(Alt text under read more)
Part 2
:] I do enjoy the pain
ID start: A doodle of the Pale King and Pure Vessel from Hollow Knight as humans. It's a close-up of their hands. The Pale King holds his trembling hand along his body when the Pure Vessel gently grabs his wrist and hand. He flinches and almost pulls away from them, but he doesn't. End ID.
ID start: A doodle of the Pale King and Pure Vessel from Hollow Knight as humans. The Pure Vessel leans against their father's arm, holding it tightly. Their brows furrowed as they look down, looking troubled or even sad. End ID.
ID start: A doodle of the Pale King and Pure Vessel from Hollow Knight as humans. A side view shot of the Pale King, with only the horns and the top of the head of the Pure Vessel visible as they lean against him. They say, "...I love you too, papa..." The Pale King looks shocked, tears pressing into his eyes. End ID.
ID start: A doodle of the Pale King and Pure Vessel from Hollow Knight as humans. The Pale King lifts his head up, his nose scrunching up as he closes his eyes tightly. He trembles as he tries to bite back his tears. One tear slowly falls down his cheek. End ID.
63 notes
·
View notes
...okay, so I'm probably not the first person to notice this.
But gear's earing that he points towards when he says that he did the same ritual he wanted to help kuro with already on himself before:
actually looks pretty similar to the pieces of the necklace the count used to create the servamps:
The different pieces of the necklace seem to contain one demon each and the count used them to create the servamps.
So...did the count either learn this technique from the werewolves or is he possible even originally a werewolf himself? It would explain why he's immortal, that's why I'm wondering about this.
Gear says that the ritual is used to remove spirits, could it be that the count removed his own sins using the werewolf ritual and created the demons this way? But he went too far and removed too much unlike gear who only removed one part of himself? Him removing the sins from himself would also explain why he's so weird and doesn't understand other beings. As the sin demons say, they are a natural part of being a human and we have seen multiple times that denying their existence is harmful, removing them all from you would probably lead to you not being able to relate to other people anymore.
Maybe removing all these parts of himself is also why he has no appearance. Without his demons he's not a person anymore.
The count originally being a werewolf would also explain why he has magical abilities (gear can also use magic) before other magicians existed and why he's so anxious about certain people dying. Gear talks about how his immortality makes him sad because human friends do die, but unlike the count gear seems to accept death, grieves in a heathier way than the count and is able to move on and make new friends. Could also explain why his magic and creations are all strongly tied to the (full) moon.
Another similarity is that while werewolves apparently can't reproduce gear was able to have descendants by sharing his life force (it's mentioned in chapter 135 which isn't translated yet) with a woman and through her human children tsurugi is related to gear. Sigurd explained to nicco that the magicians came to be because the count let humans drink his blood, three survived, got magical ablities and became the ancestors of all human magicians:
Maybe the count is more of a werecat though. He and the sloth demon do seem to have a closer connection, even though the count's appearance changes depending on the person looking at him he does usually keep his tail and the tip looks exactly like the one of kuro's cat/lion form and similar to the the one of inner sloth's non-human form.
It was also stated multiple times that the sloth demon is the strongest. I wonder why that is. Servamp comments on the fact that being lazy is often actually a sign of depression/anxiety through kuro's arc, so maybe the count was depressed and that's why the sloth demon is the strongest? Basically the demons strength depends on how much the count suffered from the different sins? It would also explain why melancholy is so strong, I assume kuro refusing to see him no matter how many siblings he sent his way to tell him to come looking for the count made him extremely sad and probably even made him come up with the plan to have himself be killed and then put in the same body as kuro through the ritual.
I assume he was behind C3 ordering the servamps to kill him because he's the one who created the magicians and thus C3 and lily who is kind of working for him was probably the one who put the idea that the count needed to be killed into the head of his eve (aka a member of the alicein family who hold a lot of power in C3 basically since the beginning. I explained this in more detail in another post). The people from C3 even said that the count can only be killed if he wants to and yeah, kuro didn't truly kill him, but he did destroy his body and kuro seems to have met little resistance when he attacked the count. Which probably means the count wanted this to happen.
70 notes
·
View notes
I think i dislike the idea gen 3 synths have any noticeable mechanic parts besides the component (and probs brain tissue) due to the horror of it all existential or not.
It's almost canon that not many wastelanders know about the synth component and if they do they don't know how to get it out without killing the individual making synth hunts risky. They too think when they kill a synth they will see gears and coolant and wires and something distinctly telling them that this thing is not like them.
So imagine a group so excited cause they caught a synth, they caught a synth and plan to execute it. The synth is begging for it's life either denying that it is a synth or promising to never bother them again if they just let it go. But they don't and they line up and they fire and they are expecting grease and oil and the distinct sound of metal piercing metal but they get none of that.
They get blood and guts and lots of it. Lots more than they expected from something they didn't expect to have it.
At first, they think it's a trick of the light or lack thereof. That the liquid pouring out of the multiple new wounds they created isn't what they think. That the metallic smell is just from whatever scrap it was made of. So they poke around it more and it's sickening. There are bones and tendons. Blood and meat and it's so real but they know it was a synth.
He admitted it when they stormed into his home, the house he had welcomed them any plenty of times in they days leading up. When he was dragged through the town that he helped build and put before a kangaroo court. Even when he was begging to keep his life. To keep on living just as he was, as they were.
"But he was a synth, he..." And they realized they stopped calling him it and they realize that they didn't just kill something but someone.
There would be something in the air. They knew but did they really know? He said it but wouldn't you admit to whatever you're accused of when cornered and scared and just wanting it to stop? He was a synth but what does that mean now? Did it matter that much to do this to someone they once called a friend? Now that his insides were forced out and the only inhuman thing they found was how it happened.
But that's how it goes and they clean up even though their consciousness is anything but. They look at each other and they know they stopped another one of them from being taken and becoming like him. They know they are staring at another human and that's all that matters...
Or that's what they keep telling themselves.
12 notes
·
View notes
The Mysteries of The Rose
"The rose reveals the portal that opens into the center of all things. This center is symbolized by the rose blossom." — Raven Grimassi in Grimoire of the Thorn-Blooded Witch.
The system I use in my personal practice is based not only on the dual concept of Blood and Water, but also on the pursuit of what I now shall call The Mysteries of The Rose. This system is informed by hereditary practices, ancestral veneration and the aid and perspectives of other practitioners.
One of the books that, much to my surprise, manages to match some of the beliefs that sum up this system, is Grimoire of the Thorn-Blooded Witch, where the author describes 'Five levels' of training in witchcraft, and acquiring mastery over each as 'gathering a thorn'. Personally, I view it slightly different. What I see are six, not five, skills that a successful practitioner should hone, and I see it less like levels (complete and perfect mastery being unachievable) and more like Doors that one crosses (into an ongoing process).
Then, the Doors to the Mysteries are sixfold, as six petals surrounding the center, and these doors are: herbalism and greencraft, magic, and stonecraft, mediumship, mysticism, and seership. Five of these match exactly the ones described by Grimassi, with the sixth being the addition of stonecraft. A skill, and a Door, to Spirits that are often misrepresented, or underrepresented, in witchcraft, if not forgotten and left aside completely.
These Doors are also divided in two sets of Threes. The First Set involves daily practices that define the present, tangible life of the witch, the Second Set involve Ties with the Other, with the Intangible, Spiritual world. Finally, a cross over the rose blossom represents, among other things, the Intersectedness of these skills. How none of them must be practiced in isolation, and instead, must be studied side by side, with each one supporting the others, to allow the practitioner a holistic view that connects past, present and future, and all manners of being: animal, vegetal and mineral.
The Crossed Rose then, symbolizes The Blood Of The Witch, in it's capacity to carry wisdom over generations, aswell as across different states of being. This is the Center of my practice.
11 notes
·
View notes
EAT IT EAT THIS. i think zorales should be looked at all the time actually. and if you don't ummmmmm shut up :3
One has to wonder, when it comes to good and evil, how to wrangle it into your soft hands. How it writhes and wriggles and wrecks, because its sole mission is destruction of all you hold dear.
13 notes
·
View notes
I have yet to write anything truly soft abt Avery (in my defense she makes it really hard!) which you'd think i'd do more of that as a delusional Avery stan but now i can't stop thinking abt Avery going back to honeymoon phase after almost killing Foxy and doing literally anything she wants because she almost sent her to meet God (at least until Foxy provokes her rage again which would probably be very soon. she never learns)
4 notes
·
View notes