#I mean it has to be look at this monster

[legendary-guest]

what r ur favorite drakgo fics?

A very good question! I have a lot of favourites! List with blurbs and commentary incoming, giant. Reviewed Mad Angry, Mad Crazy by bcbdrums Hell hath no fury like a mad scientist scorned! Borderline psychological thriller, equal parts character deconstruction and tragedy, a twisted telling of the aftermath of So the Drama and Mad Dogs and Aliens. Love having your brain scrambled, heart torn apart? This one's for you! I've reviewed this one in particular for anyone who may feel lost when following the story; also, because I adore it.

Mint by OhBoyOhBoy A moment of deep sentiment and romance amongst chaos and debris. Tension is built upon excellently, the sweetness is the peak and the end, a (literal) gasp. This author has great work, but this is my absolute favourite. Contains my favourite Shego name ever.

Drakgo Drabbles by gofordrakgo Some of the best drabble work I have ever seen. No word is wasted. Moments in time, bits of unique characterisation, huge events condensed into 100 words; a wide variety of topics and themes. You will find something you love here, don't let the word count put you off. Less is more, and how! I recommend revisiting a piece that catches your interest to appreciate it better, don't fly through. Dwelling by gofordrakgo A unique origin story for our favourite villains, where a young Shego, Shea (my second favourite Shego name), worms her way into dorky Drew Lipsky's derelict apartment and the domino effect that comes of it. Reverse-engineered Drakgo; unrefined, naive, and...innocent? Lots of sweetness and humour with an underlying, creeping darkness. Developing story, I recommend sticking around - I know I am! and now i'm covered in you by soulffles (NSFW 18+) A fantastic post-Graduation get-together fic with wonderful prose. Deeply romantic, intimate and funny! The internal monologues for this piece are spot on, the way the author weaves in humour amongst these vulnerable moments and thoughts just endears me to Drakken and Shego's plight of...realising that they love each other. A Precise Hand by eclipsing-dreams Fantastic subject of hands being the focus, revolving around all the wonderful things they can do (and can elicit!). Two chapters, one for each of them. Excellently constructed, fantastic characterisation, and just a touch (har har) naughty. A slightly unique edge of characterisation is given to Shego's part that I find intriguing. Happy, sweet ending; you aren't left hanging! Highly recommend the author's other pieces, this is simply my favourite. Here by gofordrakgo Drakken and Shego show-up for each other when they need someone most. The Shego section in this story is my favourite; the best depiction of, to avoid spoilers, a 'vulnerable' Shego I have ever seen. This convinced me, this was her. Dr. D showing up for her in that part, my goodness. I love it. The wounded pride, the shame, the quashing of feeling she presents is just great. Fantastic balance. So lovely. Happy ending. Friends by gofordrakgo Shego realises she may not have been the greatest friend to Drakken, and questions the nature of their relationship post-Graduation in her emotional exhaustion. Fantastic character breakdown, very tightly written. If you love slow-on-the-uptake Drakgo, an emotionally exhausted Shego who suddenly lets her thoughts (and feelings) run wild and awkward domesticity, I recommend. Forfeit by bcbdrums The only winning move is not to play! Somewhat non-linear story-telling, smashing together the bits of Dr. Drakken's shattered life post-Graduation, and post-Shego. O, we love a good Greek tragedy! Parting is such sweet sorrow. Jealous by TheyCanHaveTheSex (NSFW 18+) How can I say no to angry, angst fuelled sex, anguish and repressed feeling? How can I say no to jealousy? I can't, is the answer. Love the tension and how bizarre Shego is in particular in this piece, at least to a certain point. The way the story gives way to genuine hurt, too, I really love it a lot. It's not very heavy, in my opinion, but it does get a bit sad. Sweet, happy ending, I really love this one.

Unreviewed A New Beginning by Windcage (NSFW 18+) Yet another fantastic post-Graduation get-together fic! Mature, sort of refined atmosphere that I love, featuring a particularly distracted Dr. Drakken and an unusually patient Shego - until she isn't. Very, very sweet, romantic and funny. Doc's plant mutation is characterised in a fun way here as well. Highly recommend. come back when you can by obijuankenobi (NSFW 18+) A Drakgo exclusive Graduation Part 1, basically! Excellently written exploration of Drakken and Shego's new careers post-Graduation, and insight into how Dr. D really sees himself, after all the fanfare. Well-written, fun plot that does not overstay its welcome, fun action scenes, Drakken and Shego protecting each other, and, most of all, extremely sweet and tender romance. A++, five gold stars, Honour Roll, you name it. And, Motor Ed gives Shego a sexy motorcycle! Why didn't she ever have one in the show? This author gets it. Bad is Good and Good is Bad by split-n-splice Realistic, gritty and somewhat surreal depiction of how Drakken and Shego met, before they became Drakken and Shego. Strong, tense atmosphere. Visceral, ugly, the lowest they have ever been in their young lives, and, when they meet, consequences are inevitable and paths are determined, set in stone. The author makes clever narrative choices, such as omitting names entirely, which builds upon the emerging, almost 'blank slate' aspects of the Doc's and Shego's identities as youths at this point in time. The setting is fantastic, probably my favourite aspect of this piece. So many strong bits of imagery that involve the environment, especially in the second and third chapters. A great scar origin story, too. I highly recommend for anyone who likes something meatier, more grounded. O yeah, and there's great art inside! How considerate of the author to help the reader out! Durable by tabbyclaw Love this one, especially the bluntness of Shego's inner monologue/prose. Possessive, cheeky, somewhat domineering, almost feigning playing second-fiddle to Dr. Drakken. The setting for this is great, there's a great sense of Shego-flavoured risk and recklessness involved without sacrificing her glamour. This might all sound like nonsense, but, I assure you, it is all there in the text! Fans of kissy-face, this one is for you! (Meaning, every Drakgo fan ever, but I digress).

Untitled by tabbyclaw I always appreciate this author's maturity when dealing with Drakgo, I adore it, and it's present here, too. No skimping on the romance at all, it's just wonderful. A take on a love confession that's just so...nice. After the whirlwind and fervour, realisation rolls in. Comforting. Ocean Views by Aleego ; Tumblr fanfic link inspired by art by midnightcaptions (NSFW 18+) An excellent fic inspired by a great piece of art! Truly a merger of great minds! Phone sex might be nothing new, but it works excellently here to establish tension. It's actually a fantastic headspace for Drakken and Shego to be in as characters, not having to face each other, but to speak as if they were alone. It's a strange bit of intimacy between them that, potentially, serves as a lynch pin to how their dynamic changes. Tastefully written. Truth or Dare by those-other-ones (NSFW 18+) Love this one. Love how unique it is, how casual it is, how unglamorous it is. It's also incredibly sweet, vulnerable. Romantic drunkenness, if you will. Captures their competitive and stubborn personalities very well, sabotaging themselves without even knowing by throwing alcohol into the mix. Happy ending, very tender, intimate, sweet. Full-on sex not something you can handle? Try this one. Untitled by those-other-ones (NSFW 18+) An alternative take on an existing fic where Shego is still a hero in Go City and Dr. Drakken makes his villainous debut! I enjoy how weird this is as a first meeting. The setting allows for a great sexual tension and atmosphere that's very unusual, and, when villain and hero are alone together, fervour, desperation and tenderness are unleashed. Very different, highly recommend. Love this one. Routine by Nikki-wr (NSFW 18+) Drakken and Shego's relationship suddenly becomes physical, but it's not all roses. This is a really excellent, weighty, angsty fic. I love how their misunderstandings, miscommunication and insecurities are depicted, their fears of honesty and taking risks when it comes to each other, juxtaposed with irony of perpetuating a self-destructive path. My words might be strong, but this fic ends very, very sweetly. In truth, all of this author's pieces are strong, and angst-tinged, which I adore, but I've chosen this one to highlight. Love the passion. Oldies: Fics from Years Gone By! Vietnam by Dr. Agent My absolute favourite Drakken-centric Drakgo fic ever, bar none! Drakken's developing feelings for Shego are documented in unguarded moments, woven with masterful, restrained prose. The language in this blows me away, it's just. Wow. There is one line in this, a single line, that I obsess over. Powerful imagery and metaphor that ties together the wilderness, war and jungle-theming of the piece - just brilliant, multi-faceted. The author also has a Shego-centric one to mirror this, but Vietnam is my absolute favourite. Beautiful Dynamite by Crystal Allen My favourite Shego character-study fic, ever! Set during Two to Tutor, the author utilises Señor Senior Sr.'s wisened voice as our guide into the ferocious, yet unattractive, side of Shego. Brilliant, I cannot think of a more polarising pair to make commentary on each other, despite their shared hedonism, passion for wealth and villainy. SSS makes slight Drakgo commentary at the end, which I love. Makes me want to read more from his perspective on the two of them, since in this fic, their relationship sort of parallels and contradicts ones he has had in the past. I highly recommend for any big Shego fans. Jealous by NAster Another great Shego-centric fic with jealousy as a core theme that makes the list? Say it isn't so! Wonderful take on Shego's flighty, ornery nature and how it's influenced her behaviour with Drakken, and, with everyone else. Understated, sweet Drakgo, possessive Shego. What's not to love?

Out of Control by Blackfire 18 The Supreme One's treatment of her last line of defence has warped him, not just in body, but in mind. Some of my favourite nasty lines from Supreme Shego and Drakken live here. Rage, angst and tragedy, all in one. The Supreme One's future is miserable for all, even herself. Downer ending. Seeking Shelter from the Rain by Blackfire 18 A classic. Adore this author's Gothic atmosphere, it's very nostalgic, and very prominent in this dreary piece. Amidst a recent failure, Shego is vulnerable and Drakken is there with her. Comforting, sweet ending. Fatal Mistake in the Dark by Blackfire 18 In my opinion, not as strong as the other two pieces. However, it is the ending to this that I really like. The author's sense of building dread is fantastic and present in all her dark fics, but the pay-off for this one is intriguing. Tragedy...? Everything by Hematitebadger A measured, mature, sweet, outcome of a scenario where Dr. Drakken wins. The sheer gentleness, the duality of Lipsky, what he is capable of and who he is. Just lovely. Minutes and Years by Hematitebadger 50 sentences, a real relic from the past! One of the very best that Drakgo has to offer. You only need one sentence to grab you! Symbiosis by Ninnik Nishukan from The Ones That Never Happened Liked Out of Control? Watch a similar dynamic play out and end in a completely different way! Understand the reasons behind Shego and Drakken's transformation and relationship in this timeline, and the brief humanity they end up sharing. Optimistic, relieving ending compared to its sibling-fic. The author's best work, in my sincere opinion. More? Interesting ideas/cute moments/unique settings that I like Stay by Eienvine - Oldie Any Road Will Get You There by Crystal Allen - Oldie Definitely Exactly What It Looks Like by souljelly - Reviewed Sick Day by split-n-splice - Reviewed Practice Makes Perfect by split-n-splice - Reviewed The Devil Wears a Suit and Tie by split-n-splice - Unreviewed Not Sentimental by sweet_tangerine_dreams - Reviewed New and Not New by Malvolia - Reviewed A Knotty Situation by bcbdrums - Unreviewed In All the Gin Joints in the World, He Asks for Coco Moo by UnapologeticallyMeatwad - Unreviewed The Aftermath by dragannahEireann - Unreviewed / Incomplete Fic Expected by gofordrakgo - Reviewed Just a Pair of Cold Dwellers by OhBoyOhBoy - Unreviewed

Thanks razzledazzledrakgo, for breaking in my ask box, and for breaking the dam! I don't know how to add a Keep Reading cut.

[ninadove]

Hello there.

[Slides elegantly into the tags]

Do you ever think about Emotion?

Of course you do. How could you not. But do you ever think about this exchange specifically:

“You’re not Adrien!”

Because Adrien is sweet, and forgiving, and kind. In fact, kindness is his defining quality — Marinette herself made sure of it:

“I’ll never tell another boy I love him before I know everything about him! Whether he’s kind or not, thoughtful, what he does outside of school and with who… I’ll know everything.”

But.

Do you ever think about Adrien’s development in S4 and especially S5?

Overtime, he has grown resentful of a system that exploits him relentlessly.

Of the people he gave countless chances to, only to be let down over and over again.

Of the web of lies and half-truths he constantly finds himself tangled into. A web that is only growing bigger, stickier, and trickier to escape.

And the Senticousins. Do you ever think about them?

Do you ever think about how they are each other’s reflection, identical and opposites all at once?

“When you bring a living being into this world, you have a responsibility towards them. Your duty is to protect them, love them, help them discover the true meaning of their existence. To deprive them of that… is monstruous.”

“To have a child is to help them blossom, to grow, to find themselves and to be free!”

Do you ever think about their opposite character arcs in S5 — one learning mercy and trust, the other developing a rage so strong it could destroy the world?

Do you ever think that if Felix can now have this exchange with his mum, and mean it:

“They’re all monsters!”

“Not all of them.”

Then there’s nothing stopping Adrien from saying this:

“Look closer, Marinette. They’re the monsters.”

[seance]

I'M GONNA SEE MY MAN, 'TIL I GET SATISFIED / for @izzy-hands

[thronealigned]

no it's fine this mind flayer is totally my friend and 100% honest with me all the time it's ok it likes me everything's so normal

[booasaur]

Monarch: Legacy of Monsters - 1x04

[sysig]

It’ll all go fine if you’d just don’t worry about it, probably (Patreon)

[aroaessidhe]

2023 reads

The Spider And Her Demons

YA Australian urban fantasy/horror

about a Malaysian-Chinese girl who’s half spider-demon, just trying to keep her head down and survive high school

when she accidentally kills and eats a man in front of the most popular girl at school, they strike up a strange friendship and she starts to learn more about herself and the supernatural world

aroacespec/sapphic ish

[silverskye13]

In which there is a spar.

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[fiapple]

i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.

just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.

you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.

to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.

[itissadbutitsmy-artblog]

saga of "what if spader was Unnamed Baby". i dont think he is cuz he isnt the same color. but it would be, really funny. it would add such a fun LAYER to his reactions to dark magic AND TO PEP. “THOSE ARE ALL RUMORS. but he WAS a powerful dark wizard” <- guy whose siblings actually got cursed by that guy.

[imminent-danger-came]

Okay so they're exploring the corpse of a long ruined kingdom. Almost like they're being eaten by the very dungeon they are eating in. Consumption leads to consumption leads to consumption

[thedrotter]

cw BLOOD!!!!

2003 Kinder Yuuichi doodles motivated by this one battle sprite of him with this goofy face ... (also 2003 shunsuke appears there too did I need to draw him differently from my design of him no did i do it anyway yes)

Wanna doodle him more but first I'll be figuring out what's being said in the game ... Do not want to mischaracterize him even if he's slightly different so for now THE SILLY

[freaky-flawless]

I really want Mattel to just hurry up and release more Abbey dolls. I need to see how they expand upon her style.

[hyde-ur-monsters]

might fuck around one day and write a short excerpt of Jackson’s slow descent into madness as his attempts to be perceived monstrous in order to finally be truly accepted by his peers grow more and more desperate

[asshuka]

i started this to celebrate the very first rise patch (that concluded the kamura story and introduced valtrax and allmother) and now the final patch is upon us... and i finally finished it!!!!!! :'D :'D :'D

thankfully the composition remained the same despite the long delay and came out pretty cool too... i'm still like enamored with minoto's journey to derangity. not sure if it's actually subtle storytelling or me digging it that deep myself from crumbs lol it's good either way tho