#// I'll be sad if no one gets this reference

[burningcheese-merchant]

Psst, hear me out: The Beast being fucking yanderes with the ancients.

You Get It™️ I mean... Did you guys see episode 6? Burning Simp Cookie is already a yandere lol. He's been there and he refuses to leave. And Shadow Milk is honestly not that far behind, he feels some type of way towards Pure Vanilla and it would be cute if it wasn't so sad and creepy lol

Really though, I just love hero/villain ships in general (always have, since long before Cookie Run ever existed) and I get a kick out of villains acting stupid over crushes (read: obsessions), and acting stupid in general. There's just something about a villain being in love with the hero to a psychotic, comical degree, and the hero rebuffing them at every turn that's just really amusing to me lol. Like what Joker sort of has with Batman, you know?

Here are my Yandere Beasts in bare-bones terms:

Burning Spice: come on, if you've read my stuff, you know EXACTLY what Yandere Spice is like lol. If not, I'll refer you to this and this, as well as my fics on AO3. If those don't tell you what Yandere Spice is like then idk how else to help you lol

Shadow Milk: if the final boss of theater/drama kids had a crush but was also a malignant narcissist of some sort lol. Absolutely DESPERATE for Vanilla's attention at all times. If he's not actively trying to worm into Vanilla's brain and harass him in his thoughts and dreams, he's in the real world brainstorming better ways to do that lol. He does not grasp why the creepy puppet shows and gaslighting attempts aren't convincing Vanilla to fall in love with him. Will attack and torment and insult Vani in one breath and then praise and love and worship him in another, because he's a histrionic clown freak with whirlwind emotions. But above all else, he literally thinks he owns Vani and is meticulously plotting the horrible and hilarious demise of any and all he perceives as a threat to their union

Eternal Sugar: World's Laziest Stalker™️. Almost exclusively haunts Holly in her dreams (I have to assume that that's what her power will entail, as the Beast of Sloth); however, she's more "effective" in her wooing attempts due to her past experience as the Herald of Happiness. She actually goes out of her way to construct dreams and the like that have things in them that make Holly happy (or what she thinks makes Holly happy; she, as well as the others, has big tunnel vision and is very selfish and self-absorbed, and thus pays more lip service to her own wants than those of who she loves/obsesses over). Thankfully doesn't run into Holly in person often because that's work... but sometimes she DOES work up the nerve to go after her for real, and... well

Mystic Flour: Denial, denial, denial. Not just a river in Egypt the Golden Cheese Kingdom, but she'll say and act like otherwise. No, she does not like Dark Cacao. He robbed her of her volition and the chance to enact her will. He prevented her from freeing the world from pain and suffering. He is a stubborn fool who refuses to understand the truth. He... is very handsome. She does not like how handsome he is. It is distracting. She doesn't like dwelling on her memories of him and their encounters. She doesn't like how she came to harbor a single kernel of respect in her heart after he stood his ground against her; a kernel that she inadvertently nurtured and cultivated slowly but surely, until... no. No, she doesn't like Dark Cacao. She doesn't think about him all day. She doesn't want to try to lure him back to her land so she can trap him in the flour fog with her again. She doesn't miss feeling his dark eyes on her. She doesn't deeply resent his attachment to his people, and seek to transfer that attachment to her instead. No, she... damn it, he's ruined her. He's made her feel things again. He's made her succumb to selfishness and greed, to earthly desire and attachment - desire for HIM, attachment to HIM. All of her hard work and enlightenment gone to waste... She doesn't want to like Dark Cacao, she recognizes the folly in such a thing, but she's stuck - and so stuck is she that not only does she not really see a way out, she doesn't WANT one. She's become too content with her attachment to him too quickly. Now she has to agonize over her own foolishness, and try to keep denying that she doesn't care while also longing for his attention and wanting to do away with all that steals his attention away from her

Silent Salt: probably the least awful of the five, but he's still creepy and that's not a high bar to clear anyway lol. Has a better grasp on "normal" behavior than the others (like... he pays attention to what White Lily likes/wants and tries to adjust accordingly), but he's following her around everywhere and acting extremely violent and territorial over her towards anyone who he catches approaching her. He's legitimately, surprisingly sweet and gentle towards her; he brings her flowers, he listens to her when she asks/tells him something, he's more or less respectful of her personal space (he will try to be as physically close to her as possible, but actually backs off a little if she asks him to, only to try again, and so on and so forth)... but he's still a villain, he's still violent and creepy, he still gets angry when she pays attention to other people for too long and he has brought actual harm to others out of jealousy. He's the best of the worst but that really doesn't mean much of anything, he's still a psycho creep like the others

In short, they form a tight-knit coalition of absolutely fucking deranged freakazoids and they should all probably die :)

[makorragal-312]

Why the BuckTommy break-up fell flat narratively...

Disclaimer: I am not defending this ship. I hate it and I'm glad it's dead.

1. Prior to the break-up, he made a jab at Abby for dating a guy half her age and riding Buck off as "a himbo." Even though he's literally doing the same exact thing.

That, kids, is what we call "hypocrisy."

2. Tommy said that he "knows how the relationship ends."

Sir, if you know how it ends, why did you go for it in the first place? This just gives off that he was only dating Buck either for a good time or because Eddie wasn't showing any signs of interest, so he just settled for his bestie.

3. Tommy tries to pawn off the catalyst of the relationship ending on Buck, saying that he would "break his heart."

Even though HE was the one doing all the heart-breaking shit to BUCK throughout the entire goddamn relationship.

4. Josh's dumbass advice.

Okay, that's not fair. Josh's advice wasn't dumb per-say, but it was completely irrelevant to Buck's issue. I know that he probably doesn't really know who Tommy is, but making him sound like he was this gay pioneer who led the charge at Stonewall and that his scars should be respected?

Absolute nope.

It ended up making Buck's move-in proposal feel like he was doing it out of obligation because Tommy's been out longer than he has, so why shouldn't he ask him to move in with him?

And on that topic...

5. The return of the hamster wheel

You would think that after dumping Taylor the way he did, Buck would remember that he doesn't necessarily have to hold on to relationships that aren't working and he can just cut it loose, right?

Wrong.

Instead, they have Buck actually take Josh's advice and pull a Taylor 2.0 by asking Tommy to move in with him. This show continues to leave Buck on that fucking hamster wheel instead of letting him get off and it's working my nerve. Even if this was just the show's way of showing that Buck's toxic relationship tendencies don't change because he's with someone of the same sex, it's still redundant and annoying.

6. Buck.

The first and only time Tommy chooses to refer to Buck by his preferred name is when he's dropping him like a baked potato.

And the show never even gave Buck the chance to tell him off about it.

The fucking audacity.

And finally,

7. TOMMY KINARD HIMSELF

This whole scene, the narrative tries to paint Tommy out to be this sympathetic character all throughout, making him look all sad and talking about how "he knew the parking spot was too good to be true" and citing Buck to be the one who would break his heart.

Despite the fact that he literally broke Buck's again just seconds ago.

I'll never understand why the show decided to take this route with Tommy's character for the episode even though in past episodes, he's been canonically depicted to be insensitive at best and flat out bigoted at worse. And throughout the entirety of his and Buck's relationship, he has said and done things that have hurt Buck and he never even apologized for it. And if he did apologize, he gave a lame apology as to why he did do.

*cough* first date *cough cough*

And it definitely doesn't help matters that the show made the active choice not to bring up his past actions within the relationship or for Buck to even know about it. Instead, they made Abby the catalyst for the break up when it could've been Tommy himself being the catalyst.

Obviously, there were a million ways the show could've given the BuckTommy break-up a major impact and there were definitely ways they could've made the break-up solid with the Abby revelation.

All in all, the break-up could've been executed better, but at least the ship is dead.

[sampirism]

talkn bout my opinions on rook and varric and roleplay and feeling disconnected (roleplay in a game sense not the freaky sense. sorry) - SPOILERS FOR ENTIRE GAME, BEWARE. this post is WAY too long. sorry about that too.

it's very evident that bioware/EA wanted an action/adventure game first and an RPG second, but let me type at you.

i hate to say that i didn't feel particularly sad about varric's fate, due to the structure of the game. it is, in hindsight, completely obvious that he was not alive! i just hadn't been thinking about varric much at all the entire game because you have limited opportunity to talk to him in the infirmary or when he plops around barefoot when everyone decides to sit at a table and talk about how fucked we are. i genuinely forgot he was there otherwise.

he barely feels like a guy himself. because there's no personalized worldstate, any specific mentions to events or characters might be jarring to the player who may have made a different choice along the way.

no one talks about how sorry they are about varric because they CAN'T or the twist is completely revealed. even with another DA2 character in the game (who my hawke romanced. who is now dead in the fade. glad to see you're LIVING IT UP ISABELA!!! (I'm jk. a little.))

there's no response rook can say to condolences outside of "oh, thanks" without the game fully revealing its Twist, because "I'll tell him you said hi" and "he'll be up and walking in no time!" are only reasonable responses from a Mourn Watcher, and even then, should still cause your companions to be a little alarmed. the closest we get to this is the inquisitor making reference to lost friends, and rook visually registers it, but its swept under the rug and moved on from immediately.

(i know we're all mentally unwell in this lighthouse repressing our feelings but jesus christ)

despite spending two games with him and enjoying him as a character, I struggle with feeling much for his loss AS my rook, because i found there to be no meaningful connection between him and rook. i was only told i was supposed to have one.

the game wanted so badly get the ball rolling with an immediate threat, its at the expense of roleplay. you could argue that da2 and inq also started with Immediate Threats but you are also very limited in the choosing of your backstory in those games.

rook was deliberately designed to be more open-ended, with more similarity to origins, but still gave you a prequel where you felt what your life was before The World Began To End.

there's this conversation you can walk in on with lucanis and davrin, where they're talking about their worst jobs. there are three dialogue for rook I think and i can only remember two but they were "I don't want to talk about it" or "man I have the dreadwolf in my head". (I... honestly think the third option was very similar to the second one but I have a very bad memory. sorry)

i played a mourn watcher mage. i had to have done some messed up spirit stuff. some bone shenanigans. not able to mention my Down With Nobles rebellion at all. i halfway expected it to be revealed that my rook was just like a shitty pawn (haha) and actually all her memories are fake and not real. but obviously you meet people from your shared backstory and they do know OF you but they don't really know you

in mass effect 1, there were some unique missions related to both the backstory and psychological profile you picked for shepard. they were short, and nothing happens like that in 2+3 that i remember, but they are unique to your character and are something at least.

no one really asks you much more about yourself! mourn watcher rook is literally Found In The Crypts as an Infant, an incredible mystery that you have to fill in the blanks yourself, which could be something someone wants-- but i personally like my characters a little more predefined in a game such as dragon age. vague history worked for me in games like skyrim and fallout new vegas, even baldurs gate! but makes me feel wholly disconnected from the story and group here.

there was a fair amount of dialogue choices for mourn watcher, especially with Emmrich-- talking with emmrich was one of the few times my rook felt like A Person-- but there were other times that my companions seemed to think emmrich was the only necromancer/watcher on the team. (i even specialized in death caller!)

by containing all the dialogue with companions to ! markers and outings, it's weird to be unable to have any conversations without being able to provide personal insight, whereas some NPCs in inquisition actively asked you about your past.

its particularly noticeable because of lucanis, whom my rook romanced. the dude has a lot to say about nevarran culture and the necropolis and such, and we can have zero conversations on the matter lol.

maybe this is like, really a mourn watcher thing? maybe it feels better as a crow or a warden. but if you offer me the choice to be a freak crawling around in a tomb. i am going to be.

TLDR: i really feel that a prequel mission, a recruitment by varric then a timeskip, a personal quest tied to the consequences of your backstory, something, anything, to make rook feel like an actual part of the world, was a necessity and sincerely a missed opportunity. if you actually read this far, thanks!

[tagidearte]

There's something special about Moon being the only side of the DCA who has canonically (gameverse) voiced his counterpart's name ("No more Sun", which yes it's not him directly saying Sun's name since it's a figure of speech, but still) whereas Sun - the chatterbox - only refers to Moon via "he" or "other me". Moon, the quiet one who mostly laughs vs Sun who mostly uses words. Sun, who is scared of Moon, never utters his name whereas Moon clearly has no problem with it. Both of them using "we☀️/us🌙" prior to Eclipse. Moon, whose only opinion of Sun we can infer is "the other me trapped me in light so now I trap him in shadow", vs Sun's whole thing which is profoundly more fleshed out.

I don't know man, the "no more Sun" line always did things to me. I remember playing Ruin for the first time and getting this... jarring emotion when I heard Moon saying that. It's such a small line but good god did I latch onto it.

[skeletalheartattack]

so for like, a decade plus, i've been searching for a youtube video i remember seeing back in 2007, and i've finally managed to make some headway:

good news: i've found it

bad news: it's lost media

[bonestrouslingbones]

btw one of the things i want to do when i really rap up atbb for real is spontaneously get the energy at will to do actual updated fullbodies of the main 4 since now i actually have the ability to draw them the way they look in my head & have the skills to put some more variety in their shapes. basically i wanna

[luckyashes-art]

WHAT DO YOU MEAN I NEED TO SPEEDRUN MAKING NEW REFERENCES FOR LIKE 5 OCS FOR ARTFIGHT 💥💥

[razzamachazz]

"For anyone with a green thumb out there, don't buy any suspicious looking plants after the eclipse."

[therevengeoffrankenstein]

it's the implication of ending a song about past drug addiction that almost killed you with the sound of your baby kid's little wolf howls for me. tbh.

[vamprnce]

here's a horsie update aka the three sisters and their gay brother:

whinny houston (american paint), reneigh (appaloosa), brokeback (american standardbred) and buttercup (morgan)

[keeperesque]

the thing really stopping me from playing rook dottie is that 'dottie' is already a nickname. her having another nickname feels redundant. also thorne will just make me think of bastian the whole time

[vampirecatboy]

"this house is full of a bunch of queers, you can stay in my room" touching and hilarious post-coital conversation these two are having

[uncultureddoubloon]

Let's see if I can get through an episode or two of SVSSS before D&D tonight

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[cjgladback]

[ID: A version of the four panel Gru meme from Despicable Me, where a presenter gets increasingly enthusiastic through three slides before realizing something is wrong with the third. A cartoon bee with orange fins on its back and sides stands in place of Gru. The slides are presented on what appears to be a small stack of papers held with a single purse clip.

Slide 1: Countdown to Fishbees!!! About a day of focused work left on the dinos! Slide 2: Almost a third of the way through the cactus and scorpion animation! Slide 3: Excited about a new planned intermediary project!

In the third panel of the meme, the fish-bee's eye highlights are sparkle-shaped. In the fourth and final panel, its highlights are teardrop-shaped. The third slide gains an extra line of text in a smaller font that says, "studying macramé!" End ID]

[ssahotchnerr]

aaron’s wife going into labor on his birthday or the day before and gives birth on his birthday?

only more reasons to celebrate

happy birthday aaron 🥰 & the abridged version of ellie's debut!! (now it's official she and aaron share a birthday <3) cw; fem pregnant!reader, (sad) references to 9x5 and takes place end of 9x6, vague childbirth talk with no specific details, fluff!!! wc; 1.3k

"Happy almost birthday. I'll keep it on the DL." You heard Penelope utter to Aaron, faintly as she walked past him.

"Thank you." He replied, finding your eyes and offering a wink.

Come tomorrow, he was confident it would be anything but on the down low. He knew you, and although you were about ready to pop, you would go all out for him as much as you possibly could.

And he was right - you and Jack had already planned his day out to a T, beginning with a birthday banner and all.

"Okay everybody, I guess it's time-" Penelope spoke to the group, embracing her role as hostess, holding the team's very first Day of the Dead party.

You smiled to yourself at their brief exchange, your eyes flicking between the two of them. Your heart warmed, especially when Aaron sidled alongside you, a hand finding your lower back.

After the last few weeks, after what Aaron had endured, there was only more of a reason to celebrate. His close proximity; the heat radiating from his body, the smell of his cologne, choked you up immediately.

Sole reminders he was in fact, here.

Undergoing emergency surgery, fighting for his life - all of which nearly sent you into an early labor - once again he had defied all odds. It could've been very likely you could've been celebrating his birthday without him, talking to him through a candle as he and Jack did to Haley.

You immediately pushed the thought from your mind. It petrified you. Losing him. Bringing your baby into the world without him. Jack losing another parent. Life without Aaron. You couldn't afford to think like that.

And now, with that in the past, it finally felt as if life were settling back down. As much as it could, at least. The newest Hotchner addition soon to make their arrival into your family.

"Hey," You said softly, mumbling underneath Penelope's spiel. "I love you."

His hand moved from your back to your shoulder, offering a comforting squeeze. "I love you."

But despite your want for a bit of normalcy, it was interrupted by twinge erupting in your body. It wasn't your first little pang either, but you figured - it couldn't be. Not yet.

JJ, on the other hand, was keyed in onto you. She's been studying you all night long, throughout all of Penelope's planned extravaganzas - appetizers, the remembrances, enjoying the party. From every movement, reaction, facial expression.

It wasn't until the strongest contraction hit, and when you were beginning to seriously question it. She, out of all people, would know. She nearly did the same thing herself.

"What?" You innocently asked, despite the fact you knew, as her intensifying stare hadn't lifted from you in a fair few minutes. You flinched slightly, pain written across your face. You lowered your hand, deciding against the hors d'oeuvres you had been reaching for.

"How far apart are they?"

That was all JJ had to say, causing an instant standstill in the room. Aaron's eyes widened as they shot to you, realization filling them within a second. The rest of the team's conversations came to a halt, anticipating eyes on you. An excited squeal escaped Penelope.

Everything after that was a blur. Aaron getting you to the car in a frenzy; a very calm, and collected frenzy. Getting to the hospital, checking in, and experiencing the highs and lows of childbirth. At one point, you certainly cut off the circulation in Aaron's hand.

Come mid morning and an epidural later, she was here.

"Sorry for overshadowing your birthday." You took a break from admiring the little one swaddled in your arms to glance at your husband. It was hard to tear your gaze away. She was perfect.

And not only did you feel an outpouring amount of love for her, but Aaron as well. Viewing him in a different, lovingly light. It felt as if your chest could burst with infatuation. She was half you, half him. The two of you brought this bundle of joy into the world, together.

"Are you kidding?" Aaron gave you an almost offended look from where he was seated beside you, before a smile overtook his face. He pressed a kiss to your temple, gazing at your daughter too. "This is easily, easily the best birthday I could ever imagine. You've given me the greatest gift. Thank you for making it even more special, sweetheart."

The happiness on your face grew, and he immediately gave you a kiss. You could feel his smile.

"Thank you for making me a Dad again."

Later in the day, Jack's head poked through the crack of the door, a grinning Jessica behind him.

"Hey," Aaron beckoned the two of them in, both entering slowly. Jess had a plastic tray of cupcakes in hand. Celebrations were in order, times two.

"Hi Mom, Dad."

Jack hesitantly approached, surprisingly shy. You imagined Jessica had given him the quiet talk on the way up. Either that, or maybe he was still a bit weary from when he visited Aaron in the hospital a few weeks ago - there was the smallest bit of worrisome furrowed in his brows.

Jess stepped off to the side, allowing the four of you to have your moment.

"Hi buddy." You greeted as your eyes immediately welled up, the emotion clear in your voice; overwhelmed from enduring childbirth, your hormones everywhere, and the pure happiness coursing through your veins. "Wanna meet your sister?"

It was surreal too; Jack finally meeting his little sibling. After months of excitement, preparation, talks of what life would be like with a new addition. The time had finally arrived.

Right now. Right now was the beginning of their bond that was sure to be the most special thing.

"Sister?" His face lit up, any remaining hesitations aside as he made it to your bedside, attempting to lean over to get a clearer view. "She's a girl?"

"Here, careful." Aaron's hands extended forward, helping him onto the hospital bed. You were sore, multiple IVs were poking into you, and to make certain the baby wasn't disrupted by any of the movement.

Jack nestled gently into your side, peering at her in absolute awe. The smallest of breaths left him, you could feel his exhale on your arm. "I can't believe that's really her. She's so tiny."

"Isn't she? Can you believe you were this small once?" You asked, adjusting the blanket to expose a bit more of her face. At the action, Aaron's posture straightened, ready to assist if needed, or to simply do it for you. He was definitely worried you'd somehow overexert yourself. "Are you up for holding her?"

Jack's expression widened, nodding vigorously as Aaron did help this time - moving her from your arms to his, and ensuring the back of her head was supported. The classic pillow-under-the elbow strategy.

Once settled, her eyes opened for a moment, blinking up at her big brother, as if she knew she was being held by him. Jack's gaze lifted in shock, glancing between you and Aaron. Once again, cue your tears.

"What's her name?"

"Eleanor." Aaron answered proudly, another smile tugging on his lips. You met his gaze, grinning.

"She shares a birthday with you Dad." Jack stated, using the side of his index finger to brush her cheek. "That's so cool. You guys are like twins."

"Yeah well, we'll see how much Eleanor likes it as she gets older."

You playfully rolled your eyes, your reaction causing a chuckle to exit Aaron. His hand found the back of your head, lovingly smoothing your hair down.

"It's very cool." Aaron still confirmed, his heart full. "I was just telling Mom, this is one the best presents I could ever receive."

"And two birthdays mean two birthday cakes." Jack looked up at his father, grinning from ear to ear. "Ellie will love it."