#;madame

[paleode-ology]

ahshdhf okay but can you imagine being madame morrible and you finally find the one person you need to secure yours and the wizards positions of power and she’s PERFECT because everyone hates her and by providing literally the bare minimum comfort and encouragement you’re 100% sure you’ll be able to brainwash her. And then one night at 1 am she shows up at your door and BEGS YOU to let her roommate (didn’t they hate each other?) study alongside her and you absolutely despise the roommate but goodness knows you Cannot let your most promising student in decades slip out of your grasp. Worst of all, you have to tell the roommate Right Now??? So you get dressed for the club in the MIDDLE OF THE NIGHT to talk to the preppiest most shallow 20 yo girl you’ve ever met in your years of teaching. I would never teach a lesbian again LMAOOOOO

[ivebeendressingforrevenge]

[moghedien]

and the worst part is, its THAT girl

[thefantastician]

the thousand year door comics!!

[bruciemilf]

Need a the Waynes Lived AU where Martha’s a vampire. She snuck in a Wayne Gala for a potential late night snack, but Thomas thought she was a socialite.

“So, what do you do?”

“I drain people of their life sources.”

“Oh, you’re a CEO too?”

She can’t drink Thomas’ blood because he smokes too much, the baggy eyes indicate long nights spent on his feet during surgery, which means it’ll taste bitter, and she saw him drown 10 whiskey shots in one go.

It’s a taste thing, nothing against him.

He is, how ever, very handsome, and she decided she’ll be his house cat for the time being. Fast forward two years later and they have a vampire cherub of a baby named Bruce.

Babies usually don’t come out with fangs and tiny bat wings, so, yeah. His wife’s a vampire. Cool.

“How come I’ve never seen your wife outside during the daytime, Tom??”

“How come I’ve never seen you mind your own fucking business?”

[mwagneto]

aint no WAYYY THEY JUST TRIED TO SAY THAT. not even "the doctor's" but doctor who's in general 💀💀 so now that they have a disney contract every single gay thing (which they've had for fucking decades) is gonna be a huge big huge first gay thing ever!!1!1!1!! event??? like yeah there's a very specific significance to it i get it but what the fuck do you mean😭 jamie pull up the files

[antoniettabrandeisova]

The Garden of Armida (detail), John Collier (British, 1850-1934)

[sirazaroff]

I dedicate this post to the funniest beef ever

[cliopadra]

A little Good Omens repaint of Madame X by J.S.Sargent ✨

[d0omedtodestruction]

details of dakota johnson’s look at the baile da vogue in rio de janeiro

[banchagu]

From a distant sea town

[nintendonut1]

Matching Necklaces~

Because these two deserve each other.

[sennenrings]

after the full moon, circa 1976

do not repost my art.

[moghedien]

The Wizard and Madame Morrible both definitely thought Glinda and Elphaba were fucking, it’s so funny

[uisceb]

Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."

[yardsards]

the problem with taz balance is you first listen to it as a naive high schooler like "oh, funny dnd podcast made by those mcelroy guys i see in tumblr memes all the time! and they apparently have gay characters too! let me check this out! haha his name is taco that's so random XD" and nobody could have warned you that a decade later you'll still periodically think about lucretia and her martyr complex and be stricken with the urge to start gnawing your own limbs off