#young all might hard to draw

[dakuatisuto-blog]

Some doodles

[arolesbianism]

Despite how much I suffered making my last isat au Aris sprite redraw, I decided to do it again and once again went through hell doing it. There’s like a billion mistakes in this (such as her having the wrong arm rip) but at the end of the day I’m still happy with how it turned out :]

[sunsburns]

guess

smut 18+, age gap, fem reader, underwear fixation

logan howlett loves to swear up and down that he’s too old to mess around with a pretty young thing like you. you’re out of his league in everything you do, from the way you can get up early in the morning and stay out late at night, stumbling back into your apartment in a fit of giggles, humming the last song that played at the club you were returning from.

he acts like he doesn’t notice, and he acts like you don’t exist. but the moment you bumped into him in the laundry room it’s been hard to ignore you.

it was wade who’d introduced the two of you to each other when he was giving logan the grand tour of the apartment complex, and they’d run into you while you were unloading a drier, tossing your clothes into a basket.

you in your tiny shorts and tight tank top, one earbud in and the other dangling by your chest. he tried hard not to stare, especially when you slowly straightened yourself up, holding your basket of clothes to your side, hair messy and sticking to your face a little bit.

it was hot in the laundry room, hell, the whole fucking building felt like a furnace now that the a.c. refused to work in the peak of summer.

but there you were, wide smile and open arms when wade shoved logan in your direction. you didn’t take it personally when he merely grunted at you, a slight nod to his head as a greeting. to logan’s surprise, your lips curled as you looked up at him, and you stared up at him like he was some kind of tree you wanted to climb.

no shame about it either.

logan’s eyes were drawn to your basket as wade spoke, retelling the whole story of how the two of you became ‘neighbour besties’, as he had put it. how you helped wade keep up with the ‘youngsters’, as he called them.

no, logan was too busy staring at a lacy black pair of panties sitting at the top of your basket. pretty little thing, pretty little bows to adorn it.

he slowly tore his eyes away from them and looked at you, then down to your hips where he could see your bright pink underwear, peaking out from the denim.

and maybe, in a dream or two, he imagined what those cute pink ones looked like in full. how it would be like to push you against your door before you could even unlock it, unbutton your shorts and dig his hands into them just to feel the soft fabric of your pretty pink underwear, soiled and ruined from how wet you were with want.

but for now, he’d have to do with the black lacy ones, he almost didn't want to take them off. running his hands over the fabric, grinning when your back arches against the bed, a little desperate, way too needy.

you’ve soaked them, all ruined just from him touching you, from the way his teeth teased you, pulling at the bows, running his nose over your clothed pussy.

logan hooked his fingers over the fabric at the center, pulling it to the side, tongue poking into your cunt, drawing out a whine from you. with an open mouth, he pulled back to see your slick, coated lips with a satisfied grunt.

logan pulled them back just to stare. fuck, they were so pretty. you were so pretty just sitting under him, in nothing but those pretty panties. yeah, logan might be old, but he can keep up for a night.

[ozzgin]

Yandere! Circus

I've been wanting to draw some of my dolls for the longest time and this turned out to be my most detailed artwork so far :') And since I really love the circus, I thought I could turn this into an interactive story, too. Let me know what you think! Based on classic stock characters from Italian theatre, Commedia dell'arte. Content: gender neutral reader, horror, dark comedy, human and monster romance

You're finally here! Come on in, don't be afraid. Where is everyone else, you ask? Why, you're our only special guest, Darling (Y/N). This is all for you. Come, do not upset the Ringmaster. We will show you everything.

A night carnival? You've never heard of such a thing. Nonetheless, curiosity got the better of you when you found the trampled poster on your way back home. The actual message almost escaped your attention; you'd been too focused on the thick, ornate border, and the colorful, swirling patterns intricately filling the page.

"Last night in town! 'Wizard of Ozz' Night Circus, a mesmerizing show that will keep you glued to your seat. We're still searching for our Columbina. Perhaps you could become part of our story?"

Might as well check it out. Which is why you're currently here, in the outskirts, trying to find a walkable path among the weeds. It's dark and you can barely see anything in front of you. They're not trying very hard to provide an inviting atmosphere, you think to yourself.

Eventually, you discern a glimmer of light in the distance. You have found the circus tents.

The campsite is quiet and still, causing you to hesitate in your decision. Is it truly open?

There's a faint murmur coming from the main entrance. A small, melancholic Pierrot - when did he show up? - awaits by the heavy curtain, pale hands stretched out.

"Your ticket, Columbina", he announces with decorum. "Me and Arlecchino will show you any tent you want to visit. We are here to entertain you."

He ponders for a moment, before adding:

"I'm sure you'll like him more. He's a very alluring fellow. Me, on the other hand...Oh, forget it", he mumbles through pouting lips, ushering you inside.

"Aha! There's the star of our night! Our Columbina!"

A tall man in a pompous, glittery costume bounces towards you and lowers himself with a theatrical bow, giving your fingers a quick kiss. You pull your hand away, visibly bothered by the odd gesture.

"You keep calling me that. I'm (Y/N)", you argue.

"Yes, yes, of course we know that. Do ya take us for fools?" the Harlequin asks, kicking one foot in the air. The jingle of the bells at the tip of his shoe echoes across the hall. "You have, however - you must understand, yes? - you've entered Ringmaster's Circus. From now on, you are the Columbina to our play."

You raise your eyebrows in disbelief.

"Just like that? Why me, and not someone else?" you scan the surroundings, pursing your lips. "Where are the others?"

"Others?"

Harlequin makes an exaggeratedly shocked face and tilts his head towards Pierrot.

"What are they saying? You're the only one here, Columbina darling. After tonight, we-"

Pierrot's hand lands firmly on his friend's lips.

"You always talk too much. Always, always! And yet, you're the favorite. Of course you are. Oh, what pity, what misfortune", the pale young man laments. "We're wasting precious time."

They both burst into a little dance; a rather silly one, you think with an amused smile. Then, they place themselves besides the entrance, each one standing at one end, back straight and chins raised.

"Go on, go ahead, Columbina darling. This is your carnival. Choose any tent you'd like."

Pulcinella's Tent

The stage is pitch black, save for one spotlight contouring a patch of ground. You can see a large, colorful ball, and two feet clumsily rolling their way atop of it.

You chuckle at the sight. This must be the clown.

"No one can compete with Pulcinella's juggling", Pierrot declares somewhat monotonously. "His acrobatic spectacle has left many guests speechless, acting with such dexterity that one must wonder: is this truly the work of two hands?"

Lights flicker, allowing you to catch glimpses of smaller balls being thrown around. Juggling so many balls while bouncing around is indeed impressive.

"Rest assured, this is the art of one single man. Although four eyes are better than two."

The shadows are abruptly swallowed by spotlights, and you squint your eyes, adjusting to the brightness. A two-headed man continues his performance, throwing you the occasional cheeky smile.

"Ah, that is..." you place a hand over your mouth.

"A bother, truly", the Pierrot remarks, sitting next to you. "They're complete opposites."

He observes as both Pulcinella's heads tilt in your direction, visibly entranced. He sighs deeply:

"You'll love them either way. They're funny and entertaining, unlike me...A pathetic miser. Oh, if only I had half their charm!" he bemoans with a soft sob.

"Hey! Don't sadden my beloved like that", Pulcinella barks, jumping off the ball and running towards your seating with a comically merry jingle to accompany him.

You cannot help but marvel at the man in front of you.

"Enough of this, I've had enough! You don't get to decide yet, Pulcinella", Pierrot exclaims in sudden panic. He claws your wrist tightly and pulls you after him. "It's time to see other tents."

Sandrone's Tent

You peek behind the heavy curtain and freeze. Are your eyes deceiving you? Someone is idly resting at the bottom of a large aquarium, showing no struggle despite being underwater. The mysterious man senses your presence and emerges to the surface.

"Would you look at that! I can't remember the last time I had a visitor."

He gestures for you to come closer.

"Are you the new guest? Our Columbina?"

"I don't know what you're talking about", you speak up with hesitation, eyes glued to the scaly tail that seems eerily genuine. "I think I'll be leaving now."

"Leaving? Didn't the Ringmaster already tell you?" The merman claps his hands, amused. "You're naïve, I like that a lot. Perhaps this time I'll be the one to have you."

He abruptly grabs your wrist, and you jolt at the feeling. His hands are ice-cold and moist.

"Let me have a look at you, won't you? I'll help you hide from the others if you're good and listen to me."

You feel a pair of hands sinking into your shoulders, and you're ripped away from the merman. Harlequin's voice rumbles deeply across the room.

"You're being a fox again, aren't you, Sandrone? Hands off our guest! You don't get to pick yet", he scolds in a low growl. "Ringmaster won't be happy about it."

"Go on then, tell on me! Ringmaster's good boy, eh?" the dark-skinned man smirks mockingly and slams his tail against the glass. "Put a collar on that one, Columbina. See how well he barks", he snarls, then slides back underwater and promptly vanishes.

Harlequin's grip on your shoulders becomes tighter for a brief moment. You can tell he's tense.

"Let's get you out of here. Don't listen to a word he says, Columbina darling. He lies, you see? No one trusts him. You should rely on me."

Pantalone's Tent

You gawk at the impressive height of this tent, head nearly spinning from tilting yourself all the way back. Ah, this must be the trapeze artist. Indeed, one of the two handles is dangling above you, and it occurs to you there's no safety net. A tall, lean man swiftly pounces across, reaching for the trapeze. His movements are slow, yet calculated, and you can't help but wonder if he might actually be flying instead.

Upon closer inspection, it appears he has no arms.

"Madness", you find yourself shouting. "Stop this nonsense!"

He gracefully wraps his legs around the bar, swinging back and forth with a confident smile.

"You doubt me, Pantalone himself?"

With another thrust, he lets himself go, spiraling down against your terrified protests. His heeled shoes clack against the hard tile. Lastly, he stretches out his bandaged stumps, as if signaling his successful landing.

You find yourself bowing to the grand gesture.

"Yes, yes, it's rather impressive, isn't it?" Pierrot follows behind you in his usual dull tone. "Pantalone is our master acrobat."

He lifts his gaze and notices that the man didn't bother waiting for a full introduction; he's already standing before you with a flirty grin.

"...and a charmer, I suppose. What, you're already doing your tricks?"

The sallow clown squeezes himself behind you two protectively.

"Shoo, shoo! Columbina is merely visiting."

He lightly pushes you away, towards the exit. You throw one final glance at the mysterious individual; he waves with his residual limb, and winks.

"You know where to find me, love."

Il Capitano's Tent

You feel a radiant heat coming from this tent. In the middle of the ring stands a grand cage. An animal of sorts? You keep your distance, observing from the benches.

A monstrous giant stumbles within your view with heavy steps. A thick, scaly tail rattles the bars of the cage, swinging itself with the precision of a bullwhip.

"Il Capitano himself!" the Harelquin announces theatrically, bending his arms in the direction of the blue beast. "The strongman, the fire-spitting artist, a most devilish creature captured and chained by our Ringmaster."

"Is this one mine?" the monstrous man pins you down with a predatory gaze.

"Perhaps", Harlequin spits out bitterly. "They decide, not you."

You squirm in your seat, suddenly much smaller under his intense stare. The charismatic guide's smile falters for a brief second, replaced by an envious grimace.

Il Capitano inhales deeply, expanding his torso and contracting his muscles. His fanged mouth then unhinges, releasing a great flame which spreads all the way to you. You're almost tempted to reach towards it, feeling the sting with your very fingers.

"Amazing", you mumble, still mesmerized by the spectacle.

This was no cheap trickery. Capitano is truly a one-of-a-kind artist. No human could replicate such a feat.

The beastly creature holds onto the bars of his cage, shoving his snout outside and grinning. Puffs of smoke escape between his teeth.

"Come down here and I can do even more, little one."

Harlequin gasps and gestures for you to stand up.

"Outrageous! How dare you-!"

He urges you to follow him outside. Enough monstrous sights for now.

"Shall we head towards the other tents, darling?"

Harlequin walks ahead, deep in contemplation. Pierrot scurries after him, whispering the remaining choices. Your shoulders are heavy, and you're quite tired from the eventful night.

You notice a little opening between the lavish curtain folds and decide to sneak away. They needn't know about your departure. You stumble around dark halls, following the cool breeze of the outside, until you're met with the starry sky.

Your path is blocked by two large poles, so you step to the right. Your body freezes in terror when they move with you. Slowly, you raise your head and follow the black shapes, and realize they're legs.

Far, far above ground, towering over the entire circus, you see two glowing eyes.

It's the Ringmaster.

"Bad, bad Columbina", he reproaches.

The voice is off, like an old, broken record reverberating against your eardrums. A cold shiver runs across your spine.

"I'm sorry", you blurt out in fear.

A long, bony hand appears before you, twitching with a loud pop. You wrap your hands around a finger, desperate to not anger this unholy creation.

"Let's take you to your caravan. We're leaving tomorrow."

Oh, God. What have you done?

Now, now, don't fret. There's nothing to be afraid of. Come, put that frown aside. Everyone loves you here. After all, you're their most precious Columbina. What's a Circus without its treasure?

[majestyeverlasting]

the moments in between

Pairing: Joel Miller x Fem!Reader 

Summary: When Joel and Ellie arrive at the Jackson commune, his strong frame and intense gaze captivate you. But as the days pass, you lose hope that he might be drawn to you as well. That is, until the walls come crashing down and the truth finally reveals itself.

Word Count: 7.3k [slow burn]

A/N: I put a lot of love and time into this one. It's my longest fic so far but it didn't feel hard, which I like to believe is a good thing. Hope it resonates, hope you feel the feels and the yearning between these two—let me know! Hope you're well.

A breeze follows Tommy as he saunters in through the doors of the Tipsy Bison, the soft click of his boot heels echoing off the wood with each easy step. The cowboy hat on his head casts a shadow over his eyes until he takes it off, his dark hair cascading down over his ears. There’s a small smile playing on his lips that makes you narrow your eyes.

Cleaning the bartop suddenly loses its appeal, but you don’t stop, only slow down. The fresh, tangy scent of lemongrass continues to waft up from the motion.     

“We close early on Sunday’s, officer,” you tease as he climbs onto a stool. 

He frowns as he sets his hat aside. “I don’t look like a cop, do I?” You shrug, and he chuckles as his gaze roves over to the pool room. “Nate back there? Yo, Nate!” 

“Evening, Tom,” the older man calls back as he polishes a cue ball. 

“Joel’s made it into town.” There’s no overt emotion in the way he shares the news, but you can see that it’s all in his eyes as he waits for you to react.  

“Joel, Joel? As in your brother?” He nods, still in disbelief himself. “Oh my gosh, that’s amazing, Tommy—right? What the heck.” He used to talk about him all the time. 

His exhale makes way for a shaky smile, “I know. Made it in not too long ago with a young girl he’s looking after,” he tells you, voice thick with a mix of emotions. “He’s outside. Wanted to come in and see if you’d let us grab a drink.” He runs a hand through his hair. “Know it’s late. Promise I’ll make up for the trouble.” He knows it’s no trouble. Not when it comes to him. 

He turns around, barstool squeaking, and waves Joel in through the window. 

You move to start working on their whiskies. “Make it up by letting me be the baby’s godmother?” The glasses clink as you set them onto the bar and begin pouring the caramel colored liquid, smirking when you meet his gaze.

Tommy isn’t completely opposed to the idea. You’d been in Jackson since the beginning, a friend to him and Maria in every sense of the word. Arguably family. “If you can manage not to tick me off until the little one gets here.” Despite his words, his eyes are fond. 

The door creaks open, and Joel strides in, scanning the room. There are pictures on the walls of American icons and landmarks, and old Polaroids of commune members. There’s a guarded confidence to the way he walks, an intensity. 

Tommy quickly leans in and whispers, “He means well. It’s been a long day.” 

Joel takes a seat beside his brother and acknowledges you with a curt nod, tugging on the collar of his shirt.  

“Welcome to Jackson,” you greet, introducing yourself afterwards.

“Joel,” he says, taking you in with a steady gaze. 

“Tommy’s told me a lot about you.” You push their glasses closer to them in an encouragement to start drinking.

Joel takes his first sip and fights back a reflexive grimace. It’s been a while, but it's good. Good enough to make him feel pleasantly warm as it glides down. Tommy drinks off his brother’s lead, and you realize just how alike they look. Joel’s hair is a little shorter and accented with streaks of gray, but they both have those same dark, telling eyes. 

They fall into light conversation, but it’s clearly not what they'd talk about if they were alone. That’s when you sense the distance. The slight edge to the space between them. It’s why Tommy resorts to drawing you in, the two of you ripping off each other as Joel listens, fine with not having to speak until this whole little ordeal was winding to an end. However, he does sit up a little straighter whenever you laugh. You pour them more whiskey when their glasses get empty.     

Eventually, the remaining light outside fades away. Tommy hisses at the sight, standing. “I gotta get home to Maria,” he says, stretching his back. Joel moves to get up too, until, “At least finish off this glass, man. You’ve earned it.” Tommy squeezes his brother’s shoulder. He means it genuinely, at least. “I’ll catch up with you tomorrow, Joel. Thanks again for this,” he tells you. 

“Bye, sheriff,” you call after him. Tommy scoffs.  

Joel realizes just how quiet it is when you move aside to tinker with a bison trinket sitting on the counter, unsure of what to say with Tommy gone. He knows you can see him looking at you. “So, are you here by yourself?” he finally asks. 

A playful smile tugs at your lips. “That’s not a creepy question at all,” you tease, quickly gathering that he doesn’t find the implication funny. “Uncle Nate?” you call. 

“Busy!”  

You raise your brows at Joel. “Not alone.”

Nate was chosen family. The man taught you everything you know about shooting, fishing, and survival even though you gave him a hard time for it when you were younger. He was also the founder of the Tipsy Bison. He only came into the bar on the weekends when he wasn't on patrol. His time in the military all those years ago made it hard to step away from a life of service. 

“We were cleaning when Tommy came in,” you tell Joel. He takes in that information wordlessly. 

“You aren’t much for talking, are you?” Joel takes a sip from his glass. “Nothing wrong with that. Must mean you don’t miss much. Really observant.” When he doesn’t respond, you smile shyly, realizing he probably just wanted to relax after a long day. “Guess I won’t stand here and talk your ears off.” 

The floor creaks as you disappear into the recreation room with Nate, rounding the corner. Joel exhales, shoulders dropping from being drawn up. He almost misses your company. 

Nate sits hunched over a word search puzzle, using the pool table as if it's a normal desk. He doesn’t look up at you, even when you give an affectionate tug to his curly gray ponytail. It was something you’d been doing since the days you both were out on your own and had to stay quiet all the time. Back when there was no safety, no security, no commune. 

“Ouch,” he drones, unphased. 

“Are you gonna come out and meet Tommy's brother?” you ask, low so Joel can’t hear. “I feel like you guys have a lot in common: brooding and grumpy.” Pride flutters in your chest when the man’s lips twitch. 

“I’ll meet him… eventually. Gotta finish this puzzle.” You realize there’s a small hourglasses going, the sand swiftly filling the bottom portion. “There ya are—serendipity.” He circles the letters. 

Word searches were something he recently started doing. When you have a past as extensive as his, it’s always chasing after you in one way or another. Especially in those quiet moments that sneak up on you. He claimed that seeking out words from amid an ordered chaos keeps the racing thoughts at bay whenever they come rushing in. 

Joel is finished by the time you join him again, and you realize he’d waited instead of calling out. Already standing, ready to go. 

“Anything else I can get you?” 

He shakes his head. “I appreciate your hospitality.” 

Joel turns to leave but you keep talking, “So I reckon Tommy already squared you away with a house and a tour of the town?” 

He stops. “I’m across the street from him. Gettin’ the tour tomorrow.”  

“That’s great, I’m really glad you found us.” You sound so genuine that there’s a flutter in his gut. “We’re a pretty crazy bunch, but I think you’re gonna like it here.” 

“Hope so.” Those are the words he leaves you with.

Your eyes stay trained on his back as he makes his way towards the door, stride the same as when he first arrived. Perhaps a little looser. Before he exits the bar, his eyes catch a glimpse of one of the decorative license plates secured to the wall: Austin, Texas. 

Shortly after he makes it outside, his heart rate ticks up in that impending way he wishes wasn’t so familiar, breath catching in his throat as if he’d forgotten how to breathe. There’s no escaping the panic as it sets in, surging through him. A few staggering steps allow him to brace a hand on a wooden directory board. 

You see it all from inside. At first, you think he’s trying to read the sign, but then he hunches over more and grips his chest. Without thinking, you jog towards the doors. 

“Joel?” You call once you’ve broken outside. 

It’s a cool spring night, a crescent moon shares its pale glow from above. Most of Jackson is already tucked away inside or at least halfway there. But in this sliver of time, it feels like it’s just the two of you outside. Joel doesn’t let on that he’d heard you, but the moment you’re close enough, you recognize what’s going on. You press your palm to his back to let him know you’re there. That he’s still here. 

“Concentrate on your breathing. In and out, just like that,” you encourage, settling on rubbing his back in measured passes. Then you go quiet on the off chance he needs that. 

In your newfound silence, Joel is forced to focus on the shaky breaths rising from his lungs. That’s when he accepts he’s not in control. Not in the grand scheme of things. There’s a whole big fallen world just outside the gates of this haven. A world that had taken people he loved and was cruel enough to let him be the one who lived to tell the tale. The heat that rises to his cheeks is made up of frustration more than distress, crackling like pop. Like coals. 

The ground takes on a vignette as he stares at it, his vision briefly closes in. You never withdraw your touch. 

When his breaths eventually begin to steady, you remember how to breathe yourself. With a tired exhale, he straightens back up to his full height, and you take a few small steps away. Maybe this wasn’t new, but a fact of life for the man who’d rode into Jackson in an air of mystery and a young girl by his side. Maybe he never wanted you to get a glimpse at this side of him. If he feels that way, he doesn’t make it obvious. He almost looks appreciative that you’d bothered enough to care. 

“Sorry to scare you,” he rasps, not meeting your gaze even though he can feel it. You want to tell him that there isn’t much that scares you anymore. At least that’s what you like to believe. “I’m usually alone.” 

Except, tonight, he wasn’t. And maybe that wasn’t such a terrible thing. 

•••

Howdy Stranger

This is Jackson Hole

The last of the Old West 

Joel reads the painted wooden sign as Tommy and Maria show him and Ellie around. There are people everywhere. Children playing outside, adults fluttering in and out of shops. All while the Teton mountains loom and watch over it all with their snow-capped peaks. He looks over at the girl when she nudges his arm, pointing to a Calico lounging on a porch. Despite her beaming smile, all he offers is a low hum. 

It was hard to be in the now when his thoughts were split between the past and future. Up until Jackson, there was no such thing as stability, and he couldn’t help but think about the day that the rug would be pulled from beneath the commune as well. Ellie’s smile fades when she notices the harsh squint of his face. He kicks himself for it.   

“Cat hater,” she mumbles under her breath.

Joel grunts and directs his attention back to his brother. 

When the tour comes to an inevitable end, Ellie sings Jackson’s praises after Tommy and Maria go their separate ways with a promise to reconnect later that day. He lets her talk as they make their way back to their new house, idly agreeing every once in a while. A few curious eyes fall on them as they walk, but Joel doesn’t pay them any mind. 

“Dude, are you even listening to me?” Ellie stops walking to give him a flat look. 

“I hear you,” he insists. “Been hearing you for the past ten minutes.”

There’s no snark in his tone, but Ellie still feels the slight sting of offense. “Well, sorry for being excited about having a nice place to live for once. It’s not like I was born into hell or anything—I mean the Boston QZ.” Sarcasm drips from her voice as she starts walking again, faster so it looks like they’re not together.

Joel swallows down guilt like it’s just another pill. His legs are long, so it doesn’t take much to catch back up with her.

“Hey…Kid…Ellie.” She keeps ignoring him. “This is new for me too, okay? Everybody’s got a different way of processing, can we agree on that?” It’s a fair enough proposal. He never had been forward when it came to sharing his thoughts. “Wasn’t trying to hurt your feelings.” 

“Yeah, yeah,” she murmurs, deciding to take a break from her rambling for his sake. The mutual silence isn’t so bad. 

Someone he isn’t expecting to see is you. You’re wearing a backpack and ushering a line of young kids into the community center. One of the little girls stops and stretches her arms up towards you, earning a playful eyeroll before being lifted onto your hip. Joel doesn’t miss the way the afternoon sunlight catches your face. 

•••

The next day, a faint thump against the door startles Ellie as she sketches in the dining room. Rather than getting up from the table, she remains still, pencil in hand and brows furrowed. Upstairs, the spray of the shower continues as Joel lets it drown out everything else. Three light knocks eventually sound, and she musters up the courage to scurry to the front. 

She peeks out the window first, spotting you. Someone she hadn’t seen around. An amused smile pulls at her lips at the way you’ve seemingly wrestled the big basket you’re holding into a better grip than before. 

When she opens the door, you let out a relieved sigh. “Special delivery,” you say before introducing yourself. 

“That’s a really pretty name,” she compliments, already warming up to you. “I’m Ellie—is all that stuff for us?” When you nod, she excitedly steps aside and ushers you in. 

“I’m not gonna say you shouldn’t have because that’d be a lie,” she shamelessly admits. “You can put it right over here.” You follow her into the living room and place the welcome basket on the coffee table. 

A few of the ladies you volunteer with helped you put it together after your shift counseling for the spring break camp. There were cookies, seeds, natural soaps, feminine hygiene products, and even a knit blanket that looked particularly soft and cozy. Ellie wastes no time reaching out to run her fingers over it. A laugh bubbles up your throat when her jaw drops. 

“This is literally what clouds feel like.” She haphazardly pulls the blanket out the basket, wrapping it around herself like a cape. “If Joel says anything, this was specifically included for me.” 

“I’m sure it wouldn’t hurt to share if he asked nicely,” you reason, amused. Ellie’s nose wrinkles. “But to be fair, we did think you’d be the one to really appreciate it.”

She smiles at being considered. “Who made it? This is, like, next level.” 

“A woman named Emilia,” you tell her. “She actually made me one back when Jackson was first being built up that I still have,” you tell her, taking a seat on the couch and looking around. The evening sunlight pours in through the windows, casting golden streaks onto the floors. “Now she’s always got a few on standby.” 

Ellie sits beside you, reaching out to dig through the other contents in awe. “They told us the commune's only, like, seven years old on our tour yesterday,” she recounts. Think you’ll have your blanket forever?” 

“Forever’s an awful long time. It might hold up,” you think aloud. Ellie nods, contemplative. “I can take you by to meet her sometime, if you’d like. She’s the resident seamstress, so you’ll probably end up crossing paths anyways.” 

“What about you? What do you do?” she asks, giving you her full attention. 

“I mainly help coordinate community events. Been stepping in to assist with the youth spring break camp for the last couple days, though,” you say. “Also bartend on the nights that I feel like it. Just for fun, you know?” 

Ellie's face lights up. “I’ve had whiskey before.” She puffs out her chest when she says it, and you play into her pride by raising an impressed brow. The first and last time you had a sip was when you snuck it from Nate as a teen. “But that’s really cool, though. The community stuff and all that.” You can tell by her tone that she means it. In more ways than one, you’re reminded of your younger self. 

“Joel’s gonna join the patrol. He says I’m too young, but that’s just bullshit.” She says the last part lower as if he’s somewhere listening. “I’ll figure out a way to make him cave.” There’s an air of confidence to her voice that suggests she’s done it before. The thought warms a tiny portion of your chest.

“I’ve gone out with my uncle Nate a few times. It can be a lot,” you admit. “He just wants you safe, Nate’s the same way.” 

As Joel stops at the top of the staircase, freshly showered, he catches those last words. He’d know your voice even if it’d been forever. His footsteps are quiet as he descends the stairs, but you hear him coming nevertheless. Ellie’s too busy sniffing the pine soap as you straighten up and glance his way. Joel’s eyes are as observant as you remember when they land on you, seeing into you, it seems. His damp hair is combed back in a way that makes him look more distinguished. 

“There you are.” You stand up with a smile. You’d been wondering how he was doing since the panic attack.

He wishes your warmth wasn't so compelling.  

Ellie whips around to look at him. “I know you said not to open the door to strangers—which is practically everybody at this point—but she’s really nice and brought us gifts so you can’t be mad at me,” she rushes out. He clocks the blanket around her shoulders. 

He hmphs. “That’s how they get you.” He’s not being serious, but Ellie frowns, trying to read through his eternal poker face. “Treats and a friendly smile.” Your lips twitch in amusement as Ellie narrows her eyes. 

When Joel starts walking your way, she consoles herself with the fact that he would've already asked you to leave if he sensed your intentions were off. The commune wasn’t filled with questionable people like that anyways. The two of them didn’t have to be apprehensive of every soul they came across anymore. 

He’s close enough now that you can smell the cedar soap on his skin. “I’m not a stranger,” you lightly defend. “Not entirely.” You look from Ellie to Joel. 

A wall rises in real time, shutting you out right along with the night you met. It happens in his eyes just like everything does. He hadn’t mentioned you to her, and it was your mistake for believing he would’ve at least passed on a name. 

You swallow back a small lump in your throat that may not be entirely just. “Anyways, hopefully you guys will be able to put this stuff to use.” 

“Of course we will,” Ellie pipes up. “Are you leaving already?” She hadn’t missed the finality that had crept into your tone. 

You nod. “Don’t wanna take up too much of your evening. I actually meant to come by sooner.” 

“Well, are you going to the dining hall for dinner?” Her gaze flicks to Joel. “Maybe you can come with us.” 

Joel knows he’s in trouble when he hears the fondness in Ellie’s voice. It’s the same sentiment he was straining to tamper down within himself. Every time he opened his mouth or looked at you, it tried to claw its way to the forefront. The last thing he needed was another person getting close enough to see that he was a million tiny pieces being held together by the glue of whatever god was keeping him alive. 

You decline her invitation, expressing plans to go to your uncle’s place. But you give her a rain check. When you go to leave, Joel allows his eyes to flitter down the rest of your body. 

That wouldn’t be the last he saw of you. But it was always from afar, lingering on the outskirts. Wishing there was a seamless way he could fall into your orbit without sending everything spiraling out of control. 

You were always looking right back at him with hope in your eyes, holding space. Waiting for your world to be shaken. 

•••

Laughter, chatter, and music drown out the insects that usually take precedence at night. Weeks of planning had finally come into fruition. All of Main Street is lined with fairy lights that cast their warm glow down on the summer festival. There was no shortage of entertainment, games, and food. It was a time to let loose and relish the sweetness in the air along with that of life. 

Nate plays his harmonica for a group of children around the bonfire, all clapping and stomping along. A smile graces your face as you walk by, waving at him. The fullness of your heart almost overrides the ache that has settled in the arches of your feet. You’d barely sitten down since earlier that morning when preparation began. There was a sense of responsibility that came along with the orange vest you were dawned in. The pressure to assist, and guide, and answer questions wasn’t all on you, but the other volunteers were better at taking breaks. 

Tommy’s grainy voice breaks into the air through a megaphone, “Thirteen-and-up three-legged races starting in five minutes, this is your last call. Grab a partner and make your way over to the east lawn,” he says. “Again, this is the last call.”

Joel and Ellie already happen to be seated at a picnic table that gives them a perfect view of the race setup and Tommy facilitating in an orange vest of his own. Ellie had already worked through her first honey cake and was eyeing Joel’s. He pretends not to notice until she looks up at him all wide-eyed.  

“Can I—” he slides his plate over to her. “Thanks.” 

“Your eyes are bigger than your stomach,” he lightly accuses, shaking his head. 

“What does that even mean?” She takes a bite. “Weirdo.” 

Joel just grumbles and tosses a napkin her way. She wipes her mouth and keeps staring at him. Not because she’s waiting for an answer, but because there’s amusement sparkling in his eyes. Which happens more often now that they’d had a couple months to settle into Jackson. A laugh was coming, she could feel it. 

“Quit gawking at me and eat.” There’s a tell-tale waver in his voice. 

“No.” Ellie lightly kicks his shin beneath the table and that’s what sets him off. 

He tries to bite back a chuckle, but he gives in when it doesn’t work out, shoulders shaking. Ellie starts grinning at him from across the table, and he kicks her back with the tip of his boot. 

“Hey!” She breaks into giggles and retaliates. He lets her have the little victory. 

A small smile lingers on his face when he regains his composure. They sit in a comfortable silence as Ellie finishes the rest of her dessert, taking in the festivities around them. 

It isn’t long before a girl with dark hair approaches their table. She’s a ball of masked nerves. “Hi,” she greets. “Ellie, right?” She says it as if it’s possible for her to have forgotten. As if after they sat together at last week’s movie night, she hadn’t been thinking about her since. 

Ellie get’s uncharacteristically squirmy. “Oh. Hey, Dina.” 

Joel can’t believe it.

Dina tucks a flyaway behind her ear. “My old partner bailed, so I was wondering if you’d maybe wanna do the three-legged race with me. I think we’d make a better team anyways.” Then she glances at Joel. “If you wouldn’t mind me stealing her away for a bit.” 

“Take her,” Joel quips, making Dina laugh. 

Warmth rushes to Ellie’s cheeks as she stands. “Sure, let’s go.” 

The two of them jog over to get prepped for the race. Joel watches the whole while, warmth kindling in his chest at the fact that she was slowly finding her tribe. The race doesn’t start for another couple minutes, and when it does, Ellie and Dina burst off into first. It’s intense. The whole ordeal is a mess of laughter, stumbling, and flailing limbs. In the end, the duo end up placing second, crossing the finish line only to fall into a heap of giggles with their legs tied together. 

Joel stands from the picnic table with a grunt to throw away all the empty plates. He has every intention to sit back down, but notices a few frazzled volunteers carrying mops and towels. Then his eyes rove over to the long line standing at the drink stands. Adults check their watches, children fidget. A woman in an orange vest is talking to another woman managing the stand. He doesn’t realize is you until you turn away from her and beeline towards the community center, looking stressed. 

“Hey,” he calls out to a stout man wearing an apron. “Do you know what’s going on?” 

He’s surprised Joel caught on. Everyone else was carrying on as usual, carefree and unaware. “There was a spill at the community center. You know Mr. Robertson’s special Summer Fest punch?” he asks in a thick Brooklyn accent, Joel nods because he’d heard the rave. Apparently it was made especially for the festival. “Kitchen’s flooded with it. I didn’t have time to build an ark,” he jokes.  

Joel wrestles with himself. “I’ll go see if I can help.” 

By the time you exit the community center, gaze fixed over your shoulder, you crash into Joel. He instinctively reaches out to steady you, touch firm but gentle. “Whoa, easy there.” The low timbre of his drawl is enough to draw your mind away from all the noise. “You alright? Here, let’s get out of the way.” You let him pull you aside by your elbow. 

When you look into his eyes, there’s so many things you wish it was the appropriate time to say. It’s been cordial between the two of you, but it always seemed like he was in a constant state of backing away, like an animal scared of giving into a primal craving.  

There was always a reason why he couldn’t stay in your presence longer than he did. He had to get back to Ellie, or turn in early for his patrol shift the next day, or some other excuse. Even during the game nights you hosted, he would always leave before his belly was full and the real fun was about to begin. When everyone was finally free of the day’s worries and truly ready to talk, laugh, and let everything ride on the toss of a dice. 

He’d resigned himself to enjoying you in the little here and there, the moments in between. So much so that even Ellie had begun to notice. It was in the way he never allowed himself to lean in too close whenever you were at his side. Or never fully crawled out of his shell no matter how many times you smiled sweetly or let your fingertips brush his forearm. 

“Does anything hurt?” He asks more intently. As he scans you over, he notices your clothes. The lower portion of your vest and the thighs of your flared jeans are stained with a wet, dark substance. 

“I’m fine, Joel.” You pull away from him with more force than necessary, feeling guilty for the way he swallows and takes a step back. “Sorry.” You release a heavy exhale, tears welling in your eyes with a dull sting. “I’m ruining everyone’s night.” 

Joel frowns. “No you’re not. Tell me what happened.” 

“I was trying to transfer the extra beverage dispenser onto the wagon so I could wheel it out to the drink stand, but it slipped out of my grip,” you explain. “The lid came off and the punch spilled everywhere.” You wipe your tears away quickly, as if they’ll stain too. 

“Accidents happen,” Joel’s tone is steady like scripture, tenderness peeking through just enough to cling onto. “Everybody’s fine. The world's still turning.”

Nobody had reacted in an extreme manner. There were gasps and startled jumps, but assurances came rushing in as the janitorial volunteers insisted that they’d get everything cleaned up. Everyone in that kitchen knew that there were worse things in life than spilled juice. Sure, it was upsetting, considering the time Mr. Robertson spent and the people looking forward to drinking more, but it was a small mistake in the grand scheme of things. But when your heart is already heavy and your mind is tangled with other concerns, those little mishaps feel like the most devastating ones. 

There was a directness about Joel, though, that eased away the guilt crawling beneath your skin. It was like he understood what screwing up truly was and this was many light years from it. 

Dina spots Joel in the distance and points him out to Ellie. “There he is over there.” 

Their smiles fall from their faces when they get closer and realize you’re crying. “Holy shit, what happened?” Ellie looks between you and Joel, worry etched onto her face. 

“I just made a stupid mistake.” You sniffle, trying to regain your composure, not wanting to worry them.  There was always something unavoidably daunting about seeing adults cry. 

“You girls stay here with her for a second. I’ll be right back,” Joel instructs. 

A new song starts up by the live band that’s playing. It’s an instrumental rendition of Every Breath You Take. A decent crowd has gathered, nibbling on sourdough and nodding to the melody. Some people are wrapped in each other’s arms. Joel soaks it all in as he navigates back to the racing lawn. 

Tommy claps him on the back when he makes it and Joel returns the gesture. “You enjoying yourself, man?” Tommy asks. 

“Yeah,” he says distractedly. “There was a spill at the community center, so no more punch. You think you can get everybody on the same page?” 

“Copy that.” 

Tommy’s voice carries through the megaphone as Joel makes his way back to you, the announcement fading with each step. 

“Howdy, folks. Some of you may have already heard, but in case you haven’t, there’s been a little spill and we are unfortunately all out of Mr. Robertson’s world famous punch for the night. We apologize if you didn’t get the chance to try it, but I promise we’ll figure out a way to make it up to y'all. In the meantime, I heard the lemonade and ice tea ain’t half bad.” 

His words blur into the background as Joel makes it back to you. There are a few disappointed groans, but nobody is completely devastated by the news. They keep carrying on just as he knew they would. 

Tears no longer streak your face when Joel makes it back, Ellie and Dina seeming to have lifted your spirits a little more. 

“Do you wanna go get cleaned up?” Joel suggests. 

Now that you’re thinking about it, the feeling of your clothes sticking to your skin is beginning to grow uncomfortable. You take a deep breath at the thought of walking home, away from Summer Fest, all the energy, all the fun. Joel sees the disappointment on your face. 

“I can go with you,” he offers.

•••

The walk to your house is quiet, the sounds of the night's festivities now distant. The porch steps creak gently under your weight as the two of you ascend them. Joel watches as you unlock the door, but finds himself cemented as you step inside. Confusion, appreciation, frustration, and want are all amalgamated into one look directed right his way. Without saying a word, you head further inside, leaving the door open. 

Joel’s hands twitch at his sides like he’s a live wire wrought with energy. Bugs would fly in if he didn’t do something—that’s the justification he creates. You’re halfway to the laundry room when you hear the front door shut behind him as he follows after you. 

The living room is illuminated by dim lamplight as he walks through. A quick glance into the kitchen gives him sight of one of Ellie’s more recent drawings stuck to the refrigerator door with a smiley face magnet. It's a portrait of your face that you agreed to sit for one lazy afternoon while Joel was away on patrol. 

The air smells like you. Understated and sweet, floral and earthen. Small plants line multiple windowsills despite how convinced you were that you couldn’t keep anything alive. The whole commune would be worse off without you and he’d be the first to wilter away. 

At the sound of a zipper and clothes brushing against skin, he stops his pursuit of you. Miles away even though you’re mere yards apart. All he has is your shadow, dancing in the dim light pooling out of the laundry room and into the hall with him. He backs himself into the cool wall and closes his eyes, Adam’s apple bobbing in his throat. Up and down and up again. An SOS in the middle of a sea when salvation was right within reach. It gets quiet after a while. No more running water, or cabinet doors, or shuffling around. 

“You can let me in, you know?” comes your voice, so light it’s almost nothing. Joel releases a shaky breath and opens his eyes to the sight of you, dawned in old shorts and a graphic tee. You wish he would say something, anything. Share a fraction of what’s going on in his mind. “I’m right here, Joel.” 

“I know. I see you.” There’s a defensive edge to his voice that’s wounded around the edges, as if he’s trying to accommodate the truth that burns within his ribcage, his stomach, beneath the entirety of his skin. 

“So now what?” You swallow your nerves, studying his face, his neck. “We’re just gonna keep seeing each other for the rest of our lives and that’s it? No knowing, no feeling, no experiencing?” You ask. “No loving?”  

One by one, the walls close in, until it feels like you’re standing toe to toe with nothing but words as weapons and honesty being the only way out. It’s not a fight he’s ready for. He can trek through the harshest winters, fight off monsters and all manner of men, but he’s defenseless in front of you.

There will be no victory, no rising from battle with a bloodied fist or blade, or immediate relief akin to the coming of spring. The only way out is to dig within, and he already knew what resided there. It was a matter of carving it out and laying it on an altar for you to see as you did the same. It’s not a fight at all, it's a sacrifice. All risk with probable reward. 

“I don’t want that to be all that we do.” You’ve never heard Joel speak so quietly. It’s as if there’s Infected lurking nearby and he doesn’t want to be devoured. “Think about you too much.” 

“I was starting to think you didn’t like me at all. Not like how I like you,” you say. 

Joel swallows thickly, warm all over. “How do you like me?” 

You push out of the laundry room doorway to step closer to him, placing a gentle hand on his chest, feeling the warmth beneath his shirt, the beating of his heart. You let it thrum against your palm until a shallow breath slips past his lips, then you move to cup his stubbled jaw, lightly brushing your thumb over his lower lip. The urge to touch you back grows so great that he finally gives in and lets both of his strong hands settle on your waist.  

Joel can hear his heartbeat in his ears as he leans in towards you, studying your face, searching for any sign that this might be some elaborate ruse. Instead, he finds something so poignant that he doesn’t have the words to define. It’s as terrifying as it is wonderful to, for once, be unable to size up what he’s up against. 

You close the space in between you with a softness that takes his breath away. Bared heart meeting bared heart. Joel’s lips are gentle and unhurried, every second savored and not a single one missed. You try to focus but it feels like you’re falling and flying all at once. Then his fingers dig into your waist a little harder, a silent plea to stay there with him, the warmth of his kiss, the firmness of his body as he pulls you closer. 

Your hands find their way to the back of his neck to play with the hair curled at his nape. The kiss deepens not in urgency but a shared understanding. A promise sealed in the way your bodies fit together. And then, slowly, deliberately, Joel eases back, lips lingering on yours for a heartbeat longer until there’s a slight space in between again. Your breaths mingle as he rests his forehead against yours, thumb stroking tender circles on your waist. 

When you open your eyes, he’s already looking at you, wondering if you can feel that two worlds having converged into one, buzzing with a newness that’s as beautiful as all the words you’d kept bottled inside. 

•••

It hadn’t taken much. Just a hug and a few soft kisses pressed to the underside of his jaw. When Joel’s grumbling finally subsided, it made way for the soothing ripple of the river. You’d settled along the bank and stretched out a few blankets when you first arrived. An hour seemed to pass in the matter of a few seconds, laughter, conversations and all. Now the sun creeps closer and closer to the horizon up in the ombre sky. 

It wasn’t any fault of your own that you’d asked Joel if the date could extend a little longer. It’d been a month of getting to see him in this light, open and unguarded, generous with giving those slow, easy smiles. Willing to lay down across your lap like this when you asked sweetly enough. 

The small mouth of a fish breaks the surface of the water as you trace along his hairline, disappearing by the time you run the pad of your finger down his nose. His lips twitch as he continues to ward off sleep. This time, there’s no stopping a soft laugh from rising up your throat. That’s all it takes for his eyes to flutter open, blinking until they’re able to focus on the soft upturn of your lips. No sooner do they avert to the sky, assessing the fleeting light. 

“We gotta head back now,” his voice is gruff. When he moves to sit up, you place a delicate hand on the center of his chest and he settles back down with a sigh. “C’mon, sweetheart, the sun’s setting. I don’t want you out here in the dark.” 

Packing up and riding back to the commune meant this moment would be resigned to a memory. “A few more minutes won’t hurt,” you insist. 

Before Jackson and before you, every second was about enduring to the next. Life was an endless onwards, onwards, onwards reverberating through his veins. Slowing down was always a risk until you showed him that sometimes life’s most worthwhile moments were in the stillness. Somedays that was easier to remember than others, but he sure did put in an effort. 

“I think you’re enjoying this more than I am anyways,” you tease. The corners of his lips quirk upwards before he can stop them. 

You continue on like that, tracing his face, occasionally glancing up at the snow-capped peaks of the mountains. Then an animal catches your attention across the way, lean and tall with short antlers protruding from its head. You suck in a breath of pleasant surprise, and Joel startles upright thinking the worst. His shoulders relax when he sees the creature. It bends its neck down to nibble at something in the grass until deciding to gallop away. 

“Just a mule deer.” He gives you a look. 

“I know, sorry. I get excited.” You offer an apologetic smile and he's reminded of how beautiful you look in the light of the setting sun, features aglow. He doesn’t say anything, just soaks you in here and now. An airiness fills your chest. 

He stands with a groan, extending a helping hand back down to you. When you’re steady on your feet, he takes your chin in one gentle hand and tilts your head back so he can align his lips with yours. The kiss is brief, and he follows it up with a soft peck.  

“Will you let me take you back home now?” he questions. “Ellie’s gonna have our heads if we’re late for game night. Especially when she’s choosing the line up.” 

•••

No heads roll that night. Plenty of dice do, while Uno cards are slapped onto the coffee table, and Jenga blocks fall. Tommy, Maria, Dina, and your uncle Nate, eventually file out of Joel’s house, leaving the three of you alone. Ellie feigns sleep on the couch as soon as it’s time for cleanup, and dozes off for real as you and Joel start taking care of everything yourselves. 

He steps up behind you as you’re standing at the kitchen sink, snaking his arms around your middle. A curious hum rises up your throat as you lean back into him. 

“I think somebody cheated during Jenga tonight,” he hushes against the shell of your ear, relishing the way you shiver at the warmth of his breath.

“I don’t know what you’re talking about.”  

Joel noses at the back of your head. “So you weren’t the one touchin’ me during that last round?” he asks. “Scratching my back, squeezing my thigh.” 

“It was innocent,” you insist. “It's a stressful game, I was just trying to ease your nerves. How was I supposed to know your hands would get all shaky?” 

A sudden chuckle shakes his chest, sending a ripple of warmth through you. “Ease my nerves? We weren’t even on the same team.” His fingers squeeze your hips in quick, gentle pulses, making you arch into him in a spell of helpless giggles. Joel evades your attempts to grab his wrists, but shows you mercy when you turn around, looking up at him through your lashes like you could do no wrong. 

“You’re lucky I happen to like you an awful lot.” He places both hands on the counter behind you, effectively caging you in. 

You smooth your hands up his chest, admiring the soft lines by his eyes, the handsome bump of his nose. “I know. I’m the luckiest person alive.” 

“No, that’s me,” Joel whispers. 

He’s certain of it. 

- 

Thank you so much for reading. I’d love to hear your thoughts, it’s my favorite thing.

[nocturniashifter]

𝓦hat your s/o loves about you | pick a pile.

Disclaimer: All readings are done for entertainment only, don't use my readings as a replacement for legitimate advice. This is a general reading, so take what resonates and leave what doesn't.

How to pick a pile: Close your eyes, take a deep breath and choose the image that caught your attention.

MASTERLIST | PAID READINGS

PILE 1

Songs: Cookies - NewJeans, Drama - Aespa, Love me like this - NMIXX, Girls - Aespa & Amazing - Red Orange County

In this pile, the vast majority of people are not yet together with their s/o and some are already in a serious relationship – such as dating or even marriage. Regardless of what your situation is, know that your s/os love you and feel like they are in paradise when they are with you. For those who are not yet in a relationship with their loved ones, all they want is for you to love them back – and you really do love them, but you haven't told them yet so they are left in the dark not knowing how you feel – and they keep that hope in their hearts. Even for those who are not with their loved ones, there is a game of conquest going on here – with flirting, seduction and a desire for the other person to reciprocate their feelings and attitudes.

In both cases, your partner feels that you have a great power of attraction over them – they find you a very attractive and seductive person, even tempting to them. They may think that there is no one like you, no one who can leave them so mesmerized.

One of the things your s/os love about you is how strong and independent you are. They know that you have faced several difficult moments in the past and even face them on a daily basis and that even so, you kept your head up and managed to deal with it – you managed to take control of your own life, put yourself as the protagonist of your own life and can now deal with any challenge that arises in front of it. You redefined the way things were and understood that these challenges are opportunities to grow and be the powerful person you are. You may even be a more daring, sassy, courageous person who doesn't like to follow the rules but rather creates your own – and you can be sure that your s/o loves that about you.

They are very protective of you and love physical contact – especially cuddling with you. Furthermore, they think you are a very skilled person at what you do – you may have different talents such as cooking, playing instruments, painting/drawing and many others – and they may be very surprised and admired by this.

In the past, they may have been lonely and even sad people, but when they met you, it was as if all they saw was you and they couldn't take their eyes off you from that moment on. It was a big attraction that was hard to ignore and they honestly feel like you saved them from that loneliness and sadness. They think you're amazing and think you shouldn't change anything about yourself.

PILE 2

Songs: YOU(=I) - BOL4, Drunk-Dazed - Enhypen, Young Dumb Stupid - Nmixx, Limbo - Stray Kids & LALALA - Stray Kids

Your s/o loves you very much and can't stand being away from you for a long time because they miss you and that can make them clingy sometimes. Their love language can be physical touch – because they really like cuddling with you and it makes them melt inside, even being close to you makes them happy – and words of affirmation, because if they could they would tell you that love every day. You seem to be a couple who take their relationship lightly, have a lot of fun together and are always laughing or with a smile on their faces.

They feel like you have them wrapped around your fingers. But sometimes they can whine and pout to get what they want and you can't resist and end up giving in, so they get exactly what they wanted from you - and the opposite can happen too, you just have to do it like that 🥺 and they melt and cannot resist. Your s/o might feel awkward around you because they still get nervous and have butterflies just from you holding their hand lol – even though for some of you, you've been together for a while.

Sometimes they may feel that they are not good enough for you and may compare themselves to other people. They may also be afraid that your relationship will end at some point and all that will be left are memories and a feeling of sadness. But just reassure them that they are more than enough, that you love them, and that they shouldn't let these thoughts control them.

You are a young person in your desired reality and you can be someone who is very confident, who is not afraid to chase your dreams even if the people around you may try to demotivate you by saying that you won't achieve it and also someone who is not even a little worried about fitting into the boxes that society expects people to fit into – and your s/o loves that about you.

They love that you are a person who is free from the worries of life and who knows how to have fun and relax – whether listening to loud music, going to parties, etc. In their view, you are fearless and make your way the way you want & will make all those who doubted you bite their tongues while you live a successful life.

PILE 3

Songs: MANIAC - Stray Kids, Sticky - Kiss Of Life, Love Lee - Akmu, S-Class - Stray Kids & Magnetic - ILLIT

Your s/o loves how authentic you are and your true self at all times regardless of what negative people might say or think about you – you don't give a damn about other people's judgment and aren't at all concerned about pleasing other people . You don't change your ways for other people or try to fit in/follow what society expects you to follow and for many you may even be seen as crazy – especially if you are a famous person – but that's one of the things that your s/o loves about you. They see you as a star, you shine brightly and have a successful life, you are special to them and you are also someone very hot in their eyes lol.

Many of you reading this pile are not yet in a relationship with your s/o and they are dying to know if you are in love with them. Since you haven't revealed your feelings about them yet and they don't know if it's reciprocated or not, they're left wondering how much longer it will take before you fall in love with them and you can finally be together. They may even make the first move and ask you out, buy tickets to a show/watch a movie at the cinema, etc. – and if you are friends who have hidden feelings for each other, they may try to ask you out as if it were just a meeting between friends but it's not really lol. And since they know you, they would know exactly what you like and where to take you on a romantic date.

From the first moment they saw you, they felt like you have left a mark on their heart and that they are melting with love for you inside & these feelings may have been something new for them, even being strange because they were not used to this feeling. They feel an intense love for you and that is a feeling that won't go away. They may keep creating scenarios in their heads of the two of you kissing like in those romantic movies. When you guys are officially together, you can be a clingy couple lol.

Honestly they're trying to hide it, but they can't hide how much they want you anymore. Just seeing you from afar makes their hearts beat faster. They are really in love with you, even though you may be the opposite of each other but still they feel like a magnet attracted to you. And it's pretty strong that they will make the first move and come to you maybe in a hurry – especially if your s/o is female, they are braver lol.

That's it, guys! I hope you enjoyed it and that the readings resonated with you. If you would like a reading about your s/o, my paid readings are open and it will be a pleasure to assist you. Until the next PAP <3

[adelheidvonschicksal]

Thinking about playfighting with Rafayel

+ brief sexual content, play fighting, subby rafayel

Your sweet, dramatic friend of a man. Your fights with him normally stay in the verbal arena, where he excels at throwing playful jabs, sassy remarks, the quick teasing nickname, and occasional cocky comment. When he’s smart-mouthed one too many times, oh, that’s when you have to drag him into your arena. It never hurts to teach your Lemurian charge who’s the real boss from time to time.

It never goes far; you think he might be a little too delicate for your full strength. So, you stick to a quick tackle, some torturous tickles, and silly pokes, all in attempts to make his face go a lovely shade of red and hear him beg for mercy. You love when he’d whine your name and plead for forgiveness while the angry pout and glare after would always be the icing on a very much deserved cake.

Sometimes, when he’s in a cheerful mood, he fights back, determined to give you a taste of your own medicine.

It always ends up with you two on the ground in front of his couch. You pin him on his stomach to punish him for defying you, and he tries his best to regain dominance. Even with all his squiggling and wiggling like an octopus out of water, he won’t be able to get you off.

Forcing yourself to lie on top of him and pressing your chest into his back, you ignore his demands for you to let him up, not until he apologizes. Ah, but he never wants to give in right away, and you up your force a little as he tries to flip you over.

Then, there’s a tug.

It’s an accident.

You weren’t entirely paying attention to where your hand was until there’s already wavy purple strands tangled around your fingers and the loud moan that filled the room was already beginning to fade away. It leaves you frozen with Rafayel whose hair is clutched in your hands and whose ears and face are very, very deep red.

This is certainly a first.

“Did you just—” you ask.

“No,” he groans out, but his denial is short lived because you just can’t resist teasing him and seeing that blushing face of his, so obviously, you have to experiment by giving another light tug. It yields the same result: a whine held deep in his throat and the tensing of his legs under you.

“Stop,” he says. “You’re gonna—”

You cut him off with a grunt, already knowing where he was going.

“Turn you on?” You finish for him. “Don't tell me you have a hard on.”

The pout he gives is adorable, his face brightly decorated like a bucket of vermillion paint was dumped on him. He lifts his arm to his face, trying to hide the blush behind his hand, which you take that to mean as a ‘yes’.

“What else do you expect to happen when you do that?” he comments between heavy breathes, and the absolute embarrassment laced in his voice makes a tingle go down your spine as he sputters out lame excuse after excuse – it was reflex, random timing, the rubbing, to try not to get too full of yourself—like he was an inexperienced young man dealing with his first rush of hormones.

All you could hear was your own thoughts whirling faster and faster and the adorably flustered sounds of his voice straining as you repositioned on top of him.

“Round 2,” you whisper then blow against the back of his heated neck, causing him to shudder.

A lightly grumbled “shameless as always,” puffs from behind his trembling hand. But when have you ever led him to believe that you weren’t especially in situations like these?

You squeeze your hand between his stomach and the floor, slowly drawing it down and stopping at his belt. He doesn't fight it, doesn't move even, maybe is silently anticipating this even more than you. Still, you’re not “shameless” enough to not give him a choice in the matter.

“Last chance to tap out, fishie. Apologize,” you warn.

It takes him time to respond, but when he does you can’t resist smirking. He finally asks, “Do you really think I’d give in so easily? Do your worst.”

You nearly laugh. That’s what you thought.

[gatorbites-imagines]

Kinktober day 5

Kurt Wagner + Uniform Kink

Priest Kurt :3 Also talks of religious trauma.I know religious imagery hates to see me comin. Readers a visible mutant, inspired somewhat by Killer croc. Readers 8ft tall.

I know very little about catholic priests, the area I grew up was Lutheran. This also takes place at some point on Krakoa. This ended up being more story driven honestly, but I had fun writing it anyways. Not proofread, because I cant be bothered.

Kinktober 2024 masterlist

You had a strained relationship with religion, even if your entire family had been true to the faith. You may have been too, years ago, before your mutation manifested. Back when you had been nothing but their darling son, their gift from whatever god they worshipped, after so many years of trying. The gift just seemed giving, as your parents had more kids after you, giving you siblings.

You didn’t have many good memories with them. You got to hold the first two that were born, even play with them, but then your mutation started. It started out as patches of dry skin, something that could be treated with thick ointments and long baths. They’d thought it was a skin disease back then, and it had been winter, so it was all blamed on the dry weather.

It was harder to deny when the scales started appearing, and when you woke up to your gums bleeding from your new teeth growing in. your sobbing had awoken your mother, who had screamed bloody murder when she saw you. There weren’t many memories of that night, or the next couple of years at that. The human mind worked in strange ways, and yours decided to supress that part of your childhood.

All you remembered were flashes of coldness, of being locked away in what could only have been the basement. Of the churches priests and whoever else they thought might “cure” you of your “disease”. You remembered your father yelling about what he must have done wrong to gain a demon like you as his child. You remembered the quiet whispers in the kitchen at night, that you only were able to hear because of your enchanted senses.

You remember how your mother whispered to your aunt, that this was her fault. That you were the result of an affair, so this had to be God punishing her for her sins. You heard how more siblings were born, how they were told to stay away from the basement no matter what, and punished hard if they even went near it. There wasn’t much entertainment down there, your so-called parents only leaving you with religious texts and whatever else they thought might “save” you.

There was no want inside you to get out, even after what must have been years. Your mutation meant you barely needed to eat, to drink, or sleep. Most of your time was simply spent, listening to your family. Because of that, you learned the same things your siblings did because they needed help with homework, or you got to keep up with the news on the radio. You had accepted it.

It was only when one of your youngest siblings discovered you that it all crumbled. She was young, as small as you had been the day your dry skin started appearing. You knew her name, having heard your mother sing her praises because she had always wanted a daughter. And she wasn’t afraid of you. She spoke to you, sitting with her knees tucked under her chin, telling you about mass, about how God would love you anyways, even if you looked different, because he loved everyone.

But the good never lasts, and she was discovered by your not so shared father, and she was punished. Her screaming awoke something deep and feral inside you, a hatred you had never tapped into. Something that had you tearing your chains like they were made of sugar, your claws drawing deep gouges in the walls as you wrenched your way upstairs. The door split like paper under your giant clawed, scaley hand, the hand of a monster, a demon.

The noise you let out was like that of the demons of hell, something deep, snarling and terrifying. Your mother and fathers’ eyes widened in terror, your brothers, the two you got to hold, were terrified. The siblings that never knew you existed wet themselves or started crying in terror. And your sister. Your sweet. kind sister, was a curled-up bleeding ball on the floor, and yet she still smiled at you.

None of the family dared move as you picked her up, she was so small she fit in one of your giant clawed hands. You had never realized how big you were, but as you stared down at your parents with such hatred, it truly sank in. your father who had always seemed so big, as if he were God himself, trembled like a leaf because of you.

They didn’t stop you as you left, tearing the front door of its hinges with nothing but a small nudge, leaving it split in two in the front yard. It was night, and it was one of those white picket fence neighbourhoods, where you preached Gods love, but ignored how the neighbour beat their children bloody.

Having your sister die in your arms was what broke you, for a long time. You weren’t older than 20 at the time, you at least thought that was your age. And yet, you stood taller than any human man, broader and strong enough to tear buildings apart. And still you couldn’t save her. you wanted to rampage, to kill and destroy everyone and everything. But you knew your sister loved this place, even after they mistreated her so. So in the end you buried her somewhere nice, and left.

The brotherhood of mutants wasn’t a choice you thought much about taking. You were no hero, and by the time you learned about the x-men, there was already way too much blood on your hands and in your teeth. That was where you met Kurt, on the battlefield. At that point he was just an enemy, someone you could turn that deep burning rage against. Feed that blood thirsty demon in your chest, to make it quiet for a little while once more.

It took you years to learn more than that they were enemies, the x-men. Your pain must have been written on your face from the very start, even The Wolverine seemed to have a semblance of worry for you. But you didn’t care, you just needed to hurt somebody, and it was easy to run in the direction you were given and lose yourself to your demons.

There were times you would pray, times when you were alone and hurting more than normal. But it never felt like God answered. And why would he. You were a monster put on this earth to punish your mother for her sins, her very sins woven deep into your very being and fuelling you.

At some point you left the brotherhood. Even that wasn’t enough anymore to quiet your demons and pain. It had been years at that point, and Nightcrawler was still just an enemy who’d grown from a small annoying pipsqueak to a slightly bigger but even more annoying pipsqueak. That very furry blue elf had a knack for finding you, wherever you went.

Most of the time you assumed he wanted to fight, but Nightcrawler, Kurt, would just sit by you in his own contemplating silence. At times he talked, other times he was silent. Sometimes he sat close beside you, sometimes meters away. Him talking about his faith made your heart race, but knowing he too experienced pain because of his appearance helped, somewhat.

Time still passed, you still weren’t a good person. The x-men and mutant-kind settled down on Krakoa. You did not, at least not for a long time. You had settled down far away from everything, somewhere with a nice deep lake where you could sink to the bottom, and imagine you were in purgatory because you never thought you would go to heaven.

Of all people to drag you to Krakoa, you had never imagined it would be The Wolverine, Logan. He gave some big spiel about hating yourself ruining it all for you, trust him, he knew. At that point in your life, you didn’t care much, nothing mattered and everything was just a blur, the demon in your chest dormant and worthless.

Krakoa was nice, people even treated you kindly even after your time with the brotherhood. Your suffering must have been so obvious for them to just accept you with such open arms, thinking about it made you cringe. Kurt was still nice. He was older, had the starts of a moustache, and the garb of a priest.

Seeing the outfit made your pupils sharpen and your heart lurch, some deeply ingrained animal reaction. Hearing about the faith he ran, smoothed down some of your sharp scales, something that yes, had its roots in Catholicism, but was so much more accepting and kinder. The thought of being part of it made your mouth sour, but there was also no pressure from anywhere to join.

You and Kurt grew closer, over time. It was a slow and careful path, all your relationships on this island were. But Kurt was special, in the way he smiled, the way he smelled, the way you became so comfortable in his presence that he could sit on your shoulders. And the way you both grew so close, that it didn’t even fell like sin when he kissed you.

Kissing Kurt must have been what Adam and Eve felt when biting the apple, tempted by the snake to break the one rule they were given to follow. And yet, like Adam and Eve, you broke that rule anyways. Kurts’s fur wasn’t long, but it was soft to the touch, some areas longer than others and carrying a natural curl. The scent of sulphur and the incense he would use in his thurible, became what put the demon inside you to rest, for good.

And maybe Kurt was pavloving you a little. It wasn’t on purpose, you think. He would simply regularly wear his priest outfit, his alb, his chasuble, his stole and amice. And he would kiss you and taste like ambrosia, like something worth sinning for. Kurt would smell and taste so divine, and would touch you so lovingly. At times you were scared to touch, fearing you would hurt him too, but even then, Kurt taught you to trust yourself.

So, who could you truly blame for getting heated, whenever you got to watch Kurt dress himself. You didn’t have a tail like he did, but you did bury yourself in your giant shared bed and rumble deep in your chest like the reptile you shared features with. It seemed so sinful and sensual, even if it truly wasn’t his intention. To see how carefully Kurt draped fabric over his body, or how his tail would flick and make the light fabrics flutter. It made a whole never demon inside you yearn.

You didn’t want to dirty his outfit, shaming yourself for even thinking it. How sinful, how evil, how demonic. But it was yet another thing you sucked at hiding, to the point where the other x-men, your friends now, started making jokes that you churred whenever Kurt would flutter by in it.

You denied it, of course, but that didn’t mean it wasn’t true. And that didn’t mean Kurt hadn’t planned out how to give you what you both wanted. Which was how you found yourself laying back against your many pillows, Kurt in nothing but his alb and prayer beads in your lap, his three fingered hands against your chest.

It still felt so terrifying to indulge in those wants, even as you dug your claws into the bed as Kurt so slowly rode you, his hips moving at a pace that had your toes curling. Anything he did would have most likely had that reaction, but his soft accented voice cooing loving words at you, only served to leave you feeling more melted on the insides.

It was embarrassing how fast you finished. But who could blame you. You never had much experience, hell, you could count on two hands how many times you had ever touched yourself. It was no surprise you would cum so quickly, Kurts’s tail thrashing from side to side as he was filled more than he imagined possible.

His kisses were still just as sweet, as he worked himself over the edge too, dirtying his alb and your scaley stomach. This moment, Kurts’s act of dirtying his uniform himself, seemed to have been the only sign you needed, after that it was free game. He was the apple and the snake at the same time, packaged in blue fur and yellow eyes, his tail curling in coy ways only you knew how to read.

Kurt could never hate it, instead almost preening with pride as you finally let yourself indulge. Fucking him on the altar was a fantasy he had carried for a while, and when you finally did it the blue furred mutant almost passed out from how hard he finished, having to dig his fangs into his stole to keep from wailing at the intensity.

You would never step foot back into religion again, never to the extent where you could call yourself someone of faith, and Kurt would never force you. But you did end up going to Kurts services, on rare occasions, but that was more because you were excited for what would happen afterwards, after everyone else left. There was a demon in your chest, born from your family’s sins, fed by your own and nurtured to destroy. But Kurt tamed it, brushed its fur and held it close. There was a demon, and it was his.

[driverlando]

🗞️ extremely confident and laid back max verstappen, trips down the stairs, chokes on his food and even walks into a wall all while trying to impress the daughter of some rich guy. Will he ever get lucky enough to leave a good impression on not only her but her father too

EXCLUSIVE: Max Verstappen’s Awkward Day Out—The F1 Champ’s Hilarious Mishaps While Trying to Impress a Billionaire’s Daughter!

Even the most confident of champions have their off days, and it seems Max Verstappen just experienced one for the books! The reigning Formula 1 World Champion, known for his cool demeanour and impeccable racing skills, found himself in a series of unfortunate events while trying to impress the daughter of a wealthy businessman. From tripping down the stairs to choking on his meal and even walking into a wall, it was a comedy of errors for the usually composed Dutchman.

The Comedy of Errors

It all started at an exclusive dinner event in Monaco, where Verstappen was invited to mingle with the elite, including the stunning daughter of a prominent billionaire. Known for his laid-back charm, Max seemed eager to make a good impression. However, things quickly went awry.

As he descended a grand staircase, all eyes were on Verstappen, but not for the reasons he might have hoped. In a moment of surprising clumsiness, the usually sure-footed racer missed a step and stumbled, nearly taking a tumble down the stairs. While he managed to recover his balance, the awkward moment did not go unnoticed.

The evening continued at the dinner table, where Max’s attempts to engage in conversation took another turn for the worse. While chatting animatedly, he suddenly choked on a piece of food, causing a brief moment of panic. Although he quickly regained his composure, it was another notch on the list of missteps for the night.

As if the universe was conspiring against him, the evening culminated in a rather embarrassing incident. While trying to impress the young woman with a charming story, Max became so engrossed in his narrative that he walked straight into a wall. The thud was enough to draw laughter from onlookers and leave the usually poised driver blushing.

The Billionaire’s Daughter and Her Reaction

Y/N Y/L/N, the daughter of a well-known business magnate, appeared more amused than impressed by Verstappen’s antics. Sources at the event described her as polite and gracious, yet clearly entertained by the series of mishaps. “She was trying not to laugh too hard, but you could tell she found it all quite funny,” an insider revealed. “She seemed more charmed by his attempts to impress her than anything else.”

Despite the awkwardness, it’s not all doom and gloom for Max. The billionaire father, known for his stern and businesslike demeanour, reportedly appreciated Verstappen’s perseverance and good humour in the face of embarrassment. “He admired Max’s ability to laugh at himself and keep trying,” said a close associate. “It’s not often you see someone so successful handle failure with such grace.”

Can Max Turn It Around?

The question on everyone’s lips now is whether Max Verstappen can turn this series of unfortunate events into a positive impression. Known for his unshakeable confidence on the track, Max’s endearing display of vulnerability and persistence may well win over both the daughter and her influential father.

Fans and pundits alike are speculating about the future of this intriguing dynamic. Will Verstappen’s charm and resilience be enough to redeem his clumsy debut? Or will this comedic display be remembered as a rare off-track fumble for the F1 star?

Fans Weigh In

Social media has exploded with reactions to Verstappen’s awkward evening. While some fans are mortified on his behalf, others are finding the whole situation hilariously relatable. “Max Verstappen walking into a wall? Even champions have their off days!” one fan tweeted. Another chimed in, “Honestly, it makes him more human. We’ve all been there!”

The Final Verdict

As the night ended, Max was seen leaving the event with a smile on his face, seemingly unbothered by the day’s blunders. His resilience in the face of embarrassment has only endeared him further to fans, who appreciate seeing the more human side of the usually invincible racer.

Whether he managed to leave a lasting impression on the billionaire’s daughter and her father remains to be seen. For now, one thing is certain: even Formula 1 champions aren’t immune to a little clumsiness and comedic misfortune.

Stay tuned for more updates on this unexpected and entertaining saga. Whether on the track or off, Max Verstappen continues to keep us all on our toes!

[mercurianchild]

hey love! what does a Plutonian chart look like? i'm not sure if I have one. how would that affect me?

Strong influence of Pluto…

What a strong Plutonian influence of Pluto in the chart could look like:

Pluto in the 1st, 4th, 7th and 10th house

Pluto aspecting inner planets (Mercury, Venus and Mars)

Pluto strongly aspecting the moon and ascendant, especially tight orbs

TW: mentions of s*x and death!!

Being Pluto dominant or having a strong influence of Pluto means that transformations, ego deaths, feelings of death and rebirth will accompany you for a life time. From my experience, this will be especially harsh in the childhood, youth and maybe in your early adult years. As time passes and as you get older, you might develop self care habits and safety mechanisms to protect yourself and your inner peace. Practising self love, meditation and mindfulness could be important to these individuals, as they could underestimate their beauty and their outstanding personality.

I’ve also seen that most traumatic events happen in the childhood, youth or early adulthood. But that’s just my observation.

Feelings of being deeply misunderstood rise while you are young and this feeling might follow you for years. Constantly searching for someone to understand your complex mind and depth of emotions. These people could benefit from searching for a valve to turn pain, bad experiences and any form of built up emotion into art. Be it writing, drawing, making music…

A reoccurring theme for Plutonians is sexuality. There may be blockages in regards of the own sexuality or experiencing it, but once they overcome this, they literally start to bloom in that area. This could turn into being hungry for power in general (or simply being turned on by overpowering the partner) or in being lascivious. They can be pretty much extreme and freaky in bed, actually. Being intimate never gets boring with them.

I know, this is what you read everywhere, but plutonic people are deeply magnetic and will catch your eye with their intense aura. Even if they are not seen as traditionally beautiful, these natives exude attractiveness and charisma. You just can’t ignore them and they will even stand out in a crowd. BUT! A lot of them don’t have the sex appeal like (for example) Megan Fox has. A lot of them have such an innocence to their appearance, but if you take a closer look you’ll see that they’re like fallen angels.

From my experience, plutonic people will have a deep connection to spirituality or the occult and a profound interest in psychology (for good and bad). They usually get into these things after really hard times in their life. They will attract jealousy and hate like flies, unfortunately and this could take a toll in their self esteem. Even strangers tend to be very competitive and mean to them in some way, because most people simply feel challenged by their presence.

Dear plutonic people,

you ALL are wonderful and you deserve so much more. I feel for every single one of you and I hope you will find true happiness and self acceptance. You’ve been through so much and you deserve the world for all that. I’m sending you all the love you might need right now or later! 🩶

[quimichi]

₊❏❜ ⋮ MEETING THEIR FAMILIES -HEARTSLABYUL VER.

warnings: bad treatment towards reader (Riddles part), bad writing :3

summary: You meet their families

characters: Heartslabyul x F!Reader

word count:

a/n: I originally planned to do all in one part but I decided not to since it's so so much and I'm currently having a writers block but I wanna make you guys happy so-its in parts :(

Riddle

Riddle's mother is a strict woman, and she does not hide her dislike for you. She frowns the moment she sees you and crosses her arms. The situation is tense as she watches you, her gaze sharp and unblinking. She seems to be considering your motives with her son, but it is clear that she has a low opinion of you for some reason.

Riddle is nothing compared to her; he has no power, he's weak standing beside you. Yet, he stands proud, he loves you and no matter what his mother will say, his mind won't change. "Mother," he begins. She shoots a hard look at him. With that stare, she seems to say 'do. not. talk."

Riddle goes silent. He knows that if he does talk, it might ruin her approval...if that will ever happen. But you decided to speak up, nervously, "It's a pleasure to finally meet you! Riddle has told me so many lovely things of you!" you bow down, showcasing your respect. His mother's expression does not change. She seems to consider you for a while before speaking:

"Do you think yourself worthy of my son? Do you think you are a good match for him?"

It's clear that she is sizing you up, and her gaze is piercing.

"Yes." Riddle grabs your hand and gives it a tight squeeze. Showing you his support, no matter what he won't back out either, cause he knows whats coming. Your words only draw a frown from his mother. Her expression turns sour.

"I do not think you can give my son the life he deserves. You are too low class for a nobleman. It is clear why you would date him, but what do you have to offer us? It would disgrace his name and our family to wed a commoner. A magicless commoner!" She continues to size you up. She is relentless. Her frown only hardens with every passing moment.

"My son is a nobleman. He deserves a woman of nobility. Riddle dear, I know the perfect girl for you she-" "No!" His voice rings through the halls with booming thunder.

"How dare you," he shouts, his eyes like daggers. He looks as though every muscle is about to tense up so hard it'll burst. "She is good enough. She is worthy of my love. There is no one in this world who I will ever love and admire more! If you don't agree with this relationship then-!...Then I might just leave.

Riddle is standing protectively in front of you now. His heart is thrumming so hard he can feel each pulse. His last words were spoken unsure, timidly, but it's the truth.

"...Then do."

Trey

Trey's parents are thrilled to meet you. The moment they saw you at their doorstep, they took you into their family. They are gracious hosts, offering you food and drinks as soon as you step into the house. Everything is warm and welcoming. Not to mention the cake they baked for you!

The afternoon tea goes smoothly, with conversation flowing as easily as a river. "Again, thank you so much for the tea and cake! It was absolutely delicious!" "It was nothing," Trey's mother says as she refills your mug. She smiles warmly, keeping herself composed with effort. She has heard a lot about you, after all, and the impression she has received so far has been wonderful. Its hard for her to contain her pure excitement, she might explode. All her husband can do is calm her down with a hand on her shoulder, smiling both at you and his wife.

Trey doesn't dare say anything, his lips pressed shut in a smile as he watches from his place. He doesn't want to draw attention to himself, content to watch you and his parents interact.

"BROTHER!" You hear two voices yell from the hallway...seems his siblings arrived from school. Trey's young siblings finally make their grand entrance, their voices filling the room with an unexpected cacophony of excitement and joy. The scene is a chaotic one, but in a good way.

His younger brother runs up to you immediately, "Oh-Oh-! You're the pretty girl-!" Before you can question anything his sister also tunes in, "Ohhh-! She really does look as sweet as gum drops-!" "You two, shush immediately-! I'm so sorry-!" Trey's mother apologizes for the behavior of her youngest children, but you shake it off. How could you ever be upset about the honesty of those sweethearts. You definitely will have a word with Trey once you get back...

Cater

Cater never kept it a secret, how much he despises his sisters and mother sometimes. More than once he told you stories. But he has also told you that slowly, the relationship gets better...slowly.

Cater's mother is especially overbearing. She tries her best, but she seems almost incapable of not adding only their favorite sweets to the tablem. She is a bundle of nerves, and she often dotes on Cater. It's as if she finds comfort in treating him like a child, because he is so quiet and calm. Yeah, quite and calm, if only they knew who he truly was.

"Thank you so much for having me." a genuine smile sets on your lips as she pours tea into your cup. "We are so glad to have you," Cater's mother says with genuine warmth.

His sisters continue to prod you in both questions and comments, being too forceful and tactless at times. They think they're being endearing and curious, but don't quite realize that they're over stepping. Cater sits beside you, his eyes darting back and forth as the questions keep flowing. Hes annoyed, of course they will ask inappropriate questions and take the attention.

"Where was the first kiss?" "Ohhh my god did he use his tounge?" "Cater, your hair today looks frizzy." "You look cute but...that top with those jeans...i don't know. Cater you should really watch what your girlfriend wears!" "Yeah! Spend some money on her, damn." "Bad boyfriend."

The constant barrage of questions and comments from his sisters would make even the most stoic people wither. You are not one of those people - you are more patient than you ever realized. You smile through the barrage of words, answering most that you can, ignoring the rest. It hurts, some hurt. You get Cater now to 100%. Your calm demeanor and soft eyes would calm anyone's heart, but his sisters are a bit too persistent, their endless questioning seeming to have no end.

This goes on for some time, until Cater is visibly agitated. "Stop," he says under his breath. He is usually calm and collected, so it draws everyone's attention, even his mother's. "What?" One of his sisters finally asks, feigning innocence.

"Enough," he says simply, but his tone is enough to get them to back off.

He takes a few breaths before giving his mother and sisters a smile. The situation diffuses, but you can sense that he is annoyed. "I just wanted to introduce you to my girlfriend, we didnt came here for an interview. Her outfit is perfect, and I'm NOT a bad boyfriend! I know I'm not..."

Ace

Ace's older brother is charming, witty, and well-liked by everyone. He teases his little brother without any cruelty, making lighthearted jokes at his expense. He is very protective of Ace, he just wants his little brother to be happy. And obviously he wants him to behave in this relationship too.

"He has spoken of you a lot," the older brother comments, his tone teasing. His brother wiggles his eyebrows towards him,  "A bit too much, it seems," Ace says, keeping his voice low, but you hear the annoyance.

"I can't help but hear all about you whenever he's calling me... how much he cares for you, how he's so lucky to have you..." his brother's tone is good-natured. He's just having fun, and hes so glad his brother found true happiness. "Ohh, what else did you say?" Ace can hear the teasing in your voice, no way you're going into this too. "Shut up-!" "Oh, you know," the older brother laughs. "He says you are the sweetest, most beautiful being in the whole wide world. You're an angle with the patience you have for him. He would do anything for you without a second thought. He swears he has never loved another as he has you."

"What a mushy little guy my brother can be," his older brother says, sounding amused.

Ace is turning red. His voice comes out slightly strained, cracking. "I-! I NEVER-! Shut up I never said anything like that, that's way to sappy!" "Mhmmmm, sure bro, sure" His older brother smiles, genuinely.

"I've never seen him so happy," he says, "He's truly a good guy, he just has some rough edges. I'm glad someone like you took their time to get to know him...Take care of him for me."

Deuce

His mother beams. "Oh! This is the one you've been telling me about? You've done well. She is a beauty!"

Deuce's face is tomato red. He is the picture of nervousness, his eyes darting about the room with his mouth clamped shut for fear that he will say too much or too little. His mother's enthusiastic and effusive approach is overwhelming him. He wants to sink into the floor, damning himself for telling his mother and grandmother about you so much. "We are so delighted to have you here. Please," his mother continues, offering you her seat. "Sit, sit! No need to stand around!"

She smiles widely at you as she gestures to a plush chair across from them. A low table separates you, and the three of you are arranged across from one another. Deuce's grandmother walks slowly behind his mother, bearing a tray of tea and pastries in her hands. Without a word, she sits down and quietly offers one of the small cakes to you.

She doesn't take her eyes away from you, smiling wide. You can't help but smile back at her, but before you can thank her she leans closer to Deuce mother. "Perfect aren't they? I knew someone wil eventually see that our Deuce is a catch." She wasn't as discreet as she thought she was, but you can only agree with her, Deuce is a catch.

"Thank you so much-!" "It's nothing, dear," she says, her voice soft as velvet. His mother breaks the silence, leaning forward in her seat. "Now then, tell us all about yourselves. We have heard plenty from our son, but we want to hear from you."

Deuce is paralyzed. He has nothing ready to say. His mouth is dry and his heart is pounding in his chest. Although he is more than happy both his most loved family members love you, he is still nervous. It's embarrassing! "Wait-!" His grandmother immediately stands up from her seat. She disappears and reappears with a thick photo album. She settles back down and opens it.

"Now, let me show you my handsome boy when he was young. I think this is a much better idea!"

Deuce's head falls back, someone kill him. His heart stops at the pictures of himself....fuck...he's naked....

[zaynes-nieve]

Zayne Confirmed Lore

Anything confirmed by the developers, including any accounts or information within the game! (I will update you as the game continues, and I appreciate any info I can get from you all as well!!!!)

Tender Moments | Memoria | Bond | Devs/Offical/Messages/Calls | Main Story | Annecdotes

Basic Info:

Zayne's Birthday is September 5th | About Him

Other Names: Rei (JP), Lee See-Oen (KR) and Li Shen (CN)

Zayne's Constellation sign is a Virgo (like me)| About Him

Zayne is 6'1 | About Him

Zayne's age is 27 | About Him

Zayne is the Chief Cardiac Surgeon at Akso Hospital | About Him

Zayne's evol is Ice | About Him

Daily Life and a good chunk of the lore

Zayne is a workaholic, and he likes it | Gentle Twilight/About Him

He is good at snowboarding! | Everlasting Snowdrop/About Him

He knows how to peel an apple in one go | Spring Remnants/About Him

He is good at drawing (those anatomical diagrams, ftw!!!) | Suprise Encounter/About Him

He has a sweet tooth (like me) | Nostalgic Sweetness/About Him

He gets toothaches (unlike me) | Nostalgic Sweetness/About Him

He is a terrible patient (Strict against others, indulgent to his own whims) | Nostalgic Sweetness/About Him

Zayne is a teetotaler (a person who never drinks alcohol) | Drunken Intimacy/About Him

He is good at pool but is a strict teacher | Exclusive Tutorial/About Him

His Parents are also Doctors and work with Doctors without Borders overseas | Eternal Attachment/About Him

He sends them a message on his birthday each year, telling them he is just fine! | Eternal Attachment/About Him

Zayne has a hard time controlling his Evol | Main Story 4-10/Never Ending Winter ch.4

Starcatcher Awardee (2046) | Main Story 4-5

Linde Award Winner (Year 2046) | Main Story 4-5 / Never Ending Winter ch.10? Last chapter mention

His patients all are obedient (terrified) of him | A Pure White Heart ch. 3

Dr. Zayne and Dawnbreaker see each other in their dreams | Gonna be pulling from a lot of things, so give me a moment for this one 😭 (Never Ending Winter Ch.1, Ch.2, Ch.4) (Ngl Dawnbreaker Might Need his own section....or Page)

He has a pet squirrel named after the medication, Clopidogrel! | Feed the Squirrel/Message

It appears Zayne also frequently volunteers to assist in medical relief for disasters or joins the medical teams assisting hunters fighting wanders in high-frequency zones | Dawn's Shadows, Foreign Aid/Video Call, Hidden Motive, Medical Rescue

He is quick to forgo his well-being to save others in dangerous situations. He truly puts his own duty as a doctor above everything else.| Medical Rescue, Neon Night

His Past:

Zayne was one smart cookie and skipped several years! But because he was so young and his classmates were not. He had a hard time making friends | Delicacy/About Him

When he was in medical school, he visited a barbeque stall a lot | Delicacy/About Him

He has a good tolerance for pain😭and he gets injured a lot, leaving many scars | Medical Rescue/About Him

Dr. Zayne was in the 35th Cohort of the Skyhaven Medical School in a PhD Program | Never Ending Winter ch.1

He was an intern under Dr. William (took him under his wing) | Never Ending Winter ch.1

It's implied he had to kill William after those black crystals seemed to be turning Dr.William into a Wanderer (Do we consider this confirmed enough?) | Never Ending Winter ch. 6

He Plays Tennis (and won a prize!) | Tennis Game/Messages

Due to the time travel shenanigans and our boy being the best at everything, Zayne is now an expert Jade carver! | Moonlit Dream

He briefly studied keyboards as a child. But quit after a month. | Heartstring Notes

All he knows how to play is Little Lamb | Heartstring Notes

His Likes:

He really hates carrots!!! | A Frozen Promise/About Him

He visits medical museums to relax, or he will go look out at the river | Heart Within Reach/About Him

Our Story 💙❄️☃️

He gave us a little snow seal when we were children (we thought it was a snowball) | A Frozen Promise/About Him

After seeing our name on the volunteer list for the Frontlines, he follows us. Hidden Motive/Insta Acc.

He is our Primary Doctor!!! (we're not gonna talk about the ethics of this LMFAO) | Main Story 1-8/About Him

Zayne said he melted an "old" popsicle (our popsicles at this time) for us when we were kids | Nostalgic Sweetness/About Him

Our Grandmother left us a letter with Zayne, and he seems to know more than he is letting on | Main Story 4-7 (I'll double check this one)

We voted for him in the Patient's Favorite Doctor poll on Asko's official account (He also won) | A Vote/Message

HE USES US AS HIS WALLPAPER | Screen Saver/Message

Zayne is not above bribery (whether it is us or his patients) | I Miss You/Message

We gave daffodils to Zayne! (they're garlic) | Gardening/Message

Dawnbreaker

Anything talked about in this section is written as if you have already had the knowledge before hand.

Never Ending Winter: Zayne Anecdote #2

First mention of Dawnbreaker and also where we get the info of Zayne's Nightmare into Dawnbreaker's world.

Zayne mentions the nightmares again and talks about how his current reality is more bloody than his nightmares (Dawn Breaker World)

We get Dr.Zayne's perspective as he is "in that world of ice and snow" Zayne attacks himself from his perspective with dark crystals (which we know from The third ancedote is the color of Dawnbreaker's ice

Dr.Zayne refers to this black coated version of him as the Grim Reaper.

Zayne almost accidentally killed someone important to him when he was 12. He was 12 when he first started getting dreams of Dawnbreaker

Crystals begin to grow off of William (though, they mention the color of said crystals being black, they dont mention if they're ice)

The people Dawnbreaker killed appear in front of him after he kills William

Still in the Dark: Zayne Anecdote #3

Georgie's first description of Dawnbreaker Zayne is that of a Grim Reaper (hence the connection to all mentions of him in Never Ending Winter)

Georige is a young boy who hires Zayne to help him find the person who killed his mom

Dawnbreaker is the in canon title for the serial killer who leaves no bodys only dark blue crystals

There is footage of Dawnbreaker killing these people, so it isn't speculation

Detective Ivan, the police working on the Dawnbreaker case, gives distrubing insight into the situation, giving his point of view that the people who Dawnbreaker is killing leave behind shards like Wanderer protocores

When he catches Dawnbreaker in the act, he finds the victim with tentacles and attacking Dawnbreaker.

Georgie's mother was a worker at an ungergound protocore factory

Zayne, after running out of chocolate, takes some from Georgie, and so begins the Georige & Zayne duo.

DB!Zayne watches Old Doctor Television Shows

He also only lives off of Nutrient Solutions

DB! Zayne also has a Jasmine Plant

He also oftens visits a decayed plaza with a jasmine field

In their universe, Linkon City is a city from a distant past.

DB!Zayne confirms that he also dreans and that it is of Linkon City

Chapter 4 is where we get the most intermigle between Zayne & DB! Zayne.

Zayne dreams of MC and the snacks we share with Zayne in particular a popsicle which could be a refrence to [ill pull it later]

He dreams of being a suregon. He started getting these dreams also at the age twelve

He knew at 12 that MC and Zayne would meet at 27

Dawnbreaker lives vicariously though these dreams and the remnants of Linkon he can find in his world.

Zayne calls the Humans who leave behind Protocore fragments "Abominations"

He plays soem recording about Zhuangzi and the Butterfly essentially not knowing if he was the dream or if they are. (Butterfly dreaming of being Zhuangzi or Zhuangzi dreaming of being a Butterfly) Dr.Zayne and Dawnbreaker to a T.

Georgie dreams of being a monster (Foreshadowing yall). Zayne notices a bump under Georgies eyes 😭

Georgie, on the day he turns 12, begins to show more obvious symptoms of being an Abomination

IK this has been more of a recount, but we got little to work with Dawn Breaker lore yall

Dawn Breakers first kill was when he was 12, after he killed his adopted father, who became an Abomination

It is also here that we learn that if not killed, these beings turn into Wanderers.

Zayne is the one who murdered Georgie's mother

We find out that Georgie's mother requested that Zayne kills her half a month before she turned.

Her Coworkers having turned into Wanderers (She believes it was due to their long exposure to the protocores)

Zayne kills Georgie after he becomes an Abomination

Detective Ivan gives us the run down that the government and those in power are hiding the fact that some of those wanderers were once human. He also intends to stop and destory the investigation against Dawnbreaker, likely so Zayne can continue doing his job.

(At least two more sections on its way)

Pls hit me up with any more information and where it's from!!

[theonlyhonoredone]

Yuji BF Headcanons

Pairing: Yuji Itadori x Reader

Warnings: none

Summary: my idea of how Yuji is as a partner

Masterlist

bf!Yuji is crushing hard, he’s down so bad it’s actually pathetic. He fumbles his words in front of you, stutters when he tries to compliment you, and is the first to like any and everything you post. He thinks you’re the funniest person alive and sticks to you like velcro. He’s always asking if you want to hang out or train or anything else he can do to get you in the same room as him. He waits for the absolute perfect opportunity to ask you out, either taking you to some big festival or saving up for months to take you to some fancy restaurant.

bf!Yuji who fakes being totally confident when he asks and then freaks out when you say yes. He’s gasping and asking if you really mean it and then hugging you so tight you almost pass out. Things fall into place quickly after that, you two are a natural fit.

bf!Yuji always keeps you on your toes. He likes for dates to be really special and exciting so he always wants to do something grand. He won't admit it to you, but he knows he's going to die young. He's living on an extended death sentence which means he won't get the long happy life he truly wants with you. He hopes to create as many special and lasting memories with you as he can, hoping that he'll be able to relive them on his death bed and you'll be able to find comfort in them when he's gone.

bf!Yuji does not consider nights in or casual hang outs as dates because they aren't special enough. That doesn't mean he loves those moments any less though, in fact nights in with you are one of his favorite things on earth. The man is glued to you 24/7 so of course he’s excited for any chance to cuddle. He needs every part of his body to touch every part of yours, he’ll smother you any chance he gets. If you have to get up to pee or anything really he’s whining and asking you to stay. He gives you the sad puppy eyes whenever you escape from his arms and pouts until you return to him.

bf!Yuji uses his crazy athletic ability to show off to you any chance he can get. He’s always telling you to watch him do something he's sure you'll find impressive. He'll offer to carry you everywhere you go. He gets butterflies every time you call him strong or tell him how cool he is. If you go to an arcade he will drag you over to every game that involves any amount of athletic ability and make you watch him set a new high score. You always love it, except for the time he broke a machine and got you kicked out.

bf!Yuji is constantly coming up with new pet names for you. They are sometimes sweet but more often over the top and totally ridiculous. He’s constantly changing your name in his phone too, and he spends hours editing pictures of you to make your profile picture. He likes adding all sorts of little stickers and drawing little hearts around your face.

bf!Yuji also loves to post these and add a long caption calling you his little schmoopy schnookums pie while he declares his undying love for you. His over the top gestures are how he shows you that you’re always on his mind. He doesn’t care if anyone else thinks it’s embarrassing or cringy, he just cares that you know how much he loves you. He loves you so much that he sometimes feels like he might explode if he doesn’t express it. 

bf!Yuji is clingy to the point of annoyance. You do have to remind him that you need space and time alone and while he might not understand (he wants to spend every moment with you), he respects your needs and wants. He wants you to be happy all the time and if that means leaving you alone for a few hours then he will.

bf!Yuji tries his best to let the two of you have quiet moments together too. Even though he is a yapper at heart, he manages to sit for hours without saying a word, sometimes. As time goes on he starts to treasure these moments and find a lot of comfort in just sitting beside you, not talking about anything. It’s enough just knowing you're right there with him.

bf!Yuji is not the kind of person to get insecure. He's more nervous in the begging of your relationship, but once you tell him you love him the first time that flies out the window. You love him and he loves you and to him that’s enough to know things will always work out.

bf!Yuji gets incredibly anxious anytime he has to buy you a gift. Birthdays and holidays are a nightmare for him. He never knows what to get you and will spend hours pacing around countless stores to find the perfect gift. He tries to remind himself that it’s the thought that counts and that you’re always happy with what he gets you, but it never settles his nerves. He’ll second guess himself until the moment he hands the gift over. Watching your lips curl up into a big smile as you open it up is what finally makes him relax.

bf!Yuji is never possessive and almost never jealous. The only thing that really makes him jealous is when you go to the movies without him. It doesn’t matter who you’re going with either, he's jealous. He loves the movies and he loves you so of course he loves going to the movies with you. He’ll never admit he's jealous, but he’ll definitely pout and tell you how much how much he wanted to see the film. Of course you can see right through him and will always offer to go see it again with him. That always brings him back to his usual chipper self. 

bf!Yuji turns into the biggest baby when he gets sick. The common cold is a death sentence as far as he is concerned. The only possible cure is you feeding him soup and rubbing his back. He will beg for snuggles and kisses but dramatically tell you not to come near him so you can’t catch whatever deadly virus he has when you actually try. As soon as he’s better though he’s expecting you to help him make up for lost time by letting him smother you to his heart's content. 

bf!Yuji will do literally anything for you. He’d figure out how to rearrange the planets if that was what you wanted, and he'd do it with a smile. If you need help with anything at all he wants to be your first call. You want to redecorate your room? Call Yuji. You want a late night snack? Call Yuji. You want to rob a bank? Call Yuji. He's the definition of ride or die and he never lets you forget how treasured you are.

[goosita]

trying to work when you're sick as young!politician!snow's secretary would be hard, but not for the reason you might think

you've been sniffling since yesterday afternoon, but this morning when you woke up, you felt like you'd been hit by a train. every muscle in your body was sore, your throat hurt, your nose was running and you could tell you had at least a lowgrade fever. you glanced at your alarm clock next to your bed and groaned, seeing that you'd woken up just a little while before it was set to go off anyway.

you thought about calling in sick, but you've never done it before. were you supposed to call....coriolanus? directly? he was your only boss, you worked solely for him. but that thought made you feel even worse than your illness did. you knew that he had a busy day today full of meetings and work calls, and that you needed to be there to help organize his schedule. you couldn't stand the thought of disappointing him.

you sucked it up and took the hottest shower you could stand in efforts to clear your sinuses and stop the fever-induced chills wracking your body every few minutes. you knew coriolanus liked for you to look put-together in pretty dresses and heels, but today you just couldn't bring yourself to do it. you dressed in a loose blouse and pair of wide-leg trousers that felt comfortable enough, shoving your feet into flat shoes. good enough.

so now here you are, bundled in your sweater you keep at the office and trying hard to manifest that nobody will notice your red and raw nose or your watery eyes, least of all coriolanus. the wish goes ungranted, prayer unanswered as he strolls in and immediately stops and stares at you.

"what's wrong?" he asks.

"oh, um. just a little cold," you answer, voice nasally and much lower in pitch than normal. coriolanus frowns at you and shrugs his coat off, hanging it up and walking straight over to you to press the back of his hand to your forehead.

"you're burning up."

his lips turn down even further, not noticing the way you freeze at his sudden touch. coriolanus has been a lot more...touchy with you lately, but even still, this amount of concern is unexpected. his brows furrow at you, looking at you for a long moment. he carefully brushes your hair out of your face, looking over you and taking note of your outfit and general state. you can tell he notices that you've dressed much more comfortably than you usually would, and that your face is makeup-free and hair left at simply brushed through to undo any tangles.

"up," he tells you, gently lifting you out of your chair by your elbow.

"what?"

"let's get you home," he says gently, rubbing a warm and heavy hand up and down your back. "you're in no shape to be here today. i'll have my driver take you back to your apartment."

you look at him confused, unsure what to say. you're not sure if he's upset that you're sick or if he's more worried for your wellbeing, but it makes you anxious that he's acting so abrupt and unceremonious, almost as if you being sick is putting him on edge.

"coryo...?" you ask quietly. he freezes where he stands, having gone to grab your jacket off the coatrack. you watch as his entire demeanor softens.

"yes, miss y/n?"

you swallow hard, wincing at the pain it causes in your throat. "are...are you upset with me?"

coriolanus' eyebrows draw inward and upward at your question, quickly shaking his head.

"oh, no. no, of course not," he breathes, rushing over to help you slide into your coat. "i'm worried about you is all. i don't want you making yourself sicker by being here today, you're clearly very unwell. it's not your fault you're ill."

he carefully zips up your coat, grabbing his red scarf from the rack as well. before you can protest, he's draping it around your neck and tying it.

"for extra warmth," he explains. "it's freezing out there today."

the scarf is so soft where it's tucked beneath your chin, instantly adding more warmth where you need it. coriolanus gives you a tiny smile, lips closed but small dimple appearing at the corner of his mouth.

you're led to the car by him, his hand resting between your shoulder blades the entire time. coriolanus opens the car door for you to slide into the back seat, instructing his driver to take you home and make sure you get into your apartment safe and sound. his voice holds so much authority when he speaks to the driver, a deepness and sternness that's never present when he's addressing you.

by the time you reach your apartment and climb the steps up, there are several beautifully packaged boxes waiting for you at your door, as well as a single red, long-stemmed rose. you tilt your head and bring them inside, opening them one by one to find that coriolanus has had soup, bread, and medicine delivered to you. attached to the rose by a red satin ribbon is a note that simply reads:

"get well soon, darling"

[linkspooky]

SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN

The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear. 

Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain.  One of these stories fails, and the other succeeds. I will illustrate why under the cut. 

BROKEN THEMES = BROKEN STORY

When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that. 

Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate. 

When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.

“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.” 

I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level.  The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?”  This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story. 

With Great Power… You know the rest. 

My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game. 

However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA.  The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman. 

The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be. 

Now I’m going to drastically oversimplify what a character arc is. 

A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth.  The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end. 

I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change. 

The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending. 

MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.”  The hero shouldn't be allowed to win without first fixing this flaw.

From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”

All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.

Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero. 

Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters. 

"Can I save the villain?"

"Should I save the villain?"

"If I don't save the villain, then can I really call myself a hero?"

In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match. 

I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.” 

The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person.  Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing. 

How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.

Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character.  However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others. 

However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not. 

Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem. 

Edo: Can you even fathom that, Judai?

For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people? 

Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities. 

THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.

Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence. 

seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash. 

While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else. 

Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai. 

In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose.  Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used. 

Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road. 

Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."

Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed. 

There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes. 

Should I save the villain?

The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison. 

Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.

Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be. 

Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others. 

Johan: Judai, it was my dream to save everyone through my dueling!

The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection. 

Should I save the villain?

Here the answer is "Yes",  because wants to become more like Johan someone who uses their power to help others not just for themselves.  Then we reach the third question

If I don't save the villain, can I really call myself a hero?

It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering. 

People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends. 

These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"

Was there ever someone you couldn’t save?

m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel.  In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim. 

Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.

Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored. 

"I was suffering even as you came to forget about me..."

Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences. 

It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored. 

Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground.  Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.

But you see, I couldn't possibly forget about you in the time that I've suffered...

Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other. 

"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."

For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy. 

They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship. 

Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did! 

Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.

They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.

Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.

Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today. 

Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends. 

Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices. 

Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card.  Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did. 

In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship. 

I just want to save my friend. That is all.

By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out.  The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point. 

I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?

Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?

Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.

I couldn't have lived with the heartache unless I felt that I was being loved...

At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator. 

So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki? 

It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them.  In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable. 

Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore? 

That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.

Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.

Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about. 

Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again.  Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits. 

"And even if that means I won't exist anymore... I don't care."

Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities. 

Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.

Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.

And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.

The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness. 

The story of how Deku became the worst hero.

I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless. 

Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki. 

Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain.  The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him. 

Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.

Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.

clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment. 

For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did. 

Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character. 

What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another. 

This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told. 

Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog. 

The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail. 

The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?

Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:

Can Shigaraki be Saved?

Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him. 

Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.

This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good.  As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.

Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option. 

Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.

Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable. 

I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too.  However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way. 

Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant. 

He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.

Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point. 

It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant. 

He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO.  Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger. 

Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things. 

Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.

In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.

The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience? 

Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live. 

The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t. 

We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?

I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals.  He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable. 

The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki. 

Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels.  Cobra: You are certainly a talented duelist. But you have one fatal flaw.  Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory.  Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match.  Judai: I...  Cobra: Afraid aren't you? Right now, you have nothing to support you. 

Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.

Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.

Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain.  As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).

When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki?  In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend. 

In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect. 

This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki. 

Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent. 

On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder. 

Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns. 

There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.

Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life. 

Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone. 

Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.

Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.

In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back.  When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way? 

When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.

What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard. 

I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.

"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"

Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.

Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"

Yubel is embraced and comforted, Shigaraki disintegrates into nothing.

One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.

The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.

Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100. 

[multi-fandom-imagine]

in regard to this post, I think that might actually heal a part of Ford’s soul at least a little because once upon a time he tried to hold a girl’s hand and she ran away screaming. Now he’s here with you and his touch has you on cloud 9.

A/n: YESS!!! Oh my god yes! Also let me know of you want me to write that out because i 100% will but

Ford meets you in college, does his best to ignore you but it's so hard when you end up as his roommate and it get's harder to hide his hand now.

Get's blown away when you said his hand is cute...cute? I'm sorry are you okay? Do you need to go to the hospital because no one has ever said a thing like that. Ford was so used to being called a freak the young man that an attractive girl like you just called his hand cute.

Finally get's the nerves to ask you out, Ford's heart can't help but stutter when you hold his hand. The smile you give him is everything, you didn't run away screaming no you stayed by his side, you stayed.

Sure you've held his hand, yes you made have traced his palm but you two have never gotten intimate like that before. Ford is sweating, he's nervous because he's never done this. What if he's messes something up? What if this is the moment you draw the line and dump him?

But oh! You moaned, you guided him a little and then once he gotten used to it. The little moans, your gasps the way you call out his name.

Maybe his six fingers weren't so bad after all, not when he had you by his side.

Because whenever you hold his hand, he can't help but feel like he's living on cloud nine.