#& at this point i want it to be neither

[egophiliac]

don't think I'm not still obsessing over 7-12

[mondo994]

"We were both silent for a little, and then he looked at me with a direct, gentle gaze. His face in the reddish light was as soft, as vulnerable, as remote as the face of a woman who looks at you out of her thoughts and does not speak.

And I saw then again, and for good, what I had always been afraid to see, and had pretended not to see in him: that he was a woman as well as a man. Any need to explain the sources of that fear vanished with the fear; what I was left with was, at last, acceptance of him as he was.

-The Left Hand of Darkness by Ursula K. Le Guin

[emoclowncircus]

quick little rant thingy because DMC reddit just pissed me off

I hate how so many people in the DMC fandom fall for Dante's party guy shtick and genuinely believe him to be as dumb as a rock . For example an argument i see often for this is his inability pay off his debts/rant . People believe he's simply too dumb to manage any money when in reality it's stemmed from the fact that he has little to no consideration for his well being and puts others' needs before his,rather than his own lack of intelligence. Like Grue's daughters,whom he sends money to support them--or Enzo,his ex middleman. Even in the anime he goes on his way to save his client's brother,without getting proper payment.

Other than that,again in the anime he proves himself to be a worthy-occult detective and how great he can be at reading people. His office also has a decent amount of books lying around showing that yes,he does read and value knowledge

Not saying he's smartest out there,but he is in no way as stupid as people make him out to be.

[biggest-gaudiest-patronuses]

there's just... there is no reason to make yet another cop show in this day and age. copaganda is not only bullshit, it is a failure of imagination.

you want to watch brooding characters with dark pasts investigate crimes in an official capacity? just use private detectives (cops have a miserable solve rate anyway). want eccentric geniuses & their sidekicks solving mysteries? i present you with armchair detectives & neighborhood busybodies. oh, you're craving a workplace comedy-drama starring overworked protagonists doing their heartfelt best to resolve community conflicts? social worker office sitcom! bitch this is ACHIEVABLE

[rattsin]

Fury made Alanna gasp for breath. How could anyone get well in a menagerie? How could Jonathan breathe? This went against all the commonsense rules Maude had taught her for healing: clean air, quiet, absolute cleanliness, calm and reassuring voices. Didn't these people know anything?

[whatudottu]

What do you get when, after you worked so hard Changing the first time, you're forced into a body that isn't yours and your have to stare at the person you used to be while regressing and battling against a new worse kind of dysphoria?

Being a cunt honestly :P

aka loopsabeau is a dick to isabeau as a version of 'killed them so i could live' but killing a timelooper is not permanent and really it's more satisfying to be the person they BOTH hate

[megamindsupremacy]

Drifting Stars headcanon where Mabel and Ford use the "we're father/daughter" story so often to avoid suspicion that Mabel calls him "Dad" instead of "Grunkle Ford" now.

Ford has a reasonable amount of emotions about this and does not nearly cry the first time Mabel calls him "Dad" outside of lying to people.

[starry-bi-sky]

Snippets for my Clone^2 Au that I thought was funny...

in incorrect quotes style format (Clone^2 = Both my Clone Damian Au and Clone Bruce Danny aus combined)

Snippet 1: Danny and Damian meeting for the first time

Danny, avoiding Damian's katana: I don't wanna know who made you I don't wanna know who made you I don't wanna know who made you Danny: pleASE STOP TRYING TO STAB ME

------- Snippet 2: Danny and Damian meeting (Alternative)

Bby Damian: gets dropped off in the ONE city where his dad's clone is Danny, internally: damn I don't wanna know who made you

Danny: alright little buddy, lets -- *blocks Damian's sword* please don't stab me -- let's get you something to -- *blocks Damian's sword* please don't stab me -- something to EAT

------------- Snippet 3: Danny checking out books in the library Librarian: oh, are you trying to learn arabic, Mister Fenton?

Danny: oh- uh, yeah :) my parents recently,,, took in a foster kid from overseas,,,, but we found out he doesn't know english and he's having a hard time adjusting Danny, lying (only partially) through his teeth: so I,,, thought,,, maybe it would help him acclimate to his new environment if I learned some arabic :) Librarian: oh how sweet! let me know if you need any help, i can find you more books Danny: thank you

----------

Snippet 4: Damian wants to patrol Damian: let me come with you on patrol Danny, 16 year old idiot who fights without powers: uh. no. you are Itty Bitty Child Damian: comes with anyways

----------- Snippet 5: Damian, trying to fight a ghost without a ghost-proof sword: Danny, catching him and holding him against his chest: *radiating exhaustion* no,,,, no,,,,, not yet,,,,

-------- Snippet 6: danny has an epiphany Danny, realizing that he needs to set an example now that Damian is coming with him on patrol: fUCK Danny: I NEED AN ACTUAL SUIT ---------- Snippet 7; dynamic duo Danny: what is it with you and batman and robin???? Damian, silently sweating: ,,,,,,,because they are exemplary partners and i would like to think that us two are the same Danny, doesnt know identities: ...aww??? thats kinda sweet??? okay :)

---------- Snippet 8: hypocrite Damian: dijaal (affectionate) Danny, on day ?? of solving a cold case after a ghost asked him to: hrbhk - Damian, what are you doing up? it's late, you have school in the morning Damian, staring at him deadpan: you have school too. you should go to bed Danny: five min..utes buddy. then i'll go to bed Damian, grabbing the back of his rolling chair and pushing him to bed: no. now. danny, with eyebags the size of the marianna trench: ...fine. now.

--------- Snippet 9: ...the line Danny, doing homework with Sam and Tucker: Danny: *has an epiphany* wait. shit Tucker and Sam: ...? Danny, his head in his hands: am I Damian's dad or his brother?? Danny: wh- what do we define this??? Tucker: ... you're brothers until its funny? and then you're his dad?

----------- Snippet 10: learning Danny: reading a book about learning arabic Damian, slamming his hand down on the book to get his attention: dijaal, *points to book* kitab Danny, frowning: what? Damian, tapping book: kitab Danny: ..ki..kitab? Kitab? Book? Damian: Boog...book. *points to table* tawila --------- Snippet 11: clone reveal Damian, later after he knows enough english and months of chilling out: i am a clone.... meant to kill my original Danny, internally: wow you don't say? Danny, out loud:..huh. okay. thanks for telling me, uh, same here. except that last part

---

Dijaal = imposter Damian is affectionately calling Danny an imposter because danny is a clone of bruce :)

[cringefailvox]

ideal radiostatic relationship progression for me personally is friends to enemies to codependency

[coockie8]

I saw someone on twitter claim that lolicon/shotacon and other adjacent type tropes only exist because pedophiles know they can't rape children, so they just draw it instead.

And I am not even remotely joking when I ask, if that were 100% factual and not a blatant strawman; how is that a bad thing?

How is someone with a mental illness choosing to cope with their desires through artwork instead of going out and raping a real, living child a bad thing?

Look me in the eyes and explain it like I'm 5 how intentionally going out of your way to avoid hurting a person because you know it would be wrong is bad.

[daemon-is-perfectly-unhinged]

Rhaegar: We can't come.

Viserys: Why not?

Rhaegar: . . .I'll be washing my hair.

Jon: Holding the towel.

Aemond: Running the water.

Aegon: And I'll be in my chambers trying to get over the fact that nobody invited me to the big hair washing party.

[chaosxcrushed]

There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.

That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.

However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.

“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:

The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).

Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”

1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.

2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.

3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.

What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.

This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.

Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.

[dxxtruction]

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.

[briar--rising]

It is so funny to me when people try to argue about who's 'worse', Lestat or Armand. First of all, worse by what metric? By the way they treat humans? The way they treat Claudia? Or (as it seems most people are focused on) only the way they treat Louis? And if it's by the way they treat Louis, are you judging based on what you would find worse in a partner, or by what Louis does (bc I would argue he pretty clearly has an opinion on that based on the end of season 2).

And most importantly of all, who cares??? They are both TERRIBLE. Everyone in this show is terrible! You can like morally reprehensible characters. Armand is my personal blorbo, and what he does is horrific. I can feel bad for him, and enjoy watching him, and think that his actions are heinous, and reblog art and read fanfiction of him, and analyze him without excusing him, all at the same time! And so can you with whoever you like!

Pitting these characters against one another is absurd. "Which one is less abusive" is a question I guess you can ask, but it's not a very interesting one. Much more interesting is "Why are they abusive in these specific ways? What about their trauma and personality informs their actions? Why does Louis react the way he does to each of them? What does that say about Louis? What does this show say about domestic violence in general? Are the rules different for vampires? Or is abuse abuse? Do the victims determine who should get forgiveness? Or are certain actions inherently unforgivable? Can you forgive someone when their victim hasn't? Is any of this different in fiction rather than reality? etc etc etc." There are so many interesting questions posed by the juxtaposition between Lestat and Armand and the way they treat Louis, and none of them are "but which one is worse so I can forever villify that one and hold up the other one as the paragon of what's good and right and perfect for Louis"

[qoldenskies]

Can you shower us with circumventing death lore please? (chaotic besties cj and Donnie my beloved)

i have only angst facts .... like how the (soon to be) running gag of donnie refusing sleep for several days at a time is directly correlated with his lost sense of time in technodrome and the fear that he's just going to wake up back there (<- cptsd moment), and how f!april watched f!donnie die, and how technically f!leo is responsible for the deaths of ALL his brothers, and how because of everything that happened f!raph of all people (who is AFRAID OF BEING ALONE) is going to spend the afterlife without any of his brothers,

[tarraxahum]

This was gonna be a reply to a reply but I thought maybe I should just make my own post. Yes this is about Vi again.

It's no secret that "Vi should've fought for Zaun" and the expectation of her being Vander's prodigy and feeling like the plot dropped the ball on her in that regard and the betrayal at the fact that she's living comfortably in Piltover now are. Frequent sentiments in the fandom. Which I get, but also I feel that this line of expectations is. Diverging from who Vi actually is by the end and what she was realistically capable of.

Vi in season 2 is basically running on fumes and because she has no other options. It is a well known thing in irl activist spaces that to participate in any kind of fight for justice you need to take care of yourself, otherwise you won't have the energy to be any kind of useful to your community. Ekko also says this - "It's not enough to give people what they need to survive, you have to give them what they need to live". Vi has been surviving and not living in any shape or form for years, she's exhausted and broken in places. That's no mental state to fight for Zaun or make any kinda change. I think it's extremely realistic and human and hardly a flaw of writing or the character if by the end the only thing she was able to do was collapse into the safety and peace she was offered for the first time in forever (aka Caitlyn). It's clear that in her last scene she's still recovering mentally - Cait seems to be excited to have any sign of life (singing) from her at all, and the "Are you still in this fight?" question is very loaded. (But it's indicated that Vi is very much still in the fight, so? It's really anyone's guess what she'll do once she's healed and remembers how to live. And don't bring up LoL's Vi brutality thing, it's clear they're different characters).

I think in wanting to see Vi stand up for Zaun or be Vander's prodigy we often deny her the flaw of being a breakable human and forget just how much she's held together by duct tape. Just because she was full of this 'fuck Piltover' fire as a kid doesn't mean she is still capable of matching that energy. Sometimes after lots of trauma humans grow up into tired adults who just want to sit down and feel safe regardless of where it happens and how questionable it might look (re: living in Piltover). Not to mention, that even as a child Vi's main reason for fuming at the Topside was wanting safety for her family and herself. Well, now she's all out of family, she's estranged from the community of Zaun thanks to being in prison for 7 years and Silco changing the place so much, and the only person who's offering her safety and not more fighting (which she's exhausted and thoroughly burnt out from!) is Caitlyn, so. How is where she ended up any kind of surprising or a failure of her writing/character?

Yes, a lot of people wanted a revolutionary, no, Vi isn't one. Dare I say, never really was one. At her lowest, when she's got no one left to protect, she's not trying to fill in that void by taking on protecting Zaun and becoming a vigilante or something, no, she spirals. That is not something on her radar, that's not something she's visibly cut out to do, she cares so so much but on a smaller scale. Even the whole shimmer factory debacle was less about Zaun and more about her desire to hurt Silco personally for what he'd done to her family. If Jinx agreed to run away with her back at the tea party Vi would ditch the entirety of Zaun (potentially leaving it to Silco forever since he's still alive at that point) in a heartbeat to keep her sister and save Cait in one move. She puts on an enforcer uniform BECAUSE she cares for Jinx (through convincing herself that at the very least she should take her out of her misery herself rather than leaving it to people who don't care, yes) and Cait both.

Perhaps a hot take, but not becoming a leader despite being good at taking hits to the head and caring about people in general and being a daughter of one does not make Vi a badly written character or a bad person. It just makes her a person. And a character whose arc culminated in choosing herself. And choosing yourself sometimes means leaving the fight to others (perhaps temporarily, considering the final dialogue). And that's okay.

Arcane is tragedy about flawed people, not a feel-good story about a successful revolution and rich people paying for their crap, and it was never going to be. Ergo one of our main character isn't an upcoming hero in shining armor who was allegedly robbed of her potential. She's just a broken young woman who barely knows how to keep her own little life together and her biggest victory by the end is allowing herself to take a breath and live for once. Yes, while her home down there is still in shambles. Yes, that sounds selfish. For some people a bit of selfishness is the greatest thing they can ever learn for themselves.