#/not intended as negative

[pyrotation]

normal people who use sayings: that was great, it really hit the nail on the head!

sniper, autistic, doesn't understand or remember a lot of sayings correctly or takes them literally, special interest is his job: that was great, really shot the guy in the head!

[pangur-and-grim]

I do have good social awareness in conversations, but only in observing the results. if that makes sense? like I’m throwing stuff out blindly, but I’m good at judging whether it is received positively or negatively, and adjusting accordingly. I can see the pluses and minuses forming in their air above their head

[bitterrobin]

you, batman/batfamily fan, can you be normal about parents and their flaws without making them exaggerated abusers?

can you absorb the fact that Jack and Janet Drake were not perfect parents, but they still loved Tim? and that Tim loved them enough that he tried to tear a razor sharp boomerang out of his father's corpse with his bare hands? that the Drakes were not millionaires who forced high society values onto their son for the sake of a public image? (that they weren't even rich for that long of a time?)

can you be normal about how the deep recesses of poverty affect a family unit while allowing a parent nuance? can you write Willis Todd without making him a classist caricature of an abuser? can you write Catherine Todd and Crystal Brown without portraying their drug addictions as fodder for their children's whump? (I added in Crystal bc she canonically suffered from drug addiction, but I haven't seen much of her in fics tbh)

can you accept that as much an abuser David Cain was, he still loved Cassandra enough that he utterly fell apart when she left him? That he was genuinely astonished/proud of her when she spoke to him for the first time even as she threatened him? he still sucks majorly, but you can't deny that he loved her. that's what makes their relationship so painful.

can you be normal about Talia al Ghul? can you write her without making her an ooc rapist or child abuser or cold dragon lady? can you acknowledge that every ounce of her characterization surrounding Damian is vastly different from her original pre-Morrison personality to the extent that og Talia would never even have a child in the League?

can you pick apart when a parents portrayal is out of character, that a writer made them hit or neglect their child because above all else they exist for drama and action? that you can find DC characters who actually had traumatic childhoods instead of grafting them onto a Bat-character? (> this last sentence is mostly about Tim btw)

Exploring a character's parents and how they affected them is always interesting, but I've seen fics that genuinely steer towards character assassination rather than an exploration of events written in the comics. They exaggerate a parent's portrayal not to write about a complicated parent-child dynamic but so they can have Bruce or Jason rushing in to comfort them (yes, this is about the Tim Drake shrimp fic). Idk, I think most of my ire just stems from the fact that content about Mia Dearden or Todd Rice or Grant Emerson aren't widespread, Mia specifically always gets explored in Bat-circles as someone that just adds to Jason's character rather than analyzing her on her own, in addition to the constant hell that Talia goes through in both canon and fanon.

[sysig]

Rainbows (Patreon)

[stars-obsession-pit]

Decimation

Some members of one of the GIW’s top-secret research facilities have made an earth-shattering discovery.

They’ve found a way to make half-ghosts.

The failure rate is high. For every subject they successfully convert, many more are left burnt-out corpses—or worse, as rabid undead that must be put down with force.

It didn’t matter. The test subjects were cheap, worthless. Their countless deaths were an acceptable sacrifice in the name of progress.

Their operative’ deaths when they begin the full plan… those will matter more. Their warped agents may be more dangerous than normal humans in combat, but legions of foot soldiers still have their place. It would be foolish to leave themself solely in the hands of ectoplasmic entities, even if they’re allies and still partially human. Recruiting and training enough replacements to recover the losses would take time.

But it will all be worth it.

Finally, they will have control of a strong enough army to bring their goals to fruition. Those inhuman wraiths will be eradicated, ensuring the safety of the real, living humans and opening up a whole new dimension of untapped resources.

[poorly-drawn-mdzs]

I'm sorry I let down my guard.

[First] Prev <–-> Next

[trainsinanime]

I should be sleeping but I just figured out how they could have drastically improved the ending of season 5 with very little effort: What if the fight between Bug Noir and Hawkmoth had not taken place in the kitchen, but in Adrien's room?

Even assuming that the rest of the script stays the same, it would have given so many opportunities. Being in Adrien's space, but without him, would give all sorts of thematic implications and make us feel like his absence was a deliberate narrative choice. Destroying it over the course of their fight would be symbolically destroying his prison, and also showing how Gabriel destroys him, at the same time (bonus points for destroying the prison-bar-like windows).

Plus, you could have done so much with the lighting. The Kitchen fight just doesn't look all that good with its black and white tiles and bright white light. This is especially notable because the episode before, with the theatre production, was the prettiest ML episode ever thanks to all the creative lighting.

In Adrien's room, you have more light and shadow and colors anyway, but you could have really played with bathing the scene in an evening glow, in a thunderstorm, or turning it to night slowly. All the people fighting outside could also have seen the light effects coming from there, making the fight in the house much more connected to the outside.

I'm not saying that would have fixed all the issues I had with the finale, let alone all the issues people have had with the finale, but I think it would have been a much stronger move.

[corvidus-fr]

super quick musings on Fathoms. i like a lot about the pose + design, but i feel like they kinda suffer from Undel Sameface when everything about their lore is pointing towards "friendly gentle ocean giants". wanted to roughly sketch Merrigan for a side-by-side comparison, and then some rough doodles of how i might push the design in a chunkier, more cetacean-inspired direction - 3 is swapping the features but keeping the overall proportions/layout mostly the same, and 4 is pushing the proportions even further

[arthurtaylorlester]

mr guthrie i quite honestly still liked your show but if you say things like this shit it really deters me from listening to it. learn to handle criticism. opinions i and many others share on s4 are just as valid as the point you were trying, because whatever it was it wasnt received.

i was going to give the show another chance for the john pov, but i don't think i want to listen to a show anymore where the creator tries his hardest to deter his fans with pride

[trainforanother1000years]

every time people talk about whats ‘canon’ or not its so obvious that little to none of mcyt fans have actually played/done roleplay on a minecraft server(or similar situation) themselves

Like girl the ‘timeline’ is whatever you want it to be for your character. Show up to whatever events you want. Maybe you play every day or maybe you log in once a month. Who gives a shit lol we are here to have fun.

and i very much think fans need to keep in mind this same mentality. Continuity is nice and good but also its whatever the roleplayers want their story to be. And no matter what continuity errors this could cause for the overall story I have genuine faith that these guys can Yes-And their way out of any situation. And for fans making fan content you can make the timeline whatever you want. The world is your oyster. Literally who gives a shit.

[artbyblastweave]

Fun game: Read Fables and take a shot of hard liquor for every plot beat or piece of worldbuilding with heavy right-wing overtones. Two shots for anything that's visibly meant as a parallel to Israel/Palestine in favor of Israel. Keep a compatible tissue donor on standby

[theminecraftbee]

you know sometimes one of the things the fandom does that i like the least is joke about how certain ccs are "lorephobic" because it basically always ignores the lore they actually are really and visibly doing. like, sure, they may not be doing the lore YOU'RE looking at, but, one, lore doesn't just mean "big overarching server storyline" it can also mean solo stuff. it can also mean 'builds that have story built into them'. it can also mean 'fun little storyline between like two guys'. it can also mean character continuity. it can mean many things. two, "this guy doesn't do lore" is NOT the same thing as "this guy doesn't do the specific lore i personally like and want to see them doing" and i don't always think you guys know the difference. all of this, of course, is to say: hey guys did you know zedaph can canonically time travel,

[sparky-is-spiders]

Thinking about Jon mourning his relationship with Elias and doing it alone.

Thinking about Jon having so many little fond memories of Elias. Discussions with him when he still worked in research. Little bickering arguments from when Jon was first promoted. His fondness for scheduling. Thinking about Jon missing those times so much that it aches. Thinking about Jon mourning the person he thought he knew, the person he did know, the connection they always had. When Elias is in prison and won't even see him. When Elias is in the panopticon above the world, far away from Jon. Thinking about Jon still caring about Elias, missing him despite everything.

Jon would have all those little memories of Elias, I think. And he would pick over them, and wonder which ones were real (all of them, in a way), and which ones were lies (all of them, in a way). And he would never be able to say anything. Because he's the only one who ever had that connection to Elias, and by the time Elias is out of Jon's reach nobody who would understand is left.

Just. Just thinking of Jon mourning his relationship with Elias, and having to do it alone.

[hiphopcherrrypop]

i'm obsessed with u in a way i can't believe

[chayannesegg]

honestly I think it’s kinda interesting how phil’s relationships with wilbur, tallulah, chayanne & tubbo are all reflecting back into his view of sunny tbh. like he has such complex delicate interwoven dynamics with all of them and it all gets thrown onto sunny, this poor kid who he loves in theory, but in practice is a stranger to him. 

like wilbur left tallulah in phil’s care and didn’t come back. even now way after he was initially supposed to, wilbur hasn’t returned (that one day aside). and phil, who had already taken on a big commitment watching tallulah, has been left permanently with two eggs in his sole care. and even though he loves tallulah and wil, and won’t want them out of his life, this is a stress for him. it’s a big undertaking for anyone, to care for two kids alone, but especially since tallulah required a lot of changes in his life.

for better or worse, in many ways phil sees chayanne as an extension of himself. they’re similar in a lot of ways, and often on the same page, and it means phil often struggles to catch up when chayanne’s emotions aren’t on the same page as him. we’ve seen this week, phil having such a hard time understanding the depth and breadth of chayanne’s grief. when he catches on, he usually does a good job empathising and talking it through, but when he doesn’t, he really doesn’t and it can be hard to watch. 

the same is NOT true for tallulah. he has, through hard work and practice, learnt how to identify her emotions. he had to. she needed it. she would have been miserable otherwise. she desperately needed asked for the emotional care and birthdays and consideration that chayanne would never ask for. and he’s good at it—tracking her moods, knowing what upsets her & what she cares about in a way that doesn’t come as naturally with chayanne (or sunny or tubbo or anyone else really expect maybe wilbur). but that took A LOT of time and effort, months of work, and I do think he’s a bit wary of the idea of having to do that again, even when it comes to people he loves like chayanne (or god forbid tubbo).

now tubbo is not wil. tubbo is not phil's son. but he’s still not dissimilar to wil in phil’s mind. whatever the backstory is, phil introduces tubbo to tallulah as an old friend of him and wil’s. he makes tubbo his kids’ godfather. he calls tubbo his boy. he looks out for him. but past those first few weeks, their relationship doesn’t progress. they mean a lot to each other bc of their pasts, but they don’t put any work into upkeeping their relationship and phil in particular doesn’t reflect at all on what how that changes their dynamic. and it does change it—this is clear in purgatory, with phil having zero trust in tubbo to protect chayanne and tallulah, and after, with tubbo endlessly poking at phil’s sore spots trying to illicit a reaction he’ll never receive. 

it's also clear in the way phil has no understanding of what’s going on with tubbo. if he’s struggling to grasp chay’s emotions, he’s not even touching what’s going on in tubbo’s head. tubbo’s death makes no sense to him. it’s sudden. it’s random. it’s illogical. it’s stupid. he wasn’t joking about having two lives? he still took a death bet with richas? he’s not come back? he can’t come back? he’s left phil with distraught kids for no reason with no warning. he doesn’t see the erratic suicidal behaviour, the unending depression, the desperation to be loved. he doesn’t want to see it. he doesn’t want something to be wrong with tubbo, but he also doesn’t even know how to see what’s wrong. he’s annoyed he’s having to deal with it and he desperately desperately wants to believe this is all happening for no reason.

bc at the forefront of phil’s mind is still his love for tubbo. of course, phil would drop everything to help tubbo (if he could recognize something was wrong). of course, he would care for sunny as his own. of course, he would make the same sacrifices he’s made for wil. and he assumes he’ll have to. he thought that sunny would now be under his care. that he’d have to figure out the logistics of a third egg to care for. with wilbur, phil was the only person who could ever have taken care of tallulah. the only person he trusted, the only person who knew tallulah enough. now this isn’t true for tubbo. it’s a genuinely illogical assumption for phil to make: three eggs would be a genuine burden on him; they've never spoken about it; there’s a long list of people who would tubbo expects for sunny before; and he doesn’t even know sunny well enough to name these people for her as comfort.

but still in the moment, alone with tubbo’s eggs and dealing with everything he left behind, phil can only think that the exact same thing that happened before will happen: he alone will be left to care for another scared hurt kid of someone he loves.

and here we come to sunny. a kid whose dad he loves. a kid whose dad he doesn’t understand. a kid whose dad is suddenly gone like his son is gone. a kid who would need him like his daughter needs him. a kid who his son needs to protect. a kid he cares for. a kid he can’t afford to care for, a kid he wasn’t expecting to care for, a kid he doesn’t know how to care for, a kid he would care for if he needed to, a kid he doesn’t know why he’s been left to care for. a kid who is somehow a reflection of all these people he loves but not someone he knows at all.

idk i think this tension comes out in the a lot of the comments phil makes of and to sunny. he doesn't know them well enough to distinguish them from his relationships with other people. and as long as no one challenges him on that, we'll continue to hear these misplaced comments from him, that come across so insensitively, even as he tries his best to genuinely help them and their dad.

[ashersbraincell]

I just think the way that Curly's inaction towards both the crash and Anya's situation(which ARE related strongly either way) is so poetically mirrored by the state that he ends up in after the crash. Unable to do anything. Unable to help anyone, even himself.

He didn't do anything then, and now he can't do anything anymore. Forever locked into being a pained observer in watching the consequences of his inaction unfold

And if that isn't poetic justice, I don't know what is