#you might also want to describe HOW they cut

[sunkissedchld]

𝐏𝐈𝐂𝐊 𝐀 𝐂𝐀𝐑𝐃

𝒘𝒉𝒚 𝒊𝒕'𝒔 𝒉𝒂𝒓𝒅 𝒇𝒐𝒓 𝒚𝒐𝒖 𝒕𝒐 𝒄𝒐𝒏𝒏𝒆𝒄𝒕 𝒘𝒊𝒕𝒉 𝒐𝒕𝒉𝒆𝒓𝒔

take your time to use your intuition to choose the pile that will best resonate with you. lastly, please don't be afraid to say if the message resonated or not; it helps me in determining if my interpretations are correct or not, and i appreciate any sort of feedback - even if it's "bad".

good luck to you, reader ✨

𝐏𝐈𝐋𝐄 𝐈

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲 ⟢

“Telepathy” by BTS “Not My Nigga” by KenTheMan “Sparks Will Fly” by J. Cole (feat. Jhene Aiko)

𝐂𝐚𝐫𝐝𝐬 ⟢⟢

The Wheel of Fortune ⤸, Seven of Coins ⤸, Page of Wands, Six of Coins, Justice ⤸, Queen of Coins, King of Coins ⤸, Queen of Cups

𝐑𝐞𝐚𝐝𝐢𝐧𝐠 ⟢⟢

Those connected to pile one could find it hard to connect with others because it could feel as if no matter how hard you try you always end up being “let down”. You might be described as what’s called a “late bloomer” when it comes to things related to socialization. Some of you may have experienced literal delays in development in that you may have had a speech impediment or been nonverbal for a length of time, but clothes of you - the vast majority of you - may have just felt like you were delayed when it came to figuring out how to make friends or how to start dating. You might’ve tried your hardest to do so the way you knew how, but it’s like somehow for some reason nothing ever took off, and you never felt like you had the type of relationships “depicted in the movies”. 

There’s a strong need to acknowledge that those connected to this pile did (and do) try their hardest when it comes to trying to form connections. You had a period of time (or you may still be in that time) where your mindset was to try to be as excited about making friends and forming relationships as possible. You might’ve gone into things with an open heart ready to show everyone how good of a friend you can be and how willing you are to discuss things with people and to give of yourself not only emotionally but also materially for some of you, but in being so excited (and in some instances blindly naïve) it’s like only wolves saw your want for friendship and, in turn, took advantage of that excitement only to leave you feeling worse off than you did before. 

It’s hard for you to connect with others because prior experiences have left you feeling as if everytime you even try to develop them it just ends with you being burned in the end. There’s a call for you to “keep going” and to “keep trying” even if it feels futile right now, but there’s also a call to analyze the people coming to you for friendship before accepting it. Continue approaching friendships with that excitement and want to help others as they help you, but maybe focus more on the emotional side of things as opposed to the material or even the visual. “Movies aren’t all what they’re cracked up to be” comes to mind. There’s a call to not over invest in others at the expense of yourself or in hopes of drawing people to you but to instead allow your own light and personality to shine as a way to bring true friends in. Cher Lloyd’s “Love Me for Me” comes to mind, so it could be important to listen to. 

Overall, there’s a call for you to transition from being the Queen of Coins to being the Queen of Cups. You can’t heal and invest into everyone and bring about true friendships and relationships trying to appeal to people’s senses and material drive; you have to appeal emotionally by showing who you are as a person even without “all the things money could buy”. There’s a call for you to remain open to reaching out and trying to approach people to create connections and to not fall for cutting yourself off because “there’s no point anyways” because there is a point – to allow yourself to have these emotional connections to others to improve (and prove) a part of your humanity. Humans are social creatures, and you deserve to have that pull for social interaction fulfilled.

𝐒𝐢𝐠𝐧𝐬 𝐟𝐨𝐫 𝐂𝐨𝐧𝐟𝐢𝐫𝐦𝐚𝐭𝐢𝐨𝐧 ⟢

11:11, “blowing bubble gum hearts”, heart shaped lollipops, glass tuning fork, the little mermaid, ring boxes, frilly pink and purple jewelry boxes, clams/oysters, tiffany blue, radishes, “glass half full”

𝐏𝐈𝐋𝐄 𝐈𝐈

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲 ⟢

“Pretty Girl Rock” by Keri Hilson “Nightmares” by The Boyz “Harder to Breathe” by Maroon 5

𝐂𝐚𝐫𝐝𝐬 ⟢⟢

Ten of Swords, King of Swords, Knight of Coins, Two of Coins, Seven of Swords, Four of Cups, The Sun, The Tower

𝐑𝐞𝐚𝐝𝐢𝐧𝐠 ⟢⟢

Those of pile two may have recently cut off a group of friends or “people” and could be feeling hurt by it. It could be that you knew it was for the right reasons, but “that didn’t make it any less hard to do”. The idea of a “beautiful tragedy” comes to mind when it comes to how you connect with others; some of you could be prone to “trauma bonding” where you end up in relationships with those who abuse you or treat you terribly. The idea that you “know better” or “know that [you] deserve better” also comes to mind, but it could feel as if you just keep slipping into these kinds of connections. You could be currently trying to figure out how to keep this cycle from continuing. You could be prone to getting into “nightmarish” relationships with people. You could find it hard to connect with people because of these past experiences. 

Those in this pile could currently be transitioning to a mindset where you believe it’s easier to stay away from connection (specifically friend groups) because every time you just end up “losing [your] mind” or “[your] sanity”. You could be trying to be more rational or attach to people who are similar in education and ways of thinking instead of connecting to people emotionally. With that, it doesn’t seem that you’re keeping away form connections completely, but you’re approaching them slowly and with caution and as a result your issue could actually be that you find it hard to figure out how to “feel safe enough” to move forward in connections past just thinking alike or thinking the connection makes sense to form. It could also be that you’re trying to figure out how to prioritize yourself in connections because you’re realizing you can’t keep hurting yourself or “setting yourself on fire” in an attempt to help others. 

Ultimately, this pile struggles with having connections with people as a result of always being the “butt of the joke” or being the target of bullying and other forms of abuse. You may have been lied to and told that you’re “boring” or “uninteresting”; some of you could’ve been in a Mean Girls or Heathers type friend group where you were always left out or planned against. With The Sun’s presence it’s important to note that you’re none of the things people told you that you were; you’re not boring or uninteresting or “too quiet” or anything like that. You are worthy of having connections just like everyone else wants, and the advice for this pile seems to be to not close yourself off as a result of bad experiences, but instead to strategize on how to approach them differently in a way that still keeps you feeling safe and protected. 

I said earlier that those who chose this pile may still be trying to form new connections, but they’re focusing more on intellectual things they have in common with others as opposed to emotional ways they connect. There’s advice to slowly but surely open up emotionally in your attempt to form new connections. “Show who you really are” and “This Is Me” from Camp Rock comes to mind. The first step in having better relationships comes from the realization you’ve had recently and the walk away from former bad groups; “it can only go up from here”. You very likely are on the right path in your new approach. It's just that “little modifications” are needed, so you can express your true self “in all its glory” and not just intellectually.

𝐒𝐢𝐠𝐧𝐬 𝐟𝐨𝐫 𝐂𝐨𝐧𝐟𝐢𝐫𝐦𝐚𝐭𝐢𝐨𝐧 ⟢

the number 3 and 5, coconut bras, broccoli, carrots, heart shaped ring boxes, donald/daffy/daisy duck, win, when, wen, hourglasses, butterflies, rainbows

𝐏𝐈𝐋𝐄 𝐈𝐈𝐈

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲 ⟢

“The Way You Make Me Feel” by Michael Jackson “Big Girl (You Are Beautiful)” by Mika  “Finesse (Remix)” by Bruno Mars (feat. Cardi B)

𝐂𝐚𝐫𝐝𝐬 ⟢⟢

Queen of Swords, The Lovers, Nine of Coins, Ten of Cups, Ten of Coins ⤸, The Star, Page of Cups, Knight of Cups, The Magician

𝐑𝐞𝐚𝐝𝐢𝐧𝐠 ⟢⟢

Those of pile three could be an outspoken bunch; at the very least, you are someone who stands on your own principles even if you stand alone. You could be seen as someone who is comfortable being alone or standing out solo although this doesn’t mean you have no friends at all. Queen of Swords in the deck being used is represented by Circe, the Greek goddess of illusion and necromancy, who is especially known for her tendency to turn men with bad intentions into swine. With this in mind, pile three may specifically be asking why they find it hard to connect with men - romantically and/or platonically. You could feel as if you get along with women just fine, but when it comes to men it’s like you know nothing or have no experience or you never find well intentioned men; the latter explanation is what will be most likely for most choosing this pile, and for those who have issues with developing connections with women also it could be that the attention you receive from men makes women view you a certain way that leaves them feeling “weary”. 

Although you may want to develop deep connections with people it could be that people see you as “too” high maintenance - even if you may not actually be. It could also be that people see you as someone who is on a pedestal, and as a result they get way more caught up in the idea of being in a relationship with you as opposed to actually caring about you as a person – as a human being. People could feel as if you’ve “got it made” and even believe you already have a hearty amount of people you’re friends with, so they could stay away as a result of self-doubting beliefs of “they already have a lot going on and they probably have a ton of friends, so why would they want to be friends with me?”. People could feel as if you’d be the type of person to flake on others easily because of how busy and “on your own” you are. It mainly seems to be that people’s assumptions of how you are cloud their want to actually approach you to see who you really are. 

With The Star’s presence, those of you who chose this pile are encouraged to stay hopeful when it comes to the idea of you developing relationships with others. Traditionally, The Star depicts a woman who is half in a body of water and half on land; she is shown to be nourishing the ground with the water, and you could be encouraged to be doing the same but instead of land it’s people. You could be called to make the first move when it comes to trying to develop connections. This may sound scary, but the quotes “you miss every shot you don’t take” and “the worst they can say is no” comes to mind. It is also the case that the more often you practice approaching people and talking to them, then the more confident you will become, and eventually you will develop the connections you have been looking for. Ultimately, this pile is being encouraged to take the steps to initiate the connections you want to have with others. “Stop waiting on others”.

𝐒𝐢𝐠𝐧𝐬 𝐟𝐨𝐫 𝐂𝐨𝐧𝐟𝐢𝐫𝐦𝐚𝐭𝐢𝐨𝐧 ⟢

333, hair in a high ponytail, the colors black, blue, pink, and green, ballet, black swan, white tutus, black pointe shoes, silver glitter, aphrodite, circe, gold, shells, swine/pigs, wicked

𝐏𝐈𝐋𝐄 𝐈𝐕

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲 ⟢

“Top Down” by Leikeli47 “Cabinet Battle 3 (Demo)” from the Hamilton Mixtape “Stole the Show” by Kygo (feat. Parson James)

𝐂𝐚𝐫𝐝𝐬 ⟢⟢

Page of Coins ⤸, Six of Swords, Two of Wands, Nine of Swords, Six of Wands, Eight of Coins ⤸, Judgment, Ace of Coins, Ten of Coins, Two of Swords, The Devil, Eight of Cups

𝐑𝐞𝐚𝐝𝐢𝐧𝐠 ⟢⟢

Those who chose this pile may feel unmotivated when it comes to figuring out how to create new connections and maintain old ones. You could have a tendency to just let friendships and other types of relationships just “fizzle out”. You may have someone you text with everyday, and then one week you miss a day; the next week you miss two days, and before the end of the month you haven’t replied to them at all and, therefore, you just don’t talk to that person anymore. When it comes to connections you could operate as the type of person who expects everyone else to reach out to you, but you rarely reach out to others. You could have a mindset of “if people care about me, then they’ll reach out, but if they don’t, then that’s fine too”. Although this mindset may work for you sometimes, it could also unconsciously aid in making you isolated. With Six of Swords and Two of Wands, you could also be someone who is always “on the run” or “on the go”; you could have a lot of things going on in your personal life that prevent you from putting effort into connections the way others expect or want you to. 

There’s a feeling that your prioritizations may be a little “out of whack” or “out of balance”. At this current moment in time you could be hyper focused on receiving recognition in some way. It’s like you want and crave to be seen and noticed; you want to receive a lot of accolades and awards, and you want to feel materially abundant – personally and in the eyes of others, but it’s like the way you’re executing wanting these things is “falling flat” or short of what you envision (or even what you could achieve). For example, you could be working multiple types of jobs; you go to school in the morning, and then you have an internship directly after in the afternoons, but you also have a retail job on the weekends, and you have an online side hustle. Technically, you’re in a lot of areas, and you may be working hard, but your solo focus on work and attention actually hinders you from being able to produce great work and making true connections. It’s like the idea of “having too many eggs in too many baskets”. Of course, a wide array of choices is needed, but you have too much to choose from that you can’t put your best work forward in any of them. There’s a call to think about gaining these things you want in a way that includes longevity; “you can’t only think of the present”. 

Advice for this pile would include cutting down on some of your obligations if possible, or at the very least finding a more sustainable way to do everything. Working to the point you have no time for yourself or others obviously can not create an environment where you’re able to have better connections with others. There’s a need to put in the same amount of effort you have for work and related opportunities into creating and maintaining connections. You have to figure out how to not pick up someone else’s shift at the expense of missing out on another outing with friends or how to ask for help on a project which would cut down the time you need to spend on it, so you can make time to go to a social outing instead of trying to do the whole project solo and becoming a type of hermit. Additionally, there’s a call to reach out to those you already have connections with more than you do right now. Connections are a two-way street, and “the phone works both ways” comes through. Overall, there’s a need to restructure your priorities if you want to have better connections with people.

𝐒𝐢𝐠𝐧𝐬 𝐟𝐨𝐫 𝐂𝐨𝐧𝐟𝐢𝐫𝐦𝐚𝐭𝐢𝐨𝐧 ⟢

666, (get) out, witch’s hat, witch’s brew, wicked, summer bag(s), striped bags, honey, baklava, sail, the bahamas, yellow and turquoise flags, money, triangles, overworking

[luna-azzurra]

How To Write A Chase Scene

Before anyone takes off running, the reader needs to know why this matters. The chase can’t just be about two people running, it’s gotta have a reason. Is your hero sprinting for their life because the villain has a knife? Or maybe they’re chasing someone who just stole something valuable, and if they don’t catch them, it’s game over for everyone. Whatever the reason, make it clear early on. The higher the stakes, the more the reader will care about how this chase plays out. They’ll feel that surge of panic, knowing what’s on the line.

Sure, a chase scene is fast, people are running, dodging, maybe even falling. But not every second needs to be at full speed. If it’s too frantic from start to finish, the reader might get numb to the action. Instead, throw in some rhythm. Use quick, sharp sentences when things get intense, like someone stumbling or almost getting caught. But then slow it down for a second. Maybe they hit a dead end or pause to look around. Those brief moments of slow-down add suspense because they feel like the calm before the storm kicks up again.

Don’t let the setting just be a backdrop. The world around them should become a part of the chase. Maybe they’re tearing through a marketplace, dodging carts and knocking over tables, or sprinting down alleyways with trash cans crashing behind them. If they’re running through the woods, you’ve got low-hanging branches, roots, slippery mud, and the constant threat of tripping. Describing the environment makes the scene more vivid, but it also adds layers of tension. It’s not just two people running in a straight line, it’s two people trying to navigate through chaos.

Running isn’t easy, especially when you’re running for your life. This isn’t some smooth, graceful sprint where they look cool the whole time. Your character’s lungs should be burning, their legs aching, maybe their side starts to cramp. They’re gasping for air, barely holding it together. These details will remind the reader that this chase is taking a real toll. And the harder it gets for your character to keep going, the more the tension ramps up because the reader will wonder if they’ll actually make it.

Don’t make it too easy. The villain should almost catch your hero or the hero should almost grab the villain. But something happens last second to change the outcome. Maybe the villain’s fingers brush the hero’s coat as they sprint around a corner, but they manage to slip out of reach just in time. Or maybe your hero almost gets close enough to tackle the villain, but slips on some gravel, losing precious seconds.

And Don’t let the chase end in a way that feels too predictable. Whether your character gets away or is caught, it should be because of something clever. Maybe they spot a hiding place that’s almost impossible to notice, or they use their surroundings to mislead their pursuer. Or, the person chasing them pulls a fast one, Laying a trap, cutting off their escape route, or sending the hero down the wrong path. You want the end to feel earned, like it took quick thinking and ingenuity, not just dumb luck or fate.

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[xinganhao]

🎞️ svt with a 'fangirl' partner.

@seungkwansflower → "them dating someone who was a HUGEEE fangirl when she was younger, but somehow didn’t fangirl over svt ORRR svt member finds the fan account u used to run for your ult group as a teen and teases you for it."

⌗ ┆took a little bit of #time with this because i wanted to do it justice ᵕᴗᵕ enjoy!

‧₊˚✩彡 includes: fangirl!f!reader, mentions of other groups/idols, established relationship, sulky & dramatic svt, crack/fluff, pet names, cussing, [short] headcanons under the cut.

🎞️ headcanons .ᐟ

easily, there's going to be a 'line' of the members who would tease you the hell out of your fangirl tendencies (albeit good-naturedly). we have jeonghan, of course, who will go around quoting your tweets at the most inopportune moments. you will quite literally never hear the end of it from him. chan follows close behind in judging some questionable things you said at the height of your obsessions. he's likely to use it as an opportunity for you to say something good about him, in turn. and wonwoo? he'll act cool and nonchalant about it, but he'll pull the rug out from underneath you when you least expect it. he likes getting you flustered when he reminds you that you may have not been a fan of his group, but surprise, surprise! you've ended up with him, still. call it karma, he'll half-joke.

there's also the 'line' whose pride takes a teensy bit of a hit at the thought of you liking other idols. to no one's surprise, junhui and soonyoung will be screaming in your ear about not being your ultimate bias. what do you mean they're not your standard, not the one you spent your entire tweenhood tweeting about?! they're about to make your days a living hell. a little more surprising: joshua is also relatively sulky over these revelations. he likes being your guy. he knows it's irrational to be envious, but for as long as you'll indulge him, he'll pout a bit and press, "i'm more handsome, though, right? you love me more?"

resigned. that's really just the best way to describe seokmin, minghao, and vernon. seokmin has accepted that he plays second fiddle to your love for your biases, and so he just pulls off little tricks here and there to catch your attention. he's the type to buy your priority photocards or get you fan meet tickets without you having to ask. over on minghao's end, that man is exasperated. you have him jumping through rings— specific outfits, fan cafe events— and he might grumble a bit about it, but he always gives in at the end. secretly, he enjoys seeing you so in your element. vernon is similar but in more extreme ways. he's a lot more vocal about his gripes re: your fangirl-isms and he's probably hella reluctant to ride along with you. but the look on your face when he secures you tickets to that comeback concert? okay, fine. maybe he'll start doing this a lot more often.

seungcheol isn't really the concert type. he loved music, sure, but the live shows and all that was more of the younger members' thing nowadays. that is— until he realized how much you liked concerts. now, he's pulling every stop to make sure you have tickets to your favorite acts. he goes with you when he can, and you're likely to find him with his arms crossed over his chest, his head bobbing up and down to the music. if he's being honest, though? he spends half of the show watching you, instead.

mingyu falls smack dab in to those who would tease you about the whole thing, though he gets a special mention for his endearingly annoying habit: holding it as leverage when the two of you are having petty arguments. never in serious fights, no, but in your day-to-day squabbles? he's pulling up all the times you called your bias 'pookie' on the internet. no point in deactivating the account. he's already screenshot every incriminating tweet and stowed it away in a locked folder on his phone. endless ammunition.

the runner-up in this series would most definitely be jihoon. a part of you will start to think it's intentional, how he's going around collaborating with your favorite groups and soloists. jihoon would never say it out loud, but of course it's intentional. he lives for the moments where he can get you signed merchandise, when he can ask your ult for a video message or some sort. it's the best of both worlds. you get all these exclusive little things, you get your boyfriend's lyrics/production on the acts you love, and jihoon gets you. it's a win-win in his opinion.

and [drum roll] of course seungkwan takes the cake in this verse, because he beats everyone out: he already knows about your life as a fangirl, maybe even way before he personally knew you. seungkwan is the likeliest to have also had a fan account of his own, and so it should come as no surprise if the two of you had crossed paths on the internet. he'll probably go around bragging about being 'oomfs' with you to the point that you have to beg him to stop mentioning your dark past. but why would seungkwan stop? he loves you. he loves being a fan. and, hell, at this point? he just loves being a fan of you.

[physalian]

How to make your writing sound less stiff part 2

Part 1

Again, just suggestions that shouldn’t have to compromise your author voice, as I sit here doing my own edits for a WIP.

1. Crutch words

Specifically when you have your narrator taking an action instead of just… writing that action. Examples:

Character wonders/imagines/thinks/realizes

Character sees/smells/feels

Now not all of these need to be cut. There’s a difference between:

Elias stops. He realizes they’re going in the wrong direction.

And

Elias takes far too long to realize that it’s not horribly dark wherever they are

Crutch words are words that don’t add anything to the sentence and the sentence can carry on with the exact same meaning even if you delete it. Thus:

Elias stops. They’re going in the wrong direction.

I need a word in the second example, whether it’s realizes, understands, or notices, unless I rework the entire sentence. The “realization” is implied by the hard cut to the next sentence in the first example.

2. Creating your own “author voice”

Unless the tone of the scene demands otherwise, my writing style is very conversational. I have a lot of sentence fragments to reflect my characters’ scatterbrained thoughts. I let them be sarcastic and sassy within the narration. I leave in instances of “just” (another crutch word) when I think it helps the sentence. Example:

…but it’s just another cave to Elias.

Deleting the “just” wouldn’t hit as hard or read as dismissive and resigned.

I may be writing in 3rd person limited, but I still let the personalities of my characters flavor everything from the syntax to metaphor choices. It’s up to you how you want to write your “voice”.

I’ll let dialogue cut off narration, like:

Not that he wouldn’t. However, “You can’t expect me to believe that.”

Sure it’s ~grammatically incorrect~ but you get more leeway in fiction. This isn’t an essay written in MLA or APA format. It’s okay to break a few rules, they’re more like guidelines anyway.

3. Metaphor, allegory, and simile

There is a time and a place to abandon this and shoot straight because oftentimes you might not realize you’re using these at all. It’s the difference between:

Blinding sunlight reflects off the window sill

And

Sunlight bounces like high-beams off the window sill

It’s up to you and what best fits the scene.

Sometimes there’s more power in not being poetic, just bluntly explicit. Situations like describing a character’s battle wounds (whatever kind of battle they might be from, whether it be war or abuse) don’t need flowery prose and if your manuscript is metaphor-heavy, suddenly dropping them in a serious situation will help with the mood and tonal shift, even if your readers can’t quite pick up on why immediately.

Whatever the case is, pick a metaphor that fits the narrator. If my narrator is comparing a shade of red to something, pick a comparison that makes sense.

Red like the clouds at sunset might make sense for a character that would appreciate sunsets. It’s romantic but not sensual, it’s warm and comforting.

Red like lipstick stains on a wine glass hints at a very different image and tone.

Metaphor can also either water down the impact of something, or make it so much worse so pay attention to what you want your reader to feel when they read it. Are you trying to shield them from the horror or dig it in deep?

4. Paragraph formatting

Nothing sticks out on a page quite like a line of narrative all by itself. Abusing this tactic will lessen its effect so save single sentence paragraphs for lines you want to hammer your audiences with. Lines like romantic revelations, or shocking twists, or characters giving up, giving in. Or just a badass line that deserves a whole paragraph to itself.

I do it all the time just like this.

Your writing style might not feature a bunch of chunky paragraphs to emphasize smaller lines of text (or if you’re writing a fic on A03, the size of the screen makes many paragraphs one line), but if yours does, slapping a zinger between two beefy paragraphs helps with immersion.

5. Polysyndeton and Asyndeton

Not gibberish! These, like single-sentence paragraphs, mix up the usual flow of the narrative that are lists of concepts with or without conjunctions.

Asyndeton: We came. We saw. We conquered. It was cold, grey, lifeless.

Polysyndeton: And the birds are out and the sun is shining and it might rain later but right now I am going to enjoy the blue sky and the puffy white clouds like cotton balls. They stand and they clap and they sing.

Both are for emphasis. Asyndeton tends to be "colder" and more blunt, because the sentence is blunt. Polysyntedon tends to be more exciting, overwhelming.

We came and we saw and we conquered.

The original is rather grim. This version is almost uplifting, like it's celebrating as opposed to taunting, depending on how you look at it.

—

All of these are highly situational, but if you’re stuck, maybe try some out and see what happens.

*italicized quotes are from ENNS, the rest I made up on the spot save for the Veni Vidi Vici.

[matsunoluvr]

୨୧ ‧₊˚ ⋅ how I think the boys from love and deepspace would give a first kiss :3

warnings: suggestive content (obviously?), writing might be out of character, spoilers in general, i get carried away explaining everything because i'm afraid of being accused of mischaracterisation

[story spoiler] first kiss = first kiss where mc is a hunter/the timeline in game

authors notes: i have favourites and it will show CLEARLY in my writing�� sorry (not sorry no1 rafayel stan) and i am a yapper

characters: rafayel, xavier, zayne and sylus

link to my master list here!!

more below the cut :3

sorry rafayel... but i feel like he's the most unskilled at kisses because - hear me out - you're his very first kiss. lemurians as a species seem to value bonds and loyalty, and as the literal sea god he wasn't able to nor wanted to just hook up or mess around - he's looking for devotion!!!

(okay, we ignore the kiss in forgotten sea myth story because like come on there was literally no romance mc was drowning)

definitely waits a while before kissing you, rayafel really takes his time to fall into place. after all, he needs to make sure his beloved bride/groom is well and truly his!!!

the type to wait for the ‘right moment’ - but doesn’t force or stage it ykwim? like the time comes naturally - e.g. watching the sunset, or you’re leaning close to him whilst he’s painting

he’s a romantic 100% like there’s a reason his 'floral promise' card was (imo) way fluffier compared to the others - like xavier's was tender-ish but rafayel was fucking melting

he's a sweet talker I just know it.

that charm he uses on his clients? he doesn't want to nor will he manipulate you with it but you know he's going to ramp up the charm to tease you a little

definitely knows his effect on you and uses it to his full advantage (cough cough fiery undercurrents secret times) like whispering in your ear, making excuses to touch you or get close to you

(i think he’d be more 'traditional' because of lemurian customs - the whole bonding + [forgotten sea spoilers] the sea god ceremony where the mc must devote themselves to rafayel displaying a strong level of devotion)

SUCH A GENTLE KISSER OMG like compared to his almost bratty and childish personality he’s a gentleman when it comes to kisses (also because he's kind of unsure what to do...)

the type to tuck strand of your hair behind your ear, fiddle with it a little maybe twirl it around his finger before trailing a finger along your jawline... i can see him like massaging your ear too? idk how to describe it he's a handsy man

first kiss was definitely more sweet than passionate ugawhriulgs he's such a cutie

right after the first kiss i think he’d be pretty affectionate, rather than bratty/tsundere since for him to kiss someone i believe he’d really need to love them (and therefore is more open to being vulnerable)

affectionate as in saying something cheesy probably, commenting on how you tasted or another one of his poetic, artistic quotes (dw raf we love it)

wouldn't be satisfied with just one after that, i can see him going in for a more passionate second and even a third (i mean look at his 'floral promise' memory OR 'fiery undercurrents') in the same few minutes

these follow up kisses would probably be longer and way less chaste, hands moving from tilting your chin up to your waist ahahahahahuwfa

you'd have to show him the appeal of tongue if that's your thing because he's seen it before but never really saw what was nice about it

"But... you're just drinking each other's saliva?" "Rafayel that's hot-"

definitely relived the moment in his head hundreds of times after that night - and you bet your ass he painted a piece inspired from your first kiss with him

any kisses after that i feel like they would follow this default pattern;

if he initiated the kiss i think he’d be more cocky and teasing, especially if he surprised you with one and he sees your flustered face

“Didn’t expect that huh, cutie?”

if you surprised him, however, get ready for typical rafayel childish behaviour, blushing and averting his eyes, covering his mouth with the back of his hand and a pout

“Hey- what was that for!!” Σ（・□・；）

either way rafayel is the worlds silliest man and would cave into literally anything with just a few kisses from you

ALSO KISS HIS COLLAR BONES AND YOU'VE GOT A WHOLE NEW SCENARIO TO UNFOLD

oh i just have a feeling this man is devouring you because puh-LEASEE?? sir we aren't forgetting your 'tender night' card i know that night was anything but tender

xavier is the definition of pent-up desire because this man has been waiting a LONG time and he's not going to be able to hold back very well

(taking heavy inspiration from his '21 days' memory because with his reaction it kind of feels like his first kiss with mc... but tbh i don't know much about xavi)

he's definitely not shy when it comes down to it, yeah he gets flustered if he thinks about it because of course imagining kissing the person he's pined over for centuries is going to fluster the shit out of him but he doesn't shy away form the idea or avoid the topic in conversation

i feel like he'd bring it up casually - like in the 'partner go go' event (aka heartbreaker-chasing-rhythm-game event) he was so insistent on the 'kissing page'

mc was like "apparently you can solve arguments with a kiss" and this mf straight up said "we can argue then" this man is STARVED

i feel like you'd need to initiate the kiss or give him very clear signs you'd be okay with a kiss for it to happen, i don't know why i just feel like he's that type of person

the first kiss is deep despite him trying his best to hold back - you can just feel his desire and longing oozing out of him and he's definitely on fucking cloud nine

xavier's holding your face and stroking his thumb along your cheek and god damn he's good at kissing where the fuck did he learn this from?

the type to break the kiss and then fucking bulldoze into the next one and my god his restraints have broken and he's actually kissing you as if it's the last thing he's able to do on earth

100% a tongue user he's biting at your bottom lip before slipping it in the sly minx

after the kiss he's more flustered than he expected to be - kissing the love of his life (literally) sends him into a flurry of emotions he's never really experienced before

given how possessive xavier is i wouldn't be surprised if halfway through making out he managed to leave a hickey or two in very. visible. places.

he isn't even pretending to feel guilty in the slightest, a smug grin as he shrugs out a half-assed apology.

"Sorry, I guess you'll have to try hide it. Or don't, that would be easier."

if you leave any marks on him he's not leaving you along that night. forget sleeping you two are recreating 'tender night' ALL night.

but seriously, if you leave hickeys over his neck (his canonical sensitive area and where he feels vulnerable) he's going to go crazy because what do you mean you want everyone to know he's yours??? what do you mean you want him as much as he wants you??

tldr; xavier is unusually talented with his mouth and is desperate to prove it to you.

i accidentally wrote way more for xavier than i expected i even cut out some bits holy crap maybe i’m more into xavi than i thought

oh no... zayne you beautiful man i am so sorry... (here comes the one character i have no idea how to characterise + no clue about his lore zayne fans pls bear with me)

okay - zayne looks like a gentleman and i'm sure he very much is even in intimate moments, but i cannot get rid of the idea that his first kiss w you was lowk spicyyyyy

like OH MY GOD I JUST WATCHED SNOWY SERENITY RN I FUCKIGN KNEW IT

that man was pouncing on you in a hospital bed, dishevelled, and kissing you deep my god like the type of kiss that literally as you forgetting where you are

i feel like zayne would be the one to initiate the kiss, again no idea why maybe i'm falling into the dominant zayne agenda

you're probably surprised when he kisses you because he's usually so composed, the 'cold unfeeling' dr zayne - then suddenly he's panting and pushing himself on top of you (consensually of course), pinning you down and going to town.

when he kisses you i don't think he's much of a lip biter, but if you bite his lips or lick at him or anything he's not opposed, as long as your lips are on his and vice versa

after the first kiss he's going straight into another one, his patience has thinned to the point of snapping and now he just needs you.

his hands what does he do with his hands? i'm thinking the typical otome face hold, gentle grasp juxtaposing his fervent kisses LOL

now, why does he kiss you?? how does this all build up? unfortunately all i can think of to match this scenario is something angsty or something along the lines of zayne has fucking had it and all he wants is you

"I need you... please."

this is the type of kiss where he wants to drown in you, breathe you in and just smother his being into yours to forget and erase whatever else is happening/happened

if he's kissing you and pinning you down and you bring up your hand to interlock fingers with him - your warm hands against his cool hands? wow his kissing is all of a sudden even more passionate.

after the little make out session he's going to go all mushy on you, physical affection of an embrace something uncharacteristic of him to match his dishevelled state

in kisses after the first i like the idea that he checks your pulse mid make-out and just silently smirks/chuckles when he notices it's faster and more erratic than usual

"Why are you nervous, this isn't our first time."

he also has this sneaky habit of whispering incredibly close to your ear, the reason why i choose to point this out it because i feel like sometimes he uses his evol to his advantage to like, breathe out cool air on your neck/ear and likes to watch you shiver

the ultimate dominant figure if you try to kiss him first and take control he somehow manages to overcome you and take the lead without using his strength, just good ol' sweet talking and technique

congratulations, you managed to snatch a kiss from the renown leader sylus!!!

i can see why people would think he's promiscuous or a fuck-boy because honestly i see it, but imo just because he is more flirtatious, assertive and... responsive (try tapping his... crotch... in the café LOL) does NOT = play boy

to me it just shows that - unlike the other LIs - sylus is just more forward with his approach, he has that devil-may-care like feel to him ykwim?

"Do I like you? What type of question is that, isn't it obvious? Or do I need to show you?" is much different to "Hey baby girl lemme rock your world tnite xx"

but just because he's got a 'fuck-all' attitude doesn't mean he fucks around with random people, he's 1. got standards and 2. living in the n109 zone?? do you THINK he can afford to let random people close just to fuck???

that being said i don't think he's a kiss virgin, just very selective and honest man when it comes to love and physical intimacy

now, when i say he isn't a fuckboy, that doesn't mean i don't believe in cocky-smugass-know-it-all sylus - he kisses well. and with PASSION. and probably the worst part is that he knows it.

first kiss with sylus? i can't imagine him making a large fuss about it like rafayel, nor it having to be some "i'm-at-deaths-door-and-need-to-kiss-you-atleast-once" situation like zayne, but no matter where or when you two share a first kiss he is making sure you remember

that being said, there was definitely a LOT of romantic and sexual tension between you and sylus for at least weeks before the kiss, i mean the air was thick with suggestive glances and denial

i think you two'd have to already be in close proximity which is very easy to achieve with sylus (touchiest man award goes to him) for the first kiss to initiate

he's grabbing your waist, or your face, makings sure your eyes are on. him. as you two kiss. watching with delight no matter what reactions you have, he admires you through surprised and flustered to confident and defiant

rather than a tender first kiss it’s probably a full blown make out session, just desire and lust flooding out of the both of you after having built up for over a month.

assertive does not mean he's going to force a kiss on you to clear this up, more that he likes to take the initiative and take control as you two kiss <3

yeah he's into biting (wow what a big shock) - likes biting your ear, or neck, or bottom lip, one time he tried nipping at your tongue too.

you can bite him back, he likes it.

"Hah, looks like someone is baring their claws tonight..." he’s really into that whole cat thing huh.

what does mr sylus do with his hands? waist, hips, ass, around your neck, pulling your face in by squeezing your cheeks, fingers threading through the hair on the back of your head, you name it he does it. again, i think sylus is a touchy man.

he doesn't mind if you try to take control, just dont expect to be successful. different to zayne - as in he will overcome your control with his evol and strength…

inappropriate use of his evol has occurred (he ‘tied’ you up and made out with you (CONSENSUALLY))

after his affinity 15 (i think) memory i can just tell he’s freaky with it bruhhh so yeah handcuffs are probably something he indulges in

if you’re persistent or physically overcome sylus you might get rewarded with a resigned, more submissive sylus

the idea or sight of someone man handling/overcoming his strength really sets him off.. i mean have you seen “no defence zone”?? but you’re really going to need to work to get him to this stage, and he’s going to have to love you

“No one’s ever seen me like this, lying on my back and begging for you.”

secretly finds out through you that he enjoys being dominated (BRAT SYLUS FOR 2024) so climb on top of him and kiss him until he’s blushing and panting hahahahahaha

tldr: sylus isn’t a fuck-boy but he sure kisses like one

AN; as an ao3 writer may say, no beta we die like caleb i wrote half of this when i was half asleep LMAOO anyways i hope this was okay please dont attack me BYE

[eloves-writes]

careful who you’re talking to

[coriolanus snow x reader]

desc: snow hears a conversation with the academy boys about the girl he is secretly seeing and wants them to know who you belong to warnings: snow being snow like fr (toxic, controlling, insane, blah blah blah), smut, exhibitionism, public sex, unwarranted sexual comments about reader behind her back, she/her pronouns used, reader is wearing a dress, if i need to add any other warnings please lmk a/n: hiiiii! i'm back again. this is slightly unhinged and i didn't mean for it to be this unhinged but anyway hope u enjoy, send any and all coriolanus requests my way! mwah mwah mwah ily this work contains mature themes, minors dni

it was a cold night in the capitol, and you were steadily sipping a glass of posca to keep warm in your blood-red dress. the silky material was slit up your leg and cut down to reveal just the right amount of cleavage; you might feel a chill but you looked damn good and everybody knew it.

especially coriolanus snow. the two of you had been spending a lot of time together recently- behind bookshelves in the library, in dark corners of the academy halls, bend over desks in empty classrooms. it had begun as purely physical. stress relief. but after a month or so, you had each caught feelings for the other and were struggling with whether or not to admit it. and in that moment, he was also struggling tremendously to take his eyes off of you.

you stood talking across the room with arachne and livia, unable to concentrate on whatever meaningless gossip they were discussing with the feeling of coriolanus’ ice blue eyes on you; there was an electric thrill passing between you like you were connected with a live wire. to say your relationship so far had been hot and heavy would be an extremely severe understatement, and you found your mind constantly occupied with the thought of him touching you and the need to have him touch you again.

-

“i think y/n is checking me out,” festus creed smirked to the group of boys around him.

coriolanus almost snorted in amusement. you were obviously looking at him, and only him.

“something funny, snow?” gaius asked sharply. “jealous, perhaps?”

snow reserved his irritation. “not at all, breen.”

“whoever she is looking at,” felix stated earnestly, “i’m certainly jealous of them. i mean, just look at her. she looks fucking hot.”

festus nodded in agreement. “i’d love to rip that dress off of her. she acts so innocent, but you just know she likes it rough.”

coriolanus felt his blood boil. you were his. how dare they talk about you like you were a common whore? perhaps you did like it rough. he would know, he was the one fucking you. not these basic capitol losers. none of them could make you scream the way he did. none of them had scratches down their backs beneath their shirts from your nails. only he did. only he ever would, and he would make sure it stayed that way.

the other boys laughed, agreeing with festus. adding on their own ideas. detailing the ways they’d make you fuck them. describing the times you had supposedly sent them signals. assuming that you did not already belong to snow, that you would even think about going near them. that you would get on your knees for them like you always did for coriolanus.

he couldn’t listen to them any longer. “she’s seeing somebody,” he jeered, fixing the cuffs of his jacket and making definitive, unquestionable eye contact with you and subtly tilting his head towards the exit.

festus laughed incredulously. “is she now? i think we’d have heard.”

oh you’ll hear it alright.

“yes,” coriolanus replied with a chilling calm, watching you make your way to the door. “if you’ll excuse me.”

-

on the steps outside the ridiculously grand building, you waited patiently for snow to follow you out. it was only a few minutes before you heard the door open again, turning to face corio and immediately sensing anger. you worried, sometimes, about his anger. you knew he wouldn’t seriously harm you, but the same could most certainly not be said for any others who dared cross his path. the future president of panem could only afford so much blood on his hands.

“what’s wrong, coriolanus?” you asked gently.

he inhaled deeply and stared into your eyes in a way that strongly suggested you would be unable to walk the next morning. you waited for him to answer.

“you shouldn’t have worn that dress," he warned.

“what?”

“you heard me.”

either the cold or a fucked up part of you sent shivers down your spine, hairs standing up on your neck. your underwear dampened at his fury.

“i thought you would like it, corio,” you flirted, stepping closer to him. he placed a large, firm hand on your waist.

“i do like it, y/n,” he said before speaking in a low voice. “i would like it better if you took it off.”

you smiled and leaned up to kiss him, but he turned his head. you pulled a face in protest.

“behave,” he spat. “so desperate. do you not want to know why you shouldn’t have worn this?”

“yes, corio,” you replied, doing your best impression of somebody who wasn’t about to throw yourself on top of him. he liked when you were patient.

“because every man in that room wants to see it on their bedroom floor," he attested lowly.

“and you’re jealous,” you smirked.

coriolanus suddenly grabbed a fistful of your hair and roughly pulled your head backwards so that your face was tilted towards his. “and nobody else should be looking at you like that.”

a jolt of excitement ran through you. “corio-”

he gave your hair another tug. “say you’re mine.”

“am i yours?”

he realised instantly the meaning of your question. he didn’t have to think about his reply; he had thought about it every waking moment since the day you met. “you’re mine. say it.”

“i’m yours.”

“good girl,” snow spoke deeply before kissing you like he’d never kissed you before. without breaking apart from your lips, coriolanus guided you around to the side of the building. he counted the windows you passed until finally stopping by one that was cracked open and pushing you against the cold wall. as he removed his jacket and unfastened his belt, he looked inside the hall and you assumed he was checking no one was looking. he wasn’t. he was making sure that festus creed and the other boys were still stood in the same spot; directly in front of this particular window, and far enough from the rest of the partygoers that only the boys would hear you.

you gathered the skirt of your dress at your waist and wrapped your legs around corio’s sturdy form as he reached to move your underwear to the side. he circled your clit until you were practically whimpering, then slid two fingers inside of you.

“corio, feels so good,” you moaned softly.

he kept his same pace with his fingers, fucking you into a state of bliss where he knew you would be uninhibited and so drunk with his stimulation that people would think you’d finished every glass of posca in this stupid party. coriolanus was too good at what he was doing, you were on the edge of release within minutes and still desperately trying to quiet yourself in the name of dignity.

“corio, please, corio, i’m so close,” you whimpered into his neck.

he pulled away his hand, making you whine in displeasure. he liked to do that. liked to know he was in complete control of you, you would only cum when he willed it.

corio looked through the window again, but the boys had yet to hear anything out of the ordinary. they were still laughing amongst themselves. he unzipped his pants and pulled out his cock, using the slick on from your pussy to stroke himself before he pushed inside of you.

you tried again to stay quiet, but coriolanus began to coax you. “look at you, taking me so well. you wouldn’t let anybody else fuck you like this, would you? who makes you feel this good, huh?”

you couldn’t hold back anymore, his beautiful face spewing such foul things whilst fucking you raw and digging his fingertips into your flushed skin. “you do, corio. fuck,” you moaned, loudly enough that festus turned to look outside.

coriolanus smirked as they made eye contact. the initial confusion about the sounds coming from outside, the look of shock as he realised his classmate was balls deep in a girl he had pushed against the exterior of a building in the damn capitol, his face finally dropping as he realised who corio was fucking by the colour of your messed up hair and the visible strap of your dress, his eyes widening as he heard the things snow was saying to you.

your moans were getting louder too as you got even closer to your orgasm, whimpering corio’s name and repeating “i’m yours,” like a mantra.

snow took his gaze from the boys to you, feeling satisfied that he’d proved his point and starting to performatively enjoy himself, knowing yours weren't the only eyes on him. his pace quickened, driving you over the edge and making you clench around him as you came. he moaned aloud himself as continued to fuck you through your high and the overstimulation that came after until he finished inside of you.

you were completely fucked out, relishing the feeling of snow’s cum beginning to drip down your thighs after he swiftly removed your underwear to fold into his back pocket. he picked his discarded jacket up from the floor and placed it over your shoulders, kissing your head and leading you to the front of the building and helping you into a car which would take you both home. before you walked away from the window though, coriolanus smoothly pulled your lace panties from his pocket and waved them nonchalantly in the night air, catching the attention of the rest of the group. you would never have to know why he fucked you, only that the boys would stop bothering you now they knew who you belonged to.

[celtrist]

This was the piece that I had started before my extensive vacation (of coughing). Once again, Alastor is consistently the bane of my existence with his... well everything.

No matter! Anyway, this is something I like to call the Obsession AU. To sum it up real fast: Everyone is yandere for Alastor. I think it would just be apart of his punishment in Hell, being consistently forced into or desired in romantic/sex which he's never had much interest in. I would describe it as a dark comedy thing, but it can be as comedic or as dark as you want here. With that said, please be on guard with any mentions of darker content that treds towards a certain dead bird territory when I get a bit into how I imagine some of the characters. Again, it doesn't have to go that far if you're interested in this premise of an au and wanna focus on the more light hearted stuff, feel free.

This au is just poking a bit of fun at how everyone in the fandom wants to put Alastor in romantic situations constantly (whether it be with themselves or the other characters) despite Alastor probably being the least interested in the subject in the whole show. This is by no means a hate train or making fun of people who do enjoy shipping Alastor, it just more of a funny thing I think comes off as pretty ironic for his character and hopefully, others can enjoy that too. In this au he leans pretty much on the clear-cut side of aromantic and asexual with no interest in romantic affections at all. With that said, if you want to explore Alastor genuinely being interested in one of the other characters romantically or something similar, feel free to explore that! I can see some interesting dichotomies there. It's just within the actual "canon" of this au, he's not at all interested with that sort of thing. And just with a last final reminder to get into some character things I have in mind, some of the content mentioned does get pretty dark, particularly with Valentino but I don't think anyone's surprised there. But there might be some triggering content of the following mentioned here with characters but no crazy details really: Manipulation/Gaslighting, forced feminization, Non-con, Munchausen syndrome, Poisoning, Possessive, Drugging, Love bombing And I will be sure to give a quick warning to each character it might apply to, please feel free to let me know if I missed anything!

Rosie (Munchausen syndrome, Poisoning): Rosie has 100% poisoned Alastor before to make sure he relies on her. They started off as good friends but at some point Alastor began getting ill and Rosie offered to take care of him. This leads to Alastor staying in bed for full days, only really seeing Rosie who took care of his every need from food, clothing, washing, and so on. At some point, Alastor caught on that Rosie was putting something in his food to make him sick and he managed to escape with their friendship tarnished much to his dismay. He's often uneasy around Rosie but is upfront about his knowledge of Rosie's deeds. Rosie, in turn, acts like it is a lighthearted situation and often offers Alastor over for lunch, which he often denies. Any food he gets at his doorstep from a secret admirer or a lunchbox he finds at his seat in an overlord meeting goes straight into the trash. Alastor will still use Rosie's assets to his benefit of course, but is always careful as to what she might try to get in exchange. He has had more awkward lunches with her with his homemade meal versus the buffet she catered for the occasion, with the two gossiping like old times. Alastor is still uneasy during these times, but he also revels in the false pleasantries due to not having many others he's able to associate himself with due to the curse.

Lucifer (Controlling, Possessive, Manipulation): So I'm not 100% clear how I wanted to approach Lucifer. He and Charlie are probably the most similar I suppose? He wants Alastor as his queen (either alongside him and Lilith or only with him, he doesn't mind either way). He doesn't force him into dresses or anything, but Lucifer does consistently make doting moves and talks about how Alastor would make a good father to their children. Marriage is one of the mind and Lucifer probably gets a bit possessive with him. He also tries to guilt trip Alastor a lot, or manipulate situations in one of their arguments to get Alastor to say something he doesn't mean.

Charlie (Controlling, Possessive): Probably the most tame of everyone quite honestly. Charlie can be a bit controlling but does step off when Alastor expresses his dislike of her doing so, even if it takes a couple times. She likes doing things for him, is super affectionate, and daydreams about her, Vaggie, and Alastor all getting married. She can get pretty possessive with him, not being pleased when anybody does anything against Alastor's will or hurt him. The only exception to this rule is Vaggie, to which Charlie sees it like two cats getting along and finds it very endearing.

Vaggie (Forced Feminization, Controlling, Murder): Depending on how you look at it, Vaggie's one of the more fucked up obsessions or one of the more funnier ones. Because she's automatically inclined to like Alastor quite a bit with the curse thing but her personality doesn't jive with his for her own taste (in terms of their first meeting), she both hates and loves the guy. She's obsessed with trying to murder Alastor with traps around the hotel or outright standing over him with her spear. The hatred comes primarily from not wanting to feel the way she does about him, I guess like a fucked up tsundere if you wanna go that route. At the same token, however, she does want Alastor to be involved with both her and Charlie romantically. There's just one little problem: Vaggie has about the same amount of interest in men as she does in canon. So to sort of "fix" Alastor, she consistently tries to force him to be more feminine in clothing, offering different feminine names, and even trying to force him to get a sex change. Alastor is pretty slippery though, so it never quite works out in Vaggie's favor aside from the occasional dress or skirt being worn, which solidifies her attraction to him. Then he takes it off and looks more like a man again, and it solidifies her frustration/hatred for him.

Angel Dust (Drugging): To start, while I think Angel would love to have sex with Alastor, he 100% would not force it. Wouldn't even do touches or anything. Potentially he could just like as a coping (to be in a situation where HE'S the one in control), but that is a darker route that I don't think will be exactly true for this AU. However, he very much enjoys drugging Alastor similar to Rosie. Not only just as a bonding thing since Angel would also do the drugs WITH him, but just to get the not-quite-lucid compliments from Alastor and maybe a snuggle then and there. He wants to dote on Alastor with him drugged out in his bed saying nice things to Angel. Admittedly this one's a bit of a workshop as I just knew I didn't want Angel to be focused on sex like somebody, but wasn't sure what to do here.

Valentino(Non-con, LoveBombing): I mean... it is Valentino, what did you THINK he'd be trying to do with Alastor? There's really not much to say here, Valentino essentially tries pulling all the stops trying to get Alastor in bed while also love-bombing the hell out of him. Which really doesn't work. Valentino is pretty open with sharing Alastor, but again, does this surprise anyone? As long as he's participating in some way, he really doesn't mind.

Vox (ALL warnings): Pretty much the worst version of himself that people make him be sometimes for those darker stories in the fandom. While more interested in having an enthusiastic partner, I don't think Vox would be opposed to forcing himself onto Alastor. He consistently tries to manipulate and gaslight, while enjoying both the suffering and pleasure of Alastor. Much like Vaggie, Vox is obsessed both being in love with Alastor while also downright hating him to the core. He's possessive and likes the idea of being both sweet and heinous with Alastor. He pretty much is every other character wrapped up in one fucked up TV man. Vox acts the most well-adjusted of the characters here, but he's probably got the obsession the worst.

And of course, pretty much every other conceivable ship is up for grabs here. I did think about maybe unfallen angels are able to resist the obsession curse, which would possibly make a funny team-up of Alastor, Adam, Lute, and Emily. Alternatively, I thought maybe the other canonically asexual characters in the show wouldn't be affected instead, meaning another oddball team-up of Alastor, Octavia, and Mammon. Then there is of course the "nope, there's no escape for deer man". Not sure yet, maybe I'll workshop it. I have more normal things in the works rather than this messed up little au, but darker content is a guilty pleasure of mine.

[dunmeshistash]

How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!

Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post

This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)

The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback

She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"

It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help

Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.

I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.

The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."

And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.

After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.

Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon

She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.

Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible

Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her

Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.

There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.

My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).

No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.

And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...

This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...

I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.

Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.

Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.

I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.

Part 2

[foone]

Tumblr crashed and killed my post and I'm too lazy to go find what I was reblogging, but:

You need to understand that there is a type of right-wing person who is (relatively) sex positive.

You need to understand this because it explains some "contradictions" but more importantly so that you won't assume someone isn't wildly right wing just because they're sex-positive. These people still have horribly opinions on a lot of things, including sexual ones. They just don't think it's Inherently Wrong to do "weird stuff" in the bedroom.

I always describe this viewpoint as "it's okay to get freaky, but don't be a freak".

They're making a distinction between things you DO and things you ARE. They hate the latter, and think the former is fine.

This is a big part of why you get "confusing" things like right-wingers who are against trans people but those same people might enjoy crossdressing during sex. They're fine with wearing girls clothes while they get pegged, but don't think you should be allowed to go by she/her in the workplace if you're AMAB. Crossdressing is a thing you do. Being trans is something you are.

And the post I was trying to reply to was about swingers disliking polyamorous people: it's the same thing. Swinging is a thing you do: they're having freaky sex. What's wrong with that?

But polyamory? Having multiple partners at the same time, even when you're not fucking at the moment? That sounds like something you are.

Basically it seems to be the worldview of people who are sex-positive (to an extent! I don't want to overstate their positivity) in their personal life, but are against "the decay of society".

They're basically conservatives nostalgic for an imagined world where everyone has 1950s social roles in public, but can get up to whatever weird sex stuff they want behind closed doors.

I don't know how much this kind of few point is due to libertarian influence on these kinds of right wingers (where they've internalized the "the government shouldn't tell me what to do" part of the ideology, but still think "the government should tell those weirdos to get cut it out" is fine), or how much this is because of the rise of 4chan as an alt-right meeting spot, and that site was (and still is) partially a porn site.

It's slightly hard to argue that all sex besides married missionary for procreation is immoral when you're one click away from threads full of anal-toy-howtos and pregnant "dickgirl" hentai. (Not that they don't try, sometimes)

Just keep the fact that these people exist in mind: it'll better explain some of the strange opinions you sometimes see online.

It's probably also a major driving force behind Bidoof's law. They can easily argue against something innocuous like polyamory or trans people while filling their own timeline to with images of trans orgies, because they think Doing Sex Stuff is morally neutral, but Being Stuff is inherently wrong. You can cross dress or swing, that's fine, whatever gets your rocks off. But you can't be trans or be poly. That's wrong, apparently.

(This is probably also South Park's fault but I'm not an expert on that show so I'll not try to explain)

[reidsworld]

Parties

Summary: Spencer, Reader's boyfriend, gets jealous of the Readers family friend at a party.

Pairing: Spencer Reid x fem!Reader

Category: Smut

Content Warnings: fake blood, fake knife and axe, Spencer being jealous, cursing, kissing, hickeys, semi-public oral sex(m receiving), face-fucking, praise/degradation, I think that's it, lmk if I missed anything! — you are responsible for the content you consume, if you are not comfortable with any of these warnings or are a minor, DNI!!!

Word Count: 1.7K+

A/N: For the readers parents house I was envisioning something like the Mikaelson mansion from TVD. The reader is described as having longer hair w/ curtain bangs! This is also my first fic so sorry if its bad lmaoo

Masterlist

Walking onto the jet, you sat next to Penelope, across from Spencer. This case had been a hard one, Hotch had Penelope come along as you needed all hands on deck.

ping!

You sigh taking out your phone to see a text from your mom.

Mother Call me, please.

"What's wrong, Sweets?" Penny asks, concern lacing her tone.

"Nothing, my mom is just trying to call me and I really don't want to deal with her right now." You reply with a groan. You click on your Mothers profile, hitting the call button. She picks up right away.

"Sweetie, let your team that they're invited to this year's Halloween party. Your father and I agreed on the Friday- the 25th, but we would appreciate your input on the date. It starts at 8 PM" she says into the line.

"Alright, the 25th sounds good. If we have a case I might not be able to come," you say with a fake-disappointed tone, praying that a case came up on the day of the party.

"Your father and I are excited to see you so please try to be there."

"Well I can't really control when serial killers decide to strike but you know, I'll try!"

Sighing, your Mother speaks, "Don't be like that honey, your father and I are very excited to see you. If it's any encouragement to come, Julius will be there!"

"Alright fine, I'll try my hardest to be there." you say, smiling at the name.

You exchange 'goodbye's' and 'I love you's' with each other before you hang up.

“Who’s Julius?” Morgan asks with a smirk, drawing your attention to rest of the team who’s staring at you. Spencer couldn't help but feel jealous at the way you smiled at this ‘Julius’ person.

“How did you-? And you’ll meet him at the Halloween party my parents are having on the Friday 25th at 8 PM. No extremely scandalous costumes or my parents will probably never invite you guys back.” You say with a laugh.

Luckily, on the day of the party there was no case. Even so, you had asked Hotch to get off early as you needed to get ready for the party and be there early, as per your parent's request.

Once he agreed, you rushed home and showered before getting ready. You wore a black velvet strapless body-con dress that cut mid-thigh. You had fishnet stockings and black gloves that reached just below your elbows. There was a knife strapped to your leg as well. You had your hair down, styled with curtain bangs.

Once you finished getting changed, you put on dark red lipstick, mascara, and did cat eye eyeliner. Finally, to complete the look, you grabbed the scream mask and rested it to sit securely on top of your head as if you had pulled it up to reveal your face.

You grabbed a small black handbag and put on some Doc Martens, heading out the door to your parents mansion.

Once you got there, their mansions was decked out with Halloween decorations. You parked your car in the garage and went inside.

"Y/N, sweetie, we missed you so much!" Your mother greeted as her and your father hugged you.

"I missed you guys too. And I love the costumes." You said when you pulled away from the hug, referring to their matching Gomez and Morticia Addams costumes.

"Thank you," your father smiled.

It was 8:45 and most of the guests had arrived, so you decided to go and mingle.

You were standing by the food when you heard a voice come from behind you.

"You look good, baby," Spencer said, giving you a kiss on your temple. You looked up at him. He held a fake bloody axe in the one hand and he was wearing a suit with a clear rain coat on top of it. He had his hair slicked back and fake blood splatter covered his face.

"Thank you, you make a hot Patrick Bateman," you winked.

"Well hello gorgeous." You turned to see someone that you hadn't seen in years.

"Julius! Hi, oh my gosh, don’t you look handsome. It's so good to see you." You smiled, hugging him. He was dressed in a orange jump suit with handcuffs on one hand. When he pulled away, you could see him check you out.

"It's good to see you too, love," He grinned.

Spencer would deny being jealous of how low Julius had his hand on your back, of how you smiled and hugged him. But who was he kidding, he was incredibly jealous. So, he stepped forward, wrapping an arm around you, smirking.

"Aren't you gonna introduce me, baby?"

You smiled, knowing exactly what Spencer was doing, "Spencer, this is Julius. Julius, this is my boyfriend Spencer."

Julius stuck his hand out for Spencer to shake. "I don't shake hands, too many germs. But it's nice to meet you," Spencer said, leaving Julius hanging.

"I'll be back, Spence, I gotta go to the washroom."

With that you walked off into a hallway, Spencer following quickly behind you. When he caught up, he grabbed your arm and pulled you into the laundry room, locking the door behind you.

“Spencer what are you—”

Your words were cut off as he pushed you up against the door, smashing his lips on yours. His hands roaming all over your body as you threaded your fingers through his hair, tugging on it and earning a soft groan from his lips.

He tugs on your bottom lip with his teeth, making you moan, before breaking the kiss moving his lips down your neck. He lightly bites down on a spot before soothing it with his tongue. He repeats this all over your neck, surely leaving multiple hickeys.

"Fuck, you see what you've done to me? Walking around with that pretty little outfit and flirting with some other guy who would never be able to make you feel as good as I do," he speaks with a low tone, pushing your hips against his growing bulge as his hands grope your ass.

His words make you weak at the knees, the pool in your panties building with every passing second. Spencer's eyes are filled with hunger and lust as he pulls you in for another kiss.

"On your knees," he says into the kiss, lightly pushing you down by your shoulders. You get on your knees, making quick work of taking off his pants.

You slide off his boxers, freeing his cock, precum leaking out of the tip. You grin before licking a stripe up the underside of it, making him groan.

You spread the precum around the head of his dick before taking it in your mouth and swirling your tongue around the head. Spencer's breathing picks up and you start taking more of it into your mouth.

He takes the mask off the top your head, tossing it somewhere in the room. He grips your hair, making a make-shift ponytail. You hollow your cheeks and start bobbing your head.

You swirl your tongue around his dick as you suck harder. He groans and throws his head back, "shit, baby." As you take more of his dick into your mouth, his hips buck, hitting the back of your throat.

You gag around his dick, making him let out a low groan. He looks down at you for approval before he starts thrusting into your mouth.

He fucks your throat, making you gag and moan around his dick. Tears begin to fall at the feeling and restriction of air flow. He pulls back a bit, letting you get some air.

Once you give him a small nod, he resumes his motions. "Fuck Y/N you take my cock like such a good little slut.”

You feel his dick begin to twitch in your mouth, indicating that he’s close. You look up at him as he pushes in and out of your mouth, moaning so loudly, you're sure people can hear you.

"I'm close," Spencer moans, sloppily thrusting into your throat, hitting the back every time. After a couple more thrusts, he pushes his dick as far into your throat as he can, making you gag. The vibrations send him over the edge. He holds your head still, sending warm ropes of cum down the back of your throat.

He pulls out and looks at you, your mascara is running and your hair is a mess, "you look so pretty like this baby." He caresses your cheek before helping you up onto your feet. He pulls his boxers and pants back on before kissing you on the forehead.

"I love you," you smile at him.

"I love you too."

He picks your mask up off the ground and hands it to you. You take him to the washroom and take out makeup wipes from the cabinet. He helps you take off your make up so you can reapply it.

You both walk out of the room and into the hallway. Just as your leaving you bump into Julius. His eyes flicker down to the dark marks scattered across your neck and Spencer smirks.

"We're leaving now, it was good to see you," You smile at him, holding Spencer's hand.

"Yeah, you too."

As soon as you got home, Spencer pulled you onto the couch to straddle him. His lips were on yours, engaging in a heated kiss. His hands roamed to the back of your dress, pulling the zipper down and sliding the dress down to your hips.

He unclipped your bra, freeing your breasts. he pulled back, looking down and grinning.

"Are you just gonna stare or are—” You were cut off by Spencer's lips on your nipple making you moan. He swirled his tongue around the bud as his other hand kneaded your other breast. You were moaning, running your hands through his hair.

Just as he was about to move to the other nipple, your phone pinged. You groaned and got off him. you walked over to your phone and unlocked it.

Mother Your car is still here...?

Y/N I'll pick it up in the morning, I went home in someone else's car

With that you put your phone down and walked over to Spencer, swaying your hips.

"Now, where were we?"

A/N: chat I’m rlly debating posting this rn. I wrote it in 2022 and now, 2 years later, I found it in my drafts. I decided to edit it and fix it up a bit. I’m pretty happy with how it turned out, when I first found it, I expected it to be a lot worse lmao. lmk what you think of it!! if no one reads this I’m taking it down cause I’m kinda out of my criminal minds phase lol. Any feedback is greatly appreciated🫶

[archangeldyke-all]

Oh man I have ideas..

Sevika has a home back in Zaun but she has to have an apartment in Piltover because of councilor duties until she fully adjusts to topside and accepts the insistent offers of a manor. Imagine being her wife and just helping her relax after her first day, cuddling and all that whilst adjusting to the fancy apartment bigger than your old house.

Or..

Sevika taking her wife out for a walk in Piltover, admiring more of the garden as the plants grow upon new soil. A talk about the future whilst holding hands.

Or..

Them renewing their vows, having that damn fancy wedding of the dreams.

Toodles!!!

EEEEEEEEK okay lets do some councilor sevika (also isha and jinx are still alive in this story because i said so. she doesn't need to suffer so much to still be an incredible leader. give her her girls!!!)

men and minors dni

you were the first person approached about sevika representing zaun in piltover's new council post-war.

you were a little concerned to find councilwoman shoola and three members of her personal guard on your front stoop-- and for just a moment you had a flash of anxiety that she was here looking for jinx or isha.

"councilwoman. hello." you say, still surprised. you've met the woman a few times before, both of you attending various re-building efforts around the undercity. she holds up a hand.

"please, dear, we've built a bookshelf together, you've seen me at my lowest. you can call me shoola."

"h-how can i help you counc-- shoola?" you ask. she smiles.

"i'm here regarding your wife."

you frown. "...is she in some kind of trouble?" you ask, already mentally planning how to worm sevika out of her trouble. the councilwoman chuckles.

"quite the opposite, actually. i'd like her to join the council... as an ambassador to the free nation of zaun." she says.

you nearly shit yourself at her words-- sevika's life work casually mentioned like it's just a sidenote. "the-- free?" you ask.

she smiles. "while the deaths of the other councilmembers in the war was a horrible loss, there are some issues i could never get my late colleagues to agree on. now, though... i've been given full authority to reorient the power structure of the council to avoid anymore kirraman's taking over-- and i've always been of the belief that zaun should be free."

"and w-what... you want to arrest jinx in exchange for it?" you ask.

shoola chuckles. "no."

"y-you want isha?" you ask. shoola laughs again.

"what could i want with a child? no!"

"so... what do you want?" you ask, your voice shaking as the reality of the situation sinks in.

"i just want your help talking sevika into the job. i know she can be... stubbo--?"

"bullheaded?" you guess as shoola searches for a kind word to describe sevika's stubbornness. she chuckles at your description of your wife and nods.

"here." she hands you a stack of papers. "i've outlined the full responsibilities of the job. as well as the benefits she will receive for serving. please. look it over and talk to her, would you?"

you do.

it's an excellent proposal.

as the undercity figures out how it wants to self govern, piltover will fund zaun's public infrastructure as if it's their own-- meaning that the undercity will, practically overnight, have access to things like clean water. and schools. and welfare. they will provide these services for up to fifteen years as zaun finds it's footing.

the position outlined for sevika in piltover's council is a way to assure piltover doesn't back out of their promises-- that somebody is there to call them out when they try to cut corners in helping the young nation of zaun find it's footing.

and, while your wife might miss the more physical aspects of her old work, you can see her chewing out some stingy old councilors for their greed in your minds eye, and you can't help but smile.

"what're you smilin' about?" sevika asks.

you jump and slam the folder in front of you closed, blinking up at your wife.

she's back from her meeting with ran, scar and jericho. the four of them have grown close in these past few months as they coordinate rebuilding efforts for various neighborhoods across zaun. you have to gulp, trying not to get dizzy with the possibilities of what sevika's job offer means for them as a team. as team zaun.

"h-how was your meeting?" you ask. sevika raises an unimpressed eyebrow at you and you huff. she sinks across the table from you, easily pulling the folder out of your grasp.

"meeting was fine. the elementary school bein' built in firelight's territory is almost ready to open. first school in zaun." she says with a smile. "now, what were you smiling at?"

"i was approached by councilwoman shoola this afternoon."

sevika raises an eyebrow at you. "did you two try to build a chair this time?" she teases. you groan and kick her shin, before tapping the folder in her hands.

"no. i was asked to convince my stubborn-ass, incredibly loyal, strong, beautiful, hard-fucking-headed wife to join the fucking council."

sevika blinks. "what?"

"they want you in the new council. serving as an ambassador. to the free nation of zaun, sevika."

sevika blinks again, and then she rips the file open, her silver eyes flying across the confidential text. "the fr-- the free nation of zaun?" she asks, her eyes flying up to yours to confirm. you grin and nod.

sevika flies out of her seat and crawls across the dining room table to reach you, tears flowing down her cheeks as she kisses you like her life depends on it.

you're there when shoola and sevika finally sit down to discuss the opportunity. shoola's the first piltoverian to not turn her nose up at the messy state of your small home-- she even grins at the sound of jinx and isha bickering from their bedroom. "you two have made a lovely home for yourselves, here." she says, sitting down at the table and jumping a bit when a toy squeaks under her bum. "i can almost see the love leaking out of the wallpaper."

"could be black mold." you whisper. sevika and shoola both sputter surprised laughs.

"sevika. have you considered my proposal?" shoola asks.

sevika sighs and nods. "i have a few conditions before i agree." she says.

this surprises you. as if the prospect of representing a free zaun isn't tempting enough, you saw the salary sevika's being offered. it's the kind of money that could buy you a house big enough that all four of you could have your own bathrooms.

(secretly, though, you hope you live in a tiny house forever. you like tripping over your family-- being within reaching distance at all times.)

"first. i'd like you to assign me the budget to employ three of my trusted confidants as advisors. i can give you their identities if you'd like, but i give you my word that they're good peo--"

"done." shoola cuts sevika off, scribbling a quick note in her journal before looking back up at the pair of you with a smile. "what else?" she asks.

you smile a bit. sevika blinks, then gulps. "jinx and her little friend ekko get a full ride to the university up top. they're incredibly gifted, and with a little proper education they could advance zaun--"

"you don't have to convince me, i remember how the war went. without them, we'd all be dead. i can arrange that."

"i don't want to leave zaun. i can't represent these people if i'm not living here. i'll need a car to get--"

"would you like a personal vehicle or a driver each morning and evening?" shoola asks.

sevika blinks. "a-a driver." she says, a little shocked.

"anything else?" shoola asks.

sevika nods. "o-one last thing." she reaches over to grab your hand. you have no idea what she could possibly want beyond what she's asked for-- she's taken care of her friends, her family, and her transport.

"anything." shoola says. you think the woman might mean it.

sevika looks down at her lap and sighs. "we... we never really got married." she says. you blink, not at all understanding why she's telling the councilwoman this. "i mean... we had a party and we exchanged vows," she says, a smile tugging at her lips. you squeeze her hand and her eyes flick up to yours, before shyly darting away like you guys haven't been married for a decade now. like you guys don't have two kids together. "but we never... nobody gets married in zaun. 's expensive. the trip up to the justice is too far. and..." sevika gulps, her voice getting shaky as she looks back up at you. "and you're the reason i've fought so hard for our home in the first place." she whispers.

tears start to well up in your eyes and you let out a shaky laugh. "what, 're you proposing to me again?" you ask. sevika snorts and shakes her head before turning to shoola. the woman's drying her own tears.

"will you arrange to have us married? officially?"

"i'd be honored." shoola agrees.

the wedding is small and intimate, you and sevika, jinx and isha, vi, ran, scar, jericho, and shoola.

the councilwoman took you to a beautiful little garden a few blocks away from the council, and she married you, officially, as the sun set and your girls threw handfuls of confetti into the sky.

your whole party marches through the streets of piltover and back to zaun for the afterparty, councilwoman shoola laughing happily as you introduce her to the zaunite tradition of barcrawling.

each bar you enter, jericho happily announces that you and sevika have been freshly married. sevika, being the new spokeswoman of zaun, is quite the celebrity now. all of this is to say, you spend the night drinking many free drinks, hugging many drunk strangers, and kissing your wife on request about a thousand times.

it's the best night of your life.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther

@sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai @my-taintedheart

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen @annesunshiner

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

@lavandasz @strawberrykidneystone @sevikasfan @fict1onallyobsessed

[felassan]

August 30th 2024 Developer Q&A (from the official BioWare Discord) - Complete transcript

Under a cut due to length and spoilers.

Update: This post has now been updated into a word-for-word transcript.

[Link to video recording of Q&A] | [Link to equivalent post for first Q&A (June 14th)] | [Link to video recording for first Q&A]

Update: This post has now been updated into a word-for-word transcript.

If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here. This blog post is linked in the description under the video. ( ˶´ ᵕ `˶ )

Please note before proceeding that the devs advised that this Q&A may contain minor spoilers!

Corinne Busche, John Epler and Community Manager Katey were the devs that were there.

KFM: Community Manager Katey JE: John Epler CB: Corinne Busche

---

KFM: We’re gonna be joined by John and Corinne here in a sec, just waiting for them to get on. Hey John, hey Corinne, thanks for joining - hey!

JE: Hello! Thank you for having us. It's a pleasure.

CB: Hey y’all. It's so good to see so many people, I see some familiar names here. Good to see you again.

KFM: Yeah, yeah, I'm excited to, you know, bring us this second Q&A on the Discord server. Last time we were really, really happy, with the way it happened, y'know, it turned out and how everyone seemed to really enjoy it so we're back again. Thank you for submitting your questions on the ask-bioware channel. I am going to start and kick that off in just a second, but, for those of you who might be new here, I'm the Community Manager, and I'm going to let Corinne and John introduce themselves as well.

CB: Hey y'all, I'm Corinne Busche, Game Director on Dragon Age: The Veilguard. I just generally help people on the team do cool things and create this world.

JE: And I'm John Epler, the Creative Director on Dragon Age: The Veilguard, and Corinne picked probably the best way to describe what I do, too, so I'm just gonna steal that. I'm there to make sure the team can, is enabled to do their best work and I'm super excited to share all this with you.

KFM: Awesome. Yeah before we start I also wanna give a quick heads-up, you might have seen in Announcements, but there are a couple of questions in here that we have answers to that we would consider minor spoilers. I'll give a heads-up before that minor spoiler answer is given, or even the question is read, so you can go, y'know, grab some water, or y'know, go outside for a second, or just do anything, to decide if you want to listen to the answer or not. But, I promise, these spoilers are, y'know, we'll call them out before we say anything.  

CB: That is kinda the coolest part of this session, we're getting closer to launch now, so I think we can do a little bit deeper on some of the questions this time.

KFM: Yes, no this is so exciting! Okay, are you guys ready?

JE: Yes! Yes I am.

CB: Let's do it.

KFM: Let's do it.

KFM: Let's start with a fun one. Do all Evanuris hate tea? Does Ghilly-Flower exclusively drink haunted bog water?

JE: Alright. That is a fun one. Y'know, it's funny because I think Solas is the only one of the elven gods that actually really has a tremendous aversion to tea. That said, we don't really get too into what they drink, I would say though, knowing what I know about Elgar'nan and Ghilan'nain, I think Elgar'nan probably drinks a combination of gas station coffee and the Thedas equivalent of an energy drink, at all times he's got a big Thermos with him. Whereas Ghilan'nain is all about the herbal concoctions that are supposed to be really good for like, your gut health, things like that - she really takes care of herself, so.

CB: John, I think you just described you, and then me. Interesting.

JE: Hurtful, Corinne, accurate but hurtful.

KFM: Okay, next one. So we know that we can hug Assan, but will we be able to hug any of our companions?

JE: So you can't hug your companions at all times. There's not an option to just walk up and give them a hug. They've got their boundaries, they've got their preferences. But there are opportunities in conversations, in dialogue, in scenes where you will, you know - a companion may ask you for a hug because they're having a rough time and you are able to give it to them.

KFM: And will there be a lot of politicking involved? And by politicking they mean quests like Wicked Eyes and Wicked Hearts.

JE: Yeah, so I mean, there's not gonna be a quest quite like the Halamshiral Ball, I mean that was very specific to the Inquisitor. The Inquisitor was trying to gain favor with a bunch of different factions, they were trying to form an army. Rook's struggle and Rook's, honestly,  challenge is much more immediate and visceral. That said, it's Dragon Age. It wouldn't be Dragon Age if there weren't politics. You'll have influence on the, y'know, things that are happening, and the fate of nations, that are happening around the world, and Rook, I mean, throughout the game, across this adventure, Rook does become a fairly important figure, so it's natural that you’ll have some influence and some involvement with the affairs of the different factions and nations.

KFM: Gotcha. So this question, this next question comes from Onomatopoeia. I know this has been asked before, but they didn't see an answer for it - is there a way to toggle off nudity and sex scenes?

CB: Yeah, let me take this one. It's so funny, John, you get the fun questions and I get the thirsty nudity questions - I'm here for it. So, let me, let me answer and maybe elaborate. So, there is a toggle for on and off nudity. That is one of the settings we have. And we'll be going deeper into settings and accessibility and things like that as we get a little bit closer to launch. But let me also expand on this. So when you're in character creator, you'll actually be able to select what underclothes your Rook wears, and whether that exposes your chest or your breasts. So, by default nudity is on, chest or breast, that is up to you by your underclothing that you select, particularly as you get into, say, romance scenes, but, at any point you can toggle the setting to be non-nudity and it will override your undergarments. 

KFM: Gotcha. This question comes from DarkGoddessEris. What are the companions’ ages? That was a question that actually came up a bunch, so I'm excited for somebody to be able to answer this one.

JE: Yeah,  I can take this one. So the companions in The Veilguard range anywhere from kind of early-mid twenties with Taash at the youngest, all the way up to Emmrich who is in his early fifties. The rest of the companions tend to be in their late twenties, early thirties, again though, they're all experts in their field, they're all people who have been through a lot, so even the ones that are at the younger end of the age spectrum, their experience, they've been through a tremendous amount by this point by the time you meet them, so, yeah. So I mean, I guess, Taash is the closest to Sera at early twenties, but they’re all in kinda that age range, so.

KFM: This next question I'll pitch to Corinne. How linear is the quest experience? Are there going to be side quests that you can stumble upon and resolve within areas or are you locked into a golden path?

CB: This is such a good one. Yeah, a lot of people have been asking about this so thank you to whoever submitted it. So the content in the game is a mix of directed, kinda like story quest missions, and then explorable content. Or you might say optional content. I don't even like calling it side content because it's a lot of fun, it's really good content. So to give you an idea, a lot of the main story quests are critical path missions if we want to call it that. They're very highly crafted. They're more linear than some of the other parts of the game, because we feel that’s how we can tell the best stories, give you a very intentionally-paced experience, y'know, with lulls and climaxes, so it really hits you. But that's only part of it. You're also gonna explore, fully explore a bunch of the locations in The Veilguard, so like, let me just lay a few on you: Arlathan Forest, Hossberg Wetlands, those are probably two of the biggest ones, the Crossroads - now we've seen Crossroads before in Trespasser, but this, isn't necessarily the Crossroads as you remember it. So you'll be able to explore this, this part of the Crossroads, and as you're there, you're absolutely gonna be discovering new areas, new quests, mysteries and new challenges. So exploration in the game is absolutely about player agency in these larger, less linear levels, and it's really an important part of the overall experience and core to our design. Now, as a player - and I'm just speaking for me personally - I'm the kind of player that wants to 100% every area. I want to go find all the optional quests, all the treasures, I wanna see that big 100% completed on my map. That's gonna take you quite a bit of time. So hopefully that answers the question. It is both.

KFM: I think that's a great answer, thanks, Corinne. This next one is from a user named Benedictus: Will we ever get the Venatori gear?

CB: Yeah, I can take that one as well. Venatori gear - so like, I'm assuming what we mean is for to like, wear on Rooks or on companions. Gosh, y'all, I'm gonna be honest - we really, really tried on that one. Hopefully you've seen in the videos our cloth sim, our hair sim, I think it's quite beautiful. The Venatori gear, generally we couldn't make that work to the quality we'd expect within combat. So, no you can't get most of the Venatori gear, but I will say there is a unique Venatori-themed helmet. I, I don't want to spoil what that is exactly, but, so, you can get a helmet, it is unique, it's pretty interesting and ties into some of the events that can happen in the game but I'm just gonna leave it there.

KFM: Gotcha. So, now we're getting into our first real minor spoiler question, so - consider yourself warned, do whatever you need to do, either listen or don't for the next, like, I don't know, minute. So this question is from Kala: Will there be any romanceable NPCs outside of the companions?

JE: I'll take this one. So, no - not this time. This time the romances for Rook are strictly within the companions. We wanted to really focus on those relationships and make sure that they were as developed and as deep as we could make them. And yet honestly and part of it - the other side of it is - Harding was a great example in DA:I, that was a character that as we were building the game, it really struck us, stuck out to us, this is a character that, actually, y'know, you see a lot, you build this very specific rapport with, and the writer, Sheryl, wanted to create that light romance with Harding. None of the characters in The Veilguard really jumped out to us in that same way as, this is a character we really want to build a relationship with, for Rook, but again, y'know, really focusing down on making sure the companion romances were as deep and meaningful as we could make them.

KFM: And this question is just for fun. So we're passed a spoiler, we'll get back into other spoilers in a bit, but this one's just for fun. We have so many cute, silly bird videos on the internet - Lucanis' Ninth Dagger, by the way, says that birds are their favorite animal - if you could just snap your fingers and a bird Easter Egg would be added for Assan, what would it be?

JE: Oh, that's a good question. So actually I'm gonna cheat, because I am trying to think of bird memes, or bird videos specifically, and I'm having a hard time, but, y'know, the thing about griffons is that they're half bird and also half lion, so I'm gonna go with a cat meme, say my favorite meme, and this is one that still brings me joy years after it came out, is the video of the cat grooving to the guy playing Finnish polka on the drum. Again, years old, I've loved - that's one of my favorite videos on the internet, so y'know, if we were gonna give Assan any kind of Easter Egg it would be that one.

KFM: I love that one - 

CB: You know, don't judge me on this, you're putting me on the spot here, but, the only thing I can picture in my head - y'all remember that video a few years back where the kid unleashes the rabbit into the field and then immediately that hawk comes down and snatches it up?

JE: Yes!

CB: Don't judge me, y'all! Don't judge me. But that's where my head goes.

JE: Oh, man.

CB: Assan just getting a little treat.

JE: I love that.

KFM: I love that.

JE: That's a great, that’s a great answer, Corinne. Fantastic.

KFM: So this next one is from a user named Ash. So Taash breathes fire, Lucanis has wings, Harding is a dwarf who has magic. A lot of our companions have some strange abilities - is this because the Veil is compromised?

JE: Oh, I'd say it's, I mean partially yeah. I mean, we've talked before about how over the course of the time since Dragon Age: Inquisition, I mean, it started at the end of Trespasser. The Veil's not in great shape. Corypheus already did a number on it, and Solas has very clearly, as you saw, in the [inaudible] preview, not been making things better in the intervening times. So, there is to some degree, y'know, I'll use Bellara as an example - Bellara's someone who's seeing these artifacts turn on, and being able to interface with them because there's all this magic that's coming back to the world through the torn Veil. Other characters though, I mean, you are recruiting people to stop the end of the world. You're recruiting extraordinary people, they're gonna have extraordinary abilities, and you know, someone like Davrin, a lot of his abilities are focused around Assan and the fact that he's got this partnership, this, almost, you know, familial bond with Assan, his griffon, so.

KFM: Can we get some Assans in the chat?

JE: I think I'm seeing a lot of Assans in the chat, so I think we're well covered there.

KFM: Me too.

KFM: Alright. This next one is for both of you, and I will say, another quick little spoiler, minor spoiler warning, depending on the way that either of you might want to answer this question. This is, of all the companions, who's the team's favorite and what companion was the most difficult to design?

JE: Ooh. I'm gonna cheat, I wrote Bellara so, I’m definitely not gonna say the companion I wrote because that would be weird, but I will say I loved the companion interactions so I'm gonna go with two of my favorite relationships that Bellara has within the team, friendships that she has within the team. So, Bellara and Lucanis start off as two characters who feel like they're from completely different worlds, their experience growing up was very different, where they lived, what they do, and over the course of the game, they kinda build this friendship over all these things that despite again - very different upbringings - they have a lot of things in common. They're both the, y'know, characters who just believe family is deeply important and that shows up in a lot of their interactions, a lot of, y’know, the way they talk to each other, they interact with each other, both within the Lighthouse but also out in the field. The other one - and this was one that came up organically as we were building the game - is Neve and Bellara and they, y'know, Bellara is a character who, y’know, despite being out in Arlathan is very big on stories, very big on - she finds - gets all the newspapers from Tevinter and she has kind’ve learnt who Neve is through that, and they build this very sisterly relationship that I love and that over the course of the game, I mean, we started out without this kind of as the intention, we started finding all these places that this can show up and it turned into, again, one of my favorite friendships that exists between the companions, so.

CB: Oh, that was such a good answer. Yeah, I think I might cheat as well, John, because, first of all, I don't want to speak on behalf of the entire team. So I'm gonna give you my two faves if that's alright. And I feel like y'all already know me on this. Every time we have a chance to talk about Taash and Emmrich I'm right there for it. I'd say they're probably my two favorites, but here's the thing y'all, here's why I love them so much. When you're out in the field like exploring, or on missions with them, their banter is so good, because they do not see eye-to-eye on necromancy, like, at all, and, it's really funny, it's really delightful, I love seeing how it evolves - so like, look - if you wanted a recommendation from me on like, banter in the field, you've got to hear Taash and Emmrich. Most difficult to design, let's touch on that really quickly. I, so, I'm gonna answer, but I don't want to say that like we put more effort into one versus another, but I would say the most challenging was probably Harding, just because you've probably seen if you saw some of the teaser footage, the pre-release trailer, we have teased some strange new powers for Harding, and when we do that we have to figure out how that layers into her combat kit, and when we onboard that, and, yeah it was an interesting challenge, it was a really fun one.

KFM: Awesome. Backing away from spoilers for a quick second, I'm going to ask this question to Corinne. With only two companions per party, as a Nightmare mode player, how can we balance not having a warrior in the team to tank? Will higher difficulty players be forced to bring Davrin or Taash for a melee instead of bringing the characters that we want?

CB: Oh super good - I was hoping this would come up, especially after we released the combat deep-dive for warrior trailer - hopefully y'all enjoyed that. So, let me start by telling you what's happening under the hood. Well, first of all, I'm not gonna bury the lede - you're not gonna have to bring a tank if you don't want to. But, let me first tell you what's happening under the hood, this is gonna be kind of high level, maybe we can go a little bit deeper when we have more time. Behind the scenes when you walk into an enemy encounter, we generally know how much pressure, or you could say intensity or aggression, we want to be putting on Rook to maintain that satisfying moment-to-moment experience. So to give you an idea of some of the levers we have for each encounter, that is the number of enemies that could be specifically focused on you versus your companions, how many enemies can be attacking at once, and even when you have multiple enemies coming at Rook, we have a ticketing system.

[text block character limit reached]

CB: And what that means is each enemy basically knows when it is allowed to attack or not. So, I tell you all that because basically when we're looking at the different types of classes and team compositions, those levers exist underneath the hood, so that we give you the most autonomy and flexibility, but also maintain that, that pressure, that engagement for you the player. So, a couple of other things on that. Now that you kinda get a sense of like what's happening under the hood, it is absolutely beneficial, but not required to have one of each class in your party. We did go into this with the goal of giving players more flexibility than perhaps we've seen in past entries. It's just a different approach. What we know is that players tend to get very attached to certain characters. If you've got your favorites, you oftentimes wanna bring them with you or if you're romancing a character, sometimes it's a feelbad to feel like you have to leave them behind because maybe they're the same class as you. So, the whole game is built and balanced around flexibility, and giving you the agency. So you can be successful, you can mix it up, but you gotta plan for it. So what, what do I mean by that? If you're not using teamwork, if you're not planning for your party composition for those synergies, it's definitely not gonna end super well. Right? Like, I've done no tank runs, but it takes some foresight in the strategy here. So I'll give you an example if you don't mind, I think I've been pretty out there that my favorite class and specialization right now - could change tomorrow - is the rogue Veil Ranger specialization. And this is very much a ranged archery-based specialization. So, I want to keep enemies at ranged, because I want to get those well-aimed critical hits, right, if those enemies are right up on top of me, I'm not gonna be able to do that. So if I don't have a tank in my party, a couple of the tools that I turn to - and I have done this, in fact, in my last playthrough I did this quite a bit - I might bring Bellara and use her Galvanic Tear, which pulls all the enemies towards like this really cool-looking gravity well and gets them off of me. I might instead use Neve's Time Slow. So the cool thing about this is it slows time for everything in the world except for you and your team, right? So I'm running away, I'm doing a Heavy Draw, getting those headshots, or making other tactical decisions. I could also turn to my rune loadout - hopefully y'all saw runes in the warrior combat deep-dive - that's an important part, especially if you're playing on Nightmare Mode, the strategic and tactical options that gives you, will allow you to overcome things like not having a tank. I think everyone may have saw the rune where you're doing a, basically an AoE freeze, and freezing everything in place. So it's kind of a long-winded answer, I'm sorry, it's complicated, but point is, is I think you're gonna have more flexibility in your build crafting and your synergies, but it's gonna depend on the strategy and composition that you feel works best for you and your own preferences. And then you did mention Nightmare, let me just finish with saying, and this is anecdotal, but in our own Nightmare playthroughs, we actually find that the most challenging aspect to plan around isn't necessarily aggro management, but making sure you have coverage on all the various elemental damage types. So, I just say this for anyone planning to go into Nightmare - plan well.

KFM: Staying on the topic of combat, it was noticed during the high-level combat videos that weapons and armor seem to be tied to different factions. Are there bonuses or something similar involved if Rook is a Grey Warden while using Grey Warden equipment? Are these removed if a Shadow Dragon Rook is using Grey Warden equipment? 

CB: Oh, interesting. You know, everyone went deep on that gameplay video, hey, I’m glad you noticed that. Yeah, so, to answer this, you're going to be working really closely with the factions in the game, right? Like the threat you’re up against is a world-ending threat so you’re going to interact with each of these factions. So that means that you’re gonna get a lot of the gear that that faction tends to use, and especially the stronger you help them become, the more gear you’ll have available from that faction. So when you see a piece of gear that has like the Veil Jumper icon on it, that signifies that it is aligned with that faction, but you can use it regardless of if that’s your faction background or not. All it means is that, you know, if I want to maybe improve it or get more gear in that vein, or that looks similar, I can see it’s from the Veil Jumpers, I’m going to go back to the Veil Jumper quartermaster, and that’s where I will find more items of that type or upgrade possibilities. But it also leans into the thematic identity. So, you know, I think in that video we were using the transmog system, but if I’m using a Veil Jumper gear like an armor, it’s gonna look like it was crafted by the Veil Jumpers, and it’s gonna lean into the mechanical themes of the Veil Jumpers as well, which, one of those themes tends to be lightning damage. Now, I will also say, and this is a little specific, but occasionally you will find gear, or even like skill nodes, that will occasionally be empowered, they’ll get stronger relative to your strength with that given faction. So like if you find a piece of gear that’s really core to your build, and it strengthens the stronger the Veil Jumpers are, like that gives you a pretty good signifier that maybe that’s a faction you wanna focus on.

CB: Katey, I don't know if you're still there.

JE: Yeah.

CB: Did we lose you?

[there is silence on KFM’s line]

JE: Ope.

CB: We may have lost Katey, y’all. 

JE: We can start, just, you know, let’s - 

CB: Yeah. Why don’t, why don’t, I do have the list of questions here so why don’t I ask the next one until Katey comes back. I hope everything’s okay on your side Katey. Alright. Next question I see, the Evoker description on the blog-post highlights ice-based magic. Does that mean we will not be able to have lightning- and fire-themed playstyles as the Evoker? No, no, absolutely not. The Evoker can lean into all of the elements, in fact, all mages can to a degree. You probably have seen the skill trees, you’re gonna pick up abilities, perks, traits, of all elemental types, and powering up those elements. So just because you’re an Evoker, doesn’t mean you’re like pigeon-holed into ice spells. What I will say is, if you’re heading towards that specialization, you’re gonna pass through the section of the skill tree where you’re more easily going to be able to naturally pick up those ice spells, right? So it might lean towards ice, but you can expand it. The name of the game is agency here.

JE: Corinne, why don’t I ask you the question so we can still kinda do a Q&A thing? CB: Yeah, that, that sounds good.

JE: Corinne, can I set the gear to look however I want without losing stats? And that is a question from YoCallMeRob.

CB: Alright, well, y’all know, fashion’s the true end game. So, we did confirm we have a full transmog system, so what I’m gonna do is spend some time going a little more in-depth for y’all, so that we’re getting new information. So yeah, if anyone’s not aware, transmog basically is, I have a piece of gear, but I apply an appearance to it that makes it look like something else that I like better so I can be fabulous. So, how this is gonna work is you’re of course gonna find gear as you adventure through the world, and you can equip that. But any piece of gear you find is also going to unlock the appearance for that gear. So you might find something that you really like, and you wanna look that way, and then you replace it, anything that you’ve already acquired, you can apply the appearance to whatever gear you want. Additionally, and this is one of my favorite parts, is, you’ll also find some appearance-only cosmetics that are specifically used just for transmog. So sometimes these are some of the fancier or more niche pieces of gear, maybe end up looking like a training dummy for instance. So you’ll get these appearance datas from opening treasure chests, exploring the world, and more frequently from vendors. So, look, if you’re in it for fashion, check out those vendor inventories because they got you. I would also say that you can transmog your casual wear, so field wear and casual wear, fully transmoggable. If you wanna be platemail while you’re hanging around the Lighthouse as a mage, more power to you. And then if I were just to give you a practical example of this, like on the Blood Dragon Armor, the pre-order bonus, those are cosmetics, those are just appearance datas, right, so they’re effectively evergreen, you can use them anytime you like without compromising your stats.

JE: I will say that I don’t think I’ve spent as much time in any other menu other than transmog, because as Corinne mentioned at the beginning of this, fashion is the true end-game, so. Katey, have we gotcha back yet?

JE: Katey, have we gotcha back yet?

KFM: Am I back? Can you hear me?

JE: Yay, you’re back. 

CB: Katey, we did our best Katey.

JE: Yeah.

CB: But I don’t think we were very impressive -

KFM: No, I think you both did a great job. It was one of those weird situations where Discord force-quit, but I could still hear everything everyone was saying. I don’t really know what that was about, but.

CB: I just assumed you didn’t like my answer.

KFM: Yeah, I rage-quit actually Corinne, it’s all your fault.

JE: Taken by the Fade.

KFM: No, thank you for taking over while I was figuring that out. There is a non-zero chance that that happens again, so just keep an eye out. 

JE: We’ll keep an eye out for it, we gotcha.

KFM: Thank you.

KFM: So I’ll just pick it up from the next question. The latest, latest - wow, I can’t even talk anymore - video series mentioned how each companion can set up or detonate specific combos. Are those always set in stone or would we get opportunities to change it up, through the skill-trees or otherwise? 

CB: Cool, cool, cool. I eat up these really specific combat questions. So first, let me give you an overview of how the primer-detonator relationship works between the classes. Like, this is very nitty-gritty y’all, if this is your jam, get your pencils out. So here’s the overview. Mages, and this whether, this is true of companions and Rook, mages apply weakened and overwhelmed debuffs, and those are two of the debuffs we call primers. Magers detonate the sundered debuff. Then if we go to rogues, rogues apply weakened and sundered debuffs, and rogues detonate overwhelmed. Warriors apply sundered and overwhelmed, and warriors detonate weakened. So you can see, kinda the interesting rock-paper-scissors relationship there. And when I talk about it as beneficial to bring one of each class? It’s just the inherent nature of that rock-paper-scissors relationship that I’m really thinking of. But, to answer your question, that is just the baseline, that is the default if you don’t modify it. Throughout the game, you will find opportunities, whether it’s from gear, skill-tree nodes, even runes, that allow you to break this paradigm. So when it comes to your companion builds, again it all comes down to the abilities you choose, what gear you’re equipping them with, how you allocate your skill points. Yeah, does that answer the question? There’s quite a bit of flexibility but there is a baseline paradigm as well.

KFM: Yeah, I think that answers the question.

KFM: Let’s see. The next one is, will we see a bit more the Lighthouse before release, as well as non-combat gameplay?

CB: Yeah, yeah, absolutely. We’ll keep it brief here because we are gonna be talking more about exploration and the Lighthouse next month, so forgive me, but I’ll say stay tuned on that one.

KFM: Alright. Then, this next one I believe is a little bit of a spoiler. I know that some people have, can’t hear me still for some reason, if you can’t, tell folks to quit Discord and rejoin it, but -

CB: Okay, minor spoiler y’all, if you can’t hear Katey, this one’s a minor spoiler.

KFM: Yes. Thanks Corinne. This one is, will we be able to give gifts to our companions, either generic or plot-specific?

CB: Yeah, you sure can! I actually wanna shout-out one of our lovely designers, Dusty. This was a passion project from him. He was advocating for this. So, the cool thing about this is, it’s not like a transactional thing, like where I’m gonna go farm a bunch of like nonsensical items and just like, mechanically turn them over. Out in the world, and there in various locations, so you kinda stumble upon them, you can buy a gift that is very personal to any one of the companions, and then you go, you turn that into them, you give it to them, they have a nice acknowledgement. And then, the thing that’s just like so sweet about it, we’ve talked about how the companion rooms evolve over time, but if you go and get them one of these, like, very personalized gifts, they’ll display it in their room. Like it doesn’t go into some stats void. It’s actually on display.

KFM: I love that.

KFM: This next question, I'll pitch it to John. Some of our companions like Neve, Emmrich and Lucanis have been in past short stories and comics and there's also a passing resemblance to some of the old concept art from years ago. What is the process like for making a character at some point and then planning to bring them back as a companion, or were they always written or designed and intended to be companions?

JE: Alright, that's a great question, and it's actually one I'm gonna go a little deep on. So, as we build the game, as we start writing companions we see how they fit in the story, see how they fit together. Some characters have been around, some character concepts have been around for quite some time, others come in a little bit later in development as we realise we have a gap, you know, something in the story that we need someone, who makes sense to fill that gap, to be that character. But part of it’s also just as the writers we want to make sure that the people who are writing these companions are passionate, and they're writing a character they want to write. We don't want to just say "we need X, Y and Z. Write a companion to fill these gaps", but it'll be "hey, in this story, it really doesn't make sense that we don't have somebody, ah, doing X, is there a character we can build for that?" And so, y'know, you'll see the old concept art and a lot of those concepts, y'know, a lot of those, kinda the core of those characters remains intact, we may have changed details of them, we may have decided "okay, they were going to be X but now Y makes a little bit more sense" - Or as a writer I'm a little bit more interested in why, y’know, what, this particular concept speaks to me more. In terms of comics, short stories and such, generally speaking - and this isn't universal - but generally speaking, writers are writing these short stories in particular, it’s a volunteer, we ask the team, like, "hey, does anyone - we've got this short story anthology, who wants to write something for it?”, so writers are going to pick characters that they're passionate about and in those cases they tend to be their companions, so for example. You know, Neve’s shown, is mentioned. Neve, Emmrich, Lucanis have all shown up. Those were written by people who are passionate about those characters and we had already intended for them to be companions. Other characters, though - I mean, and Harding is an excellent example - we create a character to fill a role. In the case of Harding, she was in Inquisition largely to be there to kind of connect those exploration spaces together and give you a sense of the Inquisition’s presence, and then we saw the fan reaction, but beyond that, Sheryl really wanted to explore Harding's arc more deeply, so she got promoted to be a companion as well, so, yeah, I mean, it's an organic process, and I mean again, it comes down to, we want to make sure the people who are building these characters, ah, not just the writers but also the artists, y'know, the cinematic designers, the editors, y'know, the gameplay people, are excited to build these characters. And you know, and actually, I'm gonna go a little bit side topic on that. Bellara's a great example where we knew what Bellara wanted to be, needed to be in the story, but gameplay-wise it took a bit to kinda land on how her gameplay and her character arc and who she was melded together. Y'know, Corinne’s talked earlier about the companions and how they show up in gameplay. A really big thing for us on this project is making sure that the gameplay reflects the characters, their arc and their personality as much as possible, so. Yeah, kind’ve a long answer to say, it depends, but yeah, generally if they show up, especially in something like a short story, we’ve already intended for them to be a companion because, those are the characters that people, the writers are most passionate about, so.

KFM: I love that.

KFM: Apart from wanting to try different classes, what are the main incentives for multiple playthroughs now that, now that stuff seems more overall universal, to be attempted all in a single playthrough. Are there choices presented freely - are there choices presented that are impactful, that wildly different outcomes will come from, while - wow, wow, wow, let me start that one again. I think it’s just, I’m reading it straight off the sheet. 

JE: No worries.

KFM: I'll start from the top. Apart from wanting to try different classes, what are the main incentives for multiple playthroughs now that stuff seems more universal, to be attempted all in a single playthrough? Are there choices that are impactful and wildly different, and different outcomes and decision paths?

JE: So, I mean, there's a few incentives, one of which, is, and I mean, the most basic is, the three classes from a gameplay perspective do play differently and, you know, I’ve, it’s funny, Corinne was talking about how her favorite is the Veil Ranger but that might change. Mine literally changes every time I play, I start a new playthrough, I develop a new favorite class, which is the class I'm currently playing. But more generally, yeah there are choices in the game, there are different outcomes, there’s content that does, that you will see or won't see based on choices you make both within the critical path of the game but also with the followers themselves so, y'know. You're not going to see everything in a single playthrough, you're not even going to see everything necessarily in a couple of playthroughs, but, y'know, you want to see how your choices have different outcomes, that's the best way to do it. 

KFM: This question is - I understand mages having very magical-looking moves, but why do rogues and warriors also have very magical-looking moves? Was making every class look like a mage a purposeful choice? 

CB: Cool, cool, cool. So it's a multi-part answer, but yes, everything we've done has been with intention towards supporting the overall player experience. So I guess the first place I'd go to answer this is from a game-tuning and balance perspective. We knew that supporting multiple damage types like physical, fire, electric etc, that was gonna be an important factor in the strategic depth of the combat system, particularly as it leans into builds and the strategies you'd use to take on various enemies. It’s not the extent of it, but it's an important part of it. So that meant that making sure the various classes in some capacity have access to some or all of these damage types. And that then means that we need to make them read visually as such on the battlefield. So the first part is about making sure you have those strategic options on the battlefield. But there is more to it than that I'd say, we also found - and I've heard this from a lot of you, that some of our magical hybrid classes have been amongst the favorites. My goodness the discourse around Knight Enchanter - 

JE: M-hm -

CB: - So this felt like a very thematic way for us to support that goal if that makes sense, the goal of game balance but also leaning into the things that seem to resonate the most. If I was to just focus on the Warriors out there for a minute though, because we just released the warrior deep dive, we've actually long had a goal within the team of making them more visually interesting and impactful. We know, and I’ve heard from a bunch of you that warrior, y'know, tends not to be peoples’ first choice, but hey, any of the warrior fans out there - big props to you, because I love them, too. So this was like our chance, really, to show what a warrior can do, to make them feel like they have a presence on the battlefield that could be as interesting as some of the other classes, but I will say, I absolutely recognize that there are those of you that like, if you're playing a melee class, you even want a pure, like, physical-based warrior aesthetic, maybe something that's a little more grounded, you can generally make a build that's more physical-focused if that’s more your taste.

KFM: In addition to playing the first three games, what comic books or novels do you recommend reading before playing The Veilguard?

JE: Oh, that's a great question. I mean, generally speaking, one of the things we wanted to make sure with The Veilguard was that players could get into the story, understand what was going on without needing to, y'know, get into the ancillary material. I love the comics, I love the novels, I love the short stories, but they are intended to be kinda side content. One of the things that we hear loud and clear is sometimes folks don't really want that to feel like I need to have read this, I need to have seen this comic, I need to have watched that show for it to make sense. That said, I’d say The Missing, the most recent comic series. is a very clear lead-up to the beginning of The Veilguard, it's setting up events, it’s kinda setting up, y'know, Varric and Harding's search for Solas, it sets up some of the characters that you'll see in the game. Tevinter Nights is another one, not - we mentioned earlier that some of the companions show up there. Beyond just the companions, there’s some thematic stuff that comes out of that as well, some things that we kinda wanted to set up when we wrote those short stories, like, giving you an idea of what the worldstate is, how things have changed over time, and then I’d say, you know, more very recently, we have the podcast, Vows & Vengeance, which is intended to give you a taste of the companions and also, again, talk about the worldstate of Thedas at this point, you know, giving you kind’ve the lead-up to weeks before the events of the Veilguard, so you do have that sense of what’s going on, who are these people, and how, you know, when I first meet them in The Veilguard, you kinda have an idea of who they are. Again, though, this is all stuff that I think enhances the experience, but it’s not required, there’s never going to be, we’re never gonna put you in a situation where a character shows up and, you know, everyone makes a big deal out of it, and you’re sitting there wondering like, who, who is this person? Because they were introduced in other media. We always wanna make sure that you understand, that the only thing that you need to have done to understand The Veilguard is play The Veilguard, so.

KFM: Awesome. Also, yes, Vows & Vengeance is so good, so definitely, you know, give it a chance. The first episode is out now. I think a lot of people in the Vows & Vengeance Discord server, Discord channel are, are really stoked about it.

KFM: This next question. Will we be able to adjust how much damage the companions do in the accessibility settings?

CB: Yeah, so our customized difficulty, and accessibility settings as well, they’re more focused on how you the player experience the game while in control of Rook. So, things like enemy health, timing, things of that nature. So not in the settings, no, but if you really wanna be that kind of player that wants to amp up your companions, like have them do a greater share of the overall damage, there’s a number of ways to accomplish this. You’ll get gear that just strictly says, your companions do more damage. And then there are some unique buffs we support like Rally Party, so you as Rook can trigger this surge in your companions’ ability. So, again, we know how diverse the motivations are within the player-base, so we wanted to make sure those tools were there for y’all.

KFM: So now we’re getting back into spoiler territory. There’s minor spoilers, but, you know, definitely, take heed, for the next couple of minutes if you don’t wanna hear them. Okay, we ready? Will we finally meet Maevaris Tevani in Tevinter?

CB: Oh my goodness, y’all. Alright, you got the spoiler warning, so when I talk about cameos and appearances, don’t say I didn’t warn you. Okay, this one’s very near and dear to my heart as a trans woman myself, I’m pretty open about that. Yeah, yeah, our dear Mae, she’s in the game, happy to confirm it, and I am, every time I see her I absolutely freak out. What I’m not gonna tell you though is what role or capacity she plays, so you’re just gonna have to wait and see. But Maevaris Tilani, she’s in.

KFM: I am living for chat right now. Like, I try not to look at it too much during these, because it’ll distract me, but I’m living for chat right now.

KFM: This next one is also a minor spoiler. Will we find out what happened to Lucanis' parents, for his grandmother to have had charge of him?

JE: Yeah, so I mean, Lucanis is an Antivan Crow. If you know anything about the Antivan Crows you know that they are, well, assassins, and assassins tend to have fairly deadly politics, and the daggers are a lot more literal than you would see somewhere like Orlais, so. That’s all I’m gonna say. You’ll find out, you’ll find out at some point for sure.

KFM: We’re doing a great job at not giving too much away.

KFM: Do we get any jealousy dialogues from any of the companions if you switch up your romance plans partway through? Are any of the romances hard-locked at any point?

JE: Yeah so, you can, I mean, once, there is an opportunity, or there is a place in a romance where you essentially commit to it being exclusive. And we really wanted to make sure that, A), we were very up front about the fact that you were committing to an exclusive romance at that point, and before that, it is portrayed as, you’re flirting, you’re kind’ve, you know, figuring out each other. So, not, there’s no jealousy dialogues, but there are - places where you commit, and we wanted to be very clear to fans. There’s also going to be a place, because I think I’m reading this right, where, there’s a point in the story where if you haven’t committed, if you haven’t said like, yeah, let’s, let’s, you know, I’m in for it, I’m up for this, let’s do this, where you no longer have that opportunity. We’re very clear about what that point is, because again, we don’t want people to be missing out on a romance, to think like, I’ve got some time, you know, I really wanna romance Neve, but, I’ve got a little, and then find out that no, in fact, you don’t have anymore time, so. 

KFM: Are class specializations locked to a particular faction, or can Rook only learn a specialization from a particular faction, like through a faction trainer?

JE: So, the specializations are a lot more thematically tied to the factions than they are a strict, you must be X faction, you must get it from this person. You know, for example, I’ll use the Veil Ranger is all themed, as Corinne said earlier, around electricity, around the use of the Veil, around the use of that kinda magic. So while they are thematically tied, there is no, you must be a Crow to be a Spellblade for example, and part of that is because, while we do like having that connection between gameplay and, you know, roleplay, we also don’t want you to feel like, well, I really wanted to be a Spellblade, but I also really want to be a Grey Warden. We don’t want those two things, sometimes we want gameplay to influence narrative, but we never want you to feel restricted by one against the other, if that makes sense.

KFM: Yeah, definitely

CB: Katey, can I go off-script really quickly?

KFM: Of course.

CB: Alright, so I saw someone post in chat, “okay, poly next time, though”. Let me just say, I cannot make promises, I cannot, but I’m with you. I’m with you. 

KFM: I love it. Anytime you wanna address anything that’s happening in chat, by all means.

JE: Oh, shit, copy that.

KFM: I mean, don’t go too crazy. Alright.

KFM: This next question is from Que Sera Sera. Will we be able to change the font size in the UI, subtitles etc?

CB: I can take that one. So, quick reminder, we are gonna do a deeper dive as we get closer to launch on accessibility settings, but let me just answer this one. Yeah, yeah you absolutely can. There are limits of course, but as a fellow person who often has to squint, I’m 42 y’all, my eyes are starting to go. I can play comfortably, I suspect most players will be able to play comfortably.

KFM: Will there be a way to save characters we make so we don't have to start from scratch each time?

CB: Heck yeah, you absolutely can. We, I mean, look, all of you playing Inquisition, you’re still sharing your OC and your characters ten years on. We know how much you love it, so yeah, yeah, absolutely. I do wanna have a, some caveats here though. So, it’s when you’re in the character creator, you can import the character appearance, it’s just gonna be the appearance data, from an existing save of yours. So when I say an existing save, just let me put a very fine point on it, that save has to be local to the machine. Remember, we’re an offline game, there’s no online character sharing built in. But for those of you that like, your OC, are very near and dear to your heart and every time you replay you like to have the same character, and you’ve spent hours and hours and hours working on it, yeah, you can import that.

JE: We saw how many of you were saving screenshots of sliders in DA:I, and that was not a great experience, as we’re well aware, so.

KFM: This next one is, are companion quests going to focus on internal factors or external personal events? Like will it be a growth in character and self-discovery, or are they firmly-rooted in their sense of self and will ask for/need help with their factions, interpersonal relationships, etc?

JE: So that’s a great, another great question. It’s a mix of both. I mean, each companion has their own personal arc over the course of the game. You know, you go on missions with them, you solve problems with them and the nature of those problems, you know, it’s, the problems are a lot, often-times very external in nature, you know, something’s happening that they need help with, but most of the time those problems are also tied to their own personal growth as a character. Again, you know, we really want to make sure that players feel invested in these characters, feel invested in their stories. And we also want to show that these characters do grow over the course of The Veilguard, this is, there aren’t characters that remain completely static from moment one to the end-game. These are characters who grow, and you help them grow. They’re still, their problems are still not going to like, they’re not sitting there saying, well, Rook, you need to do everything for me, but you are, you’re intended to be the leader of this group, but also, you can be their friend and help them with things that, their challenges, so. Yeah, I mean, it’s, it’s a mix of both, we really just, it comes down to the individual character and there is a lot of nuance in that answer I think too.

KFM: This next question from XenoGabby is a minor spoiler, so you’ve been warned once again. The question is, is Lucanis possessed?

JE: So, again, spoilers, everyone has been warned, fairly warned. So Lucanis Dellamorte is also known as The Demon of Vyrantium. And, he has spent a lot of time killing Venatori, who are mages, and who do know a lot about demons, so. Yeah, somebody decided that it might be a good idea to make that nickname stick.

KFM: And this next one, from a user named Crom, is there reactivity towards the specialization that you chose? Like some people might trust more Champions, or maybe freak, others will freak out with Death Callers or Reapers? 

CB: Yeah, what a good question, so, in general the reactivity is reserved for things that aren’t necessarily likely to change, things that can create a throughline that we can keep building and building upon, so like your faction, your lineage, your class, your choices. So that keeps a consistent narrative thread with those elements, and then we can assume that thread continues from A to B. So the answer is no, they don’t react to your specialization, but in part that’s because you can full refund, you can respec at any time, you might a Death Caller one moment and another specialization on the next encounter.

KFM: And, this next question. You mentioned encountering companions on their own missions in the world. If I keep my party mostly the same, does that mean that I miss out on their side missions, or are they unavailable to be picked up during that time? 

CB: Oh, yeah, yeah. I mean, you’re, you have all the tools that you’re not gonna miss out on quests based on who’s in your party. How would I answer this - so, there are certain plot elements that can change what quests are available to you, and in some cases, some quests that you might have in your journal can actually expire based on choices and how you advance the plot. So there are ways that quest content gets cut off, or alters. But in general you have the visibility and the tools so that you won’t miss out on it. I can give you a couple of examples, that might be helpful. So when you meet companions out in the world, there’s kinda like a couple of different ways that they can show up. In a recent playthrough, I was exploring Hossberg Wetlands. It was technically for a quest that should’ve been more oriented towards Davrin, but I didn’t have him in my party, and as I got close to the objective, he showed up with Assan and helped me clear the path forward. The other way this will happen, I was out in Arlathan, actually doing, on my way to do a main story mission, and I get to the far reaches of Arlathan Forest, and I already knew that Taash wanted to help me with some of the challenges of that arc. Well, Taash is right there waiting for me, so I actually chose to instead like, ah, Taash seems impatient, I’m gonna actually jump on that story arc right now instead of what I intended to do, so. Just some examples of the way that as you’re journeying through this world, opportunities are gonna show up, but they allow you just to express more agency, you’re generally not going to miss them.

KFM: Awesome. This next one is, minor spoiler, you’ve been warned. This next question is from Tazaba. What's the difference between the Veil Jumper faction and the Veil Ranger Specialization?

CB: Yeah, okay, so, yeah we just wanted to kinda flag this as a spoiler, just because there might be assumptions about how you take on specializations in this game. So John touched on this a little bit already, but specializations really represent the training and fighting styles used by a given faction. As John mentioned, you do not have to be a Veil Jumper to choose a specialization that’s associated with the Veil Jumpers. You’ve just been around them, you’re aware of their techniques, and you wanna take that on yourself. So, in this particular case, and I get the confusion because Veil Jumper and Veil Ranger sound very similar. If I’m playing as a rogue, using the Veil Ranger specialization, all that means is I’m fighting in the style of the Veil Jumpers, like they do, with bow and arrow, typically with electric damage, that sort’ve thing. So just, to be super clear, it’s not required that you have to play a Veil Jumper in order to be a Veil Ranger.

KFM: This next question is, where is the equator in Thedas, or the planet Thedas is on, relative to places we’ve explored?

JE: That is a great question. So, I will say that, you know, it’s funny until I saw this question, it’s not something I’d ever thought a lot about, but as I started thinking about it a little bit more deeply, based on how the climate changes across Thedas, you know, obviously, to the south are the Avvar and things get a little bit more wintry, and then up north is a lot more tropical, I’d say that Thedas is a southern continent on this world, so.

KFM: Are there any main story missions that require you to use a specific companion? Kinda similar to a previous question.

CB: Yeah, yeah, yeah. So, there are a few, yes, again, in the warrior deep dive, I’m not gonna describe it, just in case anyone, you know, didn’t wanna have spoilers, you can see that a companion was required for that. However, that’s the exception rather than the rule. In general, we try to give players the agency to bring who they want for these moments. There are these times where a companion, either their faction or their story arc is so closely tied or intersects with the events of a main story mission that they do become required, but it’s not the standard. And then of course, in general, if you’re doing your companions’ arcs, those are the moments where they’re more than likely gonna be required.

KFM: Will we be - 

CB: It's pretty flexible, like if, if you’re worried about like, every mission I go through, like am I gonna have someone that is gonna be mandated? Generally not.

KFM: Sorry, I almost talked over you there Corinne, my bad.

KFM: This next question is, will we be able to pause cutscenes? Will there be any kind of dialogue history to look back on if we miss what was said? 

JE: So, you can pause every cutscene in the game. Obviously, life happens, you know, somebody, maybe you’re cat’s, you know, just to use an example that definitely doesn’t happen to me regularly, my cat might be throwing up in the next room and I need to find a way to get her off the carpet and on to, you know, not the carpet, so you can pause any cutscene, and conversation. There is no dialogue history at the moment unfortunately, and that’s not something, we did look into it but it’s just based on how the dialogue is structured and how it’s built in this game, that’s not something that we are going to have unfortunately. 

KFM: I saw somebody say “cat vomiting is so real”, and I agree, sometimes when I’m playing games, my dog decides to do something insane.

KFM: So, this next question is, since companions can get into relationships with each other, is there a mechanic behind which companions get together? Can a companion leave due to your world decisions, and if so, will their partners leave with them?

JE: I’m gonna answer half this question, the other half is a spoiler that we’re not gonna get into right now. Companions, there is not actually a mechanic behind the companions getting together. We never wanted it to feel like a mechanical thing, and obviously, different companions are gonna have different attractions. One of the fun things is, as you’re going through, especially if you’re not flirting with one of the companions, you can see these relationships starting to develop, and the thing that actually allows them to, you know, completely develop is, generally committing to another relationship, or, you know, not being engaging, not engaging in a romance with those companions at all. So, yeah, I mean, there’s not a mechanic, it’s just what we felt made the most sense and, I think that’s honestly one of my favorite things about the companions is, they’re all written to feel like real people with real preferences and real, you know, attractions. So beyond just romances, they also develop friendships and even rivalries with each other, because of these, them feeling like these characters that exist outside of just the game, so. 

KFM: Awesome.

KFM: This question is all about Davrin. Hildrana would love to know more about Davrin. What’s his personality like, what kind of hobbies or things does he like, and what his relationship with Assan is like?

JE: So Davrin is one of my favorite, I mean, I say one of my favorite characters, honestly I love all seven companions so it’s challenging for me to say which. But Davrin is stern, thoughtful and considerate though, he has a soft side for sure. You see that develop over time as he starts to warm up to the other companions. He has, you know, a kindness to him that is brought out in particular by certain companions, and also a strong sense of pride and when he develops a rivalry with some of the companions. So there’s that sense of, he knows who he wants to be, he knows who he is, and a lot of his arc is making that journey. In terms of how he relates to Assan, you know, his relationship over, evolves over time, I’m not gonna get too deep into spoilers because there are spoilers for that in his quest. The other interesting thing about, about Davrin, and this shows up, we’ve talked about this before. He’s a monster hunter. He’s not just a Warden who sees fighting monsters as, you know, just part of the job. He believes in turning this into a skill-set that he alone, you know like, he has more than anyone else. Learning how to defeat monsters, learning their weaknesses, and that does show up a lot in his character arc, so.

KFM: This next question came through our askbox on Tumblr, so shoutout the BioWare Tumblr. Rosered is asking why do elves seem to not like wearing shoes? Is there a lore reason behind it? Are they not afraid of getting frostbite or stepping in something gross?

JE: So the shoeless elves thing is in part a, it’s a, Dalish are very close to nature, they walk, go around shoeless, in large part, to become closer to nature. It’s part of their culture, it’s part of who they are. But, you know, especially, and it’s not true of every Dalish clan, the Dalish are a tremendously widely-spread and widely-varied people, so. For example, Bellara does not go around shoeless. She wears boots. She’s climbing around on ancient ruins, walking through maybe a shattered eluvian, or a place where eluvian’s shattered, it’s a great way to get your feet sliced up on the hard rocks and on the hard glass. And in general Veil Jumpers are a little bit more, where they go and what they do really requires a lot more care and a lot more protection, so. I mean you’ll notice in Bellara’s visual design but also in the visual design of the other Veil Jumpers, they’re very practically minded, they know that what they’re doing is dangerous, and, you know, and, again, not every Dalish clan goes round shoeless, so.

KFM: ZJ wants to know, do all companions have aesthetic changes when in the Lighthouse and outside of the Lighthouse?

CB: Amazing. Yeah, yeah, they absolutely do. So, just like Rook, each of the companions has what we refer to as their casual wear. This is how they look in their downtime, their more relaxed moments. It’s definitely different from how they look headed into battle. And I’ll tell you this. If Emmrich’s casual wear doesn’t send you, I just don’t know what to tell you.

KFM: I’ve got a fun one coming up. Do they companions have favorite foods, and if so, what are they?

JE: Oh I love this one, so they do. Each of them does have favorite foods. It’s funny, I’d say that Dragon Age: The Veilguard is probably the most we’ve talked about food in a context of Dragon Age, ever. But yeah, I mean, you know, some of them are a little bit more, you know, they have simpler tastes, and in large part that’s because that’s what they’re used to or what they can cook. We talked, I’m gonna actually give a little bit of a, I don’t know if I consider this a spoiler, but maybe if you’re really sensitive to spoilers you don’t wanna listen to this last part. We’ve talked about how there’s people on the team who are better cooks and people on the team who maybe don’t have necessarily the skill-set, who could burn water. So one of the things I really love is, you know, Bellara and Lucanis actually end up being, essentially, the team cooks. Bellara, you know, spending a lot of time out in nature, learning a lot about, you know, different types of cooking, is really big on experimentation, she likes to, you know, try different things. Lucanis comes from the Crows, Lucanis is very big on the finer things, so between the two of them, there’s a point in the story where they basically decide, if we don’t do this, the entire team is going to starve, so let’s just call ourselves the cook, cooks, and make sure that nobody dies of food poisoning, so.

KFM: This next one, I believe we actually might’ve even touched on this in the first Q&A, but, Trev has noticed a lack of dwarves in our promotional material concerning Rook. Inquisition had them sharing facial hair options with humans. So their question is, will dwarves return to more braided, grander beards, or will the facial hair options be shared like previously?

CB: Yeah, we did touch on this briefly, so let me go a little bit deeper. Yeah, there are some grander dwarven beards, like braids, beads woven in, it’s really lovely and really thematic. And y’all have seen our Strand hair, how great that looks, I think it looks just as great for the beards. And I do know, we’re gonna, at some point leading up to launch, we are gonna be showing some dwarf Rooks. So, let’s see if we can’t get some beard options on display there. It actually really was quite the challenge to get the physics to work with all the armor variance we have on those beards. So I’ll tell you what y’all. The team loves hearing from you. Would it be okay if I just asked in chat, could we get some love for our character art and tech anim teams because they put their heart and soul into make sure this would work for y’all. 

JE: It is, it is incredible how good the beards look, like, it just, they did, the work that they’ve done is just spectacular.

CB: Aw y'all are too kind. And then I guess just to finish up this question, we try and let you use as many options as the character creator has for any character you wanna create. So we definitely created bears in mind that are more dwarven in nature. You can use that on a qunari if you want, or you can use a more traditional human beard on a dwarf if you want, but your options are there. Aw, y’all are lovely, thank you so much.

KFM: So we didn't tag this next one as a minor spoiler. I don’t think that it is. But, definitely want to flag it anyway. Will the Solavellans have a chance at a happy ending?

JE: Corinne, I’m gonna let you do this one. 

CB: Oh my goodness, this is the question. Look! I mean, I thought y’all wanted the pain? Didn’t you tell me you wanted the pain, that tortured romance that rips your heart out? Honestly though, I just wouldn’t feel right about spoiling anything there. I’ll just say this, I’ll just say this. Trick has done a fantastic job with Solas, they always do, this is some of ther best work I think. And then I’ll also say, as, for myself as the resident shipper on the leadership team, I’m repping y’all, but that’s all I’m gonna say.

KFM: That’s definitely what I meant by, not really a spoiler, but some people might’ve thought that in the beginning.  

KFM: Okay, next question is, since you can choose to be part of the same faction for most of the companions, will that give you an advantage when trying to befriend them?

JE: So you will get some unique dialogue with the companions that are part of your own faction. The first time you meet them, they may not all know you by face, but they’ve at least heard of you, I’ve heard of who you are, maybe even heard of you leaving the faction to go help Varric to track down Solas. But that said, you know the faction, you don’t necessarily as people. So they will know you but you still have to work to earn their trust and learn, you know, get them, help them with their problems.

KFM: Next question is, will there be more connections between the Veilguard? Like will we see them hanging out together without out us?

JE: Oh, I love this one. Yeah, I mean, honestly, I think I’ve said this twice already, but my favorite thing is how much the companions feel like a, end up feeling like a found family. They’re invested in each others problems, you know they’re, invested in each others’ success and failures, and this manifests through a bunch of different ways. Scenes, banter, even interactions in the Lighthouse itself. Because one of the things that I think is important, I know Corinne also thinks is super important, these worlds, these games feel the best when they don’t feel like they’re there as a theme-park just for you, just to exist for Rook as a protagonist. These are characters that have relationships, have, you know, things going on that don’t necessarily directly involve Rook all the time. They have their own relationships, their own feelings, and we really want them to feel like their own people, and feel like they do exist outside of just the sphere of Rook. So, you know, they’ll follow, you’re the one leading this fight, but the companions don’t just exist for you.

KFM: So this next one is a real minor spoiler warning. Will the companions have interactions with Solas? I imagine the companions will comment on Rook’s decisions regarding Solas, but was wondering if the potential relationship between Solas and the companions will play any part?

JE: Oh, this is a good question. So a lot of Solas’ relationship is with Rook. Rook and Solas have a connection, they have a bond, and part of that is, and I’ve said this before, but Solas sees a lot of himself in Rook. He sees, you know, the person, you know the person he was before, the person he thinks he is, in Rook, and becomes, you know, again, we, they develop a connection. You get to flavor how it is, you can make it more antagonistic, make it friendlier, but ultimately it is a connection between the two of you. Now, that said, the companions are much a part of Rook’s story as Solas is, and sometimes those relationships can cross over, as well as, there are followers who, you know, are going to have a more complicated connection and complicated relationship with just, Solas as an entity, you know, Bellara, for example, is an elf, she’s Dalish, and this a person from her pantheon, so. There’s going to be a lot more of a, I guess, like I said, complex relationship between the two of them. Davrin is another example, someone else who is Dalish, so, you know, their views on the gods in general are going to be a little bit different. And then on the other side,you have someone like Emmrich who is very big on magic and the Fade, so they’ll have their own [inaudible] and their own thoughts. 

KFM: Before I get to this next question I do wanna say we’ve got about a fifteen minute warning, we’ve got about fifteen minutes left, so we’ll get through as many questions as we can in that time. And with that said, our next one is, and, I feel like we might have actually touched on this one earlier, but, keep me honest. Would it be possible to hide some of the combat UI, such as companion trackers and enemy HP bars, for even more immersion? 

CB: Yeah, good question. It’s actually, it’s reasonably robust what you can do with your UI. So let me give you some examples. If, normally when you hit an enemy you’ll see damage floaties come off of it. If you wanna turn those off, you can. If you want to play without, say, the minimap or the wayfinding markers, have a more organic experience, you can. I challenged myself to do a, it was really difficult to do a really difficult run where I turned off my own health bar, you can do that too. And then, I know one of them that a lot of people have been asking about is, we do have the incoming attack indicators, that just help you react. But, if you’re the kind’ve player that wants to turn those off, cut down on the noise, yeah, you can do that too, so. You know, I can’t say that we support every single option that you might have in mind, but it’s reasonably robust. 

KFM: And then, another, just small, minor spoiler, you’ve been warned yet again, is there lock-picking in the game?

CB: Oh gosh lock-picking, notorious lock-picking. Well let me answer it this way. I think the approach we took in The Veilguard is that each companion has a unique, what we’re calling, exploration ability, or abilities, that you can use to solve puzzle, access new areas and find treasure. So, like in that regard it’s not actually dissimilar to lockpicking, it’s just that it is more thematic to the companions and their unique skill-sets within The Veilguard. It’s very specialized, I guess you could say. And, look, I’ve been there when you’re playing and you feel like you have to take a rogue, otherwise you’re not gonna be open the lockpick chests. Some players like that, some players dislike it, but the option that we wanted to give to y’all is that, you know, we did say this is a spoiler right? We did, yeah. So Rook does find a certain dagger and through it a method to channel these exploration abilities of their companions, even when the companion is not in your party. So like, look, if I’m exploring Hossberg, and there’s a puzzle and I know how to solve it, like I’m not running all the way back to like a party swap-point, you can just use the dagger.

KFM: This is not a spoiler, and it is actually something we confirmed a little bit earlier in the Q&A, but it doesn’t hurt to be clear. Can we freely reallocate or refund skillpoints?

CB: Yeah, so we’ve confirmed this, I’m just gonna keep it brief, yes, absolutely. Refund all, refund last, no cost. It’s an entirely friendly refund system. Go experiment, and then let me know what you do.

KFM: Will the acts be broken down into acts or stages at all? Mainly wondering for like spoiler discussion purposes, while they’re all playing and wanting to talk to one another about it?

JE: So while we don’t officially within the game say this is this act, this is the next act, there are some pretty obvious narrative breakpoints where the context changes, or there is, you know, events that make it clear that things are now advancing into a different stage. That’s now, to be clear, that’s largely around the critical path. Other content can largely be done at any time, but even there we do unlock certain things over the course of time, because, again, it makes, it maybe doesn’t make narrative sense in the context of, say, an earlier act, but now, you know, you’re into act two, it feels a lot more meaningful and makes a lot more sense in the world. You can do a lot of content in any order, but the critical path is largely broken into acts.

KFM: Now, I think this next question might be the most important question we can answer. A user by the name of doggiesnores says, would you please tell me happy birthday? 

JE: Happy birthday doggiesnores.

CB: Aww, happy birthday doggie - I feel weird saying doggiesnores. I mean, listen -

JE: You gotta roll with it Corinne.

CB: John, Katey, do we wanna sing? Do we wanna sing?

JE: No!

KFM: Oh we can - oh, okay.

JE: You can sing.

CB: Alright. [sings] Happy birthday to you -

KFM: - [sings] to you - [stops singing] are we gonna stop now? Okay.

CB: We’ll stop, we’ll stop. 

JE: Yeah, I think, yeah. 

CB: We gotta get back to the questions.

KFM: Yeah, we do have a time limit now.

KFM: Alright, next question, alright. This is from Guapa. Okay. I wanna know the helmet situation. Back in Inquisition, there were helmets exclusive to races, and to be honest, most helmets were exclusive to humans. Will elves and humans share helmets since their head shape seems to be more similar now, and will there be qunari helmets rather than just facepaints?

CB: Love this described as “the helmet situation”. I love it. Yeah, so let me describe this to you. All the helmets can be worn by all the lineages with one big exception. The qunari still use the vitaar face paint. So each helmet has a unique look, and if you’re using the vitaar variant of that instead, that too has a unique look, so you’ll wear that facepaint instead of the helmet. And we, we felt that this was just generally a good precedent following Inquisition and, really what led us to this decision is that, when you see horn customization, and hair customization with the horns in character creator, we didn’t want to sacrifice that aspect of it in character creator. It’s just effing cool, that’s all I can say about it. So, yeah, the qunari will use vitaar. All the other helmets can be worn by all lineages. We’ve talked a lot about transmog, so of course you can transmog them, you can hide your helmet, you can hide your helmet in certain situations. So I’d say, as a “situation”, we’re pretty happy with it.

KFM: This next question is, will we be able to tint and change the color of our armours, or have they, or do they have their default colors only?

CB: Oh cool, yeah, that kinda gets to transmog in a way. Gosh, what’s the, the best way to answer this I think is that each armor piece, like gear piece you have, will have bespoke colors, but for almost every single armor piece, while you can’t dye them, we have created color-variant cosmetics and they’re very often aligned with the various factions in the world, right? So like, there’s one, for instance, that has this like, incredible, like flowing cape, I use it all the time. There’s a variant of it for each faction with different faction, with different colors and logos and things of that nature. So you can’t dye, but it really is flexible and very thematic. And then I guess, going back to the Venatori armor question we had way at the beginning, while I wouldn’t say they’re explicitly Venatori, there are some very Venatori-like color schemes in some of the armors you’ll find.

KFM: I think this might be our last minor spoiler question, so once again, you’ve been warned. AelaFireheart asks, will we be seeing other griffons from The Last Flight? 

JE: So, again, just to be clear, spoilers, but yeah, Assan has brothers and sisters, so Assan is not the only griffon that shows up in Dragon Age: The Veilguard. 

CB: Hey, I just gotta respond to something in comment, that somebody says, wait, does that mean I can’t be pink? And I’m assuming we’re talking about armors. There are some pink armors. Don’t worry -

KFM: Confirmed.

CB: - there’s some pink.

KFM: As some of the companions come from media outside of the games, were they already chosen as companions for the game and then integrated into the additional media, or were they characters outside of the game, and the team wanted to bring them in?

JE: I think this is pretty similar to a question we answered earlier, so I mean, again, it depends, but if they showed up, especially in Tevinter Nights, they were already intended to be companions at that point, so.

KFM: Are there any lineage-based surnames or is it just based on the background?

JE: So surnames in this game are entirely based on your background choice. The reason for this is we do reference your surname in dialogue, a not inconsiderable amount, and we didn’t, at a certain point it becomes unsustainable in terms of how many different variations, so. We reference it based on your surnames, sorry, your background.

KFM: Is there any chance that we will be getting any audio snippets of some of the companions and Rook’s voicelines before release?

JE: Well that’s the great news about the, Vows & Vengeance, is that, each companion will show up in one of the episodes, and you’ll be able to hear their voice in there, so. First episode yesterday, and there’s more to come.  

KFM: Remember when I said that was the last, or we had already read the last minor spoiler, I was wrong, there is one more. So, once again, you’ve been warned, minor spoiler upcoming. This question is from SammyCherryLee. Considering Varric’s timeskip, looks are a direct, Varric’s timeskip looks are a direct translation of how he looked in the comics. What thought process went into Morrigan’s new design, and what do you usually consider when bringing in old beloved characters back, but also make sure to adapt them to the years that have passed within the game?

JE: So, in every case, any time we’re bringing back a character, we want to think about, what would, what’s changed for that character in the time since you’ve last saw them, so, Varric, Morrigan, any other characters we bring back, there is this thought of, okay, it’s been, in this case, you know, almost ten years, what’s changed for these characters in that intervening time? In the case of Morrigan, she’s coming to terms with a lot of truths about both herself but also her mother, you know, you see her with Flemeth’s crown, or a variation of it, and that’s speaking to her personal journey of, what I would call, kind’ve acceptance of who she is and how she connects to Flemeth, because ultimately we want this to feel like a real world. It’s, they’re not the same person they are ten years ago, none of us are, and we don’t want characters to feel like, either ten years have passed, and hey, I’m exactly the same, because that’s stagnation for the character, and it’s just not believable or, honestly, fun, for you. And it doesn’t do justice to those characters.

KFM: Can we clarify - ooh, fuck, I think my Discord just went down again.

JE: Yep, I can still hear you.

CB: We can, we can hear you Katey, so.

KFM: Oh, good!

CB: Yeah.

KFM: I’ll just keep talking!

CB: Great, let’s do it!

KFM: I’m so sorry for the f-bomb, I didn’t know you could still hear me. 

CB: Hey, we’ve all been there.

JE: Cursing, in our Discord, my goodness!

CB: How very human of you.

KFM: Ban me, ban me. This next question is, can you clarify if Spellblade will be forced to use a dagger, or can we still use staff as a melee combat weapon?

CB: Oh, heck yeah, let’s go. You know, I was wondering if this was gonna be clear in the combat video we put out, so I’ll speak about mage, but this is generally true of all the classes. So they each have two weapon sets, if you’ve seen the character sheet. So for mage, you’re gonna have your staff slot and then you’re gonna have the orb-and-dagger slot. So, at any point, like even between weapon swings, you can swap to your class alternate weapon set by hitting down on the D-pad. So you’re not locked down into one weapon set or the other, even if you’re in a given class or specialization. Now, like what I would say is that the Spellblade specialization has a lot of extra functionality and depth that like is augmented when using the orb-and-dagger, but, like if I give you an anecdote of how I play, the staff heavy-attack armor, I take this, or, the staff heavy attack charge, I take a trait where when I’m doing damage and playing, it’s building up that heavy attack charge on my staff. Even when I’m playing as my Spellblade. So I’ll be, just going to down with orb and dagger, I’ll notice that my staff is fully-charged, I’ll swap at a convenient moment, use my heavy staff attack, blast the enemies down, I was telling y’all, like, these Nightmare players, like planning around your elemental damage types, it’s really great to have weapons of multiple elemental types, right? So I go up against something that’s resistant to fire, I’m gonna hit down and maybe swap to my necrotic weapon.

KFM: I'm back, in record time. 

JE: Welcome back! 

KFM: Okay, did we get to the next one, or was that just the Spellblade question?

CB: Oh that was, sorry I was geeking out too much Katey.

KFM: Oh that’s okay, no, it’s great!

CB: We hit upon a favorite topic of mine.

KFM: That’s okay. Do we think we have time for one more, or do we think it’s time to wrap up?

JE: I can go a little late, we’ve got, I think we can do a couple more, for sure.

KFM: Okay, we do only have three left, so.

JE: Let’s finish the list!

KFM: Let’s do it.

KFM: Alright, next question. Since it was mentioned that playing as an elf in the Veil Jumpers will see you more of a, see you as more of a Dalish elf, and a City elf if you play as a Shadow Dragon, what kind of elf would you be in the other factions?

JE: So this is actually a really interesting question for me because I think one of the things I’d say is, while City Elf versus Dalish Elf is a lot more of a useful distinction in, you know, Ferelden, Orlais, we’re in northern Thedas, things are different up here. And a great example is Rivain. Dalish settlements, you know, they have Dalish settlements within cities, integrated into the cities, because, again, they don’t have that same bias, that same distinction. So it’s not really a City Elf versus Dalish Elf thing in a lot of those cases. It’s a lot more about, how you play into the faction, you know, and, in some cases it matters more that you’re an elf, in other cases it doesn’t actually matter to the people of that faction, they’re just looking for someone who could do the work. A great example, and I’ll just, very, very light spoilers, Mourn Watch is a great example where, they just care that you are capable of, you know, executing the duties that you’re given, so.

KFM: This next question, we’ve definitely confirmed a few times today already, but I’m sure there’s been a couple of people who cycled in and out. Will, when will we be releasing detailed information on the full list of accessibility features in the game?

JE: So yeah, so I mean, we mentioned, we’re not quite ready to talk about them, but we will be diving into them before launch. We wanna make sure as many people as possible can enjoy and play the game, so.

CB: Yeah, I think we’re doing a feature, some kind of blogpost on that, but, that’ll be a good format where we can be a little bit more in-depth.

JE: Yeah.

KFM: Alright, and the final question that I have on my list. It’s about localization. WoodenSmith says, I’d like to hear more about how localization works. What sorts of things have to be changed or adjusted so they make sense in different regions? Do localization teams have to be super careful when they translate to make sure they’re not accidentally revealing more than was intended in other versions? I’ve also always been very curious about accents in other versions. For example, do the, I’m gonna butcher this, do the Orl - Orlesian -

JE: Orlesian.

KFM: Orlesian, thank you, John. Character voice -

CB: That was really good, Katey!

KFM: I tried!

JE: Yeah, you tried, you got most of the way there, yeah!

KFM: For example, do the Orlesian character voice actors speak in a French accent in the Japanese version, or dwarf characters speak with an American accent in the French version?

JE: So I’m going to talk broadly about localization, and I’ll get a little bit into the accent question. So, localization is a thing that we’re doing constantly. We’re almost working with the teams, we have regular syncs with them, and a lot of that is because localization is not just, a lot of people think of it like, yeah, you’re just translating. Well, you’re not, you’re, you know, you’re, again, there’s different things to understand about different languages, they have different rules around grammar and, I will say, I think every writer has at least one story where they wrote, kind’ve, a fun double-entendre into a conversation, and then they got a ping from some of the localization teams saying, hey, can you very thoroughly explain what you meant there? And that’s what I like to describe as being hoist on your own petard because, sometimes, you’re like, oh I said this, it was really ribald, and now I don’t want to talk to this person who is very seriously and very concernedly, looking, it’s just like, ‘can you please tell us what that means?’ But yeah, I mean, in general, it’s an art-form of its own. You know, different sayings translate differently into different languages, different metaphors translate differently to different languages, and we always wanna make sure that other people, you know, people are playing this game in every language have an experience that feels authentic and meaningful, and doesn’t feel like it’s just kind’ve, you know, phoned in, we just, we just ran it through Google Translate or something, so. Again, localization is a huge part of what we do, the localization team we have is amazing, they do fantastic work, I love working with them. As far as accents, yeah, we do try to keep some consistency, it’s not always going to be a one to one, but we do try to say like, okay, so, this character, this group of characters needs to sound similar, and they’ll find an accent that works with the language that they’re trying, because, again, different accents work differently with different languages, and we wanna make sure that there’s that consistency, so, yeah.

KFM: We did it!

JE: Yeah!

KFM: That’s all of our questions that we’re able to get to you today. Wanna just say a quick thanks again to the community for submitting all of these really questions, it was a lot of fun going through them and, you know, making sure that we were able to give you some new stuff this time around. Yeah, anything you guys wanna say before we hop off?

CB: Yeah, can I just say, look, we love here, being here answering questions for you but the support, the interest you all show, it really fuels us in the team.

JE: Mhm.

CB: You all are a big part of us being able to make this game what it is, and I really hope we do you proud, so just, sincere thank you to everyone. 

JE: Yeah, just, I just wanna echo that. I’ve been on this project for a while, and it’s been a lot of, not getting to talk about it, and quietly saying I don’t know, are we making more new Dragon Age? So being able to actually have these conversations and give you the details that you want without spoiling the game, it’s, it’s a lot of fun. This is genuinely the funnest part of my week, so thank you everyone.

KFM: Awesome, well thank you both so much for your time, Corinne and John. And, yeah, we have recorded the audio for this, so we’re going to turn that into a transcription, and put that in the Q&A archive channel, which lives underneath ask-bioware. That will be coming, you know, in the next couple of days to a week or so, you know, we’ll, we’ll be working away at it as soon as possible, so just let, let me know if you have any questions.

JE: Awesome. Thank you so much everyone, have a good Friday, good weekend, and I’m gonna go eat a sandwich, so.

CB: Happy Friday!

KFM: Happy Friday, and happy sandwich day!

CB: Bye bye.

JE: Thank you.

KFM: Bye.

JE: Bye.

[source: the official BioWare Discord server, August 30th dev Q&A]

Update: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here.

[werecreature-addicted]

I remember some of your posts about a minotaur who lived with a peasant girl, can I ask for something about that? If it's not a bother of courseDue to the life that the minotaur has had, its instincts never appeared, that is, it never went through a stage of heat due to the stress and abuse to which it was subjected, but now everything is different, it is calmer, more relaxed, and it began to pay attention to a girl, specifically the girl she lives with, and apparently her instincts are beginning to appear, her body asks her to "mate" with her partner, although it is difficult to control herself, plus they are nothing yet and the girl does not know that minotaurs also go through a hot season, and it's not like she was going to ask him that, it would be very strange xd

(imagine that poor cock crying to enter the girl, but he must hide it, even if it is uncomfortable)

Sam master list for previous parts.

under the cut because this is long...for me at least.

Normally when it came to the physically demanding chores around the farm Sam liked to do the heavy lifting, literally. You were stronger than you looked but you still didn't have the monstrous strength that he did, and even besides that, he liked to spoil you. He'd never admit it out loud but he liked the way you sometimes watched him as he repaired the siding of a barn or hammered in a sense post. Something about the way your eyes followed him left a warm feeling in his belly. It's especially nice now that sometimes you kiss him after he's done a good job.

Now though, he just stands and stares as you work, nailing together bits of wood making your own saddle stand out of leftover bits of material. You looked so good, sweaty, and bent over your little bench. Is this how you felt when you watched him work? Sam doesn't even have the vocabulary to describe the strange heat that burns inside of him. He's supposed to be doing other work right now but he can't tear his eyes from you.

He wants to bend you over that saddle stand and- and what? He flinches back from the thought he didn't want to hurt you and he hates that his instincts are pushing him in that direction. But he wouldn't hurt you, his mind argues back. He wouldn't pin you down to hurt win a match or something. He'd be gentle. He'd pleasure you. Sam shudders. Where were these thoughts coming from?

His nostrils flare and even from across the barn, he can smell you and the salt of your sweat makes his cock throb. Sam sits down hard and pulls a nearby milk bucket over the large tent in his pants. He immediately feels stupid and tosses the pail aside, it did more to draw attention to his boner than hide it. He settles for just sitting awkwardly and hoping you don't notice.

How can Sam ever look you in the eye again after this? He supposes he shouldn't feel so guilty about being attracted to you but surely it's perverse to want you this badly when you're not even doing anything. At least if you were naked in bed trying to seduce him he'd have good reason to be this turned on. Sam shudders and replays the mental image of you, naked in bed, looking up at him trying to pull him towards you. Fuck he needed to get on top of you.

Just as that thought crossed his mind you bent over the waist-height wooden stand to grab something from your toolbox jutting your ass out in front of him. In a second Sam is on his feet, walking towards you before he can register what he's even doing, all he knows is that he needs you.

"oh, Sam-" you gasp, jumping a little when you turn to see him right behind you. For someone so big he moved silently. Sam takes a step forward and presses you back against the barn wall. "What's going on honey?" you ask trying to sound calm but you'd be lying if you said you weren't a little nervous about his behavior. Sam had always been so cautious with you, overly gentle and paranoid that he might hurt you by accident. The Sam you knew would never pin you against a wall like this, it was nervewracking but also exciting.

"I uhm I just wanted to be close to you I guess," he mumbled, lowering his snout to your shoulder as if he was smelling you. Sam steps closer and you feel something brush against your thigh at first you think it's his leg but you look down and realize it's his barely restrained cock poking into your thigh.

"Do- are you uhm in heat Sam?" You ask and the monster on top of you freezes.

"do- do minotaurs go into heat?" he asks puzzled.

"I guess I don't know but most monsters do have you really never gone into heat before?" You ask then wince, it made sense that he wouldn't go into heat when he was under such harsh conditions his body wouldn't let him go into such a vulnerable state.

"No," he said, his hips grinding softly against your thigh he groans at the friction and you can't help but shudder too. You might not go into heat but you did want him just as much. "Will you help me?" he asked desperately.

"yes- yeah, I'll help you let me just-" As soon as he has your consent all other thoughts fly out of his head. He pushes his mouth to yours kissing you and effectively shutting you up. This wasn't like any of the other soft and innocent kisses you and Sam had shared in the past this was heated, and needy and caused a warm heat to bloom inside of you. This isn't a kiss for the sake of kissing, this is a kiss that promises much much more to come.

Even desperate like this, Sam still tries to be gentle as he strips your clothes and kneels down so he can hook your legs over his broad, muscular shoulders, your back pressed to the wall of the barn he holds your weight easily.

"I'm going to get you nice and prepped for me, my cock is big and I need you to take every inch, okay?" he asks softly, kissing the soft skin of your inner thigh as his thick fingers ghost over your cunt.

"Hold my horns while you rid my face," Sam instructs. You look down at his horns, one normal and the other broken and jagged. You hesitated, you knew how much that broken horn hurt him and you didn't want to grab it, but before you could put much more thought into it Sam pressed his mouth to your cunt, running his large soft tongue over your folds getting you wet enough to slot his big fingers inside of you. You yelp and settle for holding on to his good horn with one hand and tangling your fingers in his hair with the other.

Sam's cock ached. He needed to be buried inside of you, but he held himself back. He imagined the pained squeak you'd make if he tried to fuck you without any prep and that was almost enough to snap him out of his lusty haze. Almost.

You lose count of how many times you cum as he stretches you out and gets you ready for his dick, eventually though he decides that you're ready for him, or he just gets tired of waiting. Your legs tremble and for a second you worry you're not going to be able to stand on your own but you needn't worry, Sam had no intention of letting you stand. he readjusts his grip so that your legs are over his forearms and he pins you against the wall again his cock nudging your opening, slipping up your pussy as he tries unsuccessfully to push into you. His cock head bumps your clit and you feel a pulse of warm precum ooze out onto your hot skin making you shudder, your thighs tense in his arms, and Sam grunts, spreading your legs a little further as he grinds his cock over your cunt again.

You reach between your two bodies and grasp his cock. You curse silently to yourself feeling the weight and girth of it for the first time. You stroke him a few times before you guide his dick inside of you.

Sam had been so careful to be gentle with you this whole time, but now that he feels your tight heat gripping him in a way he's never felt before he no longer has the restraint. His brain shuts off and he feels more like a beast than he has in years. Sam slams his hips against yours burying his cock to the hilt in one swift motion. You cry out and dig your nails into his biceps, holding on for dear life as he thrusts into you with all the strength of a bull plowing a field. You're pretty sure you hear something crack and for a minute you aren't sure if it's you or the barn wall behind you that's breaking.

Sam groans loudly as he sinks his cock into you over and over again. His hips have a mind of their own as they steadily rock back and forth. He hates to admit it, but every time you cry out in pleasure or in pain it makes his cock throb. He would have thought the sound of you hurting-hurting because of him, would be enough to break his heart instead it makes him whimper and only fuels his desire to fuck you harder and fill you with his cum until you were swollen with it.

The mental image of you bloated with his seed proves to be too much for him and with one more deep stroke he cums deep inside of you, his legs shake with the relief of finally breeding you. He pulls you away from the wall and crashes backward into a hay bail laying down to catch his breath while keeping you impaled on his cock.

It feels right to have you on his chest and be surrounded by the earthy comforting smell of hay and dirt. You shift a little and his hands fly up to your hips pushing you back down.

"Stay... please," he almost begs softly.

"I'm not going anywhere, Sam, I just want to get off your dick," you promise, trying to shift again. then he looks at you with the saddest most pleading look you've ever seen. his big brown cow eyes sparkling at you.

"Please don't, I want to be inside of you so you can feel me get hard again before I fuck you," he mumbles pleadingly. how could you say no to that face?

[soursherbat]

LAMB X BISHOP MASTERPOST YEAAAA!!!

(original template link)

this genuinely took me so long but i needed to explore my ship dynamics with ramzi and his bishops! more details under the cut if you want to know more- warning this post is LONG!!!:

[edit: i was obviously rlly sleep deprived while writing this so im editing it for better readability, including using more consistent pronouns for everyone bc reading it back this post. was very hard to parse 💀]

in order, just adding notes and addendums :3c im super sleep deprived so im trying my best but i need to yap about them

ramzi's pronouns are it/he/they!

narinder;

initially a very slow burn relationship, this sheet shows them at their peak. it takes a very long time for the lamb to forgive narinder, and vice versa, but once they're over their differences they're committed.

notes;

he/they for narinder :3c he's bisexual with a preference for masc presenting people! (using he/him for this post)

prefers to be the big spoon but will allow ramzi to take that spot if it really insists on it

reaallly loves to wear the lamb's fleeces and cloaks (the only clothing of theirs that will fit him) but is too proud to directly ask for them

narinder really does not like most people- the only ones he usually socializes with are ramzi and his siblings, possibly a follower he can tolerate for a few minutes. if ramzi is talking to others while narinder is shadowing him he tends to just flick his tail and sulk quietly until his lamb gives him attention again

narinder isn't great with words, he prefers to show ramzi his love with physical affection (in private) and acts of service, while ramzi is more than willing to shower narinder with loving words and acts of devotion

ramzi refuses to confess its feelings to narinder first, full stop. narinder waits and waits, but eventually gives in and tells ramzi how he feels first- ramzi is still feeling bitter and betrayed by narinder, not appreciating them snatching it from its peaceful death to be a tool in his games. they're both incredibly conflicted, it takes a long while for them to work their differences out. its not something that can be solved with a single conversation, but eventually they come to terms with everything that's happened and make amends

ramzi wouldn't actually squash the bug- it'd prefer to just grab it and take it out of whatever space its invaded, narinder will just smack it and be done with it

im just applying the driving one if i ever make a modern au lmfao

narinder cannot cook to save his damn life after being locked up for so long- ramzi had to learn quickly being raised by ratau, i'll be real i dont think that rat knows how to cook

that prickly cat would prefer not to show his love for the lamb in public, but he might sneak a kiss while no one is looking... ramzi however doesn't care, though it does like to fluster narinder a little by flirting while others are around

these two would kill for each other, narinder is practically begging the lamb to let him do so actually- nari is described as the lamb's shadow (affectionately) by most because of how often he's seen just following it around the cult. god help you if you confess your love to the lamb while he's around- though ramzi does get pretty jealous if it sees anyone making eyes at his special kitty...

nari is 4,000 years old virgin to me lmao. ramzi has had a few relationships before narinder, it actually marries shamura before nari- they're not beating the toxic yaoi allegations any time soon they were still battling their resentment around that time

i'll touch on the spicier dynamics in a dedicated post sometime >:3c that'll apply to the rest too-

i wouldn't describe narinder as being awkward, but moreso stoic and lost really. he's also just incredibly pissed off with ramzi, feeling robbed of his rightful status as a god and feeling jealous of everything its built for itself in such a small amount of time- later on he's more flustered than nervous or awkward because that damned lamb wont stop flirting with him

gods help you if narinder even sees you making eyes at the lamb. he's incredibly possessive over his former vessel, its perceived rejection of him made something in him snap and they want to possess it, even if he knows that's not exactly plausible... he's normal, i swear (<-lying) ramzi returns some of that energy, it really does not like followers flirting with its favorite cat- i'll be the first to admit that they've got some toxic codependency going on

-

leshy;

leshy uses any pronouns! he really just don't care that much, same with his sexuality (using he/him for simplicity for this post)

these two fight over who gets to be the big spoon, since they're nearly even in height (leshy tries to argue his branches make him taller) it makes it easier for them to trade big/little spoon positions- but theyre so competitive they end up wrestling over it

leshy can't even see the clothes he's wearing, but he likes the idea of ramzi matching with him, even if he won't directly admit that

ramzi is rarely called by name when leshy is around, it's always 'lambzi', 'lamby', 'cottonball', or any other seemingly sarcastic pet name he can come up with for it- meanwhile ramzi often calls him 'wiggler' or 'wormy'

compared to leshy, ramzi is a little less outgoing. leshy loves to be the center of attention, he loves to pull pranks and cause mischief whenever he can.

ramzi's quick to let leshy know he is loved through any means, though surprisingly leshy is a bit more inconspicuous about showing his affections for his lamb through old traditions it clearly has no clue about but leshy gets a bit of joy watching its confusion (shamura tells it later-)

these two have a pretty easygoing relationship, at first leshy is upset about his lost godhood but he quickly begins to like staying with the lamb when he learns how accommodating and, frankly, extremely chaotic it is- they get along very well and have a teasing, poking and earnestly soft relationship rather early on. leshy admits his feelings first, mainly getting fed up that ramzi hasnt confessed that it obviously likes him by that point

neither of them mind bugs, leshy actually likes them quite a bit. they'd prefer to catch and release rather than smash them

the poor worm is blind of course he cant cook!! he might be able to if he really focused on building muscle memory and focusing his senses but he's honestly just too lazy to bother, heket's cooking is better anyway

leshy doesn't care if anyone is looking, he loves his lamb! he gets a little embarrassed when they know its siblings are around, but she does get a kick out of knowing he's making narinder jealous

ramzi would lay down his life for his precious chaotic grub, it knows leshy is more than capable but it can't help but worry sometimes- leshy knows ramzi can handle itself so he's pretty relaxed about everything, unless ramzi comes home particularly hurt

i like to think leshy was a bachelor in his time... why not?? he's the bishop of chaos, im sure he's started a love triangle intentionally to watch them fight over him- ramzi however is a little less experienced in romance

leshy has not an ounce of awkwardness in his body, ramzi's a little awkward when he says something particularly unhinged but otherwise they match each other's freak a little too well

leshy would never admit to ramzi that the smell of anyone else stuck to his wool makes leshy a little jealous... another reason he likes to lend his clothes to ramzi, really-

-

heket;

she/they/he for heket, she's bisexual with a preference toward women (using she/her for simplicity on this post)

heket is the big spoon, no questions asked. she loves to cradle that lamb in her arms and it is NOT one to complain about that

heket doesnt lend out her clothes very often, but she likes to see how baggy they are on ramzi- she quite likes seeing it wake up wearing her shirts...

ramzi is incredibly formal with heket, usually referring to her by name or some honorific to show its respect (something she appreciates greatly)- meanwhile heket is always referring to the lamb by anything but its name, really

heket's level of social battery depends on the day, some days she would prefer not to speak to anyone, others she's more outgoing

heket shows her affection by making sure ramzi isn't overworking itself, making sure it's eating and sleeping- she knows it can care for itself, but she just wants to protect her lamb.

there's absolutely no way heket would swallow her pride and confess her brewing feelings for ramzi, she waits very patiently for it to finally get its nerve up and admit that it wants to pursue a relationship with her- after (mostly) healing her throat, she doesn't feel so lonely in the cult once her voice returns and she begins to feel conflicted about ramzi... she wants to hate him, but it's doing everything they can to help her siblings and she can't help but respect and admire it for that, she would admit that she would never consider it if she was still a god-

heket thinks bugs are cute, she'll either catch and release them or keep them in a little container for a bit (she's never beating the weird little sister allegations to me)

ramzi's cooking definitely is not as good as heket's, if it cooks a meal the whole cult is asking when it's heket's turn next LMAO-

PDA ruins heket's cool and stoic exterior in her eyes, though she can't just say that to the lamb- she'll gladly give it a hug or a kiss when nobody's looking, though

honestly, ramzi is just protective over all of the bishops. it feels terribly for killing them repeatedly and making them suffer in purgatory, and it never wants to see them suffer again- heket knows the lamb is strong, she's seen it with her own eyes. that doesn't stop her from worrying for it a little when it leaves on a crusade, however...

heket has some relationship experience, though its been a WHILE- forneus and ramzi are her most recent romantic endeavors and she's incredibly awkward about both of them

heket is insanely awkward, she tries to maintain a cool exterior but it's so hard when that damned lamb is so cute and that sweet cat mom is so kind and shaped- whats a woman to do in her situation??

she can get a little bit jealous if her buttons are pushed on the wrong day, but other than that ramzi and heket have a pretty open relationship

-

kallamar;

any pronouns for kallamar! though he/she are most preferred, she's very lax about his gender and loves to experiment (using he/she interchangeably, lamb is referred to by it/its for simplicity)

despite being nearly a full foot and a half taller than ramzi, kallamar loves to be its little spoon! he feels so safe in his lamb's embrace, she would never leave if it was possible

none of her clothes would fit the lamb, but he does have clothing made for it often! he'll be damned if he lets ramzi walk around looking anything less than presentable, even if its naked it must be TASTEFULLY naked- (though his definition of what that means is a bit nebulous. ramzi's convinced he just wants to ogle)

they love to make up pet names for each other, 'mari' and 'kallie' are ramzi's favorites to use for its precious husband. kallamar is particularly fond of calling ramzi his puppy, often flustering it-

kallamar is a YAPPER and she will not shut up about how much he loves her lamb! ramzi doesn't mind it, but she's often talking so much that it can't properly find the words to express it back- so it gives gifts often, knowing how much its wife loves to adorn himself in jewelry and silks!

ramzi is actually a little bit intimidated by kallamar's experience in love and how pretty he is, kallamar ends up making a very dramatic love confession in front of everyone, totally flustering ramzi (though it has to admit it really loves the dedication!)

he is TERRIFIED of bugs kallamar will shriek so loudly if she finds even a small beetle anywhere near her living space- ramzi often finds itself catching the little bugs while kallie screams bloody murder in the corner

kallamar absolutely can cook but he doesn't want the responsibility of cooking entire meals for the whole cult so she intentionally cooks like shit to avoid it- ramzi catches onto that pretty quickly though

these two need to get a ROOM the confessional is NOT to be used in that way!!!

kallamar's overprotective attitude mainly comes from a place of not wanting the lamb's image to be ruined, he'll tend to its makeup and wardrobe, even helping to enforce loyalty amongst its flock to keep its image pristine- and kallamar is just an easy bullying target, ramzi is Very quick to put an end to that!

kallamar is absolutely more experienced than ramzi, though he's no less dedicated to it. it makes their relationship very calm, there's very little tension between them!

ramzi is very awkward around kallamar at first, he's pretty indignant and a bit cruel to it during the first few weeks- once ramzi begins offering him gifts and praise she warms up rather quickly, however. ramzi's disarmingly cute appearance and dirty mouth tends to make kallamar a nervous mess sometimes, though...

there's not a single ounce of jealousy between these two 🧍‍♂️ they both understand that they're dedicated to one another, and can dedicate themselves to others without compromising their bond

-

shamura;

they/it for mura! i feel that they enjoy experimenting with their clothing in relation to their gender, but they prefer neutral pronouns (using they/them for mura and he/him for ramzi for readability)

these two take turns on who gets to be the big spoon, though usually shamura claims that spot

shamura loves to weave clothes for ramzi! they enjoy seeing his face light up when they incorporate designs ramzi has shown them that sheep often wore, wanting to keep that memory alive for him

they're pretty formal at first, but the two of them can't help but call each other by loving nicknames once they've become comfortable with each other- ramzi often calls shamura 'softie' or 'dearest'

shamura prefers to keep to themself, though they've grown rather attached to webber. they've basically adopted the little creature, that's their son...

once clarity has returned to shamura through ramzi's healing, they have a better grasp on their words- but they still struggle to word their feelings a lot of the time. they try their best, but they find it easier to give gifts or show their affections with physical intimacy when words fail them

shamura is incredibly paranoid and wary of ramzi's presence when they're first indoctrinated, until they finally break bread and reach an understanding, shamura doesn't even consider the lamb could feel anything but hatred and resentment toward them. they assume that he wants revenge, but learns that he just wants to help them- it takes a bit longer for the fear to truly leave shamura, but when they never feel that dagger in their back, they begin to soften he clearly isnt lying to them, he's helped all of their siblings become as happy as he can- and he asks nothing in return of them? it feels too good to be true, but they can't help but trust him eventually ramzi confesses first, and is initially (softly) rejected... but theyre not entirely opposed! mainly conflicted, for a while-

they both love bugs, obviously- though sometimes ramzi gets bitten while trying to show shamura the little spiders he's captured

shamura likes to cook but they prefer liquid only foods- it's not horrible, but sometimes they want more variety

shamura is a bit shy about their relationship with the lamb, they're the least experienced with this sort of thing out of all of the bishops- war and reason have no room for love and compassion, after all. they're learning, with ramzi's help

if someone even LOOKS at ramzi the wrong way, shamura is the first to come to the lamb's defense. both a form of devotion, claiming ramzi as their charge they'd guard with their life, and a form of facing their grief- they'd ended ramzi's life once, they don't want to see it hurt anymore

these two match each other's freak so well its scary- you dont wanna see what happens in the mating tent when these two are in there!!

after shamura's initial wariness and shortness with ramzi fades, they become incredibly shy and awkward- they don't know how to navigate all these new feelings, and they don't really know who to turn to for advice

shamura is very possessive of their lamb- they were the first to be wed by him, after all- not to mention i personally think them being a spider influences this quite a bit,

WOAW THATS IT!!! holy shit thats a lot of text.... anyway if u have any questions abt any of them or want more clarification feel free to send me asks i love to yap abt them all <3

oh boy im not looking forward to putting all the tags on this

[mochinomnoms]

i know in the leech family that its a running joke that the mc is their cleaner shrimp and i cant help but think when its finally the leech parents turn!

Imagine mc and the leech family are going out to do some family bonding and the mc causally picks off some lint or hair off papa leech or mama leech and their mood just instantly brightens :D They go like “thank you dear! Is there anything else on me?” And the parents are just spinning around happy because their child-in-law is doing shrimp things with them! (Meanwhile jade and floyd are off to the side being like “what about me D:<”)

also may I be 🪸 anon or 💫 anon?

YEEAAAAH FAMILY SHRIMP!!!

I think it's a very sweet idea! Whether it's just one of the twins or both that you've gotten involved in, they both enjoy your fretting and picking at them. Floyd most often gets your attention, as he's always getting up to stuff and messy. However, he's more prone to scrapes from basketball and burns from cooking at the lounge, so he gets lots of attention from you. Floyd loves it, he loves being taken care of for once, instead of being feared or seen as a big bad eel. He needs loving too! He needs to be treated tenderly and kindly. Floydie just wants to be loved, and who better to do that than you?

Jade on the other hand will just get dirty when hiking and foraging, but rarely get any scrapes or cuts. He might bruise here or there depending on how it went, but over all you're more likely to need to clean stray twigs, leaves, and dirt for him. In fact, you'll find Jade approaching you after his extensions, every single time, asking for your assistance. Maybe join him in the bath and help him clean up? As his cleaner shrimp? Pretty pleeease? After all, the caretaker needs some caring too sometimes.

When you eventually get introduced to the family and properly fit into your place with the Leeches, with an appropriate shrimp merform! Papa and Mama Leech are just happy that their boys have such a sweet partner. You further solidify your spot when they learn about your “shrimp” tendencies. They think it's so cute! So imagine their delight when you start tending to them like you do their sons!

Papa Leech will often find himself get into...”scuffles” after work. Normally, the family doctor would be available to patch him up, but they were already attending to a patient of theirs. Here comes their resident shrimp, offering to patch him up! You babbling about Floyd and how he always got hurt from his activities at school, so it wasn't a problem. At this point, you're practically a pro! Papa Leech has stars in his eyes, though, he has the cutest child-in-law!!! And you've been doing this for his boys, for free??!! Screw Floyd and Jade if they ever break up with you (like they'd ever would) cause Papa is keeping you in the family for the foreseeable future. Not only are you convenient, but you care for him like family, he'd be a barnacle to let you go. If you're not already married to his boys, prepare yourself, cause he's already organizing the engagement and wedding. No, he did not ask his boys beforehand.

As for Mama Leech, she's been repeated described as a worrywart, and overly cautious, especially regarding her family. I think that, since you weren't brought up in the family like her boys, would be prone to keeping you at her side. If Papa and the twins are off for “work” then you can find her snatching you up for some mother-in-law time to keep you nice and safe! This is when she gets her own version of shrimp tending, via you doing her hair and makeup! She does love dressing up and looking pretty, and is delighted when you start brushing through her hair with your fingers, braiding it and softly applying her lipstick. It's been so long since her boys were little and played dress up with her! But here you are, so sweet and soft and gentle with her! She's now become attached, if you so much as try and leave the family, Mama is sobbing and begging you to stay, while also strangling her sons for what ever they did wrong (she knows they did something the little troublemakers).

I'd say that the twins only get mildly jealous, after all, the more time you spend with their parents the less they get with you! And you're their partner!!! They suppose they should be happy that you get along so well with their parents. Except Floyd. Floyd wishes to monopolize your time and will hide you away with Jade in a dark coral nook. He called you Shrimpy first, it's his right!!!

(I will dub thee 🪸 anon!! welcome!)