#you made him care about you

[the-whispers-of-death]

pilot! reader who takes hellstorm’s storming (haha) out the room as confirmation and he’s got a stupid grin plastered across his face for at least the next week. pilot!reader starts bugging him more & is just generally at his heels like a excited puppy.

Hellstorm is ducking into random barracks to try and evade you because he's desperately trying not to care about you. But you're managing to be at his heels every single time.

You're everywhere he goes, he can't escape you. He turns a corner, you're there with that grin. The worse part is when you're not even looking for him, he just turns the corner and he sees you talking with one of the other aviators who is your friend.

He stays hidden from your view, looking at you. You're laughing with them, smiling. Whatever they're saying must be hilarious, he thinks as he watches you snort. Your snort is so cute, he thinks before he can realize what he's even thinking.

Oh fuck.

[ciderjacks]

dad issues

+

(I think they were all fundamentally affected by what they saw and just collectively decided not to share the upsetting details)

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[pharmasrightarm]

separate ways

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[dykedvonte]

Curly's little blurb on his steam trading card just keeps reminding me he is a much more miserable person than people realize.

We don't get a lot of his thoughts, inner confliction that aren't bogged down by what Jimmy says or does. Even in the The Last One and Then Another, his dialogue is reflective, not the Curly before the crash but the result of everything. Parts of the him he was are there of course, but also disfigured and warped beyond recognition just like he is physically.

Curly really doesn't think much of himself and desires. He clearly chases fleeting moments of happiness. He doesn't really have prospects for himself, assumes in a similar way to Swansea, that if it should make it happy then he is happy. Though, he hasn't reached the point Swansea did to admit it doesn't. He neither sees the glass half full or empty, it's just water, something he needs and he'll take it from any perspective.

He wasn't running from anything but he's never really been going towards something either. He's listless. I've been using the term complacent to describe how he feels about his life and the closest people (really just Jimmy) in it, but now that word feels too neutral, too nice. Happier than Curly really was. There isn't just one word for it, he's unfulfilled, uncertain, uninspired. There are no active problems he faces and that's the issue, why should he be upset?

I believe he really is a person who doesn't know who he is or wants to be. He follows a structure. I don't think he's suicidal, but he clearly doesn't think about what makes him happy. He's numb. I suppose that is a better word than complacent, used to the feeling even if he hates it. It doesn't hurt so why stop it?

[quibbs126]

Okay, I think I’m FINALLY done with these designs. Well okay, I said Megatron might need some reworking, but shush, I’ll do that another time

I was not expecting this to take as long as it did. Apparently I started making this at 9 in the morning, and it is now 9:30 at night. Optimus, I am almost certain this is your fault

Anyways, as mentioned prior, the idea here was to give the Earthspark Cybertronians protoform designs like the Terrans, what they might look like when they were in this stage, because I haven’t seen anything to claim Cybertronians in this series don’t also have this stage, unless I’m wrong

I mean theoretically, Cybertronian protoforms could look entirely different from Terran protoforms, but we don’t know at this juncture, so I used the Terrans as my main references

Pretty much the main thing was trying to turn their blocky features smooth, while also taking out a bunch of their little details, like their antenna and horns

Honestly I still think Elita turned out the best, which is maybe a bit sad considering she was the first one I finished, but oh well. I don’t think everyone else was horrible, but I think she just looks best

I think Bee’s design is fine, and it was honestly refreshing after struggling so much with Optimus, but I can’t help but feel like his eyes are still wonky

Like I’ve said, by the end of things I think Megatron came out the worst. He was the second one I did, so I wasn’t sure, but by now I think he is. The real struggle with him is that his entire helmet is comprised of angles, when I need curves. And then there’s his side things, which I still do not know how to translate here. The idea I was trying to go for here is the top half goes around his head, while the bottom half is attached at the ends, but it’s the bottom half that looks weird. But ah well, hopefully I can fix it later

And then there’s Optimus. The majority of the time I’ve spent on this was him. It was mostly the struggle of his vents and trying to make them un-blocky. It was getting really frustrating particularly because I couldn’t think of anything new to do with them to change them, drawing the same thing over and over

But then I remembered, this Optimus was once Orion Pax, a fact I was planning to omit. But that meant I had something else to draw on

And it’s what finally got my brain to make his side things into the curves you see now. It’s also why his middle thing is solid black, like how it seems to be in the picture above

But yeah, I wouldn’t rate his design as the absolute best, but it’s serviceable and I’ll take what I can get

But aside from trying to change their designs, I think I had fun. I noticed by the end of it that they all have different face and eye shapes, and that’s pretty fun

Speaking of which, I notice with this how small Optimus’ eyes are here. They may not look it in my drawing but they’re a lot smaller than the others in the show. Is that one of the reasons his design looks so off? Like I know it looks weird, I just can’t place how exactly

But yeah, take these designs, the culmination of my drawing abilities for the day. I’d like to do more with them, I just don’t know what. Best I can think of is like, a fic premise where the Cybertronians somehow get reverted back to these protoform stages, and the Terrans now have to help them out

[forgetme-eternally-blissfully]

Choi Han, for a test from a god, is sent to an unknown land with "Cale."

Choi Han, upon arrival, realizes something is strange about this Cale. He's got a similar appearance to his own Cale but the eyes are sharper, with a witty bite to his tongue and a quick sneer always at the ready.

He's clearly confused and distressed about being in a strange place with a strange person but he does his best to not let it show. His hand reaches for a bottle of alcohol that isn't there.

Choi Han thinks that this Cale isn't like his Cale at all.

Choi Han has a hunch that this Cale is the one from before Kim Rok Soo's possession. It makes sense. So he isn't his Cale.

However, though Choi Han wants to become cold to this stranger version of Cale, when he looks into those red-brown eyes and sees fear, he draws back. It's an instinctual feeling that he gets, right as Cale is spitting more vile words to cover up the trembling in his hands, that he doesn't want to see even a terrible Cale be afraid of him.

This doesn't stop them from arguing. Through towns, forests, deserts, they both learn on an intimate level that they would never, ever get along. Cale is too loud, too threatening, and Choi Han can't resist from debating with this strange Cale about morals, of all things. They argue constantly.

Though they argue, Choi Han can't help himself from sometimes mistaking this Cale for his own. He tells himself it's because they look alike.

They're both in the midst of an argument when a noble-like individual approaches them with cloying words, which seek to lure them inside of the noble's home. Choi Han is suspicious, but before he has the chance to decline, Cale steps in front of Choi Han and demands to speak to the noble who wants to see them.

The noble-like individual turns out to be the servant of a more powerful man, something that Cale saw through immediately.

Choi Han is stunned.

How did this, this trashy Cale with no moral upstanding, clock the intentions of a person so quickly and accurately?

He asks him directly. Cale shrugs. Choi Han believes he's mistaken when Cale's eyes flicker with calculating intent. They don't discuss it further.

Little moments like these keep occurring. Cale does something impressive, Choi Han inquires, and Cale downplays it with a sneer or an insult and refuses to speak about it again. It's weird and strange but it's familiar. Extremely so. Not the insulting, and the sneer is too odd to be his own Cale's face, but it's familiar in the sense that they both underestimate themselves. They both refuse to acknowledge what lies under the surface of their visage.

This Cale is a strange individual. He swears and laughs and grins, he's too calm about their situation, and it's difficult to get through to him when he makes up his mind about something. But the strangest thing is that all of these things remind Choi Han of his Cale.

Finally, it all comes down to a final battle. One more fight and both himself and this Cale can go back to where they belong. Choi Han is ready.

Cale receives a power from a book before the battle and it's unlike anything Choi Han has ever seen. But the coughing up of blood makes him have Cale swear to never use it. Cale swears.

Choi Han makes Cale promise to stay on the sideline and not approach. Cale easily agrees.

They get to the last stage, the last time they'll see each other again, and the villain of this world is too powerful. It's as if he weren't meant for them to fight. It's as if he were made so that they struggle.

Choi Han swings his blade to block a blow that he knows he can't block, knows might end him, and he thinks about how he can't possibly die right now and leave this Cale behind... but he's too weak.

He wonders what his Cale would do in this moment, when everything seems hopeless and nothing is working.

Cale steps in front of him and uses his power to its fullest extent.

White light is shining everywhere, blinding Choi Han who keeps his burning eyes open, desperately keeps his eyes on the Cale that's bleeding from his mouth and his nose and his eyes and his skin is starting to crack, crack like he is about to turn into dust and disappear.

Cale turns to look at Choi Han.

"Ah. I was worried it wouldn't be enough to take out the villain." His eyes stained with blood curl up in a smile. A ball of dread sits in Choi Han's stomach. "I'm glad. I'm really, really..." eyes drifting closed, his body begins to shatter further and further. "Happy for you, Choi Han."

This is why they felt familiar.

It's with a cry of grief and anger, anger at himself, that Choi Han reaches out to hold Cale, hold onto even a piece of him.

Cale's eye, the only one left as he is disintegrating, widens.

Choi Han grasps a fragment that's about to vanish from Cale's chest, somewhere next to his heart, and this piece doesn't break, doesn't disappear from Choi Han's hand. It stays solid and firm and real-

And it's all that Choi Han is left with when the gods test ends.

Choi Han wakes up, surrounded by his family, with a red, glass marble in his hand. He holds it to his chest. It hurts.

It hurts.

[choccy-milky]

ty to @icedmatchawoatmilk13 for sending this to me! i may have gone a bit overboard but this was so much fun to fill out/think about BAHAHA💖 ill still never get over how perfect the song sarah smiles is for them...the lyrics AND the fact that its an alliteration...im gonna do an animatic about seb and clora to that song one day i swear 😩 ((blank template by oakwolves!))

[chawliekin]

and if I said that dennis’ insistence on being the breadwinner/provider despite literally being a pampered princess who dgaf about traditional roles of masculinity in every other regard (aside from ego) is because his mom only stayed with/chose frank for his wealth and dennis is highly aware that he’s difficult to love and unable to show his emotions openly so he has to be contributing something to the relationship materially in order to feel like he’s worth staying for… and mac grew up with parents who were extremely ambivalent to him and eachother so he has to overcompensate by proving his worth at every given moment and seeking praise/validation from people (and religious icons) who will never demonstrate the same amount of dedication to him but he has no idea how else to desperately keep himself close to those he loves other than by eroding himself into something they’ll approve of… dear god they’re both exactly what the other needs — someone who can’t and won’t leave them even if they try — and they don’t even see it…

[willosword]

love when a conflict is so good that you can acknowledge a character being a total douchebag while also being like 'yeah i totally understand how they'd come to this conclusion when looking at it through their perspective'

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

[First] Prev <–-> Next

[lotus-pear]

rewatched madoka magica again today bc i fucking hate myself and to absolutely no one’s surprise i went through all five stages of grief in a single evening

[shebsart]

|👁️|

[usertoxicyaoi]

"Did you really reach the west gate? Then, why didn't I see you?"

THE ON1Y ONE (2024). EPISODE TEN.