#& presumably conservative

[ministerforpeas]

The stop motion animated intro of Series 16 (1994) of Spitting Image (pre-John Smith's death).

[diluc33rpm]

the romance/relationship system in bg3 is genuinely some of the worst designed shit i've ever seen in any game with that feature but at least the memes we get out of it are funny. once saw someone comment something along the lines of 'patch note: waving at gale will no longer cause him to buy a house for the two of you to retire in' and i've never recovered since

[yarnings]

Motorists, please be aware that pedestrians measure near-misses in seconds, not metres. So if you managed to stop a couple of metres before the crosswalk that you didn't see the red light for, the pedestrian is too ticked to really be interested in your apology because she isn't going "oh, good, he had a factor of safety", she's aware that there was well under a second as a factor of safety.

[trifoliate-undergrowth]

During orientation one of the staff members mentioned that they'd have a drink cooler of Gatorade out for us on derig day so we could stay hydrated while washing the car, putting up tools etc. and multiple returning members laughed about how watery the Gatorade always is, that's it's water with a hint of Gatorade.

Today was derig day and they put out a cooler of super saturated Gatorade that borderline hurt your throat to drink undiluted. I drank mine about half and half with water

[bi-demon-ium]

i do actually really love how easily number two and rhonda immediately jump to crime. and probably milligan too, although we don't see it onscreen as far as i know. i also love nicholas's wide-eyed reaction/happy obliviousness to it, especially when he ALSO is extremely casual about committing crimes. all of this being juxtaposed with them following fishing regulations to the letter to the point of miss perumal tracking them down

[notsoevilpepsi]

apparently people at work think a coworker & I are dating ???

a little bit of me thinks it's funny bc like. at this point a solid number of them know I, at least, am queer? so even if they perceive this coworker & myself as cis & don't know my actual ... labels, or identity, or whatever ...

???? XD

at least they've decided I'm dating a decent person, I guess. XD out of the coworkers I've told my pronouns (or at least the one set), he's the only one that uses them/tries their best to avoid gendered language for me

so like. favorite coworker? yes. boyfriend/datemate/partner? no.

[woundedearth]

“Here's the story: About 13 miles from this spindle of rock, there's a bigger island, called Lord Howe Island.

On Lord Howe, there used to be an insect, famous for being big. It's a stick insect, a critter that masquerades as a piece of wood, and the Lord Howe Island version was so large — as big as a human hand — that the Europeans labeled it a "tree lobster" because of its size and hard, lobsterlike exoskeleton. It was 12 centimeters long and the heaviest flightless stick insect in the world. Local fishermen used to put them on fishing hooks and use them as bait.

Then one day in 1918, a supply ship, the S.S. Makambo from Britain, ran aground at Lord Howe Island and had to be evacuated. One passenger drowned. The rest were put ashore. It took nine days to repair the Makambo, and during that time, some black rats managed to get from the ship to the island, where they instantly discovered a delicious new rat food: giant stick insects. Two years later, the rats were everywhere and the tree lobsters were gone.

Totally gone. After 1920, there wasn't a single sighting. By 1960, the Lord Howe stick insect, Dryococelus australis, was presumed extinct.

—

Nick Carlile and a local ranger, Dean Hiscox, agreed to make the climb. And with flashlights, they scaled the wall till they reached the plant, and there, spread out on the bushy surface, were two enormous, shiny, black-looking bodies. And below those two, slithering into the muck, were more, and more ... 24 in all. All gathered near this one plant.

They were alive and, to Nick Carlile's eye, enormous. Looking at them, he said, "It felt like stepping back into the Jurassic age, when insects ruled the world."

They were Dryococelus australis. A search the next morning, and two years later, concluded these are the only ones on Ball's Pyramid, the last ones. They live there, and, as best we know, nowhere else.”

[hexhomos]

The 'Talis' hypothesis

So I think the S2 trailer confirms something central about Arcane I've wondered for a while. This has plot bearings to it, namely what nebulous purpose 'Magic' serves in the story -- how they're changing the role Hextech has in the game lore, incl. its power system & ruleset -- and what kind of hubris is associated with it historically. But it also answers something that has always nagged at me: why the fuck did they change Jayce's name?

So let's talk about this picture. And I'm going to give you the rosetta stone in 5 seconds:

This is Hextech now. Like that is just an incredibly concise and complete descriptor of Hextech-in-Arcane, right. It 'harms' Jinx, it 'protects' Jayce in the snowstorm, it 'heals' Viktor to a degree. It is installed permanently in architecture; the Hexgates ARE the brand.

First off, we have this fucker carrying around a talisman from back when he was 7, and the cinematography of the show agonizes over showing you this throughout all of ep2:

Jayce's bracelet is a bang-on definition of a historical talisman. The way hextech *functions* in the show is inextricable from the promises and rites associated with talismans, a word appropriated/popularized by the French - which I'm going to conservatively argue Fortiche would be familiar with;

Which brings me to the subject of what Hextech is, and how Hextech was changed for the tv show (and what its possibly being retconned to in the game)

Hex'tech' is not technology. The name is a carryover from a bygone era of leagueoflegends speak; Hextech in Arcane, and presumably in expanded lore going forward (given Skarner's rework and other things) - is the study, development, and the building of an industry around the craft of practical Talismans. If you want to understand how this shit works you need to promptly abandon the assumption that it is 'manufactured' magic -- its pure magic. It's raw magic. The tech part is a red herring misnomer.

The beliefs around this already cover links to 'the Arcane' as another, ethereal destination realm with Inhabitants that learn and change, ontop of rune-carving as magical instruction;

This also covers Viktor's impending transformation and the changes made to his character.

IN MY OPINION, via the content released so far and what we've already witnessed in S1, Viktor has been shifted away from becoming 'the machine herald' and re-positioned to become the Herald of Divine Rune Alchemy or whichever name they end up using.

I don't doubt that he'll get the armor at some point, because that's a recognizable visual and as much fanservice as they owe his decade-long fans, but... I would temper my expectations around the thought of machine evolution. It's not what this Viktor does, and it's not what he (or the narrative,) is interested in -- My guess is that the armor comes into play as a secondary way to AVOID overusing limited magical power, as we've seen runes can be depleted, and the hexcore tends to kill things in exchange.

Now that we've established all that, here is the bridge that I'm going to sell you.

Now, for today's homework, I expect you to run off to do something useful and homoerotic with this information.

[shortnotsweet]

This technically applies to my Stepmother AU in which Alicent is around six years older than Rhaenyra, and occupies a wicked stepmother role as opposed to ex ‘friends-to-first loves-to-enemies’. Despite lacking the foundation of shared girlhood, both find simultaneous comfort and rivalry in one another, and undergo a gravitational pull. A young Rhaenyra’s eagerness to participate in swordplay and political affairs at a young is accommodated for, and she grows up with a sword in one hand and the weight of experience in another, which further helps pave her way to the throne.

Alicent’s Costuming

Alicent’s clothing is almost entirely bottle, emerald, or forest green. While there is layering present in her skirts and jackets, the accent should always be a darker green than the base color. The fabric is deep, rich, and retains an undeniably high-quality luster. Look to velvets and silks. Gold embroidery lingers around her sleeves, neck, and hemline to elevate the coloring.

Metallic embellishments should be almost military-like, and appear heavy. Contribute to the imagery of chains or shackles in addition to her status

Draws inspiration from historically accurate stiffness and Victorian shapes, with a tapered waist, imposing, puffy sleeves, and a high neckline. Despite inaccuracies, this shape is evocative of someone elegantly and conservatively feminine, repressed, and capable of exerting power over others. Reference a classic, trussed hourglass shape. Skirts should be notably heavy and full; may make noise in movement

The coloring and shapes remain relatively consistent but lack variation; this is to demonstrate a lack of freedom and exploration, as well as an adherence to conventional feminine roles

Despite these limitations, her costuming should always be put-together, coordinated, and unquestionably fashionable. Tight sleeve cuffs may be accompanied by a more traditionally medieval fan sleeve

Shoes should stick mostly to slippers, or flat designs

In this AU, her hair leans more towards a dark brown instead of auburn, as her show counterpart. This is mostly due to faux-book accuracy and to simplify the sketch process, since keeping her hair darker in comparison to Rhaenyra’s lighter hair translates more easily in uncolored renderings.

Keep her hair either in a tidy bun or pulled back and loose; avoid too many intricate shapes, braids, or styles. Occasionally, the hair will hang loose. Lean into medieval or royal headpieces, clips, coverings, etc.

Rhaenyra’s Costuming

Rhaenyra’s clothes are primarily black and red, occasionally accented or substituted with neutrals such as beige, white, or gray. Exceptions may include blue or yellow, but she generally stays in this color palette.

Strong focus is drawn to her shoulders and neckline, sometimes with embroidered or embellished detailing. She often has strong, angular shoulders in her dresses or jackets, occasionally theatrically pointed. Off-the shoulder necklines emphasize her collarbones and a certain broadness.

There should be decent variety in her clothing; there is a hypothetical outfit for every occasion and more (for battle, for riding, everyday, formal, feasts, everyday, etc.), and most should be composed of multiple pieces and utilize generous layering. This includes under-fabric, belts and corsets, jackets and doublets, draped fabric for aesthetic purpose, and even functional capes.

Most of her clothes should provide visual aid for movement; additional fabric to her skirts, for example. Her clothes should be highly stylized but still easy to move in. In riding and battle gear, it is presumed that she wears pants and boots under her skirts, even if they are not visible.

Shoes lean more into boot cuts, still practical but should have a sleek and uniform quality to them. When she walks, she should make some kind of noise. Shoes should usually be black or potentially red, the latter for decorative purposes.

Overall her style should be more contemporary and lean into the fantasy element. She’s not opposed to oriental details or showing skin, and her costumes should reflect both couture-height drama and period-reliant aspects. Longer lines and diagonal hems mean she is not as devoted to an hourglass shape, and her high collars should always be decorative in some respect.

Keep her hair long and mostly loose, sometimes pulled back. Small braids should be implied as incorporated. Occasional hairstyles feature complicated braids. With the exception of highly decorative braided styles, simple buns should be avoided unless accompanied with very high necklines.

Avoid headpieces that are not either a) her crown or b) ceremonial.

[hellotailor]

i mentioned in my post about armand’s 1940s costumes that he visibly stands apart from the other Théâtre vamps, and i wanted to elaborate on that a bit.

the Théâtre coven are an eclectic group. however there are a few unifying factors. first off: pattern clashing. costume designer carol cutshall was inspired by the czech filmmaker karel zeman, whose live-action/animated films overlap with the Théâtre des Vampires own performance format:

many of the Théâtre vamps’ costumes (particularly onstage) involve bold patterns in black and grey, creating a lot of visual texture. on top of this monochrome palette you get pops of jewel-tone color. it's an extremely attention-grabbing look; the opposite of armand's more subtle, shadowy style.

then there's the characters' personal tastes. eglee is quite fashion-forward, with a kind of proto-rockabilly showgirl vibe - and a few brightly colored outfits. estelle (the one with curly red hair) was inspired by edith piaf, and celeste's costumes copy the aggressive stripes and zigzags of dazzle camouflage. she also has more of a 1920s/30s look - an interesting detail because some of these vamps are presumably hundreds of years old, and their wardrobes include old and new pieces.

santiago's costumes are a fantastic mix of vintage formalwear/theatre costumes (some of which are clearly dracula-inspired) and edgier outfits like his leather jacket, because he clearly wants to be seen as cool and dangerous. his judge costume is Thin White Duke-era david bowie!

individually, all of these characters put a ton of personality into their outfits. as a group, they absolutely look like a bohemian theatre company. their aesthetic embraces the "hiding in plain sight" philosophy of the Théâtre des Vampires itself, and you can easily imagine them being local microcelebrities among the parisian cabaret crowd.

armand, meanwhile, has no interest in garnering attention from the general public. he sometimes participates in the unofficial coven uniform by wearing subdued pinstripes or a black/grey suit (including the outfit he wears to direct the court case...!), but in general he's far more conservative and formal, with a sepia-toned palette. he isn't really one of the crew.

p.s. all of my iwtv costume design posts are archived on this tag!

[hussyknee]

Applying a conservative estimate of four indirect deaths per one direct death9 to the 37 396 deaths reported, it is not implausible to estimate that up to 186 000 or even more deaths could be attributable to the current conflict in Gaza. Using the 2022 Gaza Strip population estimate of 2 375 259, this would translate to 7·9% of the total population in the Gaza Strip

(Source: The Lancet)

The Lancet is one of the oldest and highest impact peer-reviewed medical journals in the world. Deliberate undercounting of deaths is a key feature of genocides.

The Electronic Intifada estimated it at 193,000 a few days before.

The reported number of martyrs on Wednesday this week was 37,718. It’s important to note that this number only includes martyrs who have been identified by name and civil ID number through the beleaguered health ministry in Gaza. Given the breakdown of reporting systems due to heavy destruction of infrastructure and personnel, this number, even with its limited parameters, is a gross underestimation. Based on more accurate figures of approximately 370 people killed daily, multiplied by 264 days of genocide, the actual number is closer to 97,680 martyred. (Per OCHA estimate of 15 martyrs per hour: Over the course of 264 days, which amounts to 6,336 hours, this number would roughly be 95,040).

...

Based on these estimates, both conservative and data-driven, respectively, the actual figures are likely as follows: • 377,280 buildings destroyed completely or partially • 95,040—97,680 martyred • 221,760 injured • 24,750 dead or dying from starvation • 42,000 missing (presumed dead, kidnapped by Israel’s occupying forces or possibly trafficked). The following ranges represent conservative estimate or lower range of data-driven population estimates: • 17,050—94,049 with chronic illnesses dead from lack of medication • 14,408—255,985 dead from epidemics resulting from Israel’s assault This means the actual number of dead is closer to 194,768—511,824 people, with 221,760 injured. And counting.

(Source: The Electronic Intifada)

Israel surrounded the last remaining hospital in the Gaza Strip with tanks and ordered it evacuated and shut down 12 hours ago.

If you still want to believe the pussy-footing toll of counted and reported deaths that can stand up to Western propaganda, after nine fucking months of dropping more than 70,000 tons of bombs on a 41 kilometer strip, exceeding World War II bombings in Dresden, Hamburg, London combined, rather than the statistical breakdown of humanitarian orgs and medical journals, then have at. There's no point telling you to believe the victims and question your own biases towards your own heavily propagandized establishments.

But if you can do basic math, then please use The Lancet's estimated death toll. The massacre of 8% of the Gaza Strip is a conservative estimate and still apocalyptic. Resist all attempts to diminish it. Remember that this is the result of the United States's obstruction of justice and open-handed abetting of genocidaires. Keep fighting.

Btw:

While the war itself is estimated to have generated between 420,265 and 652,552 tonnes of carbon dioxide equivalent (CO2e) so far—equivalent to burning more than 1.5 million barrels of oil—this figure soars to more than 61 million tonnes when pre-and post-war construction and reconstruction are included. This is more than the annual emissions of 135 individual nations—but there is currently no legal obligation for militaries to report or be held accountable for their emissions.

(Source: EuroNews)

[ir-abelas-vhenan]

Losing My Mind over Veilguard 8/??

See, I waited a perfectly reasonable amount of time before coming in swinging again but I actually cannot get over how dead the game is. Literally. (Me ranting about an early game quest in Minrathous incoming)

Spoilers below the break

So. The first time you go to dock town? And Neve says in one of seventy different ways "no you don't have to come with me, this is my home not yours, I can handle this myself if you want to stay back" ?(but the showing not telling argument is for another day so I'll refocus and conserve energy for another day). Anyways.

This quest. The one where you go into the chantry in Minrathous and surprise!

Dead bodies absolutely EVERYWHERE.

I took a screenshot and then lost it, but it's worth mentioning that in my game, Neve's line of dialogue above about tracking down family and friends of the deceased didn't even trigger. If it had, however, I still would have lost my mind.

Why, you might ask?

Because after counting, losing count because I was counting so high, and then recounting about seven thousand times I can confidently tell you that plus or minus two to three more corpses, there are EIGHTY SIX dead bodies in the CHANTRY. The holy center of an incredibly popular religion! And even if it weren't that! It is a massive grounds with EIGHTY SIX DEAD PEOPLE who were KILLED HORRIFICALLY BY THE VENATORI AND DEMONS. How are you going to have the time to track down next of kin for that many people? And WHY are we acting like this is NORMAL?!

Dock Town is played very one-note already as a neighborhood where sketchy things happen and people go missing and it's best to just keep your head down if you're not in a position to do something about it.

But oh my sweet baby Maker come onnnnnnn.

You aren't going to recover from this if you're this branch of the Chantry. Presumably, you've just taken a massive hit across all levels of your religious hierarchy and that takes time and training to fill. And dock town is poor as hell, so where are you going to get the funding to fix this sudden staffing issue?

How does this affect (per @housederiva's iconic posts) Viper? Ya know, the guy we have found out through datamining is literally the Black Divine?? All we see (in the scenario where Treviso is saved) is him sadly sitting outside the chantry going "we remember the fallen" and that's presumably for the people lost when the dragon attacked, with nothing spared for the (again, I can't not lose my mind over this) eighty six dead people who were devoted to the same cause he is!

A whole smattering of holy women have just been yeeted off the mortal coil and it means absolutely nothing to your immediate party save for some of the emptiest lines ever, the city as a whole, or in the larger lore of the game. At all.

There are so many moments like this that had me rapidly oscilating between screaming at my ceiling and looking exactly like this:

And this isn't even something they can pass off as being too tied to the source material and wanting to start "fresh". This is just lazy, empty, disappointing storytelling and it's why I lose my mind a little more every time I see an ardent defender of the game tell an older fan to "get over it" or "let go of your expectations."

Because having something like (so sorry) EIGHTY SIX DEATHS go down with actually NO ripples throughout the rest of the game coming from ANY studio, let alone one that used to kill this kind of thing, is crazy to me. And I will die on that hill, even if it means Neve just kind of skips over my body on her way to find my next of kin only to never spare me another thought again.

[reasonsforhope]

— Recent giant anteater sightings in Rio Grande do Sul state indicate the species has returned to southern Brazil, where it had been considered extinct for more than a century.

— Experts concluded that the giant anteater ventured across the border from the Iberá Park in northeastern Argentina where a rewilding project has released around 110 individuals back into the habitat.

— The sightings emphasize the importance of rewilding projects, both to restore animal populations in specific regions and help ecosystems farther afield.

— Organizations across Brazil are working to protect and maintain current giant anteater populations, including rallying for safer highways to prevent wildlife-vehicle collisions that cause local extinctions.

Playing back hours of footage from a camera trap set in Espinilho State Park in the south of Brazil in August 2023, Fábio Mazim and his team banked on possible sightings of the maned wolf or the Pantanal deer and had their fingers crossed for a glimpse of a Pampas cat (Leopardus pajeros), one of the most threatened felines in the world.

What they didn’t expect to see was an animal long presumed extinct in the region. To their surprise, the unmistakable long snout and bushy tail of a giant anteater ambled into shot.

"We shouted and cried when we saw it,” the ecologist from the nonprofit Pró-Carnívoros Institute told Mongabay. “It took a few days to grasp the importance of this record. A sighting of a giant anteater was never, ever expected.”

Last seen alive in the southwest of the Rio Grande do Sul state in 1890, the giant anteater (Myrmecophaga tridactyla) has since been spotted 11 times since August 2023, although the scientists are unsure whether it’s the same one or different individuals. However, the sightings confirm one clear fact: The giant anteater is back.

It's a huge win for the environment. Giant anteaters play an important role in their ecosystems, helping to control insect numbers, create watering holes through digging and are prey for big cats such as jaguars and pumas.

The habitat of the giant anteater stretches from Central America toward the south cone of Latin America.

Its conservation status is “vulnerable,” although it is considered extinct in several countries, including El Salvador, Guatemala and Uruguay, as well as specific regions such as the states of Rio de Janeiro, Espirito Santo, Santa Catarina and (until now) Rio Grande do Sul in Brazil and the Cordoba and Entre Rios regions in Argentina.

‍In the last six months, the giant anteater was spotted on camera 11 times in the Espinilho State Park in the state of Rio Grande do Sul in Brazil. It was the first time in 130 years that the species has been seen alive there.

Yet not only is it a triumph for conservationists to see these animals returning to Brazilian biomes, it’s also a surprising mark of success for a rewilding program about 150 kilometers (93 miles) away in neighboring Argentina.

‍Rewilding Argentina’s biomes

‍Iberá National Park in Corrientes province in northeastern Argentina is a 758,000-hectare (1.9 million-acre) expanse of protected land comprising a part of the Iberá wetlands with its swaths of grasslands, marshes, lagoons and forests. The region was once home to just a handful of giant anteaters after habitat loss, hunting and vehicle collisions decimated the population.

Since 2007, the NGO Rewilding Argentina, an offspring of the nonprofit Tompkins Conservation, has been reintroducing the species back to the area, most individuals being orphaned pups rescued from vehicle collisions or poaching.

So far, they have released 110 giant anteaters back into the wild. Nowadays, several generations inhabit the park, transforming it from “a place of massive defaunation to abundance,” Sebastián Di Martino, director of conservation for Rewilding Argentina, was quoted as saying in an official statement.

The project has been so successful that the giant anteaters appear to be venturing farther afield and moving to new territories beyond national borders, such as Espinilho State Park in Brazil’s Rio Grande do Sul region...

Experts now hope that a giant anteater population can reestablish itself naturally in Espinilho State Park without the need for human intervention.

“The giant anteater returning to Rio Grande do Sul shows the success of the work done in Argentina and how it’s viable, possible and important to do rewilding and fauna reintroduction projects,” Mazim said. “It is also an indication that the management of conservation units and also the agricultural areas of the ecosystems are working,” he added. “Because if large mammals are coming from one region and settling in another, it is because there is a support capacity for them. It is an indication of the health of the environment.”

-via GoodGoodGood, via May 25, 2024

[medusamagic]

There's this weird false equivalency that I keep seeing where people say "You know terfs see trans women as men because they constantly treat trans women as rapists." On top of being a bizarre leap in logic, it's also very obviously wrong. Cis men don't get accused of rape the way trans women do.

When a cis man gets accused of rape, everyone almost always immediately takes the man's side, regardless of context. Worst case scenario, the man gets a slap on the wrist and a high five from the judge as they walk out of the courtroom (see what happened to Chris Brown, Jimmy Urine, Ronnie Radke, at least one member of your favorite pop punk band, etc).

Trans women don't even have to do anything at all-- we're immediately presumed rapists by virtue of being trans women. We're denied entire career avenues, portrayed as monstrous in the media, and often cut off from our peers. Even in "queer spaces" its common for trans women to be treated as intrinsically predatory in a way cis men simply aren't.

In truth, TERFS and neocons don't see trans women as men or women, because the don't think we're human at all. The average conservative views trans women as a toxic blob of sludge in the vague shape of a human, poisoning the world with every motion. Meanwhile, the average liberal thinks the same thing, but is more polite about it.

[newyorkthegoldenage]

With the country now at war, Mayor LaGuardia launched a city campaign to conserve water. This was one of a number of ads (for the subway, presumably) designed by Earl Kerkam, ca. 1942.

Photo: LMPC/Getty Images/Zazzle

[conflictofthemind]

Thoughts on "Escape from Camazotz"

Oppressive Suburbia, Conformity, and Season 5 Themes

I've long thought that a major focus of Season 5 will be the contrast between the families of The Wheelers and The Byers, and exploring how non-traditional family environments can be freeing vs the oppressive structure of the nuclear family.

In a Wrinkle In Time, Camazotz is a planet controlled by the big bad of the book, the "IT", who forces the citizens into a conformity that resembles American suburbia. All of the houses the same, the citizens the same, doing the same things at the same time without individual identity. Without anything different. Different means a lot of things, but with Stranger Things dropping different in reference to Will's identity and the presumable themes of this season, it will heavily codify as queerness and how it threatens the cisheterosexual family model.

Henry was raised in the 1950s, a decade still revered by conservatives for it's traditional family dynamics that supposedly were the peak of culture and happiness for all. That was all a lie, of course, and Henry knew so as he shows to Nancy and Eleven during his monologue. The second most conservative decade aside from the 1950s in American society is widely considered to be the 1980s.

The Creels will serve in parallel to The Wheelers; the worst example of what they could become and the damage that this type of family could do to a child that is different in any way. Notice how Vecna selectively shows Nancy visions of The Wheelers dying, but not anyone else she may consider family or friends (like Jonathan).

That is; unless they change their ways and come together as a healthy functioning family facing their traumas, The Wheelers will be toast.

Karen has been moved up to a main character role this season. Ted's actor says the father starts to show up more for Holly (hold that) and realizes he wants to act differently. Holly has been recast. Finn has said Mike goes on a much more personal journey this season, and steps up as a leader.

Oh, also: the catalyst for all of this is that Holly goes missing. The contrast will help show how the Byers (including El and Hopper here) were able to pull together and help solve Will's disappearance, versus how the Wheelers as a closed off nuclear family grapple with Holly's vanishing.

Each of the Byers is in some kind of a non-1950s conformist relationship, but particularly Will (not in one now but we all know he will be). I think El might represent, after she breaks up with Mike, the fear of the unmarried woman being satisfied without a husband. The above shot really emphasizes my point.

I predict that Will will end up coming out to his family rather early on, and we will see all of them immediately accept him with little surprise or push-back. Will is a visible gay man who comes from an open minded non traditional family (divorced, non-married, adoptive) that is willing to have honest conversations.

But this theme will place the most focus on the Wheelers. Mike is the main character of said family and this will particularly focus on his arc, and his acceptance of his queerness in the midst of suburban conformity.

He is not visible, he comes from a Reagan-supporting family who don't communicate with each other. He is not particularly close with his family like Will is. He pushes his feelings down and tries his damn hardest to be normal despite it all. His trauma hasn't really been addressed at all. He is falling back into his usual habits - the one thing he dared to do different (grow his hair long) has gone back to how it was.

It's not all doom and gloom though. This season above all will be a redemption arc of the American nuclear family, how they choose to escape their conformity and learn to be there for each other, thus overpowering Vecna. Not that the Wheelers are going to end this personally.

"Great, more hysteria. Just what we need". "It's the news, now indistinguishable from the tabloids".