#+ i need to say it sry

[homosexualcitron]

Ron Kamonohashi really feels like a Detective Conan written by Reborn's mangaka which is 2 of my fav manga ever and man i'm liking this smmm

[phanfuckingtasmal]

im sorry but i cannot stop thinking about isha's pastel memories that play during her sacrifice scene.

look at how full of colour this beautiful fuckin shot is:

it's been well established in episodes 4-6 how grim and dark the undercity has become under cait and ambessa's new rule. but look at how isha sees/remembers it - because of jinx.

jinx, who went through a severe childhood trauma that has carried over into her present self - she covers extremely destructive weapons and grenades in bright pinks and blues, neons, childlike doodles, graffiti. (joy and destruction, powder and jinx, a contrast so striking it becomes like a signature for her).

and then we see the world through isha's eyes. when we meet her in episode 2, she's running through sewers, from goons dressed in black; it's grimy and grim. and then all of her recent memories are done in these childlike pastel, almost crayon-y sketches. because what isha saw was jinx covering a dark and grim world in colours.

and so isha covered her world in colour, too.

because jinx made her world bright.

isha looked at jinx and saw the child in her. she saw powder and she saw jinx. she saw joy and destruction. and that's why jinx gave isha so much hope. isha knew the world was grim and dark - but then she watched jinx, and she learned that you can paint over all that grim darkness with neon blue spray paint.

that's why isha believed in hope. that's why in her final moments - in a scene that is lit dimly and dramatically - she sees nothing but a bright world coloured in pastels.

never underestimate the hope of a child.

[solargeist]

"you want desert duo to team all the time!" yeag man thats. being a fan. im a fan. i Like Them

[pupyuj]

need yuj to bring back the babyboy haircut bcs look at the material 😩😩 not to be horny on a smut acc where i talk about choking on her dick but i literally moan looking at this like SORRY I’M A LESBIAN??

[lotus-pear]

forever in shambles over them :(

[dreamaze]

BFFL 48/∞ ↪ aeggression n. aggression provoked by unwanted aegyo

[just-an-enby-lemon]

My brain is unable to produce anything but angst.

Like I had this cute fluff idea of Carlos being a Ford fanboy and moving to Nightvale inspired by his favorite scientist going to study Gravity Falls in the 70s/80s. All mostly based on the fact Carlos moved to Nightvale the same year Mabel and Dipper went spend the summer at Gravity Falls.

And it was cute. It was mostly Carlos sending fan letters/reports and Ford reading them and deciding - thanks to Mabel - to answer and making a friend he didn't had a complicated past with (and had a similar love for science).

But them my brain went "Ford would fully assume Cecil was like Bill, right?" I mean from Ford's view there's a paranormal guy who imidiatly is into the scientist? Clearly manipulation.

And at first it was still fine. Maybe Ford helped Carlos own inicial distrust of Cecil. But my brain kept going. To the point it decided that maybe what makes Stan and Ford visit Nighvale after the Weirdmagedon is the news that Carlos is not being cautelos and instead is dating Cecil.

So at this point it was still just a funny au with Ford thinking Cecil is some type of evil charming eldrish god that'll end the world while Cecil is just bonding with Stan and super trying to impress his bf friends.

But finally my brain went: "okay but what about after Ford realizes that Cecil is just an overly dramatic paranormal guy and truly just loves Carlos?". And I realized that while of course Ford would be happy for his friend and relived about the world he would feel even more as if Bill was his fault. Here is Carlos just getting a sweet guy and maybe he was the only one that couldn't see the difference.

And now I need someone to write it and give Ford a hug.

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

[lemongogo]

what is their problem tbh

[thus-spoke-lo]

I hope I live to see the day where we stop assigning a parental gender role to “expressing care and/or concern for your friends and loved ones.”

[skitskatdacat63]

2023 Las Vegas Grand Prix - Qualifiying - Fernando Alonso

[shevr]

I love when you draw your goat like a cute cartoon girl. and also when you draw her like the most fucked up little creature ever

hhhrhhh h

[yaboisnelf]

i hate them i hate them i hate them i hate them i hope they explode

johnny cage and kenshi sketches from mk1

[solargeist]

watcher grian WILL go through the horrors of girlhood

[miyuskye]

Things Jon does in the last episodes of TMA S4:

1. Finds Elias, and he's distantly aware of having being pulled to him. He still asks him and Elias answers, because it's apparently their kink to do this Q&A session even if they're both all-knowledgeable beings.

2. In this push-and-pull game, Jon tries to ask what the Panopticon is, and Elias doesn't answer, so Jon Knows the answer. The audience wonders why they can't get a room like everyone else. Elias asks if he likes it and Jon says yes. Everything's okay.

3. Jon remembers he has a friend in need of saving, that's the reason he's here. He tries to get Elias' approval for going to save Martin, which Elias doesn't give him immediately. They can't be normal for a moment, so Jon has to earn it.

4. Jon finally obtains Elias' approval which is something also Elias craves because in his pet project he needs the pet's agency to be his own. Again, normalcy doesn't suit the two freaks. Also they get off other people's fear but when there aren't other people they have to do with their own fears. Weirdos (lovingly)

5. Jon compels Peter to tell his story. That's good, he needs to eat after entering the Lonely domain. And where does he lose it? When Peter doesn't tell him why he's Elias' prize. Okay, so the man he's been kind of admiring for years (even when he finds out that he's a murderer) has been waging him as a prize. Cool, he manages to stay calm, I wouldn't have honestly.

6. He offs Peter because he won't tell him anything more about Elias. Fair game, he should know by now how his little kinky game with his boss-slash-Eldritch mentor goes.

7. I want to make clear that Jon finishes Peter because he's not answering Jon's question about him being Elias' prize, and if this post is very shipping-based this fact is undoubtedly canon. He doesn't end Peter because he said something bad about his friends, or Martin, he does it because he won't tell him why he's Elias' prize. Be it because he's thirsty for knowledge due to the Beholding or for any other reason, those are facts. He probably would have done it anyway, though seeing how he behaves in S5 I'm not so sure. Anyhow, he's sulking when he doesn't get his answers, fair, and suddenly remembers he's here to save someone.

This has a parallel to another person being trapped and dying in the Lonely domain.

Jonah also had a friend he cared for trapped in the Lonely and did not save him, because he had to Know. Jon saves Martin at the end, but the parallel between them, the indissoluble connection between them strengthening even more.

HOW DO I STOP THINKING ABOUT THEM EVERY WAKING MOMENT??? AAAAA

[garlicrrow]

KAZ!!! and some guy WHO THE HELL IS THAT!!!!!!!!!