like that the story never felt like it was artificially holding that up to get to a certain beat. It really felt cathartic to finally see these characters get there in a way that felt so, so correct.

Ben

I thought every moment of intimacy between these characters was really well calibrated for the moment, and that the two actors involved understood what they were trying to accomplish in the scene. It was really nice to see two actors with experience, who trust each other, really deliver good emotional and intimate scene work, and that is supported by even all of the non-kissing they do between their characters. Just overall, I really, truly enjoyed watching Tay and New work together with these characters.

01:02:15 - CM: Other Characters

NiNi

Let's talk a little bit about the characters outside of Karan and Achi. I really enjoyed the way that these particular versions of the side characters were done. I particularly enjoyed Pai and Dujdao from the office. Dujdao is me, I am Dujdao. She is my fave. She is the one, I love her. Pai in this version is Fujisaki in the Japanese version, and then you've got Rock who is Rokkaku, you've got Min who is Minato, and you've got Jinta who is Tsuge. 

I really liked the way that this adaptation played with those characters, and I like how they intersected with the Karan and Achi story. I always like to see the wider world of these characters and the friends and family that they have, and how their relationship fits into their relationships with their friends and their family. Watching, particularly the little office family that formed with Dujdao and Pai and Rock, and then the friendship between Achi and Jinta, which I felt a lot more strongly about in this version than I did about the friendship between Tsuge and Adachi—it's a different kind of relationship. And I personally enjoyed Achi and Jinta’s relationship a little more than I did Tsuge and Adachi’s.

Shan

I really, really loved Min and Jinta in this story. I thought those actors did a great job with these characters, I felt like they fit in really well into the narrative. Jinta and Min in their own romance, as well as Jinta's friendship with Achi—both of those threads that they were carrying complemented the main story so well: supported the themes, helped move the plot along, they were just really well integrated into this story. 

Jinta is a great character: he’s awkward and kind of introverted and weird, because he spends a lot of time alone, but he's also a kind person, and he has a generous spirit, and I think that all of that came through really well. I loved that he and Achi kind of came into their powers in parallel and then worked together to figure out how to use them and what they meant. They got a lot of good additional mind reading jokes and humor out of Jinta, both in his scenes with Achi, where they would slyly touch each other and then have mind conversations, which eventually Karan caught on to, and that was also hilarious [laughs]. 

With Min and Jinta, I liked how much in this version that was about Min figuring out what he wanted to do with his life, whether or not he should continue to pursue his passion of dancing, and through his relationship with Jinta, getting encouragement, finding new confidence, and figuring out how to do that in a way that he felt like he could make a living from. And I thought that nicely supported the themes that were going on with Achi and Karan, also learning to communicate with each other and care for each other and support each other through new opportunities. 

This show also did something really interesting with Pai and Rock. One of the big reservations when this adaptation was announced was that in the Japanese live action, Fujisaki was an aro-ace woman. She explicitly identified that way, it was plotline of the show. And I just knew that in Thailand, they were gonna put the same character in a romantic relationship, cause Thailand loves side couples and they just can't let anybody end the show single, even people who are supposed to be single [laughs] according to their identities. And so I was dreading that, honestly, I was like, ‘they're gonna have Pai get into a romance with Rock, I'm gonna hate it.’ 

But you know what? I didn’t hate it. The way that they got them together in the end was really sensitive, I think, to the fandom that they were clearly aware was out there hoping to see this character retain some of that aro-ace rep that was so meaningful to people in the Japanese live action. So I thought they were really respectful of it, I thought they did a great job with it. I think even though they got together in the end, there's still a very clear aro-ace read on Pai, and I like them together. Their scenes were fun, they have a good easy chemistry and charm, even if it doesn't feel particularly sexually charged. 

And I thought that Rock and Pai were both as well, great supporting characters in the narrative. Their connection supported the story when it needed to. All of these side characters came together really well in a way that never distracted from, and always bolstered the main narrative, which is the most important thing to me for side characters.

NiNi

When Sing Harit picks up Tay Tawan and runs off with him while he wais at the client —

Shan

[laughs] It was perfect!

NiNi

[laughs] He literally just picked him up off the ground and just runs away!

Shan

He was so good in this role, he was perfect.

Ben

I'm glad we get to keep Sing. I've been watching that man for nine years.

Shan

He always brings something great to every show he's in.

Ben

So, I am a fan of original Cherry Magic adaptation Tsuge and Minato. I like how extra Tsuge is. Asaka Kodai: I like the way he played Tsuge. I like how he focused on how weird Tsuge is, and how passionate he is about things. I like Jinta as a take on that character…I appreciate why people like him more. I don't think I like him more? But I like them both specifically. 

I like the Tsuge character, and I like how in the three versions of him I've seen adapted now, each adaptation has approached him. I genuinely enjoyed the version of Tsuge and Minato we got in Jinta and Min. I really liked the way they played together. I don't necessarily think Mark succeeded at all of Min, but I really like the way he and Junior work together. 

I like Rock in this version because Rokkaku is an aggravating character, intentionally, in the Cherry Magic story. He is far less annoying in this version than he is in Japanese versions of this character. 

I liked Pai in this one, I like the corrective fujoshi behavior that they were doing with her. I was worried at first when they leaned into the fact that Fujisaki is a shipper who has been shipping Adachi and Kurosawa for a very long time [laughs]. I like the way the Thai show ends up using that. I like the presentation of her as, ‘you can help your ship when they need to overcome an obstacle, but their moments don't belong to you.’ I loved her, genuinely. And I liked — what was her name? The manager's character?

NiNi

How could you forget my girl Dujdao?

Ben

I really liked the way they made the office manager kind of like a…auntie figure to a lot of them.

NiNi

I love how Achi accidentally brushes against her, and hears her positive thoughts about him. Because that's not a moment that they had to put in there. But I thought that it was really nice and important that Achi got to hear how much she truly cares about him.

Shan

We didn't mention the other coworkers who came at the very end of the story, when Achi traveled, but there was a whole new crew of colleagues that he got to meet on his one-month assignment at another branch. They started that episode with a little bit of anxiety around, you know, are they gonna be mean to Achi? Are they gonna pick on him? Do they think he's a snooty city person? Are they going to be homophobic? 

I love that they just turned out to be like, a good group of dudes who were pretty good at their job, needed a little help getting set up, and once Achi proved that he was there to help them and he was competent, they completely accepted him and they were lovely to him. The show is just like—everybody was trying their best all the way through and I really like that. With one exception.

NiNi

Let's talk about that exception now, let's talk about the dreaded episode 8.

Shan

Dreaded is the right phrase.

Ben

My thing is, if you're going to add to Cherry Magic, why would you add workplace sexual assault? Why would you make the boss worse? The boss is really good prior to episode 8 and he's really good after episode 8. I don't understand why in episode 8 they would have him put some sort of bullshit ‘employees can't date each other’ rule into play, and be like, ‘Alright gays: if you can prove that you are economically viable to me by hitting an unrealistic sales target and whoring yourselves out to shitty clients, maybe then I will consider letting you two homos date each other.’ 

I hated that. I hated that Karan felt like he had to go face her again, I hated that the boss knew it, and sat with Achi to be like, ‘how do you feel about that, bro?’ And then there's like, this whole sequence where she further tries to embarrass him, but then the boss decides to be like, ‘No, I have morals.’ Where were they 40 minutes ago? I just did not like the inclusion of any of that. 

It sucked too, because it was a holding pattern episode for Achi and Karan and the crew around them. Nobody really grew as a result of the events that happened there, and it just made me really resent the boss as a character. After that episode, he has a completely reasonable professional response to Achi clearly being frustrated with his role at the company. Achi, who—Karan has shown him through the course of the season—is actually a really good and really valuable employee whose efforts have gone maybe unnoticed, but that's because he's shy. And so when he recognizes that Achi is struggling professionally and wants to maybe do more, he gives him a very reasonable opportunity. Has very reasonable expectations about it, does not withhold how difficult the position may be, and has a reasonable expectation for Achi to make a decision about it. 

It was really frustrating for me to try and reconcile that version of a fairly sensible boss, who is trying to give an employee an opportunity to succeed professionally, with the guy who we got in episode 8.

Shan

It felt wrong, it didn't feel like it was of a piece with the rest of the story. We found out pretty quickly that it was not from the source material, and it was an original episode that they've decided to write because they think they needed to fill a little bit of time. It's the one blemish on the show which was otherwise so wonderful, and so it just kind of sucks that they made this choice and tarnished things a little bit by doing such an ugly extra subplot, that just wasn't needed and didn't do anything for the story.

NiNi

In the end, I'm glad it was just a subplot. And it is, to my mind, pretty easily excisable.

Ben

We just deleted the episode. Boop!

Shan

Just pretended it didn't happen and carried on, and that worked great for me personally. [Shan and Ben laugh]

01:13:51 - CM: Ratings

Ben

I will say at this point, before we get to rating that this is now my default Cherry Magic version.

Shan

Same.

Ben

I think the Thai show feels complete in a way that the Japanese experience didn't. And that's…honestly, for me, reinforced by the anime that's running simultaneously right now. What I am enjoying with the two active adaptations right now is the very different approaches to the characters. 

Karan is really sensitive to Achi and Achi is really sensitive to him in a way that I find really useful in the story, but there's a chippiness to the Japanese anime version of these characters. They are not as emotionally intelligent, they have a temper about them, there's a little bit of selfishness. Like, I think Adachi’s kind of a dick in this one, he complains about people being irritating normies a lot in a way that I find very amusing. And Kurosawa’s far more possessive—internally, he doesn't express it externally that often—in a way that I find lands more correctly for him, in comparison to maybe the way Keita Machida played Kurosawa and the way they presented him. 

I really like the Thai localization of the Cherry Magic story here, and I think it exists very peacefully alongside the current Japanese anime version and the source material, and I think it sits favorably against the original Japanese version. 

The intent of the powers to enable greater empathy and better communication between people lands far more consistently in the Thai version. I am really, truly glad that they actually did this and did a good job with it. We did not have high hopes for this motherfucker when they told us about it, and this ended up being one of the most pleasant experiences we've had in genre in a really long time.

NiNi

So, ratings. Shan, you go first: what's your rating for Cherry Magic Thailand?

Shan

I gave this show a 9.5. Could have been a 10 if not for that episode 8, but episode 8 exists, unfortunately, so it's a 9.5 for me. I found it to be such a good time, such a well-executed story. I think it was a masterful adaptation. It did such a good job taking this Japanese story and translating it into something that felt of a piece with Thai culture. The performances were excellent. The whole production was great. I loved how thoughtful everything was. It was such a good show for me. I wish I could go back to before I watched it, and watch it again and be delighted anew.

NiNi

Ben, how about you?

Ben

Similarly, I gave it a 9.5; I think this was an excellent experience. I think it was really enjoyable week to week, and this is what I want out of my BL TV viewing experience. I got to look forward to it every week, and I walked away from it satisfied. One of my favorite TV experiences is when a show is really good, without me instantly yearning for more. I had a really great anticipation of it when a Saturday morning rolled around, and I felt really good for the rest of the Saturday after watching it, and I didn't feel like I was missing something all week because it wasn't on. It was something that I really looked forward to on Saturdays. That is the ideal TV show experience, for me. And I don’t get to have that very often. I really, truly appreciate it that this show was one of the better or best week-to-week viewing experiences I've had for years. 

9.5 for episode 8.

NiNi

I scored the show a 9.75.

Ben

Oh my god.

Shan

[laughs] Wait, are we allowed to do .25?

Ben

We're not. She can do it, though. [laughs]

Shan

She’s cheating!

NiNi

I am calling producer privilege to give it a 9.75! No, but the subplot in episode 8 really is a ding, but also I really loved this show. The ding had to be dinged, but I will find it very easy to excise that subplot from my memory of the show and move on. Also, I didn't have to sit in it for a week like you guys did because I was binging it, so it's easier for me, I think, to just kind of be like, pfft! Over that.

Ben

Let me tell you, that was a difficult week for us.

Shan

It was a bad week. We were scared.

Ben

We have been in this position with Thai BL where things are going great, and then episode 8 rolls around and like, oh, here we go. That was not a great week with this show’s experience. We were not really anticipating—we were hoping it wouldn't be shit, picking up with the cliffhanger of Achi revealing his powers to Karan. That was a good choice, that allowed us to focus on the future, not the past.

NiNi

And then you were immediately rewarded in episode 9 with the kiss!

Shan

Sure were!

Ben

And then they reminded me of the boss's bullshit in the finale. He's like, I'm throwing away my stupid policy. I'm like, ‘why would you bring that back up?’

Shan

Don’t bring it up! We’re trying to pretend it didn't happen!

Ben

I had just forgiven you, you motherfucker. Shut the fuck up. [all laugh]

NiNi

All right. All right. [laughs] OK, so 9.5, 9.5, 9.75 fine, it gets a 9.5 from The Conversation.

Ben

We highly recommend it! It is a good viewing experience.

Shan

Everyone should watch it. 

NiNi

Fantastic show.

01:19:34 - The Pillars: Overall Thoughts

NiNi

OK, so we've just spent the last — I don't know how much time this is going to be edited—

Ben

It's going to be a long edit for you, that's for damn sure. [laughs]

NiNi

We have just spent the last maybe two-ish hours talking about our OGs, and the stuff that they've been in this year. OG to new G, so to speak. Let's talk a little bit about the pillars, about the experience of watching these people do what they know how to do really well at this point. Shan, what's your experience been like?

Shan

It was so lovely for me. I am an OffGun and a TayNew girlie. I have been a fan, I love those pairs. I am not a big fan of the branded pair system, to say the least—I think that it can be really damaging sometimes in the Thai media landscape, but I think that these two pairs have worked together for a really long time and they've figured out what works well for them. And they have also gone off and done other things, they don't only work together making BLs. All of these four actors have very full careers. And so I'm very happy that they were able to bring them back and pair them with such great projects. 

Candidly, these are my two favorite Thai shows of this entire season. They knew what they were about, they executed them really well, and they used the pairs at the center of them to all the best of their abilities and their strength. I'm glad to see that they're planning to continue to work together. Both TayNew and OffGun have announced their next projects already for 2024, and I'm excited to see more adult BL from these guys.

Ben

To be clear, we are not certain that Peaceful Property or whatever it's going to be called is actually going to be a BL.

Shan

I don't need them to make out to enjoy their presence together, so I'll be happy either way.

NiNi

I don't care if it's a BL—I would prefer it to be BL, but Peaceful Property just looks like a good-ass time, so I'm going to enjoy that. I wasn't planning to watch The Trainee, but after Cooking Crush I'm gonna watch The Trainee. I've dialed in to the OffGun of it in this particular direction. I just like Off doing comedy.

Ben

He is good at comedy.

Shan

So good at it

NiNi

I really enjoy it. Not only watch him doing comedy, but watch him doing comedy now. Because he has improved, he has grown, he's really dialed into what he's good at, and he can portray it in a way that I don't think he used to be able to. So, I am looking forward to watching The Trainee definitely. 

News news, apparently the third of our pillars coming back is a possibility? So there are three OG pillars for GMMTV. Like we said, OffGun, TayNew, and the third OG pillar was Krist and Singto. We got word recently that Singto’s coming back to GMMTV? So that's an interesting thing. I don't know necessarily that there's going to be new KristSingto stuff, but…

Shan

Krist has already teased it on social media.

Ben

Krist has teased it, but he said that they won't tell him information because he usually leaks it.

Shan

Right. But he said he wants to do another project with Singto. They've put it out there, maybe as a little bit of a test balloon to see if people are interested in it. So I wouldn't be surprised if we find out next year that they're going to be doing another BL together.

NiNi

I wouldn't be surprised if we find that out in April, when the Part 2 of the GMMTV thing comes out.

Ben

[sigh] OK, I'll talk about this. We need to own that has not been a good run for Singto, for about three to four years now. He hasn't really had a solid win in a while. And I don't know that I want him and Krist back together. This is such a weird choice to make, coming off of Be My Favorite where I was like, ‘OK, Krist, you've grown as a performer. I thought you were used well here, I thought your reputation, whether it be right or wrong was used well here. And I'm willing to put all this aside and move forward.’ 

And now I'm feeling triggered [laughs] by the news that he and Singto will be back together. I'm not necessarily thrilled about it. Like, yeah, we had a lot of skepticism about Cherry Magic, blah, blah, blah, coming into this. And that ended up being fine. But like… [sigh]

Shan

None of my reservations were about the pairs, though. It's all about the material. Here, Krist and Singto don't have good chemistry.

Ben

I don't think they do at all.

Shan

We know that. They did two, three shows together over several years of working together. Did not manage to produce believable chemistry as a pair.

Ben

I'm not keen on it.

NiNi

OK, so here's what I'm gonna say.

Ben

Go ahead, bestie.

NiNi

I have been wrong about all of their recent projects. I haven't watched any really old things or stuff since he left GMMTV, but in terms of Be My Favorite, in terms of Cooking Crush, in terms of Cherry Magic Thailand, I have been wrong. And so I am willing to give any new KristSingto project a shot.

Shan

Oh I'm going to watch it. If they make it, I'm going to watch it. I need to know.

Ben

It's not about whether or not we're going to watch it.

Shan

Yeah.

NiNi

[laughs] They're all like, ‘oh, no, we're watching it! Nobody said we weren't gonna watch it.’ [laughs]

Shan

We will be watching it and we will be having takes! That is what we will be doing. I continue to be skeptical about the two of them being able to generate believable chemistry together. Maybe they could do a show that's not a BL. Maybe they could try that.

Ben

I won't watch that, that's for sure! [Shan laughs]

NiNi

We're talking about OG to new G. Maybe we could do some mix-match merry-go-round with Perth and Chimon.

Shan

I'd be OK with that!

Ben

Oh my god.

NiNi

Get some new pairings out of it.

Ben

There are no more—I—why are we giving Perth and Chimon another ch—Why would you bring them up in this conversation?

NiNi

Mix match merry go round! Mix up the pairs! Maybe they'll work better with other people.

Shan

I think Krist and Singto both need to be paired with strong screen partners who can bring that chemistry piece, because neither of them is particularly good at it on their own, and together it just doesn't happen. I don't know how much of this we should even allow to air. We're going to get shot by their fans.

Ben

I do not care about them. You can be mad.

NiNi

I don’t care [laughs].

Shan

What is their fandom called?

NiNi

It's Peraya.

Shan

Peraya that's right.

NiNi

Peraya ask me how I know. I don't know how. I know. I just pick up these things by osmosis.

Shan

I am not a Peraya. I want this to be very clear.

Ben

I am not either.

NiNi

But like, OK, so we've established that Perth needs a good lead and Chimon needs a good follow, and Krist is, I think, a better follow than a lead, and Singto is a better lead than I think a follow. So maybe they mix them up, maybe they get something good out of it.

Ben

Mm, anyway. So. [laughs]

NiNi

Y'all are mean to my baby Perth and I'm not having it.

Shan

NiNi I appreciate the spirit of this brainstorm. I think it's worth a try [laughs]

Ben

I don't. [laughs]

NiNi

Perth, if you ever listen to this, don't listen to the mean people. It's OK. I love you.

Ben

Look, I love Perth. But it's not been a good year for him. I'm sorry, baby boy.

Shan

I think it's been very cool, though, sincerely, to see the OGs come back around. I like that we're no longer saying [laughs] that BL is a young man's game, you gotta get out when you turn 30. I like that we're letting some of GMMTV's older talent headline these shows and that we're getting some shows about adults. That's all super welcome, and I think it's really nice too, to see pairs like Tay and New and Off and Gun, who are real veterans with handling all of this stuff around making BLs together—handling the BGP, handling all of the fan attention, they do it with a lot of grace and very professionally, in a way that I think is helpful to see a model for for some of the younger pairs. 

I think it's helpful for fans also to be reminded of how they should engage with actors who are doing their job when they're making these shows. GMMTV is going to continue to dominate Thai BL for the foreseeable future, so I think it's good that they're bringing these veterans back and doing good work with them.

Ben

I agree. I think OffGun and TayNew have been on the forefront of the development of Thai BGP for a long time, and it's really good to see them seem confident and comfortable about it at this point. Both of these pairs have had some negative experiences with fan behavior, so. I'm very glad that those two pairs were able to continue working together, continue to make projects together, and in this particular case, deliver two of the most satisfying viewing experiences we've had in the last three to four months. I'm pleased.

Shan

They killed it. Amazing work.

NiNi

I, too, am pleased. I wasn't in the OG thing. I wasn't shooting with y'all in the gym then, but I'm here now and what I saw this time around I truly enjoyed. I'm never going to be a babii. I'm not going to be a a polca. I'm never going to be a peraya. I'm just not a fan like that. I fan, I don't stan, I always say, except for, [laughs] you know, the large ones.

Shan

For a couple exceptions.

NiNi

Except for the bigguns. The pillars thing has always been like the super weird thing for me, and this is the first experience that I've had with it that it wasn't weird and slightly creepy for me, which I truly enjoyed. So yeah, good job, boys. Excellent work, 10 out of 10, no notes. 

So, that is going to wrap us up on our pillars episode: we out! Say bye to the people, Shan.

Shan

Goodbye people.

NiNi

Ben, say bye to the people.

Ben

Peace!

[vamp-luvr999]

Chat. Genuine question Here and no, I am not one.

What’s with the hate on Pro shippers in general? Like Not The ones who Are gross and groom And or Support That Shit.

I mean The ones who don’t bring anyone else into it? Like maybe they’ll do it in private or with a consenting person? Idk, I just don’t get why we can’t let people live… especially if they’re not making their “interests” and sex life Everyone else’s problem.

Oh and don’t assume This is me supporting pro shippers, I think the discourse is complicated and I have no ACTUAL stance. I don’t, however? Support The ones who Are super Open on it Internet Abt it.

Cause man, there are children and people who aren’t consenting seeing ur posts about watching shotacon stuff. Yuck. 😭🙏

If u respond, please give a proper response. Not some weird “kill urself” Response cause i will Troll u or Block u lol.

EDIT : HI! I was half asleep Wording This shit so uh My Bad G. My honest questions is just simply, why do proshippers get hate? This can apply to paraphiles too, including the ones are have “harmless” paraphillias like plushophillia..

[maplebean2003]

I'm like fresh in the marble hornets fandom so maybe I'm missing context but I've seen so many conversations bringing up tim in the last few days that I've even stepped foot here and just wow ...this isn't what I expected from this fandom at all wtf.

Tim from marble hornets is literally not fat in the slightest he's got a average body type wtf is wrong with y'all being so fatphobic and weird in general when someone isn't even in the slightest bit chunky also literally why does it matter anyway plot wise :/ mind ya business,like...he's a real dude playing that character not some anime kawaii man

He probably doesn't need people even having 'discourse' over it when he's literally uncomfortable in general due to y'all sexualizing him as is why do y'all care so much about a person's body it's fucking weird

I don't understand why its bein mentioned in the first place - just leave people alone and be happy they even made something you enjoy/enjoyed,respect people and move on without making it weird dude it's not that fucking hard

And again maybe I'm missing context of some sort and assuming the worst but this has baffled me significantly where I'm genuinely concerned about it cause it's really not cool to be bitching about something that doesn't matter or effect anything or anyone

I've seen the conversations a lot on Twitter as well as here on Tumblr for context so I hope I don't just sound like I'm unhinged lol but I scroll passed anyway cause I don't wanna see it but then more appear and it's like ....okay clearly this is something being talked about currently

Idk maybe I'm butting in and shoving my nose where it doesn't belong as I don't think people are intending to be malicious or at least I hope not but it's...very odd to me to suddenly see especially RIGHT as I enter the door to the fandom ^^" I'm not trying to be a dick or anything it's just kinda appalling is all

I don't mind if people draw him fat to clarify or like skinny ECT I do not give a shit about that lmao do whatever you want its fictional art I just mean when people are specifically targeting Tim's irl actor in the conversation that it's really not cool

Sorry for the rant btw I just kinda wonder if I'm the only one raising an eyebrow at these conversations or if maybe I'm over reacting when it's not that deep or if maybe I have the right to be icked by it and am not alone

I don't have any @'s to tag to show the posts I've been seeing as again I typically scroll passed them as to avoid the algorithm from thinking I want to see more of that conversation

Now I'll probably be stuck seeing it by even posting this lol but meh I just wanna know if I'm tweekin about nothing or if this is weird genuinely

Or if maybe I'm misunderstanding possibly even! Please do be gentle with me in the comments I'm a wuss lmao I don't want to fight I just want to understand wtf is going on and why it's being talked about

Why do I care? Personally it just weirds me out in general to be so focused on someone's body like that is all so of course I am a bit concerned and curious if the fandom is always like this or what

[spirit-praise-and-beauty]

I’m gonna say something controversial

I do not give a flying fuck what you ship. I am not the thought police. I am not trying to repress media, I am not trying to censor anyone by not wanting self-or-otherwise-proclaimed proshippers to interact with me.

What I want is for people so entrenched in ship discourse to stop telling me as a victim I am wrong to be upset and uncomfortable when people bring ships that make me uncomfortable into my space.

Listen. People can do as they will with their free time regarding fictional characters—they are simply objects after all, writers are the people who give them life, they do not think for themselves. But at the same time, I do not like to be reminded of the shit that happened to me.

I am not proship. I am not antiship or whatever either. I do not take part in this discourse. I just do not like being told I am wrong because of my experiences making me averse to certain things, and for whatever reason, some people really like to try to lay on the whole “you should be okay with this actually” narrative extremely thick.

No. I should not. You do not have the right to tell me how to curate my online experience, you do not have the right to remove my autonomy in that way. The moment you start preaching to me about how it’s fine because they’re fictional as an excuse to keep talking at me about something that viscerally upsets me because it reminds me of my own past? You are the villain here.

It’s like any other issue with consent. Tag your shit and drop the subject if someone says “hey please don’t talk about this around me”. Thanks

[torushawty]

BEFORE YOU FOLLOW KARMA’S BLOG!

⌗ dni if you’re a racist, a minor, homophobic, xenophobic, kinkshamer, fatphobic, sexist, cannot sperate fiction from reality, or just an asshole in general. we’re all here to be horny and read.

⌗ minors get an immediate block. please do not interact with me or my works if you aren’t 18 or older. i’m not your parent, so if you want to disrespect people’s boundaries, that’s your problem. i can’t control who views my work, but if i catch you, (a minor) lurking my blog, you’re getting blocked.

⌗ my blog = my rules / act nice and mature. i want my safe space to be safe for anyone else to indulge in at all times.

⌗ anonymous hate gets blocked and ignored. it’s a waste of my time and yours. grow up and take that somewhere else. i’m not gonna let some anonymous person disrespect me on my own personal space. lets act like adults and not wish death on people you don’t know in real life.

⌗ beware of potential manga spoilers on my blog

⌗ do not spam like. spamming 5+ times excessively without a single reblog risks you the chance of getting blocked.

⌗ block this tag: ╰┈➤ 𝓚𝓐𝓡𝐌𝐀 𝒲𝒜𝒯𝐂𝐇𝐄𝓢 𝓙𝓙𝓚. if you don’t want to see me ramble my thoughts + spoilers of jjk s2

⌗ under no circumstances will i allow my work to be: plagiarized, translated, modified, heavily edited, or recommend me onto other platforms. all written works are rightfully owned by kazushawty and/or torushawty

⌗ my wattpad is torushawty + tumblr is kazushawty. ao3 is also kazushawty. i fully claim those users unless it changes. works on any other platform by that user isn’t me. if you see my work anywhere, don’t be shy to reach out! i don’t play that shit.

⌗ since a lot of my stuff gets flagged by a musty stalker on my page, please make sure you change your settings to see my mature content. if your settings aren’t changed, whenever i reblog something that’s marked mature, you will not see it.

⌗ please filter the content & words you are uncomfortable with to avoid being triggered if i accidentally forget to tag a certain kink <3

⌗ please keep in mind i’m a human, not a machine !! i get overwhelmed very easily on this platform with the thousands of notifications i get per day. it may take a while to get to your ask/request. i have a life outside of this app. be patient pls :)

⌗ since i’m writing for sfw & angst as well, i don’t care who reads it if you stumble upon it in tags by chance. just do not indulge in my mature content if you are not of age. respect my boundaries please and thank you !!

⌗ please do not trauma dump in my inbox. i’m not your personal therapist and you could potentially trigger me. i’m happy to give you advice but please keep that in mind.

⌗ all themes i create are handmade by myself. in the past, i allowed people to credit me for taking inspo but now, please don’t do that !! i’m always happy to help with editing but as of currently, do not steal my themes & layouts. if you see anyone using a previous or current theme or my layouts, don’t be shy to reach out ! x

⌗ i don’t allow criticism on my writing on my blog so please refrain from doing so! it will be deleted.

⌗ do not bring discourse or drama to my blog. especially about other writers. it will be deleted and ignored.

⌗ i joke and use mature language a lot. don’t take what i say on the dash seriously. all jokes.

⌗ if you don’t like my work, that’s fine! but don’t come into my inbox saying things of the sort. i understand my writing isn’t for everyone. block me. it‘s real simple.

⌗ i may come off as flirty with interactions, but it’s all platonic.

⌗ don‘t call me outside of my name. ( pet names for me are okay !! ) please address me as “karma.” “karmana” is fine too. i won’t tolerate someone calling me a “bitch” or “whore” unless we’re close moots + irls. i’d rather not get called derogatory names by random strangers on the internet.

⌗ i have the right to block any mutual. if you hard block me, i’ll hard block you back. if i block you on my end, it could be for a variety of reasons: (i’m uncomfy, spamming discourse on dash, spam liker, etc.) it‘s nothing personal at the end of the day, and we are all complete strangers on the internet.

-> finished? head towards rules to see what i will/will not write.

[unitedbydevils]

Ruben Amorim, here we go?

No sooner had we acclimatised to the news that Erik Ten Hag was out and Ruud Van Nistelrooy was at the helm, did The Athletic then double-down on us with the news that Ruben Amorim was in talks with Manchester United about taking over at Old Trafford.

Fabrizio already has him mocked up in a United jacket lmao.

There's a lot to be said, a lot other people have said, and a lot we don't know, so this will be a bit of a Twitter compilation post to showcase the discourse:

There's a reason a lot of teams want/wanted him. Liverpool have been quite amusing, decrying him as not "all that". Maybe he's not, but Slot had similar stats and has done well.

That said, ETH had slightly better stats and failed. It's a coin toss.

And with United comes THE MOST pressure of any job in professional football. This man could have the vibes to do it though.

Some players would evidently flourish under Amorim. Martinez-De Ligt-Yoro are obvious, Onana suits his style too, and Ugarte was weapons grade for him before the PSG move.

I think the new gaffer could be the making of Zirkzee though, and the one to bring Harry Amass though and mould him.

Amorim, as explained by Statman Dave six months ago, likes a 3-4-3, likes to overload on the press, and likes to push wide then underlap to come in on the offensive. Coincidentally, we have ball-playing defenders and wide forwards who like to cut in.

United's big issues are at LWB and RWB. We have Dalot and Mazraoui, and apparently we have Shaw and Malacia (ETH confirmed Shaw's had another setback lmao). Normally Amorim likes an offensive LB at LWB in case he needs to drop to a back 4, and a middle of the pitch RM for creation and possession. Amass and Amad would be perfect for this, but then where does that leave Dalot and Mazraoui? LWB? They've been a bit shit there. It might be that they go right side while we move to bin off our LBs and let Amass develop a bit more; maybe a mid season loan or even next season out. I don't know.

The other issue for him will be goals. Maybe this style gets our front line firing. Confidence breeds goals breed confidence. But if they don't... we might see things falter for a bit until the summer transfer window.

Being only 39, Amorim has the benefit of experience and many years ahead. He's one year older than Tom Heaton, played with Victor Lindelof at Benfica, and played against both Jonny Evans and Christian Eriksen.

As we mentioned Liverpool, we should also mention 115 FC.

The best video, from back in the summer, goes a little further than Statman Dave's deep-dive with the flaws of the team. Alex points out how Sporting overperformed thanks to individual brilliance (that sounds familiar...) and could be over-egging his qualities.

It should be said though that this season, Sporting have fixed up and reduced their defensive frailties from last season and are smashing it. Maybe they were lucky, maybe it was just an early outlier of a system being implemented.

As for next summer, Viktor Gyökeres is the obvious signing candidate. He was tipped as a gamble for United before his Sporting move and he has flourished. A return to England, and to the top table, could please him, Sporting, and Amorim, and could give United the goalscoring firepower we need - and proper motivation to Hojlund.

Another potential is Zeno Debast; a Football Manager fan favourite along with the likes of Yoro, Scalvini and Silva. The former Anderlecht player moved last summer and is a very promising talent, and with United expected to ship Maguire, Lindelof and Evans... we need someone. It's unlikely we'd get a double raid off, but then we did get Martinez and Antony so we'll see. I suspect Real Madrid might poach him to be honest, and that they'll bag Yoro and Garnacho down the line.

Anyway, Amorim might be announced later in the week after tomorrow's Leicester game. We wait and see.

[sobeksewerrat]

Rules when interacting:

☆ I block very liberally, but I won't hardblock mutuals unless it is a joke like in the freakblr wars unless they have done some really bad shit.

☆ I have severe anxiety (OCD) so there are certain things I am very sensitive about, so I am making this DNI/Rules list!!

Don't under any circumstances bring discourse into my page. I enjoy discussing fandom theories and stuff as much as the next guy but I will just block you if you do so ♧

If I say not to tag my post as a ship, then don't. End of story. However, I am completely fine with tagging my posts as "kin", "kinposting", etc.!! ♧

I already made a vent blog, but if I vent here, please don't try to tell me things like "hope you're okay" etc. I won't block you but I don't appreciate it.♧

I will block you if I feel you're hostile towards me in anyway, even if you aren't; as I said, I have severe anxiety and can't handle things like that. So please use tone tags!! ♧

Zionists, Antisemites, Islamophobes, Racists, Orientalists, Queerphobes, Exclusionists, etc. DNI. ♧

DNI if you identify as a proshipper/comshipper/antishipper/anti-antishipper. Y'all make shipping frustrating by putting it into neat little boxes and I am not about to comply by your moral codes with shipping (especially with the ridiculous amount of double standards and hypocrisy). I don't care if you are one, just don't bring your stupid discourse into my page. ♧

I have attachment issues. I am working on them, of course, but it makes me a bit distressed whenever somebody tries to invade my friend groups or things. I can't really explain it well but I will try to tell you if you do something that bothers me! ♧

Drew-antis, Zoey-antis, MvK haters, etc. DNI. Please. My blorbos and hyperfixations mean everything to me and I can't handle people actively shitting on them when interacting with me. ♧

Don't give me unwarranted criticism on my art or writing please! If I want criticism I just post it on Artfol or actively say I want it. ♧

This sorta deserves its own point so: If you believe queer Muslims or queer religious people in general don't exist just fuck off. I don't need you here. ♧

[More rules to be added when necessary- ☆]

[marrmora]

TLDR: Do not know if we’re delusional or a system, most of our identities come from being mentally deranged and from trauma, and we’re still figuring out stuff. We are taking the figuring out about ourselves part slow.

If you are sensitive to alterhuman discourse, some very angry talk, and mentions of being insane and mentally deranged, please don’t read this. I wrote this because I’m so tired and so mad it’s awful.

Just gonna put this out here: we don’t know if we’re a system or not. We don’t know if we’re delusions, either. We’re just… here.

Yes, it does tie into our alterhuman identities, but more or less most of our identities are from being mentally deranged and trauma. We’re still making our intro, but we just WANTED to put this out before we finished it. Cause we may be like… 7 creatures in this body, but we don’t know what it is.

Most of my Keith and Lance fictotypes come from my trauma, while my others come from either being mentally + physically delusional and deranged, or I just am them. I am the blade of Marmora. I am a vampire. I’m a mother fucking god and I’m amazing at my job. But I’m mentally deranged and that shows. Im not human. I never was. So why call me that? Even the term “nonhuman” or “alter human” makes me icky, even if we use it. Stereotypes, whether you like it or not, are still in safe spaces. I’ve seen so many. Like yes, most peoples alterhuman identity stems from their past life or such, and I’m not saying that’s bad, but mine stems from neurodivergence, trauma, and being deranged. I’m fucking insane, don’t romanticize that shit. Don’t give me a damn flag and call it off, don’t even bring it up. Being insane isn’t something to be proud of.

^ (This barely has anything to do with the post, but I wanted to say this so bad. So so bad. And if you like the flags, that’s awesome, but I really don’t.)

DO NOT TAKE THAT COMMENT AS ‘alterhumans are deranged!’ NO. IM FUCKING DERANGED, SEPARATE THAT FROM MY IDENTITY, AND ILL STILL BE FUCKING INSANE.

We constantly feel like we’re faking, and honestly? Don’t think we’re a system. Just think they’re delusions. And I mean that in a good way. Being a system? Perfectly fine, that’s okay. I don’t think I am, though. I don’t think I’m plural.

And if I am? I’ll figure that out later. I just want to be the blades and do my honor, I don’t want to figure out everything so quickly. It takes time to figure things out.

I’m not even gonna tag this besides my usual tag and one for bat.

Vrepit Sa.

[celira]

rambling from an Internet Old on fandom engagement, or a brief argument for not centering your fandom on public social media platforms:

1. when your engagement is always public, it often loses nuance. people change how they act around different audiences: this is a fact of life. different people bring out different facets of you; you might have different work and home personas; you take different roles in different social circles. when your audience could be, plausibly, Anyone On Tumblr or even Anyone On The Internet, suddenly the question "what is their perception of me?" or "how am i showing up here?" takes center stage - so you may feel the need to Stand Your Ground or boil down your stances to simple takes that leave less room for misinterpretation by some faceless rando.

... which is how you not only get rigid adherence to identities (and policing that in others) but also passive virtue/discourse signalling that can quickly turn into fandom-wide dogpiling as people are desperate to avoid criticism.

2. on social media, you have limited means of control (you're subject to the whims of whatever functionality the platform has), but you also have a greater illusion of power (you can talk to or reach anyone!). so maybe you try to control what happens to you & your content by other means. maybe you're trying to go viral. maybe you're preemptively attacking other users. maybe you try to tell people what they can/can't tag your posts as!

it's very easy to lean into the defensiveness of the fear described in #1 above. it is never possible to be beyond misinterpretation (see also: it is never possible to please everyone!), but if you beat someone else to the punch in the court of internet justice, maybe you'll be safer! /s

this can make for a miserable race to the bottom.

3. on the other hand, self-contained communities foster more mutual support. people can default to taking actions out of fear on a public platform, which is easier to project outward on the faceless masses; call it vigilance, carefulness, paranoia, whatever you want - your performance on the internet changes when it takes "could be seen by anyone" into account.

smaller spaces give folks the chance to, instead, act out of care, which is similarly harder to impart to some abstract, unspecific entity, but easier to do when you know the person. you're more likely go to bat for the sake of your community; you're more likely to trust they'll show up for you.

& being in a more consistent environment gives you the chance to assume good faith in other people. you can get direct positive reinforcement from them! which is amazing, in the cold void of harsh takes & unspecific hate that's easy to take personally in the public internet.

4. smaller communities enable mindful conflict resolution. bluntly, it's easier to sling shit around on a public platform, and yell at faceless people who you can feel superior to, without thinking about the person behind the keyboard. it's harder to shit where you eat. you have a vested interest in working things out with people when you share a community space.

there's a whole spectrum of conflict that's good to navigate! polite disagreement is healthy, & exploring differences of opinion can help people learn! & above all, feeling okay potentially saying the "wrong" thing means feeling safer being vulnerable, and vulnerability is mandatory for deeper, longer-lasting connection.

THIS IS AN IMPORTANT FUCKING THING TO PRACTICE. life would be very grim indeed if your relationships with people didn't have room for awkwardness & growth. if it's "my way or the highway" all the time, with no in between, you're going to be walking a lonely fucking road.

---

(for that matter, on the subject of nuance - here's my ironic disclaimer out of awareness that this is posted publicly: all of these are generalizations. of course there are black-or-white circumstances where something shouldn't be debated or negotiated.

this isn't about that. this, my friends, was prompted by fandom "discourse", or as we called it back in the day, fandom wank.

because that's what it is: masturbatory shit-slinging masquerading under an academic theory term.)

i didn't feel the urge to look into a fandom until over a decade later (thank you TLT brainrot), this summer. by this point, Discord servers had become more common, and are a format that works with my brain: enclosed social spaces that have more individual community structure. so i've jumped back in. they've been amazing! a lot of those folks are on Tumblr, so i'm starting to wade back in here, too.

some self-indulgent backstory:

i fell out of fandom culture in the early 2010s when fandoms did an almost wholesale shift from LiveJournal to Tumblr. at first, at its most basic level, it was because the format felt impersonal to me: at the time, there was much less two-way interaction. it was a slightly longer-form Twitter, where you interacted with folks by flinging things into the void and hoping someone would engage with you. but plenty of people still found the format engaging, so i chalked it up to a me problem and left it at that.

but getting filled in on the volume of TLT Fandom Drama that's managed to drive Tamsyn Muir herself, who came up through similar eras of fandom as i did, off the internet through its toxicity, made me realize that it's not just a close-knitness that got lost in the format shift from self-contained fandom communities (forums, LiveJournal, individual websites) to public, open-feed social media networks - it's a wholesale approach to respectful, healthy engagement.

(& of course there was always fandom wank & shipping wars & goofy bullshit, but it was more the exception than the rule - & it didn't zing all the way up parasocial channels to slam into the author!)

somewhere along the way, becoming a fan started to get treated as a reflection of identity politics. one of the most-repeated phrases among my friends is "thank god I got to be a dipshit on the Internet before everything was dissected & immortalized forever", because we got to learn and grow and play and enjoy ourselves - & that last bit is something some people have seriously lost sight of.

we had spaces in which to be unlovely and awkward! we got to be idiots together! it was definitely not perfect but it was forgiving, and truly, we owe it to one another to have room for soft landings in a very harsh world. fandom is often an escapist release. applying everything from the real world to it all the time is both unnecessary & unreasonable.

[lifeneedsrot]

⚓️listen up buccaneers! This ship has been real mismanaged lately, but I run a tight ship here. Our main account is starshipsys, and this is our VENT and NSFW account. Expect lots of barely censored triggering topics on this account. I’m talking NSFW as in gore, not porn, but there will be horny textposts. That’s not what this account used to be, but it’s what it is now!

Our system used to be split in half, with one half on the other account, and the other half on this account. That’s not how it’s gonna work anymore. We’re ONE crew, and we won’t be having any mutinies here. I will listen to all crewmates but ultimately I’M the guy in charge, got it? This account is for ANYONE in the system to use. It’s where we put the gross stuff that we don’t want to share on our main. If we’re following you, either you post stuff we want to see, or you’re a friend we trust.

We are proship and proendo. I don’t give a shit what you believe in or how your system formed. I don’t give a shit what you’re into because we’re into weird shit as a coping mechanism, and we’re not about that gatekeeping lifestyle. We are willing to befriend ANYONE as long as they’re respectful and don’t cause us harm. I don’t care what you’ve done or believed. I only care who you are now and how you treat me, my system, the people close to me, and the people close to you. Close meaning both in proximity and in intimacy. We don’t bother engaging with obvious bait and arguments that would get nowhere, so don’t bring discourse here.

With all that being said, here’s a list of alters and what to expect, as well as the ideal way of interacting with them. We are not used to the tumblr tagging system, but I’m gonna try and get us to start tagging things as “[insert alter name] starshipsys” to make it possible to filter certain alters out or search for certain alters in particular. Unless otherwise specified, all alters enjoy being talked to about whatever they’re saying.

🧤Agate, they/them. 8. Childhood trauma venting, general fears and anxiety, sadposting. Please talk to them, avoid sexual subjects and violent subjects.

🪩Boppie, they/them. 21. Wanting to do drugs, wanting to go to parties, generally very bad life advice and unhealthy coping mechanisms. They won’t be able to have a very deep conversation with you, but love talking to people.

♠️Cole, he/it. 21. Venting about lost relationships within the system, references to self harm or alters attempting to self harm, weird sexual stuff about being turned on by sharp objects piercing soft flesh. He holds a lot of autistic symptoms, and doesn’t talk much.

🐰Daisy, she/her. 7. Hypersexual syskid, yes they are real, but we’re not comfortable sharing anything she wants to say anyway. You can only talk to her if she talks to you first, and you cannot engage in any of her sexual nature unless you have our simplyplural and a safe alter is fronting alongside her. Trying to sexualize her without explicit permission from a safe alter and HER will result in us never talking to you ever again.

🔭Estella, she/they. 21. Mostly just frustration with classes. Feel free to talk to her.

🐁Fobi, it/she. Nonhuman adolescent. Panic attacks, triggering situations we experience in real life, irrational behavior in an attempt to prevent abuse from happening again (IE disfiguring yourself out of fear that being attractive will result in sexual assault). Please try to talk to it and calm it down, if Fobi is fronting we are probably in an immediate danger.

🦇Grim, it/any. Nonhuman adolescent. Romanticization of abusive behaviors, fawning stress response. It wants to be abused in every way. Try to reassure it that it can be loved without being abused.

🌺Haven, she/he. 21. Mostly just rambles about the people we love, affection towards friends, maybe even soft hornyposting. She likes talking to people, especially if you’re our friend. He might even make a post about you if you talk to him.

✏️Indigo, they/them. 12. Probably vents about not being able to achieve our dreams and life goals we had when younger. Get them talking about a special interest and they’ll adore you. Sex repulsed, don’t bring that up.

🎊Jynx, she/any. Ageless entity. God complex posting, torture threats, and domination fantasies (sexual and nonsexual). She is actually friendly, despite how mean she presents herself as, and desperate for the approval of others.

🍠Kakxyl, he/any. Ageless entity. He is the alter that changes the roles of other alters, and will talk about everything all of the other alters talk about, but from an outside perspective. He won’t engage in conversation if he’s busy.

🫐Lynx, he/any. Ageless entity. Not much, really. Probably won’t post at all. He can barely communicate, and generally him fronting means we’re experiencing a wide variety of emotions, specifically from an emotional attack on either the inside or outside.

⚓️Maverick, they/he. 21. Goals for the future and plans, as well as general venting about daily frustrations. Assume they’re talking to another alter unless they’re talking directly to you.

🍥Nyan, he/she. 6-8. Whatever kids complain about when they don’t have trauma, idk. Please talk to them and try to cheer them up. If you bring up anything traumatic, though, we will be very upset with you. He probably won’t even be allowed on this account anyway.

🚀Oscar, he/him. Nonhuman adult. Vents about how awful all of our relationships and the people we love are. He specifically holds the splitting towards hate symptoms of BPD whereas Haven and Grim hold splitting towards love. Don’t take what he says too seriously, he is intentionally trying to push you away because he is afraid you’ll abuse us. Don’t talk to him unless you’re in a sane enough mental state to deal with him.

🩵Present, she/it. Nonhuman adult. Sad posts about our relationship with an ex, and attempts to comfort other alters. She likes when people talk to her, but can be a bit of a downer.

🥀Quasiren, they/them. 17-19. Venting about relationships in an attempt to build a codependent relationship with someone. They love when people talk to them.

🥩Raptorse, it/its. Nonhuman adult. Vorny (vore+horny) posting, hunger. Doesn’t hold conversations very well unless they involve food.

🎆Starbound, she/any. Ageless entity. Rage posting, threats to hurt herself or others, general aggression. If you weren’t the reason she fronted, feel free to talk to her. If you are the reason she fronted, you should probably wait about thirty minutes to an hour after she starts fronting. You can ask her if you made her front.

🪱Tazelein, he/any. Ageless entity. Torture posting, threats to torture, horny posting, romanticization of literally every bad thing ever. Yes, every bad thing ever. Yes, even that. He doesn’t represent our “true feelings” about anything, he mostly just provides a source to point to for our intrusive thoughts. He will say some fucked up shit to you, but he loves people very much, and hates death.

🕊️Utopia, they/them. Ageless entity. Weird philosophical or religious nonsense. Will probably try to convert you to whatever religion they’re making up right now.

🦠Vitriol, it/its. Nonhuman adult. Hatred for the system, disgust for all alters, will talk about everything we’ve ever done wrong. Wants to push people away to protect them from us. Won’t want to talk to you, most likely, unless you directly triggered its fronting.

🕸️Webber, they/any. Ageless entity. Abandonment issues, trust issues, soft bondage, probably some hornyposting. Will love talking to you, but tends to ramble and send very long messages.

🔥Xray, he/him or xe/xim/xis. Primordial god. Generic and vague complaints about our daily life. Likes to cut to the chase in conversations and be very direct.

🌲Yarrow, they/it or yey/yem/yeir. Primordial god. Long rambles about various alter’s mental states, similar to what Kakxyl may post, but with the purpose of informing outsiders rather than changing the perspectives of alters. Yey want someone to listen to and talk with, but might stop replying spontaneously if yey get particularly invested in documenting something.

🌊Zenith, ze/zer/zers. Primordial god. Positive things, sexual things, and general bragging about our life and our successes. Ze loves people and would love to talk.

As a general rule, only talk to alters that you’re comfortable talking to. No, this is not roleplay. We have disabling DiD, and yes it is diagnosed. If you do something to upset us, we will tell you directly before we publicly vent about it.

[the-conversation-pod]

Summer 2024 Lagniappe (A Minisode)

AND WE'RE BACK!

Summer didn’t give us a lot to say, but we ALWAYS got something to say. Ben, NiNi and Shan talk a highlight of the season, Twig reports from the field, and we award summer’s Girl Who Tried.

Timestamps

The timestamps will now correspond with chapters on Spotify for easier navigation.

00:00:00 - Welcome 00:01:15 - Introduction 00:02:21 - Twig’s Dispatch 00:14:24 - Spotlight: Tadaima, Okaeri 00:20:34 - Girl, You Tried 00:27:08 - Celebrating 50 Episodes

The Conversation Transcripts!

Thanks to the continued efforts of @lurkingshan as an editor and proofreader, we are able to bring you transcripts of the episodes.

We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes (Coming soon thanks to @wen-kexing-apologist). When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.

Please send our volunteers your thanks!

00:00:00 - Welcome

NiNi

Welcome to The Conversation About BL, aka The Brown Liquor Podcast.

Ben

And there it is. I’m Ben.

NiNi

I’m NiNi.

Ben

And we’re you’re drunk Caribbean uncle and auntie here sitting on the porch in the rocking chairs.

NiNi

Four times a year we pop in to talk about what’s going on in the BL world.

Ben

We shoot the shit about stories and all the drama going into them. I review from a queer media lens.

NiNi

And I review from a romance and drama lens.

Ben

So if you like cracked-out takes and really intense emotional analysis…

NiNi

If you like talking about artistry, industry, and the discourse…

Ben

And if you generally just love simping…

NiNi

There is a lot of simping on this podcast…

Ben

We are the show for you!

00:01:15 Introduction and Summer Season Recap

Ben

And we're back. We have reached the end of the summer season. It is hot as hell and hurricane season is active, but we at least still have our shows to watch.

Shan

Wow, what a way to set the mood.

NiNi

That is [laughs] one way to start, for sure. [NiNi and Shan laugh]

Ben

Girl, I’m stressed! [laughs]

NiNi

I feel you. I feel you. I feel you. We are here. The summer has been… it's been a lot. 

Let's just dive right into what we came here to discuss. Shan is here. Say hi, Shan. 

Shan

Hi! 

NiNi

We're going to talk a few things that we didn't talk through this season. Twig’s gonna come in and leave us her dispatch, and then we're gonna round it up and award the Girl, You Tried. There are a lot of girls who tried this season. [laughs]

00:02:20 Twig’s Dispatch

DISPATCH! Thank you for having me back. [music]

While folks were lamenting having nothing to watch this quarter, I was as busy as ever!

In the skip section: Sadly, Korea really dominated this category last season, starting with Blossom Campus. Honestly, this was the biggest disappointment this season for me. This was my–the Korean independent team Strongberry, who I normally love—they released a full length Kdrama that, I don’t understand how it went so wrong. The story is about a university transfer student who works at the library and ends up in a few interactions with a taekwondo major and they fall for each other. It was boring, the story didn’t really flow, the chemistry was flat.The only good thing I can say for it is that when they do kiss, they kiss well. But it was not worth watching to get there.This was the least queer Strongberry has ever felt, and to add insult to injury it ends on a cliffhanger. This is a pass from me, friends. 

Love is Like a Cat. Mew of the newly public MewTul relationship stars in this hybrid Thai/Korean production that did not manage to retain the good qualities of either country. It is bad. And not even in a fun way. The premise is a famous Thai actor is blackmailed into doing a Korean reality series in which he has to work in a dog cafe, despite being afraid of dogs. That sounds like it would be cute and fun, and somehow it was neither. Poor acting, cinematography, chemistry, story, everything was mid. Also, content warning for animal death—way to alienate your target audience. 

Gray Shelter was a Korean short series that barely felt like BL? Honestly, it was trying to walk a trauma narrative and BL line and I don’t think it did that successfully. The romance felt rushed and the trauma part felt like it was being sad for the sake of sad rather than having anything to actually say about trauma. Also had another cliffhanger ending. Not my fav.

Moving away from Korea, Lady Boy Friends is a show that has a high barrier to enjoyment, so judge for yourself. It’s a remake from 2015 and the premise is an ensemble show in an all boys high school in which a good percentage of the cast are actually trans girls in an all boys school. There is a lot of infighting amongst the trans women, they are extremely catty and mean and clique-y to each other. That part I honestly found kind of fun, and I did enjoy them banding together against a common enemy. Unfortunately that common enemy is another trans girl who is looked down on for transitioning “late” which calls her authenticity into question. This show also has sexual assault played as comedy which is honestly the main reason why it’s in this section; there was also a gay couple who got the bulk of the focus in the last few episodes, and while that storyline will likely be the most appealing to this audience, I didn’t particularly like that the trans characters got short shrift in their own show, so. I didn’t fully love it.

Kiseki Chapter 2. This was a production by 9NAA. They have a history of not paying and exploiting their actors, and they’ve done it too many times, so I didn’t watch this one. Pay your actors and hire intimacy coaches and then I’ll talk about your shows. 

The last one in this section is actually a GL Thai channel that I wanted to shout out. It’s just not to my taste, but I don’t like gatekeeping GL ‘cause there’s so little of it and it’s so hard to find. So, if you’re a fan of the melodrama and older, toxic relationship type tropes, give these guys a try. Last quarter they put out “Friend with Benefits the series” and “Sea [as in S-E-A] you soon”, and my favorite of the three was “You Are My Star the series” which I enjoyed because it retread a lot of BL tropes so I watched it and played, sort of, spot the BL parallels. JPC Media Channel on YouTube.

Now onto the shows that you might actually want to consider. There were a few genre BLs this season that were varying degrees of hit or miss so I’ve grouped them together. I love genre stories, so I don’t want to be too harsh on shows that push the boundaries of the BL genre, but all of these had at least one fatal flaw that makes me not able to recommend them without caveats.

Memory in the Letter is a Thai BL sci-fi/fantasy in which a student falls in love with a stranger in the mirror. This is a short series that had real high highs and low lows for me, including some of the best chemistry across a pane of glass I’ve ever seen. But also, the ending was so poorly handled that I had to call poor Ben to watch with me just so that I’d have someone to share my psychic damage with. Without spoiling anything, this show involves an age gap with actors not age-appropriately cast to hide the fact that the age gap is so large? It also doesn’t treat the age gap seriously or engage with the very serious problems that it raises in its own plot, and I found that very frustrating. So. Make your own choices on that one. 

1000 Years Old the series. This show is a Thai vampire show that spends the first three quarters being an extremely low stakes series in which a vampire owns a pork blood soup stand and a glorious umbrella collection, and is in love with a man obsessed with searching for alien life. It is exactly as silly as it sounds. But then the last few episodes everything turns into intense melodrama, and I’m going to spoil this because I don’t know how not to: We find out that the vampire stays friendly with another vampire who murdered his human lover across multiple lifetimes. I was vibing and then I was really not. 

Two Worlds is another Thai series, and a MaxNat vehicle. The premise of this one is as it says on the tin: There are two parallel universes connected by a glowing body of water. Our protagonist loses his love interest and travels to the parallel universe accidentally while grieving, to realize he has the chance to save his boyfriend’s doppelganger in this new world. While he does that, he finds himself falling for someone else instead. This series is a relatively slow burn show. Whoever made this show, they did the most bewilderingly good job of undercutting every dramatic moment so that it had no stakes or impact that I’ve ever seen. This show was almost impressively boring considering how much was happening at any given moment. I liked that it seemed to be saying people weren’t interchangeable, but then in the end the show undermined its own message. Watching this show was informative for learning about pacing and how narrative tension works or doesn’t in shows. 

Last in this section is The Spirealm. This is a chinese danmei adaptation that we almost didn’t get because of censorship; it was heavily adapted so that rather than magic, the core of the unnatural happenings are a Virtual Reality video game in which our leads have to puzzle through dangerous mysteries to figure out the secrets of each level. It’s fun in an “oh this does feel like a video game” kinda way, and I enjoyed puzzling through the mysteries alongside the leads. But the mysteries drag on too long and they’re repetitive, and the ending of the book is actually really undermined from the adaptation choices. Also, if you’re watching for romance subtext, this is a VERY tame story even for censored cdrama. They barely touch, the shipping moments are few and far between in a long series. So, be forewarned.

Moving away from the supernatural and back to more standard QL fare, A Secretly Love. This felt like a very old-school Thai series, a feeling that was helped by the horrifically bad subtitles; about an engineering student who has been in love with this senior for years and watched him fail miserably at romance over and over. This heavily relies on the viewer enjoying the lead pining over someone who treats him badly for most of the series. So, in order to enjoy this, you have to find someone showing affection by being grumpy, rude, jealous, and demanding cute. No judgment, just giving you the information you need to no. Worth watching if you’re nostalgic for 2020s Thai BL. 

Please Teach Me This is a vertical-format microseries from Korea about an aspiring idol trying to attend college that you have to grind through ads in order to watch. Honestly the series was fine, very middle-of-the-road KBL, but the microseries format and the barriers to watching make it not worth sitting through, in my opinion. 

Blank the Series is a Thai GL is in the same universe as GAP, so if you miss Sam and Mon the characters, they do appear, though portrayed by different actresses. The main couple in this story have a 16-year age gap and the romance starts when the younger one is in high school, though due to plot reasons she’s of age. I know that’s a barrier for some, so I wanted to mention it off the jump, especially because she acts young. That’s the part that I actually struggled with most. This story is very lakorn-like in terms of it being very high melodrama; it also, especially in part two, gets quite sexy. The height difference is also really something. It’s in two parts and both are complete, it does have a happy ending with a cute timeskip. So, you know, manage yourselves on that one.

Jazz For Two. High school Korean music BL in which the main couple really fell flat for me and the side couple were a bully-turned-love-interest that I also really did not enjoy. This show tried to incorporate internalized homophobia as part of its main storyline but didn’t engage with characters overcoming it, so everyone feels kind of like they suddenly switch from being in a drama to a romance and it was both jarring and honestly, a little offensive. Trigger warnings are also important for this one, so take care of yourselves if you’re deciding to watch it.

Boys Be Brave. Another KBL in which a man who can’t say no tries to get the person with a crush on him to ask him out, to no avail. This felt like it was trying to be a manic pixie dream boy meets an autistic-coded grump, but they didn’t quite calibrate either of those characters right. The side couple also ended up landing kind of badly in terms of class politics. But it was pretty, and they were cute. I actually had fun with this one despite everything I just said. 

Deep Night is a Thai BL in which the son of a club owner is against the host/club business model until he falls for one of his mother’s hosts. He decides to start working there to get closer to him. You might imagine that a setup like that would involve class and power politics, but you would be wrong! That being said, this show has a lot to recommend it: The main couple has great chemistry and the side couple is a canonical throuple, and there is another side couple of older sapphics to enjoy, as well. It is also very prettily shot. 

Lastly, Close Friend 3: Soju Bomb is a beautifully shot and cute friendship drama, another Thai/Korean joint series this time about Thai boys in a Korean band who go on a bender in Korea after their contract is canceled. Honestly, my only caveat about this show is that it is absolutely not a BL. There isn’t a romance subplot at all in this show. I spent the entire time it aired so confused waiting for the romance to appear! It does not. If it hadn’t been advertised as Close Friend 3–a series which was previously all BL shorts–I would have enjoyed this for what it was. As it stands, I hold a grudge for being misled. Go in knowing what you’re getting and you’ll be fine. 

Finally, let’s get to the shows that you might have missed that I actually recommend. To Be Continued, a Thai second chance romance of a famous person and a doctor who were friends when they were in high school. This one tells a lot of the story in flashbacks that are poorly paced at the beginning, so the start of the show really drags. But the reveal for why they broke up was satisfying. The pacing is the barrier in this one–if you can power through the first few episodes it ends up being a good little show. They have great chemistry, the story holds together, and I had fun.

Gym Affairs is an absolutely bonkers but cute mainland China BL in which a guy gets a personal trainer and sparks fly. This show is a silly comedy that is also surprisingly earnest. It goes by extremely fast and I really enjoyed the ride. That one’s on YouTube.

Blue Boys/Lonely Girl. SUKFilm is a Korean YouTube channel putting out short series. Blue Boys was a little disappointing, the couple had too many issues that they cycled through so fast.  The GL though, Lonely Girl, was much more focused with a single main problem between the couple and so it worked much better. And both are really beautifully shot and have some great kisses. 

Fake Buddies is another YouTube miniseries. It’s a 7 episode Korean series about a girl and guy who are dating, ostensibly, but really both using the other as a beard because they’re both in a gay relationship. The first few episodes are very funny comedy as the two of them try to make the other realize what’s happening; and then we get prequel episodes for how the gay couple and the lesbian couple both came to be. It’s a fun use of 45 minutes on the guynextdoor YouTube channel if you’re bored. 

To the X Who Hated Me is a Korean GL produced by Red Q. It’s a series of microseries, there’s two out so far with 2-3 episodes each. They’re both GL and solid short second chance romances that are very fun. 

City of Stars is the last one I’ll be talking about. It’s, in my opinion, the best hidden gem QL from this quarter. A charming celebrity/regular guy romance that tackles shipping, toxic fans, and the unreasonable expectations on people in the spotlight. Acting is a little rough, and it’s not  perfect, but it had some really good things to say and it very smartly sandwiches those things among some pretty good sex scenes. The two leads are my communication kings. And there’s some decent trans side rep as well. This show really uses BL as a vehicle for having something to say and I appreciate it. And the story really holds together in a way that’s a little refreshing in Thai BL, too, so I really liked it.

And that’s the dispatch for this quarter! Thanks again for having me. 

00:14:25 Spotlight: Tadaima Okaeri

Ben

It's time to talk about my favorite show of the season that no one else watched except for Twig. [NiNi laughs] We're going to talk about an animated BL from Japan called Tadaima, Okaeri. It is the best show of the season and I'm begging you, please, to go watch this show. 

Tadaima, Okaeri is a 12 episode BL from Studio Deen that aired on Crunchyroll. Studio Deen is actually fairly important in the BL space. Pretty much all of the BL anime that we're probably going to recommend to you offhand was produced by the studio. In this particular one, they're adapting a manga series about a gay couple in the omegaverse that is trying to raise their kid in the suburbs. Our protagonist's name Fujiyoshi Masaki, that is actually his name, and his husband, Hiromu. Masaki is an omega, his husband is an alpha, and they have a son named Hikari together. He is a little baby and they are living in the burbs away from everybody else because they had a very difficult time getting together. 

The show was not so much about the difficulties these two had getting together, it's about them building a life that they love and are happy with after going through what they did. So, like, this is your favorite leads, married and trying to raise their family now and working on healing some of the relationships that were damaged over the course of them getting together. There's a great deal of healing and growth in this. There's healing between Hiromu and his dad, who was not keen on their romance in the first place. There's the fact that these two guys love each other and love being parents. I am very often amused by how much my dad is still obsessed with my mom. And I really liked seeing that in a gay couple here. It was really restorative in a lot of ways, ‘cause we don't ever really see dads in BL. 

This show was so healing. This was such a peaceful experience of a show to watch. What I like the most out of fluffy shows like this is for there to be a nice arc about what life we’re building for our family and a strong thematic thrust of, we're not trying to get back at anybody who hurt us. We just want our kid to grow up in a world where he—and eventually their daughter too—are loved by the people around them. Each episode was about a specific sort of challenge that the family was facing, and some of them were really huge. Like, how are we going to reconcile with the kids’ grandfather who wants to be part of his grandson's life? Even if it's something as small as, Hikaru is getting older and he wants to run an errand. Okay, we're going to let him deliver a letter to his grandfather to the mailbox, and getting a two year old to deliver something [laughs] successfully to a mailbox was a production unto itself, because he kept getting distracted. 

It was genuinely one of the most delightful and wholesome experiences I have ever had in the genre. I have said for a long time that I've wanted a married gay dads show. I was not expecting it to come from the omegaverse of all places, but this was everything I ever hoped it could be and honestly, so much more. If you can handle omegaverse nonsense, including mpreg and the alpha omega pheromone shit, and rutting behavior. This is one of the best shows I have ever seen.

Shan

Oof. [Ben laughs] You just said so many words that upset me.

Ben

I know. I know!

[all laugh]

NiNi

I was like, “if you can handle” I can handle none of those things. I'm sorry.

Ben

If you're gonna be in genre, you gotta take your shit seriously, and I think that's why it worked. This show was not embarrassed about being an omegaverse show. It's not like [funny voice] we're going to do this in omegaverse because we know the girls will fucking show up for it. It took the conceits of its own genre seriously and incorporated it into the emotional context of their characters. 

And so like I totally get it, mpreg is not easy for a lot of people. The rutting behavior stuff, it's not easy for some people. The way that omegaverse is used to perpetuate some of the heteronormative kinds of misogyny that women face is not for everyone, truly and sincerely. When I say that these are caveats to watching this, I am not being funny. These are real things that are being dealt with in this show, but they're not half-assing it. These are not normally things I enjoy. Tell a good story and take your shit seriously and we can show up for it. And that's what happened for me here. 

So, I wholeheartedly recommend this show, but I do think it's important to not downplay that this is very legitimately an omegaverse story.

Shan

I appreciate that.

Ben

It's a 10, baby! Perfect execution of its own premise, and genuinely, it's the kinda show that was so fun to watch with other people.

Shan

I have been so intrigued by the conversation around this show and I really regret that it has so many of my hard lines in it [laughs[ because I would like to see it. I don't think I'll be able to, but I have heard nothing but praise and love from the people who've watched it.

Ben

I love the show with my whole heart. I do not recommend it at all. [Ben and NiNi laugh] This show had really strong ideas and it wore its whole heart on its sleeves the whole time. Mm mm mm. What an experience. Great show.

00:20:32 Girl, You Tried

Ben

Let's hand out our favorite award on the show: Girl, You Tried.

NiNi

Our nominees this season for a Girl, You Tried are Unknown the series from Taiwan, Love is Better the Second Time Around from Japan, and Living With Him from Japan. Does anybody wanna do propaganda here?

Ben

Ooh…

Shan

Let's start with reminding folks how we think about Girl, You Tried.

Ben

The Girl, You Tried for me is meant to reflect on a production that missed the mark, but we felt like the core work and the intent was there to actually do something good, and for whatever reason stumbled.

Shan

There's different ways that shows can stumble. There are shows that can be very well told and very confident up to a point, and then a mistake is made that is hard to recover from. There are shows that never quite nailed what they were trying to do, but did clearly have aspirations. There are shows that have a solid idea of at least the beginning and endpoints and something in the middle just got messy. So, those are different categories of ways that shows can go sideways. And all of these different ways came up in this season. 

For me, a show like Unknown is not a Girl, You Tried because they actually did succeed at what they were doing for the vast majority of their run. So I wouldn't call that a Girl, You Tried. They made a mistake right at the end—and it was a big mistake—but their level of execution was so good through most of the show that I can't really consider that a Girl, You Tried. 

For our two Japanese BLs here, Love is Better was really solid through about the first four episodes, and then it kind of veered off in a very strange direction that I still don't really understand why that happened. Versus Living With Him had a solid start, had a pretty decent end point that it was trying to get towards, and then got kind of messed up along the way trying to stretch out the story. 

So for me I think I would want to give the Girl, You Tried to Living With Him out of these three, because I do think they had the bones of a good story. They executed parts of it really well. But in their effort to stretch it out into a longer format than the story really supported, they kind of lost track of some of their threads and got a little confused in the way that they landed at the end. So for me that one makes more sense as a Girl, You Tried because I see what they were trying to do. And I think that they just made some execution errors that got in the way.

Ben

An interesting analysis; one I will be pondering. It feels mean to say that Unknown is a Girl, You Tried because they rushed to their sex scene. It ignores how good the family story was around all of that, but I am also torn now if I'm going to choose between Love is Better and Living With Him because I feel like my angst for Living With Him is it doesn't release the implied sexual tension that really irritated me more than anything else, which Love is Better absolutely did. 

Man, this is hard.

Shan

Have we ever had a Girl, You Tried tie?

Ben

We have not.

NiNi

There's usually a fairly clear cut winner once we talk about it, but I think part of the problem is that Love is Better and Living With Him sort of failed in similar ways, so it's hard to choose.

Ben

If I have to choose between the two of them, Love is Better the Second Time Around knew exactly what it was doing and it made very bad choices, and there's a difference between making stupid choices and struggling against something you couldn't do, in my opinion. I will give it to Living With Him because there's so much hang time, it's overly reliant on actor charm to hold itself together, and I do like how well the cast was able to hold this flimsy project together.

I think weaker actors would have made this a more irritating experience than it was, as opposed to just being kind of disappointing. So if I'm backed into a corner and have to choose [Shan laughs], it's going to be Living With Him.

Shan

[laughs] You do. Good job.

NiNi

Oh no, I'm about to throw a spanner in the works because I'm going to go for Love Is Better. [laughs]

Shan

This is very exciting! This is Conversation pod history!

Ben

Go ahead, give us your reasoning. 

NiNi

For me, the original premise of Girl, You Tried was always ‘a strong idea that failed in the execution,’ and I feel like the ideas from Love is Better were stronger to me than the ideas in Living With Him, just in terms of, A, what I was interested in seeing and, B, what they wanted to do. I feel like those ideas were stronger in Love is Better. So the failure of the execution part is not the part that I'm looking at in terms of comparing the two, but the strength of the premise part.

Ben

Because both of these shows had really strong gay themes in them that I was really compelled by, I am going to allow them to tie and both get a Girl, You Tried, because I think both these shows were trying to do something really cool. I think by episode 3 and 4 both of these shows, I was like, “This show's got something in it. This is a real contender!” And then it was like, “Oh no, what happened, girl? Come on.” [laughs]

NiNi

So our first ever Girl, You Tried tie! Girls, you both tried.

Ben

Congratulations to Japan for getting your first Girl, You Tried awards. 

NiNi

Is it?

Shan

And the double at that! Japan, always overachieving.

[Ben and NiNi laugh]

00:27:02 Celebrating 50 Episodes

NiNi

I think we have exorcized the demon of the summer, so let's wrap this up. We are wrapping our summer lagniappe and wrapping our summer season. See you in dot-dot-dot weeks for our fall season beginning as soon as I can get my shit together and edit.

Shan

NiNi, should we shout out that this is the 50th episode of the podcast?

Ben

Oh shit!

NiNi

[gasp] Oh my God, we didn't even talk about that! Yes, congratulate us, guys. This is episode number 50 for The Conversation! 

Ben

Oh my God. [air horn sound]

Shan

There ya go.

Ben

If you are one of our listeners who has listened to us talk for all 50 episodes, please—

Shan

Wow.

Ben

—shout us out on Tumblr. I would love to talk to you and see how you're feeling about what we're doing after all this time.

Shan

You're a trooper if you actually did that.

NiNi

[laughs] Please, please, please. If you love us and you're hearing this, we are 50 episodes old today. Send us a note. Either send us a note on Tumblr if you know how to do that, or send us something in the Spotify down below—whatever…answer the thing thing.

Ben

[laughs] In the doobly-doo.

NiNi

Listen, okay? Auntie's old, okay? She don't remember what things are called. 

We out! Say bye to the people, Shan.

Shan

Bye, people!

NiNi

Ben, say bye to the people.

Ben

Peace.

[the-bjd-community-confess]

TW: Sexualization of (fictional) minors/shipping discourse

Mod: batch 5 of these, so anons who need to can avoid the topic

1. if you have an opinion on shipping discourse/fiction purity/all that stupid BS, i just hope your dolls snap in half. don't care what the opinion is. go outside. shut the fuck up. get any other kind of life than the one you're living. you people -- all of you people, every single one of you people -- are literally the worst and most annoying people online and if all of you just up and vanished nothing, i mean nothing, of value would be lost. stop shitting up the doll blog for god's sake.

~Anonymous

2. Mini DDs are either hypersexualized or heavily child coded. Yes, there's overlap, but I have yet to see a nice MDD that isn't dressed like a toddler, a whore, or some combination of the two.

~Anonymous

3. Sorry to bring up this topic again. A reminder of how this all started, I guess, was with the Angelphilia doll. I went and looked and was genuinely confused... I'm sorry but as a CSA survivor who was abused from infancy to age 6, pedophilia refers specifically to pre-pubescent children... that doll does not look pre-pubescent, she looks like every other anime girl of an ambiguous high school age. It really bothers me as a survivor when people misuse and conflate terms. It's also really upsetting to see people equate fictionalized sexualization of post-pubescent representations of minors to actual, real abuse of children. Maybe this makes some of you uncomfortable but if it can be a tool to prevent abuse of real children, idc about fiction. Don't look at it if it upsets you or triggers you. Stop seeking it out. You are an adult now, you are not the victimized child anymore. Or, if you are so concerned, please get involved with a real organization that works in intervention and prevention of child sexual abuse and stop white knighting on the internet over fiction. Please. I wish there had been so many "concerned citizens" to intervene and protect me and the other victims of my biological father, as there are who make confessions about a piece of plastic.

~Anonymous

4. All we said was putting obviously underage characters in suggestive situations is fucking gross and we will block your disgusting ass if you post it, and sure enough the lolicon/shotacon defenders crawled out of the goddamn woodwork with their stupid little handbooks full of strawman arguments and smug fucking attitudes to scream at us to try to say we're the ones who need to touch grass or Let People Enjoy Things™ or whatever fucked up braindead holier-than-thou stance they're taking. God shut the hell up. I'm tired if seeing your disgusting asses showing up and defending this goddamn shit, you fucking pedos.

~Anonymous

5. I don't give a fuck about your issues, I still don't want lolicon in my fucking hobby and no smoothbrain pervert will make me feel otherwise

~Anonymous

6.Re: CSA

This hobby is full of Chicken Littles that see CSA everywhere. Most of you will never be reasonable about this. To the other reasonable people out there in BJDLand, do your own thing, and when one of these Chicken Littles starts squawking at you, go hard on them with ban hammers and legal threats for stalking and harassment. Scorch the earth around them so they will never bother you again. That, or make private places where you and other reasonable people can hang out. I know of a place already where reasonable BJD people hang out and you Chicken Littles can’t touch them. In b4 “Bait!” “You’re creepy Anon!” and so on. Go. Cry. Moar while being keyboard warrior slactivists.

~Anonymous

Mod: Reasonable People is doing a lot of heavy lifting here Anon, even as your neutral Mod I'm not sure that's the phrase I'd use for this

7. "Ch*ld s*x sells" is fucking disgusting, but to the right market, it is the truth. If you think that's not the case, you haven't been around long enough to see what most of us have seen. I've seen an entire fandom go to shit because the pedos flooded it and made it stigmatized to even be associated with the related media. It's sickening to watch go down in real time, and I absolutely refuse to sit by and watch the same thing happen in this hobby. At this point I'm convinced we're all yelling at the same person and their sock accounts anyway. But stop glorifying it. Stop normalizing it. Stop excusing it. Stop "boo hoo just don't look lol"-ing it. Stop "live and let live"-ing it. Stop "fuck you I'm a survivor and this shit is harmless so here's some shotacon I made hurrdurr die mad"-ing about it. Stop "I'm gonna accuse you of wasting authority resources on it because there's no victim involved lmao shut up"-ing it. Stop "lel touch grass and let me enjoy my lolicon"-ing it. Just stop. You're disgusting.

~Anonymous

8. Keep screaming at me all you want, I'm still going to call out and fight against lolicon in this hobby

~Anonymous

Mod: Batch post reply to a previous one:

9. "'It’s still just as gross as the real thing' This line, this line alone made you honestly the biggest asshole and I hope you're fucking ashamed. I hope you grow the fuck up and look in the mirror and see what a fucking dumbass you were saying this with 100% confidence."

I said what I said you fucking clown, die mad about it or go touch grass and fuck back off this blog where you belong

~Anonymous

10. I can't wait for the FCSAM debate to be over from this blog, there's too many dangerous and predatory opinions being given weight here and people are far too comfortable with their gross takes. Suggestive depictions of minors are fucking gross. Bottom line. If you disagree, you should be shunned.

~Anonymous

11. You know what is weord to me? I'm not seeing people screaming that your doll is LITERALLY THE SAME as REAL sexual abuse. Obvi that is dumb af. But we, as a group, need to understand that normalizing the sexualization of child features (yes, AP nono, YES panty shots of MDD) is not ok. The main point is that it validates and creates a safe space for pedo-like thoughts. Is that what we want?

~Anonymous