#// like his thing with spirits isn't something that just anyone does

[thanatologie]

since it was mentioned elsewhere but...consider the fact that emmrich sees shit a lot that no one else can, he talks about it a lot in his ambient dialogue.

[literaila]

one in the morning

gojo satoru x fem!reader

summary:

"satoru. where did you get these kids?"

warnings: slight angst, awkward child rearing, a bit of arguing, and pining (of course), slightly ooc gojo

a/n: because i am a sucker for little megumi

*

year zero. year one.

it's not that you're not expecting the call. except that you're not. 

like not even a little bit. an asteroid coming down and destroying only you and your apartment building is slightly more likely than satoru gojo calling you in the middle of the night, like he hasn't done in the last six months. 

the last year, really.

a year ago you would've known who it was immediately and probably would've cursed satoru out for calling you at three in the morning to see if you wanted to go get ice cream with him (and then you would've gotten up and put on your shoes to find him outside of your room, already grinning). 

but now you have to check the caller id. 

you blink around in the dark--struggling through the dregs of dream you're still waking through--and sigh. 

unfortunately, you've never had quite enough willpower to ignore this phone call. shoko has called you an idiot many times--too many times, actually--telling you that satoru's attention-seeking habits are not your responsibility. not that she's had to say that in a while, though... and it's not like you're going to sneak out in the middle of the night with him anymore--you can't sneak out. you have your own house. there’s no yaga to look down on you disapprovingly here. 

and he hasn't called you in six months. you haven't even heard about him beyond some irritated remarks from yaga, and shoko's knowing glances when you try to nonchalantly bring him up.

and still. 

it takes you a moment to pick up the phone, your thumb hitting the answer button before your mind can stop you. 

"satoru?" you whisper, listening to the breathing on the other end. 

there's some muffled moving around, and then a breath, and then someone in the background speaking, and then-- 

"i need your help." his voice is quiet like he doesn't want anyone to hear what he's saying. 

what time is it? have you ever heard satoru say those words before? 

your first thought is that he's on another mission. that there's a cursed spirit and he needs some assistance. but when has satoru gojo asked anyone for help with a cursed spirit? when has he ever needed it? suguru was typically there to keep him from-- 

you pause, sitting up in bed. this might be a nightmare, but usually, you're more accustomed to them. "where are you?" you ask him, speaking in the same soft voice. 

you expect him to name off some city, some house, some country that you couldn't possibly get to. you expect him to crack a joke, say something to you about being lost without him, or laugh at how serious your voice sounds. but he only murmurs, "at your door." 

like it isn't a completely crazy thing to say. how does he even know where you live? 

"it's one in the morning," you say, frowning. some small part of you wants him to actually be there, expecting a knock to come from the void of your hallway. and the other, much bigger part, thank you, wants him to be joking. 

"i know," he sighs, and the receiver is muffled again, and then, "can you open it?" 

"what's going on?" 

"please," he repeats. there's no joke to this. this is not satoru asking you if you want to go get donuts at six in the morning, or milkshakes at midnight. "i'll explain. i just need your help." 

you bite back some remark about how he hasn't needed your help for the past year. about how he hasn't called, hasn't texted, and hasn't even asked about you since-- 

but you stand up, trying to untangle a knot in your hair. you hang up on him without answering. your heart gets a bit of satisfaction from that. 

and go to your door, giving yourself two seconds to prepare for the real-life satoru in front of your face. blue-everything eyes, you think, wall white hair, and a stupid smile. 

but when you open it, your eyes drift to his (sort of) like they're already sure of where exactly he might be, it isn't just him. 

there's a little boy--as tall as satoru's waist, with dark hair and furrowed brows to match--standing in front of another little girl--the same dark hair, but blank face--glaring up at satoru like he's kidnapped both of them. 

your eyes widen as you realize that he probably has. 

"this is basically every kid's dream," he's telling this boy, his playful voice like they’ve known each other for years. "i got you candy and i'm letting you stay up late. why aren't you normal?" 

"why aren't you?" this boy retorts, and his voice is hard. unreasonably sarcastic for such a small person. it might make you giggle, the obvious tension between the two of them, if you weren't so worried about these kids' poor parents, freaking out at their disappearance. 

the little girl is the first to notice you there, and she waves, her face much softer, much more exhausted than the boys in front of her. but she doesn't look frightened; not concerned with wherever this strange man has taken the two of them. 

and satoru looks up at the motion, his mouth turning as he looks at you. 

the little boy frowns, but his eyes settle. there's a brief moment where he watches you and you think that he's about to start begging for your help, but then it's gone. and his eyes trail back to satoru, still angry. 

you blink, swallowing at the three of them. this is not ice cream.

"satoru," you get out, eventually. "where did you get these kids?" 

*

"okay," you set a glass of water on the coffee table, trying to put on a normal smile. your hands are shaking, so you tuck them under your sleeves. "i'm sorry i don't have a lot of extra blankets, but if you get cold i'll go look through some boxes and see what i can find." 

it's been ten minutes with them inside your apartment, and you already feel like you're doing something wrong. satoru, obviously, just briefly introduced the two of them to you, before you grabbed his arm and dragged him--along with the kids that trailed behind--into your apartment. 

you'd hissed at him about how it was cold, and one in the morning, and they needed to be asleep. he only smiled and asked how you were. 

so now they're cuddled up on your couch, with your only spare blanket, both of them with dreary eyes. you're trying not to look too closely--to check if they've been crying, or if they're harmed in any sort of way.

the little boy--megumi--nods and tsumiki smiles at you. 

how four little eyes can look so appreciative, you're not sure.

satoru is leaning against the wall behind you, watching you move around these children like it's normal, and you have to bite your tongue to keep from screaming at him.

"is there anything else you need?" you ask them, trying to be softer than you are. you should’ve taken that babysitting job when you were twelve; you’re completely out of your depth here.

megumi shakes his head. 

"no, we're good," tsumiki says. 

and you seriously want to get them to a hospital. where did they come from? why does satoru have them? is he insane? are they insane? have you just dreamt this all up?

"okay, satoru and i are just going to go talk in the kitchen for a bit. come get me if you need anything." and you smile again, taking a couple of hesitant steps as they both look away from you to the show that tsumiki put on when you handed her the remote. 

at least they're not outside anymore.

you drag satoru into the kitchen, thinking about knocking the wind right out of him. he's always been particularly punchable, but right now he's even more so. 

and he's smiling adoringly at you. 

“satoru," you grind out, trying to keep your voice down. he leans against your countertop, crossing his legs. 

and he hums inquisitively. “you know, i don’t think megumi likes me very much.” 

“satoru.” 

“not sure…" he scratches his head, white hair falling over his sunglasses. "i mean he’s kind of a weird kid but still. i took them to the store to pick out anything they wanted and neither of them got anything. even when i showed them the different cakes they had in the bakery. there were matcha rolls today, too. do you think they’re robots or something?” 

“satoru. where did you get those children?” your voice is a step away from furious. 

why is he here right now? why does he just barge into your life at unprecedented moments, acting like nothing has changed between the two of you? 

acting like you haven't missed the sound of his voice or the way he speaks with his hands, or how he's standing right next to you, warmth radiating off of him like a toxin. 

“is that important right now?” he asks. “we’re talking about their spending habits.” 

“i’m talking about you. tell me that you didn’t steal them from the park and that i’m not obligated to report you.” 

“are you serious?" he shakes his head at you, his voice still teasing, calm as ever. "you think i’d just take some random kids home with me?” 

“i don’t know!" you tell him, finally breaking--your voice is raised, and you almost don't notice. "i don’t even know how you got here, or where you’ve been in the past six months, or whose children those are because they are certainly not yours.” 

he pouts. “you don’t think they look like me?” 

“you’re too pale.” 

“that’s rude, you—“ 

“whose kids are they? now, satoru.” 

you hope your face looks intimidating, but honestly, your demand is more like a suggestion when it comes to satoru. he can listen or he can leave. 

you don't know which one you want more. 

there’s a beat of silence where he rubs his foot on the ground, messing up your tiled floors probably. and then he sighs, relenting. “…toji zenin’s.”

he could’ve said anything else and you wouldn’t even care. oh, he found those kids abandoned in a warehouse on a mission? cool. oh, he found some long-lost cousins? great. if it were anything else, you would've waved him off and told him that he needed to get them new clothes, or something. 

but this? 

“what?!” 

“shh. you’re the one who said they need to sleep," he tries to look around the corner of your hallway, even though you both know he doesn't need to.

you’re gawking at him, but, really, can it be helped?

“toji zenin?!”

“well technically fushiguro according to the records i dug up. but zenin nonetheless...” 

“you stole his kids?!” 

“i didn’t steal—“ 

“he tries to kill you so you kill him instead and take his children hostage?!” 

this would be a wonderful moment to wake up.

satoru waves this statement off, frowning. “you’re really brushing over the ‘tried to kill me’ part. what? you don’t care about me?” 

“why do you have them, satoru? what are you planning to do? torture them for information?" your eyes are wide and your heart is panicked. "they’re kids—“ 

he scowls. “of course not.” 

“then what? tell me everything, starting from when toji tried to kill you.” 

“why do you automatically think i did something?" he complains. "it’s not like i asked zenin to kill me first. i didn’t bait him into slicing my throat open.”

“because you always start the problems.” 

“not true. sometimes i solve them, and sometimes i—“ 

“how did you find out about them?” 

he sighs. “he told me about megumi, before he, ya know,” and then he makes a motion across his neck. and a terrible noise that supposedly indicates death. 

you don't even mock him for it “why?” you ask. 

“megumi might inherit the zenin technique. he’s worth a lot to the zenin clan, and i guess that toji made a deal with them.” 

“you guess?” 

“well, it’s not like i had a whole lot of time between the resurrection and murdering thing to ask him. i didn’t invite the guy out for tea so he could tell me about his pride and joy," his voice is riddled with sarcasm, so you can't decide if he's joking or not. 

he is the most infuriating person you've ever met. 

“so what? he asked you to keep megumi away from them?”

“no, he didn’t seem the sentimental type. maybe he told me cause he didn’t want megumi to grow up there, or maybe he told me so i could claim the prize money for myself.” he shrugs. “it doesn’t matter.” 

you glare at him. “oh, it doesn’t?”

“no. i asked megumi what he wanted and this was it. he doesn’t want to live there and leave tsumiki behind, or have her live in that misogynistic shithole.” 

“how old is he?” 

satoru almost winces. "uh, six?”

“you don’t even know how old he is?” you close your eyes, shaking your head. 

“he’s in first grade! we haven’t gone through all of the basics yet.” 

“and tsumiki?” 

“…nine.” 

“satoru.” 

“i’ll figure it out. megumi acts like he’s fifty years old anyway, so what do i care?” 

you can practically see him rolling his eyes. 

“what do you care?" you repeat, mocking. "you just told me that megumi made this decision for himself. he's a kid. he probably doesn’t understand—“ 

“he understands that if he goes to the zenin clan his sister will suffer in whatever way they deem fit. i mean, you know what it’s like for girls there—especially without any cursed energy.” 

“you cant just make this decision for them on a whim, satoru. have you thought any of it through? where are they going to stay? who’s going to watch them when you’re sent away? where are they going to go to school? what if megumi does inherit his cursed technique?” 

“all of that doesn’t matter. i'll figure it out," he waves off the topic of their lives like it's a mere suggestion, "what matters is that i keep those kids from being subjected to a life of servitude and competition. that they get to be kids while they can.” 

you swallow. is there a way not to be frightened by this? “i know—i know where you’re coming from," you give him a weak smile, trying not to yell, or fight, or question this so much that satoru shuts down. "it’s nice of you to be… worried about them. but this isn’t like taking in a lost kitten, satoru. these are children.” 

“do you really feel the need to point that out?” 

“yes. what do you know about kids?” 

he smiles, wide. “nothing!” he exclaims. “that’s why i came here. and you’re already doing a great job.” 

you frown. “what do i know about kids?” 

“well, you like them, don’t you?” 

“what?” 

“when we went to that daycare center during second year you played with all of the kids. you like them," he nods as if affirming it himself. 

you went to a daycare with satoru once to take care of a grade three curse and apparently, it's led him to insanity. 

“you’re comparing my hide-and-seek skills to taking care of those two kids on my own?"

“i mean, i’ll be here too...” 

“taking care of three children on my own?” you correct. 

satoru pouts. 

you think about what suguru told you after riko amanai died; about satoru and the shift within him. some sort of manic strength he hasn't uttered a word about since. 

but you continue, swallowing. "what's this really about?" you ask, softly, trying not to be mad, or worried, or concerned about why he came here to you. "it's not like you to... take responsibility for something you're not responsible for." 

his pout turns into a frown. you can see his brows furrow. "you don't think i'm capable of helping people?" 

"i know you're capable. but why? why now? i mean, it's been a year since toji died, and you're just getting them now? you suddenly remembered what he said to you?" 

"i had to figure out the logistics of toji's deal." 

"okay," you shake your head, "but still. why not have a family take them in? find someone who can give them a relatively normal life before they're pushed into all of this?" 

satoru's face is blank. "no. what happens when megumi is eight and his new 'parents' put him in a hospital because he's seeing things that they can't?" 

for the first time since he's walked through your front door, he sounds almost serious.

"i--" 

"what happens when they're afraid of him because he draws in cursed energy? when his 'family' rejects him like yours did? like suguru's did?" 

"satoru." 

"honestly, do you think that's any better?" he gestures to your living room, to the kids he's proclaimed responsibility for. "if he does inherit his technique then the zenin clan will go looking for him anyway, and he won't be able to protect himself because there was no one to teach him how. no matter where he goes he's going to be ripped away from tsumiki, who seems to be the only thing he actually cares about. he didn't even want to know--" 

"is this about suguru?" you ask him, the words falling before you can catch them. 

satoru stills. you can see every one of his muscles tense. preparing for a fight. "what?" 

"are you trying to... make up for his decisions? do you feel guilty? is megumi supposed to replace him?" 

"replace him?" 

"i know you think that you can take care of everything on your own, satoru, but you can't. it's not your fault that toji died. and it's not your fault that suguru left--" 

"it is my fault." he says, so softly the words are almost caught before they can reach you. "it is." 

you shake your head. you should've had this conversation months ago. a year ago, before any of this could happen. 

"c'mon, y/n," he continues, no laughter, no smile, no swagger. "i saw what was happening. everyone did. but i was his best friend. i was supposed to be there for him." 

"suguru didn't want you there. he didn't want you to be a part of it." 

"well i could've stopped him. even if i couldn't save suguru--" his voice cracks on his name. "i could've saved everyone else. but i didn't." 

"that's... that's a ridiculous suggestion. how are you supposed to kill your best friend? why should you have to save everyone? why would you even--" 

"megumi isn't some replacement. he's a little boy, and if i'm not there for him then he's going to be stuck with his family. just like i was. he's going to be used for his cursed energy and who knows how he'll turn out? if he'll kill people recklessly like toji, or die trying to do the right thing?" 

you're silent. 

"i'm the only one who can protect him from this," satoru says, and you realize that he's been thinking about this for the past year. that every second since he almost died, this has been on his mind. "they're not going to touch him if i make it clear that i won't let them. i won't--i'm not going to let him become someone he doesn't want to be." 

you sigh. "satoru..." 

his body moves at your voice and he smiles again, shaking off whatever anger you drew out. it's almost a complete shift in who you're talking to. like the stakes no longer matter to him; these kids are just another obstacle to face, a power to control. 

like he's remembered the role he's supposed to play. 

"besides, someone's going to need to take over for me eventually. i might as well train him myself." 

you cant see his eyes, and that’s probably good. you wish someone else were here to take your side, explain to satoru that he’s just a kid himself. that he shouldn't have to take care of everything on his own. 

because when it’s just you, he always has the upper hand. he always gets his way. 

"okay," you say, eventually, after you realize that you'll never win this fight. that you don’t want to fight with him at all.

"okay?" he repeats. "so you'll help me?" 

"help you?" 

"yeah. why do you think i brought them over here?" 

you pause. "you want me... to what? raise them?" 

"with me, yes." 

"are you kidding?" 

"no. you're probably the only person i trust to help." 

the words do something almost indescribable to your body. the person you were a year ago would've cried out in relief, would've clung to him like glue to paper. 

but you frown instead. "seriously?" 

"you've already taken care of them better than i could. look." he drags you around the corner to where tsumiki has her head on megumi's, both of them snoring softly, folded into the blanket you gave them. 

the tv flickers in the background, bothering neither of them. how they've managed to fall asleep with all of the yelling that's been going on, you don't know. 

"see? they already feel safe around you." 

"they're exhausted," you correct, but feel yourself soften at the sight of them. they are kinda cute without the scowl or concern plaguing their faces.

"we're going to be great parents," satoru coos, slinging an arm around your shoulder. 

you push him away. "we are not their parents. we are... permanent babysitters. nannies." 

satoru fixes you with an amused look. "okay." 

"and you still owe me an explanation. i want a complete narrative about what you've been doing for the past six months. and how you found the two of them." 

"okay," he steps closer to you again like you won't notice. 

"and--" you don't have anything else. it's one in the morning. how clear is your mind supposed to be? "and you're paying for anything they need." 

"uh huh." 

eventually, you sigh. it's a surprise that you've lasted this long. "fine. i'll help you. but only because they'd probably die if they spent more than twenty-four consecutive hours with you." 

satoru doesn't say anything--not to whine or roll his eyes--and it's a small acknowledgment, a thank you he doesn't have to say out loud. he'll take this win, at least. 

the two of you watch them, relaxing into the wall. 

after a minute satoru whispers. "by the way..." 

"what?" 

"i didn't tell megumi that i killed toji." 

you turn to him. your eye might as well start twitching. 

"what? he said he didn't want to know--" 

*

you're sneaking into the kitchen when you notice him sitting at the table. his hands are crossed in front of him, his eyes focused on a stain you haven't been able to get off of the wood. 

he's very small, you realize, watching him. his hair is messier than it was the night before, sticking to his head like he slept slumped against it. 

he's not doing anything, really. just sitting there. you can see his legs swinging in the air. 

and before you can prepare for what to say to this little boy who you're probably going to be spending a lot of time with, your mouth is open. "hey," you say to him, just whispering. 

tsumiki must be sleeping. 

megumi looks up, quickly, like he wasn't expecting you to be there. his eyes are wide like he's been caught doing something he wasn't supposed to. but then he slumps down again and gives you a brief nod in acknowledgment. then looks back down, because the table is very interesting.

you wonder how many mornings he's woken up alone, with no one to tuck him back in.

"can't sleep?" you ask him, standing across from him and leaning against the table. 

"this is when i usually wake up," you recall his voice the night before when satoru was teasing him, rougher than a boy's should be. but it's soft now, quiet. 

it's probably seven if the clock on your bedside table is to be believed. 

"you were up pretty late, though." 

he almost rolls his eyes, remembering the events of the night before. 

and you can tell that he doesn't really want to talk to you. he doesn't know anything about you, or what you want with him. why should he trust you? 

you clear your throat. "how old are you?" 

he looks up again. "six. why?" 

"satoru wasn't sure." 

this time, megumi actually rolls his eyes. you're familiar with this sort of annoyance directed at satoru, so you smile, just a little bit. at least there's something you can relate to. 

"and tsumiki?" 

"seven." 

you nod, stepping away. 

what do you say to a boy who has been dragged into your home by a maniac? 

you sigh, clearing your throat again. "are you hungry?" 

megumi's eyes narrow. there's a brief second between the two of you, where some sort of understanding passes through his eyes. who was the last person to make him breakfast? 

and then he nods, slowly. 

you smile. "okay. c'mon, let's see if i have anything you like." 

*

next part.

[asidian]

One thing I've spent a lot of time thinking about is how quickly Charles opens up to Crystal, and why it was he showed her things that he's kept from Edwin for thirty years.

The first component is, I think, because she needs him to.

Charles is, at his core, an extremely supportive person. He tries so hard for everyone around him, unfailingly. He's there for Edwin and Crystal, emotionally and physically, throughout the series. He tries to put on a happy face to keep everyone's spirits up, because at his core, he needs to be needed. He desperately wants people to like him, and his always-cheerful act is at least in part meant as an offer of support to others.

Not only that, but he routinely puts his own needs and wants aside in favor of giving others what they need instead. (I go more into how that affects his relationship with Crystal here and with Edwin here.)

So it's interesting to note that the first time he opens up to Crystal, it isn't for his own sake. Crystal is saying that it's hard not to be able to go home.

And what does Charles do? He reaches out in the way he thinks she needs.

He shows her his parents.

It's his way of saying that he gets it. He understands where she's coming from. It is hard not to be able to go home. And won't she let them help?

But it's interesting that this is something that he hasn't shown Edwin.

Not only hasn't he shown Edwin, but he still doesn't want Edwin to know. He specifically asks Crystal not to tell him.

So, why?

Well... just like he thinks Crystal needs to hear it, Charles thinks that Edwin doesn't.

One of the very first things he learned about Edwin is that he escaped from hell. Charles says that Edwin has told him a lot about it. And from the very first episode, it's extremely clear that Edwin doesn't shy away from talking about his time there.

So we've got Charles, a consummate people-pleaser who's desperate for approval, faced with this boy who just did the kindest thing anyone has ever done for him. We've got Charles, who supports the people he cares for as naturally as breathing, faced with a boy he cares dearly for, and that boy is dealing with decades of trauma.

So what does Charles think that boy needs? He needs someone to help him. He needs someone to be kind, and optimistic, and cheerful, because Edwin's time in hell has taught him to always expect the worst.

So Charles stuffs his own issues down somewhere deep because Edwin needs him to put on a cheerful face.

That's the first part.

The second reason why Charles opens up to Crystal so quickly is, I think, circumstantial.

She happens to be there during the Devlin house fiasco, when he's being faced by very visceral, unavoidable reminders of his own abuse. She's literally in the room when he reads Hope's diary, and from what we see and hear about Charles' family life, everything in that diary mirrors what Charles went through.

Hope's father has very strict rules. She's walking on eggshells. She never knows what's going to set him off.

Charles relates deeply to all of those things, and seeing his own thoughts and feelings spelled so clearly out on the page is enough to bring him to tears.

He's looking at this girl who, like him, struggled constantly to be good enough and constantly fell short.

For the first time in three decades, Charles is confronted with a situation that mirrors his own home life, one to one, and Crystal is there for it in real time.

She's able to see him put the mask down because she's there when it cracks.

Which brings us around to the third component.

And this one is a little more speculative, but hear me out.

Picture one Charles Rowland, circa 1989.

His dad beats the shit out of him on the regular. He thinks it's because he can never quite manage to be good enough, even though he's trying as hard as he knows how. His mother never defends him or speaks up for him.

His so-called friends? They'll beat him to death later this same year.

He's bi, but the AIDS epidemic is in full swing, and even if it wasn't, he's busily pretending the part of him that likes boys doesn't exist, because he looked at a boy the wrong way once, or maybe even kissed one, and his father beat the shit out of him for it.

So with a dire home life and the world's worst friends, what's left? Where's this boy who's desperate for a little kindness going to look for it?

Well, the only option that's left.

Charles is starved for approval and affection both, and for most of his short life, he's got exactly one avenue available to get either of them.

Girls his own age are safe.

They don't hurt him. They don't stand by and let his father beat him. They don't turn on him and literally murder him, when they don't get their way.

After he dies, he's got Edwin, and Edwin is everything to him. But for thirty long years, Edwin's sexuality and romantic inclinations are so far under wraps that they may as well be in another galaxy.

Edwin is kind, but he's stilted and does poorly with people. Edwin values Charles dearly, but he's awkward at expressing physical affection. Edwin cares about Charles a great deal, but he shies away from strong emotions. (If you're interested, I talk more about Edwin vs emotions here.)

So of course Charles would miss kissing. That's the only chance he's ever had, as far as experience has taught him, to earn any kind of physical affection.

And Crystal, when she comes along, falls directly into that "safe" category in his brain.

[lovesick-joey]

Good Job.

"You really went on your own?"

Billy nodded his head vigorously, grinning like a fool even as Batman wiped away the blood off his temple. The older hero shook his head, his stern expression faltering slightly.

"..Get someone to accompany you next time." He grunts, ruffling Billy's hair. "I didn't know you can get hurt.."

Billy scoffs. "You? Don't know? That's impossible!" He exclaims, getting up from the stool he was sitting on. His height nearly towered over the Caped Crusader's. If only I was actually that tall. "But that's besides the point- I've got the whole thing covered! Put those scrawny robots into the spirit realm!"

Batman let out a faint sigh, taking a step back as Billy got back on his feet. "A warning would be nice. It's reckless for you to charge into battle without the others' permission. We haven't even made a plan yet.."

"You have to admit I did pretty good though!" Billy bounced, floating just above the ground. He punches the air. "I defeated all of them on my own! No plans from the rest of the League whatsoever."

As much as Batman disliked the idea of Billy—or anyone on the Justice League for that matter—pursuing a mission without a second opinion, he can't help but smile. He always had a soft spot for the boy, after all. He placed his hand on Billy's shoulder when the false adult returned to stand on solid ground. "You did. You did a good job."

Billy's expression softens, and Batman squeezed his shoulder. "Good job." The man repeated. Then, he looked over at the couches that were set up in the room they were in. Golden Condor sat stiffly, his unmoving eyes transfixed on the both of them, watching.

"Isn't that right, Condor? Don't you think he did a good job?"

Billy knew Batman made the wrong move. Why bother interacting with that jackass?

Golden Condor got up from the couch, but he didn't approach them. Instead, he glared at them from afar. It was mostly directed to Billy, though.

He never liked me, Billy thought. Well, guess what? I never liked you either.

"Don't praise him for doing something normal." Golden Condor spoke in that voice that would always make people grimace. He really needs to drink more water.

It was hard to notice, but Batman's shoulders tensed. "..Normal?" He uttered quizzically. Billy could imagine the look Batman was giving him under that cowl. "You think him going out to fight those robots alone, is normal?"

"It's normal to our standards." Golden Condor crossed his arms, his glare sharpening. "He should be expected to do it and punished if he doesn't."

What the hell, Billy thinks, feeling his heartbeat picking up pace. Batman stiffened. "Don't you dare speak of him that way." The Dark Knight walked over to the obnoxious man with an intimidating stride until the two were a few feet apart. Batman glared up at him. "He put himself in danger to save lives. He should be praised for his initiative, as reckless as it may be. Why can't you tell him he did a good job?"

Golden Condor huffs, looking at Billy, then back at Batman. "Because it's what everyone here does, Batman. It's nothing spectacular- nobody calls us good when we do the things we do. Why should it be any different with him?"

Billy couldn't believe it. Is Condor actually that stupid? It's even more embarrassing that this man is way older than him. A grown man is acting this way.

"And as if," The vigilante continued. "that child has the abilities of the Gods. I've said it before and I'll say it again; he should be expected to do it. He's not putting himself in danger because he's practically invincible."

"Superman has his kryptonite," Batman responded, his voice on edge. "and he's weak to magic. Diana also has her weaknesses and she's a demigod. Everyone on this team has weaknesses—it doesn't matter! You saw the blood on his head! It's still dangerous, Euge- Condor."

Golden Condor took one step closer, his haunting eyes ablaze with barely-concealed ire. "You're just coddling him," He said, his tone rising a little. "he's making you soft. It's pathetic."

Billy swallowed a lump in his throat. For the first time in his life, he was speechless. Batman's eyes narrowed. "I'm treating him with the kindness he deserves, unlike you," He said, jabbing a finger to Golden Condor's chest. The man in turn swatted his hand away. Batman's expression darkened. "you just hate him because he's a kid. I know how you are, Golden Condor."

The tension in the room was palpable. There was a brief intake of breath from Billy. They're going to argue again. They always do. Why does Batman have to go through this?

Golden Condor gritted his teeth. He was practically fuming. His aggression didn't deter Batman, as he continued to face him, his head held high and his chest puffed out.

"You're a fool!" Golden Condor spat at the shorter man's face. "If you keep this up then he's going to grow up thinking he's going to be given everything on a silver platter for doing jack-shit!"

"Just because you've never been praised doesn't mean you can't praise him!" Batman snapped back, unyielding. "Really, that's all that I want you to do; praise him! It's so simple and yet you have to make it difficult! I think he's severely lacking a parent figure who lets him know that he's appreciated—"

Billy's ears blocked out the sounds of their incoherent arguing—he could barely make out the words they were saying to each other. His feet were almost glued to the ground as he watched them, looking at their gestures and their moving mouths. It was a familiar sight with these two.

He could feel ringing in his ears, and Billy averted his eyes to the floor instead.

TGCS ¦ Mr. Hermit ‣ Dragon Eyes

[thesummerstorms]

You know that conversation you can have with Emmrich where he asks what your plans are for your body when you die?

I think Arsinoë accidentally horrified him. Not by clinging to non-Nevarran ideals about cremation, but by telling him she never thought anyone would care that much one way or the other.

She would be dead, so she wouldn't care. And honestly, a majority of compradi die as Fledglings without graduating; she thinks their bodies were probably burned (since you have to do something with bodies) but they certainly don't have funerals, so it certainly wasn't worth worrying about then.

Emmrich interjects, trying to wrangle his own shock long enough to point out that she's not a Fledgling now, so surely...?

Well if she dies now, Arsinoë all but shrugs, it would depend on the circumstances, wouldn't it? She isn't someone important like a Talon or the scion of an established Crow family. She certainly isn't Caterina Dellamorte, who warrants something verging on a State Funeral.

If she died, there is still a non-zero chance it would be at another Crow's hands, in which case it's anyone's guess what happens after.

If she dies honorably fulfilling a contract, then Viago might feel obligated to do something if he isn't pissed off at her failure and she's isn't still in Exile. He's her mentor, so probably he would manage at least a small pyre. Maybe even a flower or two for the flames if he's letting himself feel sentimental. Teia would probably be there because Viago was.

But just as often, when a contract goes wrong, there's no time to go back for the body. The mark get ahold of it, or whoever's left on the contract has to focus on survival rather than the dignity of a corpse that can't feel any of it.

But really, none of that would matter to Arsinoë, would it? She'd be off wherever dead souls end up going, or maybe in oblivion, who knows. She doesn't have any family to be horrified by her corpse unless you count Viago, who is Fifth Talon, has bigger things to worry about, and will get over it.

But anyway, why do you ask, Emmrich?

Emmrich is too aghast to answer clearly at that point because every single point of Arsinoë's answer goes so deeply against everything that is ingrained in him as part of the Mourn Watch, from the belief that a corpse just doesn't matter to her sincere belief that no one would care enough about her for any particular mourning rights.

And the thing is Emmrich does care. It's his professional duty to care, but he's also become fond of his young friend and he cannot handle imagining that she could die on this mission or the next and potentially receive no rites at all.

Cue Emmrich starting to plan how he's going to have Rook interred in the Grand Necropolis when the time comes. It may involve some string pulling, especially if (hopefully) she dies not on this mission but in the distant future, and even more so if he precedes her and has to leave the job in one of his colleague's hands. But Maker help him, there will be a plan and her death will be respected.

When it comes to light, Neve is uncertain and a little weirded out, but also a little offended by all this. She's fallen in love with Rook, but even before that, the respect between them would have warranted a pyre and Arsinoë's name on the Wall of Light if there was no one else to arrange things. Is this why she's never asked about what happened after Varric-

Lucanis is horrified by the idea of Arsinoë as one of the spirit-possessed skeletons in the Necropolis or one of the jewel-eyed skulls in its many niches; he snaps at Emmrich about Nevarran obsession and respecting Rook as Antivan.

Emmrich refuses to budge. She expected the Crows to do nothing for her. She deserves better, deserves to be remembered, even if she isn't Nevarran.

Lucanis seems fully stunned by the idea that Rook believed this in the first place, given Viago's attachment. Given Lucanis's own growing feelings. Emmrich does soften a little bit when he sees that Lucanis truly didn't realize, but he also doesn't fully divert his plans.

Gathering a grave-dowry is normally left to a lover or family member if the deceased was themselves unable, and Emmrich is neither. But needs must, and though his friend now seems attached to Neve and Lucanis, hearts can be fickle. A plan is better. So he puts away small things here or there, eyes which of Rook's enchanted rings and amulets she seems to favor just in case.

It almost helps him live with the knowledge that Arsinoë believed she would die unmourned. Almost.

[vaguely-concerned]

when spite describes itself in lucanis' journals, it seems to consistently use the wording 'a small shade'. self-identified 'just a little guy (threat)' fhsak. I really like that wording, though. a shade, something cut off from the wholeness and living light that is the fade and made a shadow cast by someone else in the real world. 'small', under threat, vulnerable, sort of scrappy (and perhaps a little pathetic but in a 'don't touch me I'll bite!!!' kind of way haha).

I'm so in my feelings over how in the last journal it/he describes the two of them as 'a small shade and a wounded spirit sitting together', though. he's so confused and frustrated about what's going on with lucanis at the beginning, but once rook explains that lucanis isn't intentionally fucking with him, he's just hurting, spite seems to understand and accept that pretty readily (if not without some initial 'ugh FINE physical reality rules are so DUMB bitch you guys live like this' frustration lol). lucanis' early statements that spite doesn't, can't or won't learn are obviously bullshit and the game basically tells you so the moment he says it haha, but you know what. that is some deep learning spite is doing, and in like a year of being in the physical world too. I know plenty of actual real adult human beings who are not capable of that level of insight.

and also, as an aside... I think it's pretty conclusively proven in the series that spirits do have the ability to change and learn all on their own when they get the opportunity to and that it gets turbocharged for good or ill when they're exposed to the physical world. but I also wonder if some of it is the other side of the two way connection. just as spite flows into lucanis, surely that must happen after some fashion the other way too. does spite have some access to/come into contact with lucanis' kneejerk empathy response? to be in opposition to something or someone is not the same thing as not understanding them or where they're coming from, after all. in fact sometimes that can amplify the 'no no trust me I get it I understand. but fuck you doubly for it actually you still suck that why only makes it worse', so I don't feel that would go against spite's nature, even. lucanis already has such an interesting relationship to his own empathy all on his own -- he's a prime example of how 'empathy' and 'compassion' are not inherently the same process and one need not accompany the other. when he's in contract mode, empathy is just a knife, a way to understand people deeply so he can stab them better and more efficiently. when he's in family mode, empathy is accompanied with enough tenderness and compassion and warmth that it makes me feel ill to consider and makes it a bit hard for him to stay with, sometimes. it's the same skill/instinct, but shows up differently based on the context he's in. sure why not drop a demon in there and see what happens I guess lol. 'smells like tears and lying' anyone. spite's response to meeting compassion out in the world is 'GOD no don't make eye contact keep walking this is so fucking cringe', but uh. there's no way for him to escape it within the bounds of the person he's been frankensteined into, is there. aaaah it's so interesting.

there's something so fascinating to me about two souls who are so close they can't help but reflect and bleed into each other, but also remain two separate entities who can look at each other. and be mutually protective about it, clearly. augh.

[fushiguruuzzzz]

ALL I WANT 4 CHRISTMAS .ᐟ

What are the jjk & aot boys doing this Christmas season?

Somehow, mistletoe is left in his wake like a trail of breadcrumbs. Nobody knows exactly how he acquired all of this, but as he continues to swerve the advances of anyone else he meets under the green and red decoration, his intent grows more clear. There's also a mysterious bundle of it in his pocket, which he explains as his "just in case" backup. Before you knew it he was taking you by the hand and leading you through the house, much less subtle at scanning the doorways above than he thinks. At first you're oblivious, wondering if someone had spiked his eggnog or something of the sort, but no. When he halts abruptly and you follow his gaze upwards, every oddity of his behaviour makes much more sense.

"Would you look at that? Mistletoe. Wonder how that got there."

You can still feel his proud grin against your lips, even after he kisses you.

⤷ Satoru, Jean

He’s lounging on the sidelines, eyeing you over the rim of his mug as you enjoy the winter day, unaware of his lingering eyes. The hot chocolate sears his tongue, but he can't find it in himself to react. How could he care, when you're laughing across the room? What was so funny? What was so special about those people that prevented you from talking to him? He's got plenty of other people gabbing in his ear, they always end up flocking to him, as odd as it seems. He only feigns interest in their words, but if it were you, he'd hold on to every syllable like they were life's greatest treasure. he'd take note of every shift, of every breath you took. But for now you were across the room and all he could do was stare, frozen in place.

⤷ Suguru, Eren, Toji

Ah, yes. The personification of Christmas, your very own worker elf at your side. Clad in a ridiculously festive sweater and some reindeer antlers, Santa Claus might as well have thrown up on him. You're sure that if it weren't for you, he'd be wrapped in Christmas lights and singing carols on doorsteps. "It's holiday spirit! Don't you like Christmas?" he'd say. He makes you out to be some sort of grump, but you know deep down that he's just a total dork.

⤷ Toge, Yuji, Connie

Your boy isn't one for grand gestures, he never has been. Even around the holiday season, his love is quiet; soft. His chunky sweater wrapped around your shoulders, a steaming mug in your hands because he noticed you were chilly. A batch of sugar cookies made just for you, icing of your favourite colour decorating the tops. A pretty little box with a ribbon tied into a bow (or at least it was supposed to be) atop it, even though you made him promise not to go out of his way more than he already has. He just can't help himself. A photo snapped of you when you're looking particularly docile, just for safe keeping. He looks at his little album of you when you're apart, but he doesn't tell you that part. His affection is a collection of small sweetness, like a box of trinkets filled with the little things you hold dearest to your heart.

⤷ Yuta, Armin

He’s doing all of the sappiest things without even realizing it. Who would expect this big, beefy oaf of a man to be so whipped? “Yeah, those decorations are really pretty. I’d rather look at you, though.” “Sorry for staring, baby. You just look so pretty. If you were the only present under the tree I wouldn’t mind.” He’s buying you reindeer plushies just because they’re cute, and when he gives them to you his eyes shine with something so sweet it’s hard to believe it’s him. So you take them, you accept all of it, every little thing teetering on the fence of cute and corny, because maybe that’s what love does to you.

⤷ Reiner, Choso

You know how I said Toge, Connie, and Yuji are the personification of Christmas? Yeah, he’s the grinch. No, he doesn’t need another candy cane. No, please don’t turn up the radio, if he hears another Mariah Carey song he might implode. It would be easier to hide his disdain if you weren’t so adamant, so pushy for him to “get in the spirits.” Get that damn hat away from him, he tells you he won’t allow himself to be subjected to your childish antics. But when the festive shine in your eyes dulls ever so slightly, when you retreat with a defeated huff, he doesn’t know what changes. He doesn’t understand why, but he knows he doesn’t like it. So he tugs you back with an annoyed huff, grumbling under his breath as he falls victim to your will. He always ends up doing that, somehow. Always ends up at your mercy, even though if it were anyone else he’d have blocked them out long ago.

⤷ Megumi, Levi, Sukuna

He seems like something straight out of a hallmark movie. Okay, maybe he isn’t as cheerful as your picture perfect husband, waltzing around like Buddy the Elf. Maybe he’s got that passive expression on his face, the one that’s just barely grown easier to read over the years you’ve grown to know him. But he’s cooking you meals and massaging your back, he’s sliding you his card over the kitchen counter before he leaves for work and telling you to do something nice for yourself. He doesn’t care, as long as he gets to see the results; see how happy they make you. He trusts you, he trusts that you’re just as his as he is yours, and that means all of his work benefits him just as much as you. Because he gets to see your face light up, see the subtle curl of your lips with every act of service, and knowing he’s the only one is well enough for him.

⤷ Kento, Erwin

a/n — I wrote this randomly at 4am because one of my mutuals asked if I was doing a Christmas special. Yes apparently I am. Also Gojo fit a few of these but I decided on that one :3 I was thinking about doing more fandoms but I’m not 100% confident in my characterizations for hq, hxh (been a HOT minute since I’ve watched), etc. so aot and jjk it is <3 most people are only here for jjk anyway so

[lavender-phoenix-flames]

Wei wuxian: the protagonist of all time

One of the many things I love about wei wuxian is that how great of a protagonist he is (quite a long post) :

Wei wuxian is introduced as a villian that gets resurrected but as the story progresses we see that he is actually a naturally heroic person, who did his best to do the right thing and survive the unfair, unjust and classist system.

He is very self aware, confident, charming, charismatic, handsome and competent. He has a very healthy self esteem, high emotional intelligence and he is a renowned genius, a prodigy. He is also amazingly observant, perceptive, a logic driven person, a quick thinker. He is so calculated in everything he does and reasonable too. He isn't impulsive or reckless rather he thinks all his actions through, considers the consequences and then takes action. He isn't oblivious either (anyone who thinks otherwise go read the book again).

Above mentioned traits are something you don't usually find in protagonists that often and it's refreshing to see a character so greatly skilled and intelligent in all ways yet so humble, sweet, kind, free spirited, full of life and selfless (selfless not self sacrificing). Usually any other character with his level of greatness would have been arrogant about it, but wwx is different. He has not only attempted the impossible but successfully achieved it, not once but multiple times, yet he knew his limits and shortcomings well, even when he was the strongest he never thought himself invincible/omnipotent, he never thought anyone above or below him.

He is so misunderstood both by the world he lives in and the fandom. Being orphaned at a young age, surviving living on the streets, being raised in a abusive household, scapegoated, backed into the farthest corner, having being into worst of situations, where his beliefs, his own life and life of his loved ones are threatened, having limited options where it is either forsake yourself or other innocent ones, he chooses the former. It isn't self sacrificial if he didn't have any other option, cuz other option is just betrayal of his self and morals.

And at the end he is just as human as any of us if not more. He has his flaws, his trauma, his sufferings, his dark days and moments where he wasn't himself but he never let it hold him back, dictate his life. He seeked revenge on those who wronged him, even in his darkest days he knew the limits of violence he can commit. Never regretted any of his actions, if he did he moved on quickly.

At the end there really isn't anyone like him, he isn't perfect but he is ideal, he is someone who we should learn from and strive to be. For me this is how an ideal protagonists should be, not only is he lovable, admirable, and deserving of immense respect, he is someone we can all be, it isn't impossible.

[directdogman]

Dialtown is the most USA-core game I've ever played. It's so fucking American that it's scary, and I've lived there my entire life! Like, this feels fundamentally tied with the game's themes and narrative, that's how extreme it is. And it's not even alienating OR nationalist?? It makes such genuine commentary? And then there's so much other shit to think about too; Dialtown has a very real identity outside this that anyone could love?

One: I am VERY impressed that you have done the USA and its people this well. I am actually astounded, bewildered, and chuffed. I've never felt so seen by a video game, culturally-speaking. I didn't even know there was a culture to see.

Two: WHY did you do that. Dialtown is like USA Culture Absurdified: The Visual Novel. What drove you to make a game this rich with American culture and ideas???

Hello!

It would've been odd for an outsider (non American) who enjoys reading up on history to make my setting nationalist or alienating. America is a country with a lot of serious issues. You can't really study how America is (and has been) internally run without facing glaring and obvious systematic issues. DT's setting is one of scarcity and most of the main characters you follow in DT are kinda just scraping by without much hope for true mobility/advancement. A lot of Americans (especially younger generations) would agree this sorta encapsulates the national mood of the country right now.

Of course, the systems that run a country don't define its citizens - many of the finest people I've ever known are American and are victims of the whims of those with power, not willing participants in this system. I could be wrong, but that's why I think the setting connected with a lot of people. We all know Randys, Olivers + Karens, people who've fallen through the cracks in some way. To them, America's spirit of self-determination isn't about individual identity - it's more "you're on your own."

Why I chose to set DT in America would be a novel length answer in of itself, but it mainly came down to history + narrative opportunity. I wanted to set the game in the epicenter of where the phone-revolution came from and Crown likely couldn't have pulled his plan off anywhere else and probably not during any other time. It had to be 1960's America.

Of course, some parts of DT are sorta universal and were inspired by the the Great Recession and what followed. I remember there was an area not that far from my house that was full of green fields when I was born and when I was a kid (and when real estate boomed), stuff started being built there. Parts of it looked really nice, not quite like anything nearby. Like the future was coming. Then the economy crashed and stuff was left sitting there, half-built for like a decade. Skeletal, unfinished buildings. DT is much the same.

There's a feeling that the city could've been something better and while things could be more equal, it does feel like there are no easy solutions to fix everything - unless someone very smart and determined somehow bypassed every safeguard that was set up to halt radical change and enacted a genius plan to somehow eliminate scarcity. It happened once and might never again.

I don't think most people understand the intricacies of stuff like global commerce all that well (myself included), but when you're sitting looking at a half built neighbourhood mere hours after speaking to a friend who just kicked out of rented accommodation and doesn't have a stable family unit to fall back on, you'd have to be a real dolt not to understand that things aren't great right now. Most people are scraping by and feel if they could just get affordable housing locked down, if they had maybe one good opportunity - maybe there's hope that things could change for the better.

The end of DT isn't really utopian, things don't massively change for the better and indeed, the town has a lot of rebuilding to do. But, a collection of lonely people are now looking out for each other and through the relationships they have, now feel like they have a place in this world. That no matter how bad things really get - they aren't truly by themselves anymore. Most individuals don't have the means to significantly advance change on their own - but you can live your life, love those around you and support others and plan for when the opportunity to affect change comes about.

I guess that's what life is, in America or anywhere else. Sorry I rambled for so long. Hope this answered the question!

[cloakedsparrow]

Bat Family 'Bruce is Tim's biological parent' AU Idea #1

Wherein Jack Drake: a) Regularly tags along on archaeological digs despite not being an archaeologist. b) Commonly smuggles home archaeological finds despite that not being legal. c) Does not believe in curses, hauntings, or any mythology despite the world that he lives in being populated with *gestures at comics* all that.

As a result, Jack is like a magnet for cursed objects and keeps smuggling the damned things home.

The first time little Timmy suspects this is happening, he knows his dad won't respond well to him suggesting the most recent package he sent home is haunted. He knows he'll respond even worse if he tries to get anyone else involved. So he sends his mom a private email explaining what's going on. Janet replies that he's right to be suspicious, that this has absolutely happened before, and that he was right to contact her. She tells him she's sending over a friend who can help and gives him a password that she'll tell the friend so he knows it's okay to let him in the house.

John Constantine shows up within the hour. Tim is certain he didn't drive there (the alert that someone passed through the gates never went off and no one put in a code to open them) but there is a cursed object in his house and John knew the password Janet gave him, so he's mostly just happy to have an adult there to handle the situation. Even if a somewhat bizarre adult.

John takes care of the cursed object and is impressed that Tim reacted to it much faster than most do. He gives Tim his card with instructions to call him if anything like what was happening starts to happen again or if anything else weird starts happening after his father has been to any digs or sent home any strange packages.

As Jack is the aforementioned cursed object magnet, Tim ends up calling John fairly often for someone who doesn't actively work with the occult and is, in fact, a child. John keeps praising him for catching on as quick as he does and giving him information to catch onto other types of mystical/magical wickedness. Tim gets really good at recognizing when magic/curses/spirits are at play.

Then, Janet dies and Jack goes into a coma. Tim is fostered by Bruce for a year and a half and doesn't have to worry about curses or haunted objects for all that time. When they do come across something of the occult, Bruce/Batman has his own contacts, so there was never a reason for Tim to bring any of it up.

Then, the events of Identity Crisis/Crisis of Conscience occur, and Bruce doesn't want to talk to Zatanna (his usual mystic go-to) if it can be helped. He doesn't want to call in anyone connected to most of the Justice League if it can be helped.

So when they come across a cursed object, Tim immediately identifies it and tells Bruce not to worry, he knows a guy who can handle it. The man knows his civilian identity, so they'll have to pretend Bruce bought the object as part of an action or estate sale lot.

John comes and handles it. Before he leaves he comments that he's glad Tim's biological father finally decided to step up and that Bruce better take good care of the boy.

When Tim explains that Bruce isn't his father, the look on John's face clearly shows that he's trying to figure out how to back-step, but not in the expected way. More in the 'I let on information i wasn't supposed to' way.

Which is how Bruce and Tim end up running a paternity test in the Cave at four am.

Alfred and Dick are delighted by the results.

[Alternative ending: John pulls Bruce aside to let him know that Janet told him Jack wasn't Tim's father and that both he and Bruce were on the short list and he hadn't known Jack died or he'd have contacted him already. They have to wait to find out which of them is the lucky one. Either Bruce turns out to be the father and John just lets Tim know he can still call him whenever needed or it turns out John is the father and they decide Tim should still stay with Bruce but John has visitations. Also, Tim might have been showing signs of his Homo Magi heritage when he recognized all these cursed objects. John insists on teaching him to use his magic despite Bruce's unease with it.]

[sophieinwonderland]

The Plurality of... Bill Cipher (The Book of Bill)

Spoiler Warning for Gravity Falls, The Book of Bill, and the nature of reality as you know it

Hello dear reader.

I recently found in my possession a strange book with no explanation as to how it got there. A bizarre tome known only as The Book of Bill.

I recognized the name and imagery from someone else's memories. Bill Cipher, a character from Alex Hirsch's hit series Gravity Falls.

It honestly seemed too perfect. I've been doing this "Plurality of..." series where I look at plurality in media. And an important part of Bill's shtick was possession.

It seemed simple enough. I can read the book, learn a bit about Bill and his possession, and then write an article about his plurality. But the reality was anything by simple, with far more than I bargained for.

And by the end of this post, this book will have driven me to break a fundamental rule I've held sacred through my "Plurality Of..." series.

What is Plurality?

Before we begin, I should explain what plurality is for anyone new here. Plurality is a term for being multiple in one body in some way.

We call the body's occupants "headmates". These can be anything from alters in dissociative disorders to spirit guides bound to a mortal, to... yes... even literal demonic possession.

Yeah, even being possessed by a demonic triangle from a 2-dimensional universe is a type of plurality. If there are multiple self-conscious agents of some kind there, it's plural!

Time To Get Weird!

(Art by magentasnail)

Let's catch you up on the basics real quick. Again, there will be huge Gravity Falls spoilers.

In Gravity Falls, Bill Cipher is a yellow a 2-dimensional triangle demon bent on causing chaos.

Through the series, Bill makes deals with multiple characters to possess their bodies. This includes both gaining full control over the body of protagonist Dipper Pines for an episode, and more interestingly, sharing control over the body of Stanford Pines for an extended period of time.

Bill's possession of Dipper left Dipper outside his body like a ghost. But his deal with Stanford is much more plural in nature, where they shared control, with Bill only controlling the body in his sleep.

Obviously real plural systems don't have headmates controlling their body while they sleep like this, but the experience can be seen as analogous to dissociative identity disorder, where it's common to experience blackouts and "wake up" in situations unsure how you got there.

That's all you really need to know about Bill for the time being.

With that out of the way, it's time get weird and dive straight into the Book of Bill!

The Book of Bills

As I begin reading the Book of Bill, I'm given a warning from Stanford Pines that the book will rewrite itself based on the mind of the reader. This seems silly, and I of course dismiss the idea out of hand. Surely there's no way a book could change itself based on who's reading it.

As I venture further into this tome, I find the occasional point of interest. References to Bill living in people's brain, him being an idea, etc.

I stop briefly to ponder that. Why does Bill refer to himself as an idea? Isn't he canonically a being from a physical 2-dimensional world? Him being described as an idea is peculiar, but something I tuck away for the future.

The first thing I find that really piques my interest in regards to plurality is the multiple times that it's just referenced that there are multiple Bills in Bill's head. Such as when Bill refers to "the voices in his head" teaming up.

In the plural community, there's a concept known as median system.

A median system is typically a system which has separate parts that are less distinct from each other. There's a pretty solid case that Bill, having a bunch of Bills in his head, could be considered a median system on his own.

In fact, the book itself actually depicts communication between multiple Bills, in the form of an interview.

And throughout the interview, there are times where the Prime Bill seemingly gets annoyed at the interviewer's questions. As if they are actually different people. While this could be Bill simply duplicating himself and pretending for comedic effect, it could just as easily be that both Bills are headmates in Bill's system.

Bill being a median system is a pretty interesting direction.

As I read on though, the book dragged me down yet another rabbit hole, and raised an important question.

Does Bill Have A Dissociative Disorder???

Let's talk about dissociative identity disorder. There are two main criteria for DID. Criterion A is the presence of two or more distinct personality states. You know, like those Bills in Bill's head.

The second is memory loss.

Recurrent gaps in the recall of everyday events, important personal information, and/or traumatic events.

This is what was on my mind when Bill was describing how he was uniquely gifted with the ability to see into the third dimension, and wanted to teach others this same skill.

But when he tries to recount it... this happened...

To me, this sounds exactly what was described in criterion B. This is also called dissociative amnesia.

And it's not just this one-off example. Bill actually references later that he dissociates (his words) and "wakes up" later after a conquest.

With everything we know, it seems incredibly likely that Bill has DID, or at least a related disorder.

Bill is what he eats

Okay... wait...

So Bill can ALSO imprison the souls of those he eats inside himself, and they can apparently take over Bill's body too???

What actually is going on here? Is this one of Bill's powers? He can just eat entire universes and then whatever he consumes becomes a part of him? Or maybe it's something else...

Maybe if we looked at this less literally and consider the previous hints of Bill having a dissociative disorder then perhaps what is going on is that Bill is introjecting these people.

Maybe whenever he enters somebody's mind, some piece of them remains...

I would love to speculate more on this... But this is the only mention of it in the entire book!

At this point, I begin to reflect on the words at the beginning. Maybe it was true that the book was changing itself to give me what I wanted. Little hints of plurality to keep me reading, to ensnare me in its vicious trap and ultimately drive me to madness.

And the worst part was, I was falling into it anyway. Because I had to know, even if this was a trap, I was in it to the very end. My thirst for knowledge and understanding unquenchable.

Even if I knew I should stop here, there was no going back.

Stanford Pines, Bill's Perfect Host

At last, beyond all of the misdirects that were put in my way, I arrived at the reason that I started on this journey.

Stanford Pines.

I need to say that when I started this journey, planning to delve into what the plurality of Bill and Ford might be like, I never imagined that it would be handled so... Beautifully.

I mean that genuinely!

I love the relationship of these two characters in the book!

They are both very out of place in their own ways. Both are aware of things in their world that are denied by others, leaving them ridiculed and ostracized for it. They manage to form a genuine friendship. Even if Bill was using Stanford the whole time to achieve his Weirdmageddon.

The two compliment each other surprisingly well. Bill provides Stanford with a friend who can get him out of his comfort zone, which is something that I think Stanford really needed.

There's a really fun part of the book where Bill just gets Stanford mind-drunk, which is apparently something he can do.

Bill fills a role in Stanford's life that nobody had since he lost contact with his brother. While Stanford had friend in with Fiddleford, his lab partner, and we do get to see parts of that friendship in the book, they are more like work acquaintances.

Alas, it wasn't meant to be. Because in the end, Bill is still an evil demon who was bent on bringing about the Weirdmageddon and was manipulating Ford the whole time.

And when Stanford found out, he tried to shut Bill out. This led to Bill trying to communicate through sticky notes to get Ford to stop ignoring him. He would front in the body at night while Ford slept, and they carried on a conversation through these sticky notes.

Wait... Sticky notes?

This is such an interesting choice for the character! Especially after so many hints of Bill Cipher having some sort of dissociative disorder.

Why?

Because sticky notes are an actual method that real DID systems use to communicate with their alters, as seen in this post from the NAMI (National Alliance on Mental Illness) website.

It's fascinating how, if you were to try to depict how headmates with strong dissociative barriers might communicate, this is one of the ways you would want to do that!

Is this coincidental? Maybe. But the talk of dissociation earlier suggests the author also has at least some basic knowledge of dissociation and how it works. And, perhaps, plurality as well?

Overall, this whole section with Bill and Ford was fantastic, and it was well-worth the read for that on its own.

The End?

I suppose this is the end. I found what I wanted. I got the content I was after. A cool plural story of a guy and his headmate from another dimension who wants to take over the world.

Through all the strange distractions and hints of Bill himself having headmates that seemingly went nowhere, I got more plurality in the book than I expected.

And yet, as I turn the final page of the book, I feel unsatisfied. Unsettled.

"Is that it?" I think to myself.

This is Gravity Falls, a show built on mysteries, and looking deeper than the surface. Surely there has to be more. Right?

What if... all the plurality in this book, is obscuring something deeper? Or maybe hinting at something deeper...

And then... I see it!

After the final page, I come to the About the Author section.

Which means it's time to talk about...

The Plurality of... Bill Cipher Alex Hirsch

Yes, I am going there!

In the beginning, I promised that this post will require me to break a rule I've held sacred through these posts.

That rule... is to never speculate on the plurality of the author.

But, Alex Hirsch, at least in a fictional sense, hasn't exactly shied away from the idea of being "possessed" by Bill. This dates back at least a decade, with him making Tweets like this one.

"Bill Cipher" even did an AMA on Reddit through Alex, playing it off as Bill possessing Hirsch while he slept.

It's a pretty open secret in the Gravity Falls community that Alex Hirsch is "possessed" by Bill. At least in some meta-fiction way that may not be canon to Gravity Falls but isn't quite real either.

And were my analysis to stop here, I wouldn't really be saying anything new or valuable. A lot of this was covered by MatPat on Film Theory.

But there's something I want to go back to that confuses me in this book.

That Bill Cipher... is an idea?

Let's bring this full circle, back to the beginning of the book where Bill mentions that he's imaginary and describes himself as an idea.

These are such weird lines because Bill didn't seem to have originated from people's minds within the narrative of Gravity Falls.

His story is of being a being from a literal flat world. So why then, does he describe himself as an idea? Why does he describe himself as imaginary???

Bill Cipher as Alex Hirsch's Tulpa

While Bill being an idea doesn't make sense if he's speaking as a being from a 2-dimensional world that's real to him, it does make sense if we consider that the Bill talking to us, who wrote the Book of Bill, is a tulpa sharing the body of its creator.

Before going on though, we need to answer an important question. What is a tulpa? The r/tulpas subreddit gives its own answer to this in its FAQ.

The simplest way to describe a tulpa is simply another person who was created intentionally/unintentionally through repeated interaction and shares a body and mind with their creator. A more complicated definition can go as follows: A tulpa is believed to be an autonomous consciousness coinhabiting a brain with their creator, often with a form of their creator's initial choice and design. A tulpa is entirely sentient and in control of their opinions, feelings, form and movement. They are willingly created via a number of techniques to act as companions, muses, and advisers. Tulpa forms can either be visualized in the mind's eye, or, with practice, seen as a hallucinatory figure using a technique called imposition.

And let's stop there on the line about being created as muses, because this is something that's found repeated throughout both The Book of Bill and Journal 3, with Stanford referring to Bill as his "muse."

It's a curious term that doesn't appear in the show, but was added to the lore in these two supplemental books.

The FAQ goes on to explain that while tulpas are often considered to be intentionally created, there are also accidental tulpas that can arise through imaginary friends or from writing characters.

Is it possible to accidentally make a tulpa? Yes - many people join the community after realizing they have had tulpas all their lives, but without knowing what they were called. These "accidental" tulpas often arise from imaginary friends and writing/roleplay characters.

On the point of roleplay characters, something I also haven't mentioned yet is that Alex Hirsch didn't just write the character of Bill Cipher. He WAS Bill Cipher. In the show, Bill is one of the characters Hirsch voices along with Grunkle Stan and Soos.

Writing tulpas and how they come about are discussed a bit more below:

Is this a new phenomena? No, it's a practice that goes back in recorded history at least as far as the Greek philosophers. The present name of the phenomenon is derived from the word used by Tibetan monks in the early 20th century. There's also evidence to suggest dedicated prayer can lead to the development of 'religious tulpas' in the minds of the particularly devout, and on the secular end, writing techniques similar to tulpa development techniques can and have resulted in writers creating accidental tulpas from their characters. Having a tulpa is nothing new, although it's gone by many names throughout the course of history and does so even today. However, we believe we are one of the first groups to address this practice as a psychological phenomena rather than a magical, occult or divine experience.

Tulpamancy and Attention

There was another passage from the book that I found noteworthy.

At the end, Stanford describes what truly sustains Bill isn't power, but attention, which Stanford describes as Bill's "lifeblood."

It's even underlined for emphasis.

Why is this important? Well first, this line goes back to the weird lines earlier suggesting Bill is an idea.

But more importantly, feeding on attention is something which is actually a pretty popular philosophy in tulpamancy. That tulpas feed on and are sustained by the attention of their hosts.

How do I give my tulpa energy? Tulpas are sustained by attention, and energy is a convenient metaphor for this. So, you can give your tulpa energy by interacting with them. It is also possible, through no shortage of work and time on the part of host and tulpa alike, for a tulpa to grow beyond this need and to learn how to sustain themselves.

How much attention/energy/interaction does my tulpa need? During the creation process you should aim to interact with your tulpa daily, anywhere from a few minutes up to a few hours, and narrating to them as and when you can. After they're fully vocal and active, the bare minimum is just acknowledging their existence, but spending time talking to them and interacting with them is very much the point of bringing them into existence. Just don't ignore them, and you'll both be fine.

On Parallels in Writing

Adding another layer, it's likely that Stanford Pines is at least partially based on Alex Hirsch himself.

One point of trivia is that Alex Hirsch has a twin sister, and Gravity Falls was inspired by vacations they would take as children. Dipper and Mabel being based on Alex and his sister is pretty well-known. But towards the end of season 2, it's revealed that their Grunkle Stan is a twin himself, with his brother being Stanford Pines, the author of the journals.

During this part of the story, it starts creating a parallel between the relationships of the younger and older twins, with Dipper (who is based on Alex) bonding with Stanford over how much they have in common. Both are nerds who are into writing and science and uncovering the mysteries of the world. Both are a bit socially awkward as well.

And while not much attention is drawn to this particular connection, both had experiences of making deals with Bill that let Bill takeover their bodies at different points.

Based on the parallels between Dipper and Stanford, one might speculate that Alex based Dipper on his younger self, while Stanford was loosely based on himself as an adult.

The personalities of these two characters are also the most likely to create a tulpa based on the psychological profiles of most tulpamancers.

In 2016, Dr. Samuel Veissiere, a psychiatry professor at McGill University, found the following in his study of tulpamancers:

From coding of qualitative interviews collected in large surveys, the most common tulpamancer profile to emerge is one of a highly cerebral, imaginative, highly articulate, upper-middle class, formally educated person with many consistently pursued interests, talents, and hobbies, but limited channels of physical social interaction. Typical tulpamancers are confident about their talents, but are quite modest and socially shy. They possess – or have cultivated – a high propensity for concentration, absorption, hypnotisability, and non-psychotic sensory hallucinations.

The psychological profile of tulpamancers fits both Dipper and Stanford to a t. And many of these same traits could just as easily be true for Alex Hirsch if these characters were meant to be stand-ins for himself.

Is Alex Hirsch trying to tell us that he's plural?

In the end, this is just a theory. And it's one that I feel nervous making because plurality is so deep and personal. That's why I've avoided speculating on the plurality authors in the past. Even when the writing feels so true to the plural experience that it's hard to imagine that someone who isn't plural wrote it.

So why am I making an exception with this one?

Well, in this particular case, I think that the breadcrumbs are being left intentionally, and if he is plural, then he expects somebody to follow them. I'm not worried that I would be outing somebody who didn't want others to find out.

With Alex Hirsch's love of codes and clues and mysteries, if he were plural, I have to imagine that the hints weren't accidental and he would be wondering if anybody would follow them.

And if I am completely off base and he's not plural, I think that he would still appreciate the theorizing anyway. 🤷‍♀️

But if these are intentional clues that were left behind to hint at a real life plurality, one might ask why.

Why would he want people to know about it, and hint at it in this way?

Well, I think the Book of Bill might have an answer to that too.

Shame is a powerful emotion. But it grows in the dark. The more I've tried to hide my past with Bill, the more hold it's had over me.

Perhaps this line is meant to reflect Alex Hirsch's own feelings. Because many plural systems have felt this same way about their plurality, having hide their relationships to their headmates.

The actual end now

Finally, we come to the real ending of this.

This is, again, just a theory. I don't want anyone taking it as fact. I admit that I could be completely wrong about everything that I've said here.

But if nothing else, it's at least fun to imagine that Alex Hirsch does have a Bill Cipher tulpa in his head that has been acting as his muse this whole time. And it would give a new meaning to the gag of the Weirdmageddon intro saying Gravity Falls was "created by Bill Cipher" all those years ago.

Thanks for reading, and if you have your own muse that you think might be more than a simple muse, be sure to read my guide on how to know if your imaginary friend is sentient.

And if you like this post and want to see more like it, you may want to check out The Plurality of… Avatar: The Last Airbender or The Plurality of… IF

[katakaluptastrophy]

Alecto was the first body John ever made. And G1deon was the second, regrown from just an arm.

And if G1deon is anything to go by, John isn't very good at making bodies:

Unlike the other Lyctors, all of whom skewed hungry, soft men and women of the necromancer build, his frame carried nothing but muscle. He was sinew over bone. He was a walking tendon. He had a raw, stretched look to him like an idiot’s construct, bones that had been slippered in meaty fibrils to keep them moving. A metabolized, contracted striation, without fat, the only curve a hollow tautness from rib to stomach.

John had grown up with G1deon and knew what he looked like. He might even have been able to scrounge up a picture from somewhere. He presumably had time to think about reconstructing his body and was able to take time to do it. And yet, G1deon looks like this:

It was a man who looked like he had been stripped bloody by a wind machine and hadn’t healed up all the way; a wiry, knuckled-up tendon of a man, with the face of someone who had been starved once and burned recently.

If that's what a body he constructed with premeditation and planning and concentration looks like, how does one he made under more pressure look?

I wanted to make you the most beautiful body I could think of. He paused and said: “But I was stressed, okay? I was insane. Most of what had made me John had gone somewhere else. There were a few little thoughts left … a handful of things that made me me … a couple scraps of id. It’s not fair to judge me, right? I didn’t do this thinking … I didn’t do it like art.

John seems to think there's something to apologise for in Alecto's body.

We do get a description of Alecto, from Harrow's memories of her attempted divine murder/suicide at the age of 10:

God’s victory and death was a girl. Maybe a woman. At the time Harrowhark had not known how to tell, and the gender was only a self-interested guess. The corpse lay packed in ice, wearing a white shift, her hands clasping a frost-rimed sword, and she was beautiful. The formation of her muscles was perfect. Each limb was a carved representation of a perfect limb, each bloodless foot the lifeless and high-arched simulacrum of the perfect foot. Each black and frosted lash lay against the cheeks with perfect still blackness, and her nose—it was the pinnacle of what a nose should be. None of this would have broken Harrow’s spirit except that the mouth alone was perfectly imperfect: a little crooked, with a divot in the lower lip as though someone had softly pressed a dent into the bow with the tip of their finger.

Maybe Alecto is the perfect specimen of womanhood. Maybe Harrow was ten and had never seen anyone young and not swathed in vestments before and the bar was very low. Maybe Harrow just has very particular taste in women.

But between G1deon, John's apologies, that "high-arched simulacrum" of a foot, and Kiriona - Gideon, now with Extra Teeth - I have a feeling she doesn't just look like a regular blond lady.

[kcwriter-blog]

I've been thinking about how we the players know so little about Solas compared to what the writers and developers know about him and how that affects the way he is written.

I mean we know he is an ancient elf. We know he was powerful enough and skilled enough to create the Veil. We know he and Mythal were friends. He doesn't seem to have liked Andruil and Falon'Din much. Skyhold belonged to him. He removed vallislin. He tried to free slaves. He had kind of an underground railroad thing going. He seems to have had a lot of money secreted away. He painted even back in Arlathan. A lot of statues seem to have been made of him. People in the Vir Dirthara knew he created the Veil but were surprised that he would do something like that. He seems to have always had an affinity for the Fade and spirits. He enjoyed whatever version of the Game nobles in Arlathan played. He was cocky and hot blooded, always spoiling for a fight. He is capable of love and friendship.

I think that's all and it really isn't much. Everything else anyone says about him is pure speculation. It makes meta fun but its easy to get too caught up in our own ideas.

We speculate about him based on things we learn from his personal quests and what we see in Trespasser but we don't know anything for sure. Was he a slave? Was he a spirit called out of the Fade by Mythal and given a body? Did he manifest a body like Cole? Was he just a normal elf born in a small village to the north? Was he a noble and privileged or did he work his way up? Did he join the fight against the Titans? Was he a genius who theorized that the waking world and Fade could be separated? Did he use untried magic because his back was against the wall and he couldn't think of any other way to save the world? Was he a friend of the Evanuris so they trusted him enough to fall into his trap? Was he one of them?

So many questions. The writers have tried to portray him sympathetically. They want us to empathize with him. And I have to ask myself why? He is one of the antagonists. Wouldn't it be easier to portray him as not having any redeeming qualities? And yet, he is basically described as the hero who lived long enough to become the villain.

I know his detractors believe he is a genocidal, racist maniac but that doesn’t track with everything we learn about him as high approval or romanced Inquisitors. It certainly isn’t born out by his statement that he is doing his best to minimize the damage.

He truly believes what he is doing is best for the world and is willing to break it and remake it. What does he know? But more importantly, what do the writers know? Fen' Harel has existed since Origins. Devs have always planned for him to make an appearance. That means the valleslin has always been a mark of slavery even if the Dalish didn't know. The Creators have always been horrible, slave owners even if the Dalish don't remember. Which means Solas has always been the rebel fighting for what he believes is right.

Why do the writers see him not so much as the villain (although Epler uses that word constantly - he is usually the only one though) as they do a somewhat noble person who keeps making mistakes? Why is he portrayed as just a sad man who can't see past his regret and guilt. What was he like? What changed him? What did he know about the Veil before he put it up?

I get that a lot of people don't like the idea of being tied to him in Veilguard but maybe the writers did that so we have no choice but to get to know him - the good and the bad. Maybe we finally get to know Solas the way the writers and developers know him. I'm looking forward to that.

[spyeriasecret]

and now it's time to play WOULD GRAVITY FALLS CHARACTERS RESPECT YOUR PRONOUNS (pre-weirdmageddon) (non gravity falls fans take this as a sign.)

DIPPER PINES - not sure he'd understand the concept immediately, but would catch on quick because he understands what it's like not being called something you want to be called

MABEL PINES - YES. no question about it. there's so many things i could say here. she'd correct herself for THINKING the wrong pronouns.

STANLEY PINES - understands and correctly genders you for all the wrong, crime-related reasons! bro is the king of preferred names. you say "hey i'm actually exam/ple" and he'll be like "AH. I GET IT. WINK. DO YOU ALSO WANT TO BE NOTIFIED WHEN THE COPS ARE IN TOWN" like i cant overstate this. if you say hey i want to change my identity he will pull out a stack of fake IDs and have you pick one. he's a little confused but he got the spirit!

STANFORD PINES - if you ever need a guy to not grasp a modern-day concept, call this guy! he'd do his best, but only because he wants to be nice. he does Not understand. give him a little bit of systematic exposure and he'll get it! he will take a scientific approach! but he'll get it! somebody get this man 2024ccs of woke liberalism stat

SOOS RAMIREZ - calls you dude and bro. does not call you anything but dude and bro. he knows what you are and he respects that! but let's be real honest here.

WENDY CORDUROY - incredibly supportive and super chill. if you were still in the closet, she'd do the mouth zip motion thing. you get it. she's so awesome about you

WADDLES - oink?

GIDEON GLEEFUL - yes to your face! no behind closed doors. he'd probably call you "that queer" while villain monologuing in his room . i can hear it in his voice

BUD GLEEFUL - THE gravity falls homophobic youth pastor let's be for real he'd say "it's not too late to turn to God" as a christian trans person i'm pretty sure God thinks about lgbtq+ kids and fraudulent capitalists on two separate ends of a very long line

SHERIFF BLUBS & DEPUTY DURLAND - do i even have to say it. i'm gonna say it. solid top and DEAD SERIOUS bottom. they ARE the loud and proud gravity falls lgbtq+ community. if they're transphobic i'll eat my socks.

CANDY CHIU - i know what you guys are thinking . "oh candy's so sweet of course she'd respect your pronouns!" CANDY MOTHERFUCKING CHIU WILL NOT ONLY RESPECT YOUR PRONOUNS, BUT SHE WILL GO OUT OF HER WAY TO USE THEM AT ANY POSSIBLE MOMENT. if she sees somewhere to say your pronouns, she will DO it. because she LOVES YOU. and also she'd fight anyone who gets it wrong!

GRENDA GRENDINATOR - trans. she loves you. will help candy fight anybody who gets your pronouns wrong.

FIDDLEFORD MCGUCKET - honestly this is a hard one. he could ACKNOWLEDGE! your pronouns! but other than that i'm not sure. pre-memory wipe, i think he'd feel a little weird about it, but it would become nothing to him eventually

PACIFICA NORTHWEST - "ew. what the fuck." and then suddenly she's asking you how you figured that out. For No Reason

ROBBIE VALENTINO - calls you a faggot. is it because he is homophobic? because he is one? because he hates you specifically? the world will never know

BLENDIN BLANDIN - he lives in the year 207̃012. i find it hard to believe they haven't made respecting pronouns mandatory yet.

AGENTS POWERS & TRIGGER - are the pronouns on your legal documents????? it's not funny stop laughign

TYLER CUTEBIKER - gay. his pronouns are get/it. he will respect you (in his own ways)

LAZY SUSAN - forgets you had the wrong pronouns in the first place. she respects you by default

TIME BABY - does not refer to you

BILL CIPHER - he would call you your preferred pronouns but DON'T get it twisted. he does not respect you as a living thing. it isn't bigoted (that would be ironic considering that whole sixer thing) he just doesn't. maybe he'd make HEAVY fun of you for good measure but he's got to dig at somebody somehow. also were pronouns even real in his dimension anything could happen man ????

SHMEBULOCK - shmebulock

(did i forget anybody? let me know)

[radiance1]

HAHAHHAHHAHDHASDHSADASHDASDKHBASDHSDBHSABHBASDBASBDJASDHBSABDHSABDHBASHDASDBHADBBASHDBSAHDBASHd.

Anyways.

Teddy Bear Danny au again les go.

So, established that in this au Danny is a teddy bear. But I think we'll flesh it out a bit more? Like, outwardly, his appearance is that of a teddy bear but he's still flesh and all that?

Maybe his flesh took on the qualities of whatever his Teddy Bear was made of before the fuse an allat, maybe he even lost his skeleton or sum.

But anyways, so. I want Danny to just be like in Gotham for one reason or another, maybe he was abandoned by the Fentons on accident when they went to Gotham for some ghost hunting thing.

Maybe he was a stowaway and then got left behind because he got lost.

Whatever the case, I can't help but think of him becoming an inventor just because. Like, he was just wandering around as one does after being accidentally left behind by one's parents, he breaks into a house (Really, they left the window open, and it was raining, cut the kid sum slack) and then finds a broken appliance that he just. Fixes up.

For literally no reason other than he could.

Then he steals some of their food and hides when he hears someone coming. Somehow, probably because of ghost powers, he managed to remain out of their sight the whole time and then dips when it stops raining.

Maybe Danny even carries around a little tool that the Fenton's made so that they don't have to carry around a toolbox. Like, a one in all tool kind of thing.

Maybe Danny wanted to fix up somebody's thing, then when he finished and came back his parents just, weren't there.

So, a teddy bear just wanders around the neighborhood and fixes up people's stuff for free, nobody knows it's a teddy bear or why someone makes it their personal mission to just break into people's houses just to steal some food and fix up broken appliances, but nobody is really complaining about it.

Again, nobody knows who's doing this. But they know they do a fine goddamn job of it. Maybe they just, start leaving out their broken items in one specific area after a while along with some food, it took Danny a while to realize that people are deliberately leaving out stuff for him to fix as well as food, but he's not complaining.

He just gets to fixing up their stuff and eating the treats they leave behind, then leaves before anyone catches sight of him. Maybe one day someone leaves him a toolbox as a gift, and while Danny is flattered, really, he can't really pick it up because. Well. The size is a problem.

A few days later, and he's left a smaller one after slapping on a note written with very messy handwriting explaining how it's too big for him. Which Danny very gladly takes.

Maybe he even finds himself a little hardhat toy that he uses to complete the look. Like a little construction worker or something. Eventually, Danny becomes a famous local little cryptid who fixes up various things basically for free in exchange for food, but nobody has ever seen him and only works out of sight and all that.

Honestly, everyone is just happy it isn't a new upstart villain or whatever, even if they haven't seen the little guy. Some theorize that he's actually just some random Gothamite kid, some theorize that he's actually a spirit who just really likes to fix things up for whatever, some think he might actually be a fairy who decided to bless Gotham with some minor convenience after the absolute hell of it being, well, Gotham on a whim.

Whatever the case, every civilian who knows about him is pretty thankful of him existing. Because they don't have to spend a bunch of money on, you know, fixing their stuff.

[gaoau]

would rather kms than make my only winbre post be about Suo's stupid ass, so it's time to talk about Nirei cause i love him. i read a post and my blood started boiling i dont fuck around so now i gotta defend him with my life. also cause im sick and tired of him not being deemed marketable enough to be included in merch and collab illusts when he's a whole—if not the most important—third of the main trio. (theres something to be said about Tsugeura too, considering they don't use him but love using Kiryuu, but that's a different conversation.)

anyway, on Nirei and the exceptionality of being ordinary.

manga spoilers btw also disclaimer im not eloquent at all i just say things.

there's something about Nirei that just simply isn't special and i think that's wonderful. not in a mean-spirited sense; Nirei is the most regular out of anyone in Furin, so much so that he had to buy an ugly shirt he didn't even like to stand out. he's just a kid with a notebook and a simple backstory trying to follow a hero's example. he's nothing extraordinary, especially seeing the people he's surrounded by. physically, he's very limited, which he knows and doesn't ignore at all, so he can't do much in fights. no one is more acutely aware of his own limits than Nirei. i was reading the first couple chapters again and it breaks my heart to hear his efforts be dismissed as "playing hero," because Nirei is the biggest hero in this whole manga.

it's true, yeah, he can't fight. he's more like another average citizen of Makochi than he is a Bofurin member sometimes. he lacks fighting abilities, his diplomacy isn't particularly the best, and he's two seconds away from going into cardiac arrest at almost all times. but it's not like he gives a shit. every single time he gets beaten into the ground, he picks himself back up immediately. he takes hit after hit, time and time again, because no matter how battered or defenseless he is, his drive to stay and protect the town is ridiculously strong. he does go down when he can't take any more (keel), but it's with improvement and training that he manages to throw his first—albeit useless—punch (noroshi or whatever this arc is called idk). improvement that, mind you, comes from recognizing his own limitations.

some have called him reckless (Suo), but i disagree, because Nirei is right. i know the kids would rather look out for him and have him uninjured by the end of a scuffle, but he doesn't need to be coddled. everybody else jumps into a brawl and gets a broken nose regardless of their fighting skills. Nirei isn't any different. he knows he's limited, he knows he can't fight, he knows he's nothing special. he risks it all anyway, because even though he wasn't built for fighting, he's more than prepared to try over and over again until his efforts are enough to make a difference. he's looked at Sakura's back and thought he couldn't match him, that Sakura gets back up even when he's almost fully tapped out, that he's not needed because Sakura's stronger and will be okay without him.

maybe he's right about this, too. i'm inclined to disagree, but i understand where he's coming from. Nirei chases, Nirei can't stop running because he'll fall behind all these phenomenal beasts that can hold their own. i'm so glad the conclusion he reached was "okay, i gotta step up my game," but i'm not really surprised. this is Nirei Akihiko we're talking about and, i think Suo put it best, he wants to become stronger more than anybody.

he's been at a disadvantage this whole time, "playing hero" rather than being an "actual" hero, but he has a goal. if he has to tear himself apart to stand next to Sakura, he will. he doesn't have to, of course, he's already more than useful the way he is, but when you're so ordinary that you get lost in the crowd, standing beside someone so exemplary makes you want more.

honestly, Nirei's fucking wild. lil bro's actually crazy. we've seen characters go apeshit, but no one in this entire manga is nearly as insane as he is. i appreciate Suo telling him to slow down and chill out, cause he was fully intending to kill himself learning how to fight with zero foundation. my guy was more than ready to actually fight Endo. he meant that. it's a good thing he's properly learning how to defend himself, considering he probably lacks the muscle to go on the offense. those are his limits and he knows that. it frustrates him, but it definitely does little to stop him, because look how big his back is. i hope somebody tells him, after all of this is over, that he's doing more than enough, more than great.

to be fair, fighting isn't even where he shines, and that's okay. he's not strong enough to beat anyone's ass and he doesn't need to be, either. he doesn't need to be a leader like Sakura or a devotee like Sugishita or mimic whatever the fuck Suo's got going on. in the words of my favorite pink curse, the real heroes are the ones who support from the back, and that's exactly what Nirei does. he's said it himself, he wants to guide Sakura all the way to the top and he can, because he thrives in being another citizen of Makochi. he's a regular person and i think that's what makes him so compelling and important.

there's something so fascinating about his simplicity. he really is nothing more than just an ordinary kid. put him in a normal high-school classroom and he'll pass his midterms with a 75. he recognizes what he's good at, of course, he knows the town inside out and it's very useful, especially to Sakura. he's amazing support. it really doesn't seem like it and people love to completely dismiss him, but i wanna be outrageous and call him the backbone of these kids. he was Sakura's first friend and he continues to be the one pushing and prodding to make sure he stands back up every single time. he's more necessary than anyone gives him credit for. i have no doubt in my mind that, if it weren't for him, Sakura wouldn't be able to do half the things he's managing. even Suo, who's out here acting like he knows the secrets of the universe, has to stop and reorganize his ideas when Nirei talks.

if Suo is the heart (debatable, but okay, whatever bro says) and brain, i'd like to think Nirei is the spirit and the soul. there's no chance the kids would work so smoothly without Nirei around—which, yes, arguably the same could be said of all of them, but i've seen Nirei be dismissed as a Zenitsu looking ass gag character and i've never had to hold back a kys so hard. idk for sure what the general consensus on him is cause i've only ever seen him used in the context of ships and never on his own, which honestly makes me a little sad. especially after seeing the popularity poll cause he didn't even make it into the top 5 with not even 1k points personal offense tbh i need a word with the voters. what i've gathered is that aint nobody gaf about his ass im devastated Suo has to fuck off (13k votes is crazy gang come on). which i don't understand. take him out of the equation and everything falls apart. Sakura's the sword, Suo's the strategy, and Nirei is the ambition, the desire, the force, the feelings.

there's much to be said about how he's treated, not only in-universe, but also by the people consuming the media and the pr team. i don't fuck with shipping, but when i'm scrolling through my timeline, Nirei only exists in the context of somebody's favorite ship. and don't fucking get me started on the mischaracterization. look me in the eye and tell me Nirei doesn't have more conviction than any of these dumbass kids. yes, he gets scared and he's fucking horrified most of the time, but motherfucker he's fighting. he's out there in the frontlines, making himself useful, biting more than he can chew and then some. i dare you to treat him like wittle baby that needs protection.

if not for his uniqueness, look at him for his regularity, because i find it endearingly wonderful. i think there's something so special about the ordinary. he deserves a lot more than what he's getting so these mfs better put him in all collab illusts cause if i have to see Kaji in his place one more time i will personally book a flight. okay thank you thats all i promise ill never come back here have day.