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zepskies · 13 hours ago
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hi lovely!💗 first, I wanted to say that I hope this next year is filled with lots of love and light for you!!🫂 may all of 2025 be kind. 🫶🏽🙂‍↕️
you are for sure one of my favorite comfort blogs, besides how amazing your writing is you are so kind to everyone, your blog is filled with lovely interactions and it just feels like a big safe space <33 you have without a doubt helped me get through this trainwreck of a year lol :’)💕
for the asks, there are so many good onesss lol but i’ll only ask a few 😅 👉🏽👈🏽
1. describe your journey this year (in three words)
7. comfort character to create for
8. most challenging character to write
12. a concept you’d like to develop next year
13. a fic or artwork by another creator that made you happy
sidenote: I can’t wait to get home & read the final part of ATW :p have a wonderful day!!🤍🤍
Hello my lovely!! Same to you, friend! A lot of us have had a crappy 2024, me included, but you know what, we're here and we're getting through -- hopefully with a little kindness and support from our friends here. 💗
Wow, I'm honored to be one of your comfort blogs. 🥹🥹 I really appreciate you saying that mine feels like a "safe space" because that's exactly what I've tried to do. I'm truly grateful people who read my writing and interact with me on here. Like you, a lot of them have become mutuals and lovely friends. 💕
I talk to some people on here on a weekly basis now, and tbh those connections have not only fueled my creativity to keep writing, but have also just made me happier as a person. Or like you, they've gotten me through the hard times I've gone through this year. (I do reread comments and reblogs btw -- yours have never failed to make me smile. 🥰)
But yep, on to your EOY Asks before I just keep rambling on and throwing hearts at you. 💓💓💓
**Lots of fic recs/author recs below the cut!!
#1. describe your journey this year (in three words)
Oh God lol. Like I said, I've had a rough year personally. But in 3 words?
Exhausting. Painful. Creative.
I've been mentally, physically, emotionally exhausted for the better part of 9 months. I've been in physical pain and discomfort for much of that time and have had 2 surgical procedures, countless doctor visits, and too many life changes to list.
But through all of that, I feel like I've also done some of my most creative writing in 2023-2024 than ever before, including starting a Patreon, and dipping back into writing the fantasy romance novel I've been working on since grad school. Use the pain, I guess. 😅
#7. comfort character to create for
It's changed over the years depending on my fixations, but right now (and for the past 2 years), it's definitely Dean freakin' Winchester.
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#8. most challenging character to write
Lmfao. Definitely this guy:
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#12. a concept you’d like to develop next year
Oof, how much time you got? 🤣
I have a few WIPs that are already drafted and in the editing phases for next year -- including all of my remaining fics for @jacklesversebingo. (Jacklesverse Bingo24 Masterlist here!)
More specifically, I have plans to write sequel fics for the following series:
Break Me Down (Soldier Boy x Reader): Their son's first birthday, with a flashback to their wedding day.
Unravel Me (Soldier Boy x POC!Reader): The prequel series to Lost in Translation, in which Ben meets the reader (afro Latina).
Every Second Counts (Russell Shaw x Reader): Can Russell make good on his promise to "get out" and start his brewery? (AKA: his past comes knocking, and might just put the reader in danger. Diving deeper into the Shaw family history too.)
Take Me Home (Beau Arlen x Reader): @luci-in-trenchcoats put the idea of Beau and the reader from this series getting married into my head, and I feel like it would be a fun and somewhat angsty road to get there lol.
#13. a fic or artwork by another creator that made you happy
Again, how much time you got? 😂😂
I can rec so many of my mutuals and favorites here, so here's a few:
Dean Winchester
The Dangers of Hope (Endverse!Dean x reader) - @dean-winchester-is-a-warrior
Things Learned and Unlearned (Dean x reader)
Some Sunny Day series (Dean x OFC) - @talltalesandbedtimestories 💞
That’s How It Should Be (Sheriff!Dean x reader) - @rizlowwritessortof - and all of her Jackesverse bingo fics. 🤌🏽❤️‍🔥
NSFT Alphabet [Dean Winchester] - @chevroletdean
Feral (Alpha!Dean x reader) - @luci-in-trenchcoats
Wild Flower (Dean x reader) - @deanbrainrotwritings (so many rereads 🥵)
Remind Me (Alpha!Dean x Omega!reader) - @justagirlinafandomworld
Worthy (Dean x reader) - @thatonewriter15
Girls, Girls, Girls (Dean x OFC) - @spnbabe67 - plus so many of your other Dean x Tori fics.
Run Baby Run
I Just Died in Your Arms Tonight
Five Star (Dean x Indian POC!reader) - @artyandink
Taste (Alpha!Dean x Omega!reader) - @kittenofdoomage
A Simple Kinda Man (Dean x reader) - @impala-dreamer
Sam Winchester
Samnesia - @princessmisery666
English Cottage-verse - @sam-is-my-safe-word
Soldier Boy
Power Play (Soldier Boy x reader) - @venus-haze
She’s Out To Please, She Pouts Her Best (Soldier Boy x reader) (So many rereads 🥵)
Take a Chance on Me (Soldier Boy x supe!reader) - @lamentationsofalonelypotato
If The Stars Wish It So (Soldier Boy x soulmate!reader)
Beau Arlen
The Change (Alpha!Beau Arlen x Omega!Reader)
The Change: Beau - Sequel from Beau’s POV.
Polaris (Beau Arlen x reader) - @waynes-multiverse
Taken for Granted (Beau Arlen x reader) - @pink-sparkly-witch
The Fix (Beau Arlen x reader) - @waywardxwords
Russel Shaw
Tuesday's Gone (Russell Shaw x reader) - @pamwritessometimes
He's My Man (Russell Shaw x reader) - @luci-in-trenchcoats
Waiting for the Real Thing (Russell Shaw x OC) - @rizlowwritessortof
Thank you again @wvffles for being such a lovely support and friend to me this year! (Aw I hope you enjoy Part 4 of ATW! 💕💕)
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stellar-solar-flare · 1 day ago
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So, Anika, I'm actually going to be doing this comment in a few parts to ensure I can give this the full attention it needs because my gods I love it! So I hope you don't mind a few reblogs instead of one and not hearing everything I think at once because my poor brain can only survive so much protective knight Steve before it blue-screens to death.
As I have mentioned, I really really love these two, and I'm super excited to dive into the continuation of their story. I know I was pestering you about this one and it deserves way more love than it has so far gotten (and I myself have not done a very good job at commenting in a prompt manner, sorry about that). I am so so excited to be here now.
Cut for length/spoiler reasons.
I wonder, with the notes in the first part about how it was too early to reveal the pregnancy to Steve and the way she thought how her daughter might grow in a better world was her foresight and it had to do with this. Because I imagine that Steve would have had even harder time asking her to come here to help if he had known - if he had taken the route of just going to her and leaving the country, even if it meant abandoning his values and vows and not attempting to help the innocent.
And oh, what a beautiful way to start the story, even as the events that happen to Tony are not so beautiful. I love how you set the stage here with all the different sensory elements, and how it forms this sort of… record scratch when Tony’s situation is revealed. I love the contrast here.
on her right, King Howard’s daughter, Princess Morgana.
Hi AD, lol. That’s not her name in my headcanons but hehe. Sorry, I had to. Also I enjoyed seeing Thor and Jane together because I’ve definitely shipped them since Thor I.
“Poison. I cannot determine what kind as of yet. Carry His Royal Majesty to his chambers!” the physician called out, not bothered by the fact he was ordering around knights and other nobility. “At once! There is no time to spare!”
We love Banner being good at his job and not caring whose ass he has to kick to be that.  
It was true that King Howard Stark might have yet to comprehend, despite his long years of ruling his lands, that one might catch more flies with sugar than vinegar, gain more by threading his actions with kindness than by spitting threats of violence; but he was no fool.
Are you sure about that, authoress? I mean… Considering some of the avenues I know he’ll yet to take in the story. But I definitely think Howard is in character here, and I love how you describe him – and Steve’s silent disapproval, too.
“It is made from the nectar-filled blossoms or the tubers of the Aconitum lycoctonum flower. There is… no cure known to man.”
Oh, wolfsbane. No wonder that it’s not the easiest thing to treat. And poor Pepper – I’m glad that Clint at least cares about her sorrow.
Sir Barnes was correct in one thing: Anthony being poisoned and having his life hanging on a thread was horrible enough, and rash decisions and actions such as standing up to the King would only make it worse.
Ah, Bucky Barnes, attempting (and mostly failing) to stop Steve from being a dumbass in every universe. I’m glad here he had Sam for support, too – good quick thinking, Sam! If only he knew most of the damage had already done at the ‘getting married to a witch and getting her pregnant’ part. Also I fcking hate Howard here.
But Steven feared a lot more deaths too. Should Prince Anthony die, King Howard would unleash pure hell on Asgard and as a consequence, on all Starkerbürg as well.
I enjoyed seeing that in addition to the whole ‘not wanting the innocent to die’ there was also this more selfish motive of Steve wanting to protect his beloved here. At least that’s what I thought was implied here – in addition to, of course, preventing the war and also ensuring that he could remain close to her. I always enjoy people having layered reasons for doing things.
The last idea had squeezed his heart in an icy fist, nausea clawing up his throat. He knew someone who could achieve things as close to a miracle as possible in this realm. He had felt such miracle in his own blood, tissue and cells; he had felt the wonders strong magic was capable of when in the hands of the kind-hearted.
And while it hurts my heart to see all this, I still enjoyed how hard it was for him to make this call – I love the description of the nausea clawing its way up his throat.
That was the one price he couldn’t pay. He’d much rather pay with his own life – but not yours. Gods, never yours.
Steve Rogers at his very core essence, thank you very much. We love him and he deserves absolutely everything.
“…she? What—the woman you have been sneaking off to see?” Sir Barnes enquired, causing a startled and utterly confused expression to appear on Steven’s face, a small alarmed sound pushing past the man’s lips despite his effort to remain composed.
LOL. I mean. Steve, darling, what exactly did you expect. And ugh, learning about Howard’s attitude towards women is no surprise but also makes me wish that the poison would be in his heart instead.
“Steve, this is not a subject for joking.”
And I enjoyed seeing Bucky’s shock here. At his core he is probably not surprised, but he’s been taught all this propaganda about witches, and his arguments do make sense. It really highlights the gravity of what Steve is about to do here, what sort of risk he’s taking, when even Bucky, who very much knows how Steve would never endanger innocents and all that, is this taken aback by the idea.
“Choose your words carefully, Bucky. That is the woman I love and owe my life to. I would die for her, and I would not have been standing here had she not healed me.”
Ah, protective “I am willing to scorch the earth for her” Steve my absolute beloved. It’s a few hundred years too early for nuclear Armageddon but the spirit is there alright.
What of your knighthood? Are you willing to give up that, if you are forced to leave in the darkness of the night and never return to bring your beloved to safety? Are you willing to leave the path of the honorary knight to become a lawless fugitive?
Ohhhhh I LOVED the parallel of this to the way that we see Steve make his choice in Civil War and becoming a nomad to someone he considers family and loves.
“Gods, Steven Grant of Rogers, of all stunts you could have pulled to get yourself hanged, you truly had to go and chose the most foolish one. My God- Steven…”
Bucky Barnes needing a drink in every universe. But I agree with Steve here. It’s not foolish and I love the description and the reference to the Bible(? I think that’s a callback to Corinthians and if so, I adore you capturing this medieval spirit of folk beliefs and biblical things coexisting in Medieval Europe for a long long time, some might say to this day).
“I’m sorry, Bucky. No one could know. She’s– she is too precious. I had to protect her,” he explained softly, urgently. “And I still do. I will, with your help or without it. But… please.”
And I agree with you on this one, Bucky would definitely be hurt, and I feel like he’s only resigning here because he knows Steve will do whatever Steve will deem necessary to go to her. Like there’s no stopping him when he gets this way and  Bucky of all people is definitely the one to know that.
Alright, alright, we are at the cut, and I have this anticipation for the future developments in my stomach. Eek. But I know there’s a happy ending, so I shall strap in to enjoy the ride into it.
I haven’t said it enough but you are so talented and amazing, and I adore this universe and your take on both Steve in all universes and this specific Steve so, so much, so thank you for sharing your gifts with us.
Ochranuj me (Protect Me) - S.R.
Part 1/2
Type: medieval/fantasy/fairy tale AU; a part of this pseudomedieval-fantasy AU
Pairing: knight Steve Rogers x reader   Word Count: 8,6k
Summary:  Your practice of magic is punishable by death. Your love is forbidden by law; and yet it has been blessed, more than he knows.
When the crown prince is poisoned, Knight Steven Rogers is faced with a choice: will he risk a war or the love of his life?
And what of you? If asked… shall you risk it all? For the lands where you live… for your knight?
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Warnings: attempted murder, poisoning, blood, mentions of death, polytheism, mentions of pregnancy (reader/OFC), Slovak language ‘cause I can
A/N: Actual title is Ochraňuj mě (Protect Me) ...tumblr cannot handle a ň in their title 🙃 DIVIDER by @firefly-graphics; fits after the events of the previous instalments
A/N 2: This is one less smut and more plot, forgive me 🤭 I hope you'll enjoy anyway. Yes, the Merlin inspo is real here. Inspo also from Bílá laň by Vesna. For music, check it out here, for visuals here.
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Chodila, chodila za tebou bílá laň lásky se napila navzdory všem přísahám. Prosila pány lesa ať ji pustí za tebou zažít si, jaké to je jít za srdce ozvěnou.
Tady je tvůj háj, tady je tvůj ráj, jinam nepatříš. Jako bílá laň svoji duši chraň, ať záři neztratíš.
Tady je tvůj háj, tady je tvůj ráj, jinam nepatříš. Tak ať nepotká tě kříž. (kříž, kříž, kříž) - Bílá laň by Vesna
Boisterous laugh. Wine poured in gallons painting cheeks nearly just as ruddy as the warmth of the torches illuminating the high halls of the Starkerbürg castle painted the walls. Rich aroma of butter, oils, meats and spices flowing in the air, clinking of the most precious silverware and a distant sound of flutes as the musicians tasked to raise the already high spirits could be barely heard over the noise of the feast.
Under the watchful eye of the gods or the only God it was now believed there was, a celebration of peace was raving, everything but peaceful and serene; loud and overwhelming instead, a whirlwind of emerald green threaded with gold welcomed by the steady colours of rich crimson and gold. An anniversary of the peace made between the kingdom of Asgard and Starkerbürg, a party led by Thor Odinson, the king of the lands, honouring the deal his late father King Odin had made right before his passing.
The high table with King Howard sitting at the centre, his son Anthony, the crown prince, by his right, along with the woman he was courting, Pepper of the Potts; on her right, King Howard’s daughter, Princess Morgana. On the king’s left, the guests of honour; King Thor, his wife Queen Jane, and his brother Prince Loki. Knights and warriors of the highest ranks, lords and ladies of nobility joining the celebrations, servants all but running around the hall to tend to everyone’s needs.
Then, a sound of a chalice hitting the stone floor, one that would have been met with more laughter, had it not fallen from Prince Anthony’s hand, suddenly scarily pale and trembling. Cold to touch too, a terrifying contrast to his burning forehead glistening with sweat. Body sliding down the chair, barely even faint frantic motions to his chest.
Brief, deafening silence.
The traitorous calm before a storm would hit and leave nothing but death and destruction in its wake.
Chaos.
Swords drawn.
A wave of threats of violence.
A thundering voice of the King of Starkerbürg himself.
Calls for the royal physician Banner.
Images of peace and joy shattered; a single inconspicuous calm face among the sea of others in the face of a tragedy in making.
“Poison. I cannot determine what kind as of yet. Carry His Royal Majesty to his chambers!” the physician called out, not bothered by the fact he was ordering around knights and other nobility. “At once! There is no time to spare!”
Knights practically tripping over each other to tend to their prince, to their future ruler, to their brother in arms even as by rank he stood high above them. Rustle and grunts; a whisper of skirts as the culprit slipped away in the midst of disarray and cries of fear for the prince and the future of both kingdoms alike.
To think that an attack at the crown happening during the presence of a party of another kingdom – one similarly strong – was but a coincidence, would have been foolishly naïve.
Oh there were no such coincidences; this was but the first step towards a war.
And the perpetrator would be treated with that in mind.
“Aconite, most likely,” sounded the verdict, the words solemn on the physician’s lips as he fearfully raised his gaze to the King hovering over his shoulder as he inspected the second most important patient of the kingdom at the royal chambers.
The dark note in Banner’s voice snapped Steven from the haze as he, Sir Barnes, Sir Barton and Sir Wilson stood along the walls of Anthony’s chambers, tall and menacing, but just as helpless as Prince Anthony’s betrothed seated in the corner.
Whatever poison the physician was talking about, it was not known to Steven; but the message written in Banner’s expression was clear as day and terrifying like a night to be spent in the woods with rumoured presence of ghouls.
Inevitable death.
It was true that King Howard Stark might have yet to comprehend, despite his long years of ruling his lands, that one might catch more flies with sugar than vinegar, gain more by threading his actions with kindness than by spitting threats of violence; but he was no fool. He perceived the solemnity of the announcement and received it with a shadow over his already distorted features.
“This… aconite, Banner. What kind of a poison is that?” he demanded, crossing his arms over his chest, but not bending. Not under the weight on the crown on his head, nor under the weight of the tidings he might be scared to receive. His face was but a mask of stern indifference; a silent warning to Banner to choose his next words carefully.
As if stating the patient’s condition was a choice, Steven thought darkly, his heart pounding painfully against his ribcage as he exchanged glances with his best friend standing by his side. When he looked back at the physician, he could see him swallow dryly even from the several feet distance. Yet, the brave man faced the King with his head held high and his expression filled with sorrow.
“A deadly kind, Your Royal Majesty,” Banner said slowly. Rage flashed on the King’s face, Steven’s stomach dropping at both the sight and the worst tidings brought. Death. “It is made from the nectar-filled blossoms or the tubers of the Aconitum lycoctonum flower. There is… no cure known to man.”
A sniffle sounded in the corner of the room, completely ignored except for Sir Barton’s compassionate glance towards the woman who was on the brink of despair at the mere thought of the man she had clearly already learned to love leaving this world forever.
The King beckoned to the guards standing by the door, making them instantly step forward with their spears ready, heading for Banner menacingly.
Steven’s feet twitched as he wanted to step forward to protect the physician, outrage rising at the injustice even as fear twisted his stomach.
Sir Barnes brushed his hand discreetly to stop him.
Steven gritted his teeth, but stayed put for now, watching the scene unfold with disdain.
Sir Barnes was correct in one thing: Anthony being poisoned and having his life hanging on a thread was horrible enough, and rash decisions and actions such as standing up to the King would only make it worse.
A raging man was an unwise man; and the King was only a man too, even as he compared himself to various deities and had nearly as much power as them – which only rendered him more dangerous. There was no point in scaring the physician to death or even hurting him, but such was the King’s power. Such was his God-given right to punish whoever as he pleased. It mattered little that Banner could barely be blamed for-
-for the crown prince’s impending death, apparently.
“Then I advise you, Banner, to find one fast,” King Howard sneered as the guards stood behind the physician now. “Otherwise, you shall meet the same fate as whoever of Asgard dared to try and rob me of my son.”
The guards grabbed the man’s shoulders and Steven’s hand instinctively went for his sword again; and he was not the only one. Still, the knights stood, hesitant to disobey their King even in the face of the glaring injustice, fighting an inner battle between honour and goodness of heart and the oath they had taken. Their loyalty was to the kingdom and the King represented it most of all, after all; even if he seemed to threaten it the most of all, too, at the moment.
Well, not on Steven’s watch.
“Wait!” he called out as he stepped forward, earning a hard glare from the King himself that should have told him to keep quiet and fall in line, but he could not. Not even for Bucky’s audible sigh behind him. Not when-
“Is there anything we can do for him as of now, is what we are trying to ask,” Sir Wilson spoke up before Steven could, moving to stand next to him.
Steven took a deep breath as his gaze flickered to his comrade, finding his face arranged in a carefully crafted humbleness – as it should be in the face of the ruler even when he was addressing the physician.
Banner’s words were kind, his voice firm and regretful.
“I am afraid there isn’t, good Sir.”
“The Royal Guard and all the knights have a clear mission given by the crown, Sir Wilson,” the King barked as he gestured for the physician to be dragged away, the poor man allowing it without a protest. King Howard’s gaze fell on his son’s pale face as he lied on the bed with nothing but soundless whimpers on his lips, before he snapped back to the four knights present. “Arrest all servants and nobility of Asgard. I shall have the King and his brother for myself. And should my son meet his forefathers, I shall have their heads on a spike by tomorrow.”
With those words, he turned on his heel and stepped out, his leave abruptly followed by Anthony’s wife-to-be rushing to her betrothed’s side, cheeks damp with tears.
Steven regarded the scene unfolding, frozen with horror and unease greater than anyone.
He feared the death of his friend, naturally, as they had just dragged the one single person with any chance of curing Anthony in the whole kingdom away from his bedside.
But Steven feared a lot more deaths too. Should Prince Anthony die, King Howard would unleash pure hell on Asgard and as a consequence, on all Starkerbürg as well.
All the knights knew that; everyone knew that. They all had a heavy feeling in their stomach at the mere thought, their feet slow and unwilling as they left the chambers one by one. Yet, Steven’s heart was heavier.
The thought had occurred to him when he had wondered what exactly the King was expecting from Banner.
To turn back time so the prince had never got poisoned?
To pray to the gods for a miracle?
To perform a miracle himself and cure what was considered uncurable?
The last idea had squeezed his heart in an icy fist, nausea clawing up his throat.
He knew someone who could achieve things as close to a miracle as possible in this realm. He had felt such miracle in his own blood, tissue and cells; he had felt the wonders strong magic was capable of when in the hands of the kind-hearted. He was still breathing solely because of it; and he knew the person who could achieve this closely, intimately even, mind, body and soul, the depth of the goodness of her heart.
Perhaps you would be able to replicate the feat of saving Steven from certain death.
Perhaps your magic was powerful enough to save thousands lives by saving one. Powerful enough to prevent a war.
But hope and miracles were not to be trifled with. Magic was not to be trifled with. Being seen practising magic meant a definite death sentence.
But would it? If it saved the future king’s life?
Surely, he couldn’t risk it; he couldn’t risk your life. Of all the things he had seen in his life, of all the things he had ever had the fortune to hold, you were the most precious one to him. If he brought you here, he could lose you. He could lose you, by his own hand no less, and that would be the highest price to pay for peace he did not even know would settle or not in the end.
No.
That was the one price he couldn’t pay. He’d much rather pay with his own life – but not yours. Gods, never yours.
But if you only could… knew a potion, could do anything at all…
As he marched with his comrades to arrest the innocent – for it could not be the work of all Asgardians at once – his jaw was tense, the dilemma occupying all his thoughts, feeling like it might tear him in half.
Until it hadn’t.
If he did nothing, the war was be inevitable. If he did nothing, he would lose you anyway.
A raging man was a dangerous man and King Stark would burn the world in the wake of his anger and grief, heedless of whoever would burn with it.
Steven stopped dead in his tracks, Sir Barnes nearly colliding with him as a result.
“Steve, what the-“
“I must go,” Steven said in a hushed voice, swiftly changing direction; or attempting to. Sir Barnes’ hand was quick to grab onto his elbow, stopping him, heedless of other knights continuing their path.
“Steve, what in heavens do you mean by that?”
“I must fetch someone. I believe she could help.”
Sir Barnes bewilderment would perhaps be almost comical had it not been for the dread pooling cold in Steven’s gut.
“…she? What—the woman you have been sneaking off to see?” Sir Barnes enquired, causing a startled and utterly confused expression to appear on Steven’s face, a small alarmed sound pushing past the man’s lips despite his effort to remain composed.
Hold on, hold on-- Bucky knew?!
The look Steven received back was unimpressed at best – of course Bucky knew. He knew Steven almost better than he knew himself.
“Save the surprise for another day. How could she possibly help? Is she a physician’s assistant? Or even an apprentice for some insane reason?”
Had Steve had the capacity, he’d glare at Bucky for the offensive tone with which he had asked the question; however, he did not have it and in the brief moment he spent pondering, he realized that Bucky was not opposed to the idea itself. It was simply the ways of Starkerbürg: to try and take a woman as a physician’s apprentice was insane indeed. King had the God-given right to appoint physicians – and King Howard would certainly never approve of a female one.
But that didn’t matter, because that was not who you were.
“She’s… she is a healer.”
“A healer?” Sir Barnes echoed pointedly, doubt colouring his words. “What does than even mean? We do not have time for this.”
Steven huffed, trying to tug his arm free from Sir Barnes’ grasp as his impatience grew along with the number of doubts whether it was ever a good idea to consider your aid; but there were no options. No time to search for them. No time to waste and no time for finesse. He needed to go and he needed Bucky to understand – and more than that.
“She saved my life, Bucky. Back when I fell from the crags into the river… when you thought I was dead-“
“You must have been lucky, fell into deep water. You had superficial injuries. This is a poison. One the best physician of the court claims to have no antidote for.”
Steven swallowed thickly, the heaviest of feelings in his stomach as he chose to reveal his greatest secret as to make a point and be released to act before it’d be too late. “Bucky, I had much more than superficial injuries. She… she helped then. She might be able to help now, but… I will need your help with protecting her should it come to it.”
Bucky looked at Steve as if he had just grown a second head, glancing around nervously as guards and knights alike kept passing them, casting strange looks at them for their stillness. Sir Barnes lowered his voice to a barely audible whisper.
“Are you saying you were wounded much worse and yet she was able to tend to you? In such short time that you were missing then? And that she might be able to help here, now, with a poison that has no known cure?” Sir Barnes demanded hastily, bewildered and clearly irritated. “Are you hearing yourself, Steven? What kind of a healer would she have to be to-“
The almost sardonic voice suddenly fell silent, all blood draining from Sir Barnes’ face when the horrifying realization finally dawned to him. His hand fell limp, finally releasing Steven’s arm.
“Steve, this is not a subject for joking.”
Steven swallowed heavily, heart thundering in his chest, blood pounding in his temples. He shouldn’t have told – but he had to. He had to, right? Bucky needed to understand-
He sighed quietly, whole body strung tight in expectation of his friend exploding in rage – rage he had no time for.
“I am not joking. And you are right, we are losing precious time, I should-”
The sudden grip on Steven’s his shoulder, appearing as to stop him from leaving, was much more brutal than the hold on his elbow had been, fingers digging into flesh even over the layers of clothing.
“You— have you been… lying with a--”
Steven’s voice was quiet, but as sharp and dangerous as the sword resting in the sheath on his hip. “Choose your words carefully, Bucky. That is the woman I love and owe my life to. I would die for her, and I would not have been standing here had she not healed me.”
“That could be exactly what she wants you to think!” Sir Barnes sputtered. Steven fought the urge to roll his eyes – the absurdity of such statement was glaring.
“Oh for heavens-- I might be a fool sometimes, but I am not an idiot-”
“Debatable!” Sir Barnes whispered as madly as if he was in fact yelling. “As you’re proving it this very moment!”
Steven shook his head, the feeling in his gut growing more gnawing by the second, every frantic beat of his heart feeling like a waste of precious time.
“Bucky, you said it yourself – we do not have time for this! I must go. I will get her, but… please. Help me protect her if the King is blind to the fact she uses--- it to do good.”
Sir Barnes simply stared back, the halls empty by now as much as his gaze, however inquiring.
The grip on Sir Rogers’ arm loosened.
Silence stretched. Precious second ticked by, grains of sand in hourglass no one could turn back falling; and with each and every one, Steve’s stomach tightened further with creeping horror.
Surely his most precious, most loyal friend, having been standing by his side since childhood, would not abandon him now? Surely he would not betray him in moments that might be deciding his fate, the fate of his beloved, of the whole kingdom?
“Bucky, please. I swear-- I’m begging you. I need to-- I need to protect her. At any cost.”
“What of your sword?” Sir Barnes asked dully, appearing indifferent to Steven’s desperate pleas.
What of your knighthood? Are you willing to give up that, if you are forced to leave in the darkness of the night and never return to bring your beloved to safety? Are you willing to leave the path of the honorary knight to become a lawless fugitive?
The smile which found its way to the corners of Steve’s lips was soft; sad and torn, for it was the greatest honour to serve, to protect, to help. He had been and always would be grateful for the rare chance he had got.
But there was no greater blessing of the gods themselves than you having entered his life and taking it by the most beautiful of storms. He loved you. He loved you more than anything and anyone in this world and that was what he would not even dream of giving up.
He didn’t respond with words; and yet, the exasperation on his closest friend’s face told him he did not have to. Sir Barnes understood from Steven’s expression alone. He always had.
“Gods, Steven Grant of Rogers, of all stunts you could have pulled to get yourself hanged, you truly had to go and chose the most foolish one. My God- Steven…”
Most foolish one? Echoed in Steven’s head, the words absurd. No. The most gorgeous one, the purest one, the most blessed, he allowed himself to muse. The most honourable one too, no? Love. Where was justice, if love, the purest emotions of all, was considered a crime? Did the new religious teachings not speak of love being kind, patient, knowing no dishonour and wrongs?
That was how he loved you. Wholly and entirely, kindly, patiently, even if passionately.
It was only then when Steven snapped from his haze and finally noticed a trace of hurt on Sir Barnes’ face when it occurred to him why Bucky had taken so long to respond. He was cross with Steven; but not as much for the alleged crime, but for having kept it a secret. Keeping you a secret; the one closest to his heart, his beloved, hidden from the one person he had always trusted with anything.
“I’m sorry, Bucky. No one could know. She’s-- she is too precious. I had to protect her,” he explained softly, urgently. “And I still do. I will, with your help or without it. But… please.”
Sir Barnes continued to regard him, stunned into silence still, expression unreadable.
Then, he shook his head; what might seem as disagreement however, Steve recognized as resignation. He had known Bucky for too long to not be able to decipher which shake of a head was a no and which was an expression of indignation and regret at his own choice of a best friend.
“Thank you, Bucky.”
And with those words, Steve took his hasty leave, his minute relief drowned in the sea of worry when he sneaked into the stables to rush through the gates of the castle, claiming to be running a King’s errand.
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Seeking his closeness the pretty white doe having sipped at love all despite her oath, she begged the forest spirits to let her go to follow her heart and its eternal song.
Light breeze caressing your hair like the tender fingers of your lover, brushing away a lose strand from your face. Gentle September sunrays of a late afternoon warming your cheeks, long leaves of grass tickling your ankles and your hands as you gathered brownwort, thyme and lady’s mantle, the smell almost too much despite its pleasant notes. Your hand instinctively laying over your belly as the reminder of why you were gathering these particular herbs blossomed in your mind anew, a smile settling on your face. It was not just the time of year blessing people with abundance of these flowers, a nature’s reminder the time was coming to bath in the blessed lake on the Autumn equinox; it was the sweet secret humming under your heart too, growing stronger and more beautiful by day – and slightly bittersweet for for now, it was only yours to keep, your beloved knight none the wiser.
Steven.
The very reason, you suspected, for the heavy feeling in your heart; the reason why none of the kind offerings of mother nature seemed to sooth a jittery feeling you had woken with up from your restless sleep. Unease had been crawling over your skin; a solemnity’s shadows, despite the beautiful weather and the joyful morning realisation that a barely noticeable bump was now showing on your body, a testament to the blessings of love.
The sky was beginning to colour with sunset with no clouds in sight; and yet, you could feel a storm coming, one you did not feel would be of the refreshing purifying kind. The air did not smell of rain; if you breathed in deeply, it reeked of the very death the wind seemed to whisper about in the tallest of birch trees. A warning; a witch’s intuition tuned to the finest hints of the gods of nature and forest spirits. You had tried to sooth yourself, coaxing yourself into peace by wondering if it perhaps was but a new future mother’s anxiety.
Yet, an instinct as old as time whispered to you to know better.
Which was why the wild stomping of hooves nearing your cabin should have not taken you by surprise. But it did.
You rose from your crouch so fast your head span, gathered flowers falling from your hands at the brief faint sensation; you steadied yourself just as Steven’s horse came into view, slowing into a walk as not to startle you or crush all the blossoms on the meadow.
The silent thank you to the gods for seeing your love alive and well left your lips without prompting, followed by your spine tingling with a shudder of power at its base.
Almost as if the gods blessed you for your genuine gratitude and gifted you with strength. Strength you shall no doubt need, for Steven might be living and breathing, dismounting his mare in a thousand-times practised manner, breathtaking as ever, but the distress on his face and the tension of his wide shoulders told you those shoulders carried the weight of the world at the moment.
Feet waking with motion, you met him halfway as he rushed to you, his arms quick to embrace you lovingly but so tight all air left your ribcage for long moments. Steven’s heart thundered against your ear as you hid your face against his chest. Fresh air had washed his clothes of most smells, but sweat and wine and rich spices still enveloped your senses, a tell-tale signs of the feast which he had told you about being interrupted by something vicious.
Yet, you took precious moments of simply breathing your lover in, basking in the comfort his arms offered no matter the circumstance.
He nuzzled his face in your hair, his chest expanding with a generous inhale, a steadying breath which made his heart race faster, as if attempting to outrun the very storm you had felt arriving.
You ran your hands down his broad back, feeling your own heart leaping into your throat as the silence between you, often so sweet and comforting, stretched ominously.
“Steven… love,” you whispered, attempting to shift in his embrace, only achieving his hold growing firmer, his muscles almost shaking with effort not to let go.
Oh Steven… What a terrible feat had been laid upon him?
“What has happened?”
Finally releasing your body, his hands were quick to cradle your face instead, achingly gentle, even as his eyes roamed your face wordlessly, brimming with so much emotion it stirred your unease further.
“Rytier moj?”
Steven’s face softened minutely, thumbs stroking your cheekbones as tenderly as butterfly wings despite the power – or the lack of it – in his grip.
“My love…”
Lips curling in a tiny smile, you mirrored Steven’s affection, reaching to settle your palm against his cheek, fingers of your other hand carding through his hair; your heart fluttered when he leaned into your touch, a wavering breath escaping his lips before they pressed against your palm to sooth the scratch of his beard against your skin.
Despite the dulcet image he made, eyes fluttering close for a blissful moment of nothing but love shared, you felt his body pulse with anxious urgency seemingly seeping into yours through your fingertips.
“I did not sleep well…” you confessed, his already pursed lips turning down. “I had a heavy feeling in me. Now I know the gods had not warned me simply for their own whims. What’s happened?”
Steven opened his eyes again; with a single caress of the breeze, he straightened, his aura of a knight – a fierce protector, a loyal friend, a humble determined servant – returning with its full force as did his worry.
“I need your help.”
A simple plea.
A simple answer.
“Always, rytier moj. Anything,” you promised.
One would expect relief to fill your lover’s features; instead, dread twisted them into a frown of dismay. Almost as if he had been hoping for your rejection.
Why?
The whisper of death among the trees grew louder, haunting, sending such a shudder through your body not even your lover’s warmth could hope to protect you from it, another urgent question scratching at the back of your mind.
Death, the trees seemed to whisper.
Whose death?
“Oh bosorka moja…”
Not Steven’s. Never. Not on your watch. Not as long as you walked this realm.
And not your child’s. You’d claw a throat open with your bare hands had anyone tried to take them away. Take her away. You had dreamed two nights prior, dreamed of a girl with Steven’s beautiful eyes and your hair caressed by the wind, her laughter filling the air as he sat her on his shoulders and she placed the daisy crown on his head-
The image had been so full of hope, so bright, so full of promise; it battled the current scent of death fiercely, one blending into another, and it felt like you were stood in the middle.
Your choice. Your power.
Your victory; or your loss.
You gulped, your gentle hold on Steven’s face growing shaky; with fear or the weight of responsibility, you weren’t sure.
“What is it, love? You are worrying me… come in. Tell me what weights down your-“
“Prince Anthony has been poisoned,” he said at last.
The whisper of the wind seemed to turn into a screech of a gale, even as the tree leaves and grass barely rustled.
The Prince… was he the one whose death you felt impending? It must have been.
In a split second, it became so clear why Steven was so shaken.
An impending death of his brother in arms. Of someone whom he served and appreciated.
Of the future ruler; quite possibly caused by the attempts of the party of Asgard.
An act of war.
Should Prince Anthony die, there would be no stopping at one death. Devastating number of lives could be lost. Including Steven’s.
No. Not on your watch. Not as long as you walked this realm.
But could you stop it?
Stood in the middle. Your choice. Your power.
Could you prevent a war?
Your mind was set into a whirl, various herbs and remedies for different poisonings refreshed in your mind.
“Do you know which poison it was?” you asked urgently, dropping your hands; and confused as why Steven’s remained firmly on your face, his expression speaking of pain greater than before. “Steven, love. What are his troubles? I can send a potion, pass it as a remedy from a physician-”
“Burning feeling in his forehead, weakness of muscles, trembling, cold sweat… he fainted and could not be woken up, only for a brief moment. He had trouble speaking, began to shake, fainted again...” Steven listed slowly, his unease growing with every word.
And so did yours.
Determination bled out from your body drop by drop, replaced by dread, the very weakness your lover was talking about as if settling in your own muscles and bones.
“The physician believes it might have been... aconite?” he added.
You had figured as much, seemingly endless moments before Steven spoke the dreaded word.
Aconite.
The worst nightmare of all living things; the deadliest daydream of those who meant harm and would not stop until their enemy released their last breath.
Death, screeched the breeze in the crowns of the birch trees; the yew trees, the very symbol of passing, joining in.
Death. War. Death.
Your power. Your victory. Your loss.
Your voice shook more frantically than young aspen leaves in the wind.
“Steven… aconite is deadly. I have no potion or salve for this. There is no cure-”
“That is what physician Banner said.”
“But then what…”
Your voice trailed off, words stuck in your throat, air stolen from your chest. A lighting from clear skies could struck you at the very moment and you would barely take notice of such.
It all made sense now. You having lost sleep. The whispers of death. The assumed shiver of power you shall no doubt need. And at last, Steven’s almost palpable dismay when you had said you’d help. That you’d do anything.
He had hoped you’d help.
He was terrified of it all the same.
You could feel blood draining from your face, rushing past your ears; unspeakable horror and determination swept you like the non-existent gale in the tree crowns.
“Steven…”
His grip on your face grew firmer, unsteady but urgent, his forehead pressed against yours as his eyes slid shut, his whisper a frantic promise, a confession and a prayer at once.
“I know. Believe me, my love, I know, and I have never been more scared of anything in my whole life,” he said huskily, barely audible over the wild thundering of your heart, the shaky sound of your quick breaths, even as the rest of the world faded into background, all noise ceasing. Or perhaps even the sparrows forgot how to sing, struck by fear for their life.“I would have not asked this of you if I did not fear that Anthony’s death would unleash a war with Asgard and might destroy us all… and if I did not believe I could protect you.”
“Steven-“
A thumb over your lip, gently pressing to silence your protest, Steven guided you to look up to his eyes, every word falling from his lips an oath signed by his own blood.
“Bosorka moja… I shall protect you, no matter the cost. You must know I would lay my life for you. I will, should it come to it. As long as you are safe.”
Consumed by adoration and terror at once, you slipped from Steven’s hold, shaking your head.
He had not the slightest idea what he was speaking of, the reckless fool.
He had no idea.
And he had no idea whom he would be leaving should he deliver on his terrible promise.
“These words are not nearly as comforting as you believe them to be! How would we-- how would I live without you?” you lamented, feeling the fire of power and indignation burn inside of you, chasing the fear away for several beats of your heart. “And I-- I am not even sure I can heal him.”
“You healed me,” Steven offered kindly, encouraging, confusion and the softest trace of hurt at you having escaped his touch twisting his face. He had no idea. He had no idea at all. “You said I was at the brink of death myself-“
“You were,” you spat, not appreciating the reminder – not of his injuries, nor of your past recklessness, as grateful as you were for the latter, not a single regret in your mind for having risked it all to save the handsome stranger with goodness etched into his very soul, having shone so bright it had outshined your doubts and fear for your life. But this was different. So much circumstance had changed. “But I was… I had faith in your soul, saw your good heart. I believed to be safe from you should I be too weak to protect myself after I casted my spells, and for that, I was able to pour all my magic into the healing. And I-- I was much more careless with my power then… “
You made a pause, inhaling slowly, gathering courage in the face of Steven’s features twisting further with distress.
“But Steven… that was before. I-- before we-“
“What is it, bosorka moja? Before what?”
Your lower lip trembled, regret lacing the soft touch of your fingertips to his face.
This was not how you wished for him to find out. You had told him before, erased his memory to ease his conscience and to prepare for the right moment, a moment fit for such joyful tidings; but much like him, having rushed here asking for help despite the unspeakable risks, you had no other option.
You had no choice.
You had no time.
The deep-sea blue with a forest green shade of his irises brimmed with emotion, tenderness and silent question.
With a lump in your throat, you dropped your hands again, curling them around your middle as if to protect the secret and save it for a reverent moment your love and lover – and your child – would have deserved.
Steven regarded your stance with dread visibly climbing up his throat. You could see it in his eyes, the sudden uncertainty, the questions written in his eyes growing frantic and painful.
Why had you stepped back from him? Why had you evaded his touch? Why did you seem taken by sorrow? What secret had you been keeping from him? For you must have had some. You must have not told him something crucial – and in a dark time like this, it shall come to light.
You appeared so shaken; you appeared scared. Of something he had failed to protect you from?
Or of his reaction to the revelation?
You chose your words carefully, speaking them slowly, even though you could feel him hanging onto every syllable.
“It is not only me anymore who needs to be protected.”
Steven did not understand; that much was clear from his expression, from the step he took closer to you only for you to take a step back, etching his hurt deeper into his face.
“I… I do not understand, my love. Do you have—do you know of someone who could help you? Do they need protection too?”
The they tasted of poison much bitterer than aconite; disbelief and profound pain.
You could almost hear it, the absurd questions he seemed to be asking himself. Was there… was there someone else? Someone else who had earned your love more fiercely than he had? More deserving?
The way your love remained hidden, the distance he still had to keep, laid heavy in his mind, always, now feeding his doubt; his fear that someone else now occupied the space he had so selfishly taken up in your heart.
But had only been here mere days ago, yes? Surely you could have not--- you would have not… or had you? No. That wasn’t possible. You were the kindest most loving person he had ever met, loyal to a fault – and he was blessed to be yours, to be loved, unconditionally, more than he deserved for keeping you his little secret.
You could not read thoughts; but Steven’s always seemed to be laid bare in front of you to card through. Betrayal and resignation all at once, jaw tight to mask his hurt, to hide the very doubt you read so clearly. Doubt, but not of you; of him. He had always carried it with him, the guilt of not providing for you as he imagined he should for his beloved.
Doubt, crystal clear in his gaze. It was possible, was it not? The most wonderful woman he had ever met, finally fed up, the goblet of your patience finally having overflowed, deciding to find a man worthy of you, able to take care of you, truly, one you were willing to-
You could not bear his mind screaming anymore, even as you had not heard a single word, a single thought, all of it but achy questions expressed by his gaze alone.
“No, Steven, I do not--- I merely cannot only think of myself now,” you said softly, searching for words to reveal the secret at last, not, not wanting to and craving it all the same. “I… I need to protect us.”
His shoulders sagged, doubt and heartache erased at once, tenderness at your worry for him melting into his smile.
“Do not fret, bosorka moja. I can hold my own.”
The faint smile in the corner of your mouth hurt, tears burning in your eyes.
“I know, rytier moj… and yes, I meant us, but I--- I also meant us.”
The arm you had curled around your middle shifted. Your palm spread pointedly over your belly as you met his gaze with hesitance and silent hope; for as much as you dreaded revealing the source of your worst fear, the tidings were still joyful. And you hoped with the entirety of your heart that Steven would accept them as such, much like the first time.
But first, he had to comprehend them.
Several rushed beats of your heart it took him; but then he finally did.
Suddenly, it was his turn to stand still and rigid as if a lightning from the perfectly clear skies struck him. And it might have as well.
His voice was barely louder than a breath, hoarse, laced with careful hope despite the glaring truth.
“You—we- are we-?”
A crystal-clear memory of those being the very words he had spoken the first time entered your mind, a single tear spilling over; the awe and reverence on his face mirrored his expression all the same as you confirmed.
“Yes.”
“You are with a child? My child?”
It would have been amusing, the questions, if you hadn’t been on a brink of hysteria and hadn’t there been a metaphorical sword hanging above your heads while you indulged in revealing the sweetest secret there was between lovers.
“Yes.”
Countless grains of sand in hourglass fell, Steven simply observing you, his gaze feasting on the entirety of you with newfound emotion that touched your very soul and made it shiver with delight. He observed you with such adoration and devotion you could only imagine he would show to a deity descending to walk the Earth.
And then he was surging forward, falling on his knees in front you, one hand on your hip, the other wrapping around your lower back to keep you close as he laid his forehead on your belly, shaky, slow and careful; nothing short of reverent. Despite the circumstance, all the tears prickling in your eyes found their release – every inch of your body sang, feeling Steven’s love for both you and the life he had a generous hand in creating.
“Oh bosorka moja… láska moja,” he muttered into the fabric before he looked up, hesitant fingers slipping under, to feel the very bump you had only noticed today. His lips parted in mute awe, eyes turning glassy with sheer delight and wonder at the miracle.
You allowed yourself another moment of basking in his love; feeling the delight spreading through every vein, through every bone and nerve, all the way to your very core and source of power. Your hands found gentle purchase of Steven’s hair as his lips pressed to your belly.
But then, the inaudible crackle in the air brought you both from your reverie, the breeze screeching of death instead of new life returning.
There was no choice; dread filled your being along with a haunting whisper of opportunity from a voice speaking in tongues you barely understood and yet deciphered as guidance.
You must go. You must try. Despite the risks.
Stood in the middle. Your power. Your victory; your loss.
Your only hope and your possible doom.
“I shall try my best to help, even as I do not know if I will be able to. But Steven…” you addressed him softly, revealing one more piece, one more source of joy, “our little girl must remain safe at any cost.”
The hands sprawled around your middle twitched, a single tear escaping him as his eyes shone.
“Our--- a girl? How-“
“It is but a feeling,” you admitted, earning a brilliant smile which lasted too shortly.
You smiled tightly in return, a few more tears rolling down your cheeks as Steven’s hand softly caressed your barely-there bump again, butterflies seemingly to erupting in your stomach, your heart humming.
He rose to his feet with something in his eyes turning steely, his gentle voice once against taking on a heaviness of an oath.
“I will protect you both, even if it should be the last thing I will ever do.”
One wavering breath was all the luxury you granted yourself before springing into action, not allowing yourself to lament at the potential of death weaved into Steven’s promise. You could not afford any more distraction. The hourglass was unrelenting, rushing you.
“I know. We shall get going.”
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You could feel his eyes on you, a mute confusion as you ruminated through the cabinets, the fire lit, a small pot placed on it, two handfuls of water, milk thistle, ginseng roots, and sprinkle of uncaria leaves added to the mix.
“You can sit down, love, I shall only complete the potion swiftly and we will be on our way,” you assured him, reaching for a pinch of turmeric to add.
Steven did not, in fact, sit down – if anything, you could feel him grow taller behind you, as if his growing bewilderment added an inch or two to his already impressive height. His stare was firmly set on you, a little burning and slightly insulting since you could almost hear his silent questioning of your sanity.
A potion? But you had said-
You looked over your shoulder briefly, your lover’s body nearer than expected, causing you to need to crane you neck a bit.
“No, there is no potion to neutralise the poison – but this remedy strengthens a body, aids it to fight off an infection and weakness,” you explained, expecting Steven’s face clearing, but not waiting for it do so, busying yourself with reading the mental list of ingredients, recalling every indispensable element. Milk thistle, ginseng, uncaria leaves, turmeric… ah. Yes. Where herbs were concerned, rare or common, that would be all. Only one last ingredient.
A gentle hand on your elbow stopped you as you were turning to the stack of knives, halting your movements tenderly but firmly. Blinking, you lifted your gaze to Steven’s face again, disconcerted by his unreadable expression.
“Is it… safe?”
Had it not been for the large distress he was in, the feeling oozing of him and adding to your own shakiness, had it not been for the tenderness of his touch, you’d feign a slap to chase his hand away at the almost silly question – and at the sudden doubt in your knowledge and power and your reign over it.
“Steven, love, my apologies for the bluntness, but Prince Anthony is on his deathbed, so I cannot very well hurt him further and I shall have you known that this very potion you have drunk yourself-”
“For you,” he clarified, two soft syllables in contrast to your slightly exasperated words, your voice falling silent as sweet worry reflected in his sky-blue irises. Despite the circumstance, your heart seared at the fussing, no matter how groundless and ironic. “I am asking whether it is safe for you and our… our child to prepare that. I know it may seem irrational given why I am here, but-“
It was, you had to admit. And yet. You spent a precious moment, precious grains of sand falling in the ominous hourglass above your heads, placing your palm over his hand, reassuring.
“It is perfectly safe, rytier moj… certainly no more dangerous than rushing to the castle, the very heart of the Kingdom, and attempt to save the prince using the most outlawed practice in these lands,” you added with an unsteady cheekiness, earning an exasperated glare; and a full body shudder he couldn’t hope to contain.
The same tremble ran through your body; and yet, the whisper for caution was overshadowed by a tingle of energy unknown, a wordless encouragement. Almost a haunting promise from the Fate itself that bravery shall be rewarded.
But if that were true, where would the ever-present whispers of death and upcoming end fit in the mosaic then?
Shaking your head as well as the overwhelmingly bewildering sensations off, you charmed a soft smile for your lover and love – for the father of your child, already caring so deeply for the life to be born out of your love – and let your hand fall, turning back to your work as stream began to fill the cabin.
One last ingredient; a life essence to help maintain life.
You cradled the handle of the blade carefully in your hand, turning your other palm against the tip; the knife was out of your hand before you could comprehend how, pressed flat to Steven’s thigh, shielded from your touch.
“I’m sorry. I--- is that necessary?” Steven asked with a painful edge to his voice, his continued concern causing your heart to tremble.
“Yes… it is but a drop of blood, my love, I promise. A speckle of life essence to maintain life.”
His frown deepened as you reached for the knife again, fingers brushing his soothingly as you grasped at the handle. So many emotions played over his features; hesitance, concern, guilt. He must have realised you had used your blood before to cure him before you had even learned his name, another sacrifice having been made aside from having left yourself completely vulnerable to him when you had drained your magic and body alike to bring him from the death’s doorstep where you had found him at.
Then, an almost shy question, as if he felt too bold to even suggest such heretic thought.
“Life essence… would mine suffice, then?”
Where his implication was shy – that his mere mortal, human blood could match yours, the blood of a born witch – his determination was not.
He met your eye, a brilliant satisfied sparkle lighting up his irises when he read the truth in your hesitant gaze.
“Yes… it would. But-“
Your knight offered his left palm outstretched, no further questions. The bottomless trust in his gesture and in his eyes caused a lump to grow in your throat; the mere idea of cutting him, even if it was to only be but a scratch, had ache sting deep within your ribcage.
“Are you cert-“
“Would you rather I lead the cut myself, love?” he asked, his voice tender upon your hesitance, understanding the action would cause you pain – as if you were to hurt yourself instead.
And you might as well.
Your hands were made to heal his wounds, not cause them; your hands were made to erase his aches, not bring them; your hands were made to love, not hurt.
Your read in his gentle gaze as he nearly read in yours: I despise the thought of hurting you, rytier moj; It is but alright, bosorka moja.
You shook your head.
“I-- no. I may do it. I apologize, we do not have time for-“
A hand grasping your jaw, soft lips silencing your apologies; your eyes fluttered close despite seeing right through the trick. You felt the pressure of his hand against the blade, the silent sound of protest earning you a deeper kiss, a softer caress of his lips against yours, tasting sweeter than summer breeze, so achingly tender.
“There you go, bosorka moja…”
With his retreat, Steven ran his thumb over your cheek, smiling; then, he moved his injured hand into yours, leading you above the pot.
Slightly dazed and exasperated still, you sighed and carefully squeezed his wound to indeed only spare a drop of his precious blood.
As you pressed your lips to his fingertips in a thank you, you let your healing power flow through your touch, closing the cut your body should have worn.
“This had better be the only blood spilled today,” you whispered; and prayed too. You met your Steven’s stormy gaze as the contents of the pot sizzled, sweet coppery aroma rising in the air.
“It will, bosorka moja. It will.”
He sealed the deal with a kiss, sweet and desperate and bruising.
And falling on deaf ears, whisper in the crowns of the birch trees, his and your words echoed the very same song.
Blood had better be spilled…
Today, today, today…It will, it will, it will…
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S.R. masterlist - contains other knight!Steve fics, independent of this universe
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Endearments used: Rytier moj (My knight) Bosorka moja (Witch mine) Láska moja (Love mine)
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May your November be sweet and cosy ✨
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luna-azzurra · 3 months ago
Text
How To Write A Chase Scene
Before anyone takes off running, the reader needs to know why this matters. The chase can’t just be about two people running, it’s gotta have a reason. Is your hero sprinting for their life because the villain has a knife? Or maybe they’re chasing someone who just stole something valuable, and if they don’t catch them, it’s game over for everyone. Whatever the reason, make it clear early on. The higher the stakes, the more the reader will care about how this chase plays out. They’ll feel that surge of panic, knowing what’s on the line.
Sure, a chase scene is fast, people are running, dodging, maybe even falling. But not every second needs to be at full speed. If it’s too frantic from start to finish, the reader might get numb to the action. Instead, throw in some rhythm. Use quick, sharp sentences when things get intense, like someone stumbling or almost getting caught. But then slow it down for a second. Maybe they hit a dead end or pause to look around. Those brief moments of slow-down add suspense because they feel like the calm before the storm kicks up again.
Don’t let the setting just be a backdrop. The world around them should become a part of the chase. Maybe they’re tearing through a marketplace, dodging carts and knocking over tables, or sprinting down alleyways with trash cans crashing behind them. If they’re running through the woods, you’ve got low-hanging branches, roots, slippery mud, and the constant threat of tripping. Describing the environment makes the scene more vivid, but it also adds layers of tension. It’s not just two people running in a straight line, it’s two people trying to navigate through chaos.
Running isn’t easy, especially when you’re running for your life. This isn’t some smooth, graceful sprint where they look cool the whole time. Your character’s lungs should be burning, their legs aching, maybe their side starts to cramp. They’re gasping for air, barely holding it together. These details will remind the reader that this chase is taking a real toll. And the harder it gets for your character to keep going, the more the tension ramps up because the reader will wonder if they’ll actually make it.
Don’t make it too easy. The villain should almost catch your hero or the hero should almost grab the villain. But something happens last second to change the outcome. Maybe the villain’s fingers brush the hero’s coat as they sprint around a corner, but they manage to slip out of reach just in time. Or maybe your hero almost gets close enough to tackle the villain, but slips on some gravel, losing precious seconds.
And Don’t let the chase end in a way that feels too predictable. Whether your character gets away or is caught, it should be because of something clever. Maybe they spot a hiding place that’s almost impossible to notice, or they use their surroundings to mislead their pursuer. Or, the person chasing them pulls a fast one, Laying a trap, cutting off their escape route, or sending the hero down the wrong path. You want the end to feel earned, like it took quick thinking and ingenuity, not just dumb luck or fate.
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derinwrites · 8 months ago
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The Three Commandments
The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.
Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And
The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.
1: Thou Shalt Have Something To Say
What’s your book about?
I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?
The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).
Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)
Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?
2: Thou Shalt Respect Thy Reader’s Investment
Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.
Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.
Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.
The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.
But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.
If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.
3: Thou Shalt Not Make Thy World Less Interesting
This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.
“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?
Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?
If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.
Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?
Hopefully these can help you, too.
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soleilapproves · 24 days ago
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Mechanic Sukuna purposely lies about your car so he can see you again.
Notes: not proofread, fem!reader
main masterlist
Sweaty, grimy, and greasy. Three adjectives you’d use to describe the local repair shop. It was always filled with muscled men who always seemed to have a permanent scowl on their face, intimidating anyone who wanted help with their vehicle.
Which is why you always sent your (only) male friend there to order any kind of complicated repair work on your behalf. As a woman, you did not want to be subject to all the scrutinizing stares and intentionally inflated prices for services that would otherwise be cheap or free of charge.
Your car was your baby. A haven if you will. It was much better to take naps in there rather than sit and do homework in the library during the long gaps in your class schedule. It was the best to use in the late months of spring, with the AC blowing right in your face as you dreamt about sleeping on an iceberg.
But alas, it also had to break down when the heat was at its highest and your friend had gone on a trip with his partner.
You were now conditioned to go to the place you dreaded most. You got rid of all your pretty accessories stuck and dangling off of different parts of your car. You were not going to be a victim of chauvinism. Especially not by mechanics- it just hurts more with them of all people.
As expected, all eyes were on you (mainly because you were the only girl in the shop and you looked like you had seen a ghost). All the men there looked like they belonged to a gang- brutish, crass words slipping out of their mouths like it was nothing, grease all over their faces, and regular safety uniforms altered to show off their muscle tank tops.
Your eyes just shifted around the place. You weren’t even sure how the system worked. Were you supposed to walk over to them or did they just come to you? Did you have to get an appointment before arriving like it was a doctors office or-
“I recognize that dump.”
You turned to see who in their right mind had to say that about your ass. You hadn’t been hit on a lot in your life, but you knew how to differentiate between flattery and sexual harassment. The other men were quick to go back to their tasks, not wanting to watch your reaction.
“Excuse me?” You squeaked out with as much anger in your voice as possible (you were more like a yipping Pomeranian).
The pink haired man in front of you looked like the definition of bad news. Stark black tattoos against his pale skin, burn and cut scars all over his arms, and his pink hair was pulled back by a black bandana. With the way him and the other men looked, it seemed like all mechanics had to do a course in ‘Intimidation 101: how to look like a convict.’
“Talkin’ ‘bout your car, sweetheart. Some guy is always comin’ in here with that thing.”
Sweetheart. Passive aggressive prick
“Oh, I’m sorry. That guy’s my friend. This is actually my car and the AC is just not working properly. I think it’s broken.”
You watched as he walked over to your car and examined the interior. “Flaps are fine. I think we might have to open it up and take a good look inside. Might even have to replace the thing.”
He noticed your shifty gaze, probably worried about how much you were going to have to pay for the whole thing. Adorable.
“I know a guy who gives discounts for it. You a college student?” His unnaturally handsome face looks concerned for you. You weren’t expecting it but you welcomed it. With caution of course. You nodded meekly while looking at him. Maybe mechanics weren’t scammy towards women after all.
He clapped his hands and grinned, sharp canines visible in all their glory. The man looked like the human version of a tiger. “Then it’s basically free. Don’t worry about the cost. You can leave your car here. Want me to call an uber for ya?”
He noticed the not-so-discreet glances from his coworkers but kept his eyes trained on your wimpish face.
“I’m alright. Um, thank you. Do I have to leave my number or do you guys have that on file?”
“We do have a number but I’m guessing that belongs to your friend cause he’s always the one to come here and pick your car up after service.”
“You’re right. I think I might have to give mine.”
As stupid as it sounds, he wanted to do a cartwheel, it’s like everything was falling into place. Cute girl with car problems, no boyfriend (as far as he knows), and he gets her number.
He was going to get a celebratory beer after work.
His colleagues could see the pep in his step but didn’t bother to say anything knowing that you were still there- even if you looked like your mind wasn’t present.
He returned with a clipboard and bit the inside of his cheek to stop himself from scaring you with his beaming smile.
“I’m Sukuna by the way.” He smirked as he noticed the deep blush on your cheeks. You stammered out your name to him and he swore that he could almost envision it on an elegant white card a few years from now.
“See you soon,” he said before walking away with a new air of confidence around his gait.
After you left, his friend, Toji, abandoned the car he was working on to follow Sukuna to the office. “There’s no way in hell you know someone who can install a new AC for free. I paid hundreds to fix mine.” Sukuna didn’t even look at his friend while he was talking. He just kept staring at you through the window while you were getting into your cab.
“There’s nothing wrong with her AC. She just needed to clean the filters.”
__
New serie- who said that? 👁️👄👁️
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physalian · 6 months ago
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How to make your writing sound less stiff part 2
Part 1
Again, just suggestions that shouldn’t have to compromise your author voice, as I sit here doing my own edits for a WIP.
1. Crutch words
Specifically when you have your narrator taking an action instead of just… writing that action. Examples:
Character wonders/imagines/thinks/realizes
Character sees/smells/feels
Now not all of these need to be cut. There’s a difference between:
Elias stops. He realizes they’re going in the wrong direction.
And
Elias takes far too long to realize that it’s not horribly dark wherever they are
Crutch words are words that don’t add anything to the sentence and the sentence can carry on with the exact same meaning even if you delete it. Thus:
Elias stops. They’re going in the wrong direction.
I need a word in the second example, whether it’s realizes, understands, or notices, unless I rework the entire sentence. The “realization” is implied by the hard cut to the next sentence in the first example.
2. Creating your own “author voice”
Unless the tone of the scene demands otherwise, my writing style is very conversational. I have a lot of sentence fragments to reflect my characters’ scatterbrained thoughts. I let them be sarcastic and sassy within the narration. I leave in instances of “just” (another crutch word) when I think it helps the sentence. Example:
…but it’s just another cave to Elias.
Deleting the “just” wouldn’t hit as hard or read as dismissive and resigned.
I may be writing in 3rd person limited, but I still let the personalities of my characters flavor everything from the syntax to metaphor choices. It’s up to you how you want to write your “voice”.
I’ll let dialogue cut off narration, like:
Not that he wouldn’t. However, “You can’t expect me to believe that.”
Sure it’s ~grammatically incorrect~ but you get more leeway in fiction. This isn’t an essay written in MLA or APA format. It’s okay to break a few rules, they’re more like guidelines anyway.
3. Metaphor, allegory, and simile
There is a time and a place to abandon this and shoot straight because oftentimes you might not realize you’re using these at all. It’s the difference between:
Blinding sunlight reflects off the window sill
And
Sunlight bounces like high-beams off the window sill
It’s up to you and what best fits the scene.
Sometimes there’s more power in not being poetic, just bluntly explicit. Situations like describing a character’s battle wounds (whatever kind of battle they might be from, whether it be war or abuse) don’t need flowery prose and if your manuscript is metaphor-heavy, suddenly dropping them in a serious situation will help with the mood and tonal shift, even if your readers can’t quite pick up on why immediately.
Whatever the case is, pick a metaphor that fits the narrator. If my narrator is comparing a shade of red to something, pick a comparison that makes sense.
Red like the clouds at sunset might make sense for a character that would appreciate sunsets. It’s romantic but not sensual, it’s warm and comforting.
Red like lipstick stains on a wine glass hints at a very different image and tone.
Metaphor can also either water down the impact of something, or make it so much worse so pay attention to what you want your reader to feel when they read it. Are you trying to shield them from the horror or dig it in deep?
4. Paragraph formatting
Nothing sticks out on a page quite like a line of narrative all by itself. Abusing this tactic will lessen its effect so save single sentence paragraphs for lines you want to hammer your audiences with. Lines like romantic revelations, or shocking twists, or characters giving up, giving in. Or just a badass line that deserves a whole paragraph to itself.
I do it all the time just like this.
Your writing style might not feature a bunch of chunky paragraphs to emphasize smaller lines of text (or if you’re writing a fic on A03, the size of the screen makes many paragraphs one line), but if yours does, slapping a zinger between two beefy paragraphs helps with immersion.
5. Polysyndeton and Asyndeton
Not gibberish! These, like single-sentence paragraphs, mix up the usual flow of the narrative that are lists of concepts with or without conjunctions.
Asyndeton: We came. We saw. We conquered. It was cold, grey, lifeless.
Polysyndeton: And the birds are out and the sun is shining and it might rain later but right now I am going to enjoy the blue sky and the puffy white clouds like cotton balls. They stand and they clap and they sing.
Both are for emphasis. Asyndeton tends to be "colder" and more blunt, because the sentence is blunt. Polysyntedon tends to be more exciting, overwhelming.
We came and we saw and we conquered.
The original is rather grim. This version is almost uplifting, like it's celebrating as opposed to taunting, depending on how you look at it.
All of these are highly situational, but if you’re stuck, maybe try some out and see what happens.
*italicized quotes are from ENNS, the rest I made up on the spot save for the Veni Vidi Vici.
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matsunoluvr · 5 months ago
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୨୧ ‧₊˚ ⋅ how I think the boys from love and deepspace would give a first kiss :3
warnings: suggestive content (obviously?), writing might be out of character, spoilers in general, i get carried away explaining everything because i'm afraid of being accused of mischaracterisation
[story spoiler] first kiss = first kiss where mc is a hunter/the timeline in game
authors notes: i have favourites and it will show CLEARLY in my writing… sorry (not sorry no1 rafayel stan) and i am a yapper
characters: rafayel, xavier, zayne and sylus
link to my master list here!!
more below the cut :3
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sorry rafayel... but i feel like he's the most unskilled at kisses because - hear me out - you're his very first kiss. lemurians as a species seem to value bonds and loyalty, and as the literal sea god he wasn't able to nor wanted to just hook up or mess around - he's looking for devotion!!!
(okay, we ignore the kiss in forgotten sea myth story because like come on there was literally no romance mc was drowning)
definitely waits a while before kissing you, rayafel really takes his time to fall into place. after all, he needs to make sure his beloved bride/groom is well and truly his!!!
the type to wait for the ‘right moment’ - but doesn’t force or stage it ykwim? like the time comes naturally - e.g. watching the sunset, or you’re leaning close to him whilst he’s painting
he’s a romantic 100% like there’s a reason his 'floral promise' card was (imo) way fluffier compared to the others - like xavier's was tender-ish but rafayel was fucking melting
he's a sweet talker I just know it.
that charm he uses on his clients? he doesn't want to nor will he manipulate you with it but you know he's going to ramp up the charm to tease you a little
definitely knows his effect on you and uses it to his full advantage (cough cough fiery undercurrents secret times) like whispering in your ear, making excuses to touch you or get close to you
(i think he’d be more 'traditional' because of lemurian customs - the whole bonding + [forgotten sea spoilers] the sea god ceremony where the mc must devote themselves to rafayel displaying a strong level of devotion)
SUCH A GENTLE KISSER OMG like compared to his almost bratty and childish personality he’s a gentleman when it comes to kisses (also because he's kind of unsure what to do...)
the type to tuck strand of your hair behind your ear, fiddle with it a little maybe twirl it around his finger before trailing a finger along your jawline... i can see him like massaging your ear too? idk how to describe it he's a handsy man
first kiss was definitely more sweet than passionate ugawhriulgs he's such a cutie
right after the first kiss i think he’d be pretty affectionate, rather than bratty/tsundere since for him to kiss someone i believe he’d really need to love them (and therefore is more open to being vulnerable)
affectionate as in saying something cheesy probably, commenting on how you tasted or another one of his poetic, artistic quotes (dw raf we love it)
wouldn't be satisfied with just one after that, i can see him going in for a more passionate second and even a third (i mean look at his 'floral promise' memory OR 'fiery undercurrents') in the same few minutes
these follow up kisses would probably be longer and way less chaste, hands moving from tilting your chin up to your waist ahahahahahuwfa
you'd have to show him the appeal of tongue if that's your thing because he's seen it before but never really saw what was nice about it
"But... you're just drinking each other's saliva?" "Rafayel that's hot-"
definitely relived the moment in his head hundreds of times after that night - and you bet your ass he painted a piece inspired from your first kiss with him
any kisses after that i feel like they would follow this default pattern;
if he initiated the kiss i think he’d be more cocky and teasing, especially if he surprised you with one and he sees your flustered face
“Didn’t expect that huh, cutie?”
if you surprised him, however, get ready for typical rafayel childish behaviour, blushing and averting his eyes, covering his mouth with the back of his hand and a pout
“Hey- what was that for!!” Σ(・□・;)
either way rafayel is the worlds silliest man and would cave into literally anything with just a few kisses from you
ALSO KISS HIS COLLAR BONES AND YOU'VE GOT A WHOLE NEW SCENARIO TO UNFOLD
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oh i just have a feeling this man is devouring you because puh-LEASEE?? sir we aren't forgetting your 'tender night' card i know that night was anything but tender
xavier is the definition of pent-up desire because this man has been waiting a LONG time and he's not going to be able to hold back very well
(taking heavy inspiration from his '21 days' memory because with his reaction it kind of feels like his first kiss with mc... but tbh i don't know much about xavi)
he's definitely not shy when it comes down to it, yeah he gets flustered if he thinks about it because of course imagining kissing the person he's pined over for centuries is going to fluster the shit out of him but he doesn't shy away form the idea or avoid the topic in conversation
i feel like he'd bring it up casually - like in the 'partner go go' event (aka heartbreaker-chasing-rhythm-game event) he was so insistent on the 'kissing page'
mc was like "apparently you can solve arguments with a kiss" and this mf straight up said "we can argue then" this man is STARVED
i feel like you'd need to initiate the kiss or give him very clear signs you'd be okay with a kiss for it to happen, i don't know why i just feel like he's that type of person
the first kiss is deep despite him trying his best to hold back - you can just feel his desire and longing oozing out of him and he's definitely on fucking cloud nine
xavier's holding your face and stroking his thumb along your cheek and god damn he's good at kissing where the fuck did he learn this from?
the type to break the kiss and then fucking bulldoze into the next one and my god his restraints have broken and he's actually kissing you as if it's the last thing he's able to do on earth
100% a tongue user he's biting at your bottom lip before slipping it in the sly minx
after the kiss he's more flustered than he expected to be - kissing the love of his life (literally) sends him into a flurry of emotions he's never really experienced before
given how possessive xavier is i wouldn't be surprised if halfway through making out he managed to leave a hickey or two in very. visible. places.
he isn't even pretending to feel guilty in the slightest, a smug grin as he shrugs out a half-assed apology.
"Sorry, I guess you'll have to try hide it. Or don't, that would be easier."
if you leave any marks on him he's not leaving you along that night. forget sleeping you two are recreating 'tender night' ALL night.
but seriously, if you leave hickeys over his neck (his canonical sensitive area and where he feels vulnerable) he's going to go crazy because what do you mean you want everyone to know he's yours??? what do you mean you want him as much as he wants you??
tldr; xavier is unusually talented with his mouth and is desperate to prove it to you.
i accidentally wrote way more for xavier than i expected i even cut out some bits holy crap maybe i’m more into xavi than i thought
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oh no... zayne you beautiful man i am so sorry... (here comes the one character i have no idea how to characterise + no clue about his lore zayne fans pls bear with me)
okay - zayne looks like a gentleman and i'm sure he very much is even in intimate moments, but i cannot get rid of the idea that his first kiss w you was lowk spicyyyyy
like OH MY GOD I JUST WATCHED SNOWY SERENITY RN I FUCKIGN KNEW IT
that man was pouncing on you in a hospital bed, dishevelled, and kissing you deep my god like the type of kiss that literally as you forgetting where you are
i feel like zayne would be the one to initiate the kiss, again no idea why maybe i'm falling into the dominant zayne agenda
you're probably surprised when he kisses you because he's usually so composed, the 'cold unfeeling' dr zayne - then suddenly he's panting and pushing himself on top of you (consensually of course), pinning you down and going to town.
when he kisses you i don't think he's much of a lip biter, but if you bite his lips or lick at him or anything he's not opposed, as long as your lips are on his and vice versa
after the first kiss he's going straight into another one, his patience has thinned to the point of snapping and now he just needs you.
his hands what does he do with his hands? i'm thinking the typical otome face hold, gentle grasp juxtaposing his fervent kisses LOL
now, why does he kiss you?? how does this all build up? unfortunately all i can think of to match this scenario is something angsty or something along the lines of zayne has fucking had it and all he wants is you
"I need you... please."
this is the type of kiss where he wants to drown in you, breathe you in and just smother his being into yours to forget and erase whatever else is happening/happened
if he's kissing you and pinning you down and you bring up your hand to interlock fingers with him - your warm hands against his cool hands? wow his kissing is all of a sudden even more passionate.
after the little make out session he's going to go all mushy on you, physical affection of an embrace something uncharacteristic of him to match his dishevelled state
in kisses after the first i like the idea that he checks your pulse mid make-out and just silently smirks/chuckles when he notices it's faster and more erratic than usual
"Why are you nervous, this isn't our first time."
he also has this sneaky habit of whispering incredibly close to your ear, the reason why i choose to point this out it because i feel like sometimes he uses his evol to his advantage to like, breathe out cool air on your neck/ear and likes to watch you shiver
the ultimate dominant figure if you try to kiss him first and take control he somehow manages to overcome you and take the lead without using his strength, just good ol' sweet talking and technique
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congratulations, you managed to snatch a kiss from the renown leader sylus!!!
i can see why people would think he's promiscuous or a fuck-boy because honestly i see it, but imo just because he is more flirtatious, assertive and... responsive (try tapping his... crotch... in the café LOL) does NOT = play boy
to me it just shows that - unlike the other LIs - sylus is just more forward with his approach, he has that devil-may-care like feel to him ykwim?
"Do I like you? What type of question is that, isn't it obvious? Or do I need to show you?" is much different to "Hey baby girl lemme rock your world tnite xx"
but just because he's got a 'fuck-all' attitude doesn't mean he fucks around with random people, he's 1. got standards and 2. living in the n109 zone?? do you THINK he can afford to let random people close just to fuck???
that being said i don't think he's a kiss virgin, just very selective and honest man when it comes to love and physical intimacy
now, when i say he isn't a fuckboy, that doesn't mean i don't believe in cocky-smugass-know-it-all sylus - he kisses well. and with PASSION. and probably the worst part is that he knows it.
first kiss with sylus? i can't imagine him making a large fuss about it like rafayel, nor it having to be some "i'm-at-deaths-door-and-need-to-kiss-you-atleast-once" situation like zayne, but no matter where or when you two share a first kiss he is making sure you remember
that being said, there was definitely a LOT of romantic and sexual tension between you and sylus for at least weeks before the kiss, i mean the air was thick with suggestive glances and denial
i think you two'd have to already be in close proximity which is very easy to achieve with sylus (touchiest man award goes to him) for the first kiss to initiate
he's grabbing your waist, or your face, makings sure your eyes are on. him. as you two kiss. watching with delight no matter what reactions you have, he admires you through surprised and flustered to confident and defiant
rather than a tender first kiss it’s probably a full blown make out session, just desire and lust flooding out of the both of you after having built up for over a month.
assertive does not mean he's going to force a kiss on you to clear this up, more that he likes to take the initiative and take control as you two kiss <3
yeah he's into biting (wow what a big shock) - likes biting your ear, or neck, or bottom lip, one time he tried nipping at your tongue too.
you can bite him back, he likes it.
"Hah, looks like someone is baring their claws tonight..." he’s really into that whole cat thing huh.
what does mr sylus do with his hands? waist, hips, ass, around your neck, pulling your face in by squeezing your cheeks, fingers threading through the hair on the back of your head, you name it he does it. again, i think sylus is a touchy man.
he doesn't mind if you try to take control, just dont expect to be successful. different to zayne - as in he will overcome your control with his evol and strength…
inappropriate use of his evol has occurred (he ‘tied’ you up and made out with you (CONSENSUALLY))
after his affinity 15 (i think) memory i can just tell he’s freaky with it bruhhh so yeah handcuffs are probably something he indulges in
if you’re persistent or physically overcome sylus you might get rewarded with a resigned, more submissive sylus
the idea or sight of someone man handling/overcoming his strength really sets him off.. i mean have you seen “no defence zone”?? but you’re really going to need to work to get him to this stage, and he’s going to have to love you
“No one’s ever seen me like this, lying on my back and begging for you.”
secretly finds out through you that he enjoys being dominated (BRAT SYLUS FOR 2024) so climb on top of him and kiss him until he’s blushing and panting hahahahahaha
tldr: sylus isn’t a fuck-boy but he sure kisses like one
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AN; as an ao3 writer may say, no beta we die like caleb i wrote half of this when i was half asleep LMAOO anyways i hope this was okay please dont attack me BYE
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eloves-writes · 1 year ago
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careful who you’re talking to
[coriolanus snow x reader]
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desc: snow hears a conversation with the academy boys about the girl he is secretly seeing and wants them to know who you belong to warnings: snow being snow like fr (toxic, controlling, insane, blah blah blah), smut, exhibitionism, public sex, unwarranted sexual comments about reader behind her back, she/her pronouns used, reader is wearing a dress, if i need to add any other warnings please lmk a/n: hiiiii! i'm back again. this is slightly unhinged and i didn't mean for it to be this unhinged but anyway hope u enjoy, send any and all coriolanus requests my way! mwah mwah mwah ily this work contains mature themes, minors dni
it was a cold night in the capitol, and you were steadily sipping a glass of posca to keep warm in your blood-red dress. the silky material was slit up your leg and cut down to reveal just the right amount of cleavage; you might feel a chill but you looked damn good and everybody knew it.
especially coriolanus snow. the two of you had been spending a lot of time together recently- behind bookshelves in the library, in dark corners of the academy halls, bend over desks in empty classrooms. it had begun as purely physical. stress relief. but after a month or so, you had each caught feelings for the other and were struggling with whether or not to admit it. and in that moment, he was also struggling tremendously to take his eyes off of you.
you stood talking across the room with arachne and livia, unable to concentrate on whatever meaningless gossip they were discussing with the feeling of coriolanus’ ice blue eyes on you; there was an electric thrill passing between you like you were connected with a live wire. to say your relationship so far had been hot and heavy would be an extremely severe understatement, and you found your mind constantly occupied with the thought of him touching you and the need to have him touch you again.
-
“i think y/n is checking me out,” festus creed smirked to the group of boys around him.
coriolanus almost snorted in amusement. you were obviously looking at him, and only him.
“something funny, snow?” gaius asked sharply. “jealous, perhaps?”
snow reserved his irritation. “not at all, breen.”
“whoever she is looking at,” felix stated earnestly, “i’m certainly jealous of them. i mean, just look at her. she looks fucking hot.”
festus nodded in agreement. “i’d love to rip that dress off of her. she acts so innocent, but you just know she likes it rough.”
coriolanus felt his blood boil. you were his. how dare they talk about you like you were a common whore? perhaps you did like it rough. he would know, he was the one fucking you. not these basic capitol losers. none of them could make you scream the way he did. none of them had scratches down their backs beneath their shirts from your nails. only he did. only he ever would, and he would make sure it stayed that way.
the other boys laughed, agreeing with festus. adding on their own ideas. detailing the ways they’d make you fuck them. describing the times you had supposedly sent them signals. assuming that you did not already belong to snow, that you would even think about going near them. that you would get on your knees for them like you always did for coriolanus.
he couldn’t listen to them any longer. “she’s seeing somebody,” he jeered, fixing the cuffs of his jacket and making definitive, unquestionable eye contact with you and subtly tilting his head towards the exit.
festus laughed incredulously. “is she now? i think we’d have heard.”
oh you’ll hear it alright.
“yes,” coriolanus replied with a chilling calm, watching you make your way to the door. “if you’ll excuse me.”
-
on the steps outside the ridiculously grand building, you waited patiently for snow to follow you out. it was only a few minutes before you heard the door open again, turning to face corio and immediately sensing anger. you worried, sometimes, about his anger. you knew he wouldn’t seriously harm you, but the same could most certainly not be said for any others who dared cross his path. the future president of panem could only afford so much blood on his hands.
“what’s wrong, coriolanus?” you asked gently.
he inhaled deeply and stared into your eyes in a way that strongly suggested you would be unable to walk the next morning. you waited for him to answer.
“you shouldn’t have worn that dress," he warned.
“what?”
“you heard me.”
either the cold or a fucked up part of you sent shivers down your spine, hairs standing up on your neck. your underwear dampened at his fury.
“i thought you would like it, corio,” you flirted, stepping closer to him. he placed a large, firm hand on your waist.
“i do like it, y/n,” he said before speaking in a low voice. “i would like it better if you took it off.”
you smiled and leaned up to kiss him, but he turned his head. you pulled a face in protest.
“behave,” he spat. “so desperate. do you not want to know why you shouldn’t have worn this?”
“yes, corio,” you replied, doing your best impression of somebody who wasn’t about to throw yourself on top of him. he liked when you were patient.
“because every man in that room wants to see it on their bedroom floor," he attested lowly.
“and you’re jealous,” you smirked.
coriolanus suddenly grabbed a fistful of your hair and roughly pulled your head backwards so that your face was tilted towards his. “and nobody else should be looking at you like that.”
a jolt of excitement ran through you. “corio-”
he gave your hair another tug. “say you’re mine.”
“am i yours?”
he realised instantly the meaning of your question. he didn’t have to think about his reply; he had thought about it every waking moment since the day you met. “you’re mine. say it.”
“i’m yours.”
“good girl,” snow spoke deeply before kissing you like he’d never kissed you before. without breaking apart from your lips, coriolanus guided you around to the side of the building. he counted the windows you passed until finally stopping by one that was cracked open and pushing you against the cold wall. as he removed his jacket and unfastened his belt, he looked inside the hall and you assumed he was checking no one was looking. he wasn’t. he was making sure that festus creed and the other boys were still stood in the same spot; directly in front of this particular window, and far enough from the rest of the partygoers that only the boys would hear you.
you gathered the skirt of your dress at your waist and wrapped your legs around corio’s sturdy form as he reached to move your underwear to the side. he circled your clit until you were practically whimpering, then slid two fingers inside of you.
“corio, feels so good,” you moaned softly.
he kept his same pace with his fingers, fucking you into a state of bliss where he knew you would be uninhibited and so drunk with his stimulation that people would think you’d finished every glass of posca in this stupid party. coriolanus was too good at what he was doing, you were on the edge of release within minutes and still desperately trying to quiet yourself in the name of dignity.
“corio, please, corio, i’m so close,” you whimpered into his neck.
he pulled away his hand, making you whine in displeasure. he liked to do that. liked to know he was in complete control of you, you would only cum when he willed it.
corio looked through the window again, but the boys had yet to hear anything out of the ordinary. they were still laughing amongst themselves. he unzipped his pants and pulled out his cock, using the slick on from your pussy to stroke himself before he pushed inside of you.
you tried again to stay quiet, but coriolanus began to coax you. “look at you, taking me so well. you wouldn’t let anybody else fuck you like this, would you? who makes you feel this good, huh?”
you couldn’t hold back anymore, his beautiful face spewing such foul things whilst fucking you raw and digging his fingertips into your flushed skin. “you do, corio. fuck,” you moaned, loudly enough that festus turned to look outside.
coriolanus smirked as they made eye contact. the initial confusion about the sounds coming from outside, the look of shock as he realised his classmate was balls deep in a girl he had pushed against the exterior of a building in the damn capitol, his face finally dropping as he realised who corio was fucking by the colour of your messed up hair and the visible strap of your dress, his eyes widening as he heard the things snow was saying to you.
your moans were getting louder too as you got even closer to your orgasm, whimpering corio’s name and repeating “i’m yours,” like a mantra.
snow took his gaze from the boys to you, feeling satisfied that he’d proved his point and starting to performatively enjoy himself, knowing yours weren't the only eyes on him. his pace quickened, driving you over the edge and making you clench around him as you came. he moaned aloud himself as continued to fuck you through your high and the overstimulation that came after until he finished inside of you.
you were completely fucked out, relishing the feeling of snow’s cum beginning to drip down your thighs after he swiftly removed your underwear to fold into his back pocket. he picked his discarded jacket up from the floor and placed it over your shoulders, kissing your head and leading you to the front of the building and helping you into a car which would take you both home. before you walked away from the window though, coriolanus smoothly pulled your lace panties from his pocket and waved them nonchalantly in the night air, catching the attention of the rest of the group. you would never have to know why he fucked you, only that the boys would stop bothering you now they knew who you belonged to.
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celtrist · 3 months ago
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This was the piece that I had started before my extensive vacation (of coughing). Once again, Alastor is consistently the bane of my existence with his... well everything.
No matter! Anyway, this is something I like to call the Obsession AU. To sum it up real fast: Everyone is yandere for Alastor. I think it would just be apart of his punishment in Hell, being consistently forced into or desired in romantic/sex which he's never had much interest in. I would describe it as a dark comedy thing, but it can be as comedic or as dark as you want here. With that said, please be on guard with any mentions of darker content that treds towards a certain dead bird territory when I get a bit into how I imagine some of the characters. Again, it doesn't have to go that far if you're interested in this premise of an au and wanna focus on the more light hearted stuff, feel free.
This au is just poking a bit of fun at how everyone in the fandom wants to put Alastor in romantic situations constantly (whether it be with themselves or the other characters) despite Alastor probably being the least interested in the subject in the whole show. This is by no means a hate train or making fun of people who do enjoy shipping Alastor, it just more of a funny thing I think comes off as pretty ironic for his character and hopefully, others can enjoy that too. In this au he leans pretty much on the clear-cut side of aromantic and asexual with no interest in romantic affections at all. With that said, if you want to explore Alastor genuinely being interested in one of the other characters romantically or something similar, feel free to explore that! I can see some interesting dichotomies there. It's just within the actual "canon" of this au, he's not at all interested with that sort of thing. And just with a last final reminder to get into some character things I have in mind, some of the content mentioned does get pretty dark, particularly with Valentino but I don't think anyone's surprised there. But there might be some triggering content of the following mentioned here with characters but no crazy details really: Manipulation/Gaslighting, forced feminization, Non-con, Munchausen syndrome, Poisoning, Possessive, Drugging, Love bombing And I will be sure to give a quick warning to each character it might apply to, please feel free to let me know if I missed anything!
Rosie (Munchausen syndrome, Poisoning): Rosie has 100% poisoned Alastor before to make sure he relies on her. They started off as good friends but at some point Alastor began getting ill and Rosie offered to take care of him. This leads to Alastor staying in bed for full days, only really seeing Rosie who took care of his every need from food, clothing, washing, and so on. At some point, Alastor caught on that Rosie was putting something in his food to make him sick and he managed to escape with their friendship tarnished much to his dismay. He's often uneasy around Rosie but is upfront about his knowledge of Rosie's deeds. Rosie, in turn, acts like it is a lighthearted situation and often offers Alastor over for lunch, which he often denies. Any food he gets at his doorstep from a secret admirer or a lunchbox he finds at his seat in an overlord meeting goes straight into the trash. Alastor will still use Rosie's assets to his benefit of course, but is always careful as to what she might try to get in exchange. He has had more awkward lunches with her with his homemade meal versus the buffet she catered for the occasion, with the two gossiping like old times. Alastor is still uneasy during these times, but he also revels in the false pleasantries due to not having many others he's able to associate himself with due to the curse.
Lucifer (Controlling, Possessive, Manipulation): So I'm not 100% clear how I wanted to approach Lucifer. He and Charlie are probably the most similar I suppose? He wants Alastor as his queen (either alongside him and Lilith or only with him, he doesn't mind either way). He doesn't force him into dresses or anything, but Lucifer does consistently make doting moves and talks about how Alastor would make a good father to their children. Marriage is one of the mind and Lucifer probably gets a bit possessive with him. He also tries to guilt trip Alastor a lot, or manipulate situations in one of their arguments to get Alastor to say something he doesn't mean.
Charlie (Controlling, Possessive): Probably the most tame of everyone quite honestly. Charlie can be a bit controlling but does step off when Alastor expresses his dislike of her doing so, even if it takes a couple times. She likes doing things for him, is super affectionate, and daydreams about her, Vaggie, and Alastor all getting married. She can get pretty possessive with him, not being pleased when anybody does anything against Alastor's will or hurt him. The only exception to this rule is Vaggie, to which Charlie sees it like two cats getting along and finds it very endearing.
Vaggie (Forced Feminization, Controlling, Murder): Depending on how you look at it, Vaggie's one of the more fucked up obsessions or one of the more funnier ones. Because she's automatically inclined to like Alastor quite a bit with the curse thing but her personality doesn't jive with his for her own taste (in terms of their first meeting), she both hates and loves the guy. She's obsessed with trying to murder Alastor with traps around the hotel or outright standing over him with her spear. The hatred comes primarily from not wanting to feel the way she does about him, I guess like a fucked up tsundere if you wanna go that route. At the same token, however, she does want Alastor to be involved with both her and Charlie romantically. There's just one little problem: Vaggie has about the same amount of interest in men as she does in canon. So to sort of "fix" Alastor, she consistently tries to force him to be more feminine in clothing, offering different feminine names, and even trying to force him to get a sex change. Alastor is pretty slippery though, so it never quite works out in Vaggie's favor aside from the occasional dress or skirt being worn, which solidifies her attraction to him. Then he takes it off and looks more like a man again, and it solidifies her frustration/hatred for him.
Angel Dust (Drugging): To start, while I think Angel would love to have sex with Alastor, he 100% would not force it. Wouldn't even do touches or anything. Potentially he could just like as a coping (to be in a situation where HE'S the one in control), but that is a darker route that I don't think will be exactly true for this AU. However, he very much enjoys drugging Alastor similar to Rosie. Not only just as a bonding thing since Angel would also do the drugs WITH him, but just to get the not-quite-lucid compliments from Alastor and maybe a snuggle then and there. He wants to dote on Alastor with him drugged out in his bed saying nice things to Angel. Admittedly this one's a bit of a workshop as I just knew I didn't want Angel to be focused on sex like somebody, but wasn't sure what to do here.
Valentino(Non-con, LoveBombing): I mean... it is Valentino, what did you THINK he'd be trying to do with Alastor? There's really not much to say here, Valentino essentially tries pulling all the stops trying to get Alastor in bed while also love-bombing the hell out of him. Which really doesn't work. Valentino is pretty open with sharing Alastor, but again, does this surprise anyone? As long as he's participating in some way, he really doesn't mind.
Vox (ALL warnings): Pretty much the worst version of himself that people make him be sometimes for those darker stories in the fandom. While more interested in having an enthusiastic partner, I don't think Vox would be opposed to forcing himself onto Alastor. He consistently tries to manipulate and gaslight, while enjoying both the suffering and pleasure of Alastor. Much like Vaggie, Vox is obsessed both being in love with Alastor while also downright hating him to the core. He's possessive and likes the idea of being both sweet and heinous with Alastor. He pretty much is every other character wrapped up in one fucked up TV man. Vox acts the most well-adjusted of the characters here, but he's probably got the obsession the worst.
And of course, pretty much every other conceivable ship is up for grabs here. I did think about maybe unfallen angels are able to resist the obsession curse, which would possibly make a funny team-up of Alastor, Adam, Lute, and Emily. Alternatively, I thought maybe the other canonically asexual characters in the show wouldn't be affected instead, meaning another oddball team-up of Alastor, Octavia, and Mammon. Then there is of course the "nope, there's no escape for deer man". Not sure yet, maybe I'll workshop it. I have more normal things in the works rather than this messed up little au, but darker content is a guilty pleasure of mine.
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dunmeshistash · 8 months ago
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How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!
Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post
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This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)
The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback
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She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"
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It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help
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Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.
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I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.
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The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."
And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.
After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.
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Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon
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She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.
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Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible
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Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her
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Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.
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There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.
My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).
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No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.
And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...
This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...
I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.
Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.
Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.
I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.
Part 2
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foone · 3 months ago
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Tumblr crashed and killed my post and I'm too lazy to go find what I was reblogging, but:
You need to understand that there is a type of right-wing person who is (relatively) sex positive.
You need to understand this because it explains some "contradictions" but more importantly so that you won't assume someone isn't wildly right wing just because they're sex-positive. These people still have horribly opinions on a lot of things, including sexual ones. They just don't think it's Inherently Wrong to do "weird stuff" in the bedroom.
I always describe this viewpoint as "it's okay to get freaky, but don't be a freak".
They're making a distinction between things you DO and things you ARE. They hate the latter, and think the former is fine.
This is a big part of why you get "confusing" things like right-wingers who are against trans people but those same people might enjoy crossdressing during sex. They're fine with wearing girls clothes while they get pegged, but don't think you should be allowed to go by she/her in the workplace if you're AMAB. Crossdressing is a thing you do. Being trans is something you are.
And the post I was trying to reply to was about swingers disliking polyamorous people: it's the same thing. Swinging is a thing you do: they're having freaky sex. What's wrong with that?
But polyamory? Having multiple partners at the same time, even when you're not fucking at the moment? That sounds like something you are.
Basically it seems to be the worldview of people who are sex-positive (to an extent! I don't want to overstate their positivity) in their personal life, but are against "the decay of society".
They're basically conservatives nostalgic for an imagined world where everyone has 1950s social roles in public, but can get up to whatever weird sex stuff they want behind closed doors.
I don't know how much this kind of few point is due to libertarian influence on these kinds of right wingers (where they've internalized the "the government shouldn't tell me what to do" part of the ideology, but still think "the government should tell those weirdos to get cut it out" is fine), or how much this is because of the rise of 4chan as an alt-right meeting spot, and that site was (and still is) partially a porn site.
It's slightly hard to argue that all sex besides married missionary for procreation is immoral when you're one click away from threads full of anal-toy-howtos and pregnant "dickgirl" hentai. (Not that they don't try, sometimes)
Just keep the fact that these people exist in mind: it'll better explain some of the strange opinions you sometimes see online.
It's probably also a major driving force behind Bidoof's law. They can easily argue against something innocuous like polyamory or trans people while filling their own timeline to with images of trans orgies, because they think Doing Sex Stuff is morally neutral, but Being Stuff is inherently wrong. You can cross dress or swing, that's fine, whatever gets your rocks off. But you can't be trans or be poly. That's wrong, apparently.
(This is probably also South Park's fault but I'm not an expert on that show so I'll not try to explain)
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soursherbat · 2 months ago
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LAMB X BISHOP MASTERPOST YEAAAA!!!
(original template link)
this genuinely took me so long but i needed to explore my ship dynamics with ramzi and his bishops! more details under the cut if you want to know more- warning this post is LONG!!!:
[edit: i was obviously rlly sleep deprived while writing this so im editing it for better readability, including using more consistent pronouns for everyone bc reading it back this post. was very hard to parse 💀]
in order, just adding notes and addendums :3c im super sleep deprived so im trying my best but i need to yap about them
ramzi's pronouns are it/he/they!
narinder;
initially a very slow burn relationship, this sheet shows them at their peak. it takes a very long time for the lamb to forgive narinder, and vice versa, but once they're over their differences they're committed.
notes;
he/they for narinder :3c he's bisexual with a preference for masc presenting people! (using he/him for this post)
prefers to be the big spoon but will allow ramzi to take that spot if it really insists on it
reaallly loves to wear the lamb's fleeces and cloaks (the only clothing of theirs that will fit him) but is too proud to directly ask for them
narinder really does not like most people- the only ones he usually socializes with are ramzi and his siblings, possibly a follower he can tolerate for a few minutes. if ramzi is talking to others while narinder is shadowing him he tends to just flick his tail and sulk quietly until his lamb gives him attention again
narinder isn't great with words, he prefers to show ramzi his love with physical affection (in private) and acts of service, while ramzi is more than willing to shower narinder with loving words and acts of devotion
ramzi refuses to confess its feelings to narinder first, full stop. narinder waits and waits, but eventually gives in and tells ramzi how he feels first- ramzi is still feeling bitter and betrayed by narinder, not appreciating them snatching it from its peaceful death to be a tool in his games. they're both incredibly conflicted, it takes a long while for them to work their differences out. its not something that can be solved with a single conversation, but eventually they come to terms with everything that's happened and make amends
ramzi wouldn't actually squash the bug- it'd prefer to just grab it and take it out of whatever space its invaded, narinder will just smack it and be done with it
im just applying the driving one if i ever make a modern au lmfao
narinder cannot cook to save his damn life after being locked up for so long- ramzi had to learn quickly being raised by ratau, i'll be real i dont think that rat knows how to cook
that prickly cat would prefer not to show his love for the lamb in public, but he might sneak a kiss while no one is looking... ramzi however doesn't care, though it does like to fluster narinder a little by flirting while others are around
these two would kill for each other, narinder is practically begging the lamb to let him do so actually- nari is described as the lamb's shadow (affectionately) by most because of how often he's seen just following it around the cult. god help you if you confess your love to the lamb while he's around- though ramzi does get pretty jealous if it sees anyone making eyes at his special kitty...
nari is 4,000 years old virgin to me lmao. ramzi has had a few relationships before narinder, it actually marries shamura before nari- they're not beating the toxic yaoi allegations any time soon they were still battling their resentment around that time
i'll touch on the spicier dynamics in a dedicated post sometime >:3c that'll apply to the rest too-
i wouldn't describe narinder as being awkward, but moreso stoic and lost really. he's also just incredibly pissed off with ramzi, feeling robbed of his rightful status as a god and feeling jealous of everything its built for itself in such a small amount of time- later on he's more flustered than nervous or awkward because that damned lamb wont stop flirting with him
gods help you if narinder even sees you making eyes at the lamb. he's incredibly possessive over his former vessel, its perceived rejection of him made something in him snap and they want to possess it, even if he knows that's not exactly plausible... he's normal, i swear (<-lying) ramzi returns some of that energy, it really does not like followers flirting with its favorite cat- i'll be the first to admit that they've got some toxic codependency going on
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leshy;
leshy uses any pronouns! he really just don't care that much, same with his sexuality (using he/him for simplicity for this post)
these two fight over who gets to be the big spoon, since they're nearly even in height (leshy tries to argue his branches make him taller) it makes it easier for them to trade big/little spoon positions- but theyre so competitive they end up wrestling over it
leshy can't even see the clothes he's wearing, but he likes the idea of ramzi matching with him, even if he won't directly admit that
ramzi is rarely called by name when leshy is around, it's always 'lambzi', 'lamby', 'cottonball', or any other seemingly sarcastic pet name he can come up with for it- meanwhile ramzi often calls him 'wiggler' or 'wormy'
compared to leshy, ramzi is a little less outgoing. leshy loves to be the center of attention, he loves to pull pranks and cause mischief whenever he can.
ramzi's quick to let leshy know he is loved through any means, though surprisingly leshy is a bit more inconspicuous about showing his affections for his lamb through old traditions it clearly has no clue about but leshy gets a bit of joy watching its confusion (shamura tells it later-)
these two have a pretty easygoing relationship, at first leshy is upset about his lost godhood but he quickly begins to like staying with the lamb when he learns how accommodating and, frankly, extremely chaotic it is- they get along very well and have a teasing, poking and earnestly soft relationship rather early on. leshy admits his feelings first, mainly getting fed up that ramzi hasnt confessed that it obviously likes him by that point
neither of them mind bugs, leshy actually likes them quite a bit. they'd prefer to catch and release rather than smash them
the poor worm is blind of course he cant cook!! he might be able to if he really focused on building muscle memory and focusing his senses but he's honestly just too lazy to bother, heket's cooking is better anyway
leshy doesn't care if anyone is looking, he loves his lamb! he gets a little embarrassed when they know its siblings are around, but she does get a kick out of knowing he's making narinder jealous
ramzi would lay down his life for his precious chaotic grub, it knows leshy is more than capable but it can't help but worry sometimes- leshy knows ramzi can handle itself so he's pretty relaxed about everything, unless ramzi comes home particularly hurt
i like to think leshy was a bachelor in his time... why not?? he's the bishop of chaos, im sure he's started a love triangle intentionally to watch them fight over him- ramzi however is a little less experienced in romance
leshy has not an ounce of awkwardness in his body, ramzi's a little awkward when he says something particularly unhinged but otherwise they match each other's freak a little too well
leshy would never admit to ramzi that the smell of anyone else stuck to his wool makes leshy a little jealous... another reason he likes to lend his clothes to ramzi, really-
-
heket;
she/they/he for heket, she's bisexual with a preference toward women (using she/her for simplicity on this post)
heket is the big spoon, no questions asked. she loves to cradle that lamb in her arms and it is NOT one to complain about that
heket doesnt lend out her clothes very often, but she likes to see how baggy they are on ramzi- she quite likes seeing it wake up wearing her shirts...
ramzi is incredibly formal with heket, usually referring to her by name or some honorific to show its respect (something she appreciates greatly)- meanwhile heket is always referring to the lamb by anything but its name, really
heket's level of social battery depends on the day, some days she would prefer not to speak to anyone, others she's more outgoing
heket shows her affection by making sure ramzi isn't overworking itself, making sure it's eating and sleeping- she knows it can care for itself, but she just wants to protect her lamb.
there's absolutely no way heket would swallow her pride and confess her brewing feelings for ramzi, she waits very patiently for it to finally get its nerve up and admit that it wants to pursue a relationship with her- after (mostly) healing her throat, she doesn't feel so lonely in the cult once her voice returns and she begins to feel conflicted about ramzi... she wants to hate him, but it's doing everything they can to help her siblings and she can't help but respect and admire it for that, she would admit that she would never consider it if she was still a god-
heket thinks bugs are cute, she'll either catch and release them or keep them in a little container for a bit (she's never beating the weird little sister allegations to me)
ramzi's cooking definitely is not as good as heket's, if it cooks a meal the whole cult is asking when it's heket's turn next LMAO-
PDA ruins heket's cool and stoic exterior in her eyes, though she can't just say that to the lamb- she'll gladly give it a hug or a kiss when nobody's looking, though
honestly, ramzi is just protective over all of the bishops. it feels terribly for killing them repeatedly and making them suffer in purgatory, and it never wants to see them suffer again- heket knows the lamb is strong, she's seen it with her own eyes. that doesn't stop her from worrying for it a little when it leaves on a crusade, however...
heket has some relationship experience, though its been a WHILE- forneus and ramzi are her most recent romantic endeavors and she's incredibly awkward about both of them
heket is insanely awkward, she tries to maintain a cool exterior but it's so hard when that damned lamb is so cute and that sweet cat mom is so kind and shaped- whats a woman to do in her situation??
she can get a little bit jealous if her buttons are pushed on the wrong day, but other than that ramzi and heket have a pretty open relationship
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kallamar;
any pronouns for kallamar! though he/she are most preferred, she's very lax about his gender and loves to experiment (using he/she interchangeably, lamb is referred to by it/its for simplicity)
despite being nearly a full foot and a half taller than ramzi, kallamar loves to be its little spoon! he feels so safe in his lamb's embrace, she would never leave if it was possible
none of her clothes would fit the lamb, but he does have clothing made for it often! he'll be damned if he lets ramzi walk around looking anything less than presentable, even if its naked it must be TASTEFULLY naked- (though his definition of what that means is a bit nebulous. ramzi's convinced he just wants to ogle)
they love to make up pet names for each other, 'mari' and 'kallie' are ramzi's favorites to use for its precious husband. kallamar is particularly fond of calling ramzi his puppy, often flustering it-
kallamar is a YAPPER and she will not shut up about how much he loves her lamb! ramzi doesn't mind it, but she's often talking so much that it can't properly find the words to express it back- so it gives gifts often, knowing how much its wife loves to adorn himself in jewelry and silks!
ramzi is actually a little bit intimidated by kallamar's experience in love and how pretty he is, kallamar ends up making a very dramatic love confession in front of everyone, totally flustering ramzi (though it has to admit it really loves the dedication!)
he is TERRIFIED of bugs kallamar will shriek so loudly if she finds even a small beetle anywhere near her living space- ramzi often finds itself catching the little bugs while kallie screams bloody murder in the corner
kallamar absolutely can cook but he doesn't want the responsibility of cooking entire meals for the whole cult so she intentionally cooks like shit to avoid it- ramzi catches onto that pretty quickly though
these two need to get a ROOM the confessional is NOT to be used in that way!!!
kallamar's overprotective attitude mainly comes from a place of not wanting the lamb's image to be ruined, he'll tend to its makeup and wardrobe, even helping to enforce loyalty amongst its flock to keep its image pristine- and kallamar is just an easy bullying target, ramzi is Very quick to put an end to that!
kallamar is absolutely more experienced than ramzi, though he's no less dedicated to it. it makes their relationship very calm, there's very little tension between them!
ramzi is very awkward around kallamar at first, he's pretty indignant and a bit cruel to it during the first few weeks- once ramzi begins offering him gifts and praise she warms up rather quickly, however. ramzi's disarmingly cute appearance and dirty mouth tends to make kallamar a nervous mess sometimes, though...
there's not a single ounce of jealousy between these two 🧍‍♂️ they both understand that they're dedicated to one another, and can dedicate themselves to others without compromising their bond
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shamura;
they/it for mura! i feel that they enjoy experimenting with their clothing in relation to their gender, but they prefer neutral pronouns (using they/them for mura and he/him for ramzi for readability)
these two take turns on who gets to be the big spoon, though usually shamura claims that spot
shamura loves to weave clothes for ramzi! they enjoy seeing his face light up when they incorporate designs ramzi has shown them that sheep often wore, wanting to keep that memory alive for him
they're pretty formal at first, but the two of them can't help but call each other by loving nicknames once they've become comfortable with each other- ramzi often calls shamura 'softie' or 'dearest'
shamura prefers to keep to themself, though they've grown rather attached to webber. they've basically adopted the little creature, that's their son...
once clarity has returned to shamura through ramzi's healing, they have a better grasp on their words- but they still struggle to word their feelings a lot of the time. they try their best, but they find it easier to give gifts or show their affections with physical intimacy when words fail them
shamura is incredibly paranoid and wary of ramzi's presence when they're first indoctrinated, until they finally break bread and reach an understanding, shamura doesn't even consider the lamb could feel anything but hatred and resentment toward them. they assume that he wants revenge, but learns that he just wants to help them- it takes a bit longer for the fear to truly leave shamura, but when they never feel that dagger in their back, they begin to soften he clearly isnt lying to them, he's helped all of their siblings become as happy as he can- and he asks nothing in return of them? it feels too good to be true, but they can't help but trust him eventually ramzi confesses first, and is initially (softly) rejected... but theyre not entirely opposed! mainly conflicted, for a while-
they both love bugs, obviously- though sometimes ramzi gets bitten while trying to show shamura the little spiders he's captured
shamura likes to cook but they prefer liquid only foods- it's not horrible, but sometimes they want more variety
shamura is a bit shy about their relationship with the lamb, they're the least experienced with this sort of thing out of all of the bishops- war and reason have no room for love and compassion, after all. they're learning, with ramzi's help
if someone even LOOKS at ramzi the wrong way, shamura is the first to come to the lamb's defense. both a form of devotion, claiming ramzi as their charge they'd guard with their life, and a form of facing their grief- they'd ended ramzi's life once, they don't want to see it hurt anymore
these two match each other's freak so well its scary- you dont wanna see what happens in the mating tent when these two are in there!!
after shamura's initial wariness and shortness with ramzi fades, they become incredibly shy and awkward- they don't know how to navigate all these new feelings, and they don't really know who to turn to for advice
shamura is very possessive of their lamb- they were the first to be wed by him, after all- not to mention i personally think them being a spider influences this quite a bit,
WOAW THATS IT!!! holy shit thats a lot of text.... anyway if u have any questions abt any of them or want more clarification feel free to send me asks i love to yap abt them all <3
oh boy im not looking forward to putting all the tags on this
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reidsworld · 5 months ago
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Parties
Summary: Spencer, Reader's boyfriend, gets jealous of the Readers family friend at a party.
Pairing: Spencer Reid x fem!Reader
Category: Smut
Content Warnings: fake blood, fake knife and axe, Spencer being jealous, cursing, kissing, hickeys, semi-public oral sex(m receiving), face-fucking, praise/degradation, I think that's it, lmk if I missed anything! — you are responsible for the content you consume, if you are not comfortable with any of these warnings or are a minor, DNI!!!
Word Count: 1.7K+
A/N: For the readers parents house I was envisioning something like the Mikaelson mansion from TVD. The reader is described as having longer hair w/ curtain bangs! This is also my first fic so sorry if its bad lmaoo
Masterlist
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Walking onto the jet, you sat next to Penelope, across from Spencer. This case had been a hard one, Hotch had Penelope come along as you needed all hands on deck.
ping!
You sigh taking out your phone to see a text from your mom.
Mother Call me, please.
"What's wrong, Sweets?" Penny asks, concern lacing her tone.
"Nothing, my mom is just trying to call me and I really don't want to deal with her right now." You reply with a groan. You click on your Mothers profile, hitting the call button. She picks up right away.
"Sweetie, let your team that they're invited to this year's Halloween party. Your father and I agreed on the Friday- the 25th, but we would appreciate your input on the date. It starts at 8 PM" she says into the line.
"Alright, the 25th sounds good. If we have a case I might not be able to come," you say with a fake-disappointed tone, praying that a case came up on the day of the party.
"Your father and I are excited to see you so please try to be there."
"Well I can't really control when serial killers decide to strike but you know, I'll try!"
Sighing, your Mother speaks, "Don't be like that honey, your father and I are very excited to see you. If it's any encouragement to come, Julius will be there!"
"Alright fine, I'll try my hardest to be there." you say, smiling at the name.
You exchange 'goodbye's' and 'I love you's' with each other before you hang up.
“Who’s Julius?” Morgan asks with a smirk, drawing your attention to rest of the team who’s staring at you. Spencer couldn't help but feel jealous at the way you smiled at this ‘Julius’ person.
“How did you-? And you’ll meet him at the Halloween party my parents are having on the Friday 25th at 8 PM. No extremely scandalous costumes or my parents will probably never invite you guys back.” You say with a laugh.
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Luckily, on the day of the party there was no case. Even so, you had asked Hotch to get off early as you needed to get ready for the party and be there early, as per your parent's request.
Once he agreed, you rushed home and showered before getting ready. You wore a black velvet strapless body-con dress that cut mid-thigh. You had fishnet stockings and black gloves that reached just below your elbows. There was a knife strapped to your leg as well. You had your hair down, styled with curtain bangs.
Once you finished getting changed, you put on dark red lipstick, mascara, and did cat eye eyeliner. Finally, to complete the look, you grabbed the scream mask and rested it to sit securely on top of your head as if you had pulled it up to reveal your face.
You grabbed a small black handbag and put on some Doc Martens, heading out the door to your parents mansion.
Once you got there, their mansions was decked out with Halloween decorations. You parked your car in the garage and went inside.
"Y/N, sweetie, we missed you so much!" Your mother greeted as her and your father hugged you.
"I missed you guys too. And I love the costumes." You said when you pulled away from the hug, referring to their matching Gomez and Morticia Addams costumes.
"Thank you," your father smiled.
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It was 8:45 and most of the guests had arrived, so you decided to go and mingle.
You were standing by the food when you heard a voice come from behind you.
"You look good, baby," Spencer said, giving you a kiss on your temple. You looked up at him. He held a fake bloody axe in the one hand and he was wearing a suit with a clear rain coat on top of it. He had his hair slicked back and fake blood splatter covered his face.
"Thank you, you make a hot Patrick Bateman," you winked.
"Well hello gorgeous." You turned to see someone that you hadn't seen in years.
"Julius! Hi, oh my gosh, don’t you look handsome. It's so good to see you." You smiled, hugging him. He was dressed in a orange jump suit with handcuffs on one hand. When he pulled away, you could see him check you out.
"It's good to see you too, love," He grinned.
Spencer would deny being jealous of how low Julius had his hand on your back, of how you smiled and hugged him. But who was he kidding, he was incredibly jealous. So, he stepped forward, wrapping an arm around you, smirking.
"Aren't you gonna introduce me, baby?"
You smiled, knowing exactly what Spencer was doing, "Spencer, this is Julius. Julius, this is my boyfriend Spencer."
Julius stuck his hand out for Spencer to shake. "I don't shake hands, too many germs. But it's nice to meet you," Spencer said, leaving Julius hanging.
"I'll be back, Spence, I gotta go to the washroom."
With that you walked off into a hallway, Spencer following quickly behind you. When he caught up, he grabbed your arm and pulled you into the laundry room, locking the door behind you.
“Spencer what are you—”
Your words were cut off as he pushed you up against the door, smashing his lips on yours. His hands roaming all over your body as you threaded your fingers through his hair, tugging on it and earning a soft groan from his lips.
He tugs on your bottom lip with his teeth, making you moan, before breaking the kiss moving his lips down your neck. He lightly bites down on a spot before soothing it with his tongue. He repeats this all over your neck, surely leaving multiple hickeys.
"Fuck, you see what you've done to me? Walking around with that pretty little outfit and flirting with some other guy who would never be able to make you feel as good as I do," he speaks with a low tone, pushing your hips against his growing bulge as his hands grope your ass.
His words make you weak at the knees, the pool in your panties building with every passing second. Spencer's eyes are filled with hunger and lust as he pulls you in for another kiss.
"On your knees," he says into the kiss, lightly pushing you down by your shoulders. You get on your knees, making quick work of taking off his pants.
You slide off his boxers, freeing his cock, precum leaking out of the tip. You grin before licking a stripe up the underside of it, making him groan.
You spread the precum around the head of his dick before taking it in your mouth and swirling your tongue around the head. Spencer's breathing picks up and you start taking more of it into your mouth.
He takes the mask off the top your head, tossing it somewhere in the room. He grips your hair, making a make-shift ponytail. You hollow your cheeks and start bobbing your head.
You swirl your tongue around his dick as you suck harder. He groans and throws his head back, "shit, baby." As you take more of his dick into your mouth, his hips buck, hitting the back of your throat.
You gag around his dick, making him let out a low groan. He looks down at you for approval before he starts thrusting into your mouth.
He fucks your throat, making you gag and moan around his dick. Tears begin to fall at the feeling and restriction of air flow. He pulls back a bit, letting you get some air.
Once you give him a small nod, he resumes his motions. "Fuck Y/N you take my cock like such a good little slut.”
You feel his dick begin to twitch in your mouth, indicating that he’s close. You look up at him as he pushes in and out of your mouth, moaning so loudly, you're sure people can hear you.
"I'm close," Spencer moans, sloppily thrusting into your throat, hitting the back every time. After a couple more thrusts, he pushes his dick as far into your throat as he can, making you gag. The vibrations send him over the edge. He holds your head still, sending warm ropes of cum down the back of your throat.
He pulls out and looks at you, your mascara is running and your hair is a mess, "you look so pretty like this baby." He caresses your cheek before helping you up onto your feet. He pulls his boxers and pants back on before kissing you on the forehead.
"I love you," you smile at him.
"I love you too."
He picks your mask up off the ground and hands it to you. You take him to the washroom and take out makeup wipes from the cabinet. He helps you take off your make up so you can reapply it.
You both walk out of the room and into the hallway. Just as your leaving you bump into Julius. His eyes flicker down to the dark marks scattered across your neck and Spencer smirks.
"We're leaving now, it was good to see you," You smile at him, holding Spencer's hand.
"Yeah, you too."
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As soon as you got home, Spencer pulled you onto the couch to straddle him. His lips were on yours, engaging in a heated kiss. His hands roamed to the back of your dress, pulling the zipper down and sliding the dress down to your hips.
He unclipped your bra, freeing your breasts. he pulled back, looking down and grinning.
"Are you just gonna stare or are—” You were cut off by Spencer's lips on your nipple making you moan. He swirled his tongue around the bud as his other hand kneaded your other breast. You were moaning, running your hands through his hair.
Just as he was about to move to the other nipple, your phone pinged. You groaned and got off him. you walked over to your phone and unlocked it.
Mother Your car is still here...?
Y/N I'll pick it up in the morning, I went home in someone else's car
With that you put your phone down and walked over to Spencer, swaying your hips.
"Now, where were we?"
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A/N: chat I’m rlly debating posting this rn. I wrote it in 2022 and now, 2 years later, I found it in my drafts. I decided to edit it and fix it up a bit. I’m pretty happy with how it turned out, when I first found it, I expected it to be a lot worse lmao. lmk what you think of it!! if no one reads this I’m taking it down cause I’m kinda out of my criminal minds phase lol. Any feedback is greatly appreciated��
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archangeldyke-all · 1 month ago
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Oh man I have ideas..
Sevika has a home back in Zaun but she has to have an apartment in Piltover because of councilor duties until she fully adjusts to topside and accepts the insistent offers of a manor. Imagine being her wife and just helping her relax after her first day, cuddling and all that whilst adjusting to the fancy apartment bigger than your old house.
Or..
Sevika taking her wife out for a walk in Piltover, admiring more of the garden as the plants grow upon new soil. A talk about the future whilst holding hands.
Or..
Them renewing their vows, having that damn fancy wedding of the dreams.
Toodles!!!
EEEEEEEEK okay lets do some councilor sevika (also isha and jinx are still alive in this story because i said so. she doesn't need to suffer so much to still be an incredible leader. give her her girls!!!)
men and minors dni
you were the first person approached about sevika representing zaun in piltover's new council post-war.
you were a little concerned to find councilwoman shoola and three members of her personal guard on your front stoop-- and for just a moment you had a flash of anxiety that she was here looking for jinx or isha.
"councilwoman. hello." you say, still surprised. you've met the woman a few times before, both of you attending various re-building efforts around the undercity. she holds up a hand.
"please, dear, we've built a bookshelf together, you've seen me at my lowest. you can call me shoola."
"h-how can i help you counc-- shoola?" you ask. she smiles.
"i'm here regarding your wife."
you frown. "...is she in some kind of trouble?" you ask, already mentally planning how to worm sevika out of her trouble. the councilwoman chuckles.
"quite the opposite, actually. i'd like her to join the council... as an ambassador to the free nation of zaun." she says.
you nearly shit yourself at her words-- sevika's life work casually mentioned like it's just a sidenote. "the-- free?" you ask.
she smiles. "while the deaths of the other councilmembers in the war was a horrible loss, there are some issues i could never get my late colleagues to agree on. now, though... i've been given full authority to reorient the power structure of the council to avoid anymore kirraman's taking over-- and i've always been of the belief that zaun should be free."
"and w-what... you want to arrest jinx in exchange for it?" you ask.
shoola chuckles. "no."
"y-you want isha?" you ask. shoola laughs again.
"what could i want with a child? no!"
"so... what do you want?" you ask, your voice shaking as the reality of the situation sinks in.
"i just want your help talking sevika into the job. i know she can be... stubbo--?"
"bullheaded?" you guess as shoola searches for a kind word to describe sevika's stubbornness. she chuckles at your description of your wife and nods.
"here." she hands you a stack of papers. "i've outlined the full responsibilities of the job. as well as the benefits she will receive for serving. please. look it over and talk to her, would you?"
you do.
it's an excellent proposal.
as the undercity figures out how it wants to self govern, piltover will fund zaun's public infrastructure as if it's their own-- meaning that the undercity will, practically overnight, have access to things like clean water. and schools. and welfare. they will provide these services for up to fifteen years as zaun finds it's footing.
the position outlined for sevika in piltover's council is a way to assure piltover doesn't back out of their promises-- that somebody is there to call them out when they try to cut corners in helping the young nation of zaun find it's footing.
and, while your wife might miss the more physical aspects of her old work, you can see her chewing out some stingy old councilors for their greed in your minds eye, and you can't help but smile.
"what're you smilin' about?" sevika asks.
you jump and slam the folder in front of you closed, blinking up at your wife.
she's back from her meeting with ran, scar and jericho. the four of them have grown close in these past few months as they coordinate rebuilding efforts for various neighborhoods across zaun. you have to gulp, trying not to get dizzy with the possibilities of what sevika's job offer means for them as a team. as team zaun.
"h-how was your meeting?" you ask. sevika raises an unimpressed eyebrow at you and you huff. she sinks across the table from you, easily pulling the folder out of your grasp.
"meeting was fine. the elementary school bein' built in firelight's territory is almost ready to open. first school in zaun." she says with a smile. "now, what were you smiling at?"
"i was approached by councilwoman shoola this afternoon."
sevika raises an eyebrow at you. "did you two try to build a chair this time?" she teases. you groan and kick her shin, before tapping the folder in her hands.
"no. i was asked to convince my stubborn-ass, incredibly loyal, strong, beautiful, hard-fucking-headed wife to join the fucking council."
sevika blinks. "what?"
"they want you in the new council. serving as an ambassador. to the free nation of zaun, sevika."
sevika blinks again, and then she rips the file open, her silver eyes flying across the confidential text. "the fr-- the free nation of zaun?" she asks, her eyes flying up to yours to confirm. you grin and nod.
sevika flies out of her seat and crawls across the dining room table to reach you, tears flowing down her cheeks as she kisses you like her life depends on it.
you're there when shoola and sevika finally sit down to discuss the opportunity. shoola's the first piltoverian to not turn her nose up at the messy state of your small home-- she even grins at the sound of jinx and isha bickering from their bedroom. "you two have made a lovely home for yourselves, here." she says, sitting down at the table and jumping a bit when a toy squeaks under her bum. "i can almost see the love leaking out of the wallpaper."
"could be black mold." you whisper. sevika and shoola both sputter surprised laughs.
"sevika. have you considered my proposal?" shoola asks.
sevika sighs and nods. "i have a few conditions before i agree." she says.
this surprises you. as if the prospect of representing a free zaun isn't tempting enough, you saw the salary sevika's being offered. it's the kind of money that could buy you a house big enough that all four of you could have your own bathrooms.
(secretly, though, you hope you live in a tiny house forever. you like tripping over your family-- being within reaching distance at all times.)
"first. i'd like you to assign me the budget to employ three of my trusted confidants as advisors. i can give you their identities if you'd like, but i give you my word that they're good peo--"
"done." shoola cuts sevika off, scribbling a quick note in her journal before looking back up at the pair of you with a smile. "what else?" she asks.
you smile a bit. sevika blinks, then gulps. "jinx and her little friend ekko get a full ride to the university up top. they're incredibly gifted, and with a little proper education they could advance zaun--"
"you don't have to convince me, i remember how the war went. without them, we'd all be dead. i can arrange that."
"i don't want to leave zaun. i can't represent these people if i'm not living here. i'll need a car to get--"
"would you like a personal vehicle or a driver each morning and evening?" shoola asks.
sevika blinks. "a-a driver." she says, a little shocked.
"anything else?" shoola asks.
sevika nods. "o-one last thing." she reaches over to grab your hand. you have no idea what she could possibly want beyond what she's asked for-- she's taken care of her friends, her family, and her transport.
"anything." shoola says. you think the woman might mean it.
sevika looks down at her lap and sighs. "we... we never really got married." she says. you blink, not at all understanding why she's telling the councilwoman this. "i mean... we had a party and we exchanged vows," she says, a smile tugging at her lips. you squeeze her hand and her eyes flick up to yours, before shyly darting away like you guys haven't been married for a decade now. like you guys don't have two kids together. "but we never... nobody gets married in zaun. 's expensive. the trip up to the justice is too far. and..." sevika gulps, her voice getting shaky as she looks back up at you. "and you're the reason i've fought so hard for our home in the first place." she whispers.
tears start to well up in your eyes and you let out a shaky laugh. "what, 're you proposing to me again?" you ask. sevika snorts and shakes her head before turning to shoola. the woman's drying her own tears.
"will you arrange to have us married? officially?"
"i'd be honored." shoola agrees.
the wedding is small and intimate, you and sevika, jinx and isha, vi, ran, scar, jericho, and shoola.
the councilwoman took you to a beautiful little garden a few blocks away from the council, and she married you, officially, as the sun set and your girls threw handfuls of confetti into the sky.
your whole party marches through the streets of piltover and back to zaun for the afterparty, councilwoman shoola laughing happily as you introduce her to the zaunite tradition of barcrawling.
each bar you enter, jericho happily announces that you and sevika have been freshly married. sevika, being the new spokeswoman of zaun, is quite the celebrity now. all of this is to say, you spend the night drinking many free drinks, hugging many drunk strangers, and kissing your wife on request about a thousand times.
it's the best night of your life.
taglist!
@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner
@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther
@sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai @my-taintedheart
@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette
@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp
@iamastar @sevikitty @mascdom @nhaaauyen @annesunshiner
@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke
@lavandasz @strawberrykidneystone @sevikasfan @fict1onallyobsessed
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coqhee · 25 days ago
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NO DOUBT 𓂃 엔하이픈
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✷ things enhypen does to remind you that they love you, no matter what, without a doubt
day 6 of melodies to memories ― enhypen ot7︲f reader︲fluff, comedy︲16OO
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─── ♡
LEE HEESEUNG
saves the last bite of ramyeon. heeseung is a demon when it comes to his beloved ramyeon. somedays you feel as though he might love it more than you. no matter what pack of instant ramyeon he makes, he makes sure to save you a bite. when it comes to other people, he’d rip their heads off if they even glanced at his ramyeon, but when it comes to you, he’s automatically saving you a little to remind you that you’ll always be the person he loves more than some silly noodles. 
more under the cut!
staying up late. no matter if you’re staying up late to study, to work, or just to binge your favorite series, he’ll stay up with you to make sure you’ll never feel alone. even when you tell him to go sleep, heeseung will be so stubborn and stay up regardless. he wants to let you know that he’s there, but also to make sure you’ll go to sleep at an appropriate time.
notices small the changes. even if it’s just a mild haircut, or you bought a new piece of clothing to show off, he’ll ask you “is __ new?” making sure you always feel seen and attended to. noticing the small changes in your demeanor of your words, he knows you inside and out from just studying you.
─── ♡
PARK JONGSEONG
learns your favorite songs on guitar. whenever he hears you humming your new favorite song of the week or month or finds you looping a song repeatedly, he’ll find the song name behind your back if you haven’t told him already and learn it on guitar no matter how difficult it is. he’ll then sit you down when he’s practiced enough and surprise you with what he’s learned making you smile both on the outside and inside.
listens to you. basic standard yeah yeah, but jay truly listens to you with his head and heart whenever you want to talk. even if it’s about something you found silly while you were out, he automatically puts his phone down or whatever he’s doing just to give you the attention. he’ll turn off the stove so his full attention is to you.
buys anything you vaguely mention/express interest in. you mentioned that crocheting was cute and you’d love to try it, but you don’t know where to get started? done. jay’s already bought 10 different types of yarn, all the hooks and is ready to dedicate a weekend to learning with you. imagine that, but for ANY interest possible you have. doesn’t even extend to when you mentioned you liked a cute tote bag, but it was wayy too out of your budget, yet he surprised you with it anyway.
─── ♡
SIM JAEYUN
texts you good morning and good night. jake always wants to remind you that he cares for you and you cross his mind, day and night without a doubt. every morning starts with a message, simple yet sweet, like “gmm angel :))” or “rise and shine, pretty girl <3,” often paired with an emoji or a photo of his coffee, as if he’s already thinking about what you’d like in yours. at night, just when you’re winding down, there’s always a “gnn sweets, sleep well :3” waiting for you, often with a soft reminder like “don’t forget to drink water before bed!” 
always wants to tell you about anything that reminds him of you. when he was out and about today, he saw a chair that you would love, describing how comfy it how much he wanted to buy it the moment he saw it. or the small little toy store where he saw the cutest bunny plushie you’d absolutely adore. 
going out of his way to make you feel safe. whenever you’re walking together on the sidewalk, he pushes you to the inside. or whenever he’s over at your apartment, he remembers how you triple-check the locks on your doors and windows and checks along with you to make sure you’re not going crazy, not once denying you of checking since he knows it makes you anxious. yet, at the end of the day reassuring you that he’ll be there to protect you.
─── ♡
PARK SUNGHOON
takes your photos so you can post on instagram later. whenever you’re out and about on a date, or at picture perfect place, he get’s his phone out to take photos of you without you even having to ask, knowing you’ll have wanted to capture the moment but forget later on. sunghoon always seems to know your best angles, and his camera roll becomes a collection of candid moments—your laughter in the middle of a joke, the way your eyes light up at a sunset, or the way you hold your drink with both hands, lost in thought.
ties your shoes for you. whether it’s a messy night out or a walk in the city and the straps of your heels or your shoelaces have been untied, he’s always getting down to his knees to tie them for you, always saying you can’t get your pretty self touching the floor. 
always carries your bags. no matter what store you roam into while shopping, he’ll follow close behind holding any bags you need to be carried. even when you tell him it’s okay that he doesn’t need to carry your bags, he’ll flex his arms saying he’s strong and that he’s meant to carry your bags, thats “what i started working out for,” and give a small smile as you giggle at him flexing.
─── ♡
KIM SUNOO
remembers your favorite order at your favorite restaurant. whenever you order take out, he doesn’t even need to ask you want, he’ll remember every little detail of your order, any little allergy, or certain dislike of food. he’ll remember it all. whether it’s “extra sauce on the side” or “no onions, please,” he’s got it locked in his mind. and when the food arrives, he always remembers to check that everything is perfect before handing it over to you, from making sure the drink is the right flavor to ensuring there’s enough napkins because he knows you hate when places forget them.
he cheers you on. whether that be a friendly competition between you and friend’s he’s actively cheering you on no matter what and always there to support you. you could even just be playing mario kart with your friend’s and he’d be cheering you on. 
always including you in future plans. whenever talking to friends he always says “we” instead of “me” making you blush hearing how thoughtful he is. sunoo consistently thinks of you two as an inseparable unit, now bound together, never planning to let go. 
─── ♡
YANG JUNGWON
lets you borrow his clothes. whenever you’re over at his place he’s always lending you his oversized comfy hoodies. “here, this one’s my favorite,” jungwon will say, draping a hoodie over your shoulders as you sit on the couch. it’s always a little too big on you, the sleeves hanging past your hands and the hem brushing your thighs, but that’s part of what makes it perfect. while he’s not usually a fan of sharing his clothes, for you, he would.
keeps track of time for you. he knows how distracted you can get sometimes and reminds you when you need to get going. or when you have something important coming up, he’ll mark it on his calendar to remind you, since he knows you’ll forget. on days when you’re overwhelmed and running behind, he’s the calm voice keeping you grounded. “don’t worry, you’ve got plenty of time,” he’ll reassure you, even offering to help you get ready if it means you’ll feel less rushed.
laugh at your unfunny jokes. whenever you make a joke less than ideal, or maybe the delivery wasn’t as expected. he’ll always make sure to laugh so you don’t feel uncomfortable or uneasy. sometimes you know he’s stifling out a laugh, other times you feel it’s genuine. “that’s hilarious, honey,” he’ll say, his eyes lighting up as he grins at you, even though you know deep down the joke was a bit of a stretch.
─── ♡
NISHIMURA RIKI
makes playlists with you in mind. whenever he makes new playlists for driving or his new playlist of the month, he always adds some of your cute favorite songs like magnetic illit! he likes to be reminded of you whenever he listens, smiling to himself when they come on during shuffle. when he plays them out loud, he smiles internally seeing you light up upon hearing them
he keeps little momentos of your relationship. he got a little embarrassed when you found his little box containing tickets to that one movie, or when you gave him that little sakura flower, or a polaroid photo you didn’t even know he had at the time. seeing all the small mementos—each one a reflection of the moments he held dear—melted something inside of you. they weren’t big things, nothing extravagant, but they meant the world.
he learns any dances you mentioned wanting to learn to teach you. after seeing him dance, you set yourself a goal wanting to learn how to dance so you could do silly tiktok dances with him. you could send him a reel of a cute dance and ask how to do that, and he’d learn it as fast as he could so he could teach you with excitement. he’d laugh at your struggles while learning, but end with encouragement, telling you that you did amazing
─── ♡
a/n: haii happy day 7 of melodies to memories! silly little cute one today!! yes there will be birthday fics for sunghoon and niki on top of normal melodies to memories. so double fic upload! likes, comments, reblogs appreciated <3
melodies to memories tl (open!): @pshwrldd @hhmnya @wonsdoll
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@ coqhee 2024. all rights reserved
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felassan · 4 months ago
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August 30th 2024 Developer Q&A (from the official BioWare Discord) - Complete transcript
Under a cut due to length and spoilers.
Update: This post has now been updated into a word-for-word transcript.
[Link to video recording of Q&A] | [Link to equivalent post for first Q&A (June 14th)] | [Link to video recording for first Q&A]
Update: This post has now been updated into a word-for-word transcript.
If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here. This blog post is linked in the description under the video. ( ˶´ ᵕ `˶ )
Please note before proceeding that the devs advised that this Q&A may contain minor spoilers!
Corinne Busche, John Epler and Community Manager Katey were the devs that were there.
KFM: Community Manager Katey JE: John Epler CB: Corinne Busche
---
KFM: We’re gonna be joined by John and Corinne here in a sec, just waiting for them to get on. Hey John, hey Corinne, thanks for joining - hey!
JE: Hello! Thank you for having us. It's a pleasure.
CB: Hey y’all. It's so good to see so many people, I see some familiar names here. Good to see you again.
KFM: Yeah, yeah, I'm excited to, you know, bring us this second Q&A on the Discord server. Last time we were really, really happy, with the way it happened, y'know, it turned out and how everyone seemed to really enjoy it so we're back again. Thank you for submitting your questions on the ask-bioware channel. I am going to start and kick that off in just a second, but, for those of you who might be new here, I'm the Community Manager, and I'm going to let Corinne and John introduce themselves as well.
CB: Hey y'all, I'm Corinne Busche, Game Director on Dragon Age: The Veilguard. I just generally help people on the team do cool things and create this world.
JE: And I'm John Epler, the Creative Director on Dragon Age: The Veilguard, and Corinne picked probably the best way to describe what I do, too, so I'm just gonna steal that. I'm there to make sure the team can, is enabled to do their best work and I'm super excited to share all this with you.
KFM: Awesome. Yeah before we start I also wanna give a quick heads-up, you might have seen in Announcements, but there are a couple of questions in here that we have answers to that we would consider minor spoilers. I'll give a heads-up before that minor spoiler answer is given, or even the question is read, so you can go, y'know, grab some water, or y'know, go outside for a second, or just do anything, to decide if you want to listen to the answer or not. But, I promise, these spoilers are, y'know, we'll call them out before we say anything.  
CB: That is kinda the coolest part of this session, we're getting closer to launch now, so I think we can do a little bit deeper on some of the questions this time.
KFM: Yes, no this is so exciting! Okay, are you guys ready?
JE: Yes! Yes I am.
CB: Let's do it.
KFM: Let's do it.
KFM: Let's start with a fun one. Do all Evanuris hate tea? Does Ghilly-Flower exclusively drink haunted bog water?
JE: Alright. That is a fun one. Y'know, it's funny because I think Solas is the only one of the elven gods that actually really has a tremendous aversion to tea. That said, we don't really get too into what they drink, I would say though, knowing what I know about Elgar'nan and Ghilan'nain, I think Elgar'nan probably drinks a combination of gas station coffee and the Thedas equivalent of an energy drink, at all times he's got a big Thermos with him. Whereas Ghilan'nain is all about the herbal concoctions that are supposed to be really good for like, your gut health, things like that - she really takes care of herself, so.
CB: John, I think you just described you, and then me. Interesting.
JE: Hurtful, Corinne, accurate but hurtful.
KFM: Okay, next one. So we know that we can hug Assan, but will we be able to hug any of our companions?
JE: So you can't hug your companions at all times. There's not an option to just walk up and give them a hug. They've got their boundaries, they've got their preferences. But there are opportunities in conversations, in dialogue, in scenes where you will, you know - a companion may ask you for a hug because they're having a rough time and you are able to give it to them.
KFM: And will there be a lot of politicking involved? And by politicking they mean quests like Wicked Eyes and Wicked Hearts.
JE: Yeah, so I mean, there's not gonna be a quest quite like the Halamshiral Ball, I mean that was very specific to the Inquisitor. The Inquisitor was trying to gain favor with a bunch of different factions, they were trying to form an army. Rook's struggle and Rook's, honestly,  challenge is much more immediate and visceral. That said, it's Dragon Age. It wouldn't be Dragon Age if there weren't politics. You'll have influence on the, y'know, things that are happening, and the fate of nations, that are happening around the world, and Rook, I mean, throughout the game, across this adventure, Rook does become a fairly important figure, so it's natural that you’ll have some influence and some involvement with the affairs of the different factions and nations.
KFM: Gotcha. So this question, this next question comes from Onomatopoeia. I know this has been asked before, but they didn't see an answer for it - is there a way to toggle off nudity and sex scenes?
CB: Yeah, let me take this one. It's so funny, John, you get the fun questions and I get the thirsty nudity questions - I'm here for it. So, let me, let me answer and maybe elaborate. So, there is a toggle for on and off nudity. That is one of the settings we have. And we'll be going deeper into settings and accessibility and things like that as we get a little bit closer to launch. But let me also expand on this. So when you're in character creator, you'll actually be able to select what underclothes your Rook wears, and whether that exposes your chest or your breasts. So, by default nudity is on, chest or breast, that is up to you by your underclothing that you select, particularly as you get into, say, romance scenes, but, at any point you can toggle the setting to be non-nudity and it will override your undergarments. 
KFM: Gotcha. This question comes from DarkGoddessEris. What are the companions’ ages? That was a question that actually came up a bunch, so I'm excited for somebody to be able to answer this one.
JE: Yeah,  I can take this one. So the companions in The Veilguard range anywhere from kind of early-mid twenties with Taash at the youngest, all the way up to Emmrich who is in his early fifties. The rest of the companions tend to be in their late twenties, early thirties, again though, they're all experts in their field, they're all people who have been through a lot, so even the ones that are at the younger end of the age spectrum, their experience, they've been through a tremendous amount by this point by the time you meet them, so, yeah. So I mean, I guess, Taash is the closest to Sera at early twenties, but they’re all in kinda that age range, so.
KFM: This next question I'll pitch to Corinne. How linear is the quest experience? Are there going to be side quests that you can stumble upon and resolve within areas or are you locked into a golden path?
CB: This is such a good one. Yeah, a lot of people have been asking about this so thank you to whoever submitted it. So the content in the game is a mix of directed, kinda like story quest missions, and then explorable content. Or you might say optional content. I don't even like calling it side content because it's a lot of fun, it's really good content. So to give you an idea, a lot of the main story quests are critical path missions if we want to call it that. They're very highly crafted. They're more linear than some of the other parts of the game, because we feel that’s how we can tell the best stories, give you a very intentionally-paced experience, y'know, with lulls and climaxes, so it really hits you. But that's only part of it. You're also gonna explore, fully explore a bunch of the locations in The Veilguard, so like, let me just lay a few on you: Arlathan Forest, Hossberg Wetlands, those are probably two of the biggest ones, the Crossroads - now we've seen Crossroads before in Trespasser, but this, isn't necessarily the Crossroads as you remember it. So you'll be able to explore this, this part of the Crossroads, and as you're there, you're absolutely gonna be discovering new areas, new quests, mysteries and new challenges. So exploration in the game is absolutely about player agency in these larger, less linear levels, and it's really an important part of the overall experience and core to our design. Now, as a player - and I'm just speaking for me personally - I'm the kind of player that wants to 100% every area. I want to go find all the optional quests, all the treasures, I wanna see that big 100% completed on my map. That's gonna take you quite a bit of time. So hopefully that answers the question. It is both.
KFM: I think that's a great answer, thanks, Corinne. This next one is from a user named Benedictus: Will we ever get the Venatori gear?
CB: Yeah, I can take that one as well. Venatori gear - so like, I'm assuming what we mean is for to like, wear on Rooks or on companions. Gosh, y'all, I'm gonna be honest - we really, really tried on that one. Hopefully you've seen in the videos our cloth sim, our hair sim, I think it's quite beautiful. The Venatori gear, generally we couldn't make that work to the quality we'd expect within combat. So, no you can't get most of the Venatori gear, but I will say there is a unique Venatori-themed helmet. I, I don't want to spoil what that is exactly, but, so, you can get a helmet, it is unique, it's pretty interesting and ties into some of the events that can happen in the game but I'm just gonna leave it there.
KFM: Gotcha. So, now we're getting into our first real minor spoiler question, so - consider yourself warned, do whatever you need to do, either listen or don't for the next, like, I don't know, minute. So this question is from Kala: Will there be any romanceable NPCs outside of the companions?
JE: I'll take this one. So, no - not this time. This time the romances for Rook are strictly within the companions. We wanted to really focus on those relationships and make sure that they were as developed and as deep as we could make them. And yet honestly and part of it - the other side of it is - Harding was a great example in DA:I, that was a character that as we were building the game, it really struck us, stuck out to us, this is a character that, actually, y'know, you see a lot, you build this very specific rapport with, and the writer, Sheryl, wanted to create that light romance with Harding. None of the characters in The Veilguard really jumped out to us in that same way as, this is a character we really want to build a relationship with, for Rook, but again, y'know, really focusing down on making sure the companion romances were as deep and meaningful as we could make them.
KFM: And this question is just for fun. So we're passed a spoiler, we'll get back into other spoilers in a bit, but this one's just for fun. We have so many cute, silly bird videos on the internet - Lucanis' Ninth Dagger, by the way, says that birds are their favorite animal - if you could just snap your fingers and a bird Easter Egg would be added for Assan, what would it be?
JE: Oh, that's a good question. So actually I'm gonna cheat, because I am trying to think of bird memes, or bird videos specifically, and I'm having a hard time, but, y'know, the thing about griffons is that they're half bird and also half lion, so I'm gonna go with a cat meme, say my favorite meme, and this is one that still brings me joy years after it came out, is the video of the cat grooving to the guy playing Finnish polka on the drum. Again, years old, I've loved - that's one of my favorite videos on the internet, so y'know, if we were gonna give Assan any kind of Easter Egg it would be that one.
KFM: I love that one - 
CB: You know, don't judge me on this, you're putting me on the spot here, but, the only thing I can picture in my head - y'all remember that video a few years back where the kid unleashes the rabbit into the field and then immediately that hawk comes down and snatches it up?
JE: Yes!
CB: Don't judge me, y'all! Don't judge me. But that's where my head goes.
JE: Oh, man.
CB: Assan just getting a little treat.
JE: I love that.
KFM: I love that.
JE: That's a great, that’s a great answer, Corinne. Fantastic.
KFM: So this next one is from a user named Ash. So Taash breathes fire, Lucanis has wings, Harding is a dwarf who has magic. A lot of our companions have some strange abilities - is this because the Veil is compromised?
JE: Oh, I'd say it's, I mean partially yeah. I mean, we've talked before about how over the course of the time since Dragon Age: Inquisition, I mean, it started at the end of Trespasser. The Veil's not in great shape. Corypheus already did a number on it, and Solas has very clearly, as you saw, in the [inaudible] preview, not been making things better in the intervening times. So, there is to some degree, y'know, I'll use Bellara as an example - Bellara's someone who's seeing these artifacts turn on, and being able to interface with them because there's all this magic that's coming back to the world through the torn Veil. Other characters though, I mean, you are recruiting people to stop the end of the world. You're recruiting extraordinary people, they're gonna have extraordinary abilities, and you know, someone like Davrin, a lot of his abilities are focused around Assan and the fact that he's got this partnership, this, almost, you know, familial bond with Assan, his griffon, so.
KFM: Can we get some Assans in the chat?
JE: I think I'm seeing a lot of Assans in the chat, so I think we're well covered there.
KFM: Me too.
KFM: Alright. This next one is for both of you, and I will say, another quick little spoiler, minor spoiler warning, depending on the way that either of you might want to answer this question. This is, of all the companions, who's the team's favorite and what companion was the most difficult to design?
JE: Ooh. I'm gonna cheat, I wrote Bellara so, I’m definitely not gonna say the companion I wrote because that would be weird, but I will say I loved the companion interactions so I'm gonna go with two of my favorite relationships that Bellara has within the team, friendships that she has within the team. So, Bellara and Lucanis start off as two characters who feel like they're from completely different worlds, their experience growing up was very different, where they lived, what they do, and over the course of the game, they kinda build this friendship over all these things that despite again - very different upbringings - they have a lot of things in common. They're both the, y'know, characters who just believe family is deeply important and that shows up in a lot of their interactions, a lot of, y’know, the way they talk to each other, they interact with each other, both within the Lighthouse but also out in the field. The other one - and this was one that came up organically as we were building the game - is Neve and Bellara and they, y'know, Bellara is a character who, y’know, despite being out in Arlathan is very big on stories, very big on - she finds - gets all the newspapers from Tevinter and she has kind’ve learnt who Neve is through that, and they build this very sisterly relationship that I love and that over the course of the game, I mean, we started out without this kind of as the intention, we started finding all these places that this can show up and it turned into, again, one of my favorite friendships that exists between the companions, so.
CB: Oh, that was such a good answer. Yeah, I think I might cheat as well, John, because, first of all, I don't want to speak on behalf of the entire team. So I'm gonna give you my two faves if that's alright. And I feel like y'all already know me on this. Every time we have a chance to talk about Taash and Emmrich I'm right there for it. I'd say they're probably my two favorites, but here's the thing y'all, here's why I love them so much. When you're out in the field like exploring, or on missions with them, their banter is so good, because they do not see eye-to-eye on necromancy, like, at all, and, it's really funny, it's really delightful, I love seeing how it evolves - so like, look - if you wanted a recommendation from me on like, banter in the field, you've got to hear Taash and Emmrich. Most difficult to design, let's touch on that really quickly. I, so, I'm gonna answer, but I don't want to say that like we put more effort into one versus another, but I would say the most challenging was probably Harding, just because you've probably seen if you saw some of the teaser footage, the pre-release trailer, we have teased some strange new powers for Harding, and when we do that we have to figure out how that layers into her combat kit, and when we onboard that, and, yeah it was an interesting challenge, it was a really fun one.
KFM: Awesome. Backing away from spoilers for a quick second, I'm going to ask this question to Corinne. With only two companions per party, as a Nightmare mode player, how can we balance not having a warrior in the team to tank? Will higher difficulty players be forced to bring Davrin or Taash for a melee instead of bringing the characters that we want?
CB: Oh super good - I was hoping this would come up, especially after we released the combat deep-dive for warrior trailer - hopefully y'all enjoyed that. So, let me start by telling you what's happening under the hood. Well, first of all, I'm not gonna bury the lede - you're not gonna have to bring a tank if you don't want to. But, let me first tell you what's happening under the hood, this is gonna be kind of high level, maybe we can go a little bit deeper when we have more time. Behind the scenes when you walk into an enemy encounter, we generally know how much pressure, or you could say intensity or aggression, we want to be putting on Rook to maintain that satisfying moment-to-moment experience. So to give you an idea of some of the levers we have for each encounter, that is the number of enemies that could be specifically focused on you versus your companions, how many enemies can be attacking at once, and even when you have multiple enemies coming at Rook, we have a ticketing system.
[text block character limit reached]
CB: And what that means is each enemy basically knows when it is allowed to attack or not. So, I tell you all that because basically when we're looking at the different types of classes and team compositions, those levers exist underneath the hood, so that we give you the most autonomy and flexibility, but also maintain that, that pressure, that engagement for you the player. So, a couple of other things on that. Now that you kinda get a sense of like what's happening under the hood, it is absolutely beneficial, but not required to have one of each class in your party. We did go into this with the goal of giving players more flexibility than perhaps we've seen in past entries. It's just a different approach. What we know is that players tend to get very attached to certain characters. If you've got your favorites, you oftentimes wanna bring them with you or if you're romancing a character, sometimes it's a feelbad to feel like you have to leave them behind because maybe they're the same class as you. So, the whole game is built and balanced around flexibility, and giving you the agency. So you can be successful, you can mix it up, but you gotta plan for it. So what, what do I mean by that? If you're not using teamwork, if you're not planning for your party composition for those synergies, it's definitely not gonna end super well. Right? Like, I've done no tank runs, but it takes some foresight in the strategy here. So I'll give you an example if you don't mind, I think I've been pretty out there that my favorite class and specialization right now - could change tomorrow - is the rogue Veil Ranger specialization. And this is very much a ranged archery-based specialization. So, I want to keep enemies at ranged, because I want to get those well-aimed critical hits, right, if those enemies are right up on top of me, I'm not gonna be able to do that. So if I don't have a tank in my party, a couple of the tools that I turn to - and I have done this, in fact, in my last playthrough I did this quite a bit - I might bring Bellara and use her Galvanic Tear, which pulls all the enemies towards like this really cool-looking gravity well and gets them off of me. I might instead use Neve's Time Slow. So the cool thing about this is it slows time for everything in the world except for you and your team, right? So I'm running away, I'm doing a Heavy Draw, getting those headshots, or making other tactical decisions. I could also turn to my rune loadout - hopefully y'all saw runes in the warrior combat deep-dive - that's an important part, especially if you're playing on Nightmare Mode, the strategic and tactical options that gives you, will allow you to overcome things like not having a tank. I think everyone may have saw the rune where you're doing a, basically an AoE freeze, and freezing everything in place. So it's kind of a long-winded answer, I'm sorry, it's complicated, but point is, is I think you're gonna have more flexibility in your build crafting and your synergies, but it's gonna depend on the strategy and composition that you feel works best for you and your own preferences. And then you did mention Nightmare, let me just finish with saying, and this is anecdotal, but in our own Nightmare playthroughs, we actually find that the most challenging aspect to plan around isn't necessarily aggro management, but making sure you have coverage on all the various elemental damage types. So, I just say this for anyone planning to go into Nightmare - plan well.
KFM: Staying on the topic of combat, it was noticed during the high-level combat videos that weapons and armor seem to be tied to different factions. Are there bonuses or something similar involved if Rook is a Grey Warden while using Grey Warden equipment? Are these removed if a Shadow Dragon Rook is using Grey Warden equipment? 
CB: Oh, interesting. You know, everyone went deep on that gameplay video, hey, I’m glad you noticed that. Yeah, so, to answer this, you're going to be working really closely with the factions in the game, right? Like the threat you’re up against is a world-ending threat so you’re going to interact with each of these factions. So that means that you’re gonna get a lot of the gear that that faction tends to use, and especially the stronger you help them become, the more gear you’ll have available from that faction. So when you see a piece of gear that has like the Veil Jumper icon on it, that signifies that it is aligned with that faction, but you can use it regardless of if that’s your faction background or not. All it means is that, you know, if I want to maybe improve it or get more gear in that vein, or that looks similar, I can see it’s from the Veil Jumpers, I’m going to go back to the Veil Jumper quartermaster, and that’s where I will find more items of that type or upgrade possibilities. But it also leans into the thematic identity. So, you know, I think in that video we were using the transmog system, but if I’m using a Veil Jumper gear like an armor, it’s gonna look like it was crafted by the Veil Jumpers, and it’s gonna lean into the mechanical themes of the Veil Jumpers as well, which, one of those themes tends to be lightning damage. Now, I will also say, and this is a little specific, but occasionally you will find gear, or even like skill nodes, that will occasionally be empowered, they’ll get stronger relative to your strength with that given faction. So like if you find a piece of gear that’s really core to your build, and it strengthens the stronger the Veil Jumpers are, like that gives you a pretty good signifier that maybe that’s a faction you wanna focus on.
CB: Katey, I don't know if you're still there.
JE: Yeah.
CB: Did we lose you?
[there is silence on KFM’s line]
JE: Ope.
CB: We may have lost Katey, y’all. 
JE: We can start, just, you know, let’s - 
CB: Yeah. Why don’t, why don’t, I do have the list of questions here so why don’t I ask the next one until Katey comes back. I hope everything’s okay on your side Katey. Alright. Next question I see, the Evoker description on the blog-post highlights ice-based magic. Does that mean we will not be able to have lightning- and fire-themed playstyles as the Evoker? No, no, absolutely not. The Evoker can lean into all of the elements, in fact, all mages can to a degree. You probably have seen the skill trees, you’re gonna pick up abilities, perks, traits, of all elemental types, and powering up those elements. So just because you’re an Evoker, doesn’t mean you’re like pigeon-holed into ice spells. What I will say is, if you’re heading towards that specialization, you’re gonna pass through the section of the skill tree where you’re more easily going to be able to naturally pick up those ice spells, right? So it might lean towards ice, but you can expand it. The name of the game is agency here.
JE: Corinne, why don’t I ask you the question so we can still kinda do a Q&A thing? CB: Yeah, that, that sounds good.
JE: Corinne, can I set the gear to look however I want without losing stats? And that is a question from YoCallMeRob.
CB: Alright, well, y’all know, fashion’s the true end game. So, we did confirm we have a full transmog system, so what I’m gonna do is spend some time going a little more in-depth for y’all, so that we’re getting new information. So yeah, if anyone’s not aware, transmog basically is, I have a piece of gear, but I apply an appearance to it that makes it look like something else that I like better so I can be fabulous. So, how this is gonna work is you’re of course gonna find gear as you adventure through the world, and you can equip that. But any piece of gear you find is also going to unlock the appearance for that gear. So you might find something that you really like, and you wanna look that way, and then you replace it, anything that you’ve already acquired, you can apply the appearance to whatever gear you want. Additionally, and this is one of my favorite parts, is, you’ll also find some appearance-only cosmetics that are specifically used just for transmog. So sometimes these are some of the fancier or more niche pieces of gear, maybe end up looking like a training dummy for instance. So you’ll get these appearance datas from opening treasure chests, exploring the world, and more frequently from vendors. So, look, if you’re in it for fashion, check out those vendor inventories because they got you. I would also say that you can transmog your casual wear, so field wear and casual wear, fully transmoggable. If you wanna be platemail while you’re hanging around the Lighthouse as a mage, more power to you. And then if I were just to give you a practical example of this, like on the Blood Dragon Armor, the pre-order bonus, those are cosmetics, those are just appearance datas, right, so they’re effectively evergreen, you can use them anytime you like without compromising your stats.
JE: I will say that I don’t think I’ve spent as much time in any other menu other than transmog, because as Corinne mentioned at the beginning of this, fashion is the true end-game, so. Katey, have we gotcha back yet?
JE: Katey, have we gotcha back yet?
KFM: Am I back? Can you hear me?
JE: Yay, you’re back. 
CB: Katey, we did our best Katey.
JE: Yeah.
CB: But I don’t think we were very impressive -
KFM: No, I think you both did a great job. It was one of those weird situations where Discord force-quit, but I could still hear everything everyone was saying. I don’t really know what that was about, but.
CB: I just assumed you didn’t like my answer.
KFM: Yeah, I rage-quit actually Corinne, it’s all your fault.
JE: Taken by the Fade.
KFM: No, thank you for taking over while I was figuring that out. There is a non-zero chance that that happens again, so just keep an eye out. 
JE: We’ll keep an eye out for it, we gotcha.
KFM: Thank you.
KFM: So I’ll just pick it up from the next question. The latest, latest - wow, I can’t even talk anymore - video series mentioned how each companion can set up or detonate specific combos. Are those always set in stone or would we get opportunities to change it up, through the skill-trees or otherwise? 
CB: Cool, cool, cool. I eat up these really specific combat questions. So first, let me give you an overview of how the primer-detonator relationship works between the classes. Like, this is very nitty-gritty y’all, if this is your jam, get your pencils out. So here’s the overview. Mages, and this whether, this is true of companions and Rook, mages apply weakened and overwhelmed debuffs, and those are two of the debuffs we call primers. Magers detonate the sundered debuff. Then if we go to rogues, rogues apply weakened and sundered debuffs, and rogues detonate overwhelmed. Warriors apply sundered and overwhelmed, and warriors detonate weakened. So you can see, kinda the interesting rock-paper-scissors relationship there. And when I talk about it as beneficial to bring one of each class? It’s just the inherent nature of that rock-paper-scissors relationship that I’m really thinking of. But, to answer your question, that is just the baseline, that is the default if you don’t modify it. Throughout the game, you will find opportunities, whether it’s from gear, skill-tree nodes, even runes, that allow you to break this paradigm. So when it comes to your companion builds, again it all comes down to the abilities you choose, what gear you’re equipping them with, how you allocate your skill points. Yeah, does that answer the question? There’s quite a bit of flexibility but there is a baseline paradigm as well.
KFM: Yeah, I think that answers the question.
KFM: Let’s see. The next one is, will we see a bit more the Lighthouse before release, as well as non-combat gameplay?
CB: Yeah, yeah, absolutely. We’ll keep it brief here because we are gonna be talking more about exploration and the Lighthouse next month, so forgive me, but I’ll say stay tuned on that one.
KFM: Alright. Then, this next one I believe is a little bit of a spoiler. I know that some people have, can’t hear me still for some reason, if you can’t, tell folks to quit Discord and rejoin it, but -
CB: Okay, minor spoiler y’all, if you can’t hear Katey, this one’s a minor spoiler.
KFM: Yes. Thanks Corinne. This one is, will we be able to give gifts to our companions, either generic or plot-specific?
CB: Yeah, you sure can! I actually wanna shout-out one of our lovely designers, Dusty. This was a passion project from him. He was advocating for this. So, the cool thing about this is, it’s not like a transactional thing, like where I’m gonna go farm a bunch of like nonsensical items and just like, mechanically turn them over. Out in the world, and there in various locations, so you kinda stumble upon them, you can buy a gift that is very personal to any one of the companions, and then you go, you turn that into them, you give it to them, they have a nice acknowledgement. And then, the thing that’s just like so sweet about it, we’ve talked about how the companion rooms evolve over time, but if you go and get them one of these, like, very personalized gifts, they’ll display it in their room. Like it doesn’t go into some stats void. It’s actually on display.
KFM: I love that.
KFM: This next question, I'll pitch it to John. Some of our companions like Neve, Emmrich and Lucanis have been in past short stories and comics and there's also a passing resemblance to some of the old concept art from years ago. What is the process like for making a character at some point and then planning to bring them back as a companion, or were they always written or designed and intended to be companions?
JE: Alright, that's a great question, and it's actually one I'm gonna go a little deep on. So, as we build the game, as we start writing companions we see how they fit in the story, see how they fit together. Some characters have been around, some character concepts have been around for quite some time, others come in a little bit later in development as we realise we have a gap, you know, something in the story that we need someone, who makes sense to fill that gap, to be that character. But part of it’s also just as the writers we want to make sure that the people who are writing these companions are passionate, and they're writing a character they want to write. We don't want to just say "we need X, Y and Z. Write a companion to fill these gaps", but it'll be "hey, in this story, it really doesn't make sense that we don't have somebody, ah, doing X, is there a character we can build for that?" And so, y'know, you'll see the old concept art and a lot of those concepts, y'know, a lot of those, kinda the core of those characters remains intact, we may have changed details of them, we may have decided "okay, they were going to be X but now Y makes a little bit more sense" - Or as a writer I'm a little bit more interested in why, y’know, what, this particular concept speaks to me more. In terms of comics, short stories and such, generally speaking - and this isn't universal - but generally speaking, writers are writing these short stories in particular, it’s a volunteer, we ask the team, like, "hey, does anyone - we've got this short story anthology, who wants to write something for it?”, so writers are going to pick characters that they're passionate about and in those cases they tend to be their companions, so for example. You know, Neve’s shown, is mentioned. Neve, Emmrich, Lucanis have all shown up. Those were written by people who are passionate about those characters and we had already intended for them to be companions. Other characters, though - I mean, and Harding is an excellent example - we create a character to fill a role. In the case of Harding, she was in Inquisition largely to be there to kind of connect those exploration spaces together and give you a sense of the Inquisition’s presence, and then we saw the fan reaction, but beyond that, Sheryl really wanted to explore Harding's arc more deeply, so she got promoted to be a companion as well, so, yeah, I mean, it's an organic process, and I mean again, it comes down to, we want to make sure the people who are building these characters, ah, not just the writers but also the artists, y'know, the cinematic designers, the editors, y'know, the gameplay people, are excited to build these characters. And you know, and actually, I'm gonna go a little bit side topic on that. Bellara's a great example where we knew what Bellara wanted to be, needed to be in the story, but gameplay-wise it took a bit to kinda land on how her gameplay and her character arc and who she was melded together. Y'know, Corinne’s talked earlier about the companions and how they show up in gameplay. A really big thing for us on this project is making sure that the gameplay reflects the characters, their arc and their personality as much as possible, so. Yeah, kind’ve a long answer to say, it depends, but yeah, generally if they show up, especially in something like a short story, we’ve already intended for them to be a companion because, those are the characters that people, the writers are most passionate about, so.
KFM: I love that.
KFM: Apart from wanting to try different classes, what are the main incentives for multiple playthroughs now that, now that stuff seems more overall universal, to be attempted all in a single playthrough. Are there choices presented freely - are there choices presented that are impactful, that wildly different outcomes will come from, while - wow, wow, wow, let me start that one again. I think it’s just, I’m reading it straight off the sheet. 
JE: No worries.
KFM: I'll start from the top. Apart from wanting to try different classes, what are the main incentives for multiple playthroughs now that stuff seems more universal, to be attempted all in a single playthrough? Are there choices that are impactful and wildly different, and different outcomes and decision paths?
JE: So, I mean, there's a few incentives, one of which, is, and I mean, the most basic is, the three classes from a gameplay perspective do play differently and, you know, I’ve, it’s funny, Corinne was talking about how her favorite is the Veil Ranger but that might change. Mine literally changes every time I play, I start a new playthrough, I develop a new favorite class, which is the class I'm currently playing. But more generally, yeah there are choices in the game, there are different outcomes, there’s content that does, that you will see or won't see based on choices you make both within the critical path of the game but also with the followers themselves so, y'know. You're not going to see everything in a single playthrough, you're not even going to see everything necessarily in a couple of playthroughs, but, y'know, you want to see how your choices have different outcomes, that's the best way to do it. 
KFM: This question is - I understand mages having very magical-looking moves, but why do rogues and warriors also have very magical-looking moves? Was making every class look like a mage a purposeful choice? 
CB: Cool, cool, cool. So it's a multi-part answer, but yes, everything we've done has been with intention towards supporting the overall player experience. So I guess the first place I'd go to answer this is from a game-tuning and balance perspective. We knew that supporting multiple damage types like physical, fire, electric etc, that was gonna be an important factor in the strategic depth of the combat system, particularly as it leans into builds and the strategies you'd use to take on various enemies. It’s not the extent of it, but it's an important part of it. So that meant that making sure the various classes in some capacity have access to some or all of these damage types. And that then means that we need to make them read visually as such on the battlefield. So the first part is about making sure you have those strategic options on the battlefield. But there is more to it than that I'd say, we also found - and I've heard this from a lot of you, that some of our magical hybrid classes have been amongst the favorites. My goodness the discourse around Knight Enchanter - 
JE: M-hm -
CB: - So this felt like a very thematic way for us to support that goal if that makes sense, the goal of game balance but also leaning into the things that seem to resonate the most. If I was to just focus on the Warriors out there for a minute though, because we just released the warrior deep dive, we've actually long had a goal within the team of making them more visually interesting and impactful. We know, and I’ve heard from a bunch of you that warrior, y'know, tends not to be peoples’ first choice, but hey, any of the warrior fans out there - big props to you, because I love them, too. So this was like our chance, really, to show what a warrior can do, to make them feel like they have a presence on the battlefield that could be as interesting as some of the other classes, but I will say, I absolutely recognize that there are those of you that like, if you're playing a melee class, you even want a pure, like, physical-based warrior aesthetic, maybe something that's a little more grounded, you can generally make a build that's more physical-focused if that’s more your taste.
KFM: In addition to playing the first three games, what comic books or novels do you recommend reading before playing The Veilguard?
JE: Oh, that's a great question. I mean, generally speaking, one of the things we wanted to make sure with The Veilguard was that players could get into the story, understand what was going on without needing to, y'know, get into the ancillary material. I love the comics, I love the novels, I love the short stories, but they are intended to be kinda side content. One of the things that we hear loud and clear is sometimes folks don't really want that to feel like I need to have read this, I need to have seen this comic, I need to have watched that show for it to make sense. That said, I’d say The Missing, the most recent comic series. is a very clear lead-up to the beginning of The Veilguard, it's setting up events, it’s kinda setting up, y'know, Varric and Harding's search for Solas, it sets up some of the characters that you'll see in the game. Tevinter Nights is another one, not - we mentioned earlier that some of the companions show up there. Beyond just the companions, there’s some thematic stuff that comes out of that as well, some things that we kinda wanted to set up when we wrote those short stories, like, giving you an idea of what the worldstate is, how things have changed over time, and then I’d say, you know, more very recently, we have the podcast, Vows & Vengeance, which is intended to give you a taste of the companions and also, again, talk about the worldstate of Thedas at this point, you know, giving you kind’ve the lead-up to weeks before the events of the Veilguard, so you do have that sense of what’s going on, who are these people, and how, you know, when I first meet them in The Veilguard, you kinda have an idea of who they are. Again, though, this is all stuff that I think enhances the experience, but it’s not required, there’s never going to be, we’re never gonna put you in a situation where a character shows up and, you know, everyone makes a big deal out of it, and you’re sitting there wondering like, who, who is this person? Because they were introduced in other media. We always wanna make sure that you understand, that the only thing that you need to have done to understand The Veilguard is play The Veilguard, so.
KFM: Awesome. Also, yes, Vows & Vengeance is so good, so definitely, you know, give it a chance. The first episode is out now. I think a lot of people in the Vows & Vengeance Discord server, Discord channel are, are really stoked about it.
KFM: This next question. Will we be able to adjust how much damage the companions do in the accessibility settings?
CB: Yeah, so our customized difficulty, and accessibility settings as well, they’re more focused on how you the player experience the game while in control of Rook. So, things like enemy health, timing, things of that nature. So not in the settings, no, but if you really wanna be that kind of player that wants to amp up your companions, like have them do a greater share of the overall damage, there’s a number of ways to accomplish this. You’ll get gear that just strictly says, your companions do more damage. And then there are some unique buffs we support like Rally Party, so you as Rook can trigger this surge in your companions’ ability. So, again, we know how diverse the motivations are within the player-base, so we wanted to make sure those tools were there for y’all.
KFM: So now we’re getting back into spoiler territory. There’s minor spoilers, but, you know, definitely, take heed, for the next couple of minutes if you don’t wanna hear them. Okay, we ready? Will we finally meet Maevaris Tevani in Tevinter?
CB: Oh my goodness, y’all. Alright, you got the spoiler warning, so when I talk about cameos and appearances, don’t say I didn’t warn you. Okay, this one’s very near and dear to my heart as a trans woman myself, I’m pretty open about that. Yeah, yeah, our dear Mae, she’s in the game, happy to confirm it, and I am, every time I see her I absolutely freak out. What I’m not gonna tell you though is what role or capacity she plays, so you’re just gonna have to wait and see. But Maevaris Tilani, she’s in.
KFM: I am living for chat right now. Like, I try not to look at it too much during these, because it’ll distract me, but I’m living for chat right now.
KFM: This next one is also a minor spoiler. Will we find out what happened to Lucanis' parents, for his grandmother to have had charge of him?
JE: Yeah, so I mean, Lucanis is an Antivan Crow. If you know anything about the Antivan Crows you know that they are, well, assassins, and assassins tend to have fairly deadly politics, and the daggers are a lot more literal than you would see somewhere like Orlais, so. That’s all I’m gonna say. You’ll find out, you’ll find out at some point for sure.
KFM: We’re doing a great job at not giving too much away.
KFM: Do we get any jealousy dialogues from any of the companions if you switch up your romance plans partway through? Are any of the romances hard-locked at any point?
JE: Yeah so, you can, I mean, once, there is an opportunity, or there is a place in a romance where you essentially commit to it being exclusive. And we really wanted to make sure that, A), we were very up front about the fact that you were committing to an exclusive romance at that point, and before that, it is portrayed as, you’re flirting, you’re kind’ve, you know, figuring out each other. So, not, there’s no jealousy dialogues, but there are - places where you commit, and we wanted to be very clear to fans. There’s also going to be a place, because I think I’m reading this right, where, there’s a point in the story where if you haven’t committed, if you haven’t said like, yeah, let’s, let’s, you know, I’m in for it, I’m up for this, let’s do this, where you no longer have that opportunity. We’re very clear about what that point is, because again, we don’t want people to be missing out on a romance, to think like, I’ve got some time, you know, I really wanna romance Neve, but, I’ve got a little, and then find out that no, in fact, you don’t have anymore time, so. 
KFM: Are class specializations locked to a particular faction, or can Rook only learn a specialization from a particular faction, like through a faction trainer?
JE: So, the specializations are a lot more thematically tied to the factions than they are a strict, you must be X faction, you must get it from this person. You know, for example, I’ll use the Veil Ranger is all themed, as Corinne said earlier, around electricity, around the use of the Veil, around the use of that kinda magic. So while they are thematically tied, there is no, you must be a Crow to be a Spellblade for example, and part of that is because, while we do like having that connection between gameplay and, you know, roleplay, we also don’t want you to feel like, well, I really wanted to be a Spellblade, but I also really want to be a Grey Warden. We don’t want those two things, sometimes we want gameplay to influence narrative, but we never want you to feel restricted by one against the other, if that makes sense.
KFM: Yeah, definitely
CB: Katey, can I go off-script really quickly?
KFM: Of course.
CB: Alright, so I saw someone post in chat, “okay, poly next time, though”. Let me just say, I cannot make promises, I cannot, but I’m with you. I’m with you. 
KFM: I love it. Anytime you wanna address anything that’s happening in chat, by all means.
JE: Oh, shit, copy that.
KFM: I mean, don’t go too crazy. Alright.
KFM: This next question is from Que Sera Sera. Will we be able to change the font size in the UI, subtitles etc?
CB: I can take that one. So, quick reminder, we are gonna do a deeper dive as we get closer to launch on accessibility settings, but let me just answer this one. Yeah, yeah you absolutely can. There are limits of course, but as a fellow person who often has to squint, I’m 42 y’all, my eyes are starting to go. I can play comfortably, I suspect most players will be able to play comfortably.
KFM: Will there be a way to save characters we make so we don't have to start from scratch each time?
CB: Heck yeah, you absolutely can. We, I mean, look, all of you playing Inquisition, you’re still sharing your OC and your characters ten years on. We know how much you love it, so yeah, yeah, absolutely. I do wanna have a, some caveats here though. So, it’s when you’re in the character creator, you can import the character appearance, it’s just gonna be the appearance data, from an existing save of yours. So when I say an existing save, just let me put a very fine point on it, that save has to be local to the machine. Remember, we’re an offline game, there’s no online character sharing built in. But for those of you that like, your OC, are very near and dear to your heart and every time you replay you like to have the same character, and you’ve spent hours and hours and hours working on it, yeah, you can import that.
JE: We saw how many of you were saving screenshots of sliders in DA:I, and that was not a great experience, as we’re well aware, so.
KFM: This next one is, are companion quests going to focus on internal factors or external personal events? Like will it be a growth in character and self-discovery, or are they firmly-rooted in their sense of self and will ask for/need help with their factions, interpersonal relationships, etc?
JE: So that’s a great, another great question. It’s a mix of both. I mean, each companion has their own personal arc over the course of the game. You know, you go on missions with them, you solve problems with them and the nature of those problems, you know, it’s, the problems are a lot, often-times very external in nature, you know, something’s happening that they need help with, but most of the time those problems are also tied to their own personal growth as a character. Again, you know, we really want to make sure that players feel invested in these characters, feel invested in their stories. And we also want to show that these characters do grow over the course of The Veilguard, this is, there aren’t characters that remain completely static from moment one to the end-game. These are characters who grow, and you help them grow. They’re still, their problems are still not going to like, they’re not sitting there saying, well, Rook, you need to do everything for me, but you are, you’re intended to be the leader of this group, but also, you can be their friend and help them with things that, their challenges, so. Yeah, I mean, it’s, it’s a mix of both, we really just, it comes down to the individual character and there is a lot of nuance in that answer I think too.
KFM: This next question from XenoGabby is a minor spoiler, so you’ve been warned once again. The question is, is Lucanis possessed?
JE: So, again, spoilers, everyone has been warned, fairly warned. So Lucanis Dellamorte is also known as The Demon of Vyrantium. And, he has spent a lot of time killing Venatori, who are mages, and who do know a lot about demons, so. Yeah, somebody decided that it might be a good idea to make that nickname stick.
KFM: And this next one, from a user named Crom, is there reactivity towards the specialization that you chose? Like some people might trust more Champions, or maybe freak, others will freak out with Death Callers or Reapers? 
CB: Yeah, what a good question, so, in general the reactivity is reserved for things that aren’t necessarily likely to change, things that can create a throughline that we can keep building and building upon, so like your faction, your lineage, your class, your choices. So that keeps a consistent narrative thread with those elements, and then we can assume that thread continues from A to B. So the answer is no, they don’t react to your specialization, but in part that’s because you can full refund, you can respec at any time, you might a Death Caller one moment and another specialization on the next encounter.
KFM: And, this next question. You mentioned encountering companions on their own missions in the world. If I keep my party mostly the same, does that mean that I miss out on their side missions, or are they unavailable to be picked up during that time? 
CB: Oh, yeah, yeah. I mean, you’re, you have all the tools that you’re not gonna miss out on quests based on who’s in your party. How would I answer this - so, there are certain plot elements that can change what quests are available to you, and in some cases, some quests that you might have in your journal can actually expire based on choices and how you advance the plot. So there are ways that quest content gets cut off, or alters. But in general you have the visibility and the tools so that you won’t miss out on it. I can give you a couple of examples, that might be helpful. So when you meet companions out in the world, there’s kinda like a couple of different ways that they can show up. In a recent playthrough, I was exploring Hossberg Wetlands. It was technically for a quest that should’ve been more oriented towards Davrin, but I didn’t have him in my party, and as I got close to the objective, he showed up with Assan and helped me clear the path forward. The other way this will happen, I was out in Arlathan, actually doing, on my way to do a main story mission, and I get to the far reaches of Arlathan Forest, and I already knew that Taash wanted to help me with some of the challenges of that arc. Well, Taash is right there waiting for me, so I actually chose to instead like, ah, Taash seems impatient, I’m gonna actually jump on that story arc right now instead of what I intended to do, so. Just some examples of the way that as you’re journeying through this world, opportunities are gonna show up, but they allow you just to express more agency, you’re generally not going to miss them.
KFM: Awesome. This next one is, minor spoiler, you’ve been warned. This next question is from Tazaba. What's the difference between the Veil Jumper faction and the Veil Ranger Specialization?
CB: Yeah, okay, so, yeah we just wanted to kinda flag this as a spoiler, just because there might be assumptions about how you take on specializations in this game. So John touched on this a little bit already, but specializations really represent the training and fighting styles used by a given faction. As John mentioned, you do not have to be a Veil Jumper to choose a specialization that’s associated with the Veil Jumpers. You’ve just been around them, you’re aware of their techniques, and you wanna take that on yourself. So, in this particular case, and I get the confusion because Veil Jumper and Veil Ranger sound very similar. If I’m playing as a rogue, using the Veil Ranger specialization, all that means is I’m fighting in the style of the Veil Jumpers, like they do, with bow and arrow, typically with electric damage, that sort’ve thing. So just, to be super clear, it’s not required that you have to play a Veil Jumper in order to be a Veil Ranger.
KFM: This next question is, where is the equator in Thedas, or the planet Thedas is on, relative to places we’ve explored?
JE: That is a great question. So, I will say that, you know, it’s funny until I saw this question, it’s not something I’d ever thought a lot about, but as I started thinking about it a little bit more deeply, based on how the climate changes across Thedas, you know, obviously, to the south are the Avvar and things get a little bit more wintry, and then up north is a lot more tropical, I’d say that Thedas is a southern continent on this world, so.
KFM: Are there any main story missions that require you to use a specific companion? Kinda similar to a previous question.
CB: Yeah, yeah, yeah. So, there are a few, yes, again, in the warrior deep dive, I’m not gonna describe it, just in case anyone, you know, didn’t wanna have spoilers, you can see that a companion was required for that. However, that’s the exception rather than the rule. In general, we try to give players the agency to bring who they want for these moments. There are these times where a companion, either their faction or their story arc is so closely tied or intersects with the events of a main story mission that they do become required, but it’s not the standard. And then of course, in general, if you’re doing your companions’ arcs, those are the moments where they’re more than likely gonna be required.
KFM: Will we be - 
CB: It's pretty flexible, like if, if you’re worried about like, every mission I go through, like am I gonna have someone that is gonna be mandated? Generally not.
KFM: Sorry, I almost talked over you there Corinne, my bad.
KFM: This next question is, will we be able to pause cutscenes? Will there be any kind of dialogue history to look back on if we miss what was said? 
JE: So, you can pause every cutscene in the game. Obviously, life happens, you know, somebody, maybe you’re cat’s, you know, just to use an example that definitely doesn’t happen to me regularly, my cat might be throwing up in the next room and I need to find a way to get her off the carpet and on to, you know, not the carpet, so you can pause any cutscene, and conversation. There is no dialogue history at the moment unfortunately, and that’s not something, we did look into it but it’s just based on how the dialogue is structured and how it’s built in this game, that’s not something that we are going to have unfortunately. 
KFM: I saw somebody say “cat vomiting is so real”, and I agree, sometimes when I’m playing games, my dog decides to do something insane.
KFM: So, this next question is, since companions can get into relationships with each other, is there a mechanic behind which companions get together? Can a companion leave due to your world decisions, and if so, will their partners leave with them?
JE: I’m gonna answer half this question, the other half is a spoiler that we’re not gonna get into right now. Companions, there is not actually a mechanic behind the companions getting together. We never wanted it to feel like a mechanical thing, and obviously, different companions are gonna have different attractions. One of the fun things is, as you’re going through, especially if you’re not flirting with one of the companions, you can see these relationships starting to develop, and the thing that actually allows them to, you know, completely develop is, generally committing to another relationship, or, you know, not being engaging, not engaging in a romance with those companions at all. So, yeah, I mean, there’s not a mechanic, it’s just what we felt made the most sense and, I think that’s honestly one of my favorite things about the companions is, they’re all written to feel like real people with real preferences and real, you know, attractions. So beyond just romances, they also develop friendships and even rivalries with each other, because of these, them feeling like these characters that exist outside of just the game, so. 
KFM: Awesome.
KFM: This question is all about Davrin. Hildrana would love to know more about Davrin. What’s his personality like, what kind of hobbies or things does he like, and what his relationship with Assan is like?
JE: So Davrin is one of my favorite, I mean, I say one of my favorite characters, honestly I love all seven companions so it’s challenging for me to say which. But Davrin is stern, thoughtful and considerate though, he has a soft side for sure. You see that develop over time as he starts to warm up to the other companions. He has, you know, a kindness to him that is brought out in particular by certain companions, and also a strong sense of pride and when he develops a rivalry with some of the companions. So there’s that sense of, he knows who he wants to be, he knows who he is, and a lot of his arc is making that journey. In terms of how he relates to Assan, you know, his relationship over, evolves over time, I’m not gonna get too deep into spoilers because there are spoilers for that in his quest. The other interesting thing about, about Davrin, and this shows up, we’ve talked about this before. He’s a monster hunter. He’s not just a Warden who sees fighting monsters as, you know, just part of the job. He believes in turning this into a skill-set that he alone, you know like, he has more than anyone else. Learning how to defeat monsters, learning their weaknesses, and that does show up a lot in his character arc, so.
KFM: This next question came through our askbox on Tumblr, so shoutout the BioWare Tumblr. Rosered is asking why do elves seem to not like wearing shoes? Is there a lore reason behind it? Are they not afraid of getting frostbite or stepping in something gross?
JE: So the shoeless elves thing is in part a, it’s a, Dalish are very close to nature, they walk, go around shoeless, in large part, to become closer to nature. It’s part of their culture, it’s part of who they are. But, you know, especially, and it’s not true of every Dalish clan, the Dalish are a tremendously widely-spread and widely-varied people, so. For example, Bellara does not go around shoeless. She wears boots. She’s climbing around on ancient ruins, walking through maybe a shattered eluvian, or a place where eluvian’s shattered, it’s a great way to get your feet sliced up on the hard rocks and on the hard glass. And in general Veil Jumpers are a little bit more, where they go and what they do really requires a lot more care and a lot more protection, so. I mean you’ll notice in Bellara’s visual design but also in the visual design of the other Veil Jumpers, they’re very practically minded, they know that what they’re doing is dangerous, and, you know, and, again, not every Dalish clan goes round shoeless, so.
KFM: ZJ wants to know, do all companions have aesthetic changes when in the Lighthouse and outside of the Lighthouse?
CB: Amazing. Yeah, yeah, they absolutely do. So, just like Rook, each of the companions has what we refer to as their casual wear. This is how they look in their downtime, their more relaxed moments. It’s definitely different from how they look headed into battle. And I’ll tell you this. If Emmrich’s casual wear doesn’t send you, I just don’t know what to tell you.
KFM: I’ve got a fun one coming up. Do they companions have favorite foods, and if so, what are they?
JE: Oh I love this one, so they do. Each of them does have favorite foods. It’s funny, I’d say that Dragon Age: The Veilguard is probably the most we’ve talked about food in a context of Dragon Age, ever. But yeah, I mean, you know, some of them are a little bit more, you know, they have simpler tastes, and in large part that’s because that’s what they’re used to or what they can cook. We talked, I’m gonna actually give a little bit of a, I don’t know if I consider this a spoiler, but maybe if you’re really sensitive to spoilers you don’t wanna listen to this last part. We’ve talked about how there’s people on the team who are better cooks and people on the team who maybe don’t have necessarily the skill-set, who could burn water. So one of the things I really love is, you know, Bellara and Lucanis actually end up being, essentially, the team cooks. Bellara, you know, spending a lot of time out in nature, learning a lot about, you know, different types of cooking, is really big on experimentation, she likes to, you know, try different things. Lucanis comes from the Crows, Lucanis is very big on the finer things, so between the two of them, there’s a point in the story where they basically decide, if we don’t do this, the entire team is going to starve, so let’s just call ourselves the cook, cooks, and make sure that nobody dies of food poisoning, so.
KFM: This next one, I believe we actually might’ve even touched on this in the first Q&A, but, Trev has noticed a lack of dwarves in our promotional material concerning Rook. Inquisition had them sharing facial hair options with humans. So their question is, will dwarves return to more braided, grander beards, or will the facial hair options be shared like previously?
CB: Yeah, we did touch on this briefly, so let me go a little bit deeper. Yeah, there are some grander dwarven beards, like braids, beads woven in, it’s really lovely and really thematic. And y’all have seen our Strand hair, how great that looks, I think it looks just as great for the beards. And I do know, we’re gonna, at some point leading up to launch, we are gonna be showing some dwarf Rooks. So, let’s see if we can’t get some beard options on display there. It actually really was quite the challenge to get the physics to work with all the armor variance we have on those beards. So I’ll tell you what y’all. The team loves hearing from you. Would it be okay if I just asked in chat, could we get some love for our character art and tech anim teams because they put their heart and soul into make sure this would work for y’all. 
JE: It is, it is incredible how good the beards look, like, it just, they did, the work that they’ve done is just spectacular.
CB: Aw y'all are too kind. And then I guess just to finish up this question, we try and let you use as many options as the character creator has for any character you wanna create. So we definitely created bears in mind that are more dwarven in nature. You can use that on a qunari if you want, or you can use a more traditional human beard on a dwarf if you want, but your options are there. Aw, y’all are lovely, thank you so much.
KFM: So we didn't tag this next one as a minor spoiler. I don’t think that it is. But, definitely want to flag it anyway. Will the Solavellans have a chance at a happy ending?
JE: Corinne, I’m gonna let you do this one. 
CB: Oh my goodness, this is the question. Look! I mean, I thought y’all wanted the pain? Didn’t you tell me you wanted the pain, that tortured romance that rips your heart out? Honestly though, I just wouldn’t feel right about spoiling anything there. I’ll just say this, I’ll just say this. Trick has done a fantastic job with Solas, they always do, this is some of ther best work I think. And then I’ll also say, as, for myself as the resident shipper on the leadership team, I’m repping y’all, but that’s all I’m gonna say.
KFM: That’s definitely what I meant by, not really a spoiler, but some people might’ve thought that in the beginning.  
KFM: Okay, next question is, since you can choose to be part of the same faction for most of the companions, will that give you an advantage when trying to befriend them?
JE: So you will get some unique dialogue with the companions that are part of your own faction. The first time you meet them, they may not all know you by face, but they’ve at least heard of you, I’ve heard of who you are, maybe even heard of you leaving the faction to go help Varric to track down Solas. But that said, you know the faction, you don’t necessarily as people. So they will know you but you still have to work to earn their trust and learn, you know, get them, help them with their problems.
KFM: Next question is, will there be more connections between the Veilguard? Like will we see them hanging out together without out us?
JE: Oh, I love this one. Yeah, I mean, honestly, I think I’ve said this twice already, but my favorite thing is how much the companions feel like a, end up feeling like a found family. They’re invested in each others problems, you know they’re, invested in each others’ success and failures, and this manifests through a bunch of different ways. Scenes, banter, even interactions in the Lighthouse itself. Because one of the things that I think is important, I know Corinne also thinks is super important, these worlds, these games feel the best when they don’t feel like they’re there as a theme-park just for you, just to exist for Rook as a protagonist. These are characters that have relationships, have, you know, things going on that don’t necessarily directly involve Rook all the time. They have their own relationships, their own feelings, and we really want them to feel like their own people, and feel like they do exist outside of just the sphere of Rook. So, you know, they’ll follow, you’re the one leading this fight, but the companions don’t just exist for you.
KFM: So this next one is a real minor spoiler warning. Will the companions have interactions with Solas? I imagine the companions will comment on Rook’s decisions regarding Solas, but was wondering if the potential relationship between Solas and the companions will play any part?
JE: Oh, this is a good question. So a lot of Solas’ relationship is with Rook. Rook and Solas have a connection, they have a bond, and part of that is, and I’ve said this before, but Solas sees a lot of himself in Rook. He sees, you know, the person, you know the person he was before, the person he thinks he is, in Rook, and becomes, you know, again, we, they develop a connection. You get to flavor how it is, you can make it more antagonistic, make it friendlier, but ultimately it is a connection between the two of you. Now, that said, the companions are much a part of Rook’s story as Solas is, and sometimes those relationships can cross over, as well as, there are followers who, you know, are going to have a more complicated connection and complicated relationship with just, Solas as an entity, you know, Bellara, for example, is an elf, she’s Dalish, and this a person from her pantheon, so. There’s going to be a lot more of a, I guess, like I said, complex relationship between the two of them. Davrin is another example, someone else who is Dalish, so, you know, their views on the gods in general are going to be a little bit different. And then on the other side,you have someone like Emmrich who is very big on magic and the Fade, so they’ll have their own [inaudible] and their own thoughts. 
KFM: Before I get to this next question I do wanna say we’ve got about a fifteen minute warning, we’ve got about fifteen minutes left, so we’ll get through as many questions as we can in that time. And with that said, our next one is, and, I feel like we might have actually touched on this one earlier, but, keep me honest. Would it be possible to hide some of the combat UI, such as companion trackers and enemy HP bars, for even more immersion? 
CB: Yeah, good question. It’s actually, it’s reasonably robust what you can do with your UI. So let me give you some examples. If, normally when you hit an enemy you’ll see damage floaties come off of it. If you wanna turn those off, you can. If you want to play without, say, the minimap or the wayfinding markers, have a more organic experience, you can. I challenged myself to do a, it was really difficult to do a really difficult run where I turned off my own health bar, you can do that too. And then, I know one of them that a lot of people have been asking about is, we do have the incoming attack indicators, that just help you react. But, if you’re the kind’ve player that wants to turn those off, cut down on the noise, yeah, you can do that too, so. You know, I can’t say that we support every single option that you might have in mind, but it’s reasonably robust. 
KFM: And then, another, just small, minor spoiler, you’ve been warned yet again, is there lock-picking in the game?
CB: Oh gosh lock-picking, notorious lock-picking. Well let me answer it this way. I think the approach we took in The Veilguard is that each companion has a unique, what we’re calling, exploration ability, or abilities, that you can use to solve puzzle, access new areas and find treasure. So, like in that regard it’s not actually dissimilar to lockpicking, it’s just that it is more thematic to the companions and their unique skill-sets within The Veilguard. It’s very specialized, I guess you could say. And, look, I’ve been there when you’re playing and you feel like you have to take a rogue, otherwise you’re not gonna be open the lockpick chests. Some players like that, some players dislike it, but the option that we wanted to give to y’all is that, you know, we did say this is a spoiler right? We did, yeah. So Rook does find a certain dagger and through it a method to channel these exploration abilities of their companions, even when the companion is not in your party. So like, look, if I’m exploring Hossberg, and there’s a puzzle and I know how to solve it, like I’m not running all the way back to like a party swap-point, you can just use the dagger.
KFM: This is not a spoiler, and it is actually something we confirmed a little bit earlier in the Q&A, but it doesn’t hurt to be clear. Can we freely reallocate or refund skillpoints?
CB: Yeah, so we’ve confirmed this, I’m just gonna keep it brief, yes, absolutely. Refund all, refund last, no cost. It’s an entirely friendly refund system. Go experiment, and then let me know what you do.
KFM: Will the acts be broken down into acts or stages at all? Mainly wondering for like spoiler discussion purposes, while they’re all playing and wanting to talk to one another about it?
JE: So while we don’t officially within the game say this is this act, this is the next act, there are some pretty obvious narrative breakpoints where the context changes, or there is, you know, events that make it clear that things are now advancing into a different stage. That’s now, to be clear, that’s largely around the critical path. Other content can largely be done at any time, but even there we do unlock certain things over the course of time, because, again, it makes, it maybe doesn’t make narrative sense in the context of, say, an earlier act, but now, you know, you’re into act two, it feels a lot more meaningful and makes a lot more sense in the world. You can do a lot of content in any order, but the critical path is largely broken into acts.
KFM: Now, I think this next question might be the most important question we can answer. A user by the name of doggiesnores says, would you please tell me happy birthday? 
JE: Happy birthday doggiesnores.
CB: Aww, happy birthday doggie - I feel weird saying doggiesnores. I mean, listen -
JE: You gotta roll with it Corinne.
CB: John, Katey, do we wanna sing? Do we wanna sing?
JE: No!
KFM: Oh we can - oh, okay.
JE: You can sing.
CB: Alright. [sings] Happy birthday to you -
KFM: - [sings] to you - [stops singing] are we gonna stop now? Okay.
CB: We’ll stop, we’ll stop. 
JE: Yeah, I think, yeah. 
CB: We gotta get back to the questions.
KFM: Yeah, we do have a time limit now.
KFM: Alright, next question, alright. This is from Guapa. Okay. I wanna know the helmet situation. Back in Inquisition, there were helmets exclusive to races, and to be honest, most helmets were exclusive to humans. Will elves and humans share helmets since their head shape seems to be more similar now, and will there be qunari helmets rather than just facepaints?
CB: Love this described as “the helmet situation”. I love it. Yeah, so let me describe this to you. All the helmets can be worn by all the lineages with one big exception. The qunari still use the vitaar face paint. So each helmet has a unique look, and if you’re using the vitaar variant of that instead, that too has a unique look, so you’ll wear that facepaint instead of the helmet. And we, we felt that this was just generally a good precedent following Inquisition and, really what led us to this decision is that, when you see horn customization, and hair customization with the horns in character creator, we didn’t want to sacrifice that aspect of it in character creator. It’s just effing cool, that’s all I can say about it. So, yeah, the qunari will use vitaar. All the other helmets can be worn by all lineages. We’ve talked a lot about transmog, so of course you can transmog them, you can hide your helmet, you can hide your helmet in certain situations. So I’d say, as a “situation”, we’re pretty happy with it.
KFM: This next question is, will we be able to tint and change the color of our armours, or have they, or do they have their default colors only?
CB: Oh cool, yeah, that kinda gets to transmog in a way. Gosh, what’s the, the best way to answer this I think is that each armor piece, like gear piece you have, will have bespoke colors, but for almost every single armor piece, while you can’t dye them, we have created color-variant cosmetics and they’re very often aligned with the various factions in the world, right? So like, there’s one, for instance, that has this like, incredible, like flowing cape, I use it all the time. There’s a variant of it for each faction with different faction, with different colors and logos and things of that nature. So you can’t dye, but it really is flexible and very thematic. And then I guess, going back to the Venatori armor question we had way at the beginning, while I wouldn’t say they’re explicitly Venatori, there are some very Venatori-like color schemes in some of the armors you’ll find.
KFM: I think this might be our last minor spoiler question, so once again, you’ve been warned. AelaFireheart asks, will we be seeing other griffons from The Last Flight? 
JE: So, again, just to be clear, spoilers, but yeah, Assan has brothers and sisters, so Assan is not the only griffon that shows up in Dragon Age: The Veilguard. 
CB: Hey, I just gotta respond to something in comment, that somebody says, wait, does that mean I can’t be pink? And I’m assuming we’re talking about armors. There are some pink armors. Don’t worry -
KFM: Confirmed.
CB: - there’s some pink.
KFM: As some of the companions come from media outside of the games, were they already chosen as companions for the game and then integrated into the additional media, or were they characters outside of the game, and the team wanted to bring them in?
JE: I think this is pretty similar to a question we answered earlier, so I mean, again, it depends, but if they showed up, especially in Tevinter Nights, they were already intended to be companions at that point, so.
KFM: Are there any lineage-based surnames or is it just based on the background?
JE: So surnames in this game are entirely based on your background choice. The reason for this is we do reference your surname in dialogue, a not inconsiderable amount, and we didn’t, at a certain point it becomes unsustainable in terms of how many different variations, so. We reference it based on your surnames, sorry, your background.
KFM: Is there any chance that we will be getting any audio snippets of some of the companions and Rook’s voicelines before release?
JE: Well that’s the great news about the, Vows & Vengeance, is that, each companion will show up in one of the episodes, and you’ll be able to hear their voice in there, so. First episode yesterday, and there’s more to come.  
KFM: Remember when I said that was the last, or we had already read the last minor spoiler, I was wrong, there is one more. So, once again, you’ve been warned, minor spoiler upcoming. This question is from SammyCherryLee. Considering Varric’s timeskip, looks are a direct, Varric’s timeskip looks are a direct translation of how he looked in the comics. What thought process went into Morrigan’s new design, and what do you usually consider when bringing in old beloved characters back, but also make sure to adapt them to the years that have passed within the game?
JE: So, in every case, any time we’re bringing back a character, we want to think about, what would, what’s changed for that character in the time since you’ve last saw them, so, Varric, Morrigan, any other characters we bring back, there is this thought of, okay, it’s been, in this case, you know, almost ten years, what’s changed for these characters in that intervening time? In the case of Morrigan, she’s coming to terms with a lot of truths about both herself but also her mother, you know, you see her with Flemeth’s crown, or a variation of it, and that’s speaking to her personal journey of, what I would call, kind’ve acceptance of who she is and how she connects to Flemeth, because ultimately we want this to feel like a real world. It’s, they’re not the same person they are ten years ago, none of us are, and we don’t want characters to feel like, either ten years have passed, and hey, I’m exactly the same, because that’s stagnation for the character, and it’s just not believable or, honestly, fun, for you. And it doesn’t do justice to those characters.
KFM: Can we clarify - ooh, fuck, I think my Discord just went down again.
JE: Yep, I can still hear you.
CB: We can, we can hear you Katey, so.
KFM: Oh, good!
CB: Yeah.
KFM: I’ll just keep talking!
CB: Great, let’s do it!
KFM: I’m so sorry for the f-bomb, I didn’t know you could still hear me. 
CB: Hey, we’ve all been there.
JE: Cursing, in our Discord, my goodness!
CB: How very human of you.
KFM: Ban me, ban me. This next question is, can you clarify if Spellblade will be forced to use a dagger, or can we still use staff as a melee combat weapon?
CB: Oh, heck yeah, let’s go. You know, I was wondering if this was gonna be clear in the combat video we put out, so I’ll speak about mage, but this is generally true of all the classes. So they each have two weapon sets, if you’ve seen the character sheet. So for mage, you’re gonna have your staff slot and then you’re gonna have the orb-and-dagger slot. So, at any point, like even between weapon swings, you can swap to your class alternate weapon set by hitting down on the D-pad. So you’re not locked down into one weapon set or the other, even if you’re in a given class or specialization. Now, like what I would say is that the Spellblade specialization has a lot of extra functionality and depth that like is augmented when using the orb-and-dagger, but, like if I give you an anecdote of how I play, the staff heavy-attack armor, I take this, or, the staff heavy attack charge, I take a trait where when I’m doing damage and playing, it’s building up that heavy attack charge on my staff. Even when I’m playing as my Spellblade. So I’ll be, just going to down with orb and dagger, I’ll notice that my staff is fully-charged, I’ll swap at a convenient moment, use my heavy staff attack, blast the enemies down, I was telling y’all, like, these Nightmare players, like planning around your elemental damage types, it’s really great to have weapons of multiple elemental types, right? So I go up against something that’s resistant to fire, I’m gonna hit down and maybe swap to my necrotic weapon.
KFM: I'm back, in record time. 
JE: Welcome back! 
KFM: Okay, did we get to the next one, or was that just the Spellblade question?
CB: Oh that was, sorry I was geeking out too much Katey.
KFM: Oh that’s okay, no, it’s great!
CB: We hit upon a favorite topic of mine.
KFM: That’s okay. Do we think we have time for one more, or do we think it’s time to wrap up?
JE: I can go a little late, we’ve got, I think we can do a couple more, for sure.
KFM: Okay, we do only have three left, so.
JE: Let’s finish the list!
KFM: Let’s do it.
KFM: Alright, next question. Since it was mentioned that playing as an elf in the Veil Jumpers will see you more of a, see you as more of a Dalish elf, and a City elf if you play as a Shadow Dragon, what kind of elf would you be in the other factions?
JE: So this is actually a really interesting question for me because I think one of the things I’d say is, while City Elf versus Dalish Elf is a lot more of a useful distinction in, you know, Ferelden, Orlais, we’re in northern Thedas, things are different up here. And a great example is Rivain. Dalish settlements, you know, they have Dalish settlements within cities, integrated into the cities, because, again, they don’t have that same bias, that same distinction. So it’s not really a City Elf versus Dalish Elf thing in a lot of those cases. It’s a lot more about, how you play into the faction, you know, and, in some cases it matters more that you’re an elf, in other cases it doesn’t actually matter to the people of that faction, they’re just looking for someone who could do the work. A great example, and I’ll just, very, very light spoilers, Mourn Watch is a great example where, they just care that you are capable of, you know, executing the duties that you’re given, so.
KFM: This next question, we’ve definitely confirmed a few times today already, but I’m sure there’s been a couple of people who cycled in and out. Will, when will we be releasing detailed information on the full list of accessibility features in the game?
JE: So yeah, so I mean, we mentioned, we’re not quite ready to talk about them, but we will be diving into them before launch. We wanna make sure as many people as possible can enjoy and play the game, so.
CB: Yeah, I think we’re doing a feature, some kind of blogpost on that, but, that’ll be a good format where we can be a little bit more in-depth.
JE: Yeah.
KFM: Alright, and the final question that I have on my list. It’s about localization. WoodenSmith says, I’d like to hear more about how localization works. What sorts of things have to be changed or adjusted so they make sense in different regions? Do localization teams have to be super careful when they translate to make sure they’re not accidentally revealing more than was intended in other versions? I’ve also always been very curious about accents in other versions. For example, do the, I’m gonna butcher this, do the Orl - Orlesian -
JE: Orlesian.
KFM: Orlesian, thank you, John. Character voice -
CB: That was really good, Katey!
KFM: I tried!
JE: Yeah, you tried, you got most of the way there, yeah!
KFM: For example, do the Orlesian character voice actors speak in a French accent in the Japanese version, or dwarf characters speak with an American accent in the French version?
JE: So I’m going to talk broadly about localization, and I’ll get a little bit into the accent question. So, localization is a thing that we’re doing constantly. We’re almost working with the teams, we have regular syncs with them, and a lot of that is because localization is not just, a lot of people think of it like, yeah, you’re just translating. Well, you’re not, you’re, you know, you’re, again, there’s different things to understand about different languages, they have different rules around grammar and, I will say, I think every writer has at least one story where they wrote, kind’ve, a fun double-entendre into a conversation, and then they got a ping from some of the localization teams saying, hey, can you very thoroughly explain what you meant there? And that’s what I like to describe as being hoist on your own petard because, sometimes, you’re like, oh I said this, it was really ribald, and now I don’t want to talk to this person who is very seriously and very concernedly, looking, it’s just like, ‘can you please tell us what that means?’ But yeah, I mean, in general, it’s an art-form of its own. You know, different sayings translate differently into different languages, different metaphors translate differently to different languages, and we always wanna make sure that other people, you know, people are playing this game in every language have an experience that feels authentic and meaningful, and doesn’t feel like it’s just kind’ve, you know, phoned in, we just, we just ran it through Google Translate or something, so. Again, localization is a huge part of what we do, the localization team we have is amazing, they do fantastic work, I love working with them. As far as accents, yeah, we do try to keep some consistency, it’s not always going to be a one to one, but we do try to say like, okay, so, this character, this group of characters needs to sound similar, and they’ll find an accent that works with the language that they’re trying, because, again, different accents work differently with different languages, and we wanna make sure that there’s that consistency, so, yeah.
KFM: We did it!
JE: Yeah!
KFM: That’s all of our questions that we’re able to get to you today. Wanna just say a quick thanks again to the community for submitting all of these really questions, it was a lot of fun going through them and, you know, making sure that we were able to give you some new stuff this time around. Yeah, anything you guys wanna say before we hop off?
CB: Yeah, can I just say, look, we love here, being here answering questions for you but the support, the interest you all show, it really fuels us in the team.
JE: Mhm.
CB: You all are a big part of us being able to make this game what it is, and I really hope we do you proud, so just, sincere thank you to everyone. 
JE: Yeah, just, I just wanna echo that. I’ve been on this project for a while, and it’s been a lot of, not getting to talk about it, and quietly saying I don’t know, are we making more new Dragon Age? So being able to actually have these conversations and give you the details that you want without spoiling the game, it’s, it’s a lot of fun. This is genuinely the funnest part of my week, so thank you everyone.
KFM: Awesome, well thank you both so much for your time, Corinne and John. And, yeah, we have recorded the audio for this, so we’re going to turn that into a transcription, and put that in the Q&A archive channel, which lives underneath ask-bioware. That will be coming, you know, in the next couple of days to a week or so, you know, we’ll, we’ll be working away at it as soon as possible, so just let, let me know if you have any questions.
JE: Awesome. Thank you so much everyone, have a good Friday, good weekend, and I’m gonna go eat a sandwich, so.
CB: Happy Friday!
KFM: Happy Friday, and happy sandwich day!
CB: Bye bye.
JE: Thank you.
KFM: Bye.
JE: Bye.
[source: the official BioWare Discord server, August 30th dev Q&A]
Update: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here.
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