#you will love it i promise

[arthur-two-sheds-jackson]

✨ a very important announcement by @arthur-two-sheds-jackson ✨

Dear folks,

For the past days I have been collecting a number of links to Monty Python material (not counting interviews... and near exclusively material that has to do with the troupe as a whole) to make a gigantic media masterpost.

I will post it on the 23rd so it will be available in time for Christmas!

However, I need your help: please, when the post goes up, help me out and share it. And if you find the material I'm missing, or better quality material, pretty please, add it to the post when you reblog it, for I will be unable to do so, as even trying to make or edit the masterpost is a pain in the ass to do... and I learned Tumblr does have limits in the number of links/characters you are able to write.

Hopefully, it will be the most complete thing to date... It will make other masterposts proud.

Anyway, stay tuned!

Best wishes,

@arthur-two-sheds-jackson 💋

[pathsofoak]

Everyone look up "Wie is de mol english subs" on youtube

[e-the-village-cryptid]

please watch andor please come talk about it with me please please please i am begging

[noodles-and-tea]

I don’t know if it’s just because of Alex’s personal voice quirks or whatever but Bill and Stan talk in quite a similar manner and my personal head canon is that Bill does it on purpose to mess with Ford :(

[lizluzz]

reblog to give more people the chance for one last boop!

[churchofthemimic]

memories of a place that doesn't exist anymore. a world that is so different now.

[evgar]

guess who's back in her wenclair era

[chloesimaginationthings]

I always forget Michael is British in the FNAF games,,

[emptyjunior]

Can't stop thinking about reverse Scott Pilgrim au where Ramona has to fight all of Scott's exes, Punk drummer Kim, Megastar Envy Adams with an army of groupies, Femme fatale Lisa Miller, Jaded obsessive Knives Chau, maybe an alternate timeline version of herself.

And when she's all done it's just kinda Wallace standing there and she's like Wallace what are you doing, I'm meeting Scott's ex here and he just gives this sad shrug smile and she's like Oh and then he pulls out the baseball bat-

[hinamie]

sry i have chronic only draws megumi disorder the doctor said it's terminal :/

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[shesnake]

the problem with mainstream fictional media today is it is predominantly made for people who don't like fictional media all that much

[mothwingwritings]

I know a lot of people like to hone in on Sylus' more dominant and teasing side, and while I do love those aspects of him what I really really love is the softer side of Sylus that he only shows to you. ♡

The Sylus that avidly listens to everything you say, drinking you in with with a dopey little grin on his face as you fill him in on everything and anything happening in your life. The Sylus that lets you decorate his chic and mature office with all the plushies you have won together from the claw machine, looking at them fondly as if they were great treasures you have scored. The Sylus that will gladly wear stupid matching kigurumi's with you in public and have fun doing it, reputation be damned. The Sylus who absentmindedly plays with your hair while you are sitting together on the couch watching a movie, sighing in contentment as his long fingers massage your scalp. The Sylus who has memorized all your favorite foods and works hard to come up with new recipes to delight you based of what he already knows you love. The Sylus who's hugs completely engulf you, squeezing and holding you like a lifeline, almost as if he's afraid to let go. The Sylus who stays glued to your side until you fall asleep each night, even though you know his day has hardly begun and he has more important things to be attending to-you always take precedence. The Sylus that wants nothing more than to see you happy and thriving, and will do whatever it takes to make that a reality.

He truly makes me weak. (╥﹏╥)

[milktrician]

(what the. who threw a wife plot device in the middle of a peak lord meeting)

i thought about this bit at the end of the airplane extras the other day. bro why are you looking at your coworkers like that rn

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[rooksilver]

so youre telling me. theres an adaptation of orpheus and eurydice. where eurydice was falling out of love with orpheus before her death but didnt know how to tell him, and when he walks into the underworld to get her back, shes forced to confess that she planned to leave him?? and shes the one to ask him to look back, but he doesn’t want to, because he knows she isn’t coming with him??? youre telling me that when he finally looks back, he does lose her, but only because he’s letting go??? you’re telling me its about grief? about drifting apart?? about moving on??? about love, and how its messy, and how sometimes it just doesn’t work out even if you go to hell and back for it, because we’re human and thats our tragedy????

you’re telling me netflix CANCELLED it?