#//oh also i should probably

[ichorresearchproject]

I have knowledge that you won't Yes I have cures and you? You don't!

[emry-stars-art]

Completely unrelated to TGR but I would like to kindly and politely request more buff Andrew <3 maybe Andrew bench pressing Neil or Neil gushing over Andrew being 💪💪 you know?

You knowwwwww I can’t resist a beefy Andrew. And neither can Neil

Pls someone help Neil order his thoughts. Head empty rn

[inkskinned]

"don't make it political!" .... what proportion of death and suffering must occur before politics are involved. if this isn't political, what is even the point of any politics, ever. of democracy. the words are "by the people for the people." if i am going to be left alone by my elected representatives to "figure it out" - to undergo damage, hardship, fear. what the fuck did i elect them for. what was their job. the entire point is that they handle this shit. this is why we were supposed to be electing leaders.

poverty is political. misogyny is political. gun control is political. climate change is political. how much aid a community gets is political. what the fuck are you talking about. it's been political this whole fucking time.

[berenshand]

one of my favourite little things about the murderbot diaries is how present all secunit's friends are even if they're not actually physically present. it doesn't do the annoying thing where it jumps through hoops to bring back characters that aren't really relevant to the narrative but it also doesn't do the other annoying thing where it pretends they never existed either. like secunit talks about art and mensah all the time even when art or mensah aren't in the book. it's clear how bharadwaj has impacted its personal growth even when she's literally on another planet. it complains about gurathin and pin-lee when they're not there. it's still sad about miki and don abene and it mentions tapan and maro and rami even though it only knew them for a few days (because when you're new at being a person every interaction with other people is important even if it's short). iris reminds it of mensah. iris also reminds it of ratthi. its hair is fluffy bc it let amena play hairdresser off-screen and it messages her so she knows it's okay. it doesn't have to worry about protecting volescu anymore because volescu retired thank goodness. it's still using thiago's language module. etc etc etc

it's such good writing because it's such a little thing that gives the characterization and relationships greater depth and also reinforces the running theme of friendship in the series and then also subtly gives this sense of 'the people you love are a part of you/your story' and also reinforces secunit's role as a storyteller because it's constantly telling little stories about all its friends.

[wasabi-gumdrop]

Kabru has a secret admirer in the castle!

[starflungwaddledee]

time flies when you're feeling loved. happy birthday, bandee! [x]

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[sunderwight]

Thinking about Black Widow Luo Binghe.

Hear me out -- so just like in canon, Shen Qingqiu self-destructs to save Luo Binghe, dies, and Luo Binghe steals his body to put on ice while he looks for methods to resurrect him. But unlike in canon, staving off decomposition is simply not that doable for a matter of years, even with cultivation and Luo Binghe pouring qi into the process. The qi costs are still high, so is Xin Mo, and now Binghe also needs a special artifact that can actually preserve Shen Qingqiu, but that runs on blood sacrifices.

To get the thing working, Luo Binghe feeds it a bunch of prisoners from the Water Prison. Then he starts kidnapping cultivators to drain for his own qi reserves, but that's difficult, controversial, and he can't use the same victims for the blood sacrifice afterwards. Frankly, between one thing and another it would be easier to satisfy Xin Mo with dual cultivation, and focus on finding victims for Shizun's Snow White style glass preservation coffin without having to choose between using targets for one or the other. Especially given that, if he finesses it, Luo Binghe can extend the use of his sacrifices and get more out of them with fewer deaths that way.

He's pretty sure that Shizun would want fewer deaths.

Of course, he is not a fan of the logistics of the plan itself, but he'd do worse things to one day be reunited. He consoles himself that he's building up bedroom experience for one day being with Shen Qingqiu, and that it doesn't really count because his heart's not really in it, and also if Shizun got to spend all that time in brothels then it's only fitting that Luo Binghe be his equal in this as well. It still doesn't make it pleasant for him, but it makes him able to tolerate the necessity of it.

So Luo Binghe ends up marrying a string of rich and powerful figures -- mostly the villainous single fathers and mothers and evil uncles of harem members from PIDW, rather than their daughters -- and coming up with creative ways of making all their deaths a few months into the process look like accidents. After the third one people are undeniably wary of marrying him, but there's always someone with a big enough ego to think they'll be an exception, or stupid enough to believe that it really has just been so much bad luck up to that point. It helps that the universe is predisposed to let him hit it.

When SY wakes up in the shroom body and hears about Luo Binghe's succession of marriages, he's not surprised. What he is surprised by is the bisexual graveyard of toxic dilfs and milfs that has replaced the harem.

What did he do to cause that?!

And what does Luo Binghe mean that he wants to marry his own shizun now? Is this his new method of revenge??? Binghe, you don't have to marry someone to kill them!

[bullet-proof-gay]

You have Bad Person Disease.

Oh, what does that mean? Well basically. You're Bad. And you can't be Good, because if you ever try to be Good then you're only doing it to hurt people, because you're Bad.

If you ever try to seek help through therapy then you'll have to wade through therapists who believe Bad Person Disease makes you dangerous to everyone around you. Yes even if you've never actually hurt anyone, or you respond to stress by isolating or hurting yourself. Actually if you hurt yourself it's just to manipulate others. Because you're Bad.

Also any time you try to seek help online you'll find people discussing specifically how to upset you, including to the point of ruining your life. But it's okay, you have Bad Person Disease, so acting maliciously or cruelly towards you is justified.

These kinds of disease are all on complicated spectrums and different people will experience wildly different symptoms or express things in wildly different ways. Not Bad Person Disease though. Yeah, you're all the same. All Bad, you see.

If someone else takes personality traits from other people then it's just a normal impact of socialisation on human development. Not you though, if you take any personality traits from the people around you then you're doing it on purpose and it's bad, because you're Bad.

If someone else has a meltdown, screams or yells or snaps, it's probably just that they're having a rough day and need some help. Not you though, if you ever do anything that upsets anyone then it's because you're Bad and always will be Bad and that makes you dangerous.

I don't know how to end this post.

[arolesbianism]

Oh god is that a comicfrin drawing where they have whimsy quick someone throw that guy into a decades long timeloop

[artisiumstudios]

Au where Stan finds the duffle bag.

HEAR ME OUT-

Basically it’s like a week or two before the science fair, Stan is minding his business (sort of) and while he’s going through a closet/cabinet trying to find some supplies, either for the Stan’o’War or his car, he finds a duffle bag. Curious he rummages through the bag, inside are some toiletries, 20 bucks, and clothing- wait a second. Those are his; his shirt, his pants, his socks— all stuff he has been missing for a couple of weeks. He’s confused, scared, and worried.

Why would his stuff be in here? Why are there toiletries? Why is there money? And who put them there? Unfortunately he already has his answer. Pa was always clear that none of his children would continue leech off of him. If you had nothing to prove then you had nothing to take. The conversation behind the principal’a door swarmed through his mind. How long had pa had his bag packed? Was this always the plan? Was Stanley really that worthless?

But that didn’t matter because Ford wouldn’t choose a school over him! They were going to sail the world together and that would be that, to hell with Pa if he wanted Stan gone then fine he didn’t need him, he didn’t need anyone but his brother and the sea!

At first Stan wants to tell Ford about what he found, but decides not to because in the end it won’t be important. So he keeps quiet and decides to take the bag into his car, after all hey 20 bucks and he gets his stuff back! He can’t leave it in his room cause if Pa finds out he was snooping through his stuff, well he’d rather not think about that.

Then the conversation on the swing set happens, and Stan’s head starts spinning. So it wasn’t just Pa who wanted Stan out, Ford was willing to ditch him too. Stan feels betrayed and hurt, he doesn’t know what to say or what to do. He starts to question his theory, did ford help pack his bag? Was that why he had been so distant lately, feeling guilty for letting his Pa kick him out and even helping him with the bag?

Did ma know? Eventually Ford leaves, huffing from Stan’s lack of enthusiasm and response, mumbling about being jealous that he has a better future up ahead, not just some silly childish dream. Stan snaps, not physically, not with his words: just emotionally.

Fine if they don’t want him there then he’ll just leave. That night while everyone is asleep he grabs all of his money, more clothing, a sketch book, his comics— a picture of him and ford on the stan’o’war— and some other things he thinks might be valuable or just handy. And he drives away.

Nobody notices Stanley’s disappearance the next day, not until night has fallen. Ford cheerfully excited with his new full ride scholarship, goes and tells his parents. Caryn is happy, tears of joy falling down her face as she hugs her intelligent baby boy, his father gives a small smile and a nod— he gives his approval. But the mood changes once he questions where Stanley is. No one has seen him in hours, actually his car has been gone since early morning. They wait awake all night, hoping for some sign, some clue!

Filbrick grunts as he walks up to the closet, his eyebrows furrow ever so slightly, his lips pressed in a tight line. He sighs deeply.

Eventually a report is filed, but there is not much they can do, if Stanley ran away then he isn’t missing, and the police refuse to do anything about that.

Anyways thats like yk the beginning of how this whole thing happens but here are some other thoughts and ideas:

Stan:

Without Filbrick telling him he’s not allowed back into the family without a million dollars, Stan isn’t as driven by money as in canon. He doesn’t have a need for large amounts of money therefore he doesn’t have a need to do sketchy jobs just to satisfy his need to have his family back. In other words he doesn’t have as much trauma as in canon and is actually more able to settle down without being on the run or in survival mode. The first couple of months he just spends driving as far away from the East as possible making his way over to New Mexico where he settles down, first as a bar tender then eventually as a mechanic, he lives comfortably in a crummy apartment but hey he doesn’t really need much

Unfortunately he does get bored, even if it’s not with his brother he does crave adventure. And while fixing a this guys truck he overhears of a town called Gravity Falls, where weird creatures tend to reside in. So you guessed it, he picks up and drives from New Mexico over to Gravity Falls Oregon.

He gets a small but nicer apartment this time around and first he works as a mechanic. Immediately he starts to get a sense of the place and its weirdness and he loves it! (Ford would love it here-) .

Since the blind eye isn’t a thing people have two reactions to the weirdness of gravity falls: freak tf out or shrug and go on with their day. Stanley being Stanley gets the great idea to act sort of like a monster hunter/ putting small attractions up with the less violent creatures, not the mystery shack, but more like the mystery circus!

Eventually Stanley gets the name Monster-Lee for his ability to be able to fight off creatures so easily (mostly through bribery or fists)

Ford:

He still leaves for West Tech, but now he's fallen into extreme stress/anxiety and a bit of depression. Why did his brother leave? Why didn't he say anything? Is he okay? Why did he ever let their father get between them, he should've spent more time with him when he had the chance-

Unlike canon, Ford has no resentment/grudges to hold over Stanley, rather he holds that anger towards Filbrick especially when he found out that he had planned to kick Stanley out-- for being the reason Stanley left.

While Ford does still want to study anomalies, he also takes engineering classes, he wants to develop better technology and hopefully resources for run away teens/homeless teens.

While he doesn't meet Fiddleford as his roommate, he does meet him at a robotics convention where they instantly become friends. After college they develop a small company based around the idea of being able to find people, now expanding into different areas.

Ford is a lot more open with the fact the not only is he a twin, but he likes to talk about his younger twin brother who supported him and always stood up for him.

Part of the development with the technology involved finding people in forest dense areas, especially with a lot of caves (please tell me someones seen that one chart) Which then leads them to gravity falls as their first test area, small enough to test their tech, but still forest dense to get sufficient results.

and then these three bozos find each other lol. anyways thats all i got , i thought of this in the shower like 30 minutes ago and decided to procrastinate on my HW writing this lol. anyways

[ludotpng]

🩸 Practice coloring

I want to tug on his ears

[blae-kitta]

Sketch page! Margaritabille au by @kerink with Bill making a caesar, Ford in the outfit I'm living in rn, a joke post I've already posted of where Ford loses a bet, and an interaction that been lodged in my frontal lobe for ages and was gonna make a proper comic for and then didn't

[dreamsy990]

TELEMACHUS AND ANTINOUS. FINALLY

[lucabyte]

Hmmm just gonna spit this headcanon out in text post form since A. I don't think I could exposit it well enough in image form and B. It's not actually textually/thematically substantiated and I don't like actually staking my stuff on just vibes alone*

But anyway. I'd say it's pretty evident that all the islanders forgot their names, right? King obviously. Because why the hell else would he do that, but also Siffrin No Middle Names No Last Name.

They're 'pretty sure' they've 'always' been 'Just Siffrin' 'as long as they can remember'. It's a pretty cruel twist of the knife to say that they don't even get to keep their birth name as a memento, which is why I'm saying as such.

My utterly unsubstantiated claim is I think it'd be cute to say that Sisyphus *is* the name Siffrin initially picked, assuming the myth of King Sisyphus is recontextualised as idk, just a play or something in the setting. But I like the idea of Siffrin going 'oh shit 🫵 he's just like me fr' at a tortured fictional character long before the irony kicks in.

As for how Sisyphus -> Siffrin. I think that chronic mumbler and emotional doormat Sif just did not correct people who misheard the name during their time travelling, and went through enough places with incompatible phonologies (pronounceable sounds in the language) without ever really writing it down that it just got kinda. Changed until it was unrecognisable, and Siffrin just went with it until the earlier pronunciations slipped out of their swiss-cheese brain. And they just kinda don't remember any of that.

Also, something something the horrid realisation that Siffrin also named themselves after a King. Just not as blatantly.

*(though I think there's something here about Siffrin, a guy from a belief system that seems to thoroughly disincentivise autonomy and self-motivated choice continuously having their hand forced to make changes/choices they don't want but have no choice but to... It's not solid enough to really back this up tbh, but it informs it.)

Anyway.

[lagomorphpaw]

in honor of her canon description dropping i think it's important that i just keep drawing her over and over