#zero group

[4eternal-life]

OTTO PIENE  (German, 1928–2014)

Feuergouache / Fire Gouache,  1963

Gouache, pigment, fixative and fire on light board. 41 x 59 cm (16.1 x 23.2 in)

Ketterer Kunst, link

[desimonewayland]

Paolo Scheggi - Zone riflesse, 1965

Tornabuoni Art

[schibborasso]

OTTO PIENE Sundew and Selected Works 1957-2014

[jareckiworld]

Günther Uecker — Television (TV, table, nails, 1963)

[tabithatwo]

I relate to lottie because if I had to soothe a group of cannibal teens in the wilderness who for some reason depended on my guidance, I too would probably just start throwing out fucking dbt ass name five things you can see techniques and pray none of them knew what it was

[egophiliac]

Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷

So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH

(P.s: Lovin' the art style ✨)

oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!

and sometimes it's just "weird things my sister has said that I make fun of her for"

[neverforgetyouremyfavorite]

this is canon to me

+ bonus

[roguedemonwatcher]

I say this as a primarily C3 only viewer (episode 20 of C2 and a smattering of C1 - I will get there one day!) - I found that episode so incredibly delightful and so fascinating to watch to see what Bell’s Hells would take from M9, especially when contrasted to their interactions with Vox Machina. 

Members of Vox Machina give them quests and bestow them titles and offer aid, but they don’t have the time or the space to dig into their motivations or relationships. They are stewards of Exandria, busy with a bigger picture and responsibilities. Contrast that with the Mighty Nein, who cook them dinner, invite them into their tower, and get straight to the heart of what’s weighing on them and what they emotionally need for this mission (yet still fully putting themselves first and prepared for sacrifice). They’re confident and secure in who they are and what they mean to each other and see through Bell’s Hell’s charismatic facade to find people who maybe just need a moment to evaluate what’s important to them as they go on what could very well be a one way mission. You can give them titles and responsibility, but if Bell’s Hells don’t actually believe in that or themselves, they will, like Fjord and Beau suggest, just end up as fodder.  

Anyway, there’s just something poignant and right about those from Vox Machina giving them responsibility and respect and those from the Mighty Nein giving them comfort and belief (and a night in a tower to just be). I just think that’s neat. 

[milaisa-art]

Them ♥

[4eternal-life]

Adolf Luther  (German, 1912 -1990)

Virtuelles Bild (Spiegelobjekt),  1966 –1967

https://sammlung.staedelmuseum.de/en/work/virtuelles-bild-spiegelobjekt

In 1966 the autodidact Adolf Luther put aside canvas, paint and paintbrush and made use of his actual surroundings and spherical concave mirrors as the material and technique for his artistic praxis. He worked initially with single concave mirror objects. These refract the light, reflect it and thus show to impressive advantage the interplay of transparent space and the immaterial energy of light. From 1970 onwards Luther transferred the atmospheric effect of the concave mirror into the real space in his serially arranged and multi-perspectivally focused integrations.

For the artist, whose vocation came late and who was loosely associated with the Düsseldorf ZERO group, architecture was part of a world that was in constant movement. In his objects and installations, it is expanded by the kinetic potential of light.

© 2023 Städel Museum

[secriden]

You know what makes me soooo excited for the next phase of Fadel and Style's relationship? It's that they will finally slot into the CORRECT relationship dynamics because this whole time, it's been flipped.

From the beginning, something felt off, and I think it's because Style's true desire is to be pursued. We are shown this pretty much in Style's introduction when he blatantly puts his body on display with the Crop Top Stretch. Style wants to be approached, wants to be propositioned, wants to be desired. Also, remember how he initially flirts with Fadel when his only motivation was his own attraction? He pinned the Heart Burger badge onto his chest to create an opportunity for Fadel to put his hands on Style's body.

Of course Fadel wasn't pursuing Style; was in fact, actively trying to get away (for reasons OTHER than a lack of physical attraction to Style), so it is the plot that has to drive our lovebirds together using Kant's request and partly Style's own desire to get some revenge.

But throughout their interactions, we constantly see glimpses of Style's desire to be pursued: every single time Fadel even shows a HINT of wanting Style, he immediately falls pliant, like he can't wait to let Fadel take the reins. And nothing shows this more clearly than the absolutely blissed out look on Style's face in Ep 4 when he thinks Fadel has finally admitted that he wants Style.

(Fucking hell, just look at how dazed and almost euphoric Style looks here? It's like Style has been starving for the barest hint that Fadel truly wants him.)

Which is also why we've gotten so many fake outs. Because although Fadel IS attracted to Style (Ep 2 made that...abundantly clear), he isn’t remotely ready to pursue anyone. Not only is Fadel nursing a broken heart, barely beating, he also has very justified suspicions about Style’s connection to Kant and Style's unnatural persistence.

So it's Style that has to pursue - he dodges Fadel's footsteps, and bullies his way into Fadel's life; but in between the frustration and annoyance, Fadel's walls begin to crack. And I think it's SO COOL that the first significant evidence we have of Fadel's walls crumbling is because Style puts his body on display for Fadel. Because Fadel responded to something that was naturally part of the way Style operates before he even met Fadel. And there are other, more compelling reasons why I think Fadel begins to fall for Style, but that's not really the point I'm trying to make here.

When Fadel said "If I like you, I'll do the pursuing", it wasn't just to get Style to back off. Because now that Fadel has finally chosen to explore something real with Style, we are seeing Fadel's words in action. I know some people have said Fadel's switch to flirting so blatantly with Style in Ep 4's gym scene came out of left field, but I think it may well be confirmation that this was always the dynamic they were meant to be in. Fadel likes pursuing and Style likes being pursued. They fit, they match, they're perfectly compatible.

(Fadel looks almost faintly amused by how "flustered" Style is. Because he doesn't know that Style is actually afraid of him - why would he, when Style has evidenced zero fear so far? So this comes across like Style is getting shy in response to Fadel's unexpected and more overt approach. And possibly this is Fadel starting to remember how much he enjoys the chasing.)

Unfortunately, Kant's revelation is going to screw allll of this up. But, we are finally going to see glimpses of how they work when they're aligned correctly in their dynamics! And while it will take a journey (and oh, it will be gloriously painful, won't it?), our boys are finally on the road to something lasting and I am sooo glad we get to come along for the ride. <3

[schibborasso]

Otto Piene (1928-2014) Installation view “Lichtballett”, MIT List Visual Arts Center, 2011

[abby-howard]

You deadlift? What's your PB?

My current max is 250 pounds! Gotta catch up to Tony, he's at 300 now 😤

Also someone else asked about how deadlifting doesn't kill my back, and the answer is that weightlifting with proper form is good for back pain >:]

Strengthening your stabilizer muscles is so good for your bones and posture! It doesn't mean accidents don't happen, as we will all decay in time, but it definitely helps me draw all day and night without crumbling into dust 👌

[guardian-angle22]

This or That: Tarlos Edition -> Catan gang hangs or private date night

[spark-circuit]

(said in Wise's voice) "Maybe it was a mistake letting Anby borrow our subscription password for that movie..."