#<<< in case you were wondering where the quote is from

[call-sign-shark]

Lily, fasten you seat belt because this comment is going to be a wild ride. I've got so much to say that I must apologize in advance for the length and for the number of things I'm going to quote.

I enjoy the way you opened the chapter with Tommy's peaceful morning routine after his first night at the Dreadfort. The bond he has with Syndor is adorable. I swoon when the dragon pressed him against his warm scales and purred - he's nothing but a big baby, and I look forward seeing him act such with mama Lucy. The description here is particuarly vivid, such is the case with the lirbary scene. You really manage to balance detailed and efficient descriptions without writing too much nor losing the thread of it and that's very pleasant. The meet cute with Lucy was so heartwarming !! It felt like a romantic movie, with our favorite redhead dropping her books and the handsome, melancholic Prince helping her. It's so great to see Tommy acting like a bashful schoolboy with her, and her being all flustered. I want to hug these two babies.

“No, no, go on. It’s not everyday that I’m so casually threatened.”   I giggled so hard, this was so adorable and fun at the same time. Poor Lucy was shocked hihi. They just met and I can already feel the love radiating off them, they are so pure. I love the trope love at first sight and you did such a good job with it, moreover it suits these two love birds very well. The physical description of Lucy through Tom's eyes was so magnificent, what abeauty she is. No wonder why he was left flabbergasted. I particularly love the "brown sunset" imagery for her warm eyes.

Now, I wasn't ready for the awful reputation she has and how brilliant it is to reuse her nickname Red Demon! "And at the end of each session, Lucilla Bolton would emerge from the bowels of the castle, covered head to toe in blood as red as her hair2 Oh my gosh I love it so much, the rumors surrounding her are scary as heck - and they are rendered tragic when you know that she's forced to do it and that it is a torture for her too... I'm side-eyeing Amos hard here. With that being said, Tommy immediately knowing that there was more behind it mad me clap. YES TOM. Side note, the fact they are both quiet in nature and very observant is so greeeeat. What a team they'd make. "

Now, I wasn't ready for the awful reputation she has and how brilliant it is to reuse her nickname Red Demon! "And at the end of each session, Lucilla Bolton would emerge from the bowels of the castle, covered head to toe in blood as red as her hair2 Oh my gosh I love it so much, the rumors surrounding her are scary as heck - and they are rendered tragic when you know that she's forced to do it and that it is a torture for her too... I'm side-eyeing Amos hard here. With that being said, Tommy immediately knowing that there was more behind it mad me clap. YES TOM. Side note, the fact they are both quiet in nature and very observant is so greeeeat. What a team they'd make. "Those were not the eyes of a soulless torturer." SURE. And his observation doesn't come from nowhere since I bet he knows how to unmask real cruel people. The whole moment where he hesitates to suggest her to come see him in King's Landing is ADORABLE. Look at our little cold Prince already looking to meet Lucy more.

Aaaah you mentioned the episode in Highgarden and the fact she still writes to Lady Rose, this is adorable. I love that these two stayed in touch. Their friendship is pristine.🖤

Now I'm going to repeat myself but your treatment of Amos is a fucking masterpiece. To the point that you've managed to make me afraid of my own character. I adore how you can feel that he governs pretty much everything and that his presence is suffocating even when he's not physically here. That's something I already said in the previous chapter the but fact each character are very often saying "Amos did this, Amos thinks that, Amos wants this" is so oppressing and very much what I pictured myself. Especially when paired with Lucy's anxious body language when she spins her ring. And how she closes herself and reply that it's not a topic she wants to talk about randered it even more creepy. That's such a realistic traumatic response...

“I’ve never seen him so…taken with someone before.” GNNNNN LILY IIM SCREAMING. YESSS.

"For fuck’s sake. Focus. He forced himself to swallow around his desires” He's already so heels-over-head for head aw. And the moment he focuses on her lips and notices every detail - the fact they are a bit chapped but still look soft - is so intimate!

Okay now when I told you that you've managed to make me scared of my own character I wasn't joking. I literally stopped breathing when Amos appeared and, for that, thank you. Thank you for doing such a great job with him, to the extent of writing about his crushing and terrifying aura so well that even I can feel it through your prose. I am obsessed with the little body language things you add like this: "Lucilla quickly drawing away from him, a half frightened look crossing her face before it was wiped from her features, replaced instead by that tensing of her jaw, defiance already starting to simmer in her eyes. Like she was preparing for an argument. " This is pure talent. This, and the fact he's very often silently questioning/demanding explanations from Lucy. Poor doll, she must always feel cornered like a little animal in front of a predator. I swear when he left I finally breathed again.

"He felt his lips pull upwards a fraction. Ah. Perhaps that was why he felt such kinship with her." I didn't even think about that but now that I read about it... Yes? How could have I been so blind to this obvious link? They are both outcasted in their family so they are in the best position to understand and empathize with the other.

Aaahhhh the dinner scene... This comment is already too long but I really cannot stop and I'm sorry if I'm bothering you. Her conversation with Teddy was so fun. Especially that part about him willing to steal Tom from her, jokingly said of course aha. He really is a little gay ball of chaos and sunshine <3. As their conversation unfolded, I melted at how Tommy and Lucy looked for and silently greeted each other. Their almost telepathic bond (while they barely know each other) is something I really adored, especially that whole scene with Victor, when she mentally begs him not to say anything... He must have felt that Victor would have got back at her if he did.This is so soft... The panic she felt when she came to sit with her made me laugh so much, a real teenager in love I said. Pure first love.🖤 Like, the two of them brishing each other's fingers and not daring to do more hedkvletgdsdfs.. My babies. You really belong to each other. The "she felt safe with him", while just one sentence, is SO FUCKING IMPORTANT to Lucy.

Their whole conversation and Lucy's confession had me on the edge of my seat. As you wrote, the fact she's literally risking her life if words about her talking badly of Amos end up coming back to him madee the scene so intense. We can see that poor Lucy constantly live in fear of her family hurting her. But her description of Amos' opinion on Victor is on point. See, she's so observant and clever!! She managed to catch the little details while her father is completely oblivious to them. The whole confession was perfect and I was very tempted to copy/paste it entirely because... Perfection is not even strong enough. It's adorable how she's so worried for both Hev and the fact Amos is going to be King, granted him an immense power. Her fears are pretty legitimate and Tom's replies to them are exactly what I had in mind. “My cousin is no shrinking violet. She’s more than capable of protecting herself. And she has Kairaxès at her side.” // “Lord Bolton may be poised to be king, but I have no intention of handing over our dynasty or all of our power to him. Heavenerys will still be queen, and myself and members of my family will continue sit on the small council.” Absolutely!

Thomaryon shrugged. “You can, if you like.” He glanced over at where Heavenerys was still standing with Amos. Her arms were linked with his, smiling up at him adoringly. “But it won’t change anything.” omggg I loved this passage so much. Very spot on once again, and I'm still shocked by how your portrayal of Tommy is exactly what I intended to do with him.

broooooo, blablabla Elyas... ELYAS AT COURT. Let me side wth Lucy and be disgusted along with her. Bro, even Amos would be like "aha no. Go with Fynlor and let the adults work."

And last but not least... THAT FUCKING LAST SCENE. CAN YOU HOLD MY PROTEIN SHAKE WHILE I AM BASHING MY HEAD AGAINST THE WALL PLEASE??? The little mention of Aerthurys' mental health decaying since the wedding announcement and how stupid Thomaryon thinks it is, knowing that he was well aware of the outcomes in case he still wanted to get involved with Hev... This is so Tommy! I am also obsessed by the relationship you crafted between Hev and Tommy because this is also what I had in mind. He's acting both like a councelor and as a big brother. And Heaven gently teasing him about women is very much little sister-coded. Also while indeed strong and wicked, she is only seventeen; a bit naive and has been sheltered by Polly. You are 100% right.

“She’s…” Beautiful. Warm. Sweet. Fiery. “Nice,” he cleared his throat quickly. “I think you and her will get along.” THIS MADE ME GO BRRRR... OMG SO CUTE. He's already so obsessed - in a good way. Pls I need more of Tommy simping for Lucy.

Now, I told you but that whole conversation got me ecstatic. What a masterpiece! From Polly already showing beef against Lucy (yeah, I got the mean jab aha) to the "Oh he's wonderful --" //"Can you control him?" exchange .... Im yelling. The words "control/handle" Tommy uses and how he emphasizes on the fact that she has to be certain she can handle Amos not only today or tomorrow but for the rest of their life is so powerful.

As for one of the best sentence... “Then he will be my monster.” Just thank you. Listen, I got tears in my eyes when I read this, do you know what? Whether you did it on purpose or not, I wrote a similar thing in which Hev says "He might be a monster but he is MY monster" and the fact you wrote this line literally warmed my heart.

That was wonderful Lily!!!! HAT OFF.

Part 1: Hidden Devotions

Summary: Tommy and Lucy get a chance to speak to each other, and Lucy does her best to warn the Targaryens of the man poised to marry the heir to the throne.

Word Count: 5,924

Warnings: References to torture, incest, and violence.

Notes: Heavenerys and Amos belong to @call-sign-shark, and Rose Tyrell, Jared II Stark, and the other Stark boys belong to @justrainandcoffee.

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Chapter 2: What Dragons Dream Of

The early morning air was crisp against Tommy’s cheeks, a slight breeze ruffling at his hair. 

He tugged his cloak tighter around his shoulders, grateful that the Boltons had thought to provide them with some additional clothing more suited to the northern elements than their own. If he was indeed to start regularly making the trip up here to check on Heavenerys, he was going to need to get a whole new wardrobe for such occasions. 

Beneath his hand, he felt Syndor’s side flex with a snort. Seeming to sense that he was chilled, the dragon’s tail curled against the grass, bumping gently against the back of Tommy’s legs to try to draw him closer to his warm side. 

Tommy chuckled, leaning his cheek against his dragon’s inky scales, closing his eyes at the pleasant burn of them, the cold quickly banished from his bones. 

“Thank you, Syndor,” he said in High Valyrian. A purr rumbled from the dragon’s chest in response, his nose nuzzling at Tommy affectionately.

Tommy smiled, giving him a few strokes along his great side, just enjoying the warmth and comfort of being alone with his dragon. No distrusting eyes staring at him. No whispers behind his back when the utterers thought he couldn’t hear. No judgement burning into his skin.

He sighed, opening his eyes. Giving Syndor one final pat, he pulled away.

“I’ll come see you later,” he promised. Syndor chirped at him in understanding, curling up on the grass. He looked like an enormous, scaled black cat whenever he did that. Happy and content to doze in a patch of sunlight, a slight twitch wracking through his limbs every once in a while as he dreamed of whatever it was that dragons dreamed of.  

Tommy passed a few of the other dragons, most still slumbering soundly, on his way back to the Dreadfort’s gates. He felt awful leaving them out in the cold like this. Even if they did not seem to mind it. 

He stepped through the gates and into the courtyard, glancing around. It was early enough that most of the castle seemed to still be asleep. Not that he minded; it was good to have some time to himself before another day that was likely to be full of meetings and mingling.

Making his way back inside, he slipped off his leather gloves, rubbing his hands together against the cold. He stopped a bustling serving girl to point him in the direction of the library, following her instructions up a quick climb of the stairs and through a few winding hallways until he was pushing open huge oak double doors. 

He was greeted with dozens upon dozens of shelves, each stuffed near to bursting with books. Letting the doors swing shut behind him, Tommy picked one aisle at random to walk down, eyes sliding over the vast assortment of spines detailing practically every subject imaginable, perusing lazily for something that might catch his attention. He was impressed. Though it had nothing on the library in the Red Keep, it was still a surmountable collection. 

There was a sudden loud, heavy thud from a few rows over, followed by several more, and a soft, irritated mumbling. 

“Oh, for fuck’s sake…”

Tommy raised an eyebrow, following the noise to find the tiny Lady Lucilla between two stacks, attempting to balance an armful of books almost as big as her. A few had fallen from her grasp to land on the floor around her. She huffed, attempting to reach down to pick up the books even with the rest still in her arms. 

With quick steps, Tommy walked down the aisle to her, bending to help gather up the fallen books. Her shoulders stiffened at the sound of his footsteps, eyes remaining downcast towards the floor. 

“I swear, if you get on my ass about this too, I will–” she began to say, but immediately stopped, eyes growing wide as saucers and jaw falling open when her gaze finally lifted to meet his. Tommy felt his eyebrow twitch upwards again, fighting back an amused grin.

“No, no, go on. It’s not everyday that I’m so casually threatened.”   

“Prince Thomaryon…I am so sorry!” she stammered, cheeks turning the same shade as her hair. “I thought you were someone else.”

“It’s alright.” He reached for another of the fallen books.

“You don’t have to do that. I can manage,” Lucilla tried to insist, still looking adorably flustered. Tommy shook his head. 

“Nonsense. I don’t mind.” When he raised his eyes to her, it was to find Lucilla watching him, her blush seeming to grow when their gazes met. 

Tommy swallowed hard. She was even more beautiful up close than when she had first caught his eye in the courtyard yesterday. A tiny thing, somehow even shorter and more petite than Heavenerys. Slender, but curved in all the right places, with long red hair that fell in tousled waves down her back. Her fair skin was smattered with freckles even more numerous than his own, her eyes a warm, shining sunset brown.

But beneath the soft, wide-eyed expression, he could see a hint of the stern hardness that had been emblazoned on her face yesterday. A look which had only deepened when she and Amos had briefly made eye contact when he introduced her to Heavenerys. It seemed to be a common expression here in the north; a result of the harsh elements and distrust that seemed to permeate throughout the region. 

The northmen were a hard, wild people. They would do well to remember that. 

The Red Demon of the Dreadfort. That was what they called her. It was unclear how exactly the nickname had come about. During a break when they were flying up from King’s Landing, Aeda had started spinning stories about how Lucilla Bolton got the title because of her role as one of the Dreadfort’s torturers. That it was said screams would echo from the bowels of the deepest dungeons of the castle whenever the red haired lady would descend into their depths to convene with the poor souls who had been dragged before her. Some said that the screaming was so loud, villagers residing along the Weeping Water could hear it. And at the end of each session, Lucilla Bolton would emerge from the bowels of the castle, covered head to toe in blood as red as her hair.  

But one look in her eyes, and Tommy knew that could not be all there was to the story. Even if there was any truth in it, some significant detail had been left out; the picture left incomplete. Those were not the eyes of a soulless torturer. There was too much warmth in them.

“So,” he said, quickly looking away, realizing that he had been staring. “Are you checking all of these out…?”

“Returning, actually,” she straightened up, sliding a book into the shelf. Tommy finished gathering the remaining ones that had fallen to the floor, following her as she began to wander through the stacks, returning each book to its proper place. “Thank you. And I’m sorry again for…”

“Don’t worry about it.”

She cast him a shy smile, and he felt a slight swoop in his stomach that he tried to ignore. Fuck, she was pretty. 

“How are you finding the north, my prince?”

“Cold.”

She hummed in sympathy. “I imagine it’s quite grim compared to the capitol.”

“Have you ever been to King’s Landing?”

“No.”

He frowned. “Not even when you came of age?” Many children of the noble houses came to the capitol to be presented at court, usually with the intention of finding a wife or husband if they were not already betrothed. 

Lucilla shook her head. “My father wouldn’t permit it.”

Tommy cocked his head. That made sense, he supposed. Had she been presented at court, he was sure he would have remembered her. “He wouldn’t?”

“No.” 

“Why not?”

“I’m not sure. I don’t think that he thought anyone would be interested in the daughter of a second son.” She adjusted the books in her arms, an uncomfortable look crossing her face. “Anyway…the furthest south I’ve ever been is to Highgarden. But I was so little, I barely remember any of it.”

“What were you doing in Highgarden?” 

Lucilla stretched up onto her toes, trying to shove a book into a shelf above her head. Tommy took it from her, sliding it back into place. She cast him a thankful look.

“Something about Amos going to ward there. But the arrangement fell through while we were there.”

“Lord Tyrell chose the Baratheon boy instead.” Tommy was only vaguely aware of the incident. Something to do with Amos’s temper getting the better of him and causing Lord Tyrell to send him away. 

“That’s right.” A wistful look entered Lucilla’s eyes. “I’d like to go back there someday. I still write to Lady Rose, sometimes.”

“Lady Rose is a kind woman,” Tommy had not yet met her himself, but word of Highgarden’s most treasured flower had spread far and wide across the realm.

“Yes,” Lucilla agreed. “But usually Riverrun is as far south as we travel.”

“Your mother is a Tully.”

“That’s right.” She slid the last of her books into its proper place on the shelves.

“Well…” Tommy hesitated, momentarily worried that what he was about to suggest might be a little too forward. “Heavenerys and Lord Bolton will be expected to travel to King’s Landing from time to time to make appearances at court. Perhaps you and your family can join them, sometime.”

Something flickered in Lucilla’s eyes, a soft smile finding its way onto her lips. “I would like that.”

Tommy was suddenly deeply aware of just how close they were standing, their chests practically brushing. It wasn’t often that he found himself so much taller than someone. The top of her head barely came up to his chin. If he didn’t know any better, he would have thought that he noticed her eyes lingering on his chest. 

“I’m sorry,” Lucilla cleared her throat awkwardly. “I’m being so rude. Were you looking for something in particular here? The Maester isn’t usually in this early in the morning…” 

Tommy gave a shake of his head. “I was just looking around to pass the time.”

“Why were you up so early?” she asked, head cocking curiously. “If you don’t mind me asking,” she added quickly. 

“I like the quiet of the mornings. It’s a good time to think. And I wanted to check on the dragons before breakfast.”

Her eyes lit up at the mention of the dragons. “How are they doing?”

“They’re fine.”

Her hands, empty of books now, started fiddling with the few plain gold rings she was wearing. “I’m sorry that we don’t have anywhere better than the field to put them.”

“It’s alright. Truth be told, I think it’s good for them to be out in the open for a while, rather than cooped up in the dragon pit back home.”

She looked like she wanted to ask him something, but decided against it. “Well,” she glanced towards the door, “if you’re hungry, breakfast ought to be finally ready about now. And I expect Amos and my father will both be awake. Even if no one else is.”

“Alright.” He followed her out of the library and down the hall, letting her guide the way to the great hall. “Thank you for keeping me company this morning,” he told her as they descended down the stairs. Lucilla gave him another one of those shy, sweet smiles. 

“Thank you for saving me from my mountain of books.”

He had to push down another smile, momentarily puzzled at how many times he’d had to do so since encountering her in the library. It felt so…easy to be around her. He could not even have begun to explain why. She was a Bolton. Practically a complete stranger. He should have felt wary at best when it came to being alone with her.

“Amos and the princess seem quite pleased with each other,” Lucilla remarked as they walked.

“You sound surprised.”

“Amos hasn’t been interested in marriage at all. He refused every match brought before him until he was offered the future queen.” Her fingers were twisting at her rings again. “I’ve never seen him so…taken with someone before.”

Tommy cocked his head, still trying to puzzle out the details regarding the clear animosity between Lord Bolton and Lucilla. “You and him don’t get along.” It wasn’t a question, but she answered it anyway.

“No. Not since I was a child.”

“Why?”

Her pace slowed, shoulders tensing, jaw setting as though it were locking tight around the answer to his question.  

“Lady Lucilla?” Tommy pressed. 

“It’s not a pleasant topic of conversation.” An odd, faraway look crossed her beautiful features, as though her mind was somewhere else. Locked in some haunting, dark memory that had the color draining a little from her cheeks, the warm light flickering out in her eyes.

They came to a stop at a door leading into the great hall, her small hand enclosing around the knob. Before she could turn it, Tommy reached out, wrapping his fingers around her upper arm, turning her gently to face him. He tried to ignore the way something tightened in his chest at the feeling of the warmth from her body even through the layers of her dress. 

She looked up at him, eyes wide. She had lovely, full pink lips. Despite being chapped a little from the dry air of the north, they looked soft. 

For fuck’s sake. Focus. He forced himself to swallow around his desires. Lucilla was staring up at him, confliction apparent in her face.

“What…?” he began to ask, but the sound of approaching footsteps had Lucilla quickly drawing away from him, a half frightened look crossing her face before it was wiped from her features, replaced instead by that tensing of her jaw, defiance already starting to simmer in her eyes. Like she was preparing for an argument. 

“Prince Thomaryon. Lucilla,” Lord Amos Bolton said, dark eyes gleaming when he caught sight of them. “How surprising to see you together.”

“Good morning, Amos,” Lucilla greeted her cousin.

“What are you doing?” Amos asked, eyes narrowing at her scrutinizingly, shifting between her and Tommy suspiciously. 

Lucilla’s hands had clasped together in front of herself, gripping each other so tight her knuckles were turning white. “I…”

“I got lost,” Tommy interrupted quickly, flashing Amos a bashful smile, “trying to find my way to the great hall from the library. Lady Lucilla was kind enough to rescue me.”

Amos raised an eyebrow. “Is that so?” He was still eying Lucilla questioningly. She shifted from foot to foot. 

“Just trying to be a good host, Amos,” she murmured.  

Amos frowned. “How unlike you, Lucilla.”

She managed a weak smile. “Even I know to be on my best behavior when dragons are about, cousin.” She opened the door to the great hall, shuffling aside. “After you, my prince. My lord.”

Tommy gestured for Amos to go first. Once the lord had swept into the hall, he cast another curious glance Lucilla’s way.

“Thank you,” she whispered, almost inaudibly, eyes still watching Amos warily where he was moving to sit beside Victor Bolton, already seated and eating his porridge.

“Of course,” Tommy murmured in reply, deciding that now was not a good time to try to pry further into her problems with her cousin. He shot her a half teasing look. “Are you not normally a good host?”

With Amos a good distance away, some of the tension seemed to drain out of her face. Enough so that she was able to manage a small, mischievous smirk. 

“Oh, don’t you know, my prince? No matter what I do, I will ever get their approval. I’m the outcast of the family.”

He felt his lips pull upwards a fraction. Ah. Perhaps that was why he felt such kinship with her. 

“So am I.”

∗ ∗ ∗

Dinner was a quieter affair than it had been last night. Only members of house Bolton and Targaryen occupied the great hall, so that the families could get to know each other better without any distractions from the other houses. A few stood to mingle or swap seats as the meal went on, and soon the buzz of multiple conversations was flowing naturally throughout the hall.

Lucy sat at her spot next to Teddy at the high table, sipping her wine and humming along to whatever it was her brother was talking to her about. She wasn’t really listening. Her mind had been distracted all day, endlessly replaying the encounter in the library with Prince Thomaryon. The blue of his eyes staring piercingly back at her. The deep rumble of his voice. The way his lips kept twitching up at the edges as if he were suppressing a smile. The warmth of his hand through the thick layers of her dress when he touched her arm. 

“Lucy?”

“Hm?”

Teddy poked her. “You’re not listening to a word I’m saying.”

She opened her mouth to argue, but then closed it. There really was no point in trying to pretend. 

“Sorry.”

Her little brother–even though he was only a year younger than her, she would always think of him that way–cocked his head. His shaggy blonde hair fell into his face, that mischievous glow that was almost always present in his eyes starting to burn more earnestly. “What is it that’s gotten you so distracted all day?”    

Lucy wriggled in her seat, gaze darting across the great hall to where Thomaryon was sitting before she could stop herself. As if sensing her looking at him, the prince’s eyes shifted to fix on hers. She quickly looked away, feeling her cheeks warm. Beside her, having followed her gaze, Teddy grinned. 

“Ah.”

“Shut up.”

“I didn’t say a thing.” He raised his wine glass to his lips, grin broadening. “Can’t really blame you though.” His voice dropped conspiratorially. “Those blue eyes of his really are something.”

“I ran into him in the library this morning. He’s nice,” that last part came out as a whisper.

Her brother rested his chin on his palm, eyes still dancing with amusement, but something more analytical had entered them as well, appraising her face in a way that made her shift nervously.

“What?”

“I don’t think I’ve ever seen you smitten before.”

“I am not–”

“That blush you’re sporting says otherwise.”

She swallowed hard, frowning. “I barely even know him.”

“So?” Teddy smirked at her. “He keeps looking over here at you.”

She chanced a quick glance back across the hall to find that he was right. Thomaryon was indeed staring at her, but this time when their gazes met, neither of them immediately looked away. Thomaryon raised an eyebrow, one side of his lips tugging up. 

Hi, his eyes seemed to say.     

Lucy offered him a small smile in return. Hello.

“You should go over there and talk to him,” Teddy said in her ear. She pulled her eyes away from Thomaryon to fix back upon her brother.

“No.” Her hands fidgeted with each other, twisting at her rings. “I’m sure that he’s had more than enough conversation with me for one day.”

“I highly doubt that.”

“Oh you do, do you? And why’s that?”

Teddy grinned. “‘Cos he’s coming over right now.”

She felt her eyes widen, panic momentarily seizing her. “What–!?”

Teddy smirked, picking up his goblet. “If you do manage to snare him, I don’t suppose you’d consider sharing, would you?”

“Theodan!”

“I’m only kidding! Mostly. Good luck!” He shot her a wink, then stood from his seat and sauntered away to go speak with Prince Jon in one of the far corners of the hall.

Lucy drew in a shaky breath to try to steady herself, looking up when the prince’s shadow fell across her. The expression on his face was almost shy. 

“Lady Lucilla. Good evening.”

“Good evening, Prince Thomaryon.”

He nodded to the vacant seat next to her. “May I…?”

She nodded, hoping that she didn’t come across as too eager. “Yes, yes, of course.”

He sank into the chair, setting his goblet down onto the table.

“How was your first day at the Dreadfort?” she asked. “I heard that you were meeting with my father and cousin earlier.” The three of them had disappeared after breakfast to speak in Amos’s study. Something about discussing the structure of the court and small council once Heavenerys and Amos had been crowned. 

“It was alright,” he shrugged. “Productive.”

“Will you be remaining as Hand of the King?” Her eyes fixated on the pin clipped to the left side of his chest, glinting slightly in the dim candlelight. He had been appointed to the position during Pollyanna’s regency, and by all accounts had taken to the role as though he were born for it. 

“Yes. We discussed it, and Amos wants to keep me on.”

“That must be a relief.”

“Yes, it is,” he admitted. “We weren’t sure if Amos would want to name your father to the position instead.”

“Ah,” she couldn’t help but chuckle a little at the suggestion, even though she understood why they might have thought that. “Lucky for you, I don’t think that Amos is as fond of my father as he might initially appear.”

Thomaryon cocked his head. “Really? I thought that Lord Victor was his primary advisor and mentor after Lord Bolton’s father died.”

“He was. But I think Amos prefers to keep him at arm's length. He…” she frowned, struggling to put the relationship into words, “he knows my father is loyal. And useful. But I don’t think he carries particular affection for him.” It was perhaps one of a few things that she and her cousin had in common.

“But your father cares for him.”

“Yes,” she looked away. “He is the first born son that he never had.” It was impossible to keep the bitterness entirely out of her voice. 

Thomaryon reached out, hesitated, and then brushed his thick fingers across her knuckles to draw her attention back to him. Lucy swallowed harshly at just how much bigger his hand was compared to hers. It wasn’t until their eyes met that he seemed to even realize what he was doing, quickly snatching his hand back and leaving her to mourn the loss of his burning touch. 

“About earlier…” Thomaryon cleared his throat awkwardly. “My questions about you and Amos…I apologize if I overstepped…”

Lucy shook her head quickly. “It’s alright.”

The prince relaxed, face softening a little. “If there ever is anything that you feel you ought to tell myself or my family, you are always welcome to. Anything you say will be taken into confidence, and no punishment will come to you. You have my word.”

You don’t know my family very well, she thought sadly, but smiled at him for the gesture. All day, she had agonized over whether or not she should say something to one of them. If she did warn them regarding what they were sending Heavenerys into, and word got back to Amos that it was her who spoke up, the consequences would be dire.

But…could she really live with herself if she said nothing, and left the princess to walk into the jaws of a rabid dog potentially unawares?

She met Thomaryon’s gaze. There was something warm there, despite the icy blue of his eyes. She could not have entirely said why, but she felt safe with him. She did not doubt that he would make good on his promise of protection if that was what it came to. 

“You’ve heard the rumors about him,” she started to say, slowly. “About this place.”

“Yes.”

“And yet you promised her to him anyway.” That was the one thing she could not understand. Amos’s reputation was no secret. He wore it proudly. They had to know what he was. Why would they have offered him the future queen’s hand, and by extension one of the most powerful seats in the entire kingdom, if they were aware of all that? 

“Heavenerys is certain that she can handle him.”

“Can she?”

“Yes, I believe she can.” 

“Even if everything the rumors say about him is true?”

Thomaryon cocked his head. “My cousin is no shrinking violet. She’s more than capable of protecting herself. And she has Kairaxès at her side.”

Lucy nodded. The enormous, frost-scaled dragon was a formidable, legendary creature. She certainly would not want to risk his blue flames or sharp teeth if she was Amos. 

“He’s going to be king,” she said softly, her last hopes that the arrangement would fall through slowly dying, glancing across the room to where Amos was standing next to Heavenerys, close enough for their sides to be brushing while they conversed with her father. 

“Lucilla,” Thomaryon leaned forward, an urgency in his face. His voice lowered. “Lord Bolton may be poised to be king, but I have no intention of handing over our dynasty or all of our power to him. Heavenerys will still be queen, and myself and members of my family will continue sit on the small council.”

Lucy let her arm rest on the table, her fingers but inches away from his, aching to reach out and recapture the comfort that the warmth of his brief touch had brought her earlier, but not brave enough to actually do so. She nodded, letting his words sink in and soothe some of her worries. 

“Just…be careful with him,” she murmured. 

Thomaryon nodded. “We will.”

She let out a deep sigh of relief at knowing he had taken her warnings seriously and understood what he was dealing with. And yet…

“I feel as though I should say something to the princess as well…” 

Thomaryon shrugged. “You can, if you like.” He glanced over at where Heavenerys was still standing with Amos. Her arms were linked with his, smiling up at him adoringly. “But it won’t change anything.”

Lucy had to agree with him on that front. Amos was looking at Heavenerys with a similar expression of adoration splitting his face. Lucy shook her head. She barely recognized him. Never before had she seen him so…happy.

“We had to marry her to a northman,” Thomaryon explained, swirling the wine in his goblet lazily. 

“The people have been growing restless up here,” she concurred. 

“Yes. And with your house’s recent amassing of power, alongside how formidable the Starks already are, my aunt is worried about rebellions.”

“Why didn’t you marry her to one of the Stark boys?”

“Word is that Jared II is not particularly interested in the company of women, and the other two are already betrothed.”

“And I don’t imagine that the queen was all too interested in marrying the princess off to a house of any lesser standing than ours,” Lucy concluded.

“That’s right.”

She hummed, still watching Amos and Heavenerys, trying to discern if either of them were faking the love that seemed to be sparking between them. “Perhaps it will end up being a good match and I’m worrying for nothing.”

“Perhaps.” 

She looked back at Thomaryon to find him still gazing at her. The warm intensity of his eyes had her heart skipping a beat, warmth finding its way back to her cheeks. She opened her mouth, intending to change the subject to something more pleasant, when a voice interrupted. 

“Prince Thomaryon,” her father said, a hand landing on the back of her chair. Lucy felt her spine go rigid, jaw setting in a grimace at the unwanted presence. “So sorry to interrupt, but if you have a moment, I want to introduce you to my son, Elyas.”

Thomaryon frowned, looking like he was about to protest.

“That’s alright,” Lucy said quickly, knowing that if he refused his request, it would only cause a fuss between her and her father later. He’d probably accuse her of holding the prince hostage with her silly, boring little stories. “I’m sure that I’m boring the poor prince to tears anyway,” she managed a weak smile. Her father merely scowled at her before turning his expectant face back to Thomaryon.

The prince looked back at her, frowning a little, still looking conflicted. 

Please, just do what he wants. It’s easier, that way, she silently pleaded.

Whether he read the message in her eyes or not, Thomaryon stood, albeit reluctantly. “Alright.” But before departing with her father, he reached out, taking Lucy’s hand in his, and lifted it to press a quick kiss to the back of her palm. Lucy’s eyes widened at the softness of his lips against her skin. “It was lovely getting to speak with you, Lucilla,” he murmured, letting her hand go. 

“You as well, my prince,” she managed to stutter out. He gave her a small smile, lashes lowered slightly, light from the candles reflecting in his ice colored eyes. Her heart felt as though it was doing backflips in her chest, cradling the hand he had kissed to her chest as if she could infinitely hold the memory of his lips on her skin. Her father led him impatiently away, already saying something about his hopes that there may be a place for Elyas at court someday. Lucy cringed, feeling vaguely ill at the idea. She had been so focused on warning Thomaryon about Amos, she had not even gotten a chance to offer him a heads up regarding her brothers. 

“Cockblock,” Teddy muttered scowling at the back of their father’s head, coming up to stand beside her. “Ow!” he complained upon her elbowing him in the side.

“You’re going to get me into trouble,” she scolded halfheartedly while he retook his seat next to her. It wasn’t like she needed anymore of that. She already got hollered at for things enough as it was. 

Teddy flashed her a smile, as if he knew something that she didn’t. “Oh, sweet sister. Based on the way that he looks at you, I think you already are.”  

∗ ∗ ∗

Tommy rapped his knuckles against the wooden door leading into Heavenery’s chambers impatiently. It took only a moment for the door to be opened not by Heavenerys, but by Polly. 

“What do you want?” his aunt asked, looking puzzled at his presence. 

“I need to speak with Hev about something.”

She raised an eyebrow, but stepped aside to let him in. Heavenerys was sitting on a loveseat near the fire, working to undo the intricate braids her hair had been styled in for the day. 

“Hello, Tommy,” she greeted him warmly. “What’s going on? Is it Aerthurys?”

He sighed. It had been his and Jon’s job to keep their older brother from losing his damned mind during their time at the Dreadfort. Ever since Heavenerys’s betrothal to Amos had been announced, their older brother had been teetering on a ledge, moments away from spiraling into madness.

Tommy understood, to some level. Aerthurys had loved Heavenerys since they were children. It had to be agonizing for him to watch her be wrenched from his side and married to another man. But that did not stop Tommy from wishing that he could get a damned grip over himself. They may be royalty, but none of them were above duty. They had known that this day would come eventually. Polly had made it clear from the beginning that they would not be partaking in the tradition of incest that their family had enacted in the past. They needed to strengthen their ties with the other houses across the realm, and dilute some of the madness and sickness which generations of inbreeding had wrought upon them. 

Tommy struggled to understand how Aerthurys had not properly prepared himself for this moment. But then again, if he had any sense at all, his brother wouldn’t have gotten involved with their cousin in the first place.

“No,” he reassured, taking a seat across from Heavenerys, “it’s not Aerthurys.”

She tipped her head curiously. Polly sat down next to her. “So what is it?”

He hesitated, choosing his words carefully. “I’ve spoken to Lady Lucilla some today.”

Heavenerys’s expression warmed. “I saw you sitting beside her at dinner. What’s she like?”

“She’s…” Beautiful. Warm. Sweet. Fiery. “Nice,” he cleared his throat quickly. “I think you and her will get along.”

Heavenerys brightened further. 

“But…?” Polly prompted, expression still stiff. Tommy kept his gaze locked with Heavenerys’s.

“You and Amos seem to be getting on well.”

His cousin’s face lit up like the sun, eyes glowing with the brightness of a woman newly in love. “Oh, Tommy, he’s wonderful…”

“Can you control him?”

Her smile faded a little. “What…?”

He shifted in his seat, crossing one leg over the over. He hated to potentially throw cold water onto her happiness, but he needed to be certain about this. “Lucilla says that all the rumors about him are true.”

Heavenerys’s smile died away. Polly’s lips pursed. “Amos has been nothing but lovely and charming when I’ve spoken to him.”

“Of course he has. You’re the queen. And his betrothed’s mother. If he were rude to you I’d be questioning his intelligence.”

Polly leaned back into the loveseat, fiddling with the edge of her sleeve. “You’re really going to trust the word of a torturer?”

He frowned at the reminder of the rumors that swirled around Lucilla. “I don’t think that’s what she really is.”

Polly scoffed. “Thomaryon, when it comes to beautiful women, you’re not always the best judge of character…”

He sputtered slightly in offense. “What is that supposed to mean?”

“It means that you often think with the head not attached to your shoulders,” Heavenerys giggled.

Tommy huffed, running a hand through his hair and giving a slight shake of his head. “She seems frightened of him. And her father. Look…she just wants us to be careful, that’s all.”

Heavenerys tipped her head. “That’s kind of her to worry, but she doesn’t need to.” She smiled slyly. “I’ve already got him eating from the palm of my hand, and we haven’t even spent the night together yet.”

Tommy leaned towards her, staring hard into her eyes. There was a dismissiveness in her attitude that only worried him further, but that he did not know how to combat. She was only seven and ten, and–while she may have denied it–still optimistic and naive when it came to much in the ways of the world. Polly had always been so protective over her. She’d sheltered her, sometimes too much. 

“You’re the future of the realm, Hev. I need you to be sure that you can handle him. Not just today, or tomorrow. But for all the years to come. And in all matters. We can’t have him becoming another cruel tyrant on the throne. I can help you, but there’s only so much that I can do, even as Hand…” 

Heavenerys smiled at him, leaning closer, meeting his eyes unflinchingly. “I am sure, Tommy. You don’t need to worry.”

“Even if he really is a monster?”

An edge seemed to enter her smile, something flickering within her near glowing eyes, and he was reminded of the superstitions that his cousin was kissed by the cold, cursed with something wicked and twisted.

Perhaps, that really did make her the perfect match for the dark lord of the Dreadfort.

“Then he will be my monster.”

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Thank you for reading! Please consider leaving a comment, reblog, or like. I always appreciate feedback and love getting the opportunity to interact with you and hear your thoughts!

[wish-ful-thinking513]

Iroh, staring at a tea pot: How do you think it tastes? Zuko: Like tea. Iroh: Yes. But is it floral? Bitter? Mildly sweet with notes of buttery-- Zuko: Warm. And wet.

[bookshelfdreams]

In case you're wondering what the fuck is going on in Germany today:

After our government imploded last week, current vice chancellor Robert Habeck (Greens) was the first to announce that he is going to run for chancellor in the upcoming election. He did this with a picture in which he was seen wearing a bracelet that spelt out "Kanzler-Era". He then proceeded to properly announce his candidacy in a video, filmed on a set designed to look like my mum's kitchen in the 90s, where he said, and I quote,

"I am ready to offer my experience, my strength, and my responsibility. As chancellor, if you'll have me."

He also encouraged people to invite him into their homes so he could listen to their problems. His party is currently polling around 10-12% btw. Ambitious to the point of delusion, but mad respect. Just look at him.

The title translates to "My application as a candidate for the people in Germany". The Greens are always so goddamn earnest, you just gotta love them.

So anyway, this prompted a random dude from the Cologne CDU (that's the conservative party) named Gundolf (no, really) to post on twitter that, should the Greens win, we should "inofficially" rethink women's right to vote. He also called Habeck a "political marriage swindler".

German twitter, predictably, replied with a very well-deserved "The FUCK, bro".

Then, Gundolf goes on an absolutely unhinged rant about how, actually, historically women weren't discriminated against because they were "rightfully" considered more emotional and fragile, and also, women's suffrage was a result of higher literacy rates (???), and ALSO, have you, the reader, considered that Robert Habeck is the true misogynist here because he presents himself as emotionally available in a clear effort to manipulate the girlies??? With his good looks and political competency and raw sexual appeal. NOT GUNDOLF of course. HE is immune to all that. He's just concerned for women and their fragile little brains.

(Okay, I may have exaggerated that last part a little but that's the vibes. Gundolf, do you want to tell us something?)

Anyway, that's the party who will most likely head our government next year 🙃

[ssahotchnerr]

possible idea for married hotch since you asked for requests😋 (and cause i love your writing)

maybe one where he gets injured and with the rest of the bau he’s just brushing it off but when wifey pulls up? different story.

he’s just all 🥺🥺 at her and the team is like wtaf?

also can i be 🌊 anon pretty please?

healing touches

i love that 🥺🥺🤕 cw; bau fem!reader, established relationship (hehe they're soooo in love), injury/blood descriptions, aaron being stubborn🙄, playful banter, fluff <333

The first SUV arrived back at the police department after apprehending the unsub. Morgan, JJ and Prentiss walked inside, pulling their vests off in sync.

You might have been mistaken, but their gazes immediately locked onto you as they removed their protective gear. Their stares were almost unsettling, as if they knew something you didn’t, and were waiting to see the rest unfold. Unease filled you from head to toe.

"Hey," you stacked a few files together, placing them down. "How'd it go? Did you get him?"

"Yeah, 'course we did." Morgan sauntered over, dropping his vest onto the table with a thud.

"Well," Emily added, a slight grimace on her face. "Not without putting up a relentless fight. It wasn't pretty, I'll tell you that."

A bad feeling formed in your gut. Even Spencer's attention was gained, his head lifting from his book.

"What do you me-"

Your words were interrupted by Aaron and JJ walking in. JJ, perfectly fine. Aaron on the other hand, was moving at a much slower speed than normal, definitely banged up with a fair amount of blood present on his face.

Your eyes widened in alarm, meeting him halfway.

"Oh my god, Aaron. Are you okay?" You immediately unstrapped his vest for him, tucking it under your arm. The lessening pressure seemed to help some, light tension lifting from his body.

Your hand raised to cup his jaw, moving it gently to observe the damage. There was definitely a developing bruise underneath his right eye, his forehead and cheek were both littered with scrapes of all shapes and sizes. Aaron winced when his head reached a particular angle, and it wasn't a subtle wince either. It was a startling jolt, agonizing pain obvious.

But it was at your touch, and your presence, that his eyes softened. The stagnant sharpness dissolving as he looked at you with a tenderness that was almost too raw to hide. You pulled back to get a better look at him as whole, ensuring he was fully intact.

"He's 'fine', in case you were wondering. Only told us 'bout a million times." Morgan added air quotes, sitting down and kicking his feet onto the table. "Refused medical attention, even."

"Manners." You swatted his foot, causing him to lower them before turning back to Aaron. You tutted at him softly, "You did? After that lil stunt you just pulled?"

"Well... I guess it is starting to hurt more now."

"I wonder why," JJ commented humorously under her breath, hiding her smile with her palm. Additionally, Emily and Derek gave him a look.

You quickly reached into your bag, riffling through it until you found your handy tube of Neosporin. "C'mon, let's get you cleaned up."

Aaron didn't argue, didn't utter a single word as he followed you to the bathroom like a lost puppy. Once inside the small space you maneuvered him back against the sink, washing your hands next.

"That was stupid of you." You wet a paper towel, dabbing his cuts and ridding of any dry blood, once again causing him to flinch at the touch. You pulled the towel away, pausing a moment, before resuming gently. "Even if you think you're not in need of getting checked out, please do, for my sake at least. I'd like my husband to stay in one piece if possible."

"I know, I'm sorry."

"What happened?"

"We were clearing the grounds and he managed to catch me by surprise," Aaron huffed out, evidently annoyed at himself. "I should have seen it coming. Seen him in the shadows, reacted faster."

"Baby, you may think you have the invincibility of Superman, but you don't. You're human, it's okay to miss things every once and a while." You reassured him softly, tossing the towel aside and moving onto the Neosporin. After dabbing some onto your index finger, you began blotting it thoroughly onto the cuts. "Which I'm fine with, by the way, you're much better looking."

"Yeah?" A laugh escaped Aaron, but his chuckle was interrupted by the twinge in his ribcage, the entirety of it shooting up in pain.

"I'm sorry," you gasped gently, guilt sweeping through you.

"It's fine, 'm fine." He breathed out through his teeth, his jaw clenching momentarily, until the pain subsided. "I'm okay sweetheart. Now c'mon, your face is far too pretty to look that worried."

Your eyebrows were furrowed, eyes frantically searching his face.

"Really. So I'm a little bruised up, I've been through far worse."

You sighed, not entirely convinced. "Fine. But when we get home tomorrow," your eyes narrowed slightly, pointing the Neosporin at him as a 'threat'. "You're resting. Come hell or high water."

"Deal."

"I'm happy you're okay." Suddenly emotional, tears dared to spill from your eyes. They stalled at your waterline, completely blurring your vision. You hated to see him in pain, and the reminder of past events didn't help. "Don't scare me like that."

"C'mere," Aaron raised his arms, gesturing for you to come close.

"I don't want to hurt you-"

"Come here."

You took a step forward, not raising your arms to potentially inflict pain, but rest your body against his. Your face found home in the crook of his neck, while his arms did wrap around you. Not as tight as usual, but enough to hold you and not hurt.

"I'm fine," he kissed the side of your head. "And I have my girl to thank for that. Although, you did miss a spot."

"I did? Where?" You pulled back, beginning to unscrew the tube's cap but Aaron's hand stopped you.

"Right here." He pointed to his lips, playing up the 'anguish' in his eyes. "Hurts real bad."

Your lips tugged into a smile, leaning in and offering him a short, sweet kiss.

"That's all I get?"

You playfully rolled your eyes before giving his lips another quick kiss. He chased your lips, but you pulled back, keeping just out of reach.

"Want a longer one? Get medical attention next time."

[pastel-peach-writes]

Hii, i just read all and i mean ALL of ur fics, but i saw you wrote for arcane women and was wondering if you could write headcanons abt them with a socially awkward/anxious reader?? If not thats A-Ok 👌 with me

Sure! How is everyone doing after the first three eps? I still haven't seen it but the edits I've seen... oh boy.

"I Got You." | Arcane Ladies Headcanons

╰┈➤ PLOT: How the ladies of Arcane(Jinx, Vi, Caitlyn, Sevika, Mel) act with a socially awkward and/or anxious partner

╰┈➤ WARNINGS: Spoiler Free, On The Shorter Side, Cursing, Not Proofread

⍣ ೋ Enjoy!⍣ ೋ

JINX

– At first, Jinx didn't get that you were socially awkward. She was used to people being awkward or even scared around her so she thought it was the same case with you until you two got closer.

– After knowing that your awkwardness was just you and not your fear of her, she observed you in social situations and noted what made you more anxious than normal.

– For example, she noticed you're more anxious and timid in bigger, louder spaces but if a space was quiet and quaint, you would be just fine so she often took you to quiet places for dates.

– If Jinx notices you're anxious in places you typically aren't, without a doubt she's removing you from the situation and taking you home where you can relax. No words, just grabs and tugs.

– She's tried the pep talk route before but it ended up in her rambling and somehow planning a terrorist scheme aloud... (yeah, a few patrons quickly left the area after hearing that), so she decided to scrap that idea altogether.

– At home though she would prepare what she calls, "A Safety Nest". It was a place in your shared space that had all your favorite things and trinkets, and she usually kept the space dimly lit and played your favorite music to calm you down.

– In social interactions where you take the lead in conversation, Jinx would quietly encourage you with big, almost alarming smiles and "gentle" pats on your back. Let's face it, Jinx can be socially awkward herself.

– Once the conversation concludes, she'll jump on you proudly, ruffle up your clothing, and pinch your cheeks endearingly all while calling you weird nicknames and quoting what you said while mimicking your tone and cadence.

––

VI

– Before you've had your first real conversation together, Vi could sense that you were an anxious individual.

– You fidgeted with your body while speaking, didn't hold eye contact long, and used a decent amount of filler words to casualize your sentences.

– She thought it was endearing to watch you act and move as if you thought no one truly cared about what you were saying or were afraid of boring others but you never bored her. She didn't think it was possible.

– You had tells and quips that revealed themselves with each conversation you two had. You showed more and more of your personality the more you got comfortable with her too. Vi loved it.

– When you spoke to her, especially when you went on tangents about things you were interested in, she always showed signs of active listening by nodding and asking follow-up questions. Even days later, she'll bring up the topic again to see if you have any updates.

– She made you feel seen and heard, something you've subconsciously craved. And when you went on your worry rambles, she consoled you and tried her best to stop you from spiraling.

– You thought about a lot of things and oftentimes about things no one else thought about. Vi thought your brain must've been exhausted with all the worries, doubts, and judgments that were usually wrapped up as others' but were truly your own; it was a lot for one person to handle so she strove to let you know that you were not alone.

– Is there a night you can't sleep because of your racing mind? Vi is there, holding you or reassuring you that everything is going to be okay. She can't sleep until you do anyway so why not speed the process along?

– You often had yourself stuck with your head stressing and worrying about multiple things at once and Vi was always there to bring you down to Earth.

__

CAITLYN

– Caitlyn's an encourager and a comforter with you.

– She's patient and silently allows you to take your time when gathering your thoughts midconversation but she'll also be the one to say, "It's okay, take your time," in the sweetest way possible.

– If there's an instance when you two are out and about and you really want something but are too scared to get it, she'll spring into action and get that thing for you. (Even if it was just a napkin).

– The only time she's frazzled socially is when you both are in an unfamiliar area and need to ask for directions. She'll stumble over her words and try to get someone's attention but they're moving too fast to hear her soft words.

– She'll get frustrated and you end up comforting her, but after a few backrubs, she's ready to try again. Her voice is strong and powerful, and people have no problem hearing her.

– You secretly thank whomever you have to for her determination but there was no way in hell you were going to walk up to a stranger and ask for directions like a tourist... which you were.

– Since Caitlyn's job has her socializing with a lot of people, she can get burnt out easily. Especially if work hasn't been going her way lately but even if she's burnt out and tired, if you seem to be more awkward or anxious than her, she's more than happy to step up socially.

– When you both have someplace to attend to or some event that holds significance, Caitlyn will not hesitate to stage a "social rehearsal" with you. She'll make flashcards of topics you could bring up, you'll both dress accordingly for the event in her living room, and she'll pretend to be an assortment of people so you can get used to different personalities all at once.

– It may seem like this is all for you, but honestly it helps her too. Sometimes she misses the personal cues of conversation leading the other to think she's a black-and-white thinking who has no time for pleasanties. Not true! She's very pleasant... sometimes she's just shy.

– Shyness is not a crime!

– After talking with the host and a few others she has to talk to due to her job, her social battery is depleted. She's extremely thankful you're able to recognize this and suggest leaving early. What would you two do without each other?

––

SEVIKA

– Oh, man. This lady found your awkwardness charming as hell.

– Your awkwardness was different than all the nerds and scaly-beings she's forced to be around. You were cute, looked perfect sitting next to her, and your awkwardness, as mentioned before, had a certain charming quality she can't quite place.

– She'll see you in your workplace trying to make casual conversation or small talk but none of your topics seemed to be landing. Your coworkers would give you a thin pressed-lips smile that she wanted to strike off of them to your attempts and then scoff at you behind your back.

– You were authentically yourself and those bastards didn't know what to do with it. They were scared, not her though.

– When you two got closer and comfortable enough with each other that you could tease one another or make playful jabs at the other's expense, no doubt she would tease you about your awkwardness.

– With those gorgeous eyes of yours, you would look everywhere else but her own, prompting her to say, "You know you can look me in the eyes, right? I won't bite", with the stupidest most shit-eating smirk on her face. And then when you look at her, a bit shocked and playfully annoyed, her smirk would only grow. "Unless you want me to."

– Sevika never made your awkwardness seem like a flaw. Your awkwardness came with you and she wanted all of you so she often encouraged your awkwardness.

– If she caught you trying to "reel" it in or realizing that you've talked for a few seconds too long, she'll playfully scold you and tell you to continue or to "let it out". Y'know. As someone who seethes dominance does.

– There would be an instance in which you go to Sevika asking for advice to be "less awkward" and her only response would be, "Why? I like your awkwardness, you don't need to change it. Anyone else who thinks otherwise is a sad loser and don't deserve to be in your life anyways."

– like damnnnn, okay!

– Safe to say you never asked her a question like that again.

--

MEL

– Mel understands your worries about what others think and the awkwardness that can come with it so she likes to help you in any way she can.

– If you're stressed about a council meeting and afraid of what everyone's going to think about the new perspective you'd like to bring to the table, she'll reassure you and tell you she's right by your side.

– If she can't physically with her hand on the small of your back, she give you nods of encouragement, raise her brows proudly, and look at you with that sense of pride and admiration in her golden eyes.

– After the meeting goes well, which she knew would, she'll congratulate you with your favorite drink and a night in doing all your favorite things.

– Even if there were parts in the meeting that were rocky, like the council people asking questions you weren't prepared for or getting rowdy, she'll say you did an excellent job and what you presented will help the people of Piltover.

– Oh, and don't think for a second that she wasn't sending glares and daggers to those who stirred up your anxiety even more. If looks could kill.

– Mel sees that sometimes your awkwardness and anxiety result in people-pleasing and she would shut that down real quick. She's fallen into that dangerous pool before and knows how hard it feels when you disappoint others and how much harder it is to get out of that mindset.

– She can get quite spirited with her encouragement...

– "Well, if they don't like it, that's on them! They don't know something good when they see it." "I've learned that hard way that you can't please everyone. You might as well say what you have to now. They can get over themselves later."

– It's actually quite attractive to see her stand up for you, even if she was standing up for the possibility.

– Always keeping her words in your mind, you find yourself navigating through life easier and you only have her to thank.

WC: 1,705

[mellowwillowy]

𝐓𝐖𝐒𝐓 𝐒𝐞𝐥𝐟-𝐀𝐰𝐚𝐫𝐞 𝐂𝐨𝐦𝐩𝐢𝐥𝐚𝐭𝐢𝐨𝐧𝐬

Feat: Riddle, Leona, Azul, Kalim, Vil, Idia, Lilia Bonus: Floyd, Jade, Jamil, Rook, Epel, Malleus

Riddle Rosehearts

Riddle’s face was almost as red as his hair, not out of anger but rather…

[Oh my gooodddd, stomp those tiny feet again, Riddle! Give me that pout~]

Really… should he do it again? Out of nowhere? Well, let’s take a walk to where you clicked then…

[Yaahhh!! So cuteeee!!!]

Well at least you didn’t think him badly for being angry out of nowhere… whoops, he wasn’t supposed to idle like that.

Ahh, why are you moving on to another character? Cater? That good for nothing? The naughty ADeuce duo? He's almost turning from red to green in envy!

Leona Kingscholar

Leona was supposed to be ticked to the brim but definitely not with you. His ears are red from your nonstop rambling while you keep on poking his avatar right on his ear.

[I wonder how it feels like to play with his ears, ah, maybe I should help you clean it too?]

Don’t. Twitch. Ears. Else the player might notice this and question this one new idle.

[Thinking back, I kinda wanna try stepping on his tail like Yuu too~]

Don’t. Swish. Tail. What? Is he a masochist or what? Well, if it’s for you then he wouldn’t mind it.

Wait wait, why are you checking out Ruggie and Jack now? Hey, what do you mean Ruggie has cuter ears and Jack has a fluffier tail? Why do they look so proud? Are they asking to be minced?

Azul Ashengrotto

Azul might break out of the avatar restraint now. You’ve been talking about how you want to squeeze the kid him, round and plump, you quoted.

Why did you find his past appearance adorable?

[Honestly, I kinda want to lift him and his hiding spot and boil him as a takoyaki filling]

Now that made Floyd and Jade snickered. Azul was internally panicking but his avatar did not show him breaking a single sweat.

[Or maybe gather all his ink whenever he cries]

For your pen?

[But I do think squeezing his plump octomer form is the best~ Oh well, he had lost all those baby fats]

And back to how you ramble about his round self again. This was supposed to be disheartening but why was he blushing?

Wait wait, don't look away from him, no! Why are you going to Floyd? And Jade too? He knew Floyd won your heart but allow him to worm into your heart at the very least. Please let one of his three hearts rest in you!

Kalim Al-Asim

Kalim was nodding non-stop at your ramblings, or should he say, wishes. He was really happy that you were taking him as your magic lamp!

[And then, I want you to lace my body with lots of glitters, made of gold!]

No hard task, he just had to grind all that gold into some sort of fairy dust for you!

[Oh! And I want to try swimming in a pool of golden coins like Uncle Scrooge! I wonder if it'll hurt and uncomfortable as I think...]

He was in the same boat with you. You'd have to be careful when diving into the pool! But you can try sleeping on it though you should be careful, just in case the coins swallow you whole!

[And a carpet ride every night~]

Roger that! Tell him more of your wish, will you?

Eh? Why do you stop wishing? No! He will guarantee you that he will make it all come true! Please do not doubt him! Ah... it's because you two are in a different dimension? Screw this barrier that separates you two then.

Vil Schoenheit

Yes, he knew he was unworthy of your praises but he couldn't help but enjoy bathing in it!

[Look at your hair... and that make-up! Wow... truly is the fairest one of all!]

Oh please, no matter how much you compliment him, he could never compete with you beauty-wise! You would always be the true fairest one of all!

[Aha! Look at those heels too, contribute a lot to your height, and make you look so pretty!]

Even a prominent actor like him can't cover his natural reaction which was the growing blush on his face!

Eh? Rook? What does he have to do with him? Too in love with his words more than the beauty in front of you right now? No no no, you must look at him only and no one else!

Idia Shroud

If anything, he was glad his hair did not turn pink! From the way you kept on poking his avatar and patting his head, it made his heart tickled. He was no longer stuttering because the system wanted him to, but because he himself was nervous!

[Oh, show me that one illustration... Kyaaa! Why must you be so cute biting on your sleeve??? It's so inviting!!!]

Ah? That one? He couldn't help but feel embarrassed as you zoomed into his face and examined his hair. Truly, this was too much for his heart!

[Oh oh, and your masquerade costume is so pretty! It makes you look so pretty ffs!]

Ah, it was pretty uncomfortable to wear but he's glad he didn't take it off, not like he can do that anyway. The system won't allow that after all.

Everything feels nice so why are you changing character now? Wait wait! Have you checked his other card? No no no, why is that little shortie fae here? Don't close on him, please! He might want to try hacking your phone soon!

Lilia Vanrouge

Oya? You'd like to dress him up? Kukuku, looks like green and pink would work well on him~

[And... I think we can try curling his long hair, can we change the hue from red to pink like a color wheel?]

...Curling his hair didn't sound bad. Maybe he should try it sometimes and see if it suited him.

[Oh! And I'm gonna hang him upside down like the bat he is! My cute little bat, let's fist-fight!]

You really are an enigma huh? One moment is a sweet and docile lamb then the next moment you are a bull. Hm? Malleus? Why talk about him so sudden? Didn't you say he is your number-one favorite from Diasomnia? So why are you looking at someone else now?

𝐁𝐎𝐍𝐔𝐒:

Floyd Leech

God of Shrimpy~ Keep on poking him, he loves it! Ah, you love his teeth? And his droopy eyes? And his laugh? Hehe, you really love everything about him huh?

So why do you even bother looking at the others? He's going to hug you tight for this silly!

Jade Leech

Ah, he is quite the gentleman, no? Hm? You'd like to keep him as your butler? Why that is quite the generous idea that you allow him to manage your daily life~

With a small dose of love potion in your daily tea every day, he's bound to have you in his arms soon, well, if he ever finds a way to pull you into this twisted wonderland.

Jamil Viper

It truly is an honor to be considered as someone reliable (from babysitting Kalim) and acknowledged as an attendant who could shield you from any danger, truly. He is ready to put his life in line for you so why?

Why are you saying that there's someone else who might fit the position as your attendant more than him? And that person being that slimy eel no less!

Rook Hunt

Ah! This is amazing! To be able to charm you with his words and let him worm into your heart is truly a blessing! Would you like him to write you a poem detailing your beauty?

No no, mon chèri, you shouldn't grace those who are unbefitting of it, don't you think it's a waste to spare the other your grace? Allow this hunter to save you from that trouble.

Epel Felmier

H-huh? You want to dress him up? Naturally, he hates being treated as a doll, a girl no less! But... the idea of you helping him dress and helping him with makeup... he can do this. It is your way of gracing him after all...

Huh? You want to dress Lilia up too? Why? Because he's cuter? Oh no, there's no way there's someone who is prettier than him, look at him, look at how pretty he is in this dress!

Malleus Draconia

If anything, he will always hear you compare him and Riddle to the 'Queen of Heart' and 'Maleficient' from your world. You will praise him for being able to stand on the same level as the actress' beauty which makes him feel giddy.

But boy is he sulking when you start rambling about Riddle and the big-headed Queen. You will dote on him and Riddle back and forth.

Can't you just dote on him?

[reiderwriter]

🧺 Any More 🧺

Pairing: Spencer Reid x Fem!Reader

For the CM Kink Bingo Challenge 2024

Requested: spencer realizing that he’ll never love someone as much as he loves you. (whether that be because of a case or what have you), his mind is absolutely blown with how much he worships you and how much you love and care for him and he shows you that with the softest most sickeningly sweet sex you and him has ever done. <3

Warnings: 18+ MINORS DNI! Discussions of case details, case burnout, very close friends to lovers, oral (f receiving), vanilla sex (p in v penetration). Discussions of mental health, and two idiots in love.

A/N: I'm hitting the prompt Vanilla for this one, so please don't be scared off by the KinkBingo tags! I had a lot of fun writing this one (and adding Pride and Prejudice quotes into the smut scene because HELLO). Let me know what you think in the replies~♡

Masterlist || Bingo Board

You hadn't seen Spencer in 100 days. Which in the grand scheme of things wasn't that long, trapped in the purgatory of a ‘what if’ the way you had been for the last eight years. 

You'd lived without him for longer than 100 days before. He'd been in prison, you'd been on assignments, you'd lived an entire life before meeting him, but now somehow 100 days was too much time, and you were exhausted. You understood why Spencer had to take some time away from you, from the team in an official capacity after everything he'd been through. You supported him even. 

But when even your free time didn't overlap anymore, you wondered if your relationship would ever be the same again. 

Spencer was a friend, your best friend, probably. You'd arrived on the BAU team, he'd rattled off some statistics, stammering the way through them, and you'd immediately warmed to the man. He was brilliant, funny, and fiercely loyal, and you tried your best to protect him even when the job seemed designed to break people like him into thousands of little pieces. 

You'd tried to convince him to leave before, after Maeve had died. You didn't want to see him heart broken again, but no one else had seemed to agree. 

“Reid needs purpose,” they'd said. “Reid needs something to do.” 

What Reid needed was to not end up dead before he had a chance to be happy, and happiness didn't come often in your field of work. 

You'd been almost vindicated a year later when he'd been shot again, almost fatally. Vindicated, maybe but distraught and inconsolable. Morgan had to carry you screaming and clawing out of his hospital room multiple times. It sounded stupid enough to yourself that it was only then you realized your feelings for the man. 

You wanted to be Spencer Reid's happiness, which was why you were so lost without him. 

He was coming back on Monday, and at least you had the weekend to sort your feelings out about everything.not just about him, but about the job you'd found didn't fit you well enough anymore, about the team you loved like family, about the relationship you knew would likely never come to fruition. 

You dumped your bags at your door when you'd arrived in your house that night, pushed yourself into your bedroom and let yourself collapse on your bed, balling up into as cozy a position as you could. You didn't even bother taking your jacket off, you just let your brain haze over and sleep rush in. 

Three quiet raps at your door lifted you up and out of bed again, not an hour later. 

You grabbed your phone, grabbed the second go-bag you kept at your house, put your shoes back on, and opened the door, expecting Emily and a new case. 

“Where are we going?” You said, rubbing the sleep out of your eyes, not even looking up at your guest. 

“Hopefully, nowhere? I brought takeout.” 

Your eyes widened then, taking in all 185cm of Doctor Spencer Reid, tweed jacket and plastic bag full of chow mein included. 

“Spencer,” you breathed out, like a sigh of relief, letting the bag drop to the floor next to the first one and letting yourself into his arms. 

He held you carefully there for a second before leading you back into the apartment, wrapping an arm around you and ruffling your hair. It was brotherly, and it made you sick to your stomach. 

“What are you doing here?” 

“Emily said you were back from a case,” he started, unpacking the takeaway from the containers. “And it feels wrong to eat this without you.” 

You rolled your eyes and followed him into the kitchen, pulling two forks out of the drawer nearer you and stabbing them in the top of your two cups. 

“Hey, I can use chopsticks now,” he said, defending himself against an inside joke. Spencer was always useless with his hands. 

“I don't care if you can use them, I care that they don't accidentally end up stabbing me,” you said, taking yourself back to your bedroom, Spencer following. 

“You'd hardly die from being stabbed by a wooden chopstick, maybe a papercut or a splinter but-” 

“But you're just bad enough that I don't want to risk it.” 

You kicked off your shoes again and climbed onto your bed. Spencer followed. 

“Remind me again why we aren't sitting on your couch?” 

“Uncomfortable.” 

“Or at your breakfast bar?” 

“Glorified filing cabinet right now. Eat.” 

He shook his head but complied, leaning back against your pillows as you both began carefully eating. Silently, you pulled your laptop onto your bed, opened it up, and pressed play on a movie, one you'd seen more than once, and you'd forced Spencer to watch before as well. 

In a comfortable, friendly silence, you finished your food. You stretched out in a yawn once and then curled into his side, letting his mumbling voice, repeating the movie lines as they were spoken, lull you softly into sleep. 

Spencer knew he had to leave, but he couldn't bring himself to wake you. The movie had finished hours ago, he'd closed the laptop and turned off the bug lights, but he couldn't leave. 

Unlike you, he hadn't counted the days that you'd been apart. He hadn't needed to. He knew you'd be waiting there for him when he returned, knew you'd give him a smile and a pat on the back, and immediately start bouncing ideas off of him. It was what he loved about you. 

As he laid next to you in your bed, a place he'd absolutely been before, his heart thumped. Just once, but hard. 

Even in sleep, you looked exhausted. Your shirt was crumpled, hair a mess, you were still wearing makeup, and he knew he'd probably get an earful for letting you sleep like that in the morning. You were a mess, and he still wanted you. 

The thought came to him suddenly, another painful thump of his chest echoing in his mind. He rubbed absent mindedly at his chest as if experiencing heartburn. In the dim light of the room, he let his head drop to the pillow and wrapped two shaky arms around you and pulled you in closer. 

The two of you were a picture - both in suits, both with badges still somewhere on your person, both dearly clinging to the person they feared losing the most. 

When you woke the next morning, it was actually the afternoon. 

“Spencer,” you groaned, melting under the heat of his embrace. Somehow, during the night, he'd rolled on top of you, pressing you into the bed with a delightful pressure, head nuzzled into your neck, arms tucked around your waist. 

“Spencer, we should get up,” you said again, forcing your eyelids apart as your mascara tried to glue them together. 

“Mmmmhh,” he groaned, moving to pick himself up off you for a minute but lowering himself again. If asked, he'd blame your hand in his hair, stroking the rogue curls gently, as if he were a prized pet and you their carer. 

“Spencer, its 2pm.” 

“On a Saturday.” You laughed at how pouty his voice sounded, but he complied and rolled off of you slightly, arms still wrapped around you. 

“Come on. Get up. I've got some clothes that might fit you, let's get you out of the tweed.” 

He huffed but nodded and lifted himself halfway to upright, eyes still closed lazily as he let in the light millimetre by millimetre. 

“God, my face feels horrible,” you said, itching at your nose. “How did we even sleep so long like this? My belt is still on, Spencer, my belt.” 

“If you were still wearing a weapon, then I'd be worried,” he smiled. 

You shot him a sarcastic look and finally detangled yourself, only to clasp his hands and pull him forward as well, letting him trail you to your closet. 

“Here, change in the bathroom,” he nodded and walked away, following directions with eyes still closed, as if it were really his apartment and not your own. 

100 days without him, and it was as if it had only been 100 hours. Your entire body chemistry changed when he was around, the stick holding your spine rigidly in place, dissolving into calm, into a smile and a free giggle. It felt right again, and you almost forgot you'd ever felt wrong. 

After briefly changing, you swapped place with Spencer, who'd exited the bathroom with a toothbrush hanging out of his mouth and wet hair. 

“Dry it for me?” He asked, sitting on your couch, and you nodded your ascent. A shower and a quick change later, and you were doing just that. 

As much as he tried to keep his head upright, it kept lolling onto your thigh, yawns stretching out of him as he nuzzled closer to you. 

“Spencer, you're like a big kid, keep your head up.” 

“I'm not a kid,” he laughed, hooking his arms behind your knees and nuzzling closer into your soft sweats. “I'm just tired.” 

“You're right. A child would probably be better behaved.” 

“Our child would be,” he sighed, but you'd already turned the hairdryer back on, drowning out everything. Everything but that thump again. A child, he was thinking about children, and more importantly, he was thinking about your children. With him. 

He'd always imagined himself with a family, knowing it would ultimately stay in his imagination. But for a second, his visions changed. It wasn't just a child or two. It was you. Thump. 

Thump. Thump. Thump. Thump. 

He only released the image when you finally pushed his head off of you and stood, turning away from him to get a glass of water from your kitchen. 

“So, any plans today? Books to read, papers to mark, undergrads to run away screaming from?” You let the ice water cool your hot cheeks, but kept your back to him. You were hot, embarrassed, and you were looking at him in a sickeningly sweet way that could only be described as love struck or struck dumb. 

“No, no, I finished all my obligations at the college yesterday,” he said, following behind you and picking up your cup when you set it down, taking a sip himself. 

“I was… I was actually hoping we could spend some time together? Unless you had plans, which is totally fine-” 

“No, Spencer, yeah, I have no plans, that's…. Well I have to do laundry, which is a bit boring but, no. No plans.” 

“Laundry?” 

“Two week case in Florida, I don't know how you didn't smell me yesterday, Spencer. I'd be running for the hills.” 

He laughed and stepped away again, grabbing the two go bags by the door and coming back into your space. 

“How about we get this done now so we can spend the day in a Who-Trek marathon?” 

“Make that a Who-Greys Anatomy Marathon, and you have yourself a deal.” 

He pouted again, and you snorted at the sight, taking another sip of water to calm yourself before you could react safely to that face. 

“Come on, you know you've been dying to know what happens next at the Grey Sloane Memorial Hospital.” 

“I thought it was called the Seattle Grace Mercy?” 

“Oh we better get to that laundry now. You have a lot to catch up on.” 

Grabbing a bag in one hand and his free hand in your other, you made your way down to your building's laundry room. But despite the man by your side and the relaxing day threatening to stretch ahead of you, a gloom caught you in the corridors. 

You'd worked for two weeks, practically solid. You'd killed a man two days ago, or at least someone on your team had multiple shots having been fired. Another day on your job, another unsub felled, and everyone else was content with this just being a part of the job description. 

It felt like each step towards the laundry room, each thing you did that was normal, that was regular, threw back in your face the pain you endured to save lives. 

The bag in your hand weighed you down, pulling you lower and lower by the second. 

You reached the laundry room, and you found the weight almost unbearable, stopping just before you could step in. You didn't have to think about what came next though, because suddenly the bag was out of your hands and Spencer was sorting your laundry for you. 

“It's a Saturday, so your neighbour's won't complain if we separate the darks and lights into two machines, will they?” He asked, not looking up at you as he worked pouring out the fabric softener and the detergent. “Y/N?” 

You hadn't noticed the lightness in your body until the tears hit your cheeks, the weight gone with his support. 

“Y/N, what is it? What's wrong?” He said, hands cupping your face, because of course he was immediately at your side. 

“I-I can't do it, Spencer…” your voice shook, pitching upwards, your vision blurring with tears. 

“Can't do what, Y/N? Talk to me please, let me help?” 

“I can't do laundry!” You said, finally bursting into a full fit of tears and burying your head in his waiting chest. 

“L-Laundry?” He said, trying not to laugh, but the smile slipping out anyway now you were holding him. 

You only sobbed again, nodding into his shirt, aware you were probably leaving snot all over it but not being able to care. It was your shirt anyway. You would just have to add it back to your laundry pile. 

The thought set you off on another wave of sobs, and Spencer set about comforting you again. Keeping an arm wrapped around you, he put his quarters into the machines and set them off before quickly ushering you back up the stairs into your apartment. 

“Y/N? Y/N, please talk to me,” he begged, smoothing your hair out of your eyes as you tried to gather yourself.

“I don't…. I can't….” You took a breath again, aware of the way your breathing hitched in your chest as you did. 

“I don't think I can do this anymore,” you said, and his eyes widened quickly. 

“This? Y/N, if you mean this as in us, then I can't-” 

“This job,” you clarified, hands digging into the soft flesh of his arms further as he held you, finally sitting back on your couch. 

“The job. Okay, the job. That's okay. We all feel like this at some point.” 

You sniffed again and refused to meet his eyes. 

“But this isn't like the other times this - It's like my whole b-body is protesting, and I can't sleep, and if I don't, then I might get sloppy and an unsub could-” 

“Y/N, focus on my voice. You're spiralling. Listen to my voice, let's take some breaths, and think about this for a second.” 

He guided you through some breathing, a hand on your back tapping out beats even as his voice grew quiet. 

When you finally relaxed, you were sat on top of him, his hand rubbing circles into your back. 

“I think it started when you left,” you whispered. “When you went to Mexico, and then, you know,” you've voice thickened, and you couldn't get the words out. 

“And then these last 100 days they've just been…difficult.” 

“100…difficult,” he echoed, almost breathless as he listened to you. 

“It's like I can't do it without you. I never had to try to do it without you, and now I get what people say when they say this job is shitty, because it is when your best friend isn't there.” 

You gave him a weak smile and wiped away your tears, trying to climb from his lap. But his firm arms held you still, and you didn't really want out anyways. 

“When I get home, everything is different, and I can't make myself do anything. If you weren't here, I wouldn't have done that laundry. I'd let it sit and avoid it for weeks. Do you understand?” 

“Y/N, lots of people feel depressed sometimes-” 

“It's not - Spencer, I don't think this is something I can medicate my way out of. I don't know what to do because I can't do my job without you, and I can't be happy doing my job, and if I leave my job I'll be without you and then-” 

Your voice cracked again. 

“And then I still won't be happy.” The words were barely a whisper, but they were a plea, too. You weren't sure what for. 

“You can't be happy without me?” He asked, but it was more a statement than anything else. Spencer felt horrible in that moment as his chest rattled, gleeful that he was your happiness. 

“I love you,” he said, outloud finally after eight years. 

“I love you, too, Spencer, but-” 

“No, Y/N. Listen to me. I. Love. You.” The thumping of his heart set the tempo for the choir that was his senses to begin singing, as he finally leaned forward and kissed you.

“I love you, and I don't care if you're working at the BAU or if you're avoiding laundry at home. I, god, you're amazing and wonderful, and you're a human being, and you've our yourself under so much pressure for the last decade to keep me alive, to keep all of us alive really and….” 

He took another breath, leaning into kiss you one more time. 

“And you deserve a break.” 

“W-When we take breaks, people die.” 

“Did anyone die when I was teaching for the last three months? When JJ went on maternity leave?” 

You shook your head, but your brain was still a mess. 

“You all had reasons, I-” 

“You have reasons, too. Y/N…. Y/N, let me be your reason.” 

For a moment or two, Spencer truly thought you were going to say no. He thought you would get up and walk away, or better yet, ask him to leave and never come back. 

So when you pressed your lips to his, he was sure that this was a dream. 

But to you, it was salvation. Spencer Reid's love was the lifeline you'd been thrown, and it was buoyant enough to make you start floating. 

His hands kneaded the flesh at your hips as he pulled you closer still to him, his tongue slipping into your mouth to explore every part of you there. 

“Y/N… love…you,” he mumbled with each spare breath he caught, and you only detangled your lips to hear him say it again as he pressed similarly heated kisses against every inch of your exposed skin. 

When Spencer's mind lost its ability to create original speech, he leant back on a lifetime of information, of learning love through books and people and marathons with you. 

“I know that all I know right now is that I love you. And I know that I always will,” he whispered, lifting you and carrying you back to the bed you'd only crawled from an hour hence. 

A hand slid under your shirt, and slowly pushed it over your head, letting it slowly drop to the floor as he held you tenderly. 

“To me, you are perfect.”

His mouth found one nipple, and he gently kissed, then suckled at it, hands softly caressing your stomach, feeling along every ridge of you as you writhed under him. 

“Of all the FBI Units, in all the towns, in all the world, she walks into mine.” 

“Spencer,” you said, voice still thick with tears, but these ones more tender, more joyful. 

His hand eased your sweats over your ass and off, his hips settling between your legs as if he found the place he was made to lie forever. 

“The truth of it is, I’ve loved you from the first second I met you.” 

His mouth trailed lower until his tongue hit your clit, brushing against it languidly, as if it was his deepest desire to taste you and nothing else ever again.

His tongue flattened and flicked and pushed inside of you as you replayed his words again and again and again. You found yourself repeating them with him. 

“I love you,” you echoed as he pushed a finger inside of you. 

“I.. love you,” you gasped as he added another. 

“I love you,” you screamed as your back arched up off the bed, finding your pleasure in his tongue, just ad you'd found love in his words. 

“You have bewitched me body and soul, and I love….” He freed his cock from his pants, and took it in hand.

“I love…” With another kiss, he pressed the tip of it against you, asking for permission silently as you nodded your head. 

“I love you.” He pushed in slowly, but it wouldn't matter how he did it because now you knew how he felt, and you didn't want to return to a time of not knowing. 

Hooking your legs around him, Spencer dropped his forehead to yours and looked you directly in the eyes as he began moving. In and out, he thrust, mouth open in a moan of pleasure, likely mirroring your own.

The poetry, the movie lines, they were gone now, and Spencer was left with nothing but you, and love, and love for you. 

“Spencer,” you moaned out, and he felt his chest swell. Pride. His name on your tongue, his body pressed to yours, claiming you as his ad you claimed him as yours. 

He came with a shudder and you were not far behind, his undoing sending a shiver up your spine as his fingers grazed your clit again. 

You sat panting for a minute, still attached, still forehead to forehead. 

You weren't sure if it was him who giggled first or if it was you, but you were glad it was one of you. 

You spent the rest of the night, the rest of the weekend, wrapped in his warmth, dressed in his love, taking each day a step at a time as you basked in his adoration.

[dreamwritesimagines]

Sunshine [11] - Blast

AN: My loves, thank you so so much for your wonderful support and lovely comments and HCs! ❤️ You’re amazing! ❤️

I hope you like this as well, and please don’t forget to tell me what you think, thank you! 🥰

Pairing: Logan Howlett x Female!Reader

Summary: Every break up has an aftermath.

Word Count: 4244

CW: Explicit language, angst, adult themes MDNI

Series Masterlist

The month after your brutal breakup hadn’t been so easy.

When Theo was around, you made sure he didn’t notice anything. His happiness was the most important thing for you, it had been that way ever since he was born, so you weren’t going to ruin it. Every weekend, you pretended you were incredibly happy and that nothing was wrong at all, despite the heartbreak you were going through.

Your friends were the only people who knew just how sad you were, and they had formed a very united front to change that.

“We have found the one.”

You pulled your brows together as you filled Jamie’s cup while Nik gave you a proud smile and Julie sat up straighter, repressing a squeal.

“You two are dating, so you’ve already found ‘the one’” you used air quotes, making Nik roll his eyes.

“Not for us!”

“And Julie would’ve told me if she found the one.”

“I’d also be shouting it from the rooftops, but this isn’t about me.”

You threw your head back. “I’m not gonna go on a blind date.”

“Hear me out,” Jamie said, fishing his phone out of his pocket. “This guy has been approved in the group chat.”

“What group chat?”

“Our group chat.”

Your jaw dropped. “You guys have a group chat without me?”

“Yes because it’s being used purely to find you your Mr. Right.”

“And we know it’s been only a month since you and Logan broke up but fuck Logan,” Julie added. “I’ve been carrying a magnet in my purse ever since you told me about your break up, just in case I run into him.”

Nik turned to look at her better. “You’re joking.”

Julie grabbed her purse and took out a small horseshoe magnet, making your eyes widen.

“I don’t play about my threats,” she told Nik. “That motherfucker broke my best friend’s heart, so I’ll point this magnet at his—”

“Where did you even get a magnet like that?” you cut her off and she shrugged.

“I googled it.”

“I’ve only seen these in cartoons,” Nik mused, reaching out to get the magnet from Julie before Jamie cleared his throat.

“Our point is,” he said. “You’re better off without Logan, and I think you’d really like this guy.”

You heaved a sigh, resting your elbows on the counter.

“Guys I really appreciate all the effort,” you said and stole a look at Julie. “And the magnet but—seriously, you know how much I hate blind dates.”

“Well does it count as a blind date if we show you his picture?” Nik asked, getting the phone from Jamie before turning the screen so that you could see the picture.

Even you had to admit, he looked cute. It was as if Jamie had decided to find you someone the complete opposite of Logan; he seemed younger than him -around Jamie’s age if you weren’t mistaken-, he had dirty blonde hair, and just from the picture alone, you could tell he was the type of person who liked to smile, a lot. Judging by his white coat, he worked in the same hospital Jamie worked in, and you stole a look at him.

“Your coworker?”

“He works in ER,” Jamie said. “Saved a kid’s life the other day.”

“And I’ve met him,” Nik said. “He’s like a cute puppy but also a badass.”

“And he is very handsome, you like handsome,” Julie sang tauntingly and you ran a hand over your face.

“I really don’t think it’s a good idea.”

“Why not?��

“I’m not over Logan yet.”

“The best way to get over someone is good sex,” Julie pointed out. “We’re not telling you to move in with the guy. We’re just telling you to just…go on a date and see where things go.”

“And it could help,” Nik said softly. “You know, distracting yourself from your ex.”

You bit inside your cheek, then clicked your tongue.

“Ugh, fine,” you muttered, making them grin. “But if I don’t like him, I’ll leave and you guys will delete that group chat. Alright?”

“Deal.”

                                                 *

 One of the things you hated about blind dates was that you always got incredibly nervous right before. The urge to text them and stay in instead would always get the best of you—now to think of it, the only person you didn’t get that urge with was Logan.

Well.

Logan was out of the picture, and you had to deal with that.

But if anything, at least Jamie knew this guy and was friends with him, so the odds of him being an ass was pretty low.

You pulled over in front of the restaurant before checking your phone to see whether it was in fact the right place, then slipped a little in the seat. This was by no means your first rodeo but…

You really wanted to just go home and get under covers and listen to Julie’s break up playlist.

“Worst case scenario, you’ll just have one drink and go back home,” you muttered to yourself. “Come on soldier.”

You checked your makeup in the rear mirror, then got out of the car and locked it before you smoothed out your dress and made your way to the restaurant. The hostess greeted you and after you gave her your name, you followed her into the restaurant.

Oh, he was already there.

If Logan wasn’t at the back of your mind, you were sure that you would’ve been excited. He really was a good looking guy, the smile that appeared on his face upon seeing you looked very genuine, and the fact that he jumped on his feet to greet you was a great sign.

However—

Okay no, you were not going to think about Logan tonight, not at all.

“Hi!” he said and you smiled back.

“Hi,” you said and you extended your hand but he went for a hug before he paused and made a move to shake your hand but this time you were the one who went for a hug, so you gave him a curt hug before pulling back.

“Jesus—sorry, that was awkward,” he said and you tried to control your giggle at the look of slight regret on his face.

“No worries,” you assured him and he gave you a tentative smile.

“I’m Hayes.”

You introduced yourself as well before the waiter pulled your chair for you and you thanked him, then sat down. Hayes followed you suit, then motioned at his wine glass and the appetizers.

“I hope you don’t mind.”

“No no, not at all,” you said and looked up at the waiter who put the menu in front of you. “Can I get the same as well? Thank you.”

Waiter nodded and walked away from your table, and you turned to Hayes.

“Uh, hi again.”

“Hey,” he said with a chuckle. “So uh…blind but not so blind date?”

“Sounds about right,” you said. “I mean I saw your picture.”

“So have I.”

“Jamie showed it to you?”

“Technically no.”

You blinked a couple of times. “How’s that?”

“Jamie has a picture of you and your whole friend group on his desk,” he admitted as the waiter brought your wine and you thanked him. “I saw your pic there and I asked about you in a way that was very subtle in my opinion but Jamie disagrees.”

You raised your brows, smiling slightly. “You’re not serious.”

“It was kind of like Jamie was an app and I was fervently trying to swipe.”

A small laugh escaped from your lips and you covered your mouth. “Oh my God…”

“Am I giving off serial killer vibes?” he asked to no one in particular. “Because I swear I save people for a living, that’s not—it’s just that you are very pretty and I’m very rusty when it comes to all this.”

You lowered your hands to give him a bright smile.

“You’re very sweet,” you said. “I didn’t think you were rusty.”

“No?” he asked and let out a breath. “Thank God.”

“It’s been a while?” you asked him after a moment of hesitation and he hummed.

“Listen, rusty or not I know talking about previous relationships is a red flag.”

“I don’t mind,” you said. “Let me guess, you had a long relationship and…?”

“And walked in on her and my best friend.”

“Ouch.”

“Former best friend.”

“Still ouch,” you said with a grimace. “I’m sorry.”

“It’s okay, I mean—I changed cities but it has to be for a good cause. At least that’s what I’m choosing to believe.”

“Sounds like a good plan.”

“How about you? I find it hard to believe you go on blind dates if I’m honest.”

“Oh I’ve gone on blind dates,” you assured him. “And uh—my friends have made it their life mission to matchmake me, they apparently have a group chat where they approve people.”

Hayes pulled his brows together. “Holy shit, I’ve been approved in the group chat?”

“Yes you have,” you said. “Congratulations.”

“I feel very validated,” he mused, making you giggle. “No seriously, knowing Jamie, this is the same as passing a very difficult exam with a jury.”

“Yeah he’s very protective, especially after—” you stopped yourself and Hayes shot you a lighthearted look.

“Hey, I talked about my ex.”

“Well, I got dumped,” you said with a shrug of your shoulders. “And Jamie never approved of him, so now he’s like extra careful.”

Hayes hummed and lifted his wine glass slightly.

“Well, on behalf of all men in this city, we’re all very glad that your ex is an idiot.”

You scoffed a laugh and lifted your glass as well.

“Yeah well,” you trailed off, trying your hardest to not let your thoughts drift to Logan. “So you’re an E.R. doctor?”

“I am,” he said. “And you?”

“Oh I…I’m just a waitress,” you said with a shrug of your shoulders, that feeling of inadequacy hitting you out of nowhere once again. “Nothing too exciting.”

“Do you like where you work?”

“Yeah, I’m friends with everyone there except my boss,” you said. “It’s pretty nice. And you? I heard you saved a kid’s life the other day.”

A bright smile appeared on his face. “Yeah, that’s why I like working in the E.R. I can actually make a difference in just seconds, you know? It makes me feel alive, like I’m doing something right with my life.”

You nodded your head. “I can imagine. Sounds wonderful, really.”

He sipped his wine.

“So tell me more about you,” he said. “Jamie says you have a son?”

“Yeah!” you said, your eyes lighting up at the mention of Theo. “Yeah I do. Theo. He’s the cutest kid in the world, and I’m very objective about it.”

That made him laugh. “At first I thought Jamie was a father, with all the drawings in his office…”

“Oh he still keeps those?”

“With all due respect, it’s like a shrine in his office.”

“You should see his and Nik’s fridge, they have like one picture there and the rest is Theo’s artwork.”

“Really?”

“He had his artist phase, now he’s—” you started but were cut off when your phone started buzzing. You gave him an apologetic look.

“Excuse me,” you said as you grabbed it out of your purse, but as soon as you saw the name flashing on the screen, your heart dropped.

Logan.

A part of you -the petulant part of you- wanted to reject the call but you took a deep breath, then licked your lips and then answered.

“Hello?”

There was a second of hesitation on the other line before he cleared his throat.

“Theo is fine,” he said. “But he needs you here.”

Your head shot up. “What? What happened?”

“There was a small accident—”

“What accident?” you asked, your heart leaping to your throat as fear crashed down on you. “What—is he—”

“Like I said, he’s completely fine, I promise,” he said, his deep voice soothing your fear as always. “He had a nightmare, his powers took over and he blew up the wall in his room accidentally but he’s fine and so is everyone else. He locked himself in the basement though, and refuses to come out.”

You could feel your throat tightening but you took a shaky breath, then nodded as if he could see you.

“I’m on my way,” you said and hung up before turning to Hayes.

“I’m so sorry,” you said, pushing your phone into your purse. “Theo is…he’s in a boarding school in the city but he—he had a nightmare and he locked himself in the basement.”

“Oh I’m sorry,” Hayes said, frowning. “Is he okay?”

“Yeah,” you said despite the anxiety churning your stomach, then stood up. “But I need to go, he must be terrified.”

“Of course,” Hayes stood up with you. “Would you like me to drive you there?”

“No no, I can drive,” you said. “I really appreciate it though, thank you.”

“Oh it’s nothing, really,” he said. “I hope he’s feels better.”

“Sorry, again.”

“You have nothing to apologize for,” he said. “Is it okay if I get your number from Jamie?”

“Sure!” you said. “I’ll—I’ll see you around I guess?”

“Have a nice night,” he said and you gave him a curt smile, then made your way out of the restaurant, your heart beating in your ears.

                                                 *

If it were any other time, you would’ve been nervous to see Logan after a month, for the first time after your break up but you were so worried about Theo that it didn’t even cross your mind that Logan would be the one to greet you.

Which, of course he was the one to greet you by the door. He probably took your scent the moment you drove through the gates.

He looked almost frozen the moment you stepped out of your car but he recovered very fast.

“Hey—”

“Where is he?” you asked without so much as glance in his direction as you walked past him into the mansion and Logan easily caught up with you.

“In the basement,” he said. “Follow me.”

When you two got to the basement, Storm and Jean were already there.

“Hey, he’s totally fine,” Jean assured you the moment she saw you and Storm nodded her head.

 “We could’ve opened the door but we didn’t want to scare him any more than he already is,” she assured you. “He only said he wants you, and now he’s not talking to us.”

“But he’s not hurt in any way,” Logan added. “I don’t smell any blood or pain, and Jean already checked his mind.”

You raised your brows, then took a deep breath.

“Thanks,” you said and smiled at Storm and Jean. “Really, thank you so much. I can take it from here.”

“You sure?”

“Yeah,” you said and swallowed thickly. “It’s not the first time this happens.”

Storm and Jean exchanged glances before Storm turned to you.

“I’ll just go and check the other students then.”

“And I’ll fill Charles in,” Jean said, squeezing your arm in a reassuring manner before they both walked away and you ran a hand over your face, then walked to the door of the basement and knocked softly.

“Bean?”

The only answer you got was a sniffle, breaking your heart to smithereens. You could feel your own eyes burning but you frowned, forcing yourself to focus.

“Bean, are you there?”

“…Yes,” his small voice reached you and you took a deep breath.

“You think you can open the door?”

“I had a bad dream.”

“I know,” you said, nodding fervently. “Everyone has bad dreams, it’s completely normal. And what do we do when we have bad dreams?”

“We have hot chocolate because that makes them go away.”

“Exactly,” you said. “So can you open the door please?”

“People will be angry at me.”

“What? No!” you said. “No one will be angry at you, I promise.”

“Mommy, it was an accident,” he said, a hiccup escaping him and you rested your forehead against the door, squeezing your eyes before swallowing the lump in your throat.

“I know,” you said. “And so does everyone. No one is angry at you—Logan, is anyone angry at Theo?”

Logan came closer to the door so that Theo could hear him better.

“Not at all,” he said. “If anything I’m a little jealous. Blasting walls is so badass, I’d love to be able to do that.”

“You hear that, bean?”

“Really?” Theo’s hopeful voice reached you and Logan smiled slightly.

“Sure bub. And hey, turns out we’ll have to decide on your superhero costume sooner than you think.”

“There you go,” you said. “Superhero costume sounds fun—”

A meow cut you off, making you tilt your head.

“Bean, is there a cat in there with you?”

“…No.”

Another meow reached you and you raised your brows.

“Theo.”

“I found him here and we’re friends now.”

“Okay,” you muttered more to yourself. “Theo—”

“His name is Sir Bartholomeow,” Theo added as if it was imperative that you knew that information and you heaved a sigh.

“Very creative bean, but can you please open the door? So that we can drink hot cocoa and I can meet your friend?”

There was a momentary hesitation and another sniffle before you heard the lock turning and you took a step back so that you could see him better. Theo was still in his pajamas, his glasses slightly crooked over his face as if he had put them on in a hurry, his wide teary eyes looking up at you. In his arms, he was holding probably the grumpiest looking cat you had ever seen in your entire life so tight that it was a wonder why the cat wasn’t trying to escape. A breath of relief left you and you crouched down to get to his level.

“Hi bean,” you said gently. “How about we give your friend to Logan so that they can be friends and I can make sure you’re okay?”

Logan stepped closer. “Yeah bub, I can take the cat—”

“Sir Bartholomeow,” you and Theo said at the same time and Logan cleared his throat.

“Yeah, him.”

Theo sniffled again before tentatively handing Sir Bartholomeow to Logan, and you checked whether he was hurt anywhere before pulling him into a bone crushing hug. Theo was still shaking like a leaf and he mumbled ‘mommy’ before burying his face to your chest while you stood up with him in your arms.

“I’m here,” you said softly, still holding him tight. “I’m here, it’s fine. I swear everything is gonna be fine.”

                                                  *

Theo never liked being away from you and that turned into a whole different level whenever he had a nightmare. You would be lying if you said you weren’t relieved to have him in your sight so after he drank his hot chocolate, you had carried him to bed and stayed with him until he fell asleep, humming the lullaby he used to love when he was a baby.

There it was again.

Times like these, you always remembered just how utterly alone and clueless you were in this whole thing.

You could feel the tears pricking your eyes as you looked down at him, then leaned in to kiss his head and pulled the covers over him, and walked out of the room as quiet as a mouse.

 The mansion was mostly quiet, and even though you could still hear the voices coming from the kitchen, you desperately needed to be alone in case you burst into tears, so you walked through the hallway to step outside, the cold wind hitting your face. Heaving a sigh, you made your way to the stairs to sit down, and wiped at your eyes furiously before wrapping your arms around your knees, fixing your gaze on the stars glimmering in the sky.

You heard the front door open before the familiar footsteps came closer and you felt him drop his jacket over your shoulders before he sat down as well.

“Hi Logan,” you rasped out, sniffling and he offered you a hesitant smile.

“Hey,” he said, putting the bottle of whiskey between you two before he made a face. “Shit, I forgot to bring glasses.”

You scoffed a laugh. “We’ve done worse things than drinking from the same bottle.”

“Right,” he said after a beat and you grabbed the bottle to take a swig, grimacing at the burn before putting it down again.

“How’s your arm?” he asked and you took a shaky breath, then shrugged your shoulders.

“Healed,” you said and turned to look at him better. “I don’t even think about it anymore.”

He was too smart to miss the double meaning of your remark and his lips twitched for a moment.

“I’d bet,” he muttered. “Fun date then?”

You pulled your brows together in confusion and he nodded at you.

“I haven’t seen you in that dress before and you smell like someone else.”

You smelt like—

Oh. Hayes had hugged you.

“I don’t have the capacity to get into that bullshit right now,” you stated and Logan swallowed thickly, then nodded again.

“Right,” he said. “Of course.”

For a minute, the only thing you could hear were the crickets and the sound of the faint wind in the air before Logan take a deep breath.

“He’s fine, princess.”

You bit at your nail, blinking back the tears before you shook your head.

“No he’s not,” you said. “You and I both know that he’s not fine. Not really.”

“He’s too powerful,” Logan said. “Accidents like these will happen, you can’t really avoid them. What matters is that he hasn’t hurt himself or anyone else.”

You took another sip of the whiskey.

“Having you here helped a lot too,” he said. “He calms down when he sees you, that’ll be good for him.”

You clicked your tongue.

“Yeah, for now,” you muttered and Logan frowned.

“For now?”

“Yeah,” you said. “Until he grows up and hates me for everything I’m doing wrong as we speak.”

“That’s not true.”

“No no it is, I’m fucking up big time,” you said with a dry laugh. “Jesus, my mom said I had no idea what I was doing and I was too busy arguing with her that I didn’t even see it but it’s true. I have no clue.”

“That doesn’t mean you’re doing something wrong.”

“I’ve been doing everything wrong,” you told him, blinking back the tears. “He’s too little to see it now, but sooner or later he’ll see that everything that happened to him is my fault, even the fact that his powers showed up—”

You had to stop talking when your voice cracked and you tried to swallow the lump in your throat, sniffling again. He reached out for a second as if he wanted to wipe at the tears falling down your cheeks but then paused, pulling his hand back, his jaw clenching like he was in pain. You wiped at your eyes furiously, letting out a shaky breath.

“I’m terrible at this,” you said, nodding to yourself while Logan kept his burning gaze on you.

“I promise you, you’re not,” he said. “Theo adores you, and I think you’re the best parent I’ve ever seen in my life which in case it has escaped your notice, that’s a lot of years.”

You raised your brows, wiping at your nose before you cleared your throat and took off the jacket to place it into his lap, then stood up with Logan following you suit.

“I can drive you home,” he said and you threw your shoulders back, trying to pull yourself together.

“I had like three sips of whiskey, I can drive.”

“I can still drive you, it’s been a long night.”

“I’m fine.”

“No I want to,” he insisted and you tilted your head, giving him a questioning look. His eyes met yours before he took a deep breath.

“I just…” he trailed off. “I want to—I want to make myself useful.”

You frowned, staring at him. “Why?”

“No reason,” he said. “Don’t get me wrong, I don’t ask for anything, just…like I said. I want to make myself useful. I need to make myself useful.”

Your stomach did a flip as a painful smile curled your lips.

Oh.

This. You were familiar with this.

You had been through the same. You were in fact going through the same right now, frantically looking for something to ease the pain. Your solution was to follow your friends’ advice and try to date around, ignoring the way it just felt wrong when you were still in love with him, and Logan—

Logan was dealing with it in such a Logan way that it was almost ironic how you didn’t see it coming.

“It’s not going to help,” you said, your voice a mere whisper and he gulped, his jaw clenching.

“It could,” he managed to say through his teeth and you sniffled, shaking your head.

“It won’t,” you rasped out. “I’m sorry, it won’t.”

The agony that flashed over his handsome features twisted at your heart but you managed to smile at him.

“Good night Logan,” you murmured and walked away from him, painfully aware of his eyes following you.

12- Wildfire

[linkspooky]

JASON TODD VS. DABI: WHY NOT ME?

"You haven't been here long but you've seen him, right? The batman. The batman. He lives in darkness, to find the helpless and bring them into the light. So I have to wonder...why couldn't he do it for me?" The Boy Wonder: Issue #2

This is the story of the boy who didn't get saved. The story of a boy who really ought to have been saved. Of course, every victim deserves to be saved, but this boy was the son of a superhero. Can a hero who saves everyone, but fails to save his own son really be called a hero? As for the son, how does it feel to watch his father save complete strangers but let him fall to the wayside?

Jason Todd and Dabi are two characters with similar backstories and motives (so similar it's possible Dabi is outright based on Jason Todd) which are worthy of comparison. These are two tragic arcs which explore the conflict between a hero's responsibility to act as a father, and their responsibility to save people. As I said they are tragic because in both cases the hero fails, as a father, and a hero. However, I'm comparing the two because Jason Todd's story is a well written tragedy, and Toya's story is not.

If you were to write a story of my life, it would surely be a tragedy.

Aristotle's Poetics is the first attempt to define what Tragedy is, not as a story where sad things happen but a specific story structure. He outlines not only what makes tragedy, tragedy, but also what makes a good tragedy.

The Plot, then, is the first principle, and, as it were, the soul of a tragedy: Character holds the second place. A similar fact is seen in painting. The most beautiful colours, laid on confusedly, will not give as much pleasure as the chalk outline of a portrait. Thus Tragedy is the imitation of an action, and of the agents mainly with a view to the action.

I use this quote because the painting metaphor is a great way of explaining what I'm getting at, you can have a painting with the most wonderful colors, you can have a story with really good ideas like the Todoroki family plotline but if you don't use those colors correctly all you're going to end up with is a bad painting.

In poetics Aristotle clearly defines a tight well-structured plot as the first priority for effective tragedy, character as second.

Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long

To make sure you understand, it's vital in tragedy for all the pieces to fit together. Tragedy is a specific story format. Good tragedy uses the parts of a story well, but bad tragedy is sloppy and poorly put together. In tragedy, the whole has to be greater than the sum of its parts. The Todoroki Family are all good characters out of context, but the story could have enhanced their characters but detracted from them due to how poorly it is told. The fact that a lot of MHA fans are in love with the Todoroki family out of the context of the story, but also have constant complaints for how Horikoshi handles their plotlines is, in my opinion, very telling.

What Aristotle goes on to posit is the best tragedies do not come about by accident, but rather by the direct actions of the characters.

But again, Tragedy is an imitation not only of a complete action, but of events inspiring fear or pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will thee be greater than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design. 

Therefore Tragedies require consequentialism, like Newton's Third Law, every action will have an equal and opposite reaction. To simplify a good tragedy arises from the consequences of the character's actions (or inaction). The most basic form is that the hero of the story will have a tragic flaw that they fail to improve upon in time and then leads to their destruction. In essence, tragedy is where the hero fails. Not only does the hero fail, but the hero loses, and that irreversible loss is what defines tragedy. Medea slays her own children, Oedipus rips his own eyes off and deserts his kingdom, Creon Antigone is buried alive and Creon's son, her fiancee, commits suicide.

These events share two things in common, they are irreversible (hence why they feel like good endings), and two they evoke catharsis. Aristotle defines the goal of tragedy to evoke terror and pity. We feel alongside these heroes, Medea was abandoned by the husband Jason who she left her home and slaughtered her own brother for, Oedipus did all of his crimes unwittingly and is a victim of fate, Antigone was doing the right thing by burying her brother so his soul could pass on to the afterlife.

There's all different sorts of tragedies, Hamliet explores more here. I'd say UTRH and Hellish Todoroki Family are tragedies centered around grief.

Tragedy works on extreme emotions, and extreme hard-hitting consequences to the hero's failures. The worst thing a tragedy can be is boring.

The Tragic Hero

Now that I'm done lecturing you let's actually talk about both My Hero Academia and Batman like I promised. Both of these stories don't actually feature the central victim as their protagonist, and that is a feature not a flaw.

Rather, the story we are being told is that of a tragic hero, failing to save a tragic victim because of their own personal flaws.

These flaws are called (hamartia) or "error in judgement". A hero, being called a hero of a story is often unaware of his flaws which is central to what makes them unable to fix those flaws in time. That flaw can later lead to a moral failing, such as Othello's jealousy, initially jealousy is an understandable emotion, but then it leads to him trusting Iago over his own wife and killing his wife in a rage.

Most importantly, the hero’s suffering and its far-reaching reverberations are far out of proportion to his flaw.

Let's begin with talking of the heroes and their flaws, Batman and Endeavor. My main reason for comparing these two is in these specific stories they have the same flaw, inability to move past their personal guilt towards their son, and the same conflict the duty of a father versus the duty of a hero.

However, Batman functions as a tragic hero, and Enji does not. The summary of their conflict is right here in these two panels.

A parent is required to place their children above everything else, because they are the ones responsible for bringing that child into the world. Bruce Wayne made the decision to adopt Jason. Enji made the decision to have children, however with Enji you have the added insidious motivation of he only wanted to make designer babies and just didn't care for the ones who didn't turn out right.

Bruce attempts to do both, to act as a father for Jason and also a crime fighter as batman but he can't do both. This comes to a head in Death of the Family when Jason is having serious trouble because of his lack of a strong parental figure, and Bruce knowing that Jason is in trouble chooses still to go off and fight crime instead of staying with him. The choice to place crimefighting over the child they chose to take responsibility for has the unintended consequence of getting that child killed.

Whereas Enji makes the same choice over and over again, ignoring Toya's clear troubles at the fact his father no longer spends time with him and choosing to run away to the world of heroes because he doesn't want to face the fact that his actions are severely hurting his son. Bruce's motivations are more sympathetic admittedly he wasn't actively practicing eugenics, but the choice is the same and the consequences are the same.

Both Bruce and Enji are forced to bear witness to the deaths of their children when they are not there, specifically because they made a choice to be a hero instead of staying by their child's side. A situation directly caused by their choice to be a hero over a father, and a situation that would have been avoided if they had stayed with their child in their time of need. Jason runs off when Batman tells him to stay and gets kidnapped by the Joker, if Enji had been on Sekoto peak that day Toya would never have accidentally lost control of his fire.

This is just the backstory however, the main event that kickstart this plot is the unexpected return from the dead of both Jason and Dabi. Each story follows the same plot beats. A new villain appears to challenge Endeavor / Batman. The villain reveals themselves as their dead son. Both Endeavor / Batman are given a chance to try reaching out to their sons, but they choose not to.

Then even though they are given a second chance with a miracle of a dead son coming back to them, they choose the exact same thing they chose before, being a hero and because of that the tragedy repeats itself. For both of them they are unable to save their son again, and the son goes through a second death. History repeats itself, the lesson isn't learned.

Their fatal flaw is their guilt. This is a story about grief and mourning after all, a son who is died, buried, but never grieved properly, never mourned, an open wound on the father suddenly coming back. The inability of each to process their grief blinds them from seeing the fact the son has come back, and they have a second chance.

Toya has internalized he is a failure, because Enji literally called him that. Jason believes that Batman thinks he is a failure. In both cases the father is the one who failed, Bruce at least acknowledges this but cannot communicate it in any way shape or form.

This guilt and responsibility both Enji and Bruce feel causes them to self-sabotage. They no longer have the confidence they are in the right (they no longer feel like heroes because they have failed to be heroes to their own son).

You can also add the layer of complication that since both men chose to be heroes in the past, they do not know how to handle the situation as a father now that they're being challenged to step up as one. Unfortunately, they are not the fathers that stepped up.

The reason their grief becomes a flaw is because they put their grief over their victims. . Each man is aware too much of their own failure, and while they should feel guilty they make the classic mistake of placing their own guilt over the feelings of the victim. The guilt they feel for causing the death and the genuine grief of losing a son is given priority over Jason and Dabi who you know... actually died.

An overwhelming grief and guilt is understandable because grief is a messy and human emotion, losing a child is an unimaginable tragedy that should never be inflicted on anyone.

Yet at the same time both Dabi and Jason are grieving to. This paradox that Batman only thinks of his own grief at losing a son and never stops to think about how Jason must feel leads to one of the best lines in Under the Red Hood.

"The father had lost a son, and now the son had lost a father."

Batman's guilt is so strong over being the cause of Jason's suffering, that the suffering of the victim himself is ignored. To be fair to My Hero Academia, the Todorokis say a similar line to Enji.

However, this is where I begin to get into the difference between ideas and execution. Tragedies are stories of actions and logical consequences, every action has an equal and opposite reaction in Under the Red Hood. Batman is punished for the choices he makes, the choices he doesn't make, and the choices he fails to make in time.

The Todoroki plotline features almost none of its character making any choices of substance, and because of that the plotline says the right things over and over again, but it all comes off as tell don't show.

I'm going to quote @codenamesazanka's post right here a couple of times because they describe the complete failure of the Todoroki plotline to show us a reason why we should be feeling things for the characters artfully.

We've heard Enji say this before - I'm sorry, I intend to atone. It's indeed the right thing to say, it's exactly what he should be saying and acting. Natsuo is declaring no contact - That's fine, I'm sorry, I accept this as part of my atonement and will continue. Touya calls him a coward - That's fine, I'm sorry, I accept this as part of my atonement and will continue. The public hates him - That's fine, I'm sorry, I accept this as part of my atonement and will continue. But you can only hear this so many times before you want to snap and beat the character, the story, the writing over the head with Enji's wheelchair. Why is that? He's behaving exactly as he should, and yet...

The reason why it fails to evoke strong feelings is because of what we'd called "narrative dissonance." The actions of Bruce and Enji are the same, they both neglect to do anything, make any real attempts to reach out to their victims because they're paralyzed by guilt.

However, we are told that they have entirely different arcs. Bruce's arc is a tragic fall. He's failing as a hero. While we are being told that Enji is experiencing an arc of atonement. Enji is supposed to be improving himself, and Bruce is supposed to be experiencing negative character development but they both do the exact same thing in story. Bruce neglects Jason, we are told by the story, by the characters in the story that Bruce is failing Jason. Enji does nothing in time to actually atone for Toya or try to help him, yet, we are told again, and again, and again, and again, and again, and again that Enji is atoning with nothing substantive to show us this is the case.

To show what I meant instead of telling this scene is in chapter 252.

This scene is the ending point in chapter in chapter #426.

It's just him repeating the exact same sentiment and yet in a more than 150+ chapter gap, Enji never made any action to show he was now placing his family first. Enji didn't say anything to Dabi when he revealed himself as Toya. Enji didn't look for Toya in the months before the final war arc. Enji literally appeared on live TV in a broadcast that Toya was watching and said the very selfish "Watch Me" atone for the crime of creating Toya instead of literally talking about Toya or too Toya. Well, that would have rocked the boat too much... THAT IS LITERALLY THE POINT. Enji had to somehow break from tradition or make some significant sacrifice onscreen to his social standing to show that he's willing to put his family first. Enji decides to go along with Hawks decision to not face Toya head on, making the decision to be the hero for the final time which directly causes Toya to get up after Shoto brings him down non-lethally and make one last attempt to suicide bomb for his father's inaction.

Bruce does nothing for a long time in Under the Red Hood. He ignores his initial instinct that Jason came back and instead makes a long investigation on whether or not someone can come back from the dead in order to distract himself. When Jason takes the mask off, Batman already knew but was pretending otherwise because he didn't want to face the reality.

Even when Jason takes his mask off, Bruce still takes on the "I need to investigate this" angle even though Jason calls him out that deep down he already knows it's the truth. This of course foreshadows Bruce's underlying flaw, he doesn't want to face Jason head on because he feels too much grief about what happened to Jason and his guilt is more important than Jason's own grief. Just as the father has lost the son, the son has lost the father.

What follows is several chapters of Batman fighting crime as usual and making no attempts to directly search for Jason. They cross paths a few times but when they do Bruce doesn't follow. In fact, Bruce only shows up when Jason sends Bruce a sample of the joker's hair and Bruce knows that the Joker has kidnapped him out of Arkham. Bruce almost lets Jason get killed by Black Mask because he doesn't know whether to stop Jason or save him yet again, and then they have their final showdown where Jason has kidnapped the joker to demand Bruce kill him, and Bruce finally attempts to talk him down.

Out of context it sounds like I'm describing the same plotline, to the point where if you haven't read either, it looks like I'm complaining baselessly. Why is one hero doing nothing until it's too late good, and the other bad? The difference is of course context, or rather framing. Bruce's actions are called out by the people around him (Dick, Jason, Alfred) as him handling the situation wrong. Whereas both Enji's internal monologue and other characters say that he is doing his best to atone for his actions and deserves a chance, but the events we are shown in story are the exact opposite.

Here's another example to SHOW my point. Here's Dabi with my special, hardcover edition of under the Red Hood.

I reread the entirety of the fourteen chapter plotline and the majority of internal narrations come from characters outside of Bruce observing his behavior and commenting on how differently he's acting. Jason's backstory for instance is told by Alfred, not Bruce. Dick Grayson the first Robin comments on Batman's odd behavior. The rest are the third person narrator. Bruce has four instances of internal monologues spanning a few pages each in a 378 page story. (Alfred has the most internal monologues and he's presented as a more trustworthy unbiased narrator than Bruce, to get us to question Bruce's actions).

"Information travels on many routes, sometimes it comes predictably like the tides. You just need to know where to stand and meet it. Other times it's elusive and you have to root through the garbage to find it. In the last few years I've come to rely on Barbara Gordon, Oracle, we all did. Utilizing every form of surveillance equipment she has been the eyes and ear [...] but those days are over. I can't rely on anyone anymore. [...] and tonight it's also about the company I keep. It's different with him [night wing] out here. I think about when he was younger, when I was younger, it was different, simpler and I miss it. I miss those days, for that it's hard to be around him.

This first internal monologue is a case of unreliable narrator, because as soon as finishing it Dick Grayson / Nightwing shows up, offers Batman his help and while Bruce at first refuses it the two of them are forced to work together to fight Amazo. What does this show us? Bruce is not alone, but Bruce actively acts like he's alone ignoring the feelings of the other people around him. It exhibits a flaw of Bruce and the bad headspace he is in mentally (if I remember correctly Stephanie Brown recently died in the comics while this storyline was being published. It establishes Bruce's improper coping mechanism with grief, and how he is going about it the incorrect way.

Bruce says I work alone, and then Bruce says it's easier working with Dick, I miss it, but I can't go back to those days. It's bruce's contradictory thinking patterns in the same chapter that stop him. it's bruce's fault he cannot connect to Dick, and he is actively mourning the past because his relationship with Dick has changed.

Now the final part of the monologue in that chapter.

He's quick. Not just fast, agile. He's not thinking about his next move, he's just making it. He's been trained well. And there's something about him. Something familiar. There was something interesting about before he cut the line, before it had been taught. That had to have been practiced. Either that or just plain dumb luck. No it's not luck.

This is the first hint that Bruce already suspects it's Jason from early on but is in denial about it. This unreliable narrator trope also gives an agency to Bruce's decision, he is actively choosing to ignore the possibility that it's Jason because it doesn't want it to be.

Whereas, a lot of Endeavor's plot takes away any agency from him. For example, he doesn't even know that Dabi is Toya, because if he had the sneaking suspicion and ignored it like Batman did that might have made him look bad. We can't have the main character in a tragedy looking bad now can we?

The second monologue is more denial.

That device is from Kord industries. I should know. Ordered it special from them. How can he have it? No more dead ends. No more questions. No more guessing. Tonight I find out what is passing for the truth.

Reading between the lines this is outright confirmation Batman already knows.

The third is a brief reflection in his feelings for Jason.

The armor has to be light enough to fit but strong enough to protect. But sometimes a great many times, it's not strong enough. It wans't strong enough for Barbara who has to fight from her chair. It wasn't strong enough for Stephanie, other dear soldier enough dear grave. And it wasn't enough for Jason. Willful Jason. Who ignored the danger. Who spat at risk. Who was never frightened enough. I've always wondered... always... was he scared at the end? Was he praying I'd come save him? And in those last moments when he knew that I wouldn't. Did he hate me for it?

This monologue directly shows without stating it outright, Bruce is prioritizing his feelings of grief and failure mixing them in with his genuine grief over the loss of a son. it's selfish of him, but grief is a selfish emotion.

Here's the thing Bruce is allowed to be selfish and to not have the correct reaction to his grief, because the whole story is centered on Bruce being unable to get his shit together in time, and this picture into his emotions is an explanation as to why. Bruce is afraid of being hated by Jason. Jason of course has every right to hate him for failing as a father, but still I think not wanting to be hated to a person you loved so much and feel genuinely sorry over what you let happen to them is an understandable reaction.

Meanwhile we have Enji saying repeatedly all the right things in his monologue, the selfless, I don't need to be forgiven, it's okay if they hate me, I just need to atone but he never actually does anything. There's no explanation for why he isn't doing anything either, so that narrative dissonance. We're shown why Bruce doesn't act in time, he's internally a mess to be frank. We are not shown why Enji doesn't act in time because his internal monologue tells us again and again he's committed to atoning and he understands what the right thing to do is.

As Codenamesanzanka says:

Enji is still saying all the right things, but the story isn't giving him the opportunity to actually do the right things. To have his new actions matter. I have no doubt about his sincerity in his mantra, but without the 'show', it's hollow. Similarly, "Let's talk" is actually kinda bullshit too, because it's so vague. This is less about Enji, and more about the writing, how it set up this scene. "Let's talk" or "I want to talk" or any of that variation is repeated 6 times, without anything more or specific added.

There's an excess of repetition of Enji saying he wants to atone, he's ready to atone, without any of that materializing in the story.

As @class1akids says in this reaction post:

It also feels also super-hollow to say he's sheltering the family from the fallout, after they've just talked about how Fuyumi lost her job (and got a new one through the connections she herself built). How is he going to do that?

The fourth because I don't want to write it down, it's just Batman monologueing on how his partnership with Jason is still good and explaining the technical details of his fight with count Vertigo. It's in chapter 10 if you must look it up.

So four monologues total. Two monologues establish indirectly that Batman knows that Red Hood is Jason and doesn't want to face him. The third monologue establishes why he doesn't want to face him, he's afraid of being hated. The monologue is in line with Bruce's actions in the story, Bruce investigates several ways of reviving from the dead instead of looking for Jason.

The character's reactions around Bruce are also talking about how he's not acting like himself. Especially Alfred's who speaks of Bruce's indecision, on whether to put a stop to or save Jason.

"It is curious. He is lost in thought. It is not like him to spend vast stretches of time immobile, where his mind is gripped in the solitary process of deduction. This is quite different. He is hesitating. At a loss for what to do. I believe it is about Jason. And whether or not to stop him or save him."

This is illustrated in two scenes later where Jason spends a long time simply watching when Jason is fighting enemies, first in a fight against Captain Nazi, and second Black Mask. Jason even gives a direct callout of that behavior.

Jason: What the hell took you so long? Couldn't decide if you wanted to let me live. Batman: Shut up and fight.

Observed by Alfred Bruce is completely stalling and can't choose, observed by Jason Bruce can't decide whether to let Jason live or not. Bruce hesitates twice. We know why. We see it in action. It's called out as flawed behavior.

Now let's cover all the tell that don't show that is Endeavor's many monologues.

Pro Hero Arc:

I have to safeguard the future for them. That's the job for whoever's on top. What about the lives I cut short? Just demanding forgiveness isn't enough, it's too late for that. At this point I need to atone there's no other route.

Hellish Todoroki Family 1:

I'm trying to make ammends going forward. It might be too late. but I fall asleep every night thinking about it. Lately it's been the same dream. The wife and the kids looking happy at the dinner table. But I'm never there with them. It might be too late but I fall asleep every night thinking about what I can do for my family. I wish you could be here too, Toya. It's always the same dream. My whole family's there but not me. If I really care how they feel [I'll remain here].

I'm not going to read 200 chapters so I'm just going to ballpark it based on memory. Here we go.

Dabi's Dance:

My eldest, Toya didn't harbor frost within him. He didn't have a way to overcome the inescapable downside of overheating but I nevertheless sought to raise the boy as a hero. [...] Because Toya had more potential than me I placed my ambitions on his shoulders. I thought it could be you. You could have been the one to reach my eternal goal. My frustration... My envy... The ugliness in my heart... you could have been the one to smash it all to dust.

Plot twist this is the only monologue I like. It's different from all the others, and it's the only one where Enji is being emotionally honest. He put the emotional burden of his own emotional insecurities on an eight year old child, and expected to live vicariously through him and when Toya failed to live up to those expectations he just abandoned him. It alligns what we have been shown so far, Enji is not acting like a reptentant man here who realizes the harm he's done to Toya and only thinks of Toya as an extension of himself and his own regrets.

The Fight Against AFO:

My mistakes took the form as Toya leading to many stolen futures. The past never dies. Rage, resentment and even penace wound together toward the future. And the future is a path for the young. A path with so many branching choices. That's why I must win this. [I'll keep paying my penance. I'll win today and keep my eyes on Toya.]

When Enji decides to double Suicide with Toya:

I take full responsibility. I swore to bear the burden and live my life atoning for it all. However, you've been watching me all this time. While I couldn't be there to watch you. You were someone I especially needed to do right by. No I can't let you meet your end alone, but I won't let anyone else get caught up in our tragedy.

Hellish Todoroki Family Final:

I came to talk about what's to come. I'm retiring as a hero. That was my initial plan even before the war started, but now I can't even walk on my own. The hero endeavor burned to death. Your flames were really stronger than mine. [...] You're right. You know everything about me, Toya. After all you were always watching me. And you wanted me to do the same for you, but I didn't. Not matter what anyone says your heat does come from my hellflame. From now on I'll come everyday, so let's talk. It's too late now, so let's talk. [...] You're free to hate me. Anything is fine really, so throw it all at me.

This one is spoken dialogue but it's still a four-page long monologue. Every one of Enji's monologues with one exceptionsays the same thing: I'm sorry, I'll spend the rest of my life atoning for my actions.

We're repeatedly told Enji is atoning but he acts like Batman. Then, his actions should be framed as Batman, not atoning but avoiding any responsibility.

As observed by Class1akids when we were discussing the update:

Everyone else faces an uphill struggle with their lives, but we should all feel sorry for Enji atoning and being in hell. I hate Hori's compulsion to over-write his abusers and over-explain their atonement. He does this with Bakugou too but with Enji it's more irritating. It was so much more enjoyable when he just wrote the thing but didn't point at them and say -> look, they are atoning. Aren't they soooo cool??

Enji's internal monologues and the other characters frame him as some sort of martyr, while on the other hand it's clear by both Batman's actions and Alfred's observations he's not acting like his usual self. In fact, this is an interpretation of Under the Red Hood that I love from the writers of the video game Arkham Knight that does a less tragic retelling of Under the Red Hood:

Batman doesn't fight victims. He saves them.

Therefore if Batman is fighting Jason, a victim, he's not acting like Batman. I'm also fine with Arkham Knight being an Under the Red Hood retelling because it's a different story. Comics do this all the time, different universe versions, popular storylines adapted into different mediums. It also works as a commentary on the original story, by showing what Batman could have done to lead to a more positive outcome it makes Batman's choices in Under the Red Hood worse and more tragic because he could have saved Jason, there was still a chance.

So here we have two flawed tragic heroes who are meant to be both pitied and condemned for their actions. One of them is all pity with no condemnation. The other is both pity and condemnation, Batman is grieving, but also he's failing his responsibility towards Jason. Therefore one protagonist works, the other fails utterly.

I'm not saying abusers don't deserve redemption. I'm not saying Enji should have died in order to atone. I'm not saying that the underlying problem with the arc is that they decided to make Enji sympathetic and a focus of the arc. The most important problem is the breaking of one of the fundamental rules of storytelling: Show, Don't Tell.

The Tragic Villain

Not only does The Hellish Todoroki Family plotline fail to make Enji a compelling protagonist, it also fails it's biggest victim. Now, these are both stories that end with the hero failing to save their victim. So if both of these stories have the same ending, why am I saying it failed Dabi, but not Jason?

Well, let me explain.

Dabi and Jason are both villains turned victims. The stories themselves are about this ambiguity. How much should the be held responsible for their own choices? If they are actively harming innocent people, then shouldn't they be stopped? Should they be automatically be forgiven just because of the pain and grief they've suffered, even if they've been causing it to others?

Both characters are also reflective of their fathers because they are too being selfish in their grief, they want their grief acknowledged and so are violently lashing out.

Jason and Dabi both make plays at being vigilantes at first, Dabi wants to inherit Stains will, and Jason Todd wants to be a better bat-man by taking control of the drug trade in Gotham and cutting crime down by executing gang heads. However, neither of them are being honest with this and it's shown through their actions, both of them abandon their original plans.

In the final showdown all Toya cares about is facing Enji on the battlefield, and when he's on the brink of death his mind erodes to the point where all he can do is scream for Enji's attention while his flames get hotter and hotter.

Let's take about Jason first and how his narrative treats him a whole lot better and more sympathetically, with more humanity than Batman. Jason is still held responsible for his choices, he is criticized by Bruce for murdering gang leaders and passing it off as justice. He's also blatantly shown to be a hypocrite. My favorite scene from Red Hood: Lost Days, the official UTRH prequel.

"I want to kill the joker in a cool way. Just sniping the Joker from a rooftop isn't dramatic enough for me."

This scene, and the final scene of UTRH underlines Jason isn't executing criminals because he believes it's the right thing to do, or because of his stated motivation that killing the joker would prevent more future victims.

Instead his every action is to set up a scenario where he makes a selfish demand of Bruce. He wants Bruce to prove to him that he would choose him over being a hero, by setting up his final scenario. Him, the Joker, and Batman. Jason will shoot the Joker. Bruce has a gun. He can either choose to let Jason kill the Joker, or kill Jason to stop him, either way it makes it clear what Bruce's priorities are.

The underlying reason for this is similiar to Bruce. Just like Bruce, Jason is deeply afraid that Batman doesn't love him. That he thinks of him as a failure. (This is Toya's main reason too).

He also interprets Bruce's failure to avenge him to mean that Bruce didn't even care enough to mourn him. If Bruce loved him enough, he'd choose him over the joker, but he's so afraid that Bruce doesn't love him enough that he's going to force Bruce to choose.

Along the way he's also going to behead several crimelords in order to put an exclamation point on that point.

The way Jason completely unravels in the confrontation shows this insecurity, he begins with monologueing about how batman should totally kill people, until his fear that he wasn't important enough, and his grief at losing his father is revealed.

Batman: I know I failed you, but I tried to save you. I'm trying to save you now. Jason: Is that what what you think this is about? Your letting me die. I don't know what clouds your judgement worse, your guilt or your antiquated sense of morality. Bruce, I forgive you for not saving me. Jason: But why on god's green earth is he still alive? Ignoring what he's done in the past. Blindly, stupidly disregarding the whole graveyards he's filled with people. The friend's he's killed. I thought killing me - that I'd be the last person you ever let him hurt. Jason: If it had been you that he beat to a bloody mess. If it had been you he left in agony. If he had taken you from this world. I would have done nothing but search the planet for this pathetic pile of evil, this death worshipping garbage, and sent him off to hell.

Direct statement, it's irresponsible of Bruce to let Joker live after killing Jason and should have put him down to prevent future victims. Reading between the lines, Batman not taking revenge for Jason is a sign that he didn't love him enough, Jason loves Batman more because he would have taken revenge.

As the confrontation continues and Jason's mental spiral worsens, to the point where he can't keep up his pretense of self-righteousness.

Jason: I'm not talking about killing cobblepot, or scarecrow, or riddled, or dent. Jason: I'm talking about him. Just him. And doing it because...he took me away from you.

The father had lost the son, and now the son had lost the father.

Jason's revenge is just a cover, for his grief at losing Bruce. I think this also shows a really positive aspect of Jason's character to humanize him instead of condemning him for his actions to ignore or even justify the suffering he endured: Jason really loves Bruce.

I mean how meaningful is the statement: "Bruce, I forgive you for not saving me."

Bruce has been afraid to hear the whole time that Jason hates him, that he won't forgive him, but Jason loves him deeply. In fact his love is almost equal to his rage because Jason is a deeply emotional person, and these little details make him human and not just like a plot obstacle that Bruce has to face. A metaphor for his past failures.

Dabi is drawn as a crying boy who wants comfort, Jason is shown to be a crying boy who wants comfort through both dialogue and action without us directly needing to be told. It's a heartbreaking line and doing it because he took me away from you and it lands perfectly because the narrative wants us to just look at Jason's grief. It doesn't add an asterisk* even though he was in pain, he's done unforgivable things that can't be justified to undercut Jason's suffering.

In fact that might be another underlying problem with The Hellish Todoroki Family, the narrative tries too hard to make you feel a certain way instead of just presenting things as they are to make you come to your own conclusion. UTRH doesn't support Jason's revenge based serial killing of villains. It doesn't say he's justified to cut off the heads of mobsters. However, it doesn't excessively state "Well, I'm really sorry what happened to you but what you've done can't be forgiven" so we don't have to challenge ourselves to feel too much empathy for Jason's suffering.

Meanwhile even when Toya tries to express his rightful anger and grief, we're always met with someone shutting him down and saying well yeah, but you're wrong, involving innocent people is unforgivable.

As said by @stillness-in-green in the replies to this post:

I think so much harm (in-universe, but the state of the Twitter fandom makes me think the messages are pretty toxic irl, too) comes out of portraying the Heroes as needing to weigh in on the *morality* of the Villains' actions before they gauge "saving" them, when that is not a thing that glorified cops have any business thinking they have the right to do. Demanding repentance before the rehab is so bizarre.

You can say someone's actions are wrong without using it as a factor to consider whether or not their suffering as a human being should be acknowledged, and like I said there's multiple instances of people just yelling at Toya how immoral he is instead of addressing the elephant in the room.

You're wrong, you're wrong, you're wrong, you're wrong.

(Okay, I understand that some people have interpreted this as a show of Honnae and Tatamae, the Todoroki's who are a very repressed household are finally talking about their feelings even if those feelings are selfish and ugly).

(I'm not criticizing Shoto for saying that the people he killed were his own choice necessarily, Shoto is a character who's actions need to be read more deeply than his words he was dedicated to bringing Dabi down without him burning himself any further start to finished. My criticism lies in the fact that Hori uses Shoto as a mouth piece because he thinks we need to be reminded that murder is bad).

However, even acknowledging that time and place man, time and place. They couldn't have done that in the aftermath, when Toya isn't burning to death?

Hey buddy, you're being selfish.

Toya: AHHHHHHHHHHHHHHH I'M MELTING, I'M MELTING.

This is I feel the underlying problem with the way the arc is written, not because the Todorokis are a very traditional Japanese family and there are cultural reasons they express their emotions differently, I'll give a caveat to that it's a nuance I might not understand.

However, I am arguing the actual problem is tell don't show. Horikoshi thinks that we as an audience need to be told multiple times that murder is bad, and we cannot be trusted to interpret that on our own.

Under the Red Hood shows both sides of Batman and Jason's debate, and let's us just come to the conclusion that Jason is in the wrong because revenge isn't justice. Horikoshi reaches no shit sherlock levels of telling us that we're not supposed to approve of Dabi's murders.

it's also a matter of giving Dabi narrative space to express his feelings, like every time Dabi tries to talk he is continually shut down (Shoto does engage Dabi talk to him and listen to why he didn't come back though I'll give him that) and it seems to be to push forward this weird idea that you shouldn't sympathize with the pain Dabi has endured or the ways he's dehumanized unless he does something to prove he deserves to be treated like a human being first.

Jason gets to monologue and make an entire argument, and his argument also shows the depths of his love for Bruce and what a deeply feeling person he is, and how those feelings being hurt and twisted could logically lead to his lashing out.

Compare this to Dabi who doesn't get a final monologue, but is instead reduced to a completely mindless state where he just cries out for his dad's attention. He doesn't get to make his argument.

Jason and Dabi both choose to blow themselves up, but Jason gets enough character agency to show this is a deliberate choice he's making even if it's the wrong one. He retains his character agency and ability to make decisions until the end of the narrative.

Jason's also you know physically crying. The end result of the narrative is about wrong choices that both Bruce and Jason make together, and then suffer the consequences together. Bruce watches the same failure play out again and he isn't able to save Jason, Jason doesn't get what he wants, he doesn't get revenge and he doesn't get to reunite with his father. It's tragic for both of them, and brought about by decisions both of them made.

Whereas yes Dabi makes a lot of bad decisions leading up to the last war arc, but in the end his final fate is up to a choice Enji made to not face Toya in the final battle.

However, while the final consequence of the battle is brought about more by Enji's decisions than Toya's, it's Toya who endures all the suffering and punishment. It's Toya who is in an iron coffin, and doomed to slowly and agonizingly die with all of his skin burnt off unable to move. Toya doesn't even get agency after the arc is over. Enji still has a wheelchair, Enji can still move around, Enji's still fucking rich, he's not in prison for his actions, he as Rei wheeling him around.

Toya's agency and choices are all taken from him, presumably to serve the plot purpose of making Enji save him to finish off his arc, and then ENJI DOESN'T EVEN SAVE HIM.

Also I think it's important to mention, Bruce's tragic ending is brought about by him attempting to save both, trying to save the joker and Jason with the same action. Whereas Enji's tragic ending is brought about by Enji NOT LIFTING A FUCKING FINGER TO HELP. Yet, it's Dabi who has the lion's share of suffering, and is sentenced to this horrific state of being skinless in an iron coffin and only being able to be awake a few minutes a day with no choice but to waste away.

Bruce is also immediately called out for his actions, by the Joker of all people, you handled this all wrong, it's your fault. Bruce is right to not kill the joker, killing the Joker would not have solved any of Jason's problems, but the fact that he put off facing Jason for so long, and his inability to communicate that he loves Jason is what leads to Jason thinking that the only way to prove Bruce loves him is to force him to choose. It's because Bruce has utterly failed to show him in any other way that he is loved.

Joker: Oh my god, I love it! You manage to find a way to win, and everyone still loses. I'm going to be the one who gets what he wants tonight, badda bing, badda boom."

I'd also like to add that a lot of agency in Enji's actions are taken away too, to make him look more blameless. It's not Enji's fault that he didn't say anything to Dabi during Dabi's dance, he passed out because he had a punctured lung. It's not Enji's fault that he spent a month protecting Deku instead of searching for Toya, he had to protect innocent people. It's not Enji's fault that he didn't go immediately to face Toya in the final war arc Hawks told him not to.

It's not Enji's fault that he made Shoto and Toya fight like Pokemon instead of cleaning up his own mess, and also he feels really sorry for it and as soon as he's done punching the bad guy he'll look after Toya he promises.

Enji does get called out for this behavior but it falls flat because it only comes from the villain AFO, and Toya himself. As I stated above too, the ending is more influenced by Enji's actions not Toya's (because Toya's agency is stripped away until he's mindless) but Toya is the one who has to die while Enji gets to live and atone.

That is the real sticking point for The Hellish Todoroki Family, the way it ends.

Themes Are For Eight Graders

The underlying problem with the whole arc and why The Hellish Todoroki Family fails as a tragedy, is because it wasn't written to be a tragedy.

The above quote is from an interview with the writers of the widely hated Game of Thrones Season 8, which took a sudden tragic turn for Dany's character, gave her an incredibly dehumanizing ending of being put down like a rabid dog by her own lover, an ending that was neither foreshadowed nor did it match with anything written before.

In this meta here by @hamliet it goes far more into depth that Game of Thrones isn't a tragedy, but a piece of Romantic fiction (not a love story, Romanticism is a genre of big emotions, the beauty of life, larger than life ideas hence why it fits well with fantasy genre, it can be sad but it doesn't follow tragic structure).

Dany is a romantic heroine, a deconstruction of the idea of the classic warrior princess trope, and you know a colonizer, but she's not meant to be written as an inherently bad person. There are people who say that Dany was going to die in the original books. I'm one of those people. Me. However, context and framing matters, Dany for all her colonizing ways does genuinely want to do the right thing, so it's likely she'd die a heroic death as a reflection of her selfless intentions (and intentions do matter for fictional characters) whereas in the show she's put down as a villain.

Now watch me I'm going to coin a term for future literary critics to use: Narrative Gaslighting.

Narrative gaslighting is different then Show Don't Tell, where an author has just failed to properly show what they're trying to tell you in the story. Narrative Gaslighting is when a narrative deliberately tries to mislead you, straight up lies to you, or just insists things that did not happen totally happened guys. Much like real gaslighting, Narrative Gaslighting makes you feel stupid for interpreting things a certain way and insists you were wrong all along.

Narrative gaslighting is when Tyrian gives a speech that everyone should have suspected Dany when she burned slavers alive that she was secretly evil and would one day turn on them.

Like, no.

Dany is flawed because she is a foreigner, interfering with the politics of a different country that she does not understand in order to gain enough resources and men to return to her home country and invade that country to exercise her right as a Targeryn to uphold the divine right of kings.

Game of Thrones doesn't mention any of that shit that's in alignment with the previous actions in the story, it's just insisting the very ableist notion that Dany was insane all along and her violence towards other people is the result of her mental illness.

(Also before anyone says, so if she's a colonizer than how can she have good intentions, everyone is Bad in Game of Thrones, they're all waging war to vie for a throne, monarchy is bad guys. IDK how to tell you that Game of Thrones has gray on gray on gray on gray morality).

(Also this aside ties into the hangup of MHA and most popular fandom culture on Twitter, that Dany's moral failings somehow disqualify her from her humanity. In spite of the fact that on top of all of that she's a rape victim, and like, Dany's only on that continent in the first place because she was sold as a bride.)

But here's the same weird subtext that Horikoshi's writing of Dabi. The fact that Dabi was continually victimized and denied human dignity does not need to be addressed, because he did the bad things and didn't atone properly enough for it first.

In essence this random post on the gunnerkrigg court forums I found on the same day the chapter came out, displaying apollo's gift of prophecy.

"When someone is persecuted, it's important to inform everyone about their flaws. That way you don't have to feel anything about all the times that they were denied human dignity."

So, Dany is not written as a tragic hero but a romantic one, we as an audience are both meant to acknowledge her flaws and sympathize with her, not demonize her in an ableist way for being insane, and even if Dany is meant to die the tragic way she dies does not match up with all of the narrative foreshadowing that was built before that.

Like, for instance a lot of POC after the show ended kept telling everyone that Dany's actions in a foreign country were seriously problematic, and not only did the audience not listen but the showwiters didn't acknowledge it with the same subtlety as the books. So those people especially were able to pick up Dany's character flaws, and when the show finally acknowledged them it's not even in the way that critiques of the show were pointing out Dany's flaws it was just "she was insane all along." Not like taking time to go "no matter what the intention, interfering with the politics of a foreign country is wrong."

The problem with the Todoroki arc is essentially the same, down to the ableism (because outsiders continually call Dabi either a maniac or insane Demon without even giving credence to his grievances about hero society he's just reduced to an insane fringe element of society, and Dabi himself is reduced to a completely mindless, childish, insane screaming state where he can't make active decisions).

The Todoroki Arc is not set up to us as a tragic one. The ending is pretty clearly telegraphed to the whole audience. People are not wrong for thinking that Toya's ending would be either rehabilitation like Rei with the eventual hope of being welcomed home, or some kind of house arrest where he still gets to be with his family.

Everyone happy at the Dinner table and Enji not sitting with them.

"I wish you could be here, Toya."

"We all have to go stop, Toya."

"In that case, I'll make him sit down for a bowl with me."

Even Shoto's efforts to take down Toya non-lethally are rendered completely pointless, because Toya gets back up again and then burns himself alive (completely by his own choice so no one has to feel bad that they failed).

The story sets up the expectation that Toya is going to be brought home and sit down for a meal with his family. Then it makes you feel stupid for going in an entirely different direction. It was always going to end this way didn't you know The Todorokis are a tragedy?

Well, I just spent a very long section of this thesis statement illustrating that if it's supposed to be a tragedy, then it's still not written well.

It's a written as a romantic story of a family healing, and the villain getting saved, only for the villain not to be saved and the story to just keep on going like not getting saved isn't a huge failure. This is something that should permanently destroy the main characters, that they got the chance to repeat Sekoto peak and be there this time and they all utterly failed. I feel bad for Shoto most of all because he did everything right, and he still loses his brother, but does the story show that?

The problem is the story is blatantly lying to you about the fact that Toya was somehow saved, even though he LITERALLY LOOKS LIKE HELLRAISER. To quote Codenamesanzanka again:

But I feel the story couldn't give us that because it will remind the reader and everyone just how much Touya will be missing. In-story, talking any more will overburden Touya's heart - and how apt is that metaphor? So let's talk about how we'll talk, but that's all that's allowed here for this scene. Else we'll see how unfair it is that Touya has to be confined to this room, he isn't with his family and they have to come to this prison just to tell him about their day, and soon he will be gone. Details make it real, and it would've exposed the lie that Touya was saved in an actual way. The story knows it too - "this extra time Shouto gave us." This is all 'extra', and not the core. [...] If the story was sincere that this is a case of "it's simply too late" - as it should be!!! imo, to really drive in the clear point that they failed, they did not get the save they wanted, because that's the truth - the tone of the chapter isn't tragic enough for that. The tone is going for 'Making Peace With This'. We've skipped the stages of grief and all we have is acceptance. The characters have accepted this, and so must the readers as well.

Therefore it's narrative gaslighting, the story is making us doubt our perceptions and trying instead to manipulate us to feel a certain way. We don't have to question the unfairness of Toya's fate, because look at all the people he's hurt, and look how Enji is atoning and taking responsibility.

The story builds up the idea that Enji will choose Toya. That he will choose being a father over being a hero. Enji doesn't do that, and it's Toya who suffers the horrific, painful consequences while Enji gets off mostly scott free. Mind you it's also ableist to suggest that being in a wheelchair is some sort of life-ending consequence like he's fine. The story even goes out of its way to say how avoidable this ending could have been if Enji or Rei or someone lifted a single finger to give Toya the acknowledgement he wanted, and then gives it a "Too little, Too Late" conclusion but doesn't acknowledge that this is where it's ending and instead tells us that Enji has successfully atoned.

"Everyone's watching me. So this is what it's like. If it was such a simple thing, then why not sooner?"

If it was going to turn out this way Toya should have just died here, not because death would somehow be a mercy compared to life in prison, but because the Todoroki Family doesn't deserve to get to pat themselves on the back. If they let Sekoto Peak happen a second time, then they should have to deal with the consequences of that.

It would be consistent is my point. This is written as a "Too Little, Too Late" kind of ending, but we don't get the emotional response from the Todorokis that they've let Toya die a second time.

On the other hand, UTRH has the exact same tragic ending but it doesn't make me angry because it's honest about it. The Todorokis let Sekoto peak happen a second time. Batman let Death in the Family happen a second time, but look at how even the narration and comic panels of the story acknowledge it.

"Fate is a funny thing. It swells up like a raging current and we are forced to travel. It provides us no exit. No deviation. It drops us in a bottomless ocean and compels us. We either swim, or drown, and sometimes as we struggle against the tide, a great truth arises."

One ends with Enji meaninglessly stating that he'll spend the rest of his life atoning for Toya and watching over him (which I guess will be like two months tops) for the fifth time. The other ends with Batman being lectured by the Joker of all people of how he chose wrong and being forced to watch once again as a warehouse blows up, and he's completely helpless to save Jason.

UTRH ends with the message that Batman sucks, Enji's atonement arc ends with Natsuo calling him cool for atoning and UTRH makes me like Batman way more as a character. Whereas at this point I feel nothing from the Todoroki Family, except for a disgust for the way that Toya not only has to die, but has to die a slow, gruesome death while the rest of his family walks away with the small comfort of "oh at least we'll get to say what we need to say before Toya passes."

Especially with the fact that Toya's greatest fear was that when he died, he died meaninglessly because his family never grieved him and all moved on with their life. I guess we don't have to analyze how gross the underlying message that criminals don't deserve to be sympathized with because themes are for eighth graders.

EPILOGUE

The post is finished but apparently everyone expects me to cover every single possible angle even in posts this long.

You didn't address the cultural aspect. Under the Red Hood is a western story, and Todoroki Family is based on eastern concepts.

The post isn't about that. The post is long enough I can't cover every single topic. Here's someone who covered that topic thoroughly. This one discusses more about the nuances of collectivism.

Also, since the Todoroki Family obviously copied Under the Red Hood's homework, it warrants a comparison. Especially since it seems to critically misunderstand what made the original work.

Which is a valid form of Literary Criticism, as Ursula K Le Guinn once said:

 It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does.

The Todorkis aren't all to blame for Toya. Natsu, Fuyumi and Shoto are innocent:

You're right. It's just easier to refer them as the Todorokis then specifying "Enji and Rei" each time.

You didn't mention Shoto once in this post:

I have no cricism for Shoto's role in all this. In fact I think he's the best written part. I praise it here.

Shoto is a good boy, and he deserved to spend more time with his brother. The fact he won't be able to sit down and have dinner of him, is the greatest tragedy of them all.

[lemurchick]

Another 'wonderful news' from Russia for your consideration! This week, the BRICS forum on traditional values took place in Moscow. And it was fucking insane.

In short, the opening meeting was BRICS countries representatives verbally jerking off on how well they oppress or plan to oppress their people especially women. The only person who bothered to contradict this narrative was Egyptian female writer Doha Mustafa Assy.

I will translate some quotes from the russian article. https://www.kommersant.ru/doc/7311174

Russia: "At some point the roles for women have begun to change towards independence and self-sufficiency. We, of course, love and respect our women very much, but we want them to pay more attention to their families, men and children. We do not want them to strive for business, politics, economics, power, or culture. <...> The main traditional value is the preservation of natural purpose, where a woman continues the family line and a man inspires her to give birth to children."

Pakistan: "Any traditional religion upholds and promotes social values and traditions. No father would want to harm his family. No mother would want to break up or disintegrate her family. This <rejection of family values> is deliberately imposed on us and promoted by some power circles”

Ethiopia: "In our country it is traditionally women who do the cooking, teaching children and other family duties. So the man's role is not as big as the woman's, and this tradition gives the man the freedom to behave like a child." (?????)

Uganda: [This country experience is “extremely important to the discussion of legislative protection of religious values,” emphasized russian politician Dmitry Kuznetsov, referring to the fact that in Uganda same-sex relations are prohibited, and in some cases violators face life imprisonment or even the death penalty.] “We did this to make sure that the country would be preserved. I would encourage countries to behave in such a way that the culture that exists in each country is not imposed on others.” btw Brazil and South Africa representatives didn't say a word here even though their countries legalized same-sex mafrriage years ago.

Brazil: "Marriage in no longer a goal for our citizens and the country has the highest divorce rate in history. Meanwhile, children are most often left with their mothers, with fathers unwilling to take part in their upbringing. As a result, many Brazilian boys are growing up without a father figure and 9% of male inmates in prisons don't even know their father's name. Shifting the balance in favor of women leads to the fact that the position of feminism is growing, and the number of people who identify as LGBT people is growing.” At the end of his speech, he marveled, “This is my first time in Russia, and I didn't know you guys were so conservative. I'm so happy, it's so impressive!” He also admitted that “the people of Brazil know nothing about Russia,” and Dmitry Kuznetsov promised: “We will come to you and tell you all about our saving conservatism.”

Egypt: As I mentioned in the beginning the only person who actively argued against this trend was Doha Mustafa Assy. She said: "We on the contrary has a struggle against patriarchy. Tradition and religion are not on women's side, they help men. A lot of women in Egypt ask for divorce only because they feel like slaves at home. He (the husband) has the right not to let her leave the house according to tradition. BRICS is India, it's China, it's Russia, it's Egypt. We are very different. And maybe what you are trying to do in Russia has already became a problem for us”.

To be honest I don't know what will come out of this forum. Maybe it's just empty posturing, maybe BRICS countries just sent people who had free time on their hand here as a formality. But I despair reading these quotes; twenty years ago we sent a singing duet posing as lesbians to Eurovision; ten years ago I was watching lesbian drama Blue Is the Warmest Colour in a full theater. Soviet Union gave women some attempt in an equal rights in fucking 1917 and we were the first country to send a woman in space. What happened? How has it turned this way? We are now friends with some of the most patriarchal countries in the world and with fucking North Korea. They are planning to remove the Taliban's terrorist status.

What the hell.

[m1ssunderstanding]

My thoughts on Beatles 64

Am I a terrible person or something because I’m genuinely having such a hard time wrapping my head around these people’s reactions to their president getting shot. Like I can count on one hand the people I’d give a fuck about in DC and I’m not crying if that happens. I’m angry. I’m scared. But I’m not sad.

Who is this covering all my loving? It’s pretty.

I will forever love Paul and George’s big and little brother dynamic. Deep, cloudy scouse: they’re in perfect synchronization. Bright, squeaky scouse: Are they? Like, where is George’s little chimney sweep costume?!

And Paul’s sharp tone calling John’s name. I don’t know, I could obsess over any little scrap of footage of them. I just love picking apart details that reveal dynamics.

George’s insecure, curious, “Are you filming now?” Compared to his over-it, sardonic, “Are you recording our conversation?” He aged about twenty years between 64 and 69.

John’s reaction to his own voice in his ears is always a straight shot of joy.

I like that they’re showing all the boys. You know, because if only girls like them, then they’re just a silly pop group, but if boys like them too, well. That’s something else, isn’t it?

One of my favorite moments. No wonder Paul took so well to shepherding. His blood pressure spiking if John gets out of arm's reach. And John is of course so happy to be pulled back in.

Their hair really was so fluffy!

John spreads his legs when he’s playing because he’s an anxious attachment. Paul keeps his legs closed because he’s avoidant. In this essay I will.

This mix of She Loves You is really highlighting Ringo’s drumming for me. He’s so talented and attractive.

This is why Paul’s my favorite, genuinely. Because he goes from the most polite, people-pleasing, tender-heart to an absolute mean girl cunty bitch in the span of less than a second.

Ringo is the quickest wit, I’m telling you, and if anyone says otherwise, I’m cancelling you for classism.

Why is it always Paul these middle aged creeps feel the need to touch? I mean, I know why. But it makes me sick. That kind of thing is reserved for the mutuals. Definitely not cops.

It’s literally sooooo funny for me seeing this guy choke up about She Loves You. Like I’m genuinely happy for him, but I was literally just over at my husband’s grandparents double-wide and they Still go on about how stupid the Beatles haircuts were and how they remember the days before the Beatles when there was ‘real’ rock and roll on the radio.

So, Paul’s been telling the story of Jim critiquing She Loves You for literally sixty years now, and originally it was with mix-ins from John and George and without a lot of artificial sweeteners. Here’s the sixty-year-old version:

Back home in Liverpool, we used to sing over some of our songs to relatives—I did to my Dad and my aunties,” he recalled. “My Dad would look at me looking disappointed. ‘I don’t know young Paul,’ he’d say. ‘I try to get you to speak properly, and you drop your aitches. Why sing ‘Yeah, Yeah’ when you mean ‘Yes, Yes?’ I tried to explain this was the whole point of the song,” Paul continued. John broke in: “Anyone ever heard someone from Liverpool singing ‘Yes’? It’s YEAH.” Paul continued: “Well, we just laughed. My Dad gave us some of the worst advice ever. He said this music thing will never last. It’s all right on the side, he’d say, BUT PAUL IT WILL NEVER LAST!” “Remember,” said George, “he always wanted us to sing ‘Stairway to Paradise’?” – Ray Coleman article 1964

What a cutie. Shouldn't be allowed.

“That wasn’t really the case.” (that America was the land of the free). He always almost gets to his political views. You know? Microdosing? Left-bating? Maybe both. Whatever.

I LOVE their funny little accents with all my heart. John does posh scarily well.

Ringoooooooo!

“Go on! Defy convention!” Quotes that define the speaker. He should sell t-shirts with that slogan.

This girl’s Brooklyn accent and her confidence are so beautiful!

Why did they buy John an ID I’m actually dying! Oh! They don’t mean, they mean like Paul’s and Ringo’s bracelets. Got it. Okay. I was like ‘are you trying to help him ten years in advance with his immigration struggle?’

The juilliard girl is phenomenal.

I want the nylons and I want the shoes.

“Would you do me a tremendous favor?” “I’m not gonna kiss you like Elisabeth Taylor.” See? Ringo is the funny one. Ringo is so fucking sharp and nobody gives him the credit he’s due.

Ronnie Spector you deserved better, Queen! I love her. She’s so gorgeous, she’s so cool, she’s so young and energetic!

Two excellent Lennonisms right in a row. “Have you been watching the newsies?” and “I don’t care,” I say as I care caringly. I’ve said it before and I’ll say it again, he has the most sunshiny smile in the Beatles.

Ringoooooo!

Not the picture of JohnandPaul singing together as “with lovers and friends” plays.

Love Paul offering Ringo a candy. In yet another accent. People need to make them talk in goofy accents more in fic because it’s incessant. But I just love them offering each other food. It’ll always get me.

See, this is what I love about John. “People have been tryna stamp out rock and roll since it started.” “Why do you think that is? What are they afraid of?” “I always thought it was cause it came from black music.” He’s not ‘honest to a fault’ or whatever the boomer men love to say. But he’s very, very blunt, and he’s not going to try and skirt anything. You know?

Literally the most embarrassing thing a person can ever be is white.

“I thought it was very weak. You know what I think, I call a spade a spade. I thought it was weaker than weak.” Cook him! And then the mimicking! I love him so much! Holy shit, that would’ve been so enraging.

And then the quiet sass of the guy being interviewed right after. “Well, the versatility, the originality. I like anything that’s original.” I love some clever tumblr web-weaving in my documentaries.

In my husband’s grandparent’s defense, the “real rock and roll” they loved before the Beatles was literally only black artists.

I love this picture for ever. Look at how tight he’s holding on to John with one hand and the other hand raised in joyous triumph, engagement bracelet visible. This is Paul in heaven.

“The whole assumption of male vs female is not prominent. They’re sort of in-between.” Yes. Love. Keep going.

Ringo’s got all the quips, again. “Ringo, look over here!” Puts his hands up. “Don’t shoot!”

I didn’t know Smokey Robinson and the Miracles went to the Cavern, that’s cool! And here I was thinking I wouldn’t learn anything new from this doc. His whole interview is very lovely and generous.

I always think “You’ve Really Got a Hold on Me” probably spoke to John in terms of his relationship with Paul, but I go there so easily. Anyway, Smokey Robinson had every right to be pissed that they released a cover of his song without even asking. Like that would be illegal nowadays, right? And yet he’s so kind about it.

We talk about how scary Beatlemania was and we should because it was, but it really puts it in perspective for me personally hearing Smokey say he was shot at for trying to use the bathroom.

Oh I love that we have footage of Paul taking Ringo’s picture! Makes me think of “eye of the storm” obviously, but also the way he’s mocking the photographer's jargon of the time as he’s doing it. The fact that he ended up marrying a photographer who made a point to depict him as not just “some doe eyed sex object” in her pictures, and also of his song “pretty boys” and his quotes about the sexualization of “male models”. Definitely not about anything he himself experienced. Anyway, thoughts. Strings. Pins. Etc.

Also Ringo turning to the camera still filming him, “what do you think I am, a monkey?” Remember that part in this footage where Ringo says something like, “are we ever going to have a break from all these cameras?” And he’s exhausted. It really seems like, from the footage selected by this doc at least, that Paul and Ringo were doing the bulk of the lifting at this time just with cooperating with the show biz stuff. And isn’t that (interesting? Sad? Poetic? Good?) that they’re the ones still cooperating sixty years later.

How dare they cut out “but we ain’t written no poetry!”

As John’s panicking, “how are we gonna – have you seen the kids? How are we gonna get in, then?” Paul’s just calmly going, “Hi girls!” With a patient smile and a cute little wave. “I’ll just go in and speak to the people first, okay?” I love Paul “calming-down-other-people’s-hysteria-is-my-calling-in-life” McCartney.

Cute, George introducing a song he’ll do a viral backflip to in twenty years.

I wonder what that letter is. John’s being very tender with it.

“You’re fired!” “It’s Love Me Do, whacker!” With the sweetest most innocent smile. I love when John is John, you know?

“To me they’re all obviously low or middle class, highly illiterate, unintelligent wild kids seeking a little fun and pleasure . . . I think there’s something very strange about it at the same time, something very sick. . . . I’m sure that sexual reasons have something to do with it. They find the Beatles sexually attractive and they’ve made some kind of psychological tie with them. I think the whole thing’s a little bit frightening and quite sick.” Where’s that old meme with Trump describing the democrats in the most hateful terms he can think of and people being like “yep that’s me”?

Paul stopping to say goodbye by name to each of the people who've been in their hotel room one by one. It’s giving *Opra voice* “and you please don’t hate us and you please dont hate us and you please don’t hate us”

Ringo coming back because he went the wrong way is the most me-core thing.

Paul will come in with the random shouts and yelling in the middle of a song he’s singing lead on all the way from the very beginning and all the way to the very very end, huh.

I just get filled with so much rage at this image of the Bernstein family, especially after the footage of the Gonzalezes. Like, I know I need therapy. I know. But it costs money. Anyway, all rich people can go straight to hell. “I was allowed to wheel the TV set down from the library, down the corridor and into the dining room.” Oh, were you! Well, you must be very special, then.

I wonder if Paul’s title of his exhibition has anything to do with this quote from John about “It was like being in the eye of a hurricane.”

The girl hanging on Ringo like a jungle-gym is me. I love the way he flirts, it’s so smooth, physical, casual.

Classic John moment and he doesn’t even open his mouth.

My dearest wish is that these two are happily married now, holding hands in the theater watching this.

The voice of the woman asking Paul “what do you think of the American TV” sounded extremely like Linda’s. I sort of panicked for a second. Linda’s voice is lower, but the accent and cadence and the sort of wealthy slouch is the same.

I love them picking up on the dystopian beginnings of America’s version of late-stage capitalism and broadcasting the ridiculousness of it all to a public that didn’t know any different. “The situation in China is very bad. Have you ever wondered, when you’re eating at home?”

The guys setting up wearing Beatles wigs? Ew. Why?

Ringo’s so funny! “Watch any band. If anything goes wrong, they go – Blame the drummer.” And he’s so endearing and sweet. “I just always wanted to be IN the band, not like ‘oh, I’m over here.’” Reminds me of his quote about being lonely as an only child and ending up with three brothers. What a tenderheart.

Huh. Always thought some idiots just set up his rostrum backwards. The rest of the stage spinning around it makes much more sense.

That little smile between the two of them.

George in tears! Poor baby! I really do think, with the way this affected him on another level than it affected the others, and with the way he talked about his experiences at the Inny compared to Paul (not that you can trust Paul to say anything actually gets to him) that George maybe was more sensitive to classism than the others.

I hope Paul said something to that affect to George after. “They’re working at an embassy. We’re on the road, rocking. I don’t give a flying fuck.” You know? I could see it.

Another thing I love about John. You need that guy on your team, whatever it is you’re trying to accomplish. That when people are being bitchy, you tell them to fuck off and you leave. I bet Paul, George, and Ringo were so relieved that John did that for them.

After Ringo talked about not wanting to be back behind and separate from the band, I’ve noticed all three of them stepping back sometimes to stand more in line with him when they’re not singing. I don’t know if it was conscious or natural, but either way, I love that they did that and I’m sure Ringo did too.

The looks and smiles

I usually maintain that Paul is only sexy from 60-61 and from 68-98 and from 18-now. But. This is just objectively hot, I don’t care who you are.

It’s so sweet to see George being such a ham, getting John to do silly bits with him, putting on a waiter’s uniform and passing out drinks, climbing up in the luggage compartment. I wish they could’ve somehow kept it at a pace that was manageable for him so he could’ve kept on being so happy with his life, you know? I mean it’s not like it just disappears completely. There’s some of it in Get Back and even in Anthology, but it’s just not the same.

This is what happens when you’re a slut, Paul. You get paternity suits that ruin your mood. Shame, shame.

Interesting that Paul points out Brian’s “defying convention” by having them play their scandalous rock and roll shows in all these “hallowed halls”. I’d never thought about it as Brian’s conscious decision but obviously it must’ve been, and that’s very clever and snarky of him.

“That man, who is strong enough to be gentle, that is a new man.” Betty Friedan is pro-beatle. We love to see it!

Watching Paul try to behave like a human being on stage with all of his early twenties energy is honestly painful. It’s like Kurt Vonnegut’s Harrison Bergeron, you know? Like I can just see him aching to let himself free, but there are weights put in place for a reason. I know Brian was right to calm them down, and this documentary is proof that if he hadn’t done his taming, either they never would’ve made it or there would’ve been all-out class warfare or something, but it breaks my heart, it really does.

Ronald Isley, again, just like Smokey Robinson, being so so charitable here, and managing to do so without playing down the fact that things were absolutely rigged against him and his group at the time. “We should be on the Ed Sullivan show doing . . .” Yes. Yes.

I looked it up, and this quote is genuine. “If it wasn’t for the isley brothers, we would still be in Liverpool.” – Paul McCartney. That’s one thing I love about him. He’s always giving – very much due – credit to his black contemporaries. People ask him about Elvis and he always says, “yes, and Little Richard.” People say he was the most innovative bass player of his time and he says, “yes, and Fred Thomas.”

Ringo literally gets me every time. George: I don’t remember Wales. Ringo: It was before you joined the group.

The way Paul talks about George living “the good life” is very much in the tone of an older brother who’s helped his little brother do well for himself, you know? It’s adorable.

Of course Paul’s out feeding seagulls.

Not even going to comment on the “i love you” thing. Nope.

Okay I do have to say, the end of this guy’s story about going to liverpool and getting deported is incredibly sweet. I was kind of ignoring him, and then when he said he met John during Imagine, I sort of braced myself. But it turned out absolutely adorable. I love John’s little antenna miming and that he promoted this guy just for having made the front page of the Liverpool Echo. It’s all very John, very endearing.

I hope Paul and this weepy old guy had a talk about healing yourself from abuse through music. There’s like a 1/100 chance, but I still hope they did.

John loves a good boat analogy, doesn’t he? “There was a ship going to discover the new world. And the beatles were in the crows nest on the same ship [as everyone else] and we just said ‘land ho!’

Love the use of “Roll Over Beethoven” as the final song.

[magical-reid]

Written in the Margins

Pairing: Spencer Reid x Reader

Perspective: Third person limited (from Spencer’s perspective)

Timeline: Early Season 7

Word Count: 1.2 K

Summary: Spencer Reid teams up with you, a sharp and insightful local researcher, to help the BAU solve a series of murders staged like literary tragedies in Glenhaven, New York. As the investigation progresses, an undeniable connection forms between you two, leading to a blossoming relationship that continues even after the case is closed.

The town of Glenhaven was a small, tight-knit community nestled in the hills of upstate New York, where Victorian homes lined the streets like forgotten characters in a half-finished novel. The BAU had been called in after three murders, each victim a young woman in her twenties, staged like they’d stepped out of a literary tragedy. Notes were left behind at each scene—typewritten passages pulled from classic novels, arranged with the unsub’s unnerving precision.

When Spencer Reid entered the precinct, he wasn’t expecting much from the local resources—just the usual flurry of files, hastily snapped crime scene photos, and an overwhelmed detective in desperate need of federal help. He certainly wasn’t expecting you.

You were leaning over a table, a thick stack of notes in front of you, scribbling furiously with an ink-stained hand. Dressed casually but confidently, you looked thoroughly out of place in the harsh fluorescent light of the precinct. The lead detective, Harper, stood over you, looking exasperated.

“Miss Y/L/N, I’ve told you before. You’re not part of this investigation,” Harper said, his tone clipped.

“Then maybe you should stop using my research,” you shot back, flipping through your notes before shoving a page toward him. “See this? This isn’t just a random Steinbeck quote. It’s a clue. A trail. Your unsub isn’t quoting these lines because they’re creepy; he’s building something.”

Detective Harper sighed and rubbed the back of his neck, just as Spencer approached.

“Building what?” Spencer asked. His voice was calm, curious.

You turned toward him, your brow furrowing slightly as you assessed him, clearly wondering if he’d take you seriously. Spencer didn’t miss the faint trace of ink on your jaw, like you’d been chewing on your pen while deep in thought.

“A narrative,” you said, holding his gaze. “He’s telling a story—one murder at a time.”

Spencer hadn’t meant to let you stick around. Truly. But as the hours ticked by, it became clear that you weren’t just some amateur with a theory. Your insights were sharp, your connections logical, and you noticed things even the BAU team hadn’t picked up on.

“We’ve been approaching this like he’s pulling quotes at random,” you said later that day, pacing as you spoke. “But look here. These aren’t just literary excerpts—they’re thematic. Each one is about doors. Opening them, closing them, walking through them.”

You turned to Spencer, eyes alight with determination. “If he’s fixated on this metaphor, maybe the locations of the murders are symbolic, too. The first was near a locked gate. The second, an abandoned church. The third…”

“A condemned theater,” Spencer finished, his mind racing alongside yours. “He’s choosing places where doors—physical or metaphorical—are significant.”

The way you grinned at him in that moment was almost enough to make him forget about the case entirely.

“You’re not so bad for an academic,” you teased, crossing your arms.

Spencer felt his cheeks warm, but he refused to look away. “And you’re not so bad for a…civilian,” he countered, a small smile tugging at the corner of his mouth.

The tension between you and Spencer only grew as the investigation continued. Every time your fingers brushed while passing notes, every time your eyes lingered a little too long on his, the air between you seemed to hum with unspoken possibilities.

It didn’t help that the team noticed.

“So,” Morgan said one morning, leaning against the precinct’s kitchenette counter while Spencer poured himself a cup of coffee. “You and the writer seem to be getting along.”

“We’re collaborating,” Spencer said quickly, though the flush on his neck betrayed him.

“Uh-huh,” Morgan said, smirking. “And what exactly were you collaborating on last night when I walked in and saw you both leaning over the same file, about an inch away from each other’s faces?”

Spencer didn’t dignify that with a response.

It was late on the second night of the case when the two of you ended up alone in the precinct’s conference room. The rest of the team had gone to get some sleep, but Spencer, as always, was restless, and you seemed equally unwilling to leave the work unfinished.

“You’re staring,” you said softly, not looking up from the sheet of notes in front of you.

“I’m not,” Spencer replied, too quickly.

You raised an eyebrow, finally meeting his gaze. “Yes, you are.”

Spencer hesitated, his mouth opening and closing as he scrambled for a reply. “I was…thinking.”

“About?”

The truth was, he had been thinking—about the way you chewed your lip when you were concentrating, the way your laugh was soft but genuine, the way your mind worked with such creativity that it left him breathless. But he couldn’t say any of that.

“About the case,” he lied.

You tilted your head, unconvinced. “Sure you were.”

The silence stretched between you, charged and electric, until you finally spoke again, your voice quieter this time.

“You’re not like I expected.”

Spencer blinked, caught off guard. “What do you mean?”

“I don’t know,” you said with a shrug, leaning back in your chair. “You’re this genius profiler, right? I thought you’d be…I don’t know. Intimidating. Detached. But you’re—”

“Awkward?” Spencer supplied, the corner of his mouth quirking upward.

“I was going to say kind,” you corrected, your tone soft.

For a moment, Spencer didn’t know what to say. The look in your eyes—warm, curious, and slightly vulnerable—made his heart trip over itself.

“Thank you,” he said finally, his voice barely above a whisper.

When the case finally broke, it was your insight that led them to the unsub’s lair—an abandoned library on the edge of town.

Spencer had insisted you stay behind when they moved in to apprehend him, but even after the unsub was in custody, Spencer’s thoughts kept drifting back to you. When he returned to the precinct to find you pacing the room, your hands clenched tightly around your notebook, the relief on your face when you saw him nearly knocked the air from his lungs.

“You’re okay,” you said, rushing toward him.

“I’m okay,” he assured you, his voice gentle.

Before he could stop himself, Spencer reached out, his fingers brushing against your arm—a fleeting touch, but one that sent a shiver down his spine.

“Thank you,” he said quietly. “We wouldn’t have solved this without you.”

You smiled, but there was a flicker of something deeper in your eyes—something unspoken but unmistakable. “You’re welcome.”

─── ⋆⋅☆⋅⋆ ───

Epilogue

Weeks later, Spencer was still thinking about you. He’d memorized the note you left for him, tucked inside a copy of your newest manuscript:

For Dr. Spencer Reid—proof that the best stories are written together.

He hadn’t planned to reach out, but when his phone buzzed with a text from you one evening, his heart skipped a beat.

So…dinner?

His reply was immediate.

Absolutely.

[carvinglies]

Soulmate au part two: Creepypasta

part 1 || part 3 || part 4 Requests are open!

tw: mentions of flesh eating in EJ’s part

Sharing tattoo’s: Jason the toymaker

Jason didn’t think he would ever have a soulmate but desperately wanted someone to be with him and play for eternity. In that desperation, he stole many soulmates from their other half which went on for a while until Jason was tinkering with his newest doll adding on his “special” additions, when he felt a stinging sensation on his upper thigh. Pulling up his pant leg, he stared at the new ink on his leg confused before it hit him– he had a soulmate! A playmate for eternity was destined to meet him, that overjoyed Jason. He dropped his project to go find this soulmate of his, the blue door in his workshop beckoning him as he stepped inside to search. Days long searching ensued before Jason found himself standing in front of his destiny bound soulmate.

“Would you play with me forever?” The burgundy haired male asked the person as they stared wide eyed.

First words to soulmate written on their body:Bloodypainter

Helen never had time to worry about soulmates when he was younger but when he found his passion for painting the idea of being bound to another inspired him to no end. Ever since he was a kid Helen had the words, “Do you have a bandaid? I just scraped my knee falling for you.” Written on him, anyone he showed would laugh at it but Helen just found it confusing who says that to someone they just met? Well that’s what he thought before knocking over someone in the street when he went to go buy art supplies.

Before he could get out a sorry the person grinned bashadly loudly speaking, “Do you have a bandaid? I just scraped my knee falling for you.”

Words that describe their soulmate are written on them:Jeff the killer

Jeff honestly never gave two shits who his soulmate was thinking they just had some weird words scribbled on them due to their method of connection. He had no reason to go out looking for his soulmate. Thinking and I quote, “if destiny really wanted us to be soulmates they would meet me themselves.” So that’s exactly what destiny did. Jeff was forced to go out for snacks by BEN grumbling through his mask he felt a tap on his shoulder.

Turning around he glared at who disturbed him. “Sorry to disturb you but you kinda look like my writing,” they looked around before continuing, “I was wondering if you were, y’know, who I think you are?” 

Gravitational pull towards their soulmate:Laughing Jack

It pissed Laughing Jack off when it began the constant feeling of being pulled in a direction even if it’s easy to resist gets annoying. He can’t even escape it inside his box! Jumping around from house to house especially is harder if you no longer can stay long from the pull forcing you away. Laughing Jack was relieved when the pull wasn’t as harsh anymore when he was at the nearest carnival looking to terrorize kids, well that was the case before the pull suddenly ramped it up and flung laughing Jack colliding with someone else who seemed to have been thrown too.

The person held their head as they awkwardly waved blabbering out the first sentence that came to mind, “So hey soulmate? I guess?”

Ink marks that move towards your soulmate:Eyeless Jack 

It was hard looking for your soulmate while being swamped with work from medical school, and even harder after being sacrificed and turned into an unwilling flesh eating demon. While past Jack would have loved to meet his soulmate the one that’s here now feared the possibility of eating them accidentally the ideas of the what if’s flooding into his head as he stared at the smoke like tattoo’s decorating his arms. Sometimes when Jack was a child he would play this game where he would walk forward watching as the tattoos reached out towards the direction his soulmate was curling around his arms before receding when he stepped back. Eyeless Jack while a recluse craved normality so he finally exited his cabin towards the nearest store. While checking out his items, ones he didn’t really need but anything to feel normal he supposed, the cashier's hand touched his tattoos burned as the burning sensation spread all the way to his hand. Jack assumed the cashier felt it too watching they gawked.

Regaining their composure they began to tease him, “what took you so long?”

Seeing the world in black and white till you meet your soulmate :Ticci toby

Toby was always curious about how colors looked, what if he was wearing a horrendously color matched outfit and couldn’t tell because he couldn't see it? What if his favorite knitted sweater from when he was little was a piss colored yellow? So many questions have gone unanswered it still annoys him that he can’t see colors what if yellow was a whole different color then what he thought it was, well Cupid decided today he would find out as leaves crunched under his foot as Toby walked the woods coming across someone sitting on the cliff looking out at the city below them, when he stepped on a particular damp twig they whipped their head around locking eyes with Toby. Colors flooded both of their senses overwhelmingly so, Toby swore he could smell them too at the beginning.

Overwhelmed with shock his soulmate jumped up running towards him stopping halfway before beginning their sentence feverishly, “Nice to meet you!” They extended their hand for a handshake, Toby cautiously stepped forward before recorpirating 

[formulauno98]

Could you do Toto Wolff with wife reader? She always wrote those little notes on post-its and leaving them at his office whenever she was there, so that he will get a little endorphin boost when stress/working. I don't know if it make sense. Add something you'd like though. Thanks :))

Thank you for your message, I love this prompt, it got me inspired to write again! So without further ado, here is Post-Its, a short and fluffy fic, just for you.

Post-Its

Word Count: 800

Warnings: Pure, unadulterated fluff

Author’s Notes: Disclaimer, purely fiction.

“Remember not to throw your headphones today.”

Toto smiled at the looped handwriting on the pink Post-it note he’d found hidden between his iPad and the keyboard. His angry outbursts were at this point somewhat expected but after a particularly tough season, he’d struggled to keep a lid on it and had been smashing his headphones virtually every race weekend. After a frank conversation with the Mercedes-Benz board, he knew he had to reign it in.

That’s where you had come in, leaving Post-it notes to remind him throughout the race weekend not to make a complete fool of himself. In a nice way, of course. Your husband was a passionate man and you knew that he only acted this way from a place of caring too much. Not the biggest fault in the world.

As Toto settled down for the morning to reply to a few emails before quali got underway, he grinned, carefully putting the Post-it in his cardholder, trying to keep the sentiment in mind for later and tomorrow’s race. He’d barely started typing his first reply when there was a knock at the door.

“Come in.” His deep voice boomed, hoping that whoever it was was not going to take up too much of his time. Spare time was precious during race weekends and he was seldom left alone as Team Principal.

Luckily it was just his assistant coming in with coffee and a small box.

“Good morning boss,” she said, setting his coffee and the box down in front of him.

“Morning,” he said wearily, curious what was in the box, “Thank you but what is this?”

She smiled, “You’ve had a special delivery.”

Toto sat upright, he didn’t normally get deliveries to the motorhome, “From who?”

His assistant grinned more, “A special lady. I’ll leave you to open it but let me know if you need anything.”

As she made her way out of the room, Toto picked up the box in his large hands, wondering what it could be. You had already slipped a Post-it note into his iPad case, so knowing you it was probably a gag gift set of indestructible headphones.

Carefully undoing it, he was pleasantly surprised to instead find a small stack of Post-its, concertinaed together. Inspecting the first one, there was the familiar looped handwriting.

“Good luck and don’t fuck it up.”

He smiled, rifling through a few more motivational quotes, a lewd drawing (of course you couldn’t resist) and one final message, scrawled in classic toddler handwriting.

“I love you, Daddy.” 

Toto melted at the delivery and knew that whatever happened this weekend he had you and your young son to come home to. Carefully gathering the Post-its up, he added them to his cardholder alongside the one he’d found earlier.

—

A few hours later, Toto was in the garage and things were not going well. The engineering team had gotten the set-up completely wrong and George was knocked out in Q1, Lewis barely scraping through into Q2. He tried to remember the positive messages from the morning and willed himself to keep his temper in check, his nostrils flaring dangerously as he looked around the garage.

Breathing deeply, he put his hand in the pocket of his Mercedes raincoat, knowing that he couldn’t throw anything from there. Strangely, he didn’t remember having anything in his pockets as he’d just had his uniform dry-cleaned so when he found a folded-up piece of paper, he pulled it out, curious.

It was of course another Post-it.

“Darth Toto returns duh duh duh. Don’t go to the dark side.”

He smiled, you were truly ridiculous, always calling him Darth Toto when he wore his long hooded raincoat. No one else ever dared to.

From his right shoulder came the curious voice of his reserve driver, Mick, “What’s that?” he asked, eyeing the Post-it curiously. 

“Oh, just a silly thing from my wife.” Toto said, still slightly grinning, “She writes me these messages on Post-it notes sometimes.”

Mick looked surprised but didn’t question further and Toto felt much better about the situation.

—

It was race day and Toto was in a horrible mood. He had woken up early to pack as he had to leave immediately after the race and was throwing his shoes into his suitcase angrily and haphazardly, knowing that it was virtually pointless as he’d need to repack in a few days anyway.

As he gathered up his toiletries, a small yellow square fell out of his leather toiletry bag, floating to the floor. Bending down to pick it up, he laughed, reading the message.

“Hey handsome, you look good today.”

Once again he shook his head in disbelief, you were unlike anyone he’d ever met. His bad mood evaporated and he carefully put the Post-it note in his cardholder with the others he had collected over the weekend, knowing that whatever happened today he would keep his temper in check, knowing he was going to see you later that evening when he returned home.

[parvuls]

A Comprehensive List Of Jack's Canon Chirps

"Bittle, HEADS UP!" [Bitty passes out] "…Or get into fetal position at central ice. That's also an option."

"You've never seen the sun rise from a rink, eh? Thought you were a figure skating champion."

Bitty: "A fist bump! I didn't know you did those." Jack: "Ha - you gotta work for them."

"The sad thing is, I can tell he's lying not because of the library part? But because he'd never leave a pie unattended."

"Oh and Bittle, before I forget. This summer? Eat more protein."

"When you get Youtube famous don't go out and chirp me all over the internet, eh? 'Night."

"How many of those tweets do you start with oh my god y'all?"

"It's way too easy to make you laugh. Make sure you tweet that." [looks over Bitty's shoulder to make sure he tweets that]

[texts Bitty a smiley face] [follows up with:] "Sorry that was a typo."

"You only tweeted twice while we were working, Bittle. That's a record."

[Bitty gets knocked over] "I guess you're looking for extra checking practice, eh, Bittle?"

"We should get going and let Bittle here text about his walk to class."

Bitty: "E-excuse you, but my kitchen is no place for checking!" Jack: "…Your kitchen?" Bitty: "Well, the kitchen! Now move your big -- uhm." Jack: "My big…?"

[At Thanksgiving] "All that turkey's gonna make you slow for tomorrow, Chowder."

[To a kid wearing a Brad Marchand jersey while asking for Jack's autograph] "You know this isn't me, right?"

"17." [At Bitty's confusion:] "That's the number of pies you baked in September. In case you were wondering where your time went."

"I'm sure you'd be done [with your history essay] too if you had tweeted it. Is that an option?"

[looks at Bitty's tweets] "I said where'd you get that camera not is that the camera you use. Come on, Bittle."

[finds Bitty's surprise cookies] "I'm surprised your cookies got through costumes Bittle."

"I told my mom about all your tweeting? She says you're not following her. I'm more surprised than offended, Bittle."

"Shitty, don't you think I should get a tweet transcript or something since he quotes me so much? For legal purposes."

"Hey, Bittle. That Daily reporter didn't rope you into an interview after that jump?"

[after meeting Farmer] "She was nice, eh? Cute. …I bet you're texting about our lunch now."

[Nursey accidentally hits a kid in the face with his hockey bag] "Nice check, Nurse."

[in the middle of the night] "I figured you'd be up baking a pie or three."

[Bitty gets shoe-checked] "Hey, it's no shoes, no shirt, no service, Bittle."

"Whose shoulders are you going to sit on at Spring C, Bittle?"

[Shitty tears up while kissing the ice] "Crying a bit there, eh?"

[SMH buy Bitty a new oven] Bitty: "I need to bake something right this second!" Jack: "Stop crying first."

"If we move the kitchen table out, you can bring your bed in."

[About graduating] "The biggest change is probably my diet. Less pie."

"And hey, it's a bit different than you and Lardo, eh? Since everyone knew you were in love with her since sophomore year."

[during Falcs Faceoff] Teammate: "Heard you've never lost one a these, I'm scared." Jack: "Yeah, you should be."

[Gets chirped for dating Bitty] "This is a Samwell hockey record. Chirps lasting longer than the ones re: Holster & Esther S." Holster: "…Jack." Jack: ":)"

Nursey: "Yo, Bitty do you remember any French?" Jack: "No." Bitty: "I can speak for myself, Mr. Zimmermann." Jack: "Well. Not in French."

[To Marty & Thirdy] "Hauling your kids around on a sled just about wore you guys out, eh?"

[To Tater] "Potato champ needs more sleep, eh?"

"Bitty? Hey, bud, come on, say something -" [Bitty passes out] "Or you can pass out at center ice. I'm getting deja vu."

[bronx-bomber87]

Hello my wonderful fandom! :) We've finally reached the ep we've all been waiting for. The gif below is pretty good description of how I felt when I turned Hulu on this morning LOL

OH my word. I knew this episode was going to be good but I had no idea how end to end good it would be. I mean obviously we were all racing toward that hotel scene. But holy hell. The journey to it was just as good tbh. To quote Sandy Cohen "The appetizer is as good as the main course.” That truly was the case here.

I saw 'S' in the rating and knew we were in for some GOODNESS. I wish the gif library would work for the amazing gifs right after an ep. I'm sure tons have been made. But that'll have to wait till my in-depth ones this summer.

Been trying to keep these brief since their first impressions. But I couldn't with this one. They made it impossible lol Also apologies for any errors that may be in this. I wrote this while having a fever and on cold meds lol. Let us get started on this fabulous ep before my head implodes any further.

7x06 The Gala

We start out at Tim's place. Please let us continue to return here. It's such a happy place for me. Also Genny is backkkkkk I'm so excited. We have missed you my friend. I hope you appear again this season. Makes me so sad Tim saying he’s single. He’s never ever said that in a sad tone before Lucy or post anyone else really. Only her. *sad sigh* This ep hurts so good.

Genny has come with a mission in mind though. Only thing is she needs Tim for it. LOL I am glad she didn't imply he needed to start dating as well. She sure as hell knows where his heart lies. Their sibling dynamic never ceases to amuse me. Wanting to use him to get into the Gala haha Shoot your shot Genny. Get it girl.

Tim of course tries to talk her out of it. Clearly he had zero plans to be there. But his sister is changing that for him. Begrudgingly accepting her plus one offer. Citing he wants to bed asleep by 11pm if he does lmao I love this man. If he only knew where his night would end. Definitely wouldn't be that plan...Such a good big bro doing this for her. I need more of them in my life. I really do.

Seth is MIA and I'm pretty ok with it. Need a break from the kid. The day starts out so great. Grey has them running the arrest your ex event. I'm dying. When I saw this I thought phew lord this is gonna be gooooood. I felt it in my bones.

When Lucy says happy to do it…Tim’s face kills me. I’m dying. If only she could see his dismay. I know she could sense it. She isn't jazzed but isn't going to cause a scene in roll call. So she runs with it. Despite Tim's annoyance.

Tim giving her grief the very moment roll call is over. Lucy is ready with her reply. Had that on deck really quickly there Luce lol Almost as if she had it saved on her phone already....#grumpycop says what? LOL Let the flirting goodness begin. Being married af no matter what. I love them so much. *happy sigh*

Oh my goodness I’m cackling right off the bat. Grumpy x Sunshine in all its glory in this first scene. ‘Really can’t think of another reason?' I'm dying. Tim is so very over this and it's just begun for them. This is classic banter vibes for them and I’m here for it. Lucy trying to be the kind empathetic one. Tim having ZERO patience or tolerance for this nonsense. Letting her know right away he's not a killer. Just a cheater....Lucy's face. Classic.

Lucy calling Tim ‘sir’ and then showing him grumpy cop I cannot you guys. This is so good. I'm grinning ear to ear. Even post relationship she has this man wrapped around her finger. He is at her mercy and will do whatever for her. We see him give in. Turn on his best fake smile and dole out some advice. I'm so giddy I could cry.

‘Was that so hard?’ ‘Pure agony.’ Their banter at it's finest. This is primo level stuff. I wanna inject it into my veins so I always feel this giddy. The level of happy I am right now, I can’t even tell you. Hard to put into words honestly.

I’m loving Lucy keeping him in line and smiling while doing so. All she has to do is tap her phone. Could you be more in love with his grumpy ass my friend? She is very much enjoying this. We all know she loves her grumpy old man. I can’t get over Tim just listening cause she asks him to. Only for his girl. He is beyond fed up with this situation. Especially this man with his puke in a jar. LMAO.

Only Lucy Chen could make this man be friendly to this idiot. He then gets some points back and says they’re super cute together. Why yes sir they are. Thank you for noticing. Anyone with eyes can see their chemistry. But props for pointing it out. Then asks if they’re dating? We’re trying get back there my man. Climbing our hardest. Slow and steady wins the race and all that.

Lucy saying they're just 'co-workers'. Mmhmm and John Nolan is my favorite character. This dude has the audacity to ask her out after that. ‘You’re holding a jar of your own vomit. I’ll pass.’ If you aren't laughing at this I can't help you. This is pure comedy gold.

They finally get a real one. Just as they're about to close shop. This woman comes up very ready to take down her boyfriend. Then she hits on a VERY specific note. ‘You don’t put your drama on someone you love.’ Lucy’s face...That definitely struck a chord. Giving her flashbacks to 6x06. Tim too I am sure of it. Their looks say it all if you ask me...

Of course Tim wants to make it a bet. It's part of their love language to do so. I love this episode so much I’m vibrating. Lucy says his guess is boring LOL I mean it is. I love you Timothy but hers about legos is way better. Tim has to give her hard time about that being her final answer.

She ends up agreeing with him that it’s jewelry ha She just had to throw a Lucy like answer in there before she gave into his logic. Agreeing with him but wanting to add some flare before she did so. heh God I love these dorks.

Oh my. Tim asking her if she’s going tonight? I love the look he gives right before he asks. Just keeps taking his shots with her. My man. She got a room for Galentines but Celina has her dude now…..Frees up the room…. ‘So who knows what’s gonna happen?’ I’m percolating with excitement at this point. I didn't even need coffee as I wrote this to wake me up this morning. This was doing the trick just fine.

Lucy is surprised he is going. Then her anxiety asks the question she's scared to know the answer to. Does he have a date? His answer trails off before he can finish. Oh Timothy don’t do that to her. Leave her hanging. I mean he was gonna tell her it was Genny before he was interrupted. It wasn't intentional but ugh nonetheless.

Let’s take a moment to dissect her expression. Look how distressed and crushed she looks. My heart. So in love with this man still. This hurts so good. Before he can address her absolute panic their van pulls up….Oh Lucy. So distracted she doesn’t even hear him mention that.

Instead of jewelry it ends up being a friggin Tiger.... Her excitement is infectious and makes me smile. I would be the same way. I am Lucy she is me. Exotic animal that could rip my face off but I am still jazzed. Wanting to see it. Tim's face after she gets all excited is too funny. You love this goober of a woman don't deny it.

This scene is VERY VERY telling IMO. Also I am hoping a set up for things to come later this season for them. In terms of having THE talk. Tim your therapy hasn’t fully hit yet and it shows in how he reacts to this man's decision. At first he tries to empathize with him. Then turns his cop brain on. Saying he might as well throw her under the bus too. Get off a little easier. Telling him to just do it since she betrayed him anyways. That she's given up on him. No way he could still love her despite the betrayal...Careful Tim your trauma is showing my sweet.

Tim has grown in a lot of ways since 6x06. Truly he has. This is a sticking point he hasn't gotten through his lovely skull yet. That someone can love you despite the ugly stuff. Despite you not being perfect. Love you just the same and be deserving of that love even though you messed up. It's striking a emotional chord with Tim and he doesn't even realize it. Lucy can't stand it and that's why she tells this man not to do it. It's hitting far too close to home for her.

Lucy showing in this moment why we all love her. Why Tim is such a goner for her. That sunshine empathetic human shining through in this scene. Her forgiving spirit showing up in the most beautiful ways. It's the reason Tim fell so damn hard for her in first place. Why he fell in love all over again the second half of s6. The kindness and empathy shown towards him from her. When he thought he had betrayed her so deeply she would've thrown him to wolves.

What he hasn't figured out yet is she would NEVER ever do that. Regardless of the deep hurt, she stood by him when the chips were down. He still is a WIP in terms of that. it shows in his initial reaction to this situation. Lucy instructs this man despite the hurt not to do it. Tim's look reminding me of the one from 5x19 when she pleaded with her eyes to let the father go.

He ends up caving even if he adds some sass in. The way Tim looks at Lucy when he says 'Lock me up.' Looking at her smiling face. Oh Tim connect the dots my love please. If not now then in the near future. This scene gave me all the feels. We still have some work to do in terms of their relationship. Tim in particular.

Lucy’s relief at seeing Genny is written all over her face. You can see she is ecstatic she's Tim's 'Date.' Also just happy to see her in general. I have no doubt they hung out when they dated. Ganged up on Tim from time to time as well.

Genny forcing Tim to engage. Asking doesn't she look amazing? Tim melting like butter. ‘She always does.’ This man gushing about her in front of other people. This is the change I'm talking about right here. Gah I’m vibrating you guys legit vibrating. The sweet stares I'm diabetic at this point. Lucy can't hold his gaze long especially with company around.

Genny tries to lighten the mood with saying she is ready to flirt it up. Asking if Lucy wants to join her? Lucy’s shot about not dating people at work…Tim's cue to go to the bar. lmao I’m dying this is fanfic level goodness here everyone. I’m delirious. Genny's face is everything after he leaves. Even Celina's date realizes it after they depart. Asking something going on between them? Yes sir. it's been brewing all damn day.

Lucy coming to Tim worried about Balian is sweet. But Tim gives it all of two seconds of thought before he's pining after her. I mean look at those heart eyes. That smile. One I'm sure he flashed her anytime they were alone at home. The man is an absolute marshmallow for her. Lucy calls Tim out for his extreme heart eyes and Lucy smile. Holy cow is this real life?

She knows that smile so very well. You can’t look at her like that, Timothy. Especially looking like a damn snack leaning against that bar. It’s not fair. She has every right to tell you to stop devouring her with your eyes babe. There is a little bit of Tim Bradford Bedroom eyes in that stare too. Mercy. I would be a damn puddle if I was her. Why she has to call him out for it. Basically saying he can't stare at her like that anymore.

It's not fair to her heart to look at her like he loves her. *heart clutch* He then turns around and flirts some more with the grumpy cop thing. Making her laugh with him being the biggest goober ever. I love this side she brought to life. Their smiles as Genny approaches make me squee. I'm nuclear with excitement at this point. He really has softened for her it’s unreal. Making her laugh makes my heart so happy. I can't even. Had to pinch myself to make sure it was real.

Poor Genny can’t get a date cause of Tim. Lmfao I mean we can’t be that surprised? Still that’s hilarious and I’m laughing so hard. She just wanted to get a date and they're all too frightened of Tim to do so. He seems pretty proud of that fact. Cocky Tim coming out to play a bit. This ep has everything. The cute shared look afterwards is very cute.

If we didn't know they were apart you'd think they were together. Lucy turning down the invite out after Tim’s little joke. Stating it's because of an early shift. That doesn't seem to stop you later....Not that I'm complaining. Lucy is about to lose out on her room with Celina hitting it off with Scott...But Nolan’s suite becomes available…..I’m fine letting them rise out of the ashes of Balian's fight right now I really am. Sorry Balian shippers. lol

Just when I think this ep couldn't get any better. We get a sexy Tim takedown. *fans self* Not gonna lie I crossed my legs a bit when I saw this go down. *grabs some ice water.* This episode was gonna kill me before we even got. to that hotel room. Ovary explosion x1000. It's hard to keep Feral Caitlin in her cage with scene like this. Hot damn this is attractive. Lucy touching him instantly after he is done. I'm here for it.

Only reason for this gif is what's going on in the background. Look at Lucy jumping into wife mode taking care of Tim immediately. The attentiveness right out the gate has me reeling. Taking his jacket off for him. Checking him out. I’m lightheaded with happiness. I hope you are as well. I was on cloud 9 at this point and we hadn't even gotten to the hotel room yet.

We get to watch Lucy go into worried wifey mode and never leave it. The sweet way she touches his neck. I'm dead. I am posting from he grave. Lucy lets him know he has a cut there. Luckily Tim has a room they can go to.... Thank you Nolan. He tries to handle it himself but she isn't having it. So she comes up with him… I was getting all tingly with anticipation at this point.

Lucy has Tim take his shirt off make sure there’s no more glass or cuts. Mmmm won’t hear me complaining…. Was kinda relived the kit was there waiting for them. No chance for interruption if it wasn't. I honestly thought it would be the thing to stop them.

Mmmm shirtless Tim. Welcome back to my screen. Yum. God he’s gorgeous. Her resolve was crumbling when he had clothes on. Now he has no shirt….. God speed Lucy Chen lol

Heh calling Tim tough guy oh my word. The banter never stops and I don't want it to. The little joke of unfortunately he will live. Followed by his smile *screams into a pillow* I'm in heaven. The flirt train is continuing to barrel through this episode at mach speed.

My god it’s the soft thanks and you’re welcome in tandem. I’m a puddle. Suddenly he is all in her space and her words die out. She tries to replace them with a shaky ' We shouldn't....' The longing looks I cannot. Before it was bedroom eyes at the bar, with some heart eyes mixed in. This time it’s legit all heart eyes with intense longing he’s aiming at her.

He misses her deeply, and it's evident in the sadness that fills his expression when she says they shouldn't. Gah. Take a look at him after he says 'I know.' The depth of longing he conveys through just his eyes is truly unreal. Any resolve she has left looking up at him with those puppy dog eyes crumbles below.

The way he just tosses his shirt and devours her completely has me reeling. Nothing matters more in this moment than her. He gently envelops her in his arms. The soft way he cradles her face in his hands, like she is his greatest treasure. Because she is. The way he chases after her lips. I’m a damn goner. Feel like I'm in a fever dream.

Captures her top lip like he's done so many times before. Giving me 5x12 vibes with this make out. Lucy's hands all over him in the process. Touching her way down his body. Phew lord. Also like to note I think it's very important Lucy be the one to go for it in this scenario. He would’ve stepped back because she said they shouldn’t. Respected her bounds. But she can’t fight it any longer and goes for it.

And holy cow does she ever go for it. The impatient needy noises coming from her I’m dying. The desperations is real. The moment her lips meet his and her fingers graze his skin, she’s completely defeated in her struggle to resist him. Resist this pull of their's. Wastes no damn time undoing his belt buckle sweet lord. You can hear it. She is ready to go. As is Tim. She has lit a flame and he isn’t wasting a second of it. The needy desperation has me fanning myself.

I love the way he spins her around, savoring her with tender affection. All the while he relieves Lucy of the tie on her dress.*fans self* He is just burying himself in his hair and neck. Losing himself completely in her. I might implode with how tender and sexy this is. The music is on point as always. Tim is chasing after her when she turns around and brings him back to the bed. His desperation coming through ten fold.

Doesn't waste a millisecond before he's diving back in for more when she turns around. Lucy’s face. Holy hell. You can see how much she missed this. Missed him. They’re in it now and she can’t stop herself. There’s still some conflict playing across her features. Knowing they shouldn’t and yet she can’t stop herself from wanting this man. She is conflicted then his lips rejoin her neck and she melts into him. All logic flies out the window after that.

There is a song from one of my fav bands Digital Daggers. From their song ‘In flames.' This moment reflects it IMO.

'Keep your confessions 'Cause babe I'm no saint , We're playing with fire But I like this game And I know your devils I know them by name When you look my way Oh, I'm not afraid With your kiss on my skin And this mess that we're in

In flames (we're going down, we're going down, we're going down) '

Definitely playing with fire in this moment and we're here for it.

We get the morning after. I was not expecting this in the least. But this episode continues to surprise me in the best way. Also hello chest hair on Tim. They need to leave that for future reference. I’m very much for it. Holy cow everything about him just makes me so damn feral it's insane. He is sex on two legs walking. Man he looks good.

The awkward looks upon waking up have me cackling. Tim's face when she starts to get up LMAO. Eric the king of expressions came to play. Tim breaking the awkward tension by saying he's awake. Lucy replying 'Right. Of course he is. He's like a rooster she remembers.... 'Ugh my heart.

I love Tim being the one to wanna talk this out. Again. He's gotta be the one to bridge the gap. Especially this go around. Not wanting this moment to pass by without suggesting it. Lucy of course even with her lapse in resolve isn’t sure why they would. She is still hurting and with good reason. Tim you gotta make this right babe. Oh my lord.

We see Lucy retreat at this offer of a talk. Passing it off as 'Classic case of ex sex on Valentines.' Oh it’s so much more than that my girl. I'm getting 5x01 flashbacks of ‘It's basic biology right?’ Lucy trying to have Tim give her the out of talking about this just like she did then. Pass it off as something that isn't a big deal when it is.

Tim shies away due to this. Agreeing with her ex sex theory although his body language does not in the least. Hoping he can at least hide his disappointment if he turns around. Feeding her a line about it being a singular moment in time. Mmhmm...Sure. Lucy agreeing with his BS line.

That fear running through her and needing a way out to avoid this conversation. So she runs with it. Trying to talk herself out of it more by saying it needs to be in their rear view. Never to be talked about again. Tim's defeated and slightly hurt 'Great...' Lucy can sense it. You two are idiots but I love you.

Gah, you can watch the internal battle on Tim's face. Reminds me of 5x01 once again and him psyching himself up to talk. We get our first ‘Lucy.’ of the season. Definitely was not where I expected it to be. Sadly after he builds up the courage he just says 'See you at the station'…*forehead smack* Oh you two. Killing me softly. She wanted him to go for it and he didn’t. Disappointment just littered all over her body language when he doesn't.

Lucy looking like she wants to go back in but the door closes. UGHHHH. Effectively making the decision for her. It is a good she wanted to go back but this is Tim's fight ya'll. And he knows it. He's so frustrated with himself for not fighting more for her in this moment. Lord this is good but killing me. Hurts so good never felt more prevalent than it does in this scene.

Tim ever the gentlemen having her enter first. His chivalry never ceases to make me happy. The energy in that elevator is charged to say the least. So Lucy straight up says she didn’t regret their night together. I love this. Letting him know she has zero regrets about jumping him last night. Heh Tim replying right back saying him either. These two idiots in love. What am I going to do with you?

Lucy adding in it it can’t happen again. Ok sure…..you both messy. And I’m not mad about it. Tim's sad 'I know.' Not agreeing it can't ever happen again. Just he knows it shouldn't...Lucy following that up with it can't for a million reasons. I mean they haven’t had THE talk yet so I get it. I truly do.

That's definitely one of the reasons for me. As fun as that lapse in judgement was, it still needs to be followed up with a real convo. Tim coming up with his own reason of the Chain of Command issue. *Grumble* he is back in her chain of command again even with being her being a T.O. Le sigh. Even though their tones suggest they could give a single fuck that he is this time around lol That definitely wouldn't keep them for repeating the night before is my guess.

The flirting my god though. Tim using grumpy cop again to make her smile and laugh. We all know she loves his grumpy ass. It's one of the things she truly loves about him. That smile after he says that tells me everything. That most definitely is on the list of BS reasons for why they shouldn't. Tim keeping the flirt train going by saying he wasn’t grumpy last night though. Heh no you were not.

Her face my god you two. ‘No, you definitely were not.’ No transparency at all saying how happy he was last night with her. She doesn’t stop him either knowing she wasn’t 'grumpy' either. They're not even trying at this point. Basically saying they had a great night in bed together. No regrets. One of their many things they're so good at hehe. Imma need a fic of that night LOL The flirty smiles and stares. Tim almost reels her back in with it. The ding of the elevator breaking them out of their UST filled revere.

Lucy trying to keep it together as she exits. Tim hot on her heels. Ooooh lord I’m excited to see where this goes. Tim you still have some work to do. That much is clear. I'm glad them hooking up didn't serve as a fix all. Because this SL deserves more than that. They deserves more than that. The promo for 7x07 ‘Don’t make the same mistake I made with Lucy. Fight for her.’ Um sir you need to fight for Lucy right now. She is waiting on you for it.

I hope this Balian crisis puts that into focus for Tim. Because if this ep proved anything it's that. He needs to fight for her more and prove to her why she should give them a second chance. The feelings are clearly still there. So much so she relapsed into her resistance to keep him at bay. Hot damn this was a good episode I am buzzing. I cannot wait to see what the rest of this season holds for them. Gimme Gimme.

Thank you thank you to anyone and everyone who loves, comments (love me some comments) and reblogs these. They are a true joy for me to make. So I am grateful for any and all engagement with them. I shall see you all in 7x07 :)

Side notes-Non Chenford

#grumpycop. Only cause it’s Vday and he has no Lucy. Also anniversary of the necklace…amazing though. Fantastic cold open.

Wes is too excited for that he’s tipping his hand. Glad Angela figured it out without Wes compromising his lawyer oath. Using that dude to get her stuff done LMAO.

Look at Celina just taking charge cause Nolan is distracted af at a scene. Proud of her. Scott dude seems tad needy don't love that.

Sad about Texas and his girl but realistic af. Appreciated that.

Bailey being pissed about the judgement. Can't say I blame her. I mean instead of understanding John jumped right to judgement but he is also right in being upset she didnt' share that with him. Shall see where that goes.