#/ i feel like i should tag this as a long post but fuck it we ball on this blog

[ellieputellas]

can you write roommate!alexia smut

caught in the act | a. putellas x reader

— You catch your roommate Alexia touching herself to your photos.

tags: roommate!Alexia, barçaB!reader, smut, masturbation, mentions of fingering, mention of age gap, a bit of degradation and dirty talk, not proofread 🔞 wc: 2k+

Alexia hated having you as a roommate.

It wasn't because of the fact that you had a bad habit of putting off washing the dishes until the next morning; she learned to deal with it and wash them for you whenever it did bother her. It also wasn't because you were always watching Netflix past midnight, at full volume while she tried to get enough sleep for early morning training the next day, fully knowing the walls between your rooms were paper thin. She's learned to fall asleep to the sound of Brooklyn 99 or whatever American TV show you were addicted to at the time. It wasn’t even the fact that she’d have to set her alarm at least 30 minutes ahead of the usual time she’d wake up just so she could force you out of bed so you could both attend your respective training sessions on time.

Instead, she hated how oblivious and clueless you were to how she felt about you.

Just now, there you were in the living room watching a dumb show on Netflix as you simultaneously swiped on Bumble. She hated seeing you looking at other girls, or even getting all dolled up for dates with other girls.

She knew your type. You liked tall, fellow athletes with great style. She wondered why you never noticed her when she fit your type so well. She rolled her eyes at the sight of you fiddling with the dating app and just wanted to return to her room but you already noticed her presence.

"Hey, Alexia." You said calmly. “Come over here.”

She sighed. "Yeah?"

"What do you think about her?" You said as you chewed on the chips you were loudly snacking on. (That was another thing Alexia let you get away with — snacking everywhere and anywhere leading to a mild ant problem.)

Alexia sat beside you on the couch and leaned in to look at your phone. It was someone from Levante’s B team. Alexia frowned. She had to admit. This girl was undeniably hot with her tattoos and fit body but she knew she looked just as good as this player. If not that, she sure as hell was a better player. That should have been some merit to her.

"She’s okay..." It was all she could say to you. She didn’t want to come off as the jealous roommate.

"Really? I kinda think she's smoking hot." You said with a confused look. “She’s the hottest player I’ve played against on the pitch.”

Alexia rolled her eyes and wanted to make a snide comment but let it slide.

“She asked me out after we switched shirts after our match, and I smelled her shirt and it smelled good as fuck.” You shared, making Alexia roll her eyes again. “Plus, she’s taller than I am and you know how that’s my type… but our texts have been stale and boring as fuck.”

Alexia shrugged and tried to focus on the show you were shamelessly ignoring already. “Then just don’t go out with her.”

You sighed. “Yeah… but there is this rookie footballer I matched with on Bumble, she plays for…” You continued to tell Alexia about the other girls you were talking to but she just didn’t give a fuck.

She didn’t wanna know anything about the other girls you were seeing while she’s been into you for so long.

"Anyway, can you help me pick photos from my weekend trip with Emma? She's so great at taking photos that I feel like I have to make two separate posts on instagram just to include all of my hot photos." You said before giving your phone to Alexia. "Just swipe through them and heart all the photos you like."

As soon as she grabbed your phone, she felt her body heat up. The first photo of you was you in front of the pool with your arms up, laughing gleefully. You were wearing the tiniest bikini with a bra top just big enough to cover your nipples and that incredibly skimpy underwear.

All Alexia could think about was pushing them to the side and fucking you hard with her fingers.

Alexia blinked. "You're so...." She couldn't find the words. "Naked?"

You laughed at the older woman’s reaction. "That's all you could say?"

Alexia ignored you, completely fixated by the photos of you. Alexia liked the first photo and proceeded to swipe. The second photo was you with your back turned, exposing your ass. Alexia could feel her mouth salivate as the dirtiest thoughts entered her mind. She kept scrolling, admiring every curve and crevice of your body. She loved the way your boobs spilled over your bra and the way your thong rode up your ass and accentuated your perfect hips. She loved your collarbones but she loved the thought of marking them with her mouth more.

She was practically liking every photo, unable to think objectively of what works on Instagram or whatever. She loved seeing you this exposed.

"You never dress like this usually." Alexia commented, still going back and forth with your photos. She was pretending to be analytical with your photos but her mind was just filled with obscenities.

You huffed. “You only see me in a kit or here at home when I dress like a slob. You don’t know what I dress like.”

Alexia furrowed her eyebrows. “I’ve seen you get dressed up for dates. You’re not usually so…” She shook her head. “Whatever. I never would have imagined you’d like wearing something so tiny.”

Alexia had to swallow as her mouth had been watering at the sight of your photos. You chuckled, oblivious to your roommate's reaction. "Well, you would know that I actually do love tiny swimwear if only you went swimming with us more.”

Alexia took a mental note to say yes to every opportunity to see you in a skimpy bikini. "Still, you never post stuff like this. You only ever post game photos or food photos. This is just out of character for you.” She added on. "You must be posting to impress someone, huh?"

You furrowed your eyebrows and rolled your eyes at her. "I feel like I’m just more grown now. Like, grown enough to post more skin.” You explained. “Besides, can’t I post for myself?”

Wish you would post for me, Alexia thought.

You looked over at Alexia who was still looking through your photos. "God, what's taking you so long? Mesmerized by my tits?"

"You're so cocky." It was all Alexia could say as she blushed. She felt like it was so wrong to be thirsting over her younger roommate like this but she couldn’t help it. You were exactly what she wanted.

You chuckled. "I told you. Emma took really good photos of me! I know I look hot in those."

You looked through the photos Alexia liked and realized the only photos of you she didn't like were the ones where you were covered up. You stifled a chuckle. "Okay, I guess I should post these immediately since it would be so selfish of me to deprive the world of these photos any longer."

"So arrogant." Alexia scoffed under her breath but unbeknownst to you, it turned her on. She loved it when you got all confident. It made her want to praise you and degrade you at the same time. "I'm going back to my room to review some things for some brand deal. Text me if you wanna order food or cook for dinner later."

You absentmindedly nodded as you typed up the perfect Instagram caption and chose the perfect thirst-trap song to go with the Instagram post.

Alexia headed back in her room and immediately pulled out her iPad, refreshing her Instagram feed incessantly. "C'mon, c'mon..." She muttered under her breath. "Just post already."

Finally, your post popped up.

Alexia felt like she couldn't breathe as she was finally able to get a better look at them through the bigger screen. She was finally free to zoom in to your perfectly shaped tits without worrying you'd see. She bit her lip.

It was almost a built-in instinct or bodily response to her the way she immediately positioned herself in front of her iPad; she wasted no time. She propped the device on her bed, blasted a song loud enough to mask her noise, swiftly took off her bottoms, and eventually, guided her hands to feel her own slick with her fingers. She was soaked already just from seeing you.

"Fuck," She muttered as she began rubbing herself, looking at the photo of you on her device. She wished she could have a gigantic TV screen just so she could see more of you at a bigger scale. She wanted to be overwhelmed by the sight of you — to be consumed by your beauty.

She rubbed her clit in circles as she kept her eyes glued on the screen. She cursed again. She thought about your tits. She wondered how they'd feel in her hands. She wanted to feel the softness against her rough and imposing hands; she wanted to know if that kind of touch would make you whimper. She wondered what colors your nipples were and how they'd look and feel... and taste. She so badly wanted to push her tongue against them.

Her legs shivered as she imagined taking your breast in her mouth, sucking on it mercilessly as you moaned under her.

In reality, Alexia was alone in the darkness of her room — her tanned skin illuminated by the sole source of light from her device that blasted music to mask her grunts and the obscene sounds of her wetness.

But in her imagination, Alexia was in your room on top of you, sucking on your breasts as she positioned her knee against your core. In her imagination, you loved to beg and whine. So there you were, underneath her, squirming as she sucked on your nipple and used her hands to play with the other one. She just could tell you were the sensitive type and the idea of you almost teary-eyed due to sheer pleasure caused by her made her even wetter.

She opened her eyes once again to catch a glimpse of you in that one photo where you had a serious face as you slightly bent over. She groaned as she caught sight once again of the flesh of your boobs pressing against the fabric of your bikini. "Fucking whore." It escaped her mouth in a grunt.

In her imagination, you were dressed in the same skimpy bikini. She had your bra cups pushed to the side to grant her easy access to lick all over your boobs, leaving the occasional mark whenever she desired.

"Please, Alexia." She could practically hear your voice say it. "Fuck me now."

Alexia plunged her fingers into her cunt, causing her to grunt loudly as she pumped in and out of herself as mercilessly as she would have with you.

She was fixated on the thought of her fingers thrusting so hard in and out of you that your tits jiggled with every thrust. Alexia somehow felt you were the type to moan loudly, grab your own tits, and beg to fuck her deeper.

"Alexia! Fuck me!"

"You want me so bad, huh? You fucking slut?" She groaned under her breath, almost breathless and winded from how rough she was fucking herself. "I'll fuck you so hard, you'd go stupid."

"Alexia, harder! Please!" The imaginary voice in her brain told her. It felt so realistic

"Yeah?" She called out your name, almost in the form of an animalistic grunt. "You fucking want it harder? You a fucking slut for me?"

She increased the speed of her thrusting, causing her to moan loudly in succession. "Fuck," She said, followed by calling out your name. "Tell me who you belong to."

She pumped in and out of herself, causing her to convulse in the building pressure inside her. Her eyes were shut close but the photo of you in your bikini was permanently burned inside her mind.

"I belong to you!" Her imagination called out.

"Say my name then." She groaned.

"Alexia," It sounded so soft and gentle.

"Louder." She growled as she imagined that it was your pussy she was roughly thrusting into. Her legs shook uncontrollably as she felt herself approaching orgasm. “Say it.”

"Alexia?!" It was practically an exclamation. It felt so real that your voice echoed in her ears.

As Alexia opened her eyes, she was met by the sight of you standing at the door of her room with a shocked face. Almost immediately after, Alexia moaned out loud as her orgasm arrived.

It took half a second for her to realize that she wasn't imagining it anymore. You were there, standing and watching her fuck herself while her obnoxiously larged iPad displayed a photo of you.

"Oh shit." She was in trouble.

a/n: not proofread. part 2 anyone? (also thank u for ur requests!)

[ancientwastedlores]

Don't Be Kind To It (Homelander x Reader)

The overwhelming amount of love Homelander Only Breaks His Favorite Toys got really hit me in the feels. Some of you asked for a part II, and much like Homelander, I aim to please (and love the praise).

[tags: @helreyy @discowizard88 @slasherho]

This one is lightly inspired by Hozier's "It Will Come Back," and we get a glimpse into Homelander's perspective as well.

Hope you enjoy it! <3

---------------------------------------------------------------------

Don't Be Kind To It

Don't let it in with no intention to keep it Jesus Christ, don't be kind to it

You're a smart cookie. And you know Homelander better than he knows himself. You expect him to stalk you, watch you from rooftops, send you gifts that have an agenda, and force Vought's Crime Analytics department to keep an eye on you.

So, you wait. You listen for the telltale whoosh of air, the crackle of energy that signals his arrival. Every gust of wind sends your heart hammering; every creak of the floorboards makes your blood run cold. You scan the skyline for a flash of red and blue, bracing yourself for the inevitable.

At first, you think he’s just toying with you, letting you stew in paranoia. You brace for him to materialize at the most inconvenient moment, smug and victorious. Yet days turn into weeks, and his absence becomes undeniable. You tell yourself he’s good at what he does—too good—but the truth begins to sink in: it’s not just you. Nobody has seen him.

No staged rescues. No public appearances. Not even a leaked video of him losing his temper. Ashley let slip that his tracking chip went dead 3 days ago. Vought is scrambling to spin the story - a secret overseas mission? A long-deserved vacation?

But the inner circle is panicking. The people who know him best—the ones who know what he’s capable of—are terrified.

Where the fuck is Homelander?

But... another thought creeps in, invasive and unwelcome, like a splinter under your skin.

Isn't he going to fight for me?

The selfishness of it makes you recoil, but it’s there, undeniable and raw. After everything, after all the suffocating control and emotional whiplash, you almost wanted him to stay obsessed with you. To prove that you still mattered to him. To prove that you had power over the most powerful man alive.

The realization is a gut punch. Maybe you’re not as different from him as you thought. Maybe his possessiveness, his need for control, rubbed off on you more than you care to admit. Maybe you’ve become just as twisted as him, longing for attention—even the toxic kind—because it’s better than silence.

And now, silence is all there is.

It wraps around you like a noose, tightening with every passing day. His absence presses on your chest, cutting off your circulation, making it hard to breathe. You tell yourself it’s relief—that this is what you wanted—but the emptiness feels like punishment. You try to convince yourself he’s sulking, biding his time, waiting for the perfect moment to make you regret leaving him.

But the longer it stretches on, the more it begins to feel permanent.

You could care less what this means for Vought. All the company seems to care about is who will lead the Seven now. Should they try to replace Homelander or lean into the “team-first” narrative Ashley has been pushing? PR scrambles to keep the media from asking too many questions, trotting out The Deep and Black Noir to cover for him.

But the public isn’t buying it.

Those who love him are afraid he is hurt. Those who hate him post conspiracy theories about Homelander going rogue - which feels way more accurate.

Either way, if Homelander doesn’t want to be found, no one can find him.

---------------------------------------------------------------------

Your days stretch out unfathomably long. You expected to feel free, to savor the clean air and the wide-open spaces of a world without him. Instead, his absence is louder than his presence ever was.

When he was there, he consumed everything: every thought, every moment, every inch of your life. You hated it, resented it, but at least you understood it. His attention, no matter how suffocating, meant you mattered.

But now there’s nothing.

The silence echoes like a scream, reverberating through every corner of your mind. Every sleepless night, every anxious thought loops back to him. Where is he? What is he doing? Is he coming back?

You start to wonder if this is how he wanted it—to leave you drowning in uncertainty, gasping for closure you’ll never get. Maybe this is his ultimate revenge.

Or maybe…

Maybe he’s broken in ways even you can’t fix.

You almost wish for his cruelty, for the familiar push-and-pull of his twisted affection. Because this? This void where he once loomed so large?

It feels like dying.

No. You have to seek him out. You can't quite tell if it's for his sake or yours... you can figure that out later.

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Monster's Lament

The room is dark, lit only by the faint glow of the moon filtering through cracked blinds. Dust floats in the air, settling over the relics of a forgotten time—old Vought propaganda posters peeling from the walls, a long-dead television covered in grime. It’s quiet here, too quiet, save for the clock that's miraculously still ticking.

Homelander sits slumped in a battered chair, his suit grimy, his cape discarded on the floor in a crumpled heap. His head is in his hands, his golden locks disheveled, the picture of a god brought low.

“You warned her,” a voice says, syrupy sweet.

Homelander doesn’t look up, doesn’t need to—he knows where it’s coming from.

The mirror.

He lifts his gaze reluctantly, and there it is: his own reflection staring back at him, but not quite right. The eyes burn brighter, the teeth are sharper, the smile is crueler. It leans forward as if trying to crawl out of the glass.

"You warned her," it sings again. "But did she listeeeen." "Not now, okay?" Homelander pleads.

The face in the mirror laughs. "Jesus fucking Christ, this is so pathetic. What are you waiting for, for her to come find you? For her to need you?" "She does need me." “Oh, sure. Because you gave her everything. The flying, the fancy dinners, the cape-flipping bullshit. But what did she give you?” It leans closer, its grin widening. “Pity. That’s what. You wanted love, and all you ever got was pity.”

“That’s not true,” Homelander growls, but his voice wavers.

“Isn’t it?” The reflection tilts its head, almost playfully. “She stayed because she felt sorry for you. The broken little boy in the big man’s body. She didn’t love you, not really. She loved the idea of fixing you. And when she couldn’t—”

“Shut up!” Homelander’s voice cracks as he lurches to his feet, his hands trembling.

The reflection’s grin doesn’t falter. If anything, it grows wider. “What’s the matter, Johnny? Don’t like the truth?”

He stands frozen, a deer in headlights. He never learned to deal with complex emotions, and even after all this time, it wraps around him like a boa constrictor, cutting off his air supply and rooting him to the ground.

And the reflection starts to sing. “Don’t feed me, honey. Don’t be kind to me.”

The lyrics echo around Homelander, twisting like a blade.

"Don't give it a hand, offer it a soul Honey, make this easy Leave it to the land, this is what it knows."

"STOP IT" Homelander cries.

"Don't let me in with no intention to keep me Jesus Christ, don't be kind to me Honey, don't feed me, I will come back"

"You're supposed to be on MY side." Homelander says. "I am. This is what that looks like," It replies.

Homelander's stares ahead, his fists clenched, his jaw tights, his eyes ready to burn holes into the mirror. The silence stretches, heavy and suffocating.

Homelander closes his eyes, but her face is there, burned into his eyelids. The way she looked at him—like he was more than the sum of his power, more than the monster everyone else saw. He hates her for it. He loves her for it.

“Why did you leave?” he whispers to himself.

The reflection’s smile vanishes. For a moment, it almost looks… pitying.

“Because you allowed it,” it says simply.

The words hit like a punch to the gut.

"She fed you ONCE. And you kept going to her like a stray fucking dog. You took her mercy and her love and you became weak. Nobody wants weakness, Johnny." It leans forward, smiling, canines gleaming, "Whatcha gonna do about it?"

Homelander looks at the ground. Shame and desperation wash over him, and he blinks tears back.

"You're going to claim her. And you'll make sure she never, ever leaves again. Right?"

Homelander doesn't look up from the floor.

It gets irritated. "Right?"

Silence.

It rolls its eyes. "Do you want ME to do it?"

Homelander looks up, hope obvious in his bright blue eyes.

---------------------------------------------------------------------

You don’t intend to start looking for him. It just… happens.

It begins with small, idle habits—clicking on articles about Vought’s latest scandals, scrolling through old news coverage, and watching grainy footage of staged rescues from years past. Your eyes search for him automatically, for that familiar streak of red and blue cutting through the chaos.

Then it escalates.

You start wandering the city at night, tracing the paths he once flew you along. You visit the rooftops where he used to land with a flourish, his cape billowing dramatically in the wind. You linger outside the exclusive restaurants where he once paraded you like a trophy, his smile razor-sharp as he soaked in the envy of the other diners.

But it’s not just the glamorous places.

You walk down seedy alleys and explore dark corners—the forgotten places he claimed as private retreats. The places where he could let his guard down, where the mask of America’s golden boy slipped.

It feels grotesque, this act of seeking him out. Like you’re willingly feeding the monster you swore you’d escape. You hate yourself for it, for the way your heart leaps at the thought of seeing him again, even if it’s just to tell him to his face that you’re done.

But you can’t stop.

You start putting yourself in danger—not consciously, but recklessly enough that it’s obvious even to you. Walking alone through neighborhoods that turn predatory after dark. Taking late-night trains without any plan or destination. Part of you hopes he’ll swoop in, cape flaring, to save you in one of his dramatic displays of power.

But he doesn’t.

Instead, one night, it’s Black Noir who finds you.

The alley is suffocatingly narrow, the air heavy with the mingling stench of rotting garbage and damp asphalt. The dim, flickering streetlight overhead barely illuminates the passage as two men circle you like predators. Their laughter is low and ugly, their shadows long and distorted against the brick walls.

You freeze, your breath caught somewhere between a scream and a sob, as one of them lunges toward you. You pray even now that he'll swoop in from somewhere.

And then he’s there.

Black Noir steps from the shadows like death itself. His arrival is so silent, so abrupt, that the men don’t even notice him until it’s too late. A gloved hand clamps down on one man’s shoulder, spinning him around with an almost casual effort. Noir doesn’t waste time. The blow is swift, brutal—a single strike to the man’s temple that sends him crumpling to the ground.

The second man barely has time to react, stumbling backward with a terrified curse. Noir closes the distance in an instant, his movements fluid and precise. A sharp crack echoes through the alley as the man’s arm is wrenched at an unnatural angle. He screams, but Noir silences him with a swift knee to the ribs. He falls, gasping and broken, as Noir turns to you.

The black Kevlar of his suit gleams faintly in the dim light, the contours of his armor making him seem more shadow than man. His helmet hides his face entirely, the opaque visor reflecting your terrified expression back at you. He stands perfectly still, his chest rising and falling with controlled breaths, his presence both menacing and oddly comforting.

You crumble to the ground, your legs giving out beneath you as adrenaline and fear collide in your veins. Relief washes over you, but it’s tainted by something darker—frustration, disappointment, an aching sense of abandonment.

Noir kneels on the ground to make sure you're okay.

“Why—why isn’t he here?” you sob, your voice breaking. The words spill out of you, raw and unfiltered, as you pound your fists weakly against Noir’s chest.

He doesn’t move.

“Why won’t he come for me?” you cry, your hands trembling against the hard, unyielding surface of his armor. “He’s supposed to be here. He’s always here.”

Noir doesn’t answer. Of course, he doesn’t. He simply stands there, a silent sentinel as your emotions spill over in a torrent of tears and ragged gasps. His helmet tilts ever so slightly, as if he’s observing you, but he offers no comfort, no words of reassurance.

You clutch at him like a drowning person reaching for a lifeline, your fingers curling around the slick fabric of his suit. The tears come harder now, soaking into the Kevlar as you press your face against him.

“I hate him,” you whisper through clenched teeth, though the bitterness in your voice is softened by the despair in your heart. “I hate him for leaving.”

Noir stands up, lifting you with him, and lets you go once he's sure you're standing straight. His silence is maddening. Why isn't he angry that you're being ungrateful? Why isn't he at least talking about Homelander disappearing? ANYTHING?

You finally step back, your hands trembling as you wipe at your tear-streaked face. Your gaze meets Noir’s visor, and for a moment, you imagine you see something there—pity, perhaps, or understanding. But it’s gone as quickly as it came, replaced by the blank, inscrutable void of his masked expression.

“Thank you,” you whisper hoarsely, though the words feel hollow. What you really want to say is, Why wasn’t it him?

Noir doesn’t react. He simply steps back, his movements as quiet and calculated as ever, before melting into the shadows.

You’re alone again, the weight of Homelander's absence pressing down on you like a physical force.

But... a thought creeps in. If Black Noir came, then Homelander must know, too. They all have access to the same intel. He knows where you are and what you’re doing, and still—still—he hasn’t come for you.

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GUYS, I think this is going to be a three-parter. Bear with me. The next chapter will be the last. Let me know what you guys think and if you want to be tagged to the third one!

Thank you for all the love 😭😭

[schumi-nadal]

Wow, I didn't think that post would get me even more hate to be honest 😅

First of all, I wasn't talking about ALL Carlos fans but about some "fans" (you can't call them like that, not after the really harsh words I received) who came into my asks when i asked nothing: I never was mean about Carlos, i didn't even defend Charles. I only posted 2-3 things related to this Charlos gate or whatever the fandom is calling it.

Here are some of the posts in questions:

After the first one, I received insults (anons and non anons, I don't know what is worst, that's what I was talking about them being younger and not knowing how the Schumi era and baby Shumi era were, (the non-anos were 17-18) because people misunderstood it (or understood what they wanted to understand).

After one or two more posts after the end of the race, it escalated very quickly, I received death threats! That's very serious! How can it come to this for a FUCKING sport? There are more serious things in life!

So, yeah, I was quite pissed after that.

Also, I didn't even defend Charles in my post, rereading now and I undertand I may have sound like I did but I'm French and I may have translated word by word what i wanted to say (it's a bit complicated but we sometimes use "you" to talk about people + ourserlves in some sketchy expressions). Anyway, what he said was definitely inappropriate and very "childish" in a way. Those words should had been spoken in private with his team and Carlos, not in front of million of people; and I think if FIA penalised swear words, they should start looking at those kind of statements.

Also, for those saying that I would be the kind of person to insult their favorite driver(s), you don't know me, you can even check my blog if you have nothing more interesting to do (lol), I never insulted anyone like some people do in f1blr. We can dislike or even hate a driver with our whole being, that's ok, for each their own I guess. We can't love everyone, you have the right to defend your favs, that's our choice too, but don't go and roast people when they didn't even say something wrong in the first place. (again, i hope those anons are reading it)

I never got haters before today (just one a few months ago with tennisblr but it was more a troll more than anything else) I usually don't interract a lot because I don't like conflicts but receiving multiple insults for something I can't control: I'm not Charles, I can't control what he says, I'm not a Carlos hater neither, i'm just here, blogging and reblogging stuff I love, mostly sports, sometimes with my particular sense of humor.

Nobody is perfect for sure, and I'm sorry if some of you thought I was just calling out Carlos or defending Charles. He may be one of my favourite drivers, just like other drivers can be yours: all of them are not flawless and we may continue to like them or not after different sorts of situations, that's up to us.

To finally finish my thesis (sorry if you're still reading), I didn't know that I would be so stressed on tumblr one day (call me a sensitive person) but this website is my sanctuary, I hope it will stay like that for a very long time but you can't be appreciated by the whole world, I lost some of my mutuals and i accept that. This morning's messages went too far and that's not normal to say thing like that, no matter how peacecul I am, I had to call them out. Also, on my other fandoms, you can share thought without (or almost) getting attacked verbally, that's sad that it's not the same anymore here, but yeah, football is the same.

You can choose to answer or not, I won't block anyone because I don't feel the need to, opinions can be shared but respectfully, I would be happy to talk more if some of you are up to.

So, I don't know what to add, have a great end of the season, everyone!

i don't know if everyone who reblogged or commented can see it when I reblog it so i'm tagging y'all: @midesastremanifiesto , @janesurlife , @gaypoetsblog , @katarf1a , @chaitalinath , @danieldrivesfast , @landhoe-norris , @eightsixtiism

One thing is funny about being insulted by all those Carlos "fans" (won't call them real fans tbh he deserves way better than toxic people): I was already watching F1 that they were not born, if you think that Charles was shitty today, just remember we had Michael Schumacher as the most dramatic queen ever and Sebastian Vettel was a little Gremlin at some points. REAL FANS WERE NOT FIGHTING FOR THAT!

[giantkillerjack]

Uh-oh! You are like, SOOO awkward!!

You're so awkward that it is occasionally mildly uncomfortable for people!

You're so awkward that sometimes people are confused by you and then there are awkward silences!

You're so awkward ...... that ultimately no one is harmed!!

Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!

Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!

So you better absolutely hate yourself for it.

Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!

You need to show the world that you KNOW you are bad by punishing yourself constantly! After all, think of all the people who BENEFIT from you punishing yourself! - No, really! Think about it! Think about who benefits from your pain.

Think of alllllll the definitely-good people that your definitely-necessary self-torment definitely helps! I mean, you can't just cut off their definitely-life-sustaining supply of your suffering, right?? Sure, everyone else has a breaking point, but you're probably the only person in human history who doesn't, right? Best not to question it probably. Sure, it's a symptom that billions of people with trauma have had, but who knows? You could be a one-in-seven-billion exception. Anything's possible!

Instead, better just accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues deserve to suffer. Better carry on the burden they placed on you until you drop. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.

Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.

Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*

Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...

Better not show yourself even a little kindness a little bit at a time.

Better not make a habit out of it after all that practice.

Better not get confident.

Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)

Better not be confident and awkward because then you might confuse and delight people

- you might accidentally end up making other people feel less shame for their social difficulties

- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations

- you might even make them feel they can be themselves around you

- you might start loving the effect you have on a room

- you might enjoy conversations more

- you might forgive yourself and bounce back from shame more easily and frequently

- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations

- you might stop apologizing so much.

- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.

Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!

Why, it would be carnage!!

In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things if you're not careful!

If you start giving yourself even the tiniest amount of grace at a time, you will find that you've accessed a gateway drug with extreme long-term side effects:

- You might realize that it was never your fault that it took so long to like yourself.

- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.

- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.

- You might come to know that you deserve to be heard even on bad days when words come slow and blurry.

You might discover that you were always deserving of kindness, first and foremost from yourself.

So. As you can see, it's FAR too much of a risk to start granting your awkward self free pardons for your many heinous and harmless crimes. Better to just leave it there.

[seventh-district]

Could've left me just the way you found me, but you came and put your wings around me. You went out of your way, to fix what you didn't break.

This song is so incredibly Sam & Darlin' coded and no one can tell me otherwise.

[lots of lyrical analysis below the cut] [there's also a short little fanfic blurb of them stargazing down there too (this post got really out of hand lmao)]

For those not fully caught up, note that the following commentary contains various spoilers for Sam and Darlin's stories.

Note: Unfortunately this song is gendered, using the word 'girl' several times. Which sucks a little bit for immersion purposes, not only for keeping Darlin' gender-neutral, but also because I see this song as a duet between them, and Darlin' obviously wouldn't be addressing Sam with the word 'girl' either. So! As with most songs on their playlist, we're just gonna mentally omit any gendered terms we come across.

Side note: Frustratingly, this is one of those songs that didn't really even need to gender the subject in the first place. No part of the story or message is lost without it. But alas, many songs are like that, and so the playlist-makers of the world shall continue to suffer. [/lh]

Anyways, preamble's over. It's lyric time now yay!

Sam's Part

I was a ten-year train wreck

Technically for Sam I suppose it was 13 years, but ten is close enough (and 'ten' admittedly flows a lot better in the rhythm of the song than 'thirteen' would.) Anyways, we're not here to split hairs, (I have to remind myself), we're just here to point out similarities.

In Sam's Dec. '22 HBW, he says "For the last 13 years or so I haven't had to care too much about how I look. Seemed a little redundant after turnin', considerin' I didn't wanna be around much'a anybody anyway."

I think he's mentioned or alluded to that roughly 13 year period of time more than once, but that's the one I remember best so it's the example I'm using. There's still about 4 Sam audios I've yet to listen to as of making this post, so if I'm missing some Key Lore I'll edit this later. But for now, I don't think Sam has given many specifics on exactly how bad things got during that time. Luckily, 'train wreck' is a pretty broad and subjective term, so it easily covers any degree to which he may have fallen apart during those years.

It also feels like a very 'him' way of quickly brushing over the details of his past/his hurt, as he seems to tend to do with Darlin', (not all the time ofc but it's still something I've noticed) putting his own hurt on the backburner to prioritize and attend to theirs. Even outside of his dynamic with them, I think as a healer, it's something he learned to do. And now he does it with everyone. Put on a brave face, compartmentalize things and unpack them later, etc. I could go on and on but there'll be time for that in other posts I'm sure. For now, lets get back to the song at hand.

With a last-call longneck

Due to personal reasons, I've yet to decide if I want to HC him as having used alcohol as a coping mechanism during that time. I don't recall him having mentioned alcohol much, if at all, (maybe one mention of whiskey that I don't have time to find right now) so I don't think it's necessarily canon that he did, but it's certainly possible. My personal preferences aside, I'll admit it makes for some good additional angst. (And- self-indulgently- it makes some other songs on my playlist for them more fitting.) So, for the sake of this song, let's imagine that he did.

I was searchin', I'd been hurt real bad

This one feels pretty self-explanatory given what Alexis did, (and, if you wanna get even angstier with it, whatever his family did earlier on in his life) so there isn't much commentary to add on my end.

I HC that in spite of 'not wanting to be around anybody', he- like Darlin- still had a tiny part of himself buried deep down that was, in a way, 'searching' for someone to find solace in. (No this isn't me projecting onto them both haha what are you talking about-)

Movin' on, gettin' sidetracked One step forward and five back

This is generally applicable enough that I don't feel the need to give too much of a specific example. Anyone who's recovered or is recovering from trauma knows this non-linear, back-and-forth struggle well already, and I'm sure he was no stranger to it.

If I were to give some examples though, I could point to Darlin's (and subsequently, Sam's) encounter with Alexis at the summit, or the shit that Quinn dredged up about Fredrick and threw at Sam in the interrogation room. Those are both more recent examples and I imagine these lines of the song to be coming from a place of him prior to meeting Darlin', but still, they're some instances where I'm sure he felt like the past was pulling him back in. I'm sure that there's been many throughout those 13 years that we were never witness to.

Not your fault, I was scared to fall

This line reminds me of their 'Cuddles and Confessions' audio. I don't think he ever explicitly said he was 'scared' per se, so afaik there's no specific line I can quote, but in that and every audio prior, he was obviously hesitant to admit, perhaps even to himself, that he was gradually falling for them. Even after the initial confession, there's certain limits of his (e.g. biting) that he carries for far longer, and some that I (and others) HC that he'll carry forever. So this line feels to me like him reassuring Darlin' that his reluctance isn't the fault of them, but his past.

Darlin's Part

You were the star in the pitch black Shine the way on the way back

We don't have any canon instances of them comparing Sam to a star, but I can see it being something they'd say (perhaps less poetically, but the sentiment would be there) one night while laying up on their roof watching the stars with him. Maybe they're dead-tired, talking nonsense with lidded eyes at the end of a long day, fighting sleep in favor of more time spent with him.

"What- what're you pointin' at Darlin'?"

Their hazy focus is trained on the brightest star visible in their line of sight, arm stretched out to the sky above them. "That really bright one, to the... to the left."

Sam does his best to follow their less-than-specific directions of 'to the left', their pointed finger doing little to help given the difference in perspective. Luckily, after all these years, he knows this stretch of night sky like the back of his hand, so it isn't hard to locate the brightest one. Ghosting his fingers up along their arm, he takes their hand in his and brings it back down to earth. "Okay, yeah, I see it now. What about it though?"

"That's you." They say, matter-of-factly.

"That's me?" He questions, humor in his tone.

"Mhm." They nod with finality, blinking slow.

Sam considers the odd statement for a moment before gently correcting them. "I'm uh, I'm pretty sure that's Sirius, actually."

They scoff. "I am being serious."

Sam stifles a laugh into their hair. "No- no I mean- like... what's another name for it... Oh! It's also called the Dog Star."

"C'mon Sam, at least call it the Wolf Star if you're trying to turn this around on me..."

He shakes his head and readies himself to explain further, but they cut him off before he can start. "But no- no, this one isn't about me. That's you."

He decides to play along, finding something endearing in their overtired nonsense. "Okay... then would'ja be so kind as to explain to this confused old man just how, or why that star is me?"

Their frown is audible in their voice as they latch onto the wrong part of his sentence. "You're not old, Sam. ...Do I need to tell Asher to kick the jokes down a notch?"

He smiles at their over-protectivity. "There'll be no need for that, now. Was just a joke, darlin', I promise."

They huff, but thankfully shift focus back to the prior topic. "It's... I dunno. It's just you, Sam. It's... bright. Light. Something warm, out there in the cold dark. Standing out amongst all the rest. Calling to me, stealing my attention. I... I didn't come out here looking for it, but there it is. ...There you were. In the dark. The only bright thing I'd seen in... fuck, in years. Years of chasing fleeting warmth, tripping over myself in the pitch black, falling into... places 'n people I shouldn't have. You were the light in that darkness. Even there, surrounded by the ghost of him. You outshone it. Your warmth didn't hurt. I didn't have to squint when I looked at you. You weren't the blinding sun. You were the brightest star I'd ever seen. You guided me back home."

In the back of their mind, they recall something they once heard, something about light, and time, and distance. Space. Something about... how you can see a star that's already burnt out, because it's light hasn't reached earth yet. The ghost of a star that's already died. Only still perceptible thanks to time, and distance.

They remember Sam's words, once whispered to them on this very roof.

"Whatever your choice is... I'm not gonna live forever. I made that decision a long time ago."

They think about dead stars.

They think about time.

"...-lin'? Darlin'?" Sam's calloused hand slides up their forearm, pulling them out of their thoughts. "There you are. Think I lost ya' for a minute there... you good?"

They look up at Sam, concern creasing his features, shadows cast across his face from the light of the dying stars above him.

They reach out, pulling him down into them. Burying their face into his collar, Sam's concern grows when he feels it saturate with tears. A human might struggle to hear their words, muffled against the thick fabric, but his hearing catches it just fine.

"Don't burn out too quick. Please. I still need you here. I don't- I don't wanna be left in the dark again. Please, please Sam. Don't leave me here. I'm not selfish enough to ask you for forever, but please. Not yet. Not yet. Not yet."

.......Whoopsies! Really, genuinely didn't mean to improv an entire scene there, good god. Also didn't mean to swerve hard into angst at the end but uh. that's what came out! so I'm rolling with it lmao. Aaanyways let's move on, it's getting late and this is a song analysis post, not a fic.

Out of nowhere, answered all my prayers

'Out of nowhere' reminds me of Sam's words from the same HBW video I referenced earlier. "You came into my life like a damn wreckin' ball. There was no preparing for that, clothing or otherwise." While those were Sam's words, not Darlin's, I still feel like they feel similarly to how suddenly Sam came into their life as well. (Not in a bad way, mind you!)

[the significance of 'answered all my prayers' edges into my own personal more headcanon-y/personal/OC-ified Darlin' territory, so we can just gloss over this one for the sake of at least attempting to keep this more universally applicable]

Picked up the towel that I threw in Took in a heart that was ruined

Again, largely self-explanatory I feel. (*proceeds to explain anyways*) I imagine that Darlin' was at the point of throwing in the towel, hellbent on a solo-mission to find Quinn regardless of the danger it posed to them. I doubt they were looking toward the future anymore, (to reference Sam,) fully willing to throw themself at their problems until they really did break.

The specific use of 'ruined' hits hard here, because after everything they went through with Quinn, and especially after he recounted it all to Sam in that interrogation room, I imagine that they really, truly did feel ruined.

Showed me the past ain't a tattoo Loved me even when you didn't have to

These lines in particular make me sick with emotion every time I hear this song, because I feel like they hit the nail on the head for how Darlin' feels.

I'll be here citing various quotes all night that I feel showcase that sentiment, but we don't have time for that! So instead I'm just pointing to the entirety of 'Quinn's Aftermath' video, and leaving you with this single quote from it.

"Everything that he said reflects nothin' on you, and everything on him."

Equally Applicable Lines

And I don't know why Why you saw something in me, baby But you saw right through All the pain, and you came and saved me Yeah, I know you didn't leave me lonely Weren't the one that put the heartbreak on me Picked up the pieces It wasn't the mess that you made Could've left me just the way you found me But you came and put your wings around me You went out of your way To fix what you didn't break

Again, I think these lines are all pretty self-explanatory, and are just as accurate coming from either one of them. To me, at least, their entire dynamic is that they saved each other, in their own ways.

(But I will admit, the final verses about 'going out of your way to fix what you didn't break' are definitely conjuring up memories of Sam in the early days, literally going out of his way to visit and heal Darlin' after their fight with the two vamps. In general, his continued/repeated healing of them after they once again hurt themselves is the very literal definition of fixing what he didn't break.

But! While we may have more blatant examples of Sam being 'the fixer' so to speak, I think he'd argue that Darlin' has done plenty fixing of their own. Physical wounds aren't the only things that need healing, after all.)

-------

[shameless self-promo of my Sam & Darlin' playlist for those few of u interested enough to make it to the very end of this wall of text. if u liked this then u might like some of the other songs on there soooo maybe go check it out and maybe perhaps give it a follow so i can get a little serotonin boost or dopamine or whatever the chemical is that's released when Number Go Up. ...okay that's it i hope u enjoyed my fixation-induced ramblings! thank u and goodnight]

[mzannthropy]

Long post or whatever, OP seems to be an inactive account so they won't mind.

Thanks 💌

If I say I'm afraid to post what I feel like and you ask me why, I wouldn't be actually able to answer (but it's like that with fear--what are you afraid of?) Like, nobody will die bc of what I posted. I can't keep it inside either so I put like million caveats so that no one gets offended... lol. (I have a bit of a baggage wrt to things I like, from my teenage years.)

When I became an active Sam Claflin fan, during the pandemic, I looked up his name on social media, and on here too, and saw how everyone only cared about Me Before You and Finnick. So I knew I would have to be on my own. Don't get me wrong, Finnick's cool, doesn't matter how I feel about Hunger Games--which I will always battle with--but surely there's more to Sam than that? For general public, okay, after all Sam keeps himself low-key, but when even his own fandom can't recognise how fantastic he is in everything else he does? Journey's End was one of the first films I watched after I started following him and was mindblown, like that's an Oscar winning performance--and yet not a peep from anyone. So I started posting about him myself, eventually @jesstasticvoyage found me, but last year, everything around DJATS made me retreat back into my shell and I even questioned whether I should continue. Heck, I questioned my own sanity, I thought I was having a psychosis or something... Soccer Aid was a life saver, then we heard about Monte Cristo and all was well again. Though the crisis comes back every now and then (and I don't mean the one I had over not being able to watch Bagman, bc I took that with humour and took a trip to Haworth to touch grass and came face to face with a road named Dimples Lane... clearly sign from the universe. And I got to see Bagman in the end anyway.)

But what I wanted to say, regarding your last tags: women definitely need to stop fucking apologising for everything AND women need to get some fucking audacity. Like you say, men always confidently proclaim what they think. It's not a skill you just wake up with one day, so it needs work. I've been thinking about how to make myself less sensitive, actually I'm contemplating posting on twitter again, but this time not about politics (that's how I used it before) but about things I like, like Sam and films and books and cats and quotes etc. I'll see.

Oh and what are the Spanish and French words used instead of "chemistry"? Both are such pretty languages! One user here suggested "alchemy" which sounds good. I know "chemistry" is a real term in acting (also in music, apparently) but it's not used the way shippers think it is. Actors need to have chemistry with everyone, not just the ones that play romantic interests. It's a disservice to both of them to reduce their performance to just "chemistry". Sam learned to play a whole fucking instrument, lost a lot of weight, learned a new accent... and yet all these clowns have to say is kemmystreeee. And that's if they're not ageist about him. Someone reblogged one of my Sam Monte Cristo posts with "thank god he is looking hot again" in the tags... just. Headdesk.

Sam Claflin and Holliday Grainger in ‘Any Human Heart’ (2010)  

[thedrotter]

not-yet-dead-person

silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww

(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)

i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!

the head circles are there for emotional support

very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.

(i will now comment on my process and it is not brief sorry)

usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.

according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it

the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!

Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.

background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!

for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway

that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it

[breadboysteals]

Does anyone else have a lot of trouble picking up information like if I read something I don't learn anything but when I read it for the twentieth time I maybe pick up half

[the-brainrot-central]

Writing over 30,000 words worth of content for a fic only to realize it’s all pointless because you have no interest in it anymore and you were never gonna finish it anyway….

What even is The Point anymore

[hyp3rfixation-h3ll]

i have been Considering. watching sgt frog again. bc i stopped at around 119 . and it is a very fun show. but The Horrors

[blujayonthewing]

a doylist explanation for gnomes having a reputation as aggressively annoying-on-purpose obvious joke characters is that they get built that way by troll players because a lot of people, by and large, don't know how to square the concepts of 'people who proactively value joy and whimsy and having a laugh' and 'people who are capable of being well rounded and serious with actual thoughts and feelings' as things that can coexist

a watsonian explanation is that a lot of gnomes realize other races think they're stupid and ridiculous and are intentionally leaning in as hard as possible because they think it's really funny

[foxgloveinspace]

See the thing about Sleep Token is that every song is probably just about about rough sex and toxic break ups and a fake god, but they all could have about 30 different meanings, and everyone of them is valid, and also so ridiculous, but I love them and also, it’s probably just sex, you know?

[unnamed-atlas]

Having brain worms. What if uhhhhhh SOS Mianite au

[spamtoon]

(Out of nowhere, you are approached by a familiar lightbulb-headed Cog.)

Ah, it's you, cat. Thinking you're oh-so-slick. Muttering and whispering under those raggedy whiskers of yours... Thinking I am unable to hear it all...

Well, you've simply underestimated my fantastic hearing. You probably want to know the reason why I'm here, taking a 'break' from my incredibly important scientific breakthroughs? It's quite simple, really!

(She gets close, and squints her eyes.)

I know what you are.

Farewell, now!

(She then leaves the way she came from.)

(Spam giggles immensely, covering her face... it always seems like she's giggling, isn't she? This lasts... at least thirty seconds. Longer than usual.)

And I know what I am too, Sparky! You broke through something, that's for sure. Really, broke through...

(She looks down, continuing to laugh nervously.)

You know, I find it odd you Havent tried to bulb blast me into the stratosphere by now. I mean knowing how you acted with Frostbite. Is there something peculiar about me that you perhaps can't quite track? Something about me that you... don't know what I am?

I know, I know, I'm talking to nobody again. But you were there when I had a moment today with the one the only Frostbite The Bravecog. You may be remaining. Lurking in the shadows. Knowing about these thoughts that I'm thinking.

(The giggling resumes, lasting far shorter this time.)

Your brother's a piece of fucking barp, by the way

(She braces for impact for a few seconds, wincing while smiling, before comically looking around to realize nobody's there. She sighs.)

Wow, okay maybe toony superhero show logic doesn't apply in this situation. Cool.

WAIT I JUST FUCKING REALIZED WHAT SHE MEANT but like. Dude if she meant that then what's the point I mean the whole ahh sellbot department barping knows unless you're Really low on the ladder. Heheh... maybe she did mean what I thought she meant.

Oh i'm so fucking screwed. What kind of bitch gets filament fever

[acourtofquestions]

🚨 SPOILERS🚨

Kingdom of Ash Chapter 50

Rowan's hands tightened on Aelin's shoulders as the words settled into her, hollow and cold.

"Maeve is a Valg queen?" he breathed.

Aelin said nothing. Couldn't find the words. Her power roiled. She didn't feel it.

Nesryn nodded solemnly. "Yes. The kharankui told us the entire history."

And so Nesryn did as well. Of how Maeve had somehow found a way into this world, fleeing or bored with her husband, Orcus. Erawan's elder brother. Of how Erawan, Orcus, and Mantyx had torn apart worlds to find her, Orcus's missing wife, and only halted here because the Fae had risen to challenge them. Fae led by Maeve, whom the Valg kings did not know or recognize, in the form she had taken.

The life she had crafted for herself. The minds of all the Fae who had existed that she had ripped into, convincing them that there had been three queens, not two. Including the minds of Mab and Mora, the two sister-queens who had ruled Doranelle. Including Brannon himself.

"The spiders claimed," Nesryn went on, "that even Brannon didn't know. Even now, in the Afterworld, he doesn't know. That was how deep Maeve's powers went into his mind, into all their minds. She made herself their true queen."

The words, the truth, pelted Aelin, one after another.

Elide's face was white as death. "But she fears the healers." A nod toward Yrene. "She keeps that owl, you said—an enslaved Fae healer-should the Valg ever discover her." For that was the other piece of it. The other thing Nesryn had revealed, Chaol and Yrene adding in their own accounts. The Valg were parasites. And Yrene could cure their human hosts of them. Had done so for Princess Duva. And might be able to do with so many others enslaved with rings or collars. But what had infested Duva ... A Valg princess.

Aelin leaned back into her chair, her head resting against the solid wall of Rowan's body.

His hands shook against her shoulders. Shook as he seemed to realize what, exactly, had ripped into his mind. Where Maeve's power had come from that allowed her to do so. Why she remained deathless and ageless, and had outlasted any other. Why Maeve's power was darkness.

"It is also why she fears fire," Sartaq said, jerking his chin to Aelin. "Why she fears you so."

And why she'd wanted to break her. To be just like that enslaved healer bound in owl form at her side.

"I thought—I managed to cut her once," Aelin said at last. That quiet, ancient darkness pushed in, dragging her down, down, down-" I saw her blood flow black. Then it changed to red." She blew out a breath, pulling out of the darkness, the silence that wanted to devour her whole. Made herself straighten. Peer at Fenrys.

"You said that her blood tasted ordinary to you when you swore the oath." The white wolf shifted back into his Fae body. His bronze skin was ashen, his dark eyes swimming with dread. "It did."

Rowan growled, "It didn't taste any different to me, either."

"A glamour-like the form she maintains," Gavriel mused.

Nesryn nodded. "From what the spiders said, it seems entirely possible that she would be able to convince you that her blood looked and tasted like Fae blood."

Fenrys made a sound like he was going to be sick. Aelin was inclined to do the same.

And from far away—a memory-that-was-not-a-memory stirred. Of summer nights spent in a forest glen, Maeve instructing her. Telling her a story about a queen who walked between worlds.

Who had not been content in the realm in which she'd been born, and had found a way to leave it, using the lost knowledge of ancient wayfarers. World-walkers.

Maeve had told her. Perhaps a skewed, biased tale, but she'd told her. Why? Why do it at all? Some way to win her-or to make her hesitate, should it ever come to this?

"But Maeve hates the Valg kings," Elide said, and even from the silent, drifting place to which Aelin had gone, she could see the razor-sharp mind churning behind Elide's eyes. "She's hidden for this long. Surely she wouldn't ally with them."

"She ran at the chance to get hold of a Valg collar," Fenrys said darkly. "Seemed convinced that she could control the prince inside it."

Not only through Maeve's power, but because she was a demon queen.

Aelin forced herself to take another breath. Another. Her fingers curled, gripping an invisible weapon.

Lorcan had not uttered a word. Had done nothing but stand there, pale and silent. As if he'd stopped being in his body, too.

"We don't know her plans," Nesryn said.

"The kharankui have not seen her for millennia, and only hear whisperings carried by lesser spiders. But they still worship her, and wait for her return."

Chaol met Aelin's stare, his gaze questioning.

Aelin said quietly, "I was Maeve's prisoner for two months."

Utter silence in the tent. Then she explained—all of it. Why she was not in Terrasen, who now fought there, where Dorian and Manon had gone.

Aelin swallowed as she finished, leaning into Rowan's touch. "Maeve wished me to reveal the location of the two Wyrdkeys. Wanted me to hand them over, but I managed to get them away before she took me. To Doranelle. She wanted to break me to her will. To use me to conquer the world, I thought. But it perhaps now seems she wanted to use me as a shield against the Valg, to guard her always." The words tumbled out, heavy and sharp. "I was her captive until nearly a month ago." She nodded toward her court. "When I got free, they found me again."

Silence fell again, her new companions at a loss. She didn't blame them.

Then Hasar hissed, "We'll make the bitch pay for that, too, won't we?"

Aelin met the princess's dark stare. "Yes, we will."

A Valg queen.

That's who had held his Fireheart. What sort of power had tried to break into her mind.

What power had broken into Rowan's mind.

All their minds, if she could glamour her blood to look and taste ordinary.

He felt the tension rising in Aelin, a raging storm that nearly hummed into his hands as he gripped her shoulders.

Yet her flames made no appearance. They hadn't shown so much as an ember these weeks, despite how hard they'd trained. Occasionally, he'd spy Goldryn's ruby gleaming while she held it, as if fire glowed in the heart of the stone. But nothing more. Not even when they'd tangled in their bed on the ship, when his teeth had found that mark on her neck.

Elide surveyed them all, their silence, and said to their new companions, "Perhaps we should determine a plan of action regarding tomorrow's battle." And give them time, later tonight, to sort through this colossal mess.

Chaol nodded. "We brought a trunk of books with us," he said to Aelin. "From the Torre. They're all full of Wyrdmarks." Aelin didn't so much as blink, but Chaol finished, "If we get through this battle, they're yours to peruse. In case there's anything in them that might help." Against Erawan, against Maeve, against his mate's terrible fate. Aelin just vaguely nodded.

So Rowan forced himself to shove away the shock and disgust and fear, and focus upon the plan ahead. Only Gavriel seemed able to do the same, Fenrys staying where he was, and Lorcan just staring and staring at nothing.

Aelin remained in her chair, simmering.

Roiling.

They planned it quickly and efficiently: they would return with Chaol and Yrene to the keep, to help with the fighting tomorrow. The khaganate royals would push from here, Nesryn and Prince Sartaq leading the ruks, and Princess Hasar commanding the foot soldiers and Darghan cavalry. A brilliantly trained, lethal group. Rowan had already marked the Darghan soldiers, with their fine horses and armor, their spears and crested helmets, while they'd strode for this tent, and breathed a sigh of relief at their skill. Perhaps the last sigh of relief he'd have in this war. Certainly if the khagan's forces hadn't yet decided where they would take this army afterward. He supposed it was fair-so many territories were now in Morath's path-but when this battle was over, he'd make damn sure they marched northward. To Terrasen.

But tomorrow-tomorrow they'd hammer Morath's legion against the keep walls, Chaol and Rowan leading the men from inside, picking off enemy soldiers.

Aelin didn't volunteer to do anything. Didn't indicate that she'd heard them.

And when they'd all deemed the plan sound, along with a contingency plan should it go awry, Nesryn only said, "We'll find you ruks to carry you back to the keep," before Aelin stormed into the frigid night, Rowan barely keeping up with her.

No embers trailed her. Mud did not hiss beneath her boots.

There was no fire at all. Not a spark.

As if Maeve had snuffed out that flame.

Made her fear it.

Hate it.

Aelin cut through the neatly organized tents, past horses and their armored riders, past foot soldiers around campfires, past the ruk riders and their mighty birds, who filled him with such awe he had no words for it. All the way to the eastern edge of the camp and the plains that stretched past, the space wide and hollow after the closeness of the army.

She didn't stop until she reached a stream they'd crossed only hours ago. It was nearly frozen over, but a stomp of her boot had the ice cracking. Breaking free to reveal dark water kissed with silvery starlight.

Then she fell to her knees and drank.

Drank and drank, cupping the water to her mouth. It had to be cold enough to burn, but she kept at it until she braced her hands on her knees and said, "I can't do this."

Rowan sank to a knee, the shield he'd kept around her while she stalked here sealing out the cold wind off the open plain.

"I-I can't—" She took a shuddering breath, and covered her face with her wet hands.

Gently, Rowan gripped her wrists and lowered them. "You do not face this alone."

Anguish and terror filled those beautiful eyes, and his chest tightened to the point of pain as she said, "It was a fool's shot against Erawan. But against him and Maeve? She gathered an army to her. Is likely bringing that army to Terrasen right now. And if Erawan summons his two brothers, if the other kings return—"

"He needs the two other keys to do that. He doesn't have them."

Her fingers curled, digging into her palms hard enough that the tang of her blood filled the air. "I should have gone after the keys. Right away. Not come here. Not done this."

"It is Dorian's task now, not yours. He will not fail at it."

"It is my task, and always has been—"

"We made the choice to come here, and we will stick to that decision," he snarled, not bothering to temper his tone. "If Maeve is indeed bringing her army to Terrasen, then it only confirms that we were right to come here. That we must convince the khagan's forces to go northward after this. It is the only chance we stand of succeeding."

Aelin ran her hands through her hair.

Streams of blood stained the gold. "I cannot win against them. Against a Valg king and queen." Her voice turned to a rasp. "They have already won."

"They have not." And though Rowan hated each word, he growled, "And you survived two months against Maeve with no magic to protect you. Two months of a Valg queen trying to break into your head, Aelin. To break you."

Aelin shook. "She did, though." Rowan waited for it. Aelin whispered, "I wanted to die by the end, before she ever threatened me with the collar. And even now, I feel like someone has ripped me from myself. Like I'm at the bottom of the sea, and who I am, who I was, is far up at the surface, and I will never get back there again."

He didn't know what to say, what to do other than to gently pull her fingers from her palms.

"Did you buy the swagger, the arrogance?" she demanded, voice breaking. "Did the others? Because I've been trying to. I've been trying like hell to convince myself that it's real, reminding myself I only need to pretend to be how I was just long enough."

Long enough to forge the Lock and die.

He said softly, "I know, Aelin." He hadn't bought the winks and smirks for a heartbeat.

Aelin let out a sob that cracked something in him. "I can't feel me-myself anymore. It's like she snuffed it out. Ripped me from it. She, and Cairn, and everything they did to me." She gulped down air, and Rowan wrapped her in his arms and pulled her onto his lap. "I am so tired," she wept. "I am so, so tired, Rowan."

"I know." He stroked her hair. "I know." It was all there really was to say.

Rowan held her until her weeping eased and she lay still, nestled against his chest.

"I don't know what to do," she whispered

"You fight," he said simply. "We fight. Until we can't anymore. We fight."

She sat up, but remained on his lap, staring into his face with a rawness that destroyed him.

Rowan laid a hand on her chest, right over that burning heart. "Fireheart."

A challenge and a summons.

She placed her hand atop his, warm despite the frigid night. As if that fire had not yet gone out entirely. But she only gazed up at the stars.

To the Lord of the North, standing watch.

"We fight," she breathed.

Aelin found Fenrys by a quiet fire, gazing into the crackling flames.

She sat on the log beside him, raw and open and trembling, but … the salt of her tears had washed away some of it. Steadied her. Rowan had steadied her, and still did, as he kept watch from the shadows beyond the fire.

Fenrys lifted his head, his eyes as hollow as she knew hers had been.

"Whenever you need to talk about it," she said, her voice still hoarse, "I'm here."

Fenrys nodded, his mouth a tight line. "Thank you."

The camp was readying for their departure, but Aelin scooted closer, and sat beside him in silence for long minutes.

Two healers, marked only by the white bands around their biceps, hurried past, arms full of bandages. Aelin tensed. Focused on her breathing.

Fenrys marked her line of sight. "They were horrified, you know," he said quietly. "Every time she brought them in to … fix you."

The two healers vanished around a tent.

Aelin flexed her fingers, shaking the lightness from them. "It didn't stop them from doing it."

"They didn't have a choice."

She met his dark stare. Fenrys's mouth tightened. "No one would have left you in those states. No one."

Broken and bloody and burned—

She gripped Goldryn's hilt. Helpless.

"They defied her in their own way," Fenrys went on. "Sometimes, she'd order them to bring you back to consciousness. Often, they claimed they couldn't, that you'd fallen too deeply into oblivion. But I knew—I think Maeve did, too— that they put you there. For as long as possible. To buy you time."

She swallowed. "Did she punish them?"

"I don't know. It was never the same healers." Maeve likely had. Had likely ripped their minds apart for their defiance.

Aelin's grip tightened on the sword at her side.

Helpless. She had been helpless. As so many in this city, in Terrasen, in this continent, were helpless. Goldryn's hilt warmed in her hand.

She wouldn't be that way again. For whatever time she had left.

Gavriel padded up beside Rowan, took one look at the queen and Fenrys, and murmured, "Not the news we needed to hear."

Rowan closed his eyes for a heartbeat. "No, it was not."

Gavriel settled a hand on Rowan's shoulder.

"It changes nothing, in some ways."

"How."

"We served her. She was ... not what Aelin is. What a queen should be. We knew that long before we knew the truth. If Maeve wants to use what she is against us, to ally with Morath, then it changes things. But the past is over. Done with, Rowan. Knowing Maeve is Valg or just a wretched person doesn't change what happened."

"Knowing a Valg queen wants to enslave my mate, and nearly did so, changes a great deal."

"But we know what Maeve fears, why she fears it," Gavriel countered, his tawny eyes bright. "Fire, and the healers. If Maeve comes with that army of hers, we are not defenseless." It was true. Rowan could have cursed himself for not thinking of it already. Another question formed, though. "Her army," Rowan said. "It's made up of Fae."

"So was her armada," Gavriel said warily.

Rowan ran a hand through his hair. "Will you be able to live with it-fighting our own people?" Killing them.

"Will you?" Gavriel countered.

Rowan didn't answer.

Gavriel asked after a moment, "Why didn't Aelin offer me the blood oath?"

The male hadn't asked these weeks. And Rowan wasn't sure why Gavriel inquired now, but he gave him the truth. "Because she won't do it until Aedion has taken the oath first. To offer it to you before him ... she wants Aedion to take it first."

"In case he doesn't wish me to be near his kingdom."

"So that Aedion knows she placed his needs before her own."

Gavriel bowed his head. "I would say yes, if she offered."

"I know." Rowan clapped his oldest friend on the back. "She knows, too."

The Lion gazed northward. "Do you think ... we haven't heard any news from Terrasen."

"If it had fallen, if Aedion had fallen, we would know. People here would know."

Gavriel rubbed at his chest. "We've been to war. He's been to war. Fought on battlefields as a child, gods be damned." Rage flickered over Gavriel's face. Not at what Aedion had done, but what he'd been made to do by fate and misfortune. What Gavriel had not been there to prevent. "But I still dread every day that passes and we hear nothing. Dread every messenger we see."

A terror Rowan had never known, different from his fear for his mate, his queen. The fear of a father for his child.

He didn't allow himself to look toward Aelin. To remember his dreams while hunting for her. The family he'd seen. The family they'd make together.

"We must convince the khaganate royals to march northward when this battle is over," Gavriel swore softly.

Rowan nodded. "If we can smash this army tomorrow, and convince the royals that Terrasen is the only course of action, then we could indeed be heading north soon. You might be fighting at Aedion's side by Yulemas."

Gavriel's hands clenched at his sides, tattoos spreading over his knuckles. "If he will allow me that honor."

Rowan would make Aedion allow it. But he only said, "Gather Elide and Lorcan. The ruks are almost ready to depart."

[chipped-chimera]

Okay. Gamedev nerd here gonna throw in some inputs. Also neuroscience nerd because it's actually relevant here, believe it or not. (This is long so buckle up)

No game needs to run faster than 30 fps

So this one is a funky one. Whether frames are 'detectable' or not to the human brain, comes down to exposure. Human brains are amazingly efficient at sifting out what I'll call 'junk inputs' - floaters in your eyes (that everyone develops eventually), the phone you chronically keep in your back left pocket to the point you're slapping your body going 'where's my phone?' only to find it exactly where you left it - the same pocket as always. Your brain got so used to those inputs, it's filtered them out because they're deemed 'not important' to be constantly shoved in your experience of reality.

Up until maybe the past 10ish years, most media that we've been exposed to has run at about 30fps. Our brain is used to this and makes it indecernable. As tech has improved, allowing for higher fps rates, you can now be more exposed to 60fps - in fact 60fps has been the broadcast standard for quite some time. If you get used to the higher frame rate, your brain grows to EXPECT this frame rate in order to efficiently throw out the junk information (the pauses between frames) so anything below that threshold becomes noticeable.

I run a pretty beefy PC with a high quality monitor, and it's gotten to the point where I can now distinguish whether something is running less than 60fps to the point I start fucking around in graphics options because I feel like my game is lagging slightly. Sometimes I will consciously run at 30fps if it's more stable for various reasons, but I do notice. 60fps comes across much smoother to me now, whereas 30 has this barely perceptible jitter - that's because my brain is no longer used to filtering out those junk signals.

So with regard to this - it is true that games COULD only run at 30fps, but it would have to be literally EVERY GAME to stay imperceptible to the user. It'd also have to be every video, every film, every piece of media we ever consume in order to REMAIN imperceptible.

Studies have been done on this and while 60fps has been accepted as the 'upper limit', it's uncertain if that will hold. Current data suggests 75fps might be the last noticeable threshold before diminishing returns. Ultimately this comes down to the user and what kind of monitor they have available, and what that refresh rate is capable of. After all, we don't see reality in FPS. End of the day, more frames = closer experience to a frameless reality = smoother experience. Now since I'm talking about the tech component, that brings me to -

No texture should be bigger than 2k

While for the most part this would have been a yes ... the fact is tech is changing. Or honestly has changed. Like yesterday. 1080p, once known as your 'HD' has not been 'High Definition' since maybe the mid 2010s. Your average phone screen - arguably the thing that most of us are exposed to on the daily - if it has been built later than 2014 is likely to be running a 2k to 4k definition screen. If you ever wondered why text looks so damn crisp on your teeny tiny mobile phone, but not on your monitor - this is why.

I upgraded to a 2k monitor last year after my ancient, literally pre-hd Cintiq drawing tablet of 15 kilos made the death knell of glitchy buttons. She had dead pixels. She was 12 years old. She was my beloved, glass topped art workhorse I had gotten as a high school graduation present that I'd slap the side of and say 'don't make em like her anymore'. But as good as she was, the difference between her and even my basic 1080p monitor was noticeable. After doing some reading, and a lot of that reading was saying '4k is now the standard' which sounded INSANE but now they're putting out 6k/8k resolution screens, I decided it'd be more cost effective to just get a screenless drawing tablet and a better monitor. I could always upgrade the screen, therefore keeping my tablet in action longer.

Hooking up that 2k monitor for the first time, last year, when this was considered literally the 'lower end' of the current market? It was like I'd put on my glasses. But I was already wearing them. Everything was so much clearer and crisp to work on. It was VERY noticeable.

But what happens when you have a 2k monitor? Well now 2k is the baseline. A 2k texture on a model, displayed on your screen where it is close enough to be at full resolution is now noticeable if it's NOT 2k. You know when a character is talking on your screen and you're getting distracted by the pixellated quality of their armour texture? That's because the texture is no longer matching your monitor resolution. It has more pixels to fill, and if the information isn't there ... well that's how you get pixellated looking textures.

So what is a Gamedev to do? 2k resolution textures are NOT SMALL. Ballpark average for a single image might be around 2MB for 2k resolution with standard channels. If you need MORE channels embedded in the image, like an alpha channel for example - well that's more information for the image to hold, therefore more file size. Crank that up to hundreds of images - diffuse textures, normal maps are a bare minimum, add on other stuff like alpha masking, tintmaps - if you want a custom character creation system that's actually decent? Multiple armor options? Recolouring options? Textures? That's a lot of images already + a lot of file size and you haven't even put in the actual game yet.

So you've now got to get creative with it. This actually brings me to what made me want to write this post:

There’s zero excuse for Baldur’s Gate 3 to be 150 GB when Skyrim is 6 GB

I'm a recent modder, but I've had the privilege of messing with Baldur's Gate 3 and I intimately know exactly how their textures are formatted and used at this point - and they are the epitome of 'get creative with it'. So I mean it when I say you're lucky BG3 is JUST 150gb.

Anyone following me knows I have gone on about it before, but as someone who was trying to rebuild models in blender post launch, you'd know that BG3 uses a very unique texture system for character models to basically stretch these textures to the absolute limit while maintaining a high fidelity resolution.

This horrendous flow-chart-from-hell is me attempting to reconstruct this system (and this is maybe only half of it). While it's likely since been cracked by someone else since I last looked at it, the best I could do was get close.

Here's how BG3 textures work: they are not your typical 'baked into one diffuse texture' image thing we're used to for most games up until this point, where you've basically flattened the skin out into a 2D picture with all the colour information.

What Larian has done is make everything grayscale, and most of them work like layering masks. For those familiar with digital art, this would be your transparent layers layered on top of each other, with or without effects. For an even more basic analogy - think of stencils, on top of each other, until you have made a composite image. This means, instead of making a texture for every single skin colour available in the game it's now only three pictures -

These three pictures contain stupid amounts of information however, because while we see a composite image, actually you're looking at 3-4 images PER IMAGE. Because in reality, this is what it looks like -

This is my reconstruction folder of separated images to reconstruct in blender. Each contains a layer of information - how much freckles to put in the face, where the ambient occlusion goes, the vein amount yadda yadda. Remember what I said about 2k images being big? Larian managed to reduce that to three out of a potential seventeen. And while an absolute pain in the ass to reverse engineer in Blender shaders, honestly I was kind of giddy at the genius of this.

It's actually what makes the entire game really flexible and modder friendly, because once you understand how it works the engine is SUPER versatile when it comes to being able to recolour things. You can share these textures across multiple models and make them look completely different by altering the value of each colour, per layer, per texture.

So if we were to extrapolate this onto the old 'flat diffuse texture model', I'll be generous here and say it's three images (eyebrow/makeup masks + flat diffuse + normal map a.k.a. the thing that adds microdetails like pores and shit) at a very modest estimate of 2MB x the 350 skintones available in the character creator?

That's 700 Megabytes - because to get the colour for each one, you now need a separate image for each one. Sure that sounds 'small' but that's just faces, and only ONE face! For the character creator. Then you have your multiple face options with different textures. And multiple races. Then there's hair. Tattoos. Armor. NPCs. World textures etc. It adds up and it adds up quick. Instead this means they can use just 3 images, for one face in the character creator for all 350 skin tones. That comes down to a measly 6 Megabytes.

Even then they cut corners where they can. There's a reason there's so many upscaling mods available for BG3 - some textures aren't 2k. So to say that they're somehow at fault for not making their game smaller while maintaining the current visual fidelity is honestly doing Larian a major disservice. These Devs scrimped and scraped for EVERY inch of room they could possibly get out of their textures, and I've seen it. I'll say it again for emphasis -

We are lucky it's ONLY 150gb.

lower poly counts > high poly counts

Okay so as a Gamedev-student-turned-modder, I agree. Most gamedevs will agree too - because they're likely already using the smallest polycounts they can within the restrictions of current generation consoles (which are always less powerful than PC) and while maintaining the baseline fidelity of likely at minimum 2k textures. I spent 3 months learning how to make 'Real Time Hair' for games a.k.a. hair that can be rendered real time as you play the game, as opposed to engine heavy simulated hair you see in CG film. If you don't want your game to turn into a frame-sink slideshow you have to keep the polygons as low as possible. And it is actually really, really hard to get nice looking hair with volume while sticking to this. If you wondered why so many hairs in game tend to be super straight and flat - this is why. It's easier to obscure a lack of volume when you're basically constructing a cardboard cube. Once you start distorting layers, like with curls for example, you're more at risk of exposing that this is just a really thin mesh.

This is the hair I built. It looks great - but it's about double to triple the standard polygon count for most of Cyberpunk 2077's in-game hairdos. I only went with it because it was a personal mod and I knew my PC could handle it. (And even then, it's still more modest than some mods out there - I've checked).

Super low poly can work too! But it often affects style in turn. There's no point putting a 2k texture on what we associate with 'low poly' models, but that's a completely different game at this point like Zelda: Wind Waker. The unfortunate reality is, if you're going for realism in your game, the faster the frame rates, the bigger the textures = the closer to literal reality it feels, and the more current your tech needs to be.

There's a bit of a psychological phenomenon around this. I vividly remember sitting cross legged on the carpet of the library as a mere 10 year old listening to my computer science teacher go off topic to gush about the 'realistic graphics' of a game that'd just come out with the boys in the class.

For context, I am 31 this year. That game? Halo. The first one. No not the remaster, the literal, first, potato-ass looking Halo.

Also remasters are a fiddly metric to measure by - often what can be done to improve the game is limited by the engine, which is also probably a dated engine. But also using a tiny resolution image to compare larger resolution improvements in textures is not going to make a discernible difference. (And also arguably the technical skill of the Game Developer and given I call Bethesda 'Bugthesda' my bar ain't very high for them but that's my personal opinion.)

End of the day, the fact is this:

Whether a 150GB game looks any different from a 20GB game comes down to a lot of factors, and the majority of them come down to what you're running. For some people yeah! Below 1080p at 30fps will run absolutely fine and look great! And there are plenty of low-poly games with smaller graphics that do really well - a good game is a good game!

But as tech evolves, things change - and so do industry standards. The current 'standard' definition television? 4k. So what might not be noticeable to you, might be very noticeable to someone else.

And Gamedevs are aware of that. They are also keenly aware of the fact people complain about filesize, and you bet whatever size you are presented with (unless you know that company to be notorously incompetent coughs loudly in Bethesda and arguably whatever the fuck the sims 4 team is doing atm) that is the smallest size physically possible that they can present you with on launch day after way too many crunch hours.

Be nice to your Gamedevs guys. The majority of developers are out there just wanting to give you a fun experience and tell a story. And I think that should be appreciated.

here are my biggest gaming hot takes:

- no game actually needs to run faster than 30 FPS

- no texture needs to be bigger than 2k, and most don’t need to be bigger than 1k (save for megatextures). A good chunk should actually be smaller than 1k

- lower poly counts > high poly counts

Once you pass a certain threshold, it doesn’t even affect the style of the game that much, and you’re just using exponentially more power to get exponentially smaller results

Like, for example, the original Skyrim was 4 GB. The remaster is 22 GB. That’s five-and-a-half times more space for the exact same content! The graphical improvements are honestly negligible, especially when you consider the massive leap in storage and RAM used.

These sorts of things just hit diminishing returns so quickly— My eyes can’t tell the difference between 1k and 4k textures.

We have so many fun ways to get the maximum mileage out of every pixel and every polygon. It’s sad to see those techniques slowly trickle away from big-budget games!

Even as storage space becomes less and less of a concern, there’s something satisfying about keeping everything as small and tidy as possible