#zero group

[4eternal-life]

OTTO PIENE  (German, 1928–2014)

Feuergouache / Fire Gouache,  1963

Gouache, pigment, fixative and fire on light board. 41 x 59 cm (16.1 x 23.2 in)

Ketterer Kunst, link

[desimonewayland]

Paolo Scheggi - Zone riflesse, 1965

Tornabuoni Art

[schibborasso]

OTTO PIENE Sundew and Selected Works 1957-2014

[jareckiworld]

Günther Uecker — Television (TV, table, nails, 1963)

[tabithatwo]

I relate to lottie because if I had to soothe a group of cannibal teens in the wilderness who for some reason depended on my guidance, I too would probably just start throwing out fucking dbt ass name five things you can see techniques and pray none of them knew what it was

[egophiliac]

Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷

So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH

(P.s: Lovin' the art style ✨)

oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!

and sometimes it's just "weird things my sister has said that I make fun of her for"

[neverforgetyouremyfavorite]

this is canon to me

+ bonus

[roguedemonwatcher]

I say this as a primarily C3 only viewer (episode 20 of C2 and a smattering of C1 - I will get there one day!) - I found that episode so incredibly delightful and so fascinating to watch to see what Bell’s Hells would take from M9, especially when contrasted to their interactions with Vox Machina. 

Members of Vox Machina give them quests and bestow them titles and offer aid, but they don’t have the time or the space to dig into their motivations or relationships. They are stewards of Exandria, busy with a bigger picture and responsibilities. Contrast that with the Mighty Nein, who cook them dinner, invite them into their tower, and get straight to the heart of what’s weighing on them and what they emotionally need for this mission (yet still fully putting themselves first and prepared for sacrifice). They’re confident and secure in who they are and what they mean to each other and see through Bell’s Hell’s charismatic facade to find people who maybe just need a moment to evaluate what’s important to them as they go on what could very well be a one way mission. You can give them titles and responsibility, but if Bell’s Hells don’t actually believe in that or themselves, they will, like Fjord and Beau suggest, just end up as fodder.  

Anyway, there’s just something poignant and right about those from Vox Machina giving them responsibility and respect and those from the Mighty Nein giving them comfort and belief (and a night in a tower to just be). I just think that’s neat. 

[nonasbirthday]

of course you can read necros and cavs as a parallel to the gender binary bc A) you can do whatever you want forever and B) yeah there's plenty of textual evidence comparing the necro-cav bond to a marriage. however one thing i think many of these discussions keep missing is the fact that most people in the nine houses are not necros or cavs and do in fact exist outside of this binary. which would make it. not really much of a binary

[milaisa]

Them ♥

[4eternal-life]

Adolf Luther  (German, 1912 -1990)

Virtuelles Bild (Spiegelobjekt),  1966 –1967

https://sammlung.staedelmuseum.de/en/work/virtuelles-bild-spiegelobjekt

In 1966 the autodidact Adolf Luther put aside canvas, paint and paintbrush and made use of his actual surroundings and spherical concave mirrors as the material and technique for his artistic praxis. He worked initially with single concave mirror objects. These refract the light, reflect it and thus show to impressive advantage the interplay of transparent space and the immaterial energy of light. From 1970 onwards Luther transferred the atmospheric effect of the concave mirror into the real space in his serially arranged and multi-perspectivally focused integrations.

For the artist, whose vocation came late and who was loosely associated with the Düsseldorf ZERO group, architecture was part of a world that was in constant movement. In his objects and installations, it is expanded by the kinetic potential of light.

© 2023 Städel Museum

[schibborasso]

Otto Piene (1928-2014) Installation view “Lichtballett”, MIT List Visual Arts Center, 2011

[abby-howard]

You deadlift? What's your PB?

My current max is 250 pounds! Gotta catch up to Tony, he's at 300 now 😤

Also someone else asked about how deadlifting doesn't kill my back, and the answer is that weightlifting with proper form is good for back pain >:]

Strengthening your stabilizer muscles is so good for your bones and posture! It doesn't mean accidents don't happen, as we will all decay in time, but it definitely helps me draw all day and night without crumbling into dust 👌

[guardian-angle22]

This or That: Tarlos Edition -> Catan gang hangs or private date night

[dailyloopdeloop]

loop and mirabelle. That's it that's the ask

DAY 84: enrolled in the gossip wars