#your issue is that there isn't enough of another- just fucking say that it's not hard

[acerikus]

G o d. All gekkos' outertale posting makes me wanna talk more in depth about the characterisation and plot issues in this game and why they bother me...

(readmore bc holy fuck this got long, it's probably like 5k words. It's also pretty much all salt, categorised by character)

Toriel

Why. Why is she like this. Kinda feels like the creator of the game hates her and if they don't, they have a weird way of showing it. She's treated as overdramatic and unjustified in her anger at asgore despite the fact that he DID declare war on humanity and he DID willingly let the people believe he was killing human children to harvest their souls. Even if he didn't do it for real in this game, she has every right to be angry and to not trust him, and it CERTAINLY doesn't make her undeserving to be a mother or whatever. Idk about you, but I don't think wanting kids to stay away from a man yelling about wanting to kill every child that crosses him makes you a bad parent, even if it turns out he didn't really hurt anyone y'know?

They also REALLY zoned in on 'mother' with her in a way that doesn't really make sense here. I could maybe see her feeling guilty for making a snap judgement but how would that call her motherhood into question?

Sans saying isolation messed with her makes no sense too!!!! The outerlands or whatever they called the ruins isn't sealed off in this game, other monsters seem way less intimidated by her in this game than in undertale (she has friends! She knows sans by name and goes to napstablook's shows and even has their phone number!), and we outright get told she takes the taxi to get her groceries... Meaning she headed off to the rest of the outpost and probably does that often enough.

All things considered, Toriel seems fairly well adjusted in outertale, at least by outertale standards. Kinda then makes it feel like everyone's just trying to convince her she's hysterical and that... Sucks.

Also the fact that they added an ending where you stay with her and framed it as a bad ending that doomed everyone is... Really mean? It sucked ass I'm sorry :/

Sans

... Why is he like this. This take on Sans is absolutely infuriating tbh. The only positive I really have here is that his puns are kinda good, I've seen fangames that fuck up this element massively and it was kinda fun to see his interactions in starton.

Okay, back to salt. His whole 'i became a sentry to help humans' thing is trash. He didn't care about that in ut! He didn't care about that at all! The only reason he looks out for frisk is because he made a promise to toriel, and he hates breaking promises. He didn't want to let down his friend.

...Huh. realising this is yet another case of Toriel disrespect somehow. Yet another thing they took from her, that they then just... Handed over to sans instead. :/

His lack of backstory. Look, I get wanting something silly, but they took almost everything that makes sans interesting away. Not hyperfocusing on sans like certain aus do is nice, but it feels like in a lot of situations in this game they overcompensated by a long shot.

No mysterious past/origins. We know he worked with alphys I guess but???? Honestly I have a LOT to rant about for that part so I'll leave it for twinkly's section. And yet despite all this, Sans inexplicably bleeds in tpe when not even undertale has that happen? Make up your mind!

His role in non Asriel chaotic also... Sucks ass. I'm in a pretty awesome corner of the fandom in terms of the people I follow and the takes I see as a result, so if I'm honest, when I saw all those posts about 2024 fanon sans being indifferent to his brother's murder, I kinda just figured they were vaguing about this game. You're telling me that sans of all people just shrugs off you killing everyone and complains a little bit before letting you pass?! He should know alphys already ran off. He should know the only person left to stop you is asgore, and that it's obvious he won't. Part of this could be connected to how frisk is written perhaps, and much like the twinkly situation, I'll have much more to say on that further down.

I understand the creator didn't wanna have a sans fight in their game - however, if that's the case... Maybe come up with a reason for him to NOT show up in the last corridor, then? Have him busy helping with evacuations or something, or already dead like in the first chaotic ending... This was just sloppy.

Papyrus

Honestly he wasn't... Terrible. The phonecalls were fun even if most were cheap references (though they can be fun in fangames sometimes so I'm not mad at this lol). Him being extremely talented at making spaghetti is just one symptom of one of this game's biggest flaws, however. I really don't like how nobody's really allowed to be bad at anything or have any real struggles in this game - especially when spaghetti in undertale is used to demonstrate his relationship with undyne and the similar wavelength they're on when humans aren't involved. She's the one who started teaching him to cook it, it's deeply intertwined with his desire to be a royal guard, and it's something they suck at together. Him just inexplicably being good at it is... Weird, and feels really disconnected from their friendship and her reluctance to let him in the guard yknow?

Also: his boss final phase. Having the dog NOT take his special attack away this time was really funny admittedly but... Idk? Not only is the fight really unfair for pacifist/neutral and those who aren't as good at the game (ut never gets this hard outside of geno), it feels way too on the nose in terms of insisting he's strong and has powerful attacks. Undertale didn't need to overcompensate to get across that papyrus is strong and disciplined and the way you have to infer that in undertale is way cooler. I might just be nitpicking with this point tbh but it's whatever. Letting myself be a hater for once.

And don't get me started on him getting together with Mettaton. It seemed to come out of absolutely nowhere, the idea that they were already friends in this was glossed over really quickly and no time was really put into developing the relationship save for papyrus commenting on finding him attractive every few minutes.

Gotta be honest, I've never been a fan of this ship nor understood its popularity. Papyrus very briefly mentions thinking he's attractive in undertale, but it doesn't really go anywhere and I'm not even sure mettaton knows he exists. It feels like it was just kinda added because it's a popular ship and that's it, not sure it really contributes much to either of their arcs. It was a light-hearted celebrity crush in canon and never really tried to be more.

Oh, oops. Had more to say here than I thought.

Undyne

Not much to say here... I think she was okay, there's nothing super bad with her. I do think the way gerson kinda downplays her/lacks faith in her in the chaotic route kinda sucks and I think choosing to make her non-undying chaotic bossfight harder sure was A Choice, but it's whatever. Undying was weirdly easy in a way that didn't do her much justice. Honestly they didn't do enough with her for me to have a wall of complaints and I can't tell if that's a good thing or not. Her relationship with alphys didn't really amount to much and her lack of understanding of human culture doesn't really hit as hard when she's just talking about random sci-fi things that we have no way of knowing are real or not in this game's idea of the 2600s ourselves, y'know? Her love of anime (that she mistakenly thinks is human history) is pretty absent here except to validate her relationship with alphys in a very shallow way.

The Ghost Family

Hoo boy... Was gonna make this the mettaton section, but I wanted to talk about napstablook at the same time, so I'm just gonna lump them all together.

What. What the hell was this plotline.

It feels like they tried to go for 'smalltime farmer chases passion for stardom after feeling unfulfilled at home' and as I've seen someone else say, 'shy business owner struggles to talk to their cousin outside of work'. This would've been fine tbh, but... There's a lot of things in the execution of this that kinda grossed me out if I'm honest. I don't think they were intentional, but I think it could've been thought through a lot better to avoid some unfortunate implications - or even lean into them in a respectful way.

Firstly, the ghost family intervention was pretty long, awkward, and didn't feel like it really added much - especially when most people playing would already know mettaton's backstory anyway (and his house is still accessible like in undertale!!!!! What was the point?)

Mettaton airing out his family issues on live TV feels very ooc - he keeps that stuff very close to his chest and I doubt he'd like it getting out. Him entertaining any of that out in the open seems... Weird.

Speaking of the intervention, his cousins' treatment of him was horrifying! Part of it seems intentional and it's nice that there's at least one part in the game where characters are allowed to have flaws and do bad things but... There's also elements that feel like you're meant to agree with them? Their insistence that mettaton just come home and everything they did in the past with constantly badgering him to come and help out on the farm were rightfully treated as something that hurt mettaton's feelings and that gave napstablook and the others pause. That's (mostly, we'll come back to it later) fine. He called them out for it and they reflected on it, cool. The way his ghost form was utilised makes me extremely uncomfortable, however.

Napstablook talks about hearing 'the real [mettaton]' in the recording, right to his face, 'the real mettaton' in this scenario alluding to his ghost form. Considering mettaton is a trans allegory, this feels... Kinda gross? In a similar vein, when passing mettaton's quiz barriers, one of the questions is 'what is mettaton's true identity' and you have the option to deadname him (using a name papyrus literally just made up in undertale rather than having any kind of creativity ofc) Alphys' reaction is simply to ask how you know that which... Doesn't feel great. The correct answer is 'mettaton' ofc thankfully, but everything around this particular plot point feels weird. Maybe don't do that w the most prevalent trans allegory character..?

And ofc, they keep insisting he just come home, go back to working on the farm, go back to his family... Idk, gives me vibes of someone abandoning their shitty transphobic family and then insisting they want to see 'the real [deadname] again' and for them to abandon their new life and just go back to the way things were before. Not good.

All of this would still be okay for the most part since the ghost family are painted as being unfair to mettaton... But in true pacifist, he goes back to helping out with the farm anyway and talks about how he thinks he was probably just being dramatic after all, and how 'blooky didn't do anything that bad'

... What?

It takes me right back to Toriel's treatment. Napstablook, Maddie and lurksalot gave no real thought to mettaton's feelings, made it all about them and showed pretty much no support for his transition nor his career! Fuck those guys! It's funny - mettaton is pretty consistently a pompous asshole (affectionate) in undertale but here, I think all his feelings towards his family were COMPLETELY valid. Mettaton outertale didn't do anything wrong.

Lurksalot didn't feel like they contributed much to the story either, save to be yet another character treating mettaton like shit with zero consequences nor narrative judgement. They just made every ghost family event even more drawn out.

And then ofc!!!! Mettaton and Alphys' friendship is so bland in this game! They're two people who kinda know each other and she says some nice things about him in a letter in chaotic but that's about it. Their friendship and the subsequent conflict frisk's arrival brings to it in undertale is the heart of hotland and the core, but here it's just replaced with unnecessary, hard to watch, boring family drama. The two of them have no issues to work out. She doesn't ask too much of him. There's no funny quips and barely any chemistry at all. God forbid either of them have any real flaws.

One last thing: I'm glad maddie gets her mew mew body, it's nice. Wish it was an on-screen moment or something alluded to more though. Some of that time dragging out the family drama could've been used on that instead, y'know? Especially with napstablook getting the mew mew doll... Genuinely thought they were gonna show it to her when they first got hold of it, rather than dragging Frisk into their intervention. She should've gotten to be more mad, too. Kinda a big part of her identity.

Oh, and mettaton's no-asriel chaotic fight was bullshit. It was a nice spamton reference and the first phase was cool, but the second was utter bullshit and dragged out the fight way too long. Attacking him after snapping all the wires should've killed him im sorry. It's even more of a shame bc I genuinely really liked this game's mettaton neo fight - it was fun and creative and felt possible.

Holding myself back from adding any more to this bc I could go on and on, ugh.

Alphys

Alphys. For a game that tries to make her the star of it, it's actually kinda impressive how much they managed to take away from her and just how uninteresting she is in this game.

At the surface level she's awesome, powerful, and the star of the show. In my first playthrough I was actually pretty happy to see her thriving like this! The more routes I played and the more I thought about it though they just kinda... Declawed her. Took away all her flaws. Made her 'perfect' in a way that I don't think works at all.

The amalgamates never happened. None of her experiments went wrong. She never hid away from her mistakes, or lied to anyone (save for keeping Asgore's secret, which she has no negative feelings about), nor did she over engineer any situations to make herself seem cooler. She doesn't argue with Mettaton! She's confident and assertive! She's Asgore's right hand woman and next in line for the throne! And ofc, the badass final boss! What's not to love?

...But none of this is Alphys, is it?

Her anxiety isnt just because of the determination experiments, it's pretty clear she's always been a pretty shy and nervous person. In fact, based on her entries they were one of the things she was more confident in before it all went wrong. People are hard, but she knows science, y'know?

She doesn't get to be flawed or interesting - despite her presence, she's just a generic cool scientist who's suave with the ladies, I guess..?

She isn't particularly dorky, shes overly confident, she has zero issues to work through. Her relationship with undyne is perfect (derogatory) and her infodumping about anime just before the archive feels very forced, like they remembered last minute that she does that and thought it should be included somehow.

Depicting what she'd be like in a scenario where the determination experiments never happened is a fun and interesting idea! But deltarune demonstrates how to do that well, and I think they completely missed the mark. The way she talks, her body language, the way she acts around others in general... These things are universal constants and yet in outertale, she's basically a different person entirely.

Outertale alphys isn't allowed to lie (save to cover for asgore Secretly Being A Good Person), she isn't allowed to miscalculate, she isn't allowed to mis-speak or make mistakes or do anything she'd regret. She feels like an alphys written by someone who hates her in canon and thinks all her flaws make her terrible and unlikable. I doubt this is the case since I don't think a person like that would've given her such prevalence, but that's the level of love and attention I feel was given to her writing here. It makes me sad.

And, of course... The DT experiments and her fight.

... Why did she have vials of determination if all the humans are alive? Did she take it from them? If so, was this before or after they went into stasis? We know she's not been the royal scientist for long in relation to how long humans have been falling, so did ROMAN take the determination? How much of this did she even DO?

Why did she and sans even DO anything with determination? It... Doesn't really make sense.

Speaking of determination, why did she melt at the end of her fight? I'd assume she's injected herself with determination as one of the vials in her lab is mentioned to be partially used, but I'm pretty sure it's also like this on pacifist. Was that overlooked? Are we just meant to assume it's MORE depleted? Does she just have natural determination now because She's So Cool And Badass? This isn't even really a complaint about the fight, more just how poorly that part of her lab is handled lmao

But getting into her fight... Idk, it didn't really feel like her. A lot of it was just random bullshit that was hard for the sake of being hard, that didn't really seem to be tied to her identity very well at all. People complain a lot about the Zenith Martlet fight in undertale yellow but that's done far better than this, imo. It clearly reflects martlet's character, personality and canonical bullet patterns (we see Alphys' in ut tpe!), there's a genuine feeling of progression in the fight and the act you're given to help with the fight feels more effective - you can still damage her on her turn, so taking a turn to heal act doesn't feel like a waste. The Asriel acts though... They just don't last long enough to feel that worth it? Sure they're okay, but in general, you get a lot less time to breathe. Martlet's fight lets you retry from phase 2 if you die. Sans' in undertale gives you as many turns as you need to heal while he's sparing you. Alphys' fight just feels like it's made to feel un-fun and painful throughout in a way that just isn't worth it, and doesn't really feel like it fits her personality either, y'know? The fight was just a slog and like many others, I had zero motivation to finish it legit. I don't think it helps that the undyne and mettaton fights in this route are fairly easy and simple in comparison.

Tldr: they took away everything that makes alphys endearing, fun and interesting. This isn't alphys at all.

Asgore

A huge chunk of this essay accidentally got deleted, including my first attempt at writing this section. In it, I mentioned that the Asgore apologism went way too far.

This time though, I don't think I'd even call it that. Reflecting on it, it feels less like an attempt to defend him and more like a way to hate on and spite Toriel.

Seriously. So much of his character basically just feels like someone going 'fuck you toriel. I'm giving EVERYTHING to asgore.'

It's... Really weird?

Asgore having a way out of killing humans is an interesting concept! Outertale takes place 500 years in the future compared to undertale, so the idea that they have the resources and technology to do that is kinda cool and in theory, exploring this idea sounds really fun. In practice though, it feels like it was mostly done to make Toriel out to be an asshole for no reason and to laugh at her for ever assuming he would've really killed anyone (despite... Y'know. Telling everyone that's what he was doing.)

He just. Completely moved on from Toriel without a second thought seemingly, and doesn't even look that affected by seeing her turn up again - meanwhile SHE'S got crumpled up tea recipes in the trash and all the Sad Divorced Energy - it doesn't really fit either of them! Toriel wasn't really given a reason to miss him like that, and I think even if he DID fully move on, he'd be way happier to see her than that.

All his leading statements on how she must feel in LV1 pacifist sucked ass also, especially with the way she kinda just agreed that yeah, she feels like shit for not trusting that he'd suddenly do a 180 and not hurt anyone (AGAIN. AFTER HE CONTINUED TO LET EVERYONE BELIEVE THIS) and that she must feel unworthy of being a mother. She hadn't even said half of this in front of him yet! He put words in her mouth! That in itself would be fine (social blunders are pretty normal for asgore after all) but it... Wasn't treated like that. It was handled as if this was a sweet and compassionate thing for him to say which... Yikes.

And ofc he gets to adopt frisk, and monster kid, and get to have Asriel live with him! His fatherhood is never called to question in undertale, but ofc Toriel's motherhood has to be here. Hell, despite their divorced status, if you talk to gerson in tpe it's highly implied frisk asks if asgore would start aging again if he became their dad! Idk, all of this part just reeked of Toriel hate and nothing more. Asgore is just yet another character to get sanded down and de-clawed and it sucks. So much of what makes him interesting is his mistakes and flaws and how they impact him, y'know?

Twinkly

I wanna start this by saying I don't think his writing is too bad. It's not amazing by any means but by outertale standards, he's one of the better written characters. That being said, Flowey is my favourite character of all time so I'm still gonna be critical.

So they did save the goat. Save the goat aus really aren't my thing nowadays - I feel like so often people act like he's a separate person to Flowey entirely and act like the alarm clock app dialogue doesn't exist. Asriel didn't end the story as a doomed tragedy fated to fade away! Flowey ended the story as someone who finally got closure on the loss of his best friend, and can finally learn to move on, even if it takes him a while to adjust. I don't think he needs to be a goat again for that.

That being said, I know these kinda aus are a big wish fulfilment thing for a lot of the fandom that aren't even necessarily something people want to be canon as much as they just wanna explore the idea and see him truly happy, so I won't judge that element too harshly. People are allowed to have fun, and I think save the goat can be fine if it respects him as flowey rather than separating them.

I really like that they allow Asriel to be fucked up and an asshole rather than him soft rebooting into some Sweet Perfect Little Prince once he returns to his old form, like so many other save the goat takes. Even in lv0's ending he struggles to bite back insults and mean comments aimed at Monster Kid which is... Admittedly kinda refreshing! There's definitely some flowey (or I guess in this case, twinkly) behaviour that still comes through here and I'm glad. This carried over to chaotic, too. While his characterisation wasn't perfect, this at least felt like twinkly obtaining a few form and continuing to play with the world, rather than your standard Asriel take. I also really liked that he remembers and acknowledges chaotic if done before pacifist, that was neat and adds to his character (as far as this game goes) I think.

However, onto the biggest, glaring issue I have with him.

Why. Why does he exist.

No, seriously.

In its attempt to make the world perfect, a world that blatantly only exists so the creator could make a save the goat ending, mind, there's no reason for the goat to need to be saved at all. Nor for him to exist after dying back when Chara lived with the dreemurrs.

Asgore isn't killing humans, so the souls don't need to be absorbed by anyone. Frisk can just enter the archive and lend their power to destroy the forcefield themselves, so there's no ultimatum like there is in undertale - there's no implied tradeoff of Frisk's life for the freedom of monsters without twinkly's intervention. In undertale, flowey's messing around opened up an ending that would've otherwise been impossible, something that worked for everyone.

Without him existing at all here, frisk could've broken the barrier just fine. All it really added to pacifist was a couple extra boss fights and asgore being dead for two minutes. And him being saved I guess but again, there's no real story justification for him being here EXCEPT to pat yourself on the back for saving him.

Why was he created? In undertale it's pretty clear - they wanted a vessel to hold all the souls in for now during the true lab experiments. He exists because Alphys selected the first flower to ever grow in the garden and injected it with determination that she extracted from the human souls.

... But all the humans are... Alive and well in outertale? They don't need a vessel to contain their souls. They don't need to extract any determination from anyone. Again, why do they HAVE vials of determination? And why did she inject one into a flower?

AND THAT'S THE OTHER BIG THING. It's established she and sans injected a starling flower for... Whatever reason. SO WHY THE HELL IS TWINKLY A CARTOON STAR?!

This point makes absolutely no sense at all. He looks absolutely nothing like a starling flower nor does he behave like a flower at all, which is confusing if that's what he started as. Honestly, I think it would've made more sense to just keep him as Flowey if they were gonna include him at all, and just have his appearance reflect a starling flower instead of a golden flower.

This applies to his fight too. Mechanically I think it's AWESOME, but the visuals are... Just very very boring. A huge part of why his fight in the original is so good it's the bizarre and chaotic nature of it, the horror elements, and the way so much of flowey's trauma in terms of how he was created and the things he finds scary was put on blast for all to see. The combination of mechanical and organic elements, all the plants and insects... Idk, just going 'hmm he's a star. Let's have him go through a star life cycle' is boring, there's no visual appeal.

If his creation is so vague and wishy washy, this would've been a great opportunity to flesh it out more. How was he created? What kinds of technology and machinery did alphys use to put all this together? How did she (or roman????? unclear) get the determination? What does twinkly remember?

That leads me onto a tangentially related topic - his trauma. I... Don't think this was shown very well. He talks a bit about BEING traumatised from the lab, but telling isn't the same as showing and canon flowey is terrible at hiding it, whereas I'd just as easily believe outertale Asriel made it up for sympathy points. He never really projects, he doesn't force anyone else to experience anything like he did, nothing like that. He's just a cocky asshole who likes killing, and who eventually decides to start being nice.

This game constantly seemed to be speedrunning ways to get him from being twinkly to being Asriel as quickly as possible in almost every single route which... Huh???? It's weird. Would've been nice to let him be a star more rather than just Asriel...

(final amendment bc I lost a huge chunk of this essay originally and had to rewrite it, and I'm realising I didn't manage to fit this in this time... How does a single monster soul let him get his Asriel form again? Sure he's still treated as if soulless and it doesn't make him a good person, but if he was 'so tired of being a star', why hadn't he tried doing this sooner? It makes no sense...)

For a game that exists to give him a good ending, it's so ironic how little he needs to exist at all in this world. Just goes to show what it looks like when you go too far with 'fixing' things or removing stuff you seem 'too problematic' for the sake of being wholesome or whatever.

Chara

Speaking of which... Look I'm just gonna say it. This version of Chara sucks so bad.

Chara is one of my favourite characters - they're really interesting, morally grey, and a fascinating way for undertale as a game to interface with us as players.

They're a child who likely saw the worst of humanity, then found themselves in a home with family who genuinely loved them once they fell down and met the monsters. Their intense saviour complex made them feel like the best way to help their family was to sacrifice their own life to get enough souls to break them free (and once they realised they had control, get payback against the humans while they were at it). They could be mean-spirited and a prankster. They valued efficiency HIGHLY. Their favourite number was nine because it's the limit, the absolute, a way to stop hurting and to stop others hurting.

And by doing geno, you can push this fixation on stats further. Max out all your stats. Gain power. Get stronger. Become invincible. Nobody can hurt any more if the world is gone. And ofc, they stand as the final arbiter of consequences for the player. Your punishment for killing everyone and for pushing them into believing it needs to be completed. Chara both IS is and is separate from us in a way that can't really be fully disentangled and it's really, really cool.

Anyway, enough gushing about undertale Chara. What's outertale Chara in comparison?

... Nothing.

They're nothing.

Outertale Chara narrates occasionally. They're a ghost that follows frisk around, but aren't confined to that, and have been actively wandering the underground since their death. They also still have a SOUL for some reason? This part doesn't really make sense at all.

Other than sacrificing themself and maybe wanting to take out a few humans after Asriel absorbs them, they don't do anything that could be considered bad ever. The most devious thing they ever do is snatch Asriel's diary to leave a silly comment in there when they first arrive at the outpost (sans does this with Toriel's phone in undertale tpe for comparison lmao). Despite what Asriel seems to believe, Chara is completely absent from the chaotic route - never getting corrupted, never caring about our stats, never wanting to hurt anyone, never even trying to make us face any consequences. They're just... Not here. For a character so prevalent in the murder based route of undertale this is fucking wild.

They all but vanish if you so much as say something slightly mean to someone, too! It's strange, makes no sense, and just like with sans, it feels like they overcompensated waaaaaaay too much for the people who insist they're evil. On top of that, if you do chaotic before lv0, they don't even remember chaotic happening! They'd may as well have just been a member of the ghost family who likes following Frisk around when they're especially nice. Like Asgore and alphys, they've been sanded down and de-clawed to be 'wholesome' and 'perfect', and it just results in a bland, boring character who loses anything that made them interesting, nuanced and fun.

'Chara wasn't the greatest person'... Why, though? They don't have enough substance in this game for that line to really have as much impact.

Frisk

I'm gonna be honest - I actually ADORED their frisk at first, and I think that's because I started with a neutral run and ended up drawing them a lot. They felt silly and mischievous and interesting, and this continued into chaotic. They seem pretty chill with what's going on but then take that even further by being hilariously affectionate with Asriel and still doing silly things like being up for picking up the electrodampening fluid or drinking directly out of the fountain. They felt like a funny little mini-kris (save for being okay with all the murder ofc).

Then uhhhhhhh... That's when I experienced the second chaotic ending, the one without Asriel, as well as lv0. I feel like they definitely DID try to lean on the Kris angle on purpose in terms of their feelings on being controlled and stuff but it???? Just doesn't work very well? There's no ambiguity to this version of frisk once you've seen all the routes. Just like EVERYONE ELSE, they're just a perfect little angel who would never do anything wrong and anything past lv0 is just the eeeeeevil player influence or whatever. Come on, we have deltarune for that kinda approach to control 😭 (though even then, Kris is a layered and interesting character who isn't goodness and innocence personalised, and that's why they're cool)

In undertale, we have no idea what frisk is like as a person. WOULD they spare everyone without our influence? Would they kill? Would they be a scared child lashing out in self defense? Would they run from everything, then give up and let themselves die permanently somewhere? We just don't know! We're not supposed to know! It feels like it went back to the very early fandom interpretation where frisk is Good And Sweet and Innocent while Chara is evil incarnate - except this time they're BOTH the former.

It's a contradiction too! Why in the Asriel chaotic route are they so down to follow him, and pet him, and hug him every chance they get if they don't like all the stuff we're making them so? The player has no influence over Twinkly. Every single thing he did, he chose to do, and yet even if the only time frisk has seen him was him destroying their mercy button and forcing them to kill for him, they seem to love him to pieces and go along with whatever he says happily. What.

I feel like they didn't know what to do with Frisk here at all and it shows.

Other characters

This has been ridiculously long, but to quickly go over non-major characters... They did very few things to make Roman seem interesting, the amount of stuff hes implied to have helped Asgore with just reduces even further any influence or impact alphys had, and (a smaller nitpick)... Why didn't he use times new roman as a font when we DID see him speak in the archive/on the signal stars? It's such a missed opportunity...

Burgerpants was fun... Kinda. Developing him like this feels like something that should've happened DURING the actual game rather than before it though because it made him feel like a whole other person entirely? The poisoned food was very funny though.

Why is Snowy now Stardrake when his dad hasn't changed at all and Crystal looks like any other snowdrake? That was bizarre.

I actually really liked the humans! Establishing them as actual characters was really fun, and I especially like justice. Justice, at least in my opinion, is probably the most interesting character in this whole game tbh - someone who tried to do good but ultimately caused more harm than good, while NOT downplaying it, showing the consequences directly, and showing them work to try to make things better. The way we don't grab their item like the others in the twinkly fight nor go through an area for them in the archive (and just talk to them instead) really adds to their intrigue - what are they like? Who did they know? Is there something they don't want us to see? How are they strong enough to not need us to grab their weapon at all to lend their help? I think it's get funny that the only character I'm fully praising is the clover-adjacent one. Justice outertale they could never make me hate you

(that being said... seeing the way this game is clearly just supposed to be a 'fix' for undertale does sour my thoughts on the humans a little. did they only do this bc they thought them NOT being full characters in ut was bad/a problem with it? 🥴 This applies to the additional monster kid story focus too).

Speaking of monster kid... Them being an orphan was clearly just a plot device to give asgore more kids and therefore feel like he won more than Toriel. Monster kid in undertale seems like they probably did have real and loving parents, and they have a sister too!!!! Would've been nice if they'd at least done something with their sister :(

This got... Way longer than I expected, so I'll stop here. But outertale definitely gave me an even bigger appreciation for other ut fangames. My gripes with deltatraveler section 3 feel much smaller in comparison now, if tsus misses the mark on Flowey later down the line they've at least already done most characters so much more justice, and it really puts into perspective all the heart and soul that went into kissy cutie, as well as its genuine love got the source material and characters.

Sorry outertale, you weren't for me. That being said, if anyone disagrees with any of this then that's fine! These are all just my opinions and feelings on it after going through all the routes and talking about it with friends. Media is always gonna resonate with different people in different ways and that's a good thing! If your perspective on any of this is different and if you had way more fun with it, I'm glad you did and I genuinely wish I could've felt the same. I feel like at the very least, making it has probably been a great learning experience for the devs and I really hope they carry on making games and improving their skills. Hope y'all are thriving and having fun regardless 💙

[saph-yells-into-the-void]

im still confused at this one tweet talking about how wholesome high school bl animanga is somehow 'controversial'

is it that there's too much? bc maybe there's a lot of wholesome bl manga but fuck there's barely any in anime are you kidding. ppl were praising sasaki to miyano for being an actual wholesome bl and that was in winter 2022.

is it the fact that there's any at all? bc um... I don't want to have to explain why queer wholesome stories are allowed to..y'know...exist??? like??? what are you trying to say here

[capslocked]

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless. 

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

-

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

-

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

-

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

-

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no? 

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

-

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

-

(The truth is: it doesn’t go like that at all.)

-

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask. 

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her. 

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

-

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 

You both do. 

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 

"Oh my fucking god." Karina can only gasp, jaw-slacked open. 

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused. 

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 

She laughs at the premise. 

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

-

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath. 

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end. 

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it. 

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

-

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 

“Irene, look-” 

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

-

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest. 

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

-

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 

Karina reaches in. Lets her fingers graze yours. Her skin is cool. 

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

-

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

-

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke. 

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her. 

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

-

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-" 

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

-

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that. 

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

-

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze. 

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

-

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

-

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

-

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is: 

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

-

"Uh, are you kidding me?" you ask Irene. 

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

-

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

-

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct. 

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that: 

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

-

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:  

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

[genderkoolaid]

some misc thoughts on child abuse and adultism/ageism:

in House M.D 2x16, the patient is a disabled teenage girl, melinda. she's had multiple life-threatening allergic reactions, the last of which led to a car accident which resulted in her needing a heart transplant. her mother is shown to be extremely protective of her (not allowing her to attend public school, not letting her go outside, restricting who can visit her) and this is a major issue in her and her daughter's relationship.

about halfway through the episode, melinda goes missing from her room. one member of houses' team, foreman, realizes she is trying to get outside and went to the roof. he finds her sitting in the stairwell, distressed. melinda reveals that her mother was always extremely controlling over her- the point of not allowing her to do seemingly any after-school activities- long before she got sick, and that her daughter's heart transplant "gave her what she always wanted." foreman responds by saying that, because of her current illness, it's "an insane time to criticize your mom for being overprotective."

melinda expresses that her mother's abusive behavior has now been retroactively justified by her disability; she is seen as "insane" for being distressed by what is clearly a life of restricted autonomy. the scene ends with a line that has stuck with me since seeing it: melinda looks up at the stairwell and says softly, "i didn't even try to get outside. i was too scared."

the actual plot of the episode isn't the point. the point is that we tend to view "children abused by foreign adults" and "children abused by their parents" as two separate categories with opposing needs. children being taken advantage of by strangers should have been monitored and restricted. like the mother in the episode, the parent assumes that being more protective = the child being more safe. the correct way to handle child abuse is parental vigilance. sure, maybe this behavior encourages some abusive parents (who are probably the minority anyways, because I would never abuse my child!), but that's just the price we pay for making sure the other children are safe?

what i think this episode shows- accidentally, seeing how they never actually take melinda's abuse seriously- is how you can be fucked over twice. a child who is being abused by someone online can also be abused by their parent- are probably even more likely to experience that because of an abusive home. and then, if that outside abuse is realized by the parent, it retroactively justifies their behavior. it proves not just to them but the adult world that controlling behavior is rational and helpful- clearly, the abuse was caused because they didn't control enough.

and in both the episode and this hypothetical, the parent's reaction- while it may include genuine feelings of love- also comes across as being more distressed over the violation of one's possession than being distressed on another person's behalf. the child is an extension of you, and thus any desires it has that conflicts against your own are like an autoimmune disease. something to be shut down as fast as possible. vulnerable children, abused children, the "sympathy" given to them is a double-edged sword because as soon as you aren't the quiet, docile creature who agrees with whatever the adults say, you are crazy and ungrateful and "don't you realize we just want what's best? look at what happened to you!"

[macfrog]

sweet child o' mine | pt. iii

now taking name suggestions for my joel's duck doodle. must rhyme with a curse word. most creative wins.

pairing: neighbor!joel x fem!reader

summary: as your pregnancy progresses, you and joel are getting closer. dangerously closer.

warnings: reader is literally pregnant so typical pregnancy symptoms & descriptions of stuff like extreme nausea and gagging (reader throws up off-page, no graphic description past sore throat/esophagus afterward), body changing, nerves around birth/becoming mom, another sonogram (gender reveal...?), baby kicks felt, labor pains shhh, age gap (late 20s reader, late 40s joel), joel is dating someone who isn't reader, our girl hates nye (she's valid), tommy uses colors to represent gender (he is Wrong), joel is for sure emotionally cheating at this point and reader knows it, joel kisses someone who is not his partner again, f masturbation, memories of the hot dirty sex they had whew, a SPRINKLING of breeding kink, praise kink, size kink, another parent dies (i love parents i promise ????), jealous!reader, protective!joel, alcohol consumption, cursing, a LOT of angst, lots of fluff, lil bit of smut, and duckie has the best comedic timing of any character in this entire series. :) DISCLAIMER: this series covers some issues which i know may be sensitive and possibly triggering to some. warnings will always be as thorough as possible, but if there’s ever anything you feel i’ve missed, please let me know. feel free to drop by my inbox anytime.

word count: 11.4k (sorry. lots to cover lots to do.)

pt. i / series masterlist | main masterlist | playlist | follow @macfroglets w notifs on to be the first to hear when i post 🩵

December.

The days are funneled by a quick pinch of dark, the breeze heavy in its sail. Houses lined with twinkling lights and windows pierced by pointed trees. Crooning from every radio station, teary-eyed movies on TV, and spiced apple everything.

You hate every fucking minute of it.

“Wait a second,” Tommy sits forward, leaning in, “you never do nothin’ for New Years?”

You shrug, lifting your eyebrows. “Nope. Just don’t like it much. That a crime?”

He considers it as he hands his empty tumbler up to Joel, his head lolling some. He’s on his…fourth drink of the night, right? Though, if you take into account his earlier argument – I’m eatin’ as I go. It don’t count. – it’s probably more like two. But it’s whiskey, so –

Never mind.

“Yeah,” Tommy finally decides, “kinda. The hell’s wrong with you, girl?”

“Tommy.”

Joel’s voice is a warning, edged by the sharp clink of three glasses pinched in his fingers.

His brother laughs amiably in response, though, nodding to your mock-offended expression. “At least you’re spendin’ it right this year. Last one before lil’ Dickie comes along, huh?”

Maria slaps his shoulder, rolling her eyes. “It’s Duckie,” she hisses, glancing over to you.

“Shoot,” he says, chuckling. “I knew that. My mistake.” And then, hand out towards you in an apology which makes your shoulders jerk with laughter, “I did know that, I swear.”

Tommy and Maria flew in a few days ago; the younger Miller adamant that he’d spend one last New Years with his big brother before he became a father. The night they arrived, they showed up on your doorstep – a hamper filled with diapers and muslins and baby socks hanging from Maria’s arm. They’ve asked to hang out with you every day since.

They’re good fun. Tommy likes you, at least, enough to tease you as much as you figure a brother might. He’s definitely the louder of the two – sometimes you swear you notice Joel cringing at him, something caught between a laugh and a frown on his face. And Maria’s sweet; she’s asked probably six times every hour since she first saw you if you’re feeling okay, if you’re tired, if you’re hungry.

Joel text you yesterday morning. Tommy and Maria wondering if you feel like coming over for NYE. No pressure, he added, I lie pretty good.

A smile snuck its way across your lips before you had the chance to tame it. Sure, you typed, I’ll bring the newspaper.

What Joel’s told them, about the wedding and the baby and everything since, you’ve no idea. You guys almost talked about it when he told you they were flying down after Christmas, but before you got the chance to ask him, Vanessa pulled up out front.

Not exactly a conversation you felt like having with the dude’s girlfriend hooked around his right arm.

She smiles at you, now, as you shuffle to the edge of the armchair you’re curled up in. Joel’s armchair – the plaid blanket cradling you, the leather soft and crinkled beneath. Your eyes quickly drop from hers when his hand reaches for your mug, your fingers crossing as you pass it up. “Let me come help,” you say, pushing from the chair.

He holds up a palm, shaking his head once. “Stay. I got it.”

“Thanks,” you murmur, settling back. Vanessa resumes smiling. You wish she’d fucking quit it. You wish you’d fucking quit focusing on her.

Joel knocks the mug gently against your shoulder with a small, almost sympathetic smile, and heads for the kitchen – leaving you sat between Tommy and Maria on one couch, and Vanessa on the other. You tuck your heels under your thighs, picking at a hangnail as you wait for the conversation to thaw.

Maria makes some comment about Austin in the winter: how different it is to Jackson, and the three of you nod and hum in agreement before the chatter fizzles to nothing again. You glance over to the clock, watching the hands chase one another to twelve.

This isn’t what you imagined a get-together with Joel’s family would feel like. Tight, tense. So tense that you can feel the weight on your chest, closing your lungs. Talking about the weather and the holiday traffic, talking about nothing to avoid talking about everything.

Tommy’s chin lifts, after a second too long of silence. “Hey, Joel!” he barks. “You ain’t shown me this nursery yet!”

Joel leans around the doorframe, half-distracted. “Barely even started it, little brother. Crib only got delivered yesterday.”

“Sheesh,” Maria’s eyes widen, “you sure are prepared.”

Vanessa laughs when Joel rolls his eyes and vanishes again. “You got no idea,” she says, “I have never seen him so…pedantic, right?” She looks to you, still smiling. So sweet, you worry your lips are pursing at the sight of it. Your neck tensing. Your eyes watering.

“Yeah,” you reply, nodding shyly and swallowing back the saccharine. “I think he’s more nervous than he’s letting on.”

Joel’s voice calls from the kitchen again: your name. When you answer, he says, “Why don’t you take Tommy up, show ‘im what we got so far?” and then, leaning back around the door, “She picked the color ‘n whatnot.”

“Ah,” Tommy says, palms pushing down on his knees, “so you’re the brains, then?”

You mirror him, accepting Joel’s request. As though you had any choice in the first place. Standing beside the younger Miller, you mutter, “Sure. Let’s go with that.”

He holds a hand out to usher you ahead, following you upstairs. Past the tousle-haired boy in grayscale, past the German shepherd, past the Christmas Day portrait. Wandering like you know the house inside out, like you might’ve picked the exact coordinates of each nail the picture frames hang on yourself.

Like the photographs pinned to the walls aren’t still as alien to you as they’d been that day you first set foot in here, the dress Joel would come to tear from your body slung over your arm.

You twist the gold handle and unveil a homely little room, painted by you and Joel just last week. The soft blue drying into his knuckles, random splatters on your palms and your jeans. The giggles drawn from your chest; the thief either the chemicals from the paint, or the man rolling it over the walls – and you’ve a pretty good idea of which.

Tommy sniffs roughly, nodding. Taps the toe of his boot against one of the two bulky boxes leant against the wall, a crib printed on one and a rocking chair on the other. His tipsy head bob bob bobbing. “Alright. ‘s nice, ain’t it?”

You settle against the window, the glass cold at your back. “Real nice, yeah. Be even better once it’s done.”

“What’s yours look like?”

“Mine?”

“Nursery at your place. Your one pink, ‘case it’s a girl?”

You snort. “Mine is a little greener. More…I guess it’s duck egg. Had some leftover paint.”

He clicks his fingers and points to you. “See what you did there. Duck egg. Duckie.”

“Hm. Wish I were that poetic. I just like the color.”

Tommy stuffs his hands in his pockets, wanders around the bare room. The faint lingering of whiskey putting up its best fight against the clean bite of fresh paint, the sweet scent shaking from him when he nods some more at the blank walls and naked windows. He clicks his teeth and asks, “How you holdin’ up, anyways?”

“How am I holding up?”

“Yep. With, uh…” he nods to the door, eyes wide, “…Vanessa,” he whispers. Louder than he must think – probably echoed, if anything, by the palm he curves around his mouth.

You cross your arms protectively, shoulders bunching. “She’s fine,” you say, voice deliberately low. You both ignore the crack in it when you add, “I like her. She’s – she’s taken this all like a champ.”

Tommy leans on the window ledge, a rugged hand you reckon you’d know was a Miller’s just by looking at it. Same rough-cut quality as Joel’s, like they’re torn from the same sheet of sandpaper. He props the other on his hip. “But, boy – it’s gotta be complicated, right?”

“I guess. But she’s real sweet about it. And Joel’s been great, too.” You sniff, the memory of your kiss flashing behind your eyes. The steady drum of Duck’s heartbeat, the gleam in Joel’s eye when he looked down at you. The guilt seeping from your skin like beads of sweat, prickling along your spine and fizzling against the cold windowpane.

Tommy blinks at you, liquor-glazed eyes scanning. His shoulders jerk, a loud huh propelling from his throat. When your head cocks in confusion, startled from your daydream, he spills. “He ‘n I had a mighty long talk when he told me.”

You feel yourself leaning in, magnetized to him – body hunched as though you’re gossiping in the corner of a house party. Inhaling secrets with the tinge of alcohol on Tommy’s breath. “Oh, yeah?”

Tommy hums. “Just wanted to make sure he’d thought it all through. Not you – I always knew he’d take care a’ you and Duck. But…involving Vanessa,” he lowers his voice again, glancing over to the warm light spilling in from the hallway, “I just wanted him to be sure.”

Your blood begins to warm, heat flooding through your body as you step closer, murmuring, “What’d he say?”

He flicks his head, seeming to toss his initial response to the wind. “You know Joel. He is his own man.”

Your face screws, head jerking back. “What’s that mean? He is his own man?”

A voice from the doorway interrupts. A shadow swimming in the golden light. “Who is?”

Tommy steps away from you, loosening his arms as his big brother drifts into the shadowy room. Dusting the conversation under the rug. The smell of whiskey backs off. “Speak of the devil. Nice paint job, Joel. Missed a couple spots, but – I’ll let you off.”

“Uhuh.” Joel’s eyes thin, his body slanted against the wall. Arms crossed, bottle of beer hanging from his fingers.

Tommy swaggers forward when Joel holds the bottle out, taking it with a wary glance at the tall figure. A dog meandering back to his owner, tail between his legs and ears flat. It takes his gritty voice to jolt you back to the room, splintering your gaze from Joel’s toned arms and huge chest. “Looks real good, you two. ‘s one lucky kid.”

Joel’s jaw lifts, his eyes landing on you. Dogs are terrible liars. “He talkin’ your ear off?”

You smile; recognizing the softer Joel you’ve grown used to over the last three months replacing the stern, cold version you once knew so well. “Only a little.”

“Tommy,” he says then, “Maria needs you for somethin’.”

The denim-donned Miller nods knowingly and heads out of the room, thud of his boots receding downstairs.

“Maria okay?” you ask, making space for Joel as he settles beside you.

He shrugs. “Only said that to get him outta your hair.”

You frown. “You sent me up here with him in the first place.”

“So I could come up ‘n check on you. Know this must be a lot – the two of them, tonight.”

“I’m fine. Promise. I’m a big girl.”

You both sigh, turning to look out at the dark street. Your arms cross, sitting somewhere above the tiny slope of your bump – a new development you’re still getting used to. Your stomach feels tighter, a little more solid than usual when you touch it. A little more…real. There’s someone in there, right? Like, actually there. They’re changing the way you look, the way you feel.

“This is it, right?” you say, staring at the white lanterns illuminating Alice Brown’s rose bushes. “This is the year.”

“The year,” Joel agrees.

“Mhm. Become a mom. Become a dad.”

He purses his lips. “Yeah, I don’t know. I’ve had bigger years, kid.”

“Let’s hear it, old man. Let’s hear about your biggest year. God knows you’ve had plenty to choose from.”

He sucks a deep breath in, eyes tracing the silhouette of the houses across the street as he thinks. “Senior year, nineteen ninety-three. Asked Stacy Moore as my date to the prom ‘n she said yes. I was so nervous that I forgot my bow tie. Was a pretty good year.”

You hum, agreeing, and then, “I see your ninety-three, and I raise you: two thousand and one. There was this bike I wanted for-fucking-ever; it had, like, little beads on the spokes – would make this ratatatat sound whenever it moved. Tassels hanging from the handlebars, all iridescent. I begged my mom the entire year for it, and on Christmas morning I woke up, and…” You lift your hands, air puffing from between your lips. “Santa Claus delivered that year, dude.”

“Well,” Joel clicks his teeth, shell hardening only a little, “thanks for making me feel old as hell.”

“You’re welcome.” You beam back at him, breaking into a laugh when he does.

The two of you stand a little distance apart, denying yourselves the innocent brushing of shoulder against shoulder, the nudging of elbows and swaying of hips. Admiring the empty sky and emptier street, bathing between the cold moonlight of outside and the warm lamplight in.

And from somewhere deep in your belly, somewhere tucked behind your ribs, beneath your slow-growing womb: an urge to ask about her. To bring her up. To tend to the curiosity that Tommy poked a clumsy, drunken finger straight into, tearing it apart at the seams.

Like pressing on a new bruise, satiating the hungry need to know where you were hurt, how you were hurt, when you were hurt. A bent fingertip, pushing heavily into a sensitive splatter of dark purple; the burst blood vessels hissing in response, whispering, You don’t know, and you don’t want to know.

But you defy them. You do want to know. Want to satisfy the disturbed thrill you felt, leaning into Joel’s brother. Hands turning over one another, wet bottom lip trembling as he rounded the corner on some sort of…what was it, a secret? Some sort of truth, a long-buried revelation about the other woman. She’s a witch, have you spotted her crooked nose? She’s plotting something, I swear. She’s up to no good.

Your eyes lift again, focusing back on the dull color of the outside world. The bland canvas of reality. She’s not a witch, nor some genius mastermind. She’s a boring, relatively normal woman. Kind, thoughtful. Naïve and a little too eager to please; too willing to forgive a situation which warrants no such kindness or empathy.

She’s just…fine. Lukewarm. And you’ve no idea why that pisses you off so much.

Which, incidentally, makes the bruise sting all the more.

“Maria, Maria,” Tommy’s voice claws its way upstairs, “turn it on, turn it – Joel? Joel! It’s midnight, Joel, you two better come on down, now! Have we missed it –? Have we –?”

The sound of cheering slowly bubbles to life behind his drawl as the TV volume picks up, the tittering of Maria and Vanessa chiming in.

“…five, four, three, two, one…Happy New Year!”

Joel’s looking over his shoulder, waiting for footsteps or voices or a girlfriend who never shows. And he ignores his brother, for he is his own man, and turns to you instead. Bracing himself on the ledge, he blinks down with a plain grin on his lips. “Happy New Year, Mom,” he whispers.

You return his smile, taking his hand when he reaches out to you. “Happy New Year, Dad,” you reply, squeezing his palm.

He pulls you in for a hug, kissing your cheek briskly as you hook your arms over his shoulders. His beard scratches your cheek, grazes the curve of your shoulder, and you don’t mind. Your small, swollen belly presses against his; the tiny curve safe in the midst of your embrace.

Outside, the sky crackles to life with the distant spatter of fireworks, color shattering across the black canvas – red, blue, green and gold, dissolving as quickly as they explode into the now-January night. A burst of purple light washes between the two of you, and you turn your head on Joel’s shoulder to watch as the sparks rain over your neighbors’ roofs.

“I should get goin’,” you whisper, feeling his heartbeat a little too strongly against your own. Becoming suddenly aware of the weight of your frames locked together.

“Glad you came,” he says as he leans away. “I know this ain’t…I know we’re all tryin’, but you’re tryin’ the most, and I appreciate it. I hope you know that.”

“I know it,” you tell him, rolling your eyes. “Now, go. Go kiss your girlfriend.”

He chuckles, making for the door. “You want me to walk you home?”

Your eyes close serenely, the image of him doused in flickers of gold burning behind your eyelids. “I’ll survive the walk across the hedgerow, Miller.”

Joel nods once and leaves, plodding downstairs to be greeted by his open-armed girlfriend, a peck between them, arms crossed behind his neck. The lyrics of Auld Lang Syne slurred against his lips.

And you think – You know what? If it’ll rip you apart from her, if it’ll keep her bright red lips and her shining curtain of hair away from you, if it’ll stop her sucking in your air and your smell and your attention for thirty fucking seconds –

Then, yeah. Walk me home. Stay for a drink. Sleep in the goddamn guestroom.

Walk me home.

You slip out of the front door when the two couples are in the kitchen, missing Joel’s calling your name – or perhaps just ignoring it altogether.

“Spread the love at St. David’s this Valentine’s Day…”

Joel slows alongside a wall of cerise hearts, each one fluttering like wings whenever the hospital doors slide open and the breeze sneaks inside. Slips scrawled with names and messages: Love you M! and J + A, crude drawings of stick figures holding hands. Your lips curl into a smirk, watching him flick through each one as you palm your round stomach.

You just saw Duck for the second time. The last time, Freya was kind enough to mention, before they’re tearing you in two. Sorry, she mouthed when your expression dropped, and went back to twisting the probe over your stomach. Silently.

You’re getting better at it, you think. Playing Mom. Like some little game of make-believe, which is only real for as long as you’re looking it square in the eye – attending doctor’s appointments, updating the neighbors on your newest list of symptoms en route to your mailbox.

A little surer on your feet, now that you’ve found a balance to it: taking it as seriously as it warrants, a dry little pill stuck on the cliff of your throat, and making it easier to swallow with humor like water, a huge gulp anytime the fear claws its way up your spine.

And no more panic, since at least before Christmas. Only a little flustered this afternoon when Freya asked if you wanted to know the sex.

It felt too big a thing to hear, too real. You’re only just getting used to the backache and the bleeding gums. (And why didn’t you know that your gums would bleed? Isn’t that something they should fucking warn you about? Congrats, you’re pregnant: prepare for blood seeping from your jaw.)

No. No, thanks. Your head shot around to Joel. No, right?

He shrugged. Makes no difference to me.

Are you sure?

I’m sure, kid. Promise.

‘cause we can find out. I mean – if you want to.

He rocked forward on the balls of his feet, tapping you amiably on the shoulder. I don’t. You’re good.

You don’t?

No, I – He sighed, a hand dragging through his hair. If you want to, I want to. If you don’t, I don’t. Alright?

Freya bit back a laugh, the closed fist over her lips doing little to hide it. You guys should write a book on co-parenting.

But then she left the room again, closed the door on that same old little bubble – the three of you perched on the bed, you and Joel blinking up at the grains of your child onscreen – and you cried. Again. More.

Everything clearer, everything even more human than before: the globe of their skull, the tiny slope of their nose. All glowing in the dark waves of your womb, twinkling like the most beautiful constellation you could ever come across. Their ankles were crossed, feet forming a tiny heart shape in the top corner of the sonogram. Your hand lifted to point it out to Joel, and before the words found voice, you choked and broke down again.

He held you, lips to your hair, body solid as a rock as you melted into him in waves of salty tears. Smiled that honey-glazed smile and said he was so proud of you, said, look what your body’s doin’, darlin’, look what you’re growin’ – which only made you weep more.

And you pretended not to wait for it – for the moment when you might tilt your head up and your lips might line with his, and he might close the achy space between you again, might shush your cries by stealing the air from your lungs and the beat from your heart.

But he didn’t.

Which is fine.

Right?

“Somethin’ on your mind, kid?” he asks now, eyes still glued to the sea of hearts.

Your stare snaps from him instantly, unaware it was even held there. You tug on the hem of your sweater and pull the sleeves over your hands, mumbling, “Fine, I’m – I’m just…Come on, man. I’m hungry. I didn’t eat lunch today.”

“’n whose fault is that?”

You glower at him. “How considerate,” you seethe, “Vanessa’s a fucking lucky woman, you know that?”

He ignores you, a dumb smile on his face. The usual. “Let’s leave one for ‘em.”

A hot temper begins to boil below the surface of your skin, squeezing between your teeth in a fist-swinging breath. Also the usual these days, apparently. “For who?”

“Duckie. Somethin’ to mark the second scan. Last time we see them, before –”

Your hand flies up, eyes closing with a wince. Shut the fuck up. “Enough. I know.”

Joel hms, still smiling to himself. His beard has grown out a little: thicker, darker, gray sewn through like little whip stitches lining his jaw. He fishes a heart shape from the tub along with a pen, which he twirls annoyingly around his fingers as he thinks.

You sink back against the clinical white wall, an offensively bright color, holding your cheeks up in something of a smile when a nurse wanders past, nodding to both of you. Your face drops back to a scowl as soon as she’s over Joel’s shoulder, and your eyes meet his again – his brows raised, expectant.

“What?” you ask, chewing on the inside of your cheek.

He holds the slip up. “What we gonna write?”

And whatever charm the moment may have held, withers instantly. You throw your arms up petulantly. “You wanted to do it! Pick something. See you soon, or something, I don’t fucking know.”

“I don’t fucking know,” Joel muses, creases by his eyes when he smirks. “Poignant.”

“That’s what you should write,” you step closer, shoving your shoulder into his as you study the trembling hearts on the board, “if you can spell poignant, write that.”

“Hilarious,” he mutters, bending to scribble onto the shape, shielding his work from your view when you hang around his shoulder to pry. Cupping over the message until he’s straightening up, tossing the pen back to the desk, stealing a pin from the tub.

“Let me read,” you protest, tugging on his flannel sleeve.

“I will,” he says, shaking you off. “Patience, darlin’.”

Joel turns to the wall and pins the heart higher than the rest, in a spot clear of its own on the corkboard – thick arms stretching higher higher higher and pulling your gaze with them. As he steps back, he takes you gently by the waist and positions you in front of his body, your shoulders brushing against his chest. Your ribs hold your heart back from hammering into his.

You push up onto your tiptoes and squint at the note, which quivers when the hospital doors pull open again. “Mom and…Mom and Dad f…You fucking…”

Joel dodges your batting arm, snickering with you as he turns to make for the exit. “You don’t like it?” he tosses over his shoulder.

The heart stares down at you, black ink carved into the paper, watching as you turn and hurry after him, giggling. “Mom and Dad fuckin love you? So much for my potty mouth. And the –” another wheezing laugh you’d otherwise be ashamed to let him hear, “– the drawing? It looks – it looks more like a giraffe than a duck. Or, like, you know those long-necked dinosaurs?”

Joel’s head tips back, his own laughter caught up by the breeze when you wander outside, slipping your wrist around the crook of his elbow. Something infectious about it, something which stirs your own laughter until you’re walking arm in arm to the truck with a man who, six months ago, you’d barely look at twice over the fence.

The blind rage bubbling from your empty stomach seems to dissipate, dwindled to nothing in the face of that same man – his swollen cheeks and crows-feet eyes. And you say, “You’re disgustingly sentimental, you know that? Like, sickening.”

And Joel smirks, the way he always fucking does, and says, “You love it. Can’t lie to me.”

“I love it,” you concede, nudging into him as he opens the door for you.

The drive home is quiet, but not uncomfortable. There’s another thing you’re getting good at: being around Joel without need for snide remarks, without feeling your tongue curl under the weight of some snappy quip, loaded and aimed. Being around him and talking about Duck, asking how Tommy and Maria are. Forcing your teeth and tongue to carve out words which ask how Vanessa is, what she’s up to, when he’s seeing her next.

None of this is ideal, that’s for sure. Joel’s girlfriend aside, you’ve spent the last five months cohabiting your body with a stranger who lives most peacefully in the eye of a raging tornado of hormones – flitting between fits of giggles and pulsating joy in your veins, to waves of tears and an anger so hot beneath your skin that you wonder if your emotions might dry up completely by the time this is all through.

It's tough. It’s scary. And some nights you lie in bed, alone, wet eyes fixed on nothing, waiting for someone to burst into the room and announce that it’s all a prank. Just a silly joke. You and Joel can go back to tossing newspapers and casting glowers.

But for now, sat in the passenger seat of his truck – the seatbelt warped around the curve of your belly, the Eagles lilting softly from the radio – it feels like you’re making a home out of that tornado, too. Feeling the swirling walls of wind toss your hair like the breeze through the truck window; the chilled caress of the evening around your outstretched arm, soaring down the highway.

Yeah, you think. I can make something outta this.

“You know what I’m craving?”

Joel’s watching the light, waiting for green. “What’s that?”

“A fucking bagel. Cream cheese, pastrami,” you groan.

He snorts, cringing when he adds, “Pickles?”

A moan tears from the base of your throat, head lolling against your seat. “I could orgasm just thinking about it.”

The light turns, and Joel swings right. “I’d rather you didn’t,” he mutters, turning the wheel with one palm. “I got bagels back at the house, if you want one.”

You stare at him, jaw loose, saliva pooling behind your bottom lip. “Are you fucking kidding me?”

He smiles, shaking his head. “Let me make you one, ‘fore you go home. Big day, ‘n all.”

And you hate it – hate the way your cheeks fill with a genuine happiness, something swollen and achy, impossible to ignore when it lifts your eyes and hurts your teeth. Appreciation, or admiration, perhaps, that you figure you’ll only ever have for him. You don’t know what the fuck to call it.

So you sum it up into three words. “That’d be nice,” you whisper, and Joel places his hand over your knee, shaking it lightly as he drives on.

It stays there, until he’s pulling into his driveway.

He pushes the front door open and steps back, an arm extended to let you by first. An after you, ma’am, between his lips. And you turn to make some mocking joke, the beginnings of some comment about how gentlemanly he is, when you’re socked square on the nose by a heavy-fisted, bitter scent.

“Oh, fuck,” you gasp, stumbling backwards across the threshold and onto the porch again. Your throat constricting around nothing, your tongue twisting, your stomach lurching.

Joel catches you just in time to stop you from falling on your ass. “The hell’s the m–? Oh.”

“Hi!” Vanessa calls from the kitchen, leaning around the doorframe to wave you both in. “Almost ready! Take a seat.”

“V–? Hey, sweetheart?” Joel calls back, one hand around your wrist and the other between your shoulders. “What – what’s cookin’?”

She pauses, glancing back at the stove. Pulls the dish towel between her hands taut. “I…I made pasta.”

“Yeah, what kind, sweet?”

“…Bolognese.”

He can’t cover his own sigh quick enough. Thick with something which feels like anger. “Shit,” he turns back to you, “I am so sorry.”

You pull in a deep, unsteady breath, your lungs struggling to separate night air from tomato juice. A weight rolling at the bottom of your stomach, your entire body beginning to tremble with it. “I feel like I’m gonna – Joel, I’m gonna –”

“Breathe,” he whispers, voice urgent, palm slipping to cup your jaw. “Just breathe for me.”

But your throat’s tightening, swallowing hard around gags which come stronger and quicker the more you try to fight them down. “I can still fucking smell it –”

Her shadow blocks the stretch of light from the house. A nervous little thing, a timid creature’s shadow stretched wide across the porch floor. “Is…everything okay?”

“It’s – it’s fine,” Joel sighs again, torn between comforting you and letting Vanessa down gently, “it’s just – tomato is one of her…her aversions.” He’s unable to pull his eyes from you, privately asking, “Are you okay?” when Vanessa turns back to the kitchen.

“I didn’t – I didn’t know,” she mumbles, thumbnail between her teeth. “I am so sorry.”

Suddenly, your will not to throw up is overpowered by your will to tell her, “It’s fine,” sucking in a deep, sickly breath before adding, “I’m just gonna – I should go.”

“I don’t want you to go,” Joel says, his teeth guarding the words from his girlfriend.

“I’m gonna clean up in here,” Vanessa points over her shoulder, and you think she must’ve heard him, “get outta your hair. I’m so sorry, again. I would’ve never…”

Joel lets go of you as you stagger backwards, the cold air tearing down your throat to meet the burning acid tickling up your esophagus. “Please don’t apologize,” you lift a weak hand, “how could you have known? I’ll –” another sharp gasp, “– I’ll see you guys around.”

He must say your name, must try once more to pull you back to his side, but the blood’s rushing through your ears, and your heart’s pounding at the back of your tongue, and your stomach’s notching its way up your spine. You make it to your kitchen sink just in time.

He keeps you waiting all of one hour before he’s calling you. Your arm reaches over to your nightstand, fumbling in the dark for your heavy phone, the screen cold against your cheek.

“Mhm?”

“Are you okay?”

Your lungs pull a deep, slow breath. The acid painted across your throat tickles as the air passes by it, an uncomfortable, scratchy feeling.“Mhm.”

“That a lie?”

“Only a little. Is Vanessa okay?”

He takes a second to answer. Lets go of whatever he was going to say with a sigh, replacing it with, “She just left.”

“Is she mad at us?”

Another second. “Just me. Not you.”

You massage the slope below your breasts, the ache in your esophagus throbbing when you move. “Why just you?”

Ruffling, like he’s settling back into his couch. Sinking into the cushion, his body as heavy as yours feels on your mattress. “I should’ve told her you didn’t like tomatoes. ‘cause now I’m a goddamn mind reader. I mean, why the hell wouldn’t my girlfriend be in my house cookin’ a damn pasta dish while I’m out, y’know? Jesus Christ.”

“Joel,” you turn slowly onto your back, bravely waiting for the waves of nausea still lapping around your stomach to turn with you, “it was a nice thing, what she did. She didn’t mean to…She probably thought she was helping.”

“Naw, I know,” he replies, the sharp bite of his words softening again, shrinking under yours. “I don’t care about her and her helping, though, darlin’, I care about y –” He barely catches it in time. “I care about you carrying my child, and I care about making sure you don’t spend your nights fuckin’…throwing up tomato sauce.”

You gulp, neck convulsing. The backwash of bile swallowed back. Your chest floods with a heat of quick panic. “Can we…maybe…not use the word? I just –”

“Sorry, baby. Sorry. This is just – it’s a lot easier if she would just…”

Your eyes close over, a salty sting sweeping behind them. If she would just lay off. Back off. Fuck off. “…but she won’t, Joel. She loves you. ‘n you…”

The words drift off, taken by the tide, swept off into silence. And neither of you bother with trying to retrieve them – you just watch, stood safe on the shoreline, as they fold under the waves of something too big for either of you to acknowledge. Too dark, too dangerous.

So, you say, “I get it,” instead; say, “I get why you’re mad. Just – let’s forget about it, okay? Sorry for…ruining dinner.”

Joel scoffs, that old, pissed-off Joel scoff. You can see his deadened expression on the back of your eyelids. You may as well have just thrown his newspaper to the end of the earth. “You know damn well that you didn’t ruin anything. How you feelin’?”

“Tired. Throat kinda hurts.”

“Still feel like that pastrami bagel?”

“Not really. Sorry. Appetite’s gone.”

“How about a water?”

“I got some here. Thanks.”

“Okay,” Joel sniffs, “how about: you take the hint and let me come over there to see you?”

You giggle, hand over your eyes to mask your expression from the dark. “I hate you. Yeah, come over. Door’s unlocked.”

Date night – six month anniversary or whatever. Call me if you need anything.

And I mean anything. OK?

Your thumbs hover over the two gray messages, an awkward jig as your brain scrambles to offer words back. Where are you guys going? Too interested. Too weird. OK, what if I’m bored? Delete delete delete. Trying too hard. Sure, have a good n–

The ellipsis pops up and you freeze. A stupidly polite swish delivers Joel’s third text.

Boredom counts as anything, by the way.

And the fucker steals another smile from you. You notice it when you look up, clocking yourself in the mirror. Accompanied by a warmth which drips down your spine, swirls around your tummy; a fluttering you’re not sure is Duckie or something else.

Have a good night, Dad, you type back, tossing the phone to the end of your bed when you hit send. Swiping for a pillow, holding it firm to your face. Pressing so deep into the plush that even the linen won’t be able to see your grin.

Joel told you about this six-month anniversary last week. He wasn’t too thrilled about it then, either. Dinner to celebrate six months? A year, fair enough. But six months?

You swallowed your pride, swallowed the same throttling ecstasy which seeped through your pores on New Year’s Eve, on that February evening she cooked– never mind; a desperate desire to tear apart the very notion of Vanessa and her cutesy little date nights and candlelit dinners. I think it’s a fun idea, you said. Y’all should do it.

And Joel listened. Because he always fucking listens to you, these days. Listens when you tell him that you like the watermelon Sour Patch Kids best, and picks them up anytime he’s at the store. Listens to you when you tell him he should move the crib away from the window, in case the streetlights shine on Duck while they sleep.

Listens when you ramble about how sore your feet are, how heavy your belly feels, how there’s a clammy heat lingering under your skin at all times, bubbling and bubbling and never rising to anything more than steam collecting on the underside of your flesh.

Listens when you tell him to go spend time with his girlfriend. And neither of you pay attention to the jealous shadow behind your words, the hesitant quiver behind his.

He replies almost instantly, the ping like a gunshot at the beginning of a race. Pillow slammed into the mattress, body lunging forward.

You too, Mom. Don’t have too much fun without me.

You lock the phone and slide it back under your covers, smiling dumbly.

There’s still a small part of you waiting for the big reveal: none of this is really happening. A dream, maybe, something you’ll wake from with a tiny throbbing headache, a dry mouth and a new reason to avoid your neighbor at all costs.

But it seems that, each time that thought crosses your mind, you’re quicker and quicker to quash it. Realizing each time that what lies ahead – Joel, your baby, this future version of yourself that you’re yet to meet, still just a little out of reach – fills you with more excitement and wonder, than it does fear.

Mom.

It’s not something you ever imagined for yourself. Not someone you ever thought you’d be. And yet, each time you say it out loud, each time you look in the mirror and picture a baby in the crook of your arm, a toddler perched on your hip, a kid stood by your side, tugging on the hem of your shirt – she feels a little closer. A little clearer. She just has to look over her shoulder, notice you waiting. I’m right here, she says. Come find me.

Mom. Mom and Dad.

You imagine Joel right now, sat in some ritzy restaurant with jazz music and stained-glass lamps on every table, ordering Vanessa some glorified lentil soup and slapping his card over the bill before the waiter has a chance to reveal the damage to him. Your lips twist at the thought – her jewels and her long hair and her sweet little smile laced with a smug possession.

And then you slap your own wrists, hissing to yourself to shut the fuck up.

“She’s nice,” you argue out loud, thin air holding no debate. “She’s kind, and I like her. She’s good for him.”

And then the air replies. Good for him, it swirls, but you could do it better.

Your arm lifts, lingering for a beat before batting the thought away.

Three weeks. Three fucking weeks, between pushing yourself out of his embrace in bed, and pulling yourself back into it – armed with a pregnancy test and a chest full of fear. Three weeks of dodging him, of your cheeks bubbling with embarrassment and regret anytime you thought of it; of hoping to God that Alice or Diane or Steve and Kris across the street wouldn’t clairvoyantly know what had transpired that night and corner you on your own front lawn.

A one-night stand. That’s all it was. Two lonely bodies, excitement enough to convince you both that it was a good idea; a fitted suit and a backless dress crumpled together on the floor. Liquid courage lacing it all together.

Three weeks, then, of reminding yourself how it felt: how amazing you were together. Your hand between your legs and Joel’s name between your teeth.

Fuck. If only he knew. Goodforhimgoodforhim she’s so good for him but I’m better.

You did it better. You know you did. The sun was cresting the horizon by the time the two of you stopped. You hauled yourselves down to breakfast and sat at least three people apart, made forced conversation with Maria about the DJ stumbling off with one of her cousins, while the ghostly ache of Joel’s body churned somewhere deep inside you.

It travels through your veins the way that everything does right now: urgent and unforgiving. A need to be dealt with, immediately. Coursing through your body, an arrowhead pointing somewhere you know it shouldn’t. But your hands lift anyway – following it, loosening the waist of your sweatpants and skimming beneath your underwear.

Your body lights at the first touch. The first dip of your middle finger against the plush over your clit. Knees bend, thighs part. You push your underwear down your hips, settling your bottoms loose on your legs. You’re already wet. You’re already there.

Good fucking girl. She’s good but I’m better, right? Take it, baby. Does she take it like I take it? Take it. Can she take you like I did?

Quicker and quicker and quicker, your fingers heavy on your clit. The other hand sifting between your folds, dipping to collect a glimmer of wet. Yeah. Just like that. Do you fuck her like you fucked me? You feel what you do to me? Fuck no, you don’t. You’ve never fucked anyone like you fucked me.

Head back, eyes fluttering closed, lips parting to breathe answers to a man who isn’t here. To a man who, as he dips sourdough into an overpriced soup, sure as hell isn’t thinking about that time he fucked you so good he got you fucking pregnant.

Well. Maybe he is. You are, right?

Voice without body, drawl etched in your memory. Think she can take it all? You hum in amusement, waiting for him to answer his own question. Yeah, she can.

Attagirl. Your legs spread further, knee lifting as you insert two slick-coated fingers. His hands are on your thighs, following the dip of your hips, holding your waist as you guide him back inside. Attagirl. That’s my – Fuck, Joel, you’re so b– That’s my fuckin’ girl. Take it. Touch it. His thumb on your clit – his, not yours. You like that? Yeah, that’s nice, ain’t it?

The flesh of your breasts filling his palms, squeezing and nipping and rolling between. The warmth leaking between your legs: his and yours and fuck, he’s so deep and he’s filling you again and he’s groaning as more dribbles from where he splits your body around his own, holding you still until he’s done. Until he’s empty.

“Joel,” you whine, a third finger pushing in.

Between your hips. Headboard hammering against the wall. The sun hanging loose at the bottom of the sky. Gonna make me come again, baby. Do it. Do something irreversible. Change me forever. Fuck me fuck me fill me and then pull out, push back in with the wet squelch of your come mixing with mine and changing me forever. Making me brand new. Making me yours.

Another moan. Louder. Sharper.

Yours yours yours. All mine? All yours. We’re good at this. I know we are. Who fucks you like this? No one – No one – just you – just me. It’s so big, fuck, but I can take it. Been thinkin’ about this all fuckin’ day, baby. All I do is think about you. All I fucking do – You gonna come for me? – is think about you.

Know you need it. Let ‘em hear you, downstairs.

Fuck, I’m thinking about you. Come home. I need you to come home, need you to –

Fuck me, Joel, I’m –

Good girl.

– fuck me.

Atta fuckin’ girl.

She’s good but I do it so much better.

We’re good at this. ‘s do it again.

She’s not as good as me.

Again? Again.

She’s not as good. She’s no fucking good.

Your walls clamp around your fist, entire body shuddering to a stop. Breath held by something shaped like the hook of his accent, two fingers either side of your throat. The same smirk on his lips that convinced you in the first place. Fuck, baby, fuck me.

“Joel,” you cry out, the sound ripping between your vocal cords, punching against the ceiling and reverberating in your ears. Your body convulses on the mattress, back arching and slackening again. “Fuck, I’m – oh, my –”

Just feel it, baby. Feel me. You got it.

Let go.

Your lungs lurch open again, breath flooding in like waves spilling over the gunwale and rushing down to pool at your feet. A lulling rock to your movements, chest rising and falling like the steady tide. Soothing, coming down. Foam and salt carrying the flotsam away, the jagged glass of his name disappearing to sea again.

And then he’s gone.

And you’re just alone in your bedroom.

Last you checked your phone, now face-down on the carpet at your hip, it was eight p.m. Streetlights on, the sky painted by the pale dregs of daytime.

Now, you lie in near-darkness, blinking up at the ceiling. Hand sifting through a bag of glow-in-the-dark stars, comparing the different sizes, considering where to stick them, and then tossing them back in frustration.

Your front door clicks open, a pause between the sound and his voice.

“Anyone home?” Joel calls, and you lift your wrist as though he can see it from the bottom of the fucking stairs.

“Up here,” you eventually announce, knuckles rubbing your tired eyes until Catherine wheels spatter across your eyelids.

His shadow splits the light from the hallway, the long rectangle crossing over your swollen belly. “The hell are you doin’?” he asks, wandering in.

You lift the bag. “Decorating. The hell are you doin’?”

He pulls your nursing pillow from its temporary home in the crib and tosses it down on the carpet, bending to lift your shoulders and slot it underneath. “Scooch,” he says, groaning as he lays back beside you. He smells like whiskey and cologne. All woody, pine and spice.

“You got a bad back,” you warn him. “You shouldn’t be all the way down here.”

“You’re seven months pregnant,” Joel clicks his teeth, “neither should you.”

“What if you get stuck ‘n can’t get back up?”

Offense pulls his brows together. “What if you do?”

You smile in response, feeling the heat of his shoulder against yours. Sucking the scent of him through your nose. The pair of you exchanging smirks and batting eyelashes, wrapped in the cool darkness of the room. It’s juvenile and intimate.

You’re trying not to think too much about it.

“I can’t fucking figure this out. I put two of the big stars over there,” you point to the far corner of the room, streetlight splintered by the shades on the ceiling, “but it looks stupid having two so close. So, then I thought,” moving your arm to the right, “a cluster of smaller ones, right over the crib. But I couldn’t move the damn thing to climb up, so…I’ve been down here ever since.”

Joel lifts his hand, stopping your train of thought. “Please do not climb on anything, bein’ that you are…with child.” And then, when your eyes roll to meet his, he grins, adding, “Nesting got you good, huh?”

“You should see my kitchen cupboards. Never been tidier.” Your expression dissolves, voice quietens – your most desperate plea since that morning you shook hands on his doorstep. Your broken wardrobes and his lonely wedding invite. “Will you help me?” you ask.

He thinks it over less than once, dragging his gaze from the twirling star in your fingers. A quick shake of his head, like it’s obvious. “’course I will. ‘s what I’m here for.” And then he yawns, lowering a hand absentmindedly to settle on the curve of your stomach; a gentle pat in greeting to Duck.

“How was dinner?”

“Good,” Joel lies.

“Vanessa okay?”

“Good,” again.

“Sorry.”

Joel’s eyes roll, fingers pausing. “Why do you always gotta be sorry for som’?”

You shrug when you realize it’s not a rhetorical question. He’s genuinely asking. “I don’t know. Just tryna be polite. I know you’d probably rather be at home right now, not…deciding where some plastic fuckin’ stars should go.”

“For my kid’s bedroom? For you?” He huffs something shaped like disapproval. “Do me a favor – stop with the sorrys, alright?”

“I’m not even done with the last fucking favor I said I’d do you.” Your eyes flit down to your bump.

He stares blankly. You know there’s a laugh gathering like hot air on a windowpane behind his eyes, threatening to shatter the glass.

“Fine,” you concede, “dickhead.”

“Better.”

You sigh, looking back down at the phosphorescent shape in your hands. Turning it over and over and over, matching the rhythm of his fingers tensing and then untensing on your belly. His fingers, matching the rhythm of your chest rising and falling with breath. The room quiet. The night’s eyes averted, even just for this moment.

“If it’s anything,” Joel says, “I think the stars look alright.”

Another stolen smile. Another defiant show of teeth. You place your hand on top of his: a thankful gesture, an invitation. Something in between.

Joel blinks back at you, his eyes flitting from yours to your lips. The dim light in the room swallowing the two of you whole, secluded in the upstairs of your home. And you think, Kiss me, kiss me kiss me kiss me, and you will the words over your tongue in a ragged breath – hoping that Joel might breathe them in and feel their sharp edges as they absorb into his bloodstream, each cell flipping like the star in your hand and whispering the same two words to him: Kiss her kiss her kiss her.

But right then –

There’s a burst of movement. Under your fingertips. A fluttering, like bubbles popping right below the surface of your skin.

Your eyes snap down at the same time Joel’s do; your fingers separating and hovering over your tummy.

“Did you – did you feel –?”

“Yeah. Did you?”

“Uhuh. Was that –?”

“I don’t know. Was it?”

He takes your hand, pressing it back against your stomach with his on top. Your knuckles safe in the canopy of his palm. Both staring into space as you hold your breath.

“They’re not…they’re not doin’ it, now…”

“Maybe it was just –”

“Wait! Did you feel that?”

A second burst on your womb, a tiny beat on the other side of your bump. A wide grin breaks across your cheeks, a disbelieving laugh escaping.

Joel laughs, too. “Is that – is that the first time they’ve ever –?”

“Yeah,” you sniff, tears prickling at the corners of your eyes, “that’s the first I’ve ever felt ‘em, anyways.”

“Wait,” Joel says, lifting his hand and holding a finger up. Just yours on your belly. “They doin’ it?”

Your head shakes.

When he lowers his hand, Duckie kicks again. The two of you lean in to one another, exchanging laughter. You lift your own hand, watching his expression as he waits patiently.

But then his head shakes, too. “Nothing. They’re only doin’ it when it’s both of us.”

“What the fuck?” you laugh, replacing your hand and waiting for the baby drum. “How can they even tell? What the f–?”

You shift your hands around the globe of your bump, pausing every so often to feel for Duck’s movements. A tiny fist punching, or a heel kicking, or an elbow shoving right above your navel in a way that’s bordering on painful, but numbed by the sheer thrill of it.

And for a while, it’s all you do: play tag with your unborn baby, giggling when they respond to your tapping fingers and cooing voices.

Joel sits up, leaning on his elbow to talk to his kid; runs two fingers across your shirt like a pair of legs scaling a cotton covered hill. And he laughs, and you laugh at his laugh, as if he’s a kid himself again – tearing apart gifts on his birthday, gasping and throwing his head back with glee at whatever he uncovers.

“It feel weird?” he asks, glancing up at you.

“So fucking weird,” you tell him.

“Does it hurt?”

“More…ticklish, if anything. Might get kinda annoying, if they start doing it when I’m tryna sleep, or somethin’…”

Joel lowers his jaw to your stomach, whispering, “You know what to do, Duckie. Make your daddy proud.”

You slap his shoulder, muttering, “Asshole.”

“Alright,” he says, splintered by a laugh. He pushes himself to his feet, swiping the bag of stars from your side. “Let’s get these up so you two can get some sleep.”

You groan as he pulls you upright, one last pat on your stomach, looking at you a second too long and a touch too meaningful. Too warm, too inviting.

It’s the calm before the storm, though you’re still stood motionless. Still trying to work out whether the tornado is moving away, or headed directly for you.

At five in the morning, Vanessa’s sister calls her.

“Heart attack,” Joel tells you a few hours later, the rustle of paper crinkling in your ear. The truck hums in the background. He speaks through a mouthful of sandwich. “Her dad always had a condition, but they thought they were managin’ it with medication,” another crinkle, and then, voice even more obscured, “but he got rushed to hospital durin’ the night, and…”

“Poor Vanessa,” you reply, nail drawing shapes on the curve of your bump in attempt to lull Duck into a more relaxed state than the sharp kicks they’re throwing at your ribs. Now big and strong enough to do considerable damage, your voice falters each time they swing. “Is she – son of a bitch – is she okay?”

“Shaken up,” he says, turn signal ticking over his voice. “She’ll be alright. She’s pragmatic like that. Problem is – they’re in Houston. Her whole family. So I guess that’s where the funeral’s gonna be.”

You swing your legs off the couch, heaving your awkward, nine-months-pregnant body to your feet – the irritating scratch of hunger suddenly gnawing at your stomach. “Yeah?” you say, waddling through to the kitchen. “So?”

“So,” Joel takes another bite of sandwich, “she has to – I mean, we have to…go. To Houston.”

“We?” You slot the phone between your cheek and shoulder as you fish out a couple slices of bread.

“Me ‘n Vanessa.”

“Uhuh,” you carve a knife around a jar of peanut butter, “you gotta be there for her.”

Joel sounds a little defensive. “I know. And I am. I’m goin’ to be. ‘s just – I gotta be there for you, too. For – for Duck.”

Your stomach swirls, a fire catching which lights your chest in a trickle of flame.

“You are. You will be. Houston’s only, like, three hours away.”

He sighs.

The turn signal fills the silence between you, between Joel and an appropriate answer. Clicking like the sound of a tennis match, his head spinning between his grief-stricken girlfriend, and the third-trimester mother of his child.

“I’m here,” he says, and you hear the squeal of brakes out front. “Give me a sec.”

The door pushes open as you sink back into the couch, balancing the plate on the planet beneath your breasts. Joel crumples his sandwich paper in his fist and lowers his hand over the back of the couch, scrunching his fingers over your belly as he passes.

“Thought you hated that stuff,” he calls over his shoulder, disappearing into your kitchen.

“I had a craving,” you say, ripping the first bite from your sandwich. “You made me hungry.”

He returns a minute later with a glass of water which he sets down on the coffee table in front of you. He lifts your legs, letting them fall gently in his lap when he collapses into the opposite end of the couch, heels of his palms pressing against his eyes.

You tap his thigh with the ball of your foot and he turns to you, placing a hand over your ankles. A sticky paste of peanut butter and bread between your molars, you ask, “What’shup?”

Joel holds back a smirk at your chipmunk cheeks. “Just – just worried that you…you know, while I’m gone, is all.”

You scoff, gulping. “Come on. I am not gonna go into labor in the, what – two days? How long would you even be gone?”

He seems to wince at the thought, fingers sifting through his hair – a gray sweep sat casually over his left eyebrow; flicks following the curve of his ear towards the hinge of his jaw. “Less than that, if I can help it.”

“Joel.”

He turns to you, saying your name just as deflated in response.

“You have to go.”

He rolls his eyes, thumb and middle finger massaging his temples. Crosses his arms and huffs like a teenager. “Well, I ain’t happy about it.”

You snort, unable to hold it in as you take another bite. “I ‘on’t think Vanesha’sh too happy about it, either, to be honesh wih ya.”

Joel’s jaw slackens, a choked laugh bursting from the back of his throat. He lifts a cushion and swings it in your direction. “Heartless. That’s heartless, you know that? Jesus, baby.”

He leaves on Saturday morning.

You stand on your porch, watching him shove a suitcase into the backseat of his truck, squinting in the sunlight as he stalks across your front yard. Joining you in the shade, he leans into you, shoving you lightly.

“Quit it.” Your hand locking with his, steadying yourself. Something in the back of your mind begging him not to let go.

And as if he can hear the thought: “I can stay. You know I can stay, right?”

“I don’t want you to stay,” you tell him, sweeping the hair from his forehead. “We will be fine. We’ll stay up late, eat junk food and watch TV; I’ll do audio description for Duck…”

He scoffs, glancing across the street.

“…and then you’ll be back home, back to buggin’ the hell out of us. It’ll be Monday before you know it.”

Joel’s jaw tightens. “And what if…?”

“You really think that’s gonna happen? You think your kid’s that much of an asshole?”

He doesn’t miss a beat. “Yeah,” he shrugs, tongue in his cheek, “they’re half you.”

“Alright,” you click your teeth, turning away from the simper on his lips, “why don’t you just fuck off to Houston now, asshole?”

“I’ll fuck off, that’s what I’ll do.”

“Uhuh. Here’s hoping you don’t break down, or get a flat, or get struck by lightning, or anything.”

“You’re so funny,” he whispers, leaning closer.

“Hm. Now go.”

His jaw turns, beard grazing your skin. And then his lips; soft and warm, damp when he kisses your cheek. A moment too long. And he doesn’t pull away, doesn’t lean back the way you both know he should. No, he lingers – his lips by your ear, eyes flitting up to the street to make sure nobody sees.

“Joel –”

“I know.”

“We shouldn’t –”

“I know.”

But your arm is hooking around his neck, asking him to do it anyway, and his lips are lowering to yours, submitting to your request, and what’s supposed to be a goodbye kiss lasts at least a few seconds too long for it to mean anything less than a don’t go kiss.

You pull away when you feel the wet dab of his tongue against yours, realizing with an ice-cold shock where you are, and who he is, and what’s happening. Realizing how fucking stupid it’d be for both of you, how catastrophic and terrible the outcome.

A one-night stand.

A one-night stand.

A one-night –

He leans his forehead against yours, nose nuzzling your cheek. “I’ll call you when we get there.”

Your arm loosens, letting him go.

Just – letting him go.

Saturday Night Live ends just after midnight.

You arch your back into the couch, your swollen belly pushing forward. It’s an effort to get to your feet, what with the steady ache in your back all day, the weight on your front, and the fucking human being smushed into every vital organ inside you.

A deep breath feels like it inflates your lungs only halfway, Duck using the bottom half as a fucking ass cushion, and scaling the stairs takes another ten minutes – by the end of which, you’re slumped against the handrail, pausing before making off for your room.

You sink into the mattress, creasing the cool, smooth sheets. Duck stirs inside you, stretches out and throws a right hook against your bladder. You curse under your breath, hoisting yourself back to your feet.

“We gotta sleep, baby,” you hum, swaying back and forth with a hand under your belly. “Shh, ‘s okay. Take your fuckin’ fist outta my bladder, you little asshole.”

Whichever traits of yours and Joel’s have blended into the human cocktail growing in your uterus, you know one thing for certain: this kid has your stubbornness. The weight remains on your bladder, regardless of how much swaying, or pacing, or rubbing, or threatening you do.

You growl, wandering through the upper floor of your house in attempt to shift Duckie, or distract yourself, or, at the very least, tire the two of you out enough to fall asleep.

From the nursery door handle hangs a little wooden star, a tauntingly sleepy smile painted on it. You push the door open with two hesitant fingers, stepping into the still bedroom, the weak wash of streetlight meeting moonlight on the greenish walls.

You suck in a deep breath, floorboards squealing as you take your first step. Over the crib hangs a plastic mobile, soft plush shapes twirling slowly. The matching changing table slotted alongside it, a rocking chair over by the window.

You pad across a fluffy rug and lower yourself into the chair, tilting back and forth on your toes as you glance around one of the two rooms you and Joel have spent the most time in since that October morning bonded you forever. A baby duck ornament perched on a shelf above the dresser, its orange legs dangling. A multi-photo frame Joel’s mom bought you, both scans in the first two slots and the third empty, lying in wait.

Your breathing fragments, struggles, eyes slipping over to the baby clothes hanging in the closet. “You know, little Duckie,” you whisper, rubbing your bump and thinking back to Tommy’s words six months ago, “you are a pretty lucky kid.”

The hooded towel robe on the back of the door, the perfect size for a newborn. The framed prints sat atop the chest of drawers, waiting to be nailed to the wall: a rainbow, a frog, a starry sky.

“You got two houses. Two bedrooms, all to yourself. You got two parents who already love you more ‘n the whole world. And,” you gulp, “you got Vanessa. And she loves you, too.”

You glance down, watching the tiny pulse of movement when the baby stretches in your womb. Your hands scoop them up, as if holding them closer than they already are. As if already cradling them, forcing yourself to feel less alone.

Duck seems to quieten, to still; seems to consider what you’re avoiding. Reads between the lines, hears the words you’re not speaking.

Two of everything, you think, and I barely even had one.

The most evidence you have of being loved by anyone in your life is the house you live in. Four brick walls and three decades’ worth of belongings, more inheritance than memories. But they roll around like marbles – they echo against the walls when they hit them. There’s nothing binding them, no thread of love, or family, or anything real enough to hold it all together.

You’re the only living organ inside a skeleton’s cage. A lonely little heartbeat, making noise for no one to hear.

And that’s the way it has been, at least since you were eight. The absence of warmth and safety isn’t anything new to you – it left the second your parents did. The last scrunch of your mom’s nails on your head, the last kiss of her lips to your plump little cheeks. The passing over to your grandma, like you were cargo, like you were a box to be checked.

Maybe you found some distant flicker of heat in the way Joel looked at you, the day you told him you were pregnant. Maybe you saw the same glimmer of a flame that you used to see in your mom’s eye. The rosy smell of her perfume, the feel of her finger inside five of yours. Maybe, for the first time since you were a kid, you felt safe.

We’re gonna work it out, he said. I’m here. We’re in this together, alright? I am not running out on you.

Together. And yet, now, sat in your child’s nursery – a room built from scratch by Joel’s two hands and strung together by every beat of your heart – you’ve never felt more alone. The same two hands that are wrapped around Vanessa right now, consoling her, wiping her tears away, massaging her shoulders and sweeping her hair from her eyes.

And the same heartbeat which quickens now, fueled by an angry desire, an impulse scratching deep into your flesh to march all the damn way to Houston and tear the pair of them apart. Like he’s yours; like the way he touches you and looks at you and talks to you means anything more than his child growing inside you.

Like it’s you he’s touching and looking at and talking to, and not Duck. Like his attention won’t cease to shine on you, the second this little baby leaves your body.

And then, washing over the scorching hot sand of anger: a foam-lined wave of guilt. Of shame, for wishing for the breakdown of something that clearly makes the two of them happy. That makes Joel…happy.

He doesn’t owe you anything – he was never yours to begin with. Just one drunken night, a mistake until you noticed the two pale lines on the pregnancy test. And by that point, he was already hers again. You had missed him without even knowing it.

You sigh, pushing up from the rocking chair and reaching for a tissue from the changing table. Turning back, giving the room one last teary glance before closing the door, you sniff.

“You’re just…the luckiest little kid who’s ever gonna live.”

At one twenty a.m., cicadas chirping and trees rustling, the low breeze carrying the sounds through your half-open window – your back begins to ache. A blunt, gnawing pain. Feels like your period, and in your doze, you stuff a pillow between your legs and pray you don’t stain the sheets with a show of blood.

The realization comes over you as if that stifling breeze flips to freezing. You slowly come around, eyes peeling open as you think it over twice, then three times, then four. Duck shifts somewhere deep inside you, somewhere you’ve never felt them shift before.

“…No. Not right now, Duck. You gotta give me, like, twenty-four hours. Just – wait until your dad gets ho–”

A blinding pain interrupts you, the moonlit-blue room fading out of focus for half a second before you’re wide awake, clutching the bottom of your spine where you’re sure the kid just tore a fucking hole straight through your uterus.

“You’re a fucking dick,” you whimper, fingers clenching in tight fists around the bedsheets. “You’re a fucking – dick.”

One twenty-three. You go into labor.

[mewtwoandme]

I was hoping this would all blow over, but since it's continuing to happen, now with people attacking other artists of the commewnity. I'm putting out my two fucking cents! Cause this whole art/character theft and pointing fingers, who stole what from who bullshit it driving me up the fucking wall!!

Long story short, it started with me and one other blog whose name I won't mention publicly. Despite the horrible light they tried to paint me in, I don't want anyone going to this person and ganging up on them. This person had some serious bitterness towards more "popular" artists and claimed that I've made characters similar to theirs and once used a pose they apparently used before (which was a very common pose, considering it was a reference from the game version of mega Y). Since then, they had desperately tried to conjure up evidence, narrowing down to the most miniscule detail how I've been stealing from them when I hadn't even known their blog existed until I was forcefully thrown into that unnecessary drama with the unhinged call-out posts they've made. With this being said, I'd like to point out that they never came to me or addressed this concern with me in the first place. They had every opportunity to privately DM me if they had suspected I was "stealing," but no, simply because they already made up their mind that I was a thief, that was a good enough reason to lack common fucking sense and decency, making what should have been a private issue public, going on to villainize and dehumanize me. And apparently, it hasn't stopped with me either, cause recently I've been seeing other artists in the community having to deal with this where people are being white knights on high horses, pointing fingers on how one artist's mewtwo looks "the same" if not "totally identical" as another artist's mewtwo. I refuse to believe it's a coincidence. But what makes me disgusted is that since TC's post, apparently it's had the opposite effect on some people and they're hopping on this blame bandwagon like it's some damn media trend!!!

This is NOT okay! Nothing about this kind of behavior is funny! It's upsetting to all of us. We dont need you causing problems where there isn't any, thinking you're doing us a favor! The majority of us are adults for gods sake! We are old enough where we don't need other people coming to us being tattle tails saying this person did this and that. That's what little children do! If you suspect any form of theft, I think I speak for ALL creators in this commewnity that we'd prefer you DM us privately saying something like "Hey, I think this person is copying you, might wanna look into it." And if possible, provide a link to the art in question, for which we would kindly thank you for making us aware and we'll handle it ourselves from there. Just a brief, yet SIMPLE interaction...that's all we ask!!! Don't even come at me with "Well, it's scary attempting to talk to an artist that's well known." Or dare I say ~pOpUlAr~ If you claim that taking the first step to send me a quick DM makes you nervous, yet you have no problem making public call outs in posts or asks, belittling and degrading what could actually be innocent artists doing nothing wrong, literally leaving yourself open to all kinds of comments and opinions from all kinds of people....I'm sorry but your anxiety isn't as bad as you say it is then, if being rude and ignorant in a public post/ask is easier for you. If you come to us, shaming someone else who 9/10 probably isn't doing anything wrong, thinking you'll be in our good graces for doing so, sorry, you're not going to be told, "Good job!" with a pat on the back and given a lollipop! You're just being an asshole.

Quick reality check for everyone who's made it this far before I end this train wreck of a rant:

People can have similar ideas that coincide with one another! There's only so much you can do when a whole community is focused around drawing the same character! We mainly draw mewtwos and mews, you're bound to find a plethora of similar colors, patterns, and designs because of it! Creativity only goes so far when trying to stay true to a character and not stray too far. It's not a crime to take inspiration from other artists' characters, we actually encourage this! It makes us feel good that you liked something we've done and you want to incorporate it into your own designs! It makes us happy that we inspired you! The line is crossed when someone does a literal copy/paste of a character down to the exact detail, and they call it their own original creation. That my friends is what stealing actually is!

[koolaidoverwriting]

GENERAL DATING HEADCANONS

CHARACTERS: Eyeless Jack, Jeff the Killer, Gender Neutral Reader

Request. I wasn't sure if you meant Jack x Jeff. I stuck to separate SFW and NSFW headcanons. But you can send another ask to clarify! :)

CW: Explicit Sexual Content, But Also Romantic Fluffy Stuff, Blood, Self-Harm, Cannibalism, Biting, Not Graphic

NSFW UNDER CUT! MINORS DNI!

EYELESS JACK

SFW:

Jack doesn't feel as much empathy or sympathy as other people. It definitely takes a long time for him to warm up to you, let alone get comfortable enough to date you.

Jack is an outlier in the mansion. He likes being alone, doing his own thing. Plus, a lot of people don't like his bluntness and sarcasm.

His tar spills faster when he's upset, but it's pretty much gone when he's happy. That's why he hardly cries tar around you.

He has a hard time showing affection through his words, but you know he loves you. Sometimes, he just pops up and holds your hand, or wraps his arms around you.

When you're hurt, he tends to your wounds, cooks you warm meals, and stays by your side. It's a mutual silence where you're just enjoying each others' presence.

Jack is a bookworm. You spot the books he reads and you check them out. Jack is over the moon when you randomly reference his favourite book. "Did you really read that for me?"

Surprisingly, Jack talks a lot. He rants about his interests in gardening and science.

Speaking of gardening, he'll most definitely grow your favourite flowers for you. He'd give you handmade bouquets and flower crowns, as well as perfumes and scented candles.

Jack isn't against light–hearted teasing. He says flirty things just to catch you off guard since you aren't used to it. Most of these "flirty things" are phrases he heard from TV shows.

He does try to get you to try kidneys. If you refuse it because it's raw, he'll cook it for you. If you refuse it because it's gross, he'll shrug a shoulder and eat it himself.

NSFW:

Jack is gentle with you. He knows how much smaller you are in comparison, so he makes sure he doesn't bruise you.

If you allow it, he'll bite you enough to draw blood, but nothing more.

His ears are sensitive! Licking or biting them gets him all worked up.

Jack has three tongues that overlap in his mouth, meaning he's a fucking demon with oral sex. His tongues squirm inside of you, hitting all the right spots. He could eat you out for hours before substituting his tongues for his cock.

When he sees you're close, he only fucks you harder.

Jack's cock doesn't fit inside you all the way. Your senses leave you, and you're a drooling, blubbering mess as he rams into your entrance.

After you're done, he'll clean up any blood that spilled and kiss your bite marks. While cuddling, he asks you what you want to eat. He'll cook anything for you.

JEFF THE KILLER

SFW:

Jeff lives in the mansion and has been living there since he was 17. Before that, he lived with a blind old woman who thought he was her grandson.

Dating him means you're going to have to get used to his angry outbursts until he learns how to control them better. He tends to lash out and then apologise later. You're sure with enough patience, things might get better. Especially because you know he's trying his best.

He loves emo music. In fact, he collects merchandise from the concerts he sneaks into. At night, you get to cuddle with Jeff while some emo song blasts on his speaker.

He also plays the electric guitar and would love to teach you how to play. And if you already know how to play, he'll get really excited about duetting with you.

Jeff has had self-esteem issues since the incident. He tries everything to make himself "beautiful", taking extensive care of his skin, hair and clothes.

He believes the scar makes him look better, maybe because it distracts from other parts of his face he's insecure about. He refreshes his cut every month.

You have to remind him that he's beautiful just the way he is. There are nights where you argue over it, but you try everything you can to help him overcome his insecurities — or at least accept his flaws.

He has a knife collection. He paints the handles of his knives all different colours. Some days, you could sit and talk with Jeff while you paint knife handles together.

"Can I test the sharpness on you?" "What?" "...I'm joking."

Jeff isn't a good cook. He never put time into learning how to cook. You, knowing he has to learn at some point, convince him you're on a "cooking date" whenever you want to teach him how to make a meal.

NSFW:

I already have a NSFW post for Jeff, but these are softer alternatives for when he's in a relationship.

Known fact: Jeff will use his knife during sex. He enjoys grazing it across your skin, smiling at your "cute" reactions.

The tip of the knife scratches your thighs. Your legs twitch as he looks into your eyes with a needy look.

Jeff likes seeing your desperation. He loves it when you grind against him, begging for his cock. He'll keep his hands off you, forcing you to grind helplessly. "Horny little bitch... Yeah, tell me how much you want me."

He fucks you at a rough, unstable rhythm as he tries to reach his peak. When he's in the zone, it's only his orgasm that matters to him.

Jeff mutters profanities under his breath with almost every thrust. It's a mixture of praise and degradation. "Fuck... D–Damn slut... You feel so fucking good..."

For aftercare, he doesn't do much. Just small things like giving you water and cuddling with you in bed. It's simple and it's nice.

!!! i'm very sorry if you meant "jack x jeff"! feel free to let me know in another ask, though!

[ew-selfish-art]

Dp x Dc AU: Danny and Tim are twins- And Vlad is the first to figure this out in his attempts to get DavlCo a new investor.

---

Tim was getting the creeps from this guy. It was as if the room got colder, the seconds got longer and the room's shadows moved to their own volition. He stared Tim down less like 'You punk kid' and more like 'You'll be mine' in a way that Tim didn't appreciate. At all.

The guy kept setting meetings up despite Tim's direct insistance that Wayne Enterprises would never touch DalvCo- not with a ten foot pole or for all the money in the world. Some how Tim's board of directors kept getting swindled by the guy and... therefore more meetings. More looks from this guy that made him want to crawl out of his skin.

Vlad asked him if he ever went by Timothy- Tim couldn't reply "that's not my name" fast enough. It apparently inspired the guy somehow. More meetings that Tim can't reject because of board members pop up.

It's been long determined that Jason doesn't get involved with Wayne Enterprises, but after the Uncle and a few other paid-actor solutions go up in flames- Tim decides to call up his older brother to act as a bodyguard and tell this guy to fuck off for the final time.

Jason apparently also gets the Heebee-jeebies from this asshole but his message is loud and clear to Vlad. There's a flash of green and then all of sudden it's just Tim and Jason in the room... Only Jason isn't acting like himself.

Putting it together- Tim reaches for his contingency F stash of Knock out gas and doses Jason. Vlad doesn't re-appear so Tim assumes that to mean that he'll be trapped in Jason's person until Jason wakes up.

Walking out of the meeting room with his bus of a brother over his shoulders- Tim quickly asks Tam to reach out to Vlad's Emergency contact. Surely there is someone in this man's company willing to explain what the fuck Vlad was trying to pull. Tim theoretically can keep Jason drugged asleep for a long time- surely that threat can get him somewhere.

The day drags on as Tim continues to keep Jason unconscious and eventually Tam lets him know that someone is here for Vlad. She says it with the addition of one of their codes- He mentally prepares himself for the worst and then... His doppleganger walks through the door? What the fuck?

Tim and Danny puzzle about one another for a little too long and Jason wakes up- Vlad pops out immediately. A shouting match between Danny and Vlad commences and...

"Man I knew our family had unresolved issues but seriously what the fuck has your clone dealing with?" Jason asks, as though he could watch this all day with pop corn.

"You made more clones?!" Danny screamed at Vlad who's only response is "Not this one! This one is actually polite!"

"Fuck you!" Tim and Danny reply in tandem.

[logicallyblind]

Okay okay but consider possible batfam fic idea:  

so Bruce is in an emergency justice league meeting that got called but because its taking place at night he has a comm on in his ear playing at a low volume because all of the batfam are out on patrol around gotham covering his patrol route for him and because you know B is a paranoid, overprotective fucker he just to make sure everything is going smoothly for his kids but he doesn’t plan on actually letting them know he’s tapped into their network because he can already hear the lecture from Dick about trusting them to take care of the city.  

So he’s listening to them quietly while also paying attention to Clark talking about some alien diplomacy issue and his kids are YAPPING away about the stupidest shit to one another cause they don’t have B telling them off for ‘unprofessional unnecessary chatter while on patrol’ and  you’re getting a mix of all the dynamics between them all and the longer the meeting is going on the more B’s eye is just TWITCHING because his Dad senses are just going hay wire and he is just here like ‘I cannot say anything in front of the league because they cannot know I have children cause I'm Batman and I work alone blah blah blah’, usual brooding, but Damian and Tim are squabbling with one another about a rescue that took place an hour ago and Dick is challenging Jason to a parkour contest and Steph is challenging the Riddler to a riddle off with riddles she made up and have no answer just to piss him off and his dad sense is just like an alarm going off and then he just cant take it anymore cause Duke (pretend he’s on nightshift to make up for the man down or smth idk shh) says something like ‘I'm going to do my book report in the morning Richard leave me be’ even though Bruce KNOWS he isn't going to do it in the morning, this has happened before they have an AGREEMENT, a CONTRACT god damn it but they don't know Bruce is listening to the comms Duke just goes something like “its fine B won't even find out!” and Bruce just LOSES it there and then and just presses his comm and goes “NO. No, stfu all of you I am taking charge here” and he just starts going off on them all for the different things they were whining about like

“No Signal, go and do your damn book report right now you are not going to be doing it in the morning you always say you will and you never wake up early enough to get it done so then you end up speed doing it in the car while nearly stress crying and I am cannot deal with that while running on 49 hours of no sleep so go and do it right this damn minute. I am TIRED, I am tired boy go. GO. I love you, goodnight.” 

“N go and unload the damn dishwasher. I asked you four. FOUR days ago to do it and A is not coming home until next week please I am begging you I have been drinking my coffee out of bowls and a straw for days now. Thank you, I love you goodnight.”  

“Red Robin. Put the coffee down. No- I know its in your hand I can feel it. I can feel it in my BONES child you cannot hide from me, down. Now. Good. Get a piece of fruit and go to bed. No I don't give a fuck if- no. I don't care if the pentagon has laughably easy security to bypass right now it has been over 72 hours since you closed your eyes I WILL call A I will, I’ll do it right now. I’m calling him right now- good okay goodnight. I’m sending Dick to check on you to make sure you’re actually sleep. I love you too goodnight”  

“Robin I know you're there. Damn right go to bed, Titus can go with you yes you don't have to ask every night baby its going to be the same answer, I love you goodnight.” 

“Hood and Spoiler stop trying to goad rogues into fighting each other and go home. Hood will you- thank you. Goodnight I love you both....no S I will not ask Ivy if she’ll make you real life lil shop of horrors plant to leave at your ex’s house please stop asking. Goodnight.”   

"C are you- I love you too."

And he just lets out this enormous, patented Dad sigh and looks up after a few moments and realizes the entire justice league is just watching him absolutely GOBSMACKED because oh my god how long has this been going on for?? because like what the fuck this was cold, calculated, ‘they think he's actually a robot’ Batman, who just all of a sudden just went BOOM father mode is activated, this is a patriARCH, you know? Daddy bats alright. And he's just like, his facial expression doesn't so much as twitch but a light blush just appears on his entire face and then Clark is just like HEART EYES and Hal is just like HEARTEYES (??!!) and Barry is suddenly having a sexuality crisis because what the fuck is this, and Diana is just like, speechless but in love and he just mumbles after a few moments “...you can continue your speech Clark I apologize for my lapse in professionalism” and Hal is just like “NAH MOTHERFUCKER YOU ARE NOT BREEZING PAST THAT WHAT THE FUCK SPOOKY??” and then the entire situation just devolves in chaos.  

[whateverloomis]

Hi! Can i ask for a billy loomis x reader where she gets a tattoo of his name either in the side of her breast or in her hip and she shows him and they fuck (if you decide to put the tattoo in her ass he would def drill into reader doggystyle 💀)

This was incredibly fun to write. Thanks for your request anon 💋

🔞 Warnings: AFAB reader (she/her,) cheating, shower sex, fingering, roughness, reader has pre-determined interests, reader has tattoos, implied size difference, unedited

Word count: 2.6k

-

"That's ridiculous Stu!" - "A dare is a dare Tatum, she has to do it!" Stu countered while laughing. The couple, Randy and you decided it was a great idea to play truth or dare while drunk. Sidney and Billy had to leave early and the four of you got bored. Stu was obviously the one who suggested the game.

"I mean, he does have a point." Randy said and Tatum gasped in disbelief; "Wh- Are you seriously siding with Stu on this?! YN! Are you even okay with this?" Tatum asked and you sighed, closing your eyes in defeat. "Look, I appreciate your concern Tate, but I mean... I already have tattoos, another small one isn't going to hur-" - "This is Billy's name we're talking about here, YN. What if Sidney sees it? Or even worse, what if Billy sees it? These two idiots aren't going to keep their mouths shut." The girl has a point, but you honestly didn't care. It could easily get covered up with something else in the future.

"You're right on that one." You said and glared at Randy and Stu before continuing; "But I can get it covered up once it heals, plus it's going to be hidden-" - "What about when we go to the lake next weekend, hm? It wont be hidden there, your hip is going to be exposed." Tatum interrupted.

You didn't know why she was so concerned. Maybe it was because of the whole "tattoos are permanent" or "don't get anyone's name tattooed" mentality.

You smiled at Tatum softly and placed your hand on hers reassuringly; "I'll be fine, okay? We're all friends and it's not going to be an issue. It'll just be for some laughs and then I'll get it covered up, okay?"

Tatum sighed, visibly calming down and glaring at Stu and Randy; "You guys are paying for the cover up too." - "What?! That's not part of the dare!" Randy complained and Tatum rolled her eyes; "It is now, dumb ass." - "That's enough guuyyss, who's up next?!" Stu finished the argument.

•

As promised, you went to the local tattoo shop and got "Billy Loomis" tattooed on your right hip.

"Hooh, that looks hot not gonna lie." Stu said while sticking his tongue out. Tatum rolled her eyes playfully and blew a bubble with her chewing gum; "I gotta say, it is a hot placement."

You smirked at your friends and stood up straight so the tattoo artist could put protective film over the ink.

"If Sidney wasn't with Billy he'd 100% be into this." Randy said and you gasped, smirking at him; "Randy shut up! Oh my God..." - 'Who said he wouldn't like it now?" Stu said and smirked at you. You bit your lip in response and rolled you eyes playfully. You knew they were just teasing and joking around, but having your crush's name tattooed on you was a total turn on, and you felt like a little slut with your dirty little secret.

•

When you arrived at your house that night, you couldn't stop staring at his name engraved with ink on your skin.

You modeled in front of the mirror with the bikini you were planning to wear next weekend and imagined how Billy would react to you looking as hot as you did with his name on you. You wondered if he'd actually like it, like Randy and Stu said. If he'd get turned on by it. Hell, if he'd fuck you because of it. Your imagination ran wild with all the possibilities.

Billy had always been low-key flirty with you, and you had to admit that it confused you considering that he has a girlfriend, but you figured that he's comfortable being around you and maybe follows your lead just for fun. I mean, friends casually flirt sometimes jokingly so you guessed it was normal between you guys.

•

It was finally the end of the week and you were leaving to the cabin that Stu's parents own. There's apparently a huge lake that's perfect for the hot summer sun.

Your bag was made and you were once again admiring Billy's name on your skin. The tattoo was small enough to peel and heal just enough to get in the water during the week.

You were putting sun block on your skin and the tattoo looked vivid with the moisture of the cream. You couldn't wait for Billy to see it.

Stu pulled up to your driveway and honked the horn of his parents van. You jumped in excitement and ran down the stairs, bag in hand. Taking a deep breath to calm yourself down, you opened the door and walked towards the car.

Everyone was already seated and there was a space reserved for you at the very back with Randy.

"You ready to show Billy your new tatt- Ow!" you hit Randy on his bicep and Billy looked back from his seat. "Show me what?" He asked, confusion written all over his face.

Stu let out a breathy laugh and Tatum thumped him. Billy looked at the couple suspiciously and bit his inner cheek in annoyance. Luckily he didn't question you again, but he definitely knew something was going on with how obvious everyone was being.

•

After a three hour drive, you guys finally arrived at Stu's cabin and settled in before heading outside and picking a spot to set up a picnic in front of the lake.

The sun was shining bright and the water looked a nice teal color. It was still and quiet.

You could hear the birds and the wind swishing the trees. You helped Tatum and Sidney set up everything before sitting down on the blanket to bathe under the sun.

Taking your short flowy black sun dress off, you revealed your indigo blue bikini. It hugged your body perfectly and exposed just the right amount of skin and curves.

You sat down on the picnic blanket next to the girls and made eye contact with Billy who was taking his shirt off next to you. He raked his eyes up and down your body before giving you a subtle smirk. You bit your lip and looked away only to find Stu giving you a knowing look followed by a breathy laugh. You flipped him off and he shrugged, laughing before running into the water with Randy like a maniac.

Tatum gave you a knowing look as well and you nodded at her before looking at Sidney. "Hey uh, Sid..." You started; "I have something to show you, but I'm giving you context first because it's a little weird."

Sidney looked at you, a subtle smile on her face mixed with confusion; "Yes?" - "Last week when you and Billy left Stu's house early, the rest of us playd truth or dare an-" - "Oh my God, did you kiss Randy?" She asked jokingly and you placed your hand over your mouth to suppress a loud laugh; "What?! No! No... Ugh okay, I got dared by Stu to get Billy's name tattooed on my hip and I did it." You finished quickly and showed the girl your new ink.

Sidney gasped and laughed at the sight. "Oh my Gosh, you're crazy!" - "You see Tatum?! I told you she wouldn't get mad." You said, rolling your eyes at the blonde and she gasped; "Hey! I'm just trynna look out for my girlies, God."

All three of you laughed and looked ahead at the lake. "I wonder what Billy will say." Sidney wondered and you looked at her; "Do you think he'll get mad or something?" - "Nah, I don't think so. Well, maybe at Stu for being an ass and making you do it." Sid replied and you nodded in response, sudden nervousness taking over.

•

After a while, you and the girls decided to get in the water and enjoy the cool temperature after sun bathing.

You approached the shore and Stu swam towards you like a shark waiting to attack.

Before you could dip your whole body in, Stu gasped dramatically. "Oh myyy, YN? Is that a new tattoo?"

You looked at him in disbelief and thumped him; "Shut up, Stu" - "Damn would you look at that! It is a new tattoo" Randy said and looked at Billy. Subtlety wasn't part of both your friends at that moment.

Billy glared at both of them and then stared at you and the girls.

"What the hell is going on with you guys? You've been acting weird since we picked up YN." - "Ugh, Stu dared me to get your name tattooed on my hip and I did, okay?" You answered quickly, annoyance written on your face.

Billy raised an eyebrow and smirked, followed by a laugh. "You actually did it?" He asked while walking towards you.

Stu was trying to hold his laughter in but could barely do it. Tatum smacked his bicep and glared at him. "Don't be an ass." She whispered, the situation clearly being awkward for you.

Billy crouched down in front of you and you showed him the ink, trying to maintain distance, but he was making it impossible.

Billy ran his thumb over the tattoo and let out a breathy laugh. "You're insane." he said and looked up at you. He was amused and his touch made goosbumps arise on your body. It didn't go unnoticed by him and he smirked.

The boy stood up and towered over you, looking straight into your eyes. You blushed at his close proximity. "I like it, it looks hot on you," he said, loud enough for only you to hear before swimming away.

The rest of the group joined him and started playing with water guns and other toys, however you stood in the same spot a few seconds longer, but Randy snapped you out of your daze.

"You coming?" He asked, and you swam towards him. "Didn't know you have a little crush on Billy boy." he said, and you looked at him, faking confusion. "I don't know what you're talking about." - "Oh c'mon, you were tense as a rock." - "Shut up Randy. Even if I did, he's dating Sidney so I'd have to get over it." You countered and he lifted his hands in defeat. "Chill, I'm just messing with you." He laughed softly before swimming along with you.

•

After being in the lake nearly all day you decided to take a shower before joining the group. Little did you know, Billy was also in the cabin waiting to get you alone.

Walking into the bathroom, as you were closing the door something stopped it from moving. You opened it to check what was blocking it and saw it was Billy.

You gasped in surprise and looked up at him. "You can use it first, I can wait a few more minutes to shower." You said and Billy walked a bit closer to you. "Mm no, you go ahead. I don't mind waiting here." He said and stepped in with you, locking the door behind him.

"What um... Are you doi-" - Before you could finish your sentence, Billy pushed you against the wall and kissed you. You yelped against his lips but returned the kiss without thinking about it a few seconds later.

Billy pulled back and looked away, biting his lower lip. "Fuck... Sorry, I've been wanting to do that all day... For so long, at this point." He whispered.

You were at a loss of words and in disbelief. He actually wanted to kiss you? Wanted to feel your soft lips against his?

"Billy I... Why? You're with Sidn-" - "Fuck Sidney... God, that tattoo... My name on your skin? I wanted to fuck you right then and there when you showed me." He admitted, running his hand over your hip.

You couldn't believe what was happening. Billy Loomis wants you just as much as you want him. All this time you could've had him.

The feeling of want consumed your body. You didn't care about Sidney. Selfishness took over you and God did the thrill feel good.

You didn't waste anymore time and kissed him again, quickly reaching for his hair and pulling at the strands.

He moaned as quietly as he could and pulled you against him by your hips.

Billy squeezed the flesh and moved his hands up your back, untying your bikini straps followed by the ones over your neck.

The piece of fabric fell on the floor and he grabbed your tits in his large hands, squeezing them softly while pinching and playing with your nipples. The little moans you released made his cock twitch, it begging to be set free.

"Fuck... You're so hot." Billy whispered while snaking one hand down your body and untying your bikini bottoms.

He ran two fingers between your folds and felt the wetness coat them. He brought his hand up to his mouth and tasted you, moaning as a response.

"You taste so fucking good." He said and you whined at the sight. Billy gestured to the shower with his head and looked into your eyes; "Let's get in there."

You widened your eyes in surprise and bit your bottom lip; "Are you crazy?" - "Maybe, I mean... You wanted to take a shower, right?" He replied, smirking.

•

In the shower, the water ran hot over you. Billy had you against one of the cold walls, your tits pressing against his chest while he finger fucked you and rubbed your clit with his thumb.

"Fuck... Fuck, Billy please." You begged him to move his hand faster, but he was torturing you with his slow movements.

You squeezed his fingers with your cunt and it only made his cock harder against you.

"You feel so good around my fingers baby." He whispered in your ear and your breathing picked up. You were trying to be quiet but fuck he was making you feel so good that you wanted to scream.

You grabbed his cock and started to stroke it just as slow as he was fucking you with his fingers. He cursed under his breath and kissed you impossibly slow. You guys were driving each other crazy, and Billy didn't want to wait any longer to fuck that sweet cunt of yours.

Pulling his fingers out of you, the emptiness made you moan quietly against his shoulder.

Billy moved you towards the see through panel of the shower and pressed you facing forward. Your tits were squished against the glass and you could see the reflection in the mirror above the sink. You looked impossibly hot, and when you felt Billy lift one of your legs to the side, slipping inside your sopping cunt? It was over.

You let out a moan that was too loud for your liking and Billy covered your mouth with one of his hands while the other held your hip to keep you pressed against the glass.

He snapped his hips against your ass and filled you up deliciously with his cock.

You craned your head to the side and grabbed a fist full of his hair, pulling his head towards you and kissing him.

You breathed heavily into each other's mouths as Billy pounded into you.

Thanks to him working you up with his fingers you were incredibly sensitive, so when he reached between your legs and rubbed your clit in circles it was over for you.

You moaned against his palm and came around his cock, squirting in the process. Billy looked down between your bodies and the sight of his cock pumping inside of you while you squeezed your walls around him was enough for him to reach his own high.

Billy pulled out and jerked himself, cumming over your ass.

The water slowly washed everything off your body and you turned around to face him.

"This will be our little secret, hm?" Billy whispered and you bit your lower lip, nodding in response before initiating another make out session.

[dimepdf]

★  𝐍𝐒𝐅𝐖 𝐀𝐋𝐏𝐇𝐀𝐁𝐄𝐓. + 𝐌𝐈𝐆𝐔𝐄𝐋 𝐎'𝐇𝐀𝐑𝐀

masterlist. / taglist. / tip jar. synopsis. miguel o’hara and the nsfw alphabet challenge.

─── ☆ notes. anyone got a slime tutorial link to the new movie yet? . | — feedback is always welcomed & don't forget to reblog 🤍

─── ☆ length. 1.5k (11 min read).

─── ☆ genre and warnings. +18 nsfw under the cut. minors dni | headcanon's | not movie canon | no movie spoilers | creampies | facials | cum play | jerking off | oral sex | eye contact | body worship | size kink | height difference | over stimulation | edging | jealousy | teasing | possessiveness | marking | biting | slight sub/dom | cuddling | let me know if I missed any | not beta'd.

A= Aftercare (what they’re like after the act)

Miguel isn’t the type to wind down that quickly, but he is extremely considerate of your feelings and well-being, most of the time he’s making sure you're okay. Especially since the last thing he ever wants is to make you seem unwanted after having sex with him.

That being said, it did take him a while to get used to the whole cuddling and comfort thing. You swear, at the beginning of your relationship, it was like trying to hug one big bear, but as you two spent more time together, he started to crave just having you wrapped in his arms and listening to your heartbeat every now and then.

B= Body part (favorite body part their own or their lovers)

He could go on and on about how much he loves every part of you; seriously, you could tell because of how much he cannot keep his hands off of you, but realistically, his answer in the back of his mind is your mouth and thighs. He’s so down bad. 

Whenever you try talking to him, you always catch him staring at your lips like he’s just starving to kiss you. It's the same situation with your thighs as well. Sometimes you would be standing around the house in the mind of a conversation and suddenly feel Miguel’s fingers groping the plush of your thighs, gawking at your legs like he has no home training.

C= Cum (anything that has to do with it) 

Oh brother, this man is a mess in the head, he loves, I mean loves, to see you covered in his cum: facials, creampies, you name a place on your body for him to cum on, and he’ll do it with pleasure.

There’s just something about seeing your soft brown skin painted with traces of him all over your body, especially when he would cum inside you. His favorite thing to do is spread your legs and watch it spill out, only to push it all back in and give you another load. 

D= Dirty secret (pretty self-explanatory)

Miguel is a very pent-up possessive man, no matter what he does, he just can't get enough of you, which leaves him feeling extremely needy whenever you're gone or just don't feel in the mood. He would just jack off at the thought of you to relieve himself.

E= Experience (do they know what they’re doing)

You had expected him to come from around the entire block from the easy he would pick you up and fuck you, but surprisingly, Miguel only really had a handful of partners in his past—nothing too extreme. 

F= Favorite position

He says he isn't really picky, yet somehow you always end up with your stomach pressed against some surface. Most of the time he sees no point in containing himself, plus weight isn't really an issue on his behalf. Whenever your legs give out from standing, he’ll just pick your ass up as if you weighed absolutely nothing and keep the same pace.

G= Goofy (how serious are they)

He likes to completely mirror your emotions or help you ease up more. He's very big on paying attention to the smallest detail, so if you're someone who feels a little anxious or nervous, no matter how many times you two have had sex, he needs to break that broadening act to crack a few dry jokes or shower you in compliments to make you feel more comfortable.

H= Hair (grooming habits)

This man is covered in dark hair from chest to toe. He doesn't really find the amount of body hair alarming, but he doesn't like to upkeep his pubic hair a bit, especially giving himself a trim whenever he wears his spider suit. He just doesn't really care that much to shave it all off, but if you asked him too, he wouldn't mind much.

I= Intimacy (in the moment romantic or rough/dirty) 

He’s pretty reluctant to be overly smothering, with his inmate moments just coming out of the blue, especially with his cold attitude. Most of the time, when you think he’s tense, he’ll switch, turn around, and start praising you. Sometimes he doesn't realize it, but most of the time it's always after he feels like he went a bit too far with degrading you, so he switches up just to even it all out with praise and saying how good you make him feel while holding eye contact.

J= Jack off (do they masturbate and how often)

Miguel just has the habit of stressing himself out all the damn time, and half of the time it's always over him being too worked up. Whenever he has a moment alone and you just can't be there, he likes to turn to his memory of you to help work off some of his tension.

K= Kink (kinks what they like possibly unusual)

Marking. I’m talking biting, scratches, hickeys, and God forbid Miguel sees the fingerprint bruises forming on your hips after he lets you ride him. Just the thought of having traces of him all over you makes that possessive switch in him go haywire.

Size kink. He’s a big guy through and through, and no matter what, he makes sure to remind you of your size difference. Blessed tall and broad, standing next to you, he’s practically a brick wall with the audacity to have a big dick.

Eye contact. Dear Lord, you better hope you laid down in one of his favorite positions and he hasn't fucked the common sense out of you by the time you're about to cum because Miguel will twist you like a hot pretzel and have you begging like your life depended just to hear you say his name and while you look into his eyes.

L= Location (where they like to get it on)

Anywhere with privacy and on every surface he could reach—floor, wall, upside—doing the splits, Miguel damn near used webs to find a way to have you against him.

M= Motivation (things that makes them tick/turn ons)

Miguel will get turned on by the smallest of things: you stretching near him, you wearing his clothes, you looking at him, you saying his name in a certain way, you, you, you. It's like he has brain rot, and you're all he can think about.

But he also likes it when you get angry or annoyed with him; there's just something about you snapping at him and trying to put him in his place that gets him going.

N= No (turn offs or absolutely won’t do)

Pegging, piss and poop. 

O= Oral (receiving or giving and how skillful they are) 

He loves giving more than receiving, mostly because he prefers it. There’s just something about teasing and edging you until you can't handle it anymore that leaves him wanting to lay you back and spread you open for hours on end.

But if you're offering, it's completely your loss. Miguel loves sitting back and watching you struggle trying not to gag or fit him entirely down your throat; either way, it's a free show for him.

P= Pace (how fast they are and how long they last in bed)

Whenever he’s feeling less merciful and wants to spice things up from the usual fucking you until your lace sweats off type sex, he loves to just see how long he can push you to the edge (which is a lot more days than you’d like to think), and he will be petty and take it super slow just to see your body twitch and squirm for more of his attention.

Q= Quickie (do they prefer fast and hard)

Even if you're the one offering quickies, it always ends up with you having to reschedule your plans.

R= Risk (do they like to try new things)

He’s open to new ideas but never really offers any himself. Miguel completely trusts you and is willing to do whatever you want for your pleasure, but just know that nothing at the end of the day will get him off but you.

S= Stamina (how many times they can go and how long each round lasts)

You have to remind him most times that you don't have the same enhanced superhuman abilities as he does. No matter how many times he tries to make you cum in just one night. You swear sometimes it's like you're fighting for your fucking life just to catch one five-minute break.

T= Toys (are they game for using sex toys on themselves or lovers)

Is the type to feel a bit insulted if you ever mentioned having one or using one until you would regret offering him to use a vibrater on you. Like you handed a murder a knife the moment he found your rose toy and figured out how to use it. 

U= Unfair (how do they tease or do they enjoy suspense themselves)

There is no sex without a bit of teasing with Miguel; he definitely pushes you a lot just to get a reaction out of you normally, so doing it in bed only comes naturally to him, and if you're not begging, he ain't giving. 

V= Volume (are they loud, what sounds, and do they talk)

He does not shut the fuck up! You will hear him, whether it's grunting on top of you, raspy whimpering in your ear, or talking you through it. Miguel is very vocal, just not as loud with his moans since he prefers to hear yours instead.

W= Wild card (random sin cannon of any sort)

Has absolutely no issues with letting you ride him with the suit on. 

X= X-ray (what’s down below in dem pants)

Slightly less tanned than his skin tone, with a slight curve to the left, and too girthy for his own good.

Y= Yearning (sex drive level)

Surprisingly, not that high, especially since he isn't a really big PDA person and the only time he ever gets worked up is in the comfort of privacy.

Z= Zzzz (do they sleep after if so how quickly after)

Sometimes you have to trick him into falling asleep with you. Dude has really bad insomnia, but having you all cuddled up next to him really helps with his shit sleeping schedule.

🔖 ...

tap here to be added to taglist.

[uncle-fruity]

HEY! HEY, YOU! YEAH! YOU!

Have you ever heard the phrase, "Your friends aren't your therapists"?

If you've been on the internet enough, I think it's a sentiment that's pretty difficult to miss.

But you know what that means, right?

It's meant to warn people not to place too much personal baggage onto their friends when they should be unpacking it with a professional. It's to say that venting to your friends shouldn't be your main source of coping. That is to say: most of your friends are probably unqualified to untangle complex emotional & mental health problems, and if you expect them to endlessly listen to your problems & have them help "fix" you, then that's usually going to end up in stress and tension in your relationship (or worse).

Do you know what "Your friends aren't your therapists" DOESN'T mean?

It DOESN'T mean that you shouldn't ever seek any emotional support from your friends or that you should keep all your problems to yourself.

Yes, it's important to establish boundaries in all your relationships. If there's something you'd rather not hear from your friends (and vice versa) that should be talked about if it ever becomes relevant. If your friend is easily overwhelmed by a lot of emotion/stimulus, then you shouldn't dump serious emotional things without checking in to see if it's okay first. Over time, in a healthy communicative relationship, you get a feel for what's okay and what's not.

But goodness fucking me when I see folks say that they don't deserve to express their harder emotions because "friends aren't your therapists" I just... I mean woof y'all!

What kind of friend is a friend that doesn't care if you're upset? What kind of friend sees you struggling with something and tells you to deal with your own problems because they don't owe you anything? What kind of friend comes around only if you hide your pain at all times?

A fair-weather friend, that's what kind. A friend that's only around for the good times, and goes away during (metaphorical) storms.

If someone only wants to be a fair-weather friend, that's their prerogative. But I'm telling you all that you deserve the kind of friendship where your friends actually give a fuck about you. You deserve to take up space sometimes. You deserve to get heavy things off your chest with someone you love and trust.

If you want better, stronger, healthier friendships, it's important to understand that intimacy is about Knowing and Seeing and Experiencing someone authentically. Taking off whatever mask we wear to get through the world and being ourselves and sharing that with another person. Anger, pain, grief... tackling these issues with each other builds trust and intimacy and makes everyone involved feel more important & needed & cared about. Isn't that what all this is for?

Anyway, this is all to say: be open about your emotions. Communicate with your friends (& tbh in all your relationships). Learn each other's boundaries, but don't shut each other out just because emotions are scary to navigate at times.

Please be kinder to yourself. Seek intimate friendships, AND seek professional help when you need more support than your friends can provide. Just don't assume your friends can't give you any support! Assume that they love you and trust that they will tell you if they're at their limit. And if they *are* at their limit or if they just aren't comfortable with some conversations, respect that & don't try to force it onto them.

This has been a PSA. Thank you.

[rassvetsky]

would literally lose my fucking mind if you wrote carmy like touch starved, idk maybe everyone is staying after to celebrate something and he’s dragging you into his office to eat you out with absolutely zero shame because he needs it so bad

your wish is my lifelong quest i love you, hope i did it at least some justice loml

Carry You Away With Me

carmen "carmy" berzatto x fem!reader

He looked sheepish for a moment, lips curling into a grin for another split second before returning to his natural expression, eyes finding yours and locking you into his gaze. "Do you think anyone would notice if I took you elsewhere right now?"

[4k] | chef ill be honest with you this is just porn, needy!carmy (he's fucking adorable), office sex if that's even a term, established relationship, cunningulus, unprotected sex, cum-play. my apologies to the church

reblog and/or like for a kiss, feedback much appreciated! not proofread.

It was around 11 when you returned to the restaurant with a bottle of champagne cradled in your arms, watching as Gary and Tina pushed a few tables together to make a bigger one for the rest. Eating together wasn't a rare occurrence, but it often only happened an hour before service in the morning— dinners were mostly had at home or skipped altogether, depending on the importance one put into their health. But tonight called for an after-hours get-together, one that Sydney and Marcus pushed for when Ebraheim showed up in the morning with the latest issue of Gastronomica, featuring a very familiar name this time around— Carmen Berzatto.

"You know— I bet you can like, make it to a Vogue issue sometime later on, too."

"That's not exactly food-related."

"I'm just saying, dream high and—"

The few clinks of a spoon against the glass cut Fak right off and Carmen made a mental note to thank god for that later on, his gaze lifting from the long, full table that everyone was surrounding to the source of the sound; the now-empty champagne glass that Richie held.

"Can we all take a moment to stop stuffing our faces with this whatever-the-fuck it is to congratulate my cousin right here?" he spoke up, bringing a smile to your lips as you reached for Carmen's hand from under the table and muttered out "chou à la crème", another dish that Marcus had been experimenting with lately. A short chuckle left Carmen's lips when he vaguely heard what you said, and he gave your hand a firm, appreciative squeeze before rubbing his thumb along the back of your palm. "Gastronomica isn't just any magazine. I think it's supposed to be one of the good ones, like—"

"—the Vogue of food!"

"Maybe! Who knows, anyway— really, I'm proud of this mess of a man and you all should be, too." and maybe this was the most affection that Richie could whip out in public, but it was more than enough— because despite his hate for having the spotlight directly on him, Carmen was currently busy offering a smile to Richie, which the other reciprocated shortly before sitting back down, his quiet little hum of affection drowned out by the mutterings of 'cheers' along with the clink of everyone's glasses.

Proud was an understatement for this little dysfunctional found-family.

But you knew Carmen, you knew that he'd much rather skip on the compliments and pats to the shoulder; and you were way too sure that he'd need a moment to himself sooner or later. That moment came almost fifteen minutes after, when everyone split themselves into a few groups of completely different conversations, scooped up chocolate sauce and cream and small pieces of the delicate pastry got left behind on the empty plates— you felt Carmy's fingers wrapping around your upper thigh, concealed by the dimmed out lights and the table.

"S'up?" you returned your attention to him upon feeling his fingers tapping along to some nonexistent rhythm on your clothed skin, not too invested in the story Richie was busy telling everybody with the loudest voice he could muster to begin with.

He looked sheepish for a moment, lips curling into a grin for another split second before returning to his natural expression, eyes finding yours and locking you into his gaze. "Do you think anyone would notice if I took you elsewhere right now?"

"Elsewhere?"

"Not too far, jus' my office. For a couple of minutes at most." he leaned in closer to your ear just so you could hear him over the 2012's pop playlist Manny whipped out earlier, a completely mesmerizing turn of events when he started singing along to a random Katy Perry song— but that leaning closer action proved Carmen to be just another self-saboteur because he was feeling specifically out of place all day and to feel your perfume so close was a pull with a force out of this world. He couldn't pull back away then, couldn't return to his own chair and you had no choice but to push him away manually. "I promise."

"Any ulterior motives I should be aware of?" you grinned, letting your fingers curl right over his own on your thigh— and making a mental note to ease him into the habit of using hand moisturizers regularly sometime, upon the roughed up feel of his skin.

"You wound me, baby." his expression seemed to linger over offense, but his eyes told a completely different story; and before you knew it, he was pushing his chair back to get up, patting Gary's shoulder on his way to the back of house, a momentary turn of his head just so he could silently tell you to follow with his eyes.

And that, you did, despite the raised eyebrows of Richie's that you met along the way.

The kitchen smelled like a different kind of citrus, one that only belonged in dishwashing detergents as you maneuvered through the stations, cleaned up from the day's worth of filth. From your peripheral vision, you noticed Carmen reaching behind to undo the strings of his navy apron, leaving out the top string that he'd have to pull over his head until you could catch up and he could get to the office. His shirt was, again, as pristine as ever and it was a work of magic how he managed to come back home with a perfectly clean white t-shirt each day, if not for a few little drops here and there.

Finally, he pushed open the door of his office for you and you stepped in, finding your way to his desk in the darkness to flip the switch of the small light that illuminated the paperwork mostly. When your eyes found him again, the apron was long gone— tucked away in a corner, folded, although not so neatly. "Happy now?"

Instead of a reply, he just plopped down on the old, squeaky chair by the desk, thighs spread and arms wide open to make space for you. You took the offer right away, seating yourself on one of his thighs but still balancing yourself on your feet too, in order to not just dump your whole body weight on him and potentially numb out his leg. He couldn't care less, as he wrapped himself around you tightly and pulled you closer. "I don't really give a shit about Gastronomica."

"I figured," you mumbled against the material of his shirt, lungs filling in with a scent that only he could carry— a surprisingly pleasant mix of cigarettes, sweat, and gravy. It belonged to him, at least. "When's the last time you gave a shit about anyone's opinion outside of here, anyway?"

A soft hum left his lips, one that feigned agreement— but he wasn't paying much attention to what you've been saying to begin with, mind all muddied with specific moments in time that included you. Come to think of it, he'd been like this all day, even when Richie jokingly smacked him across the face with the magazine or when Tina elbowed him while he was trying to explain why she had to strain the mixture twice to get a flowing consistency— on the back of his mind, there was always you; always the lack of time he got to spend with you when the rush hour got too much to bear and he couldn't bring himself to lift an arm when he came back home to you.

When was the last time he properly touched you, took his time to memorize all the little ridges and beauty spots across your body, he couldn't remember.

So as you spoke, listing out all the reasons why he should be proud of himself for all the accomplishments, Carmen's arm curled around your waist and his fingers found your thighs again, the warmth of his palm seeping through the material of your leggings and from the way they teased upwards, you knew where this was going. "... that you managed to turn— are you not listening?"

His smile was so smug that you wanted to either kiss, or slap him. "Not really. But go on."

"Carmy, if you actually think that I'll do anything non-churchy with you here while everyone's literally twenty feet away, you're so wrong." you breathed out, because that's all you could do when his lips ghosted over the side of yours, before trailing down to where your jawline met your neck. He only hummed as a reply, clearly not giving a shit about your opinion either at that moment— but to say that you weren't enjoying the attention would be a blatant lie.

His fingertips traced the seams outlining your underwear through the extra layer of fabric while his lips latched to your neck, finally, with his warm breath hitting against the sensitive skin and the usual wet nature of his kisses leaving behind a glistening spot of adoration. You leaned into it, rather shamelessly— legs parting and fingers carding through the locks on the nape of his neck, and that only encouraged him further, causing him to whisper out a curse and a few sloppy words of praise. "Just let me, hm? Please?"

The sense of desperation in his tone was enough to push back any words of disagreement that you could blurt out at that moment. You knew you had to power through, it would be so embarrassing and disrespectful to let him have his way with you right here, while everyone else was still at the FOH— but the way his palm covered your clothed core and his fingertips teased the slight outline of your slit, all while his pretty lips were oh so busy whispering absolute filth in your ear was slowly taking away all the care you had in the world. "Carm— not a good idea."

"You weren't saying that last week, right here," two weeks ago, to be exact, but you couldn't blame him for not being able to tell time apart. "Had to cover your mouth and all, s'loud for me—"

"You're getting carried away." you chuckled, the deepest of breaths still not enough for the capacity of your lungs as you tugged on his locks slightly, prying him off of your skin just so you could get a look at him.

"Let me carry you away with me. Please, fuck— I can't think of anything else when you're on my mind." he pulled away a little from your neck, eyes of pristine skies staring right at your soul with the expression of a kicked puppy— he knew exactly how to get his way when he was miserable like that. His fingers were still against your heat, expecting permission. "Ten minutes only, just let me touch you."

You could recognize that tone, that incurability way too well— it was often reserved for nights shared between hushed whispers of promises, where he was too needy to form a single thought and all he could do was to cover your body with his and curl onto you, to feel your warmth against himself and to be one body and one soul for an hour. Uncommon in nature, even rarer to take place in a room that he reserved for professional affairs only— but the heart wants what it wants.

To his surprise, you suddenly pushed your lips against his— letting his fever take over you as well, with your hands clutching onto his shoulders and hair. You could hear the slight groan escaping his lips when his fingers breached under the tight waistband of your leggings, pushing the material down slightly with the bend of his wrist before turning his hand a little to tug it all downwards, urging you up on your feet. You got up from where you were seated, now standing between his legs with your back bent just so your lips would be on his, but he broke the kiss with a smile that took over when he finally pulled down both articles of clothing at the same time. Your back straightened when he managed to push them both down to your ankles, your hands on his shoulders to help with your balance as you stepped out of them, feeling his moist lips over your abdomen for a second before he pushed you backwards slightly, towards the desk.

He took that momentary advantage to get up on his feet and pin you right in between his own body and the desk, hands blindly pushing the loose folders to the side. You felt too exposed when his palms gripped the underside of your thighs just to prop you up on the desk, lips finding and panting against yours, a clear indication of his need seeping through the way he tugged and nibbled before his tongue found its way to caress yours.

There was nothing nice about it, but you couldn't bring yourself to care— not when he whispered your name against the plush of your lips so sweetly when your fist closed around his hair, not when he didn't even know what to do with his hands; grabbing, fondling at every inch of your skin that he could reach shakily. He pulled you flush against his body, letting you get a feel of the harsh dark denim against your bare center and you had to bite into his lower lip to stay quiet, ultimately earning a groan from him when his hands slipped under your shirt.

"Bear," you whispered out, his lips chasing yours when you pulled away to speak— which made you chuckle quietly, as he looked at you again. "Ten minutes."

"Ten minutes," he parroted, the usually wide eyes of his now hooded, pupils blown out as if he was looking right at the sun. When you reached in to kiss him again, you couldn't catch him fast enough— he was already holding onto your thighs to crouch down, looking up at you with a Cheshire grin when you spread your legs a little further apart, a force of habit.

Leaning back on your palms against the desk as much as the cramped space could allow, you took a deep breath— but it wasn't enough to prepare you for what came next when his tongue trailed a bold line across your slit, spreading your folds apart gently. It was a pleasant routine, one that you never quite got used to; because when he was down on his knees with his tongue tracing abstract shapes across your clit in a teasing manner, it was all about you and to think that a guy who often rushed things and went through life at a 2x pace would slow down just to put all of his attention on your pleasure only was more delightful than any compliment one could attain.

Carmen's fingertips were perhaps digging into the skin of your thighs a bit too hard, but could you possibly complain? The tip of his tongue dipped between your folds to spread your essence upwards, a mix of his saliva and your wetness covering your clit when he closed his lips around it and sucked— letting out a blissed groan, one that he'd scold you for if you were the culprit. You could only imagine how hard he must've been at that moment, he was always a sucker for situations like this, with the thrill of doing something so forbidden, right where he could be caught and your taste on his tongue, thighs on either side of his shoulders.

Imagining it didn't help your situation at all, it was hard to focus on one coherent thought when he kept flicking his tongue over your sensitive bundle of nerves but you forced through— with the thought of the blunt tip of his length all flushed and leaking in your palm, curses leaving his soft lips whenever your fingers got a bit too tight around the girth. He liked it when you put your focus there, tip of your tongue tracing the slit and leaving kisses over it while the rest of your palm jerked him off— firm and slow.

And you'd always let your lips stray when he got close, deciding to suddenly bite into the skin of his inner thighs or to lightly trace his perineum with your tongue, just to have him reduced to a writhing, whining mess with not enough air to survive in his lungs. He'd spill onto your fingers and you'd clean him up right away, moving your way upwards with wet little kisses until you reached his lips. And he was one dirty fucker because tasting himself on you when you kissed him all sloppily was probably one of his favorite things in the world.

Drowned out in all the thoughts, you didn't notice how close you were until your thighs were shaking around his shoulders, and he finally added his fingers into the mix then— his middle and ring fingers easily breaching through, grazing all of your sensitive spots from the inside. You had to press your palm against your mouth to not let a sound then, when your climax finally hit you, and you'd probably slide right off the table with how quaky your whole body was at that moment if it wasn't for Carmen's strong grip on your body, holding you right where you belong.

The position was a bit merciless on his legs so far but he made it up to his feet again, giving you a light peck on your lips before his fingers found his mouth, his tongue circling the digits to clean them up as he stared right at you, into your soul. He pulled them out with a slight pop, and licked his lips clean. "How long did we take?"

"I don't know," you panted out. "I was busy imagining the way you come."

His light laughter brought a tender, yet bittersweet ache to your heart. "Fuck, you get off to that?" and you could tell him all about just how beautiful he was, and how much it turned you on to see him blissed out in pleasure— but you didn't know if your lung capacity allowed for it at that moment, as being quiet came with the benefit of holding your breath for longer than you should. "Tell me more."

You giggled against his lips when he braced himself on the desk with his two hands holding onto the edge on both sides of your thighs. Both of your hands moved down to the front of his pants, too fucked out to care about timing as you palmed him through the material just to see that grin on his lips falter. "I'm gonna make you jack off and watch sometime." you mumbled, slowly pulling the zipper down after setting him free from the belt and the button. He hummed, forehead to forehead, before reaching for another little peck.

"As much as I don't see why I should jack off while you're in front of me," he spoke, a sharp intake of breath cutting his line of thought halfway through when your fingers finally wrapped around his cock. "but— shit, if you're into that… Only if you do it w'me, though. I wanna watch too."

"You don't get to watch." you sighed, bringing him closer with your legs to line his length up with your entrance. "You're just gonna sit there and come on your hand like a loser."

Carmen couldn't help the short snort that left him. "Are you even capable of being mean to me?"

"Mm-hm, I'm very mean when I wanna be." and right after that, his tip slid right into your cavern, pulling a deep exhale from both of you when he pushed a bit deeper. His lips found yours, mostly to keep the noises at bay while his hips rolled into yours, grinding against you before retreating a little, only to push in harder this time around.

You felt so full and blessed that you didn't even have to imagine anything to get lost in the feeling.

His pants slid further downwards with each thrust until they pooled around his ankles and your thighs wrapped tighter around his body, trapping him in. His arms were so delicately wrapped around your waist that you had to hold onto him with your whole remaining power to not slide further towards the wall, but he couldn't exactly notice that when he was feeling so damn lucky, whole length wrapped in a warmth beyond his comprehension.

And again, you couldn't blame him, because neither of you managed to notice when the skin slapping against skin got a bit too loud, and your lips pulled away from his just to breathe out the filthiest little nothings, like how much you needed him to fill you right up to the brim. "Fuck, give it to me." your hips met his thrusts half-way through when you pushed yourself against him. "Carmy, come inside me, please."

"Yeah? Are you gonna take it all?" his voice sounded broken, and his fingers would surely leave imprints on your hips with how tight his grip was. "Won't let you waste a drop, baby. I won't."

Somehow, through how feral he was with the way you were begging him, the responsible side came forward and captured your lips in his again— because while his team was full of respectful people, they were also little shits who would never live it down if they heard those beautiful sounds that escaped your lips with each hit of his blunt head against your sweet spot. The thought somehow egged him on further— he couldn't exactly decide if he was too possessive to let anyone hear or if he was possessive enough to make sure everyone knew he belonged to you, but at that moment, both of those thoughts turned him on too much, enough for him to feel his high approaching. And judging by the way your walls cramped down on him tighter with each passing second, you weren't too far behind.

You could feel yourself gushing around him, coating both of you in your essence beyond simple cleaning, but that was a matter to worry about later, not when the love of your life was balls-deep inside of you, his rough grunts right against your ear when he reached to press his lips right below it. "Close?" he mumbled, and even though your mind was too busy to hear and comprehend him properly, you nodded— feeling his arms wrapping around you tighter, pulling you closer to the warmth his body provided. And while as much as you'd like to keep this going for longer, witnessing his pace falter and voice break as he moaned out your name, filling you up in the most delicious way slowly was enough to have your eyes roll to the back of your head in pleasure, and to have the knot finally snap.

Your whole body was buzzing, shaky even when he held you so tight against his chest as if you'd vanish right there and then— something that he always did after sex, no matter the circumstance. You giggled wearily against his shoulder, leaving a few kisses here and there before he pulled away slightly to pull you into a kiss— nothing like the ones you shared in the past minutes, this one was all sweet and loving. "Might drip if I pull out."

"You can't stay there forever, Carm."

"Oh, but I want to." he huffed out but still moved to slowly pull out of you anyway, having you both hiss in sensitivity and just like he thought, his come was ready to spill all over the place. Quick-thinker in nature, he caught his seed with his fingers right before they could go further, pushing them back into you just to hear you gasp— and slap his shoulder playfully.

"You're a fucking freak."

"Shut up— round two at my place? Kinda wanna see where that watching me jerk off fantasy of yours might lead us."

a/n: once again i could be easily manipulated into breaking into your house with a part two, who knows

also @carmensberzattos consider this a marriage proposal

[katszumi]

"but, isn't it a blessing to have someone care about you?" your voice was soft but your words weighed heavy on bakugou's heart.

it was nearly ten o'clock. due to your rampant text messages you sent to bakugou ten minutes ago, he stayed up past his normal bedtime in order to figure out what exactly was your issue tonight.

you were rested on the bench that was outside of u.a while bakugou was reclined on the bench, his legs sprawled out in front of him. there was a mere sprinkle that surrounded the area around them, a slight breeze also forcing you two to sit closer together to bask in each other's warmth.

bakugou was unsure what to reply with. where did your random outburst even come from. what did you really want him to say?

bakugou didn't particularly understand love and he damn sure didn't know how to express it. maybe that's why he was okay with it at first— you deserved to be with someone that could make you happy. he knew that he wouldn't be able to live up to your standards. he lacked all the aspects for a healthy relationship.

but when you got together with that stupid guy you met at a coffee shop eight months ago, he felt like an idiot for not pursing you. he noticed all of your tired eyes, insecure smiles, and passive behavior. it was only then when bakugou realized he could’ve done so much better than he thought.

you took his silence as an opportunity to continue. "someone who worries about your happiness and wants to always be by your side?"

yes. bakugou wanted to scream. yes, you fucking idiot. were the words that burned his throat. why couldn't it come out when he so desperately wanted it to?

did you decide to be blind of his feelings towards you? bakugou had thought he'd shown you that he'd go to hell and back for you, but still, you couldn't discern the fact that he was so infatuated with you? he was so in love with you that he would wait for you at the bottom no matter how long it took.

he hated this feeling. why did it have to be you that caught his eye? the only girl he was drawn to, no matter how many times he tried to escape your aura, the path always lead back to you.

he doesn't know why he would sit with you while you ranted about your relationship problems. maybe it was because he didn't want it to be anyone else other than him or because he cared about your well-being most of all. maybe it was both.

either way, he fucked hated it. why couldn't it be the other way around? why couldn't he be the one on the receiving end of your love? bakugou knew for sure he wouldn't do half of the shitty things that your lover would do. he hated that you stayed with worthless dick-face of a man you call your boyfriend. did you not know that with your personality and beauty that you could find someone that was worth millions?

"you know... i like to think someone cares for me that way." bakugou didn't have to look at you to tell there were tears prickling your eyes. water threatening to spill out. it was a usual thing whenever you'd ask him to lend a ear to your venting sessions. he wanted nothing more than to grab your face and kiss your tears away.

bakugou didn't understand love. not in the slightest. but bakugou understood regret. and his biggest regret came in the form of you. if only bakugou had enough courage to tell he that he loved you years ago when you two first met, then he would be the person on the receiving end. he would be the guy who would always be by your side. to be the guy who truly cares about you.

for however long you stayed with that asshole of a boyfriend, bakugou was aware his chance with you was as close to zero.

and he was fine with that.

because even though it pained him to hear you talk about another guy, bakugou would rather have some of you than none of you. he didn’t mind having to swallow his feelings that tugged at his heart if it meant you were happy.

he dryly laughed. "there is," his eyes suddenly finding comfort in the wet cement below them. "just someone who fuckin' sucks at showing it."

bakugou didn’t just not understand love. he hated it. he despised love because it always fell into the hands of the wrong person.

-

yes the quote is from fruits basket, i couldnt help it.

[leviackermanscleaningbuddy]

SKZ DRABBLE-Minho

Part III of Mafia!Minho, bitches. Saddle up. A/N: I know this isn't SKZ!Pack, but it's been in the works for a looooong time and I wanted you to have it. <3

Tags: SKZ, Stray Kids, Mafia!Minho, Lee Minho, Lee Know, Minho, Y/N, FemReader, SKZ x you, SKZ x reader, Minho x you, Minho x reader, Mafia AU, Part III, Skz imagines, Skz reactions, SKZ scenarios, Fluff, Angst

Genre: Angst, Fluff, Light Smut

Warnings: Mafia Shit-guns, death, illegal dealings, daddy issues and misogyny, allusions to sexual assault and rape, loss of viriginity, blood. Mentions of previous pregnancy loss, miscarriage, current pregnancy. Breeding Kink, kinda? You'll see. Minho's just REALLY in to pregnant reader. 😂

"He's dead."

His blunt, cold words ricochet around the inside of your head, like a round fired too hastily from a gun, sloppy and dangerous, wounding everything they touch.

There's no way. There's no fucking way.

You say as much.

"That can't be true-"

His face contorts in anger, and he leans down to pinch your chin in a vicious grip that makes you wince, yanking your head back to meet his gaze, hot and pinning.

"It is true. Would you like to see the pictures, girl? The reports from Lim? His blood splattered across the wall?"

You sink to the floor.

Not JinYoung. Not your brother. Fuck, it can't be-

He straightens, releasing his iron grip on you and straightening his suit, glaring down at you with little more than cold disdain in his dark, narrowed eyes.

"He's dead, and you're worthless." He growls out, stuffing his hands into his pockets and considering you with something akin to disgust twisting his features.

Hot tears fill your eyes, and your fists clench in your lap, twisting the fabric of your dress.

You bite your bottom lip hard enough to taste blood, and will yourself not to let a tear fall for him to see.

He scoffs, reaching down once more to take your chin in pinching fingers, making you whimper.

His eyes darken at the sound, as if he's a predator that has sensed weakness in his prey.

"You're worthless to me until you're wed." He hisses out, teeth clenched, muscle in his cheek bulging. "Remember that. You are nothing without a man in this world, girl, nothing."

He releases you without another word or look in your direction, whirling on his heel and stalking down the hallway, slamming the door to his office, probably already on the phone yelling at some poor inferior for killing his son.

You let your chin drop to your chest, and squeeze your eyes shut as you take several harsh, shuddering breaths, clenching and unclenching your fists.

It was his fault JinYoung was dead. His fault you were now all alone.

There was nothing you could do about it, not realistically, but you hated him for it all the same.

********************************************************************************

"You're thinking too much again."

You jump slightly at the sound of Minho's voice, still husky with sleep, his fingers finding the warmth of your bare skin beneath the blankets.

You sigh, wanting to be irritated at his perception when it comes to you, but can't quite manage, not when his fingers are tickling your sides.

"How did you know?"

"Mm." Minho hums beneath his breath, pushing himself up behind where you lie propped on your elbow in the big bed, staring out the window at the slowly rising sun.

His fingers trace up the curling lines of the snake that wraps your spine.

"I know everything about you, princess." He replies in a murmur, fingers still slowly ticking their way up your spine. You hear a slight smile enter his voice. "Well, that, and your thoughts are so loud currently that I feel like you're speaking audibly."

You give another sigh, this one conceding, and feel Minho brush a light kiss across the family crest that marks your shoulder.

"It's going to be okay, princess. I promise you."

You feel panic well into your throat at the surety behind his words.

"It wasn't okay before." You blurt out without really considering, hand tracing down beneath the blankets without thought to rest on the small swell of your belly.

It's normal not to feel any movement yet, you know that, and yet-

Minho's soothing, firm voice sounds in your ear, his warm breath brushing across your cheek, grounding you.

"That was before. This is now."

The surety is still there beneath his words-strong and constant-and yet, the acidic taste of panic is still slowly filling your mouth, making it hard to breathe.

"Princess." Minho says in a low tone, taking not of the rapid rise and fall of your chest. "Look at me."

His hand snakes around the front of your throat, and he gently squeezes with his fingers, angling your head back until you're staring up at him, his gaze serious and dark.

You drink him in like you're parched and he's the only water source-the soft curve of his lips, the upper fuller than the lower, the tan sheen of his skin, the sharp angles of his face, the dark wave to his tousled hair, the black ink trailing across his upper chest and arms, teasing at his throat, the pink, fading scars littered across his otherwise flawless flesh.

Minho is the only thing in this moment that's keeping you sane, and you hold onto that thread with a desperate fervency that frightens even yourself.

The corner of his mouth curves slightly as he stares at you, one hand around your throat to keep you in place, the other slipping beneath the blankets to cover your own where it rests on your bare belly.

You glance down, and the sight of his inked fingers covering your own calm the hammering of your heart.

"It's going to be okay." Minho repeats softly, firmly. "Whatever happens, princess, we're going to be okay."

You stare up at him and force a shuddering breath from your lungs, your fingers intertwining with his own.

"Okay." You whisper back with finality, because whatever happens, with Minho here, you're going to be okay.

********************************************************************************

You pause, hand splayed on the cool, carved wood of the door, and glance behind you to where Minho stands, several feet back, lingering in the mouth of the darkened hallway.

"You're not coming in?" You question softly, hesitantly, sudden butterflies swarming in your stomach.

Minho arches a brow, leaning against the wall, his expression unreadable.

"Do you want me to go with you?" He queries back, voice low and neutral.

You hear the quiet chatter of men's voices from beyond the door, the clink of glasses, and a shudder of fear goes down your spine at the thought of facing them alone.

"I don't know-" You stutter out, staring at him, trying to get a read through your suddenly mounting panic. "I just thought I need-"

You.

You don't finish the sentence, the words dying in your throat, and Minho's expression shifts slightly, his eyes darkening, his lips pulling into a serious line.

"Princess." He steps toward you, reaching out, and his fingers creep beneath your chin, tilting your head back to meet his gaze.

His features soften slightly, and he takes in a slow breath.

"I will always stand beside you, I will always be here whenever you want me, but let me make one thing very clear-you do not need me."

You stare up at him, words thick on your tongue, and the corner of his mouth quirks into the hint of an amused curve.

He lets a finger stroke along your chin, his voice dropping slightly even as his eyes grow fiery.

"You do not need me-or any other man-to make you powerful. You are powerful entirely on your own, and it is a beautiful sight to behold."

You take in a shuddering, sharp inhale, his fervent words settling into your bones, and let your fingers slide beneath the cuffs of the expensive suit he wears, tracing the ink you know is hidden there.

Minho smiles. "Who do you think runs the criminal world, darling? It's not the men. We're the face, yes, but behind every great man is an even greater woman."

He tilts your chin once more, and you let your head fall against the door behind you, staring up at him openly now.

He reaches out, and brushes a stray hair from your forehead with gentle fingers.

His skin is warm, and you lean into his touch, as he presses his lips to the flesh just below your ear, brushing a kiss there as he utters beneath his breath, for only you to hear, "Women mask lethality behind femininity, and it is their greatest weapon. You are not powerless, princess, no, far from it. You do not need anyone, because you are the queen."

He presses another kiss against your throat, right above your fluttering pulse, and pulls back.

You stare at him for another moment, and then straighten the gown you wear.

"You're right. I have the power here."

A smirk flickers across Minho's lips, his eyes heating with admiration as he watches you.

He jerks his chin toward the door and the voices beyond.

"Yeah, you fucking do. Remind them who's the queen. Give them hell, princess."

********************************************************************************

"Yeong-ah." Changbin whines, stamping his foot impatiently where he stands beside the island, a dramatic pout on his face. "You're taking too long!"

Yeong-Ja giggles at his antics, glancing up from pulling on her second shoe. "I'm almost done, Uncle Binnie!"

You hide your smile behind a sip of coffee, as Chan appears, tossing the car keys to Changbin-who catches them easily- before crouching down to finish helping Yeong-Ja with her shoe.

"Thanks, Uncle Channie!" Yeong-Ja beams, bouncing to her feet beside him, as Chan grins and straightens, patting her head.

"You're welcome, Yeong-ah." He straightens the bow in her hair, before he glances to Changbin, already standing in the door way, keys in his hand. "Now, let's get going huh? Your mom and dad have a very important appointment today, and we have puppies to see."

"Okay, Uncle Channie!" Your daughter's face lights up at Chan's words, as she slips her hand into his, her tiny fingers curling around his own, dark with black ink, reminiscent to Minho's.

It never ceases to amaze you how gentle and loving all these big mafia men are with your daughter.

"Oh, fuck me." Minho grumbles beneath his breath at Chan's statement, brow furrowed in a sour expression, as he leans against the counter beside you and takes a long gulp of his own coffee.

You hide another grin behind the rim of your cup.

Chan glances up at Minho's muttered curse, ever sharp, ever alert, and gives your husband a crooked grin, brow arched.

"What do you say, boss? What color of puppy do you want? Brown or Black?"

Minho levels the other man with a glare, as Yeong-Ja bounces excitedly beside him.

"I could not care less, Christopher."

Changbin grins broadly from the doorway, enjoying the little goading match from afar.

"Ah, c'mon. Don't you want a matching set?" He motions with a jerk of his head toward Suwon, currently sleeping under the large kitchen table. The black Doberman barely raises his head at the commotion.

Minho takes another drink from his coffee.

"The only matching set I want is you and Chan's heads on sticks."

"Sorry, boss!" Changbin calls, ignoring Minho's dark threat entirely, a grin slipping across his lips as he twirls the jangling keys around his finger, turning toward the door. "Can't hear you. Gotta go."

"Okay, on that note-" Chan clears his throat, coughing over a chuckle, as he herds your daughter toward the door. "-let's get going."

"Bye mommy, bye daddy!" Yeong-Ja calls over her shoulder with a little wave, before she disappears, dwarfed between the two large men.

Changbin throws one last amused, knowing look over his shoulder in Minho's direction, giving a cheeky little wave, before they all leave from sight.

"Fuck." Minho swears vehemently beneath his breath and promptly moves around the counter to dump the rest of his coffee down the sink.

********************************************************************************

"He's going to ask to see her again, you know."

Minho glances up from his phone to meet your gaze from across the backseat of the car, his expression darkening slightly at your words, and the open worry etched across your face.

He tucks his phone back into the pocket of his suit coat, and slides across the seat to sit beside you, hand coming down to rest on your own.

"And my answer will be the same as it always is." He replies back in a hushed, but dangerously serious, tone, his fingers squeezing your own. "When he comes to see her as his granddaughter, and not just as an heir to a massive criminal empire, then he can meet her."

You take in a shaky breath and glance out the window.

The roads are becoming familiar, you're close to your father's estate.

"Princess."

Minho's cool fingers tilt your chin back to him, making you meet his gaze. The corner of his lip curls into the hint of a smile.

"You do not reside on your knees for him any longer. He has no power left to lord over you."

You take in another breath, and will the butterflies to soothe in your belly.

You give Minho a small, shaky smile, and squeeze his hand. The metal of his rings are cold, grounding, against your palm.

"I know."

"If anything-" Minho glances past you as you pull into the long drive, your father's opulent mansion rising quickly in the distance.

He gives you a smirk and an arch of his brow as you turn into the gate.

"-now that you have myself and all my resources at your disposal, he should be absolutely terrified of you."

The car comes to a stop, and Minho slides out, straightening his jacket and offering you his hand.

You take in another steadying breath, holding onto his arm as you walk toward the entrance of your childhood home.

The door swings open as you approach, and your father appears, stepping onto the top step of the staircase, watching the two of you with a penetrating gaze.

You resist the urge to shudder under that look you know so well.

Minho pulls you up the stairs with him, his steps confident, and you try to borrow some of his courage, stiffening your back and shoulders as your father steps to meet you both, a fake, overly large smile sliding into place across his pale, thin lips.

Of course he would greet you personally, no butler was good enough for Lee Minho, not when you were trying to keep up appearances.

"Ah, there he is, my son-in-law, man of the hour." Your father extends a hand, and Minho shakes it, though you can see by the slight tic of the muscle in his jaw that he doesn't enjoy the contact.

To his credit, your husband does a hell of a good job putting on a front, his slight smile in your father's direction much more believable than the man's who raised you.

"Boss Park. A pleasure, as always."

Your father doesn't even glance in your direction, motioning for Minho to follow him into the cooled, dimly lit air of the front entrance hall.

You can hear a record playing from somewhere farther within the mansion, probably your father's office.

"Now." Your father waves away an approaching maid, and she scurries to grab an empty tray, headed for the kitchen. He turns, that same sickly smile on his face, and rubs his hands together gleefully. "Shall we get straight to business then?"

"You know I don't enjoy small talk." Minho inclines his head to your father, who takes that as a yes to his previous question.

"Of course." He motions for Minho to move down the hallway, his arm extended. "I'll have Maria bring us refreshments in the parlor. Shall we?"

Minho's hand moves to the small of your back, warm through the thin material of the dress you wear, coaxing you forward with him as he moves to step past your father.

You're thankful for the support, you worry the trembling of your legs will give you away.

"Ah, ah, ah." Your father holds out his arm, stopping your forward motion, and for the first time since you arrived, his eyes flit to you, the corners of his lips curling up into something akin to a disgusted sneer. "You know the rules of my household, daughter. Women are not allowed in business meetings. You can wait here. Catch up with that little maid and the old household cook you were so fond of growing up."

You swallow, your mouth suddenly dry, and something triumphant flashes across your father's dark gaze.

He knows that the cook you were 'so fond of growing up' was executed-shot in the garden while you were made to watch-on his order.

Can't have your daughter getting too close to the help now, can you? Not when secrets could be spilled, reputations dirtied.

Minho is talking, his voice fuzzy through your panicked memories, and you blink, focusing in on what he's saying, staring your father down with a serious, almost deadly, expression.

"I'm sorry, Boss Park, but when your daughter married me, she became my wife, and where I go, my wife goes. Those are my household rules. You understand."

Your father's lips part as his gaze flicks to you once more, as if he's thinking about disagreeing with Minho, but the flash of threat in Minho's dark eyes must convince him otherwise, because he plasters a strained smile onto his face and laughs, throwing his hands out.

"Of course. My apologies. Right this way then."

Minho glances at you, giving you a small reassuring smile, before he squeezes your hand, and you fall into step behind your father.

********************************************************************************

"Try to relax, (Y/N)."

Your doctor gives you a kind smile, the ultrasound wand posed and ready above your bare belly, the screen tilted toward the bed.

You swallow hard and nod, trying to focus on relaxing the tense muscles of your entire body one by one.

Minho squeezes your fingers where he crouches beside the bed, keeping up the pressure until you glance at him, your bottom lip sucked between your teeth as you worry it incessantly.

He reaches out to free the raw skin from your hold.

"Breathe, baby." He admonishes quietly, inked fingers stroking your knuckles in a reassuring pattern.

"Ready?" Your doctor asks, glancing between the two of you, lowering the wand slowly as she waits for your go ahead.

You stare at the blank, dark screen behind her, and try not to vomit.

"I'm scared." You admit to Minho in a whisper, hand tightening around his own, your breath coming slightly erratically now.

Minho pushes himself to his feet without a word, releasing his hold on your hand, and you almost reach out to grab for him again, before you realize he's sliding behind you on the bed, tugging you back against the warmth of his chest, his arms going around your shoulders protectively as he tucks your head beneath his chin.

"What did I tell you before, princess?"

You swallow again, gaze darting to your waiting doctor, and the screen beyond her shoulder.

"That it's going to be okay."

"Mm. Good girl." Minho hums a sound of approval in his throat, and you feel his lips brush across your forehead. "And it's going to be."

You take in a shuddering breath, and then give a little, jerky nod.

Minho's fingers find your own once more, and you feel him lift his chin from your head, glancing at the doctor.

She must see what she needs to in his gaze, because with a nod of her own, she finally touches the ultrasound wand to your belly.

Your body tenses at the contact as she begins to move the wand around slowly, her gaze laser focused on the screen.

Minho reaches his hand around to the front of your throat, his fingers finding purchase beneath your chin, and you don't resist him as he tips your head back, guiding you to meet his gaze.

"Just look at me, baby. Deep breath."

You force your chest in and out-once, twice-and Minho gives a nod of approval, leaning down to kiss your forehead once more.

"Good girl."

There is quiet, you don't know how long it's been since the doctor started her exam, and you feel your stomach twist, bile burning your throat, the longer the oppressive silence drags on.

Fuck, shouldn't you have heard something by now?

What if-

"Ah, there we go." The doctor murmurs, almost to herself, and suddenly, the sound of a heartbeat-fast and fluttering, like a hummingbirds wings, echoing the frantic pace of your own-fills the room.

Minho grins down at you, and you see the relief flash across his eyes as the heartbeat continues, strong and steady. "See? Nothing to worry about."

Your body sags with relief, and you glance at the screen beyond the doctor's shoulder-no longer dark-a shimmering, spiking line flickering constantly across the monitor in perfect time with the rapid heartbeat.

"Baby sounds perfect." Your doctor continues, smiling up at the two of you, as she moves the wand around and the heartbeat heightens a little. "Right on track."

"Oh my god." You breathe out, putting a trembling hand up to your mouth, sudden hot tears filling your eyes. "Fuck."

Minho laughs a little, leaning over to press a lingering kiss to the crown of your head, his arms squeezing you protectively.

His next exhale comes out more than a little shaky.

"Fuck indeed, baby. Fuck indeed."

************************************************************************

There is blood.

Blood smearing the inside of your legs, blood pounding hard in your ears, blooding staining the disgusting cock of the man looming over you, leering.

You glance to the door where your father had disappeared, giving his men free reign over you, some sort of lesson, and you know, deep down, that there is blood on his hands too.

But unlike the crimson marking you and the man creeping in, it's not the visible kind.

There is blood.

Dripping down between your fingers, coating your palms in slick red, so thick and so ingrained that even the running water is not enough to wash it away, not completely.

You scrub frantically at your hands, but the crimson only seems to multiply, filling the cracks and seeping into the edges of your vision.

You are hyperventilating, your chest heaving, tears streaming down your cheeks, and without your bidding, your gaze slides back to the man on the floor.

Dead.

Lying in a quickly congealing pool of blood and slaughter, your bucket and rag left hastily beside his blown out head.

The rag is already wet and sopping with blood, even after only one quick stroke across the cement.

You lean over the sink and vomit.

There is blood.

You can feel it, pooling beneath your hips, but you're too scared to look beneath the covers, too sure of what you'll find, your heart already shattering in your chest.

You feel sick to your stomach, and the cramping is worsening.

Rolling to your side, you curl your body into the safety of the fetal position, and try to drown out the low murmur of the doctor's voice from the other side of the room.

Screwing your eyes shut, you keep it all inside, and scream with rage where no one will hear.

There is blood.

Flecked across the tawny skin of his cheekbones, spattering the front of his white dress shirt, his prized shoes, congealing and blending with the dark ink that flows across his knuckles until they are almost one.

He steps toward you, and you run to him without a second thought, terrified enough that the breath in your lungs refuses to leave, not until you've got your hands on him and made sure he's all right.

Your bodies collide, and Minho holds you up as a sob tears from between your lips.

You reach up and put your palms on either side of his face, the crimson splatters, sprinkled across his nose like morbid freckles, accentuating the gold flecks that flash in the dark recesses of his eyes.

Minho's lips twist into the hint of a smile.

"It's not mine, princess. Don't worry."

You feel your lungs collapse, your chest caving, and you throw your arms around him violently, never willing to let him leave your grasp again, at least for tonight.

************************************************************************

There is blood.

You step around the puddle on the floor with nothing more than a disinterested glance, your sneakers squeaking on the concrete.

Behind you, Felix makes a muffled sound of disgust in the back of his throat.

"God, they really need to clean up down here."

You glance over your shoulder at him, as he steps around the bloody puddle on the floor with an open look of horror on his face, a grin breaking free from your lips.

You wait for him to catch up to you, and link your arm in his as you continue down the long hallway.

"C'mon, Lixie. I think it's charming."

He gives you an arch of his brow, and you laugh a little.

The interoggation rooms built beneath the mansion serve a purprose-regardless of how dark-and honestly, you're grateful Minho had thought of them.

It's a way to keep the men you hold dear close enough that you know they're not in danger while they do their jobs.

Plus, hearing the screams when you come down here can be therapeutic in a way.

"Besides-" You reach the end of the hall and stop in front of the door there, glancing over at the man beside you as you reach for the knob. "I guarantee, when they come down here, cleaning is the last thing on Changbin and Chan's minds."

Felix rolls his eyes. "Savages."

You grin once more, and roll the door knob in your hand, pushing the door inward easily.

"It's why we love them."

You step into the room, Felix close on your heels, and as the door shuts behind you, your eyes flicker around the small chamber, taking everything in.

Chan is standing against the far wall beside Changbin, muttering something to him rapidly in a low voice.

There's a wall of instruments on the north side, anything from clamps to syringes, all used to get enemies talking.

And in the center of the room, a hunched form of a struggling man, bound to a chair, face covered with a sack.

You can just make out the muffled swears coming from beneath the rough fabric.

You take a step into the light that beams down on the man, encircling him in the gloom, and Chan and Changbin push up from the wall as one, their chatter ceasing immediately.

Changbin grins at you dangerously, as Chan rolls his head from side to side, waiting for your instructions.

Felix, silent as a ghost, leans against the door behind you, watching.

You tilt your head toward the man.

"Show me his face."

"Gladly." Changbin's teeth gleam sharply, as he leans forward and rips the cover roughly off the man's head.

The man looks around, disoriented, his long, gray hair wild, eyes wide and white with fear, the gag held between his teeth stained with spittle.

You feel a spark of fear light in your stomach at the sight of his face-older now, lined, but still recognizable-but force it back down with a long breath, stepping closer calmly, until the man's frantically roving eyes land on you.

"Take off his gag."

Chan steps up silently now, untying the gag at the back of the man's head, and as soon as it's loose enough, the man spits it out, licking his dry, chapped lips, as he glances between you and the men surrounding him with fury in his eyes.

"What the fuck is this? Who do you think you are? I could have you thrown to the bottom of a lake so no one would find your bodies, you know-"

You tsk your tongue in disapproval, and the man halts his tirade, his eyes narrowing, his weaselly features sharp.

"Empty threats." You sigh, stepping toward him, cocking your head as you study him.

He's shrunk after all these years, his skin almost paper thin, his hair greasy.

The eyes are the same though.

Hungry, predatory, evil.

His lips lift into the start of a snarl, revealing yellowing teeth.

"I don't know who you think you are, you bitch, but I assure you-"

Changbin's hand tangles into the man's stringy hair, yanking his head back roughly, shutting him up.

"Shut the fuck up, old man. Watch your tongue." He growls, glaring down at the man, his eyes blurring with tears as Changbin tugs once more on his hair painfully hard. "Or else I'll make sure that what she does to you will feel like mercy when I'm done with you."

He shoves the man's head forward, and he sputters, trying to catch his breath, his chest heaving, spittle flying from his lips.

Chan steps around the chair and holds out a knife toward you, his brow arched.

You take it without hesitation, and play with the razor sharp tip for a moment, ticking it off your fingertips as you study the man, lost in thought.

He glares up at you, his eyes full of hatred.

You almost laugh.

Oh trust me, not as much hatred as I hold toward you, Wu Chen.

You sigh, a long suffering sound, and address the man sitting, still now, before you.

"Do you recognize me, Mr. Wu?"

His dark eyes flash with something full of anger, but no recognition crosses his murderous gaze.

"Why should I?"

You cluck your tongue in annoyance, glancing up from the gleaming knife held in your hands.

"You took something from me once."

A brief flash of confusion swirls with the fury, and then his jaw clenches, his features going hard.

He gives a humorless laugh.

"I've taken things from a lot of people." His eyes glint with the predator, his tongue darting out to wet his lips as he lets his gaze fall down the length of your body. "Quite a few of them delicious, mouthy little cunts such as yourself."

He's trying to unnerve you.

It's not working.

You've given him enough fear for one lifetime already.

No more.

You step forward, and lean over him, your hand going on the back of the chair, the knife held alert between the two of you, dangerously close to his jugular.

His eyes flick down to the steel, and you don't miss the way his throat bobs with a swallow.

"You took something. Long ago. Took something from someone who couldn't fight back. Something that was never yours to begin with. Do you remember what that was, Mr. Wu?"

Your voice is quiet, steady, but venomous and deadly as a viper waiting to strike.

His eyes meet yours, and when it's clear he's not going to respond, you sigh, sliding the knife up the column of his throat slowly, watching as the crimson appears in the shallow cut you leave behind.

He flinches, but remains quiet.

"A girl." You continue, voice dropping to nothing more than a deadly murmur.

Something like recognition flashes in the dark of his eyes, and suddenly, the man sitting bound before you looks a hell of a lot more nervous than he did before.

You let a small smirk flick the corner of your lips, as you lean back, taking the knife away from his throat.

"She wasn't strong enough to fight you back then. But she is now."

You lift your chin at Chan, and he steps around in front of your prisoner, leaning over to rip open the closure of his suit pants.

"What, what are you doing?" He splutters, immediately writhing in the chair once more, as Chan proceeds to easily tear his pants open, baring thin, scarred legs to the cold air of the room.

Changbin steps up as Chan finishes and goes around the chair, back to his side, holding the man still with firm hands on his shoulders as you approach once more.

You lean over, and easily shred the boxers he wears with one quick flick of your wrist that holds the knife.

The man before you screams and struggles, as his shrunken, shriveled cock springs free for all to see.

"Mm." You hum in your throat thoughtfully, staring at the man and his member with consideration. "It's a lot smaller than I remembered."

Changbin leans over the man's shoulder to get a look and grins, his eyes glinting.

You glance back to your prisoner, and a smirk curves your lips as he cries out in terror, fighting against his bonds and the hold of Changbin's hands.

You step closer and hold up the knife for him to see, the metal glinting in the overhead light.

"No, no, please-" He flails, begging pathetically, but you ignore him, angling the knife expertly as you close in.

The smirk doesn't leave your lips, as you arch a brow and stare down at the writhing, pathetic excuse of a man before you.

Your voice is steady when you speak, rising above the sound of his pleas.

"You took something precious from me, Mr. Wu. Now it's time for me to take something from you."

************************************************************************

You hear Minho before you see him.

The door to the bedroom sounds, and the room is immediately filled with curses and general angry lamentations as he struggles to get through the crack he's made in the door without letting the dogs on the other side in with him.

You can hear him yelling all the way from the ensuite bathroom.

"Get back, you hairy fuckers!-Jesus-Suwon, don't do that, you damned beast!-fuck-and you! Fucking bane of my existence!-ow-Give me back my fucking shoe and go find a ball, you damned fucking demon hound!"

The door finally slams, and you hear rapid paws head down the hall on the other side, Suwon and the new puppy, probably in search of Yeong-Ja.

Minho appears then in the doorway of the bathroom, looking frazzled, a lone dress shoe held in his hand, his lips smashed into a thin line of rage.

You try to hide your smile, glancing at him over your shoulder, as you continue to ready to get in the already running shower.

"Have a bit of a struggle, Boss Lee?" You query innocently, eyes wide as you regard him, like you haven't just heard everything that occurred.

He swears under his breath and tosses the chewed shoe into the trash, reaching up to swipe a hand through his disheveled hair with an agitated rake of his fingers.

"Fucking dogs. That fucking puppy is even worse than Suwon was."

You grin now, turning toward him, and his eyes trail down your naked body, catching on the prevalent bump that now takes up your midsection.

"Baby, Bohoja will learn, just like Suwon did. You won't be stuck with ruined shoes forever."

"Mmm." Minho hums something like distracted agreement under his breath, his eyes still on you, as if he's lost his train of thought and is no longer thinking about the hellhounds that roam the halls. "He had better. Or I'll have Chan's head on a stick." He takes a step toward you. "But that's not what I came to talk about."

You arch a brow, playing innocent for awhile longer.

"Oh? What did you come to talk about then, husband?"

His eyes darken predatorially at the lilting tease to your voice, a challenge, and he growls, closing the space between you, his hand going up to grip your chin.

Your bare chest brushes his through the material of the dress shirt he wears, and you can already feel his arousal, long and rock hard against your leg.

It makes you want to shiver, even though the steamy bathroom is more than a little warm.

His eyes trace up your body once more, and then flick to your face, catching on your cheekbone, before he reaches up with his free hand to brush something on your skin.

You lean into his touch, brushing your lips over the inked skin of his knuckles.

"You have blood on your face, princess."

You arch a brow. "Does that turn you on?"

Minho's eyes flash dark, dangerous, and his lip curls up to reveal a flash of his teeth, his voice a husky growl in the back of his throat.

"Incredibly."

You smirk, and he stares at you for another moment, hunger clear in his eyes, and you think maybe he'll give in and take you right here, against the bathroom counter, but instead, he sighs, and lets his free hand tangle into your hair, tilting your head back so your gaze meets his.

"You found him then."

It's a statement, not a question.

You nod. "Yes."

Minho's brow arches, and the corner of his mouth lifts into the start of a smirk.

"And?"

You sigh, pulling from his grasp as you step away, turning back when you reach the waiting shower.

Minho hasn't moved, watching your every move.

Eyes locked on his, you step backward into the flowing water, and it immediately coats your skin in hot rivulets, making everything slick.

You arch a brow, watching the predatory look come back into Minho's eyes as the water wets your skin, pooling in streams down between your breasts, your thighs.

You cock your head, as if considering, and then say without preamble, "And I cut off his pathetic excuse for a dick. I gave it to cook. She's going to make a fancy pate out of it and feed it to the dogs."

Minho breathes out, you see it in the way his chest rises and falls and then he's striding to the open air shower, ripping his tie off as he comes, stepping into the stream of water in the rest of his clothing without a second thought.

He takes your chin in a bruising grip with one hand, and snakes his other hand down between your thighs.

Your breath hitches as he touches the wetness there, just for him.

"God, you're so fucking beautiful, princess." He grits out, tilting your head back so that he can look into your eyes while he finger fucks you.

"So you tell me." You try to give him a teasing smile, but the expression is lost as your mouth parts and a gasp escapes your lips when he curls his fingers.

"No, I mean-" He backs you against the wall with his body, the water drenching the shirt he wears, you can see his tan skin and the ink across his chest through the wet material, and lets his gaze travel appreciatively down your length once more. "-you're always fucking beautiful, but god-"

He groans gutturally , leaning into you, mouth open against your own, as he hits a spot that has you gripping onto him, keening audibly.

"-there's something so incredibly fucking sexy about you when you're pregnant."

His words send a thrill of heat straight to your core.

"Take this off." You practically beg, pawing uselessly at his shirt, and he pulls his hand away from you to undo the buttons, tugging it open impatiently, as you reach down to free him of his pants.

You're eager for him to take you, to claim you, but instead of immediately finding purchase inside you, Minho drops to his knees in front of you, and runs his hands reverently over your swollen belly, glancing up at you through the streams of water.

His hair is dark, dripping, and you bury your fingers into it.

"I put this here. You, carrying my kid, princess-" He takes in a deep breath, his fingers still caressing your skin. "Fuck, now everyone knows who you belong to. Everyone knows you're mine."

You stare down at him, this man on his knees for you, this man who has given you everything-and you smile.

"I don't think there was ever any doubt about who I belonged to, Lee Minho. It's always been you."

Minho surges to his feet and covers your mouth with his own, your tongues tangling instantly, your body melting into his, his fingers finding you once again right where he left off, making you jolt against him and gasp in pleasure.

"What do you want?" He asks, voice husky, gravely, against your lips.

"You." You breathe back, hand already trailing down between your two bodies to find him. Your fingers close around him, and Minho shudders. "All of you. Always."

"You have all of me, princess. Always." He repeats in a hoarse voice, before he sheathes himself fully inside of you without warning, making you both cry out.

And you know he means it.

************************************************************************

"Ow." You huff beneath your breath, shifting on the chaise, as Yeong-Ja looks up from playing with the puppy on the floor in front of the fire.

"What's wrong, mommy?"

You give her a smile that's more like a grimace as the baby kicks you strongly again, foot sinking up under your ribs.

"Baby brother is just kicking me, that's all, baby. I'm okay."

Yeong-Ja immediately turns back to Bohoja, teasing him with a rope toy.

"'Baby brother'?" Minho queries, leaving his desk and sliding in beside you on the sofa, his arm going around you as he pulls you close.

You smile, glancing up at him. "Just a feeling."

Another kick, another curse under your breath.

"Fuck. Minho. Tell your son to behave please."

Minho chuckles, burying his nose in your hair and breathing you in, his hand sliding down to rest on the apex of your stomach.

"Sorry, princess. You know how we Lee men are."

The baby kicks again against his palm, and Minho curves his fingers along the curvature of your belly, as if holding the unborn baby close from the outside.

You sigh, and snuggle back into him.

He presses a kiss to your forehead.

"Well-" You acquiesce, stifling a yawn as you lean your head on his shoulder, and watch Yeong-Ja playing happily with the puppy, Suwon dozing near by. "-I'd better get used to it then, because I wouldn't have them any other way."

You feel the warmth of Minho's breath as he buries his face once more in your hair, holding you close.

"I love you, princess. And the murderous little creature currently growing in your womb."

You grin and kiss his chest through the thin material of his dress shirt.

"I love you too, Boss Lee."

Love.

There is so much love.

[kaeyx]

CHANTING FWB SITUATION WITH CHUUYA WHO DOESNT KNOW IF HIS FEELINGS ARE REQUITED !!!!!

its soso hard for him to keep composure whenever he sees you at work because whenever he sees you at work, he thinks of how much he likes you and how you were sobbing in bliss with each roll of his hip into you crying out his name in the process. he tries so hard to be normal about the situation, be normal about YOU but he just cant do it. he hates it whenever you show even the slightest interest in another person and he hates it when youre clingy/affectionate with someone other than him even if it’s platonic… he wants you to just pretty please to focus on him :(

YSYESYESYEYSES!!!! Fwb Chuuya who initially agreed because he doesn't mind a quickie in the storage closet every once in a while to blow off steam and you're cute enough anyway, plus it's less of a hassle than having to hunt down a new partner for a one night stand every time he gets tired of jerking off alone. And it works just fine at first! You keep your cool around him and never try to deceive him, disrespect him, or use the fact that you're having sex to get stuff out of him.

Chuuya is happy with his choice of partner, but damn if he doesn't start having issues with professionalism. Whenever you smile at him in passing he thinks about that same smile adorning your fucked out, messy, sweaty face as you come down from your orgasms. Every time you say his name he thinks how much nicer it sounds choked out between your moans, trying to keep quiet with his fingers in your mouth. Chuuya follows the shape of your legs, the way your shirt tightens around your waist when you turn, your hands holding pens and papers and weapons. He wants those hands wrapped around his dick again, he wants you scratching up his back as he holds you against a wall and fucks you full of cum.

He has absolutely no idea when his thoughts turned so possessive and he knows it isn't fair to you, but he can't help the way his chest aches when you laugh with someone else or lean in to confide in them. Chuuya's back is still stinging from the way you were clinging to him not 2 hours earlier and yet you have the audacity to play around with someone else? He knows he has no claim to you, you agreed to occasional sex and nothing else, but how can you look so happy to be apart from him when he knows his hickeys are blooming just under the collar of your shirt?

He'd unintentionally get rougher too and it's so sexy.... Fucking you like he wants to break you apart and put you back together again, ripping off your clothes just so he can send you home in his own jacket and buy you replacements. Biting and sucking your neck and chest, grabbing your hips hard enough to hurt, cumming inside you first thing in the morning and letting it drip out of you all day. He doesn't even realise he's staking his claim, he just wants you to notice how much he likes you :(