#;; { like i had to cut myself off }

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[dorothywonderland]

BRO LITERALLY DOXXED HIMSELF TO THE CYCLOPS. he was asking to get jumped come on

[lil-lemon-snails]

"I can't ignore what's under dancefloor boards, The rhythm of my heart a dead-as-disco beat, But I still move my feet, to slip out of this groove, I'm free" ~ 2econd 2ight 2eer, Will Wood, The Normal Album

I have been plagued with visions of LDR Sun every time I listen to this song and I NEEDED to get this out of my system @spadillelicious when do we get to smooch the boy pLEASE

v textless version and close ups under cut!! v

[stuckinapril]

A big part of turning 21 and going through that whole thing really was realizing that the idealistic friendship dynamics I’ve always daydreamed over in my head don’t exist & that in reality most friendships you’ll cultivate in your life will be a series of compromises. And maybe like 1 to 3 ride or die friends at BEST that shit is so rare and it gets rarer the older I am

[anna-scribbles]

thirteen update 🍂 🎹 🏠 👻

chapter 2: November

chapter summary:

She was in a good mood. If she was ever going to take it well, it would be now.

“Maman, what if I went to school this year?”

excerpt:

“Heh.” Adrien flicked a finger beneath his chin and strutted the length of his bathroom floor, glancing at himself in the mirror. He twirled a rose—a red one, one he’d grabbed from the vase downstairs—between his fingers and then presented it to the mirror with a flourish.

“Haruhi!” he declared, “the spring of my heart surges upon the sight of your fresh smile, my love. My heart beats at the command of your drum! Your face is the fierce longing of my soul, and I present to you now this token of my lavish, undying—”

A sharp knock clicked against the bedroom door and Adrien froze, his hand still passionately hovering over his heart.

“Adrien?” Nathalie’s voice called, and Adrien—true to character, if he did say so himself—startled so hard that he slipped and fell onto his butt on the tile.

“Yeah?” he called, hastily pulling himself up and trying to find a place to set down the rose.

Nathalie peeked her head through the bathroom door and took him in, his rumpled hair and the too-small blue blazer he’d saved in the back of his closet for occasions such as…this.

“You have a guest,” she said flatly, and Adrien could not for the life of him figure out whether she was making fun of him.

She left before he could decide, and then it was only a matter of seconds before his bathroom door was thrown all the way open and a blonde ponytail bobbed into view.

“Adrikins!” Chloé crashed into him, wrapping him up in a hug that nearly knocked him over again. “It’s been way too long. You’ve been neglecting me. Aw, did you get me a rose?” She plucked it from his hands and then scrunched up her nose. “Ew, is this real?”

“As real as the current that springs from the well of my heart,” Adrien invented, and Chloé frowned at him like he’d just spoken Greek. “Nevermind.”

She looked him up and down and scrunched her nose up even more. “What did you do to your hair?”

Adrien frowned at his reflection in the mirror and pushed his hair further over to the side.

“I was trying to make it look cool.” He’d been trying to make it look like Tamaki from Ouran High School Host Club.

“It looks like you just rolled out of bed.”

read on ao3

[it-came-autumnally]

This line is extremely funny (motherly??? hello??) but also it just reminds me of why the Minori & Airi dynamic makes me want to explode (positive). Long essay post under the cut.

Even though she's only a year older, Airi sees so much of her past self in Minori -- she knows what it's like to be an outsider in their industry, to be someone who's faced rejection for simply not possessing the innate “idol aura” that people like Haruka and Shizuku have. She’s not like them; and neither is Minori. Having a dream is great, but you can't become an idol purely out of desire. This is expressed very directly in the digest animation (which condenses the MMJ main story): "Just because you want something to happen doesn't mean it will."

Screenshots from MORE MORE JUMP - Journey to Bloom: [HOPE].

Airi's resigned herself to the fact that she's stuck in her role as a variety show entertainer, even though being an idol was her real dream. And, after seeing her own fate, she bluntly tells Minori that the other's passion isn't enough for her to successfully break into the industry. Despite this, Minori isn’t discouraged from her path; after all, she'd already been rejected 50 times. In her own words: she has faith -- something Airi has almost lost.

But Airi hasn't lost it completely. After some reminders from Shizuku, she reluctantly agrees to watch Minori's practices and give her some advice. It's a small ask, but one means a lot to Minori -- which Airi knows, and she's willing to give Minori a chance.

Minori has the chance to return the favor when Airi goes to confront Cheerful*Days. Even when Haruka warns her about the ugliness she's about to see, she isn't swayed. In her own words: she "care[s] too much for Momoi". Not just as a fan, but a friend* now, too.

Screenshots from the MORE MORE JUMP! main story chapter 11. *friend is a bit of a loose term here but Minori does know Airi personally by this point. Not as well as Shizuku, but better than she used to.

The affirmation of being an idol that Minori gives is huge for Airi. After being constantly denied her identity as an idol from both her managers and peers, hearing this from the girl who she had accidentally dismissed is perhaps the most powerful thing she could have heard in that moment. It's clear that Minori hasn't been disillusioned in the slightest even after seeing all the resentment and anger, and despite everything, she still believes in Airi, and her ability to spread hope as an idol.

After all that happens in the main story, Minori's presence becomes a non-negotiable part of MMJ. She is, after all, the final bit of glue that brought them together as a group. In Time to Re:Start! (Airi 1), Haruka, Airi, and Shizuku all make it extremely clear that they refuse to let their group split up. We see how Airi takes this a step further:

Screenshots from Chapter 4 of Time to Re:START!

Notably, she's willing to go back to variety programs and talent work if it means that MORE MORE JUMP! can stay together (even though doing so means that she probably would be extremely busy and have less time to do "real" idol work!)

Since Airi's offer is rejected here, we don't see the consequences of this negotiation come to fruition, but it's certainly not an offer she makes lightly. Note that Airi 2 hasn't happened yet; she still hasn't fully made peace with how her role as Happy Everyday took time away from her as "Airi Momoi the idol". Despite how painful it would be her to reprise as that role after resolving to become an "regular" idol again, Airi still makes this request as a last resort, because she would put herself through something she doesn't want rather than sacrifice Minori's dream to be an idol. This isn't something that the rest of MMJ would agree to, of course, but this cements a trend in Airi's behavior -- namely, her desire to protect Minori from the thorns of the idol industry that she's had to go through. Her Colorful Fes card gives some insight into this, where she encounters the younger version of herself (Little Airi).

Screenshots from "To You Who Wants To Be An Idol" Side Story 2.

The way Airi treats her literal younger self mirrors the way she treats Minori at the start of the MMJ main story. Even though she knows better than anyone how much being called a "tomboy" hurt her younger self, Airi still calls her that on accident. This is extremely similar to how she dismisses Minori upon their first meeting -- she of all people should know how hurtful it is, but she does it nonetheless. This time, however, she doesn't need Shizuku to remind her of her mistake, and quickly rectifies it -- a testament to how she's changed since the events of the main story.

Still Airi's ColorFes card story 2. Sorry for the spam of screenshots from this one I love this card way too much

Airi imparts the lesson she learned from Minori to Little Airi: "tomorrow will always be a better day." She shares the hope that Minori (and the rest of MMJ) shares, something she directly says she's grateful for. Meeting Minori has changed her for the better, and also allowed for her finally continue on her path towards being a "real" idol -- one that never gives up.

By the time Airi 3 happens, MMJ have taken off as online streamers. People have started to accept Minori as an idol -- but she's still a newbie when compared to the rest of the group, and lacks the same training that her fellow idols have. Nobody is more keenly aware of this than Minori herself. While she's initially practicing on her own, Airi is quick to understand what Minori's issue is, as its one that she's dealt with herself. Yet again, it comes back to seeing her past behaviors in Minori's - she's gone through the experience of trying to emulate the "idol aura," so she knows doing so is a waste. She wants to save Minori the time and effort that it took for her to learn these lessons, so that Minori is able to hasten her path towards finding the "best way to shine".

Screenshots from Chapter 6 of "Chasing The Sparkle Beyond the Blue Sky"

The other really interesting thing is how Airi tells Minori her to not put herself down -- and yet Airi does the same to herself! She needs Shizuku to reaffirm her status as a true idol and tell her the same things that Airi herself tells Minori. She's been able to relearn how to inspire others, but still needs help when it comes to having that faith in herself.

This event is a testament to how much the two of them have matured since the main story, while also showing where they still have more room to grow. The two of them still have some doubts about whether they "deserve" to be idols, but it's something that they're both working through, together with each other as well as the rest of MMJ.

In regards to Airi trying to shield Minori from going through the troubles she did, it comes into the spotlight yet again during Airi 4:

Screenshots from Chapter 4 and Chapter 5 of "Friendship Rebuilt"

This time, we see this behavior explicitly stated: "I don't want her to experience what I did back then". Minori is her own person, and Airi respects her ability to make her own decisions, but she can't help but see her past self in the other, even after how far they've come. She's worried; Minori may be strong, but Airi wants to make sure that she can avoid having to go through the same pain she did.

This all comes full circle then, when Airi excitedly talks about her upcoming school trip to Kyoto.

Screenshots from the "I'm Excited Too" (Pandemonium/Spirited Affair 2*) side story 1.

After constantly being the one looked after, Minori finally gets another chance to be happy for Airi. For once, Airi doesn't have to sacrifice her own happiness for work, and for that, she's glad. It's the least she can do for the girl who's been protecting her all this time, and its a step towards Minori truly becoming an equal to the idols she's looked up to her whole life.

MMJ as a whole unit is about spreading hope and joy -- more specifically, about sharing hope and joy. The reason both Minori and Airi decide to become idols in the first place is because they were cheered up by idols in their childhood, and wanted to do the same for others. Minori is able to finally become an idol herself after she helps Airi (as well as Shizuku and Haruka) regain their own hope and passion; Airi does her best to guide Minori down a path that is as least painful as possible in return. MMJ's stories focus so much on the idea of paying it forward it truly drives me crazy to see how Minori and Airi's dynamic really embodies that ideal, where Minori will never stop uplifting her friends while Airi always looks out for them.

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[hballegro]

alan alda storytime

the full story from one of the screenshots of my previous post.

story begins with my archaeology professor showing a slide of alan alda in the early 2000s holding some mammoth bones and asks the class if anyone recognizes him. i had watched some MASH with my mother when i was little and had also seen the movie The Object of My Affection, so i raised my hand and said it was alan alda. he lit up and said yes, it was, and told the rest of the class he used to be on this old show, and that when we got more into the bioanthro side of things, remind him to 'tell his alan alda story'.

about 2 months later, we are in bioanthro, and i remind him. he gets excited and says he included slides to talk about it.

[rest under cut]

he tells us how he had just moved to a new city, and he had taken a university job in order to get insurance for his new family [which he didnt get but thats neither here or there]. he gets news that his job is going to be working with Scientific American Frontiers, hosted by the one and only Alan Alda. my prof was thrilled, he loves MASH, and while he specifically wouldnt be involved in the process [being a presenter, working with alan, etc] he was allowed to be around incase they needed help.

i dont know the specific episode, or if it can be found anywhere, but the topic was early man and tools, and how there were mammoth bones that specifically had cuts that could only be made with tools, not by teeth from an animal. they had finished filming for the day and just needed B-roll of some lions at the local zoo chewing some bones [part of the experiment], and alan got a call. he asked if he could head out now, because he needed to get back to his hotel now, and the call had been important. the producers said sure, go ahead, and alan asked if someone could give him a ride.

my professor, having the chance to actually spend time with someone he idolized, and being a stupid late 20s-something, volunteered immediately. stupid why? well, i said he'd just moved there. he didnt know where the hell anything was, and he didnt have GPS available to him, he was just really excited. so they get in the car and start driving.

as i said in my previous post, alan alda had about 20 minutes with this random guy, and found out pretty quickly that he was an archaeologist, and the amazing topic of conversation that he picked was the [then new] theory that we developed agriculture specifically to make booze, and that the rest of the stuff was more or less a biproduct. which is pretty on-brand honestly.

after a while, alan catches on to the fact that this guy clearly has no idea where the hell hes going, and that they've been driving in circles around the city for a while now. he [reportedly very politely] said that actually, this here was his stop, and thanked him for the ride. he then most likely called a taxi that actually knew where it was going, and got to his hotel.

turns out the call was about The Aviator! the call was important because he learned it was confirmed he in it and they needed him to get over there.

its not a glamourous story, but its the only story i got. my prof reported he was a funny guy, and despite slightly kidnapping the poor man for a while, he was the picture of kindness and personability. and clearly he likes telling the story and it left an impression, because he took time out of our already-short lecture to tell a class of 20-somethings that had no idea who Alan Alda was about it.

sorry this is so verbose i dont know how to be short lmao

[supjello]

"Your son?" "My apprentice, but I think of him like a son."

[skrunksthatwunk]

this could be kuwameshi if you guys would like. take my hand and trust me

[simgerale]

me after attempting to get back into sims and realizing i had a lot more to do than play the game

[iiboronii]

One time in eighth grade my civics teacher said "you become good at the thing you do every day" and I've never been the same since.

[im-still-watching-anime]

i LOVE how we can always rely on atsushi to acknowledge how impressive akutagawa is anytime he does anything

[front-facing-pokemon]

[braddourifscareertrajectory]

was so over and now am so back

[tearfest]

sorry to log on n rant but i need to rant