#you live longer but at what cost?

[brionnnne]

RPG video game with a set amount of EXP that never goes up or down, that you fight through and still seem to learn and grow in, but that EXP counter never changes regardless. Until one day, the word EXP broadens, and slash lines appear between the numbers. EXP doesn't mean experience, but "expiration", and the number isn't a counter, but a date �� by the time you see it, it's already game over.

[triptychgardener]

See I don't really believe there are any broader like. Schema of gender in Homestuck in that makes sense. Including Callie's OG gendering of classes but most others don't have a solid "reason" to them. Breath players tend to lean towards transfeminine to me but that doesn't feel like it's because of Breath and so on and so forth.

Basically the only two principles of gender determination in Homestuck I actually abide by are:

Trans characters can be partially determined in certain cases by examine their relationships to other close characters, forming something like a binary (or more) system. Transmasculine Dirk v. Transfeminine Roxy, Femme Transfeminine Gay Jake English v. Butch Transmasc Lesbian Jane Crocker, my Davepeta+ Gender Chart etc. Characters in Homestuck often model themselves in relation to their friends as we do irl.

Space is nigh-exclusively a transfeminine aspect in Homestuck itself. The job of a Space player is to seize and create their own means of creation and species-level reproduction, usually after being deprived of traditional means of womanhood, motherhood, and reproduction.

[ohitslen]

OKAY VASHWOOD KIDS ON THE HEAD THIS AFTERNOON HHNNG

While I do think that them having kids of their own is super cute and such a nice thing for them both, I am personally a Vash and Wolfwood adopting children truther. Best part is it was Not Even On Purpose.

The times are less aggressive, their lives are less violent (compared to before) and they are both a lot more free. They aren’t used to living a settled life, in spite of finally having a little home of their own at the outskirts of December.

They still travel around without an aim or clear purpose most often than not. They would visit old friends and the times they decided to stay in a place for a bit longer would either be at Home or the Hopeland Orphanage.

They like it that way. It’s familiar and they don’t have to watch for their heads as much as they did before. They are finally experiencing a much more gentler life of their own.

I imagine them stumbling with some kids, let’s say three, that live on their own in one of their trips. They offer to bring them to the Hopeland Orphanage like they usually do to orphaned kids, so they can live more peacefully. They accept after some more convincing.

During that trip they get to live a bit more closely with the children compared to the way they do with the kids back at the orphanage. They love them oh they do, with all their heart, but the closeness they experience with everyone at the orphanage is more of a caretaker sort of approach and nothing as intimate as taking care of them so personally.

The bumpy trip basically obligated them to be more close to the kids, spending nights and days with them, protecting them from danger, cooking meals for their little group of five, spending a few days in different towns to unwind and buy more resources. It was nice, traveling together like that (even if it did get a little dangerous every now and then when they stumbled upon a fight or two).

The kids start to get very attached to them, and both Vash and Wolfwood admittedly were feeling the same way too. They knew they couldn’t keep the kids, not with their wanderers life style and the danger that was still always present (not as terrible as before, but trouble would always be a part of them as it seemed).

Once they got to December to finally leave the kids at the Orphanage, they decide it’s a good time for them to have one of their long stays at the orphanage until their next trip. All of the kids love them both, and they return the sentiment as well. However, it’s evident how their closeness was bigger with the kids they just traveled around with. They knew a bit more about each other with more precision, they were a bit more affectionate with them, the kids would look for Wolfwood and Vash so they could spend more time together. It wasn’t rare for the kids to go and sleep with either of them at night or taking naps with them, but those three particular children would always sleep with them, all snuggled up and warm in their embrace.

It was nice, it almost felt like a little family of their own. Wolfwood remembers how nice it was to live in the orphanage with the other kids, and Vash loved his time with Rem and Knives when they were little, not to mention the people at Home later on, but neither of them really had a grasp of something in their lives they could call wholly theirs, something stable, something constant.

Their stay at the orphanage lasted from their usual month and a half to two months, and then three, until they thought it was a good time for some time of their own back at their little house (living with so many kids always around the corner didn’t provide much space for privacy, much less now that the three kids would follow them as if they were their shadows).

The kids were disappointed and a little sad that their time to leave had come already, even if they had stayed longer than what they usually did this time. Their three little kids were the ones that looked the most anguished from them all, and neither Nick or Vash missed that detail.

When they arrived to their home, they cleaned first, the dust had settled in their house and they could barely move without gusts of it coming to invade their lungs. After they quickly got rid of the most they could they finally got to rest and get some alone time of their own.

The days passed, and the quiet time between them was appreciated, but it felt a bit too quiet. They had quickly grown used to the noise that came with being around the kids in that short time. Maybe it was thanks to the fact that their lives were much kinder now, but something inside of them itched at the thought of not having the kids by their side, of not being together.

They knew what it was after sparing it a second to think of it a bit more.

“You know, I think it would be nice if we stay in here for a bit longer” Vash said out of the blue one day while they were making breakfast together, a soft and genuine smile hanging on his face.

“Yeah, I was thinking the same thing” Wolfwood answered back with a smile of his own, focused at chopping a portion of vegetables a bit too big for two people, it was probably enough to feed five mouths perhaps.

[twinknote]

i have a feeling my mom (who has acted extremely upset + sympathetic about me sweating profusely in my shitty 80+ degree room) is going to tell me that they can’t help me replace my 20+ year old ac unit for $250, even tho they are about to pay Thousands of dollars to replace their central ac bc clearly her needs are more important than mine (when one of my worst and most impactful symptoms is heat intolerance, which makes me dehydrated and even more dizzy and fatigued and i’ve been getting dehydration headaches even tho i’m drinking almost a gallon a day)

[thedreadvampy]

1 week left for Charlie to do the funniest thing he'll do in his life

[quaranmine]

watching adventure archive's most recent video, right after watching their yellowstone video, and i'm starting to piece together in my head that perhaps a years worth of watching their videos and Yearning has also contributed greatly to me writing firewatch au

[realcowboysdrinkjuice]

i’ve been moving in for the last two days i’m excited to lay down and have podcast episode >:] completely forgot about it until i saw someone liveblogging it and quickly scrolled past lmao

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[reflectionsofgalaxies]

.

[underthehedge]

I stg if anyone trots out the grandmother hypothesis you will end up in anthropology rant hell

Ok but, if you'd like to rant about it (or have a good rant you've already posted) I'd be interested in hearing it. Like, I was under the impression that the grandmother hypothesis was relatively well accepted, which, I guess it isn't?

Shout out to the ten primate species, four bat species, elephant shrews, and the Cairo spiny mouse. Nobody else gets it

[discoreptile]

Shellycoat

[sunderwight]

Modern AU where Shen Yuan accidentally sugar-daddies everyone.

So for the purposes of this, Shen Yuan's family is basically $10 Bananas levels of cluelessly rich. Shen Yuan has almost never had to look at the prices of anything he wants. He and his siblings all get an allowance from the family's main account, which increases when they reach adulthood, and in the interest of fairness his parents made it all the same size. So Shen Yuan gets the same amount of money for his daily living expenses as his older brothers with their penthouse apartments and vacation homes and private jets, at least from the family account (since he doesn't work, he doesn't actually make as much as them in total because they earn more on top of their allowances).

And the thing is, Shen Yuan genuinely just lives a lot more humbly. He likes people but what would he do with a vacation house? Anything really nice would probably require him to fly to get out there, and he gets sick as hell on planes. Living in the central city is also not great for him, because the air pollution is so bad. Having a whole house to himself would also be ridiculous. So he has a reasonable apartment, in a reasonable area, and he splurges every so often on purchases that make him happy and take-out food that he likes, and of course he pays a cleaning service to come in twice a week. Most people assume he's comfortably middle class and has some tech job he does from home, but he's been getting a lot more than he's been spending in his monthly allowances for years now, and the figures are big.

Enter into this environment author Airplane and his trash novels. Novels, multiple, because in this AU there's no PIDW, and instead after some alternate PIDW prototype got popular in the harem genre, Airplane decided to churn out a series of copy-paste shorter stories rather than recycling the same subplots in one massively long epic.

Shen Yuan of course discovers Airplane's writing and becomes as obsessed with it as ever, except this time he notices that if there are delays between new stories, they seem to clear up faster whenever he throws some cash at the problem. And also that the drops in Airplane's writing quality coincide with times when Shen Yuan was having health issues and not keeping up with his VIP purchases. So, he works out that Airplane's probably doing the writing for the money, and that when Peerless Cucumber isn't paying the most for it, Airplane starts listening to the other buffoons in the comment section more to try and entice them to pay his bills instead.

Peerless Cucumber leaves a comment on one of Airplane's latest stories that kicks off the two of them actually chatting, and Shen Yuan eventually gets to the point of offering to fund all Airplane's writing, in exchange for Airplane not doing his crap sellout stuff to appeal to other readers anymore. Airplane thinks he's joking or maybe mocking him. Shen Yuan asks how much it would cost. Airplane fires off a ridiculous number. Shen Yuan doesn't even blink and wires him the first payment. Then he gets annoyed because Airplane leaves him on read for a while, but that's because Airplane is staring at his account balance in shock.

Of course, it's Airplane who starts referring to Peerless Cucumber as his sugar daddy. Shen Yuan is just like "based on your sex scenes I don't think anyone would pay you for that" and Airplane's all "but you WOULD pay for my sex scenes ^_~" and Shen Yuan's like "technically I am actually paying you not to write that shit" and so on. Usual banter. The quality of Airplane's writing improves dramatically, a lot of his readership drops off but he does get new readers and gradually builds up an even bigger fanbase than before, and so on, it all goes pretty well. He eventually writes a few things that take off to the point of getting physical publications and international translations. Technically Airplane no longer needs Shen Yuan to pay all of his bills by that point but he's not going to tell Shen Yuan that! The contract's still good as long as he keeps writing!

Then one of Airplane's online acquaintances runs into some financial trouble and asks for help.

Liu Mingyan used to beta read for Airplane back when he wrote fanfiction (she was like thirteen, Airplane was unaware because internet and hey free beta), and it seems her family has hit a rough patch. She wants tips on how to go pro, but Airplane explains that it was extremely difficult and he mostly lucked out by finding a single wealthy backer. Mingyan wonders if the same guy would be interested in her writing, Airplane sadly thinks not because Mingyan exclusively writes kinky danmei erotica and Peerless Cucumber seems pretty firmly in the closet still and also generally prefers plotty and world-building heavy stuff.

But like, Airplane has definitely gotten a vibe off of Cucumber-bro, and Mingyan's gorgeous older brother does video streams of himself doing cool martial arts and swordsmanship stuff. So he asks her permission and when she gives it, he recommends Liu Qingge's videos to Shen Yuan, being sure to mention that the guy in question can't really afford to keep up with his hobbies and oh what a shame it would be if he had to stop making art like that.

Haha, Airplane, you're not subtle.

Even so, Shen Yuan watches the videos and immediately agrees that Liu Qingge is beauty in motion, and that it would be criminal to deprive the world of more videos of his sword. Swordsmanship! That is the, the art of, martial arts! Definitely. He clicks the donate button, reasoning out that he'll just send a donation about the size of his usual monthly payments to Airplane and call it his good deed for the day.

Liu Qingge is very confused by this new follower from nowhere who suddenly dumped a little over a month's rent into his account. One thing leads to another, with Mingyan and Airplane conspiring to try and get Shen Yuan as a permanent patron, and then Liu Qingge being let in on it. Except that Airplane keeps referring to Shen Yuan as his sugar daddy, and well... it's not like Liu Qingge doesn't ever get 'those' kinds of comments on his videos. At first he's embarrassed, then offended, then mortified that his own younger sister is apparently setting him up to make premium private videos for what he assumes is some old pervert who is going to want him to do untoward things.

However, their options are pretty bleak at the moment, and Liu Qingge worries that if he doesn't do this then Mingyan might. She even mentions something to the effect of having planned to offer herself, and only didn't because she wasn't this "sugar daddy" guy's type!

Teeth clenched, Liu Qingge asks Airplane stiltedly for advice on how to... appeal, to this wealthy benefactor.

In the end though it's not nearly as bad as Liu Qingge feared. He winds up doing more videos in costumes and cosplay, which ought to have been an untenable expense, but Peerless Cucumber always ends up covering the cost of whatever he invests in plus extra. Sometimes he sends Liu Qingge stuff with a request to wear it, but so far it's just been like, badass warrior-themed or historical costumes. Nothing overtly pervy. He does some LARPing, he makes enough to start doing horseback archery again, convinces some of his good-looking peers from various clubs to spar with him, and ultimately the most risque videos he ends up doing are the ones where he demonstrates how to put on certain kinds of gear. He still locks those ones behind paid subscribers only, mostly because he feels like he's doing something illicit now, even if he used to show more skin on his older videos any time he took his shirt off.

Peerless Cucumber doesn't leave creepy comments, either. In fact he seems genuinely nice and supportive, it's hard not to like him, and so even once his situation levels out Liu Qingge decides there's not really much need to stop making videos for him. (He maybe even gets a little giddy thrill over... well, sometimes he finds it all a bit... just when he thinks about Peerless Cucumber watching him demonstrate his physical prowess and finding that alone worth... ANYWAY--)

So that goes on for a while, before Yue Qi enters the scene.

Yue Qi is the childhood friend of one of Shen Yuan's older brothers (Shen bros!) and Shen Jiu owes him a big favor for something that he won't talk about. At least he won't talk to Shen Yuan about it. But Yue Qi is also not the type to ask for help, and Shen Jiu is very bad at offering it, so when Shen Jiu gets word that Yue Qi is having some difficulties making ends meet, he tells Shen Yuan to act as the middle man. Go offer Qi-ge money, he knows you're nice he'll just accept it, and then Shen Jiu will pay the actual bill.

Well it turns out that Yue Qi doesn't just accept it, of course he sees right through it, and gently but firmly tells Shen Yuan that he's not interested in burdening Shen Jiu further than he already has. Etc, etc, stoic stiff upper lips and no proper communication all around. Shen Yuan panics because it's not working and he's also genuinely worried about Yue Qi by now, so he tries to figure out how to make it compelling and basically blurts that, well, see, the thing is that sometimes he pays men to entertain him. You know. To like. Do things, for him. So. He could also pay Yue Qi? To do something for him?

Yue Qi gets the wrong idea entirely, and at first is like, oh, no, A'Yuan, you shouldn't be paying people for that! These things should just happen organically! But Shen Yuan is very adamant that he believes in compensating people for what they do for him, it's not like he can't afford to, and it gets awkward but Yue Qi is like well he does have health problems. It's perhaps difficult for him to meet people. So then he starts worrying about Shen Yuan and all these strange men he's apparently paying for "entertainment". Does his brother know about this?

No of course Shen Jiu doesn't know! He'd hate it, and Shen Yuan doesn't want to hear about how he's doing everything wrong with his life again!

Then Shen Yuan mentions that his prior house cleaning service up and quit on him (they didn't), and if Yue Qi would like to earn fair compensation he could just come over sometimes to help instead, and Shen Yuan would pay him just to tidy up and hang out for a few hours! Which Yue Qi thinks is a fantastic idea, actually, even if Shen Yuan is only doing this because of his brother, this will give Yue Qi a chance to keep an eye on him and his so-called entertainers. Even if he sort of... ends up also being one?

Shen Yuan keeps everything above board, though his apartment always seems perfectly clean and he overpays way too much (Shen Jiu is still footing this bill after all), and Yue Qi starts to think maybe he actually is being paid for intimacy. Of a sort that they're maybe still working up to? Shen Yuan usually has a very thin face after all. He's kind of got two minds about this prospect. On the one hand, he's got his situationship with Shen Jiu, so dating his brother would be absurd. But on the other hand, it's not actually dating, and he does like Shen Yuan, and maybe if they can be good company for each other then Yue Qi won't feel so depressed and Shen Yuan won't need to hire strange men so often.

Meanwhile it's come to Shen Yuan's attention, perhaps through an offhand comment he read online somewhere, that people who are struggling financially often also struggle to "treat themselves". Because even when they have enough money to be comfortable there's often the looming specter of deprivation, and etc, so he figures he should start buying some of his dependents more treats and things. Since they might not buy them for themselves? And also he's enjoying doing this but shhh no he isn't, it's a huge hassle, he's only doing it out of basic moral decency, etc.

So like, Airplane starts getting little things that he'd put on some public wish lists, clearly sent by Peerless Cucumber. And he tells Mingyan to make a list for Liu Qingge too, and sure enough, Liu Qingge (bewildered, slightly flustered) tries to figure out what he's supposed to do with an album from a band he likes and some high-end leather polish. Ultimately settles on playing the music and wearing his nicest leather in his next video. Yue Qi starts arriving at Shen Yuan's place to be plied with his favorite coffees and to have scented candles awkwardly foisted onto him (Shen Yuan does not know what Yue Qi likes in gifts) (he buys these presents himself they're not out of Shen Jiu's pocket).

So finally Shen Yuan's parents start to notice that he's been spending a lot more than usual, and start to worry that he's either been taken in by a scam artist or is secretly dating a gold digger or has developed a drug addiction or something. But asking things directly like normal people is basically illegal in the Shen family, so they decide to hire a private investigator.

Enter Luo Binghe, a young man of humble background who is struggling to make ends meet after the untimely death of his adoptive mother, and is using his P.I. job and his online cooking videos to help pay his way through school (scholarship student). Usually his cases are more like, cyberstalking someone to find out if they're cheating on their spouse, or helping someone planning a lawsuit accumulate evidence on their corrupt employer, or other things like that. When he gets the Shen Yuan case, the idea that the Shen family's son is paying for "company" is well within his list of probable answers.

Though this one is a little... peculiar?

Mostly because Binghe can't find evidence of Shen Yuan actually getting what he would, presumably, be paying for. At first Luo Binghe just goes through the online paper trails, using the info that the Shen parents give him to figure out that Shen Yuan is paying Airplane and Swordmaster Liu (*cough*) what seem to be exorbitant prices just for trashy fiction and cosplay videos. He assumes this is a cover, that someone's actually delivering drugs or going over for "private meetings" or at least actually sending dirty videos as well, but even when he pays for Liu Qingge's VIP access it's just tutorials and such. Neither of these guys are even on any of the sites that are more lenient towards hosting explicit content. Luo Binghe's aware that kinks aren't always obviously sexual, but people don't usually pay through the nose for the kind of content they can easily find for free all over the place, either.

He digs a little more but keeps coming up empty on evidence to clarify which of the many vices the Shen family's son is actually indulging in. Which is a problem because that's the information they're paying him to find out. Plus his curiosity kind of piques as he reads Shen Yuan's seemingly quite invested comments on Airplane's writing and Liu Qingge's videos, looking to see if there's any kind of clandestine code or pattern. But near as he can tell, whatever else Shen Yuan might be getting out of these arrangements, he does genuinely like the stories and videos too? Well. Sometimes. Sometimes he's actually scathingly vitriolic towards Airplane's writing.

Luo Binghe decides that surveilling Shen Yuan himself is probably the way to go. That gets more complicated in court cases, but since the Shen parents just wants to know what's going on and aren't planning on prosecuting their son for anything, it doesn't matter as much if Luo Binghe gets information in sneaky or underhanded ways.

So, Binghe uses the account he created to access Liu Qingge's videos to chat with Shen Yuan a few times, and then recommends his own cooking channel. Shen Yuan doesn't seem too interested in cooking, so Luo Binghe makes sure to include a video that has an image of himself in his recommendation, and then films a few new videos of himself cooking with his shirtsleeves rolled up to three quarters and a few more buttons than usual unbuttoned, adopting a more flirty persona than he typically does for his shows. He takes his cues from some of Liu Qingge's more popular videos for how to be enticing bait.

It takes a few videos, but eventually Shen Yuan comments. Luo Binghe latches onto the chance to start talking to him, playing up a persona of a vulnerable young man with little means who is trying hard to make it through school, etc, and sure enough Shen Yuan seems interested. Well, most predatory people like vulnerable targets, don't they?

However... Shen Yuan just sends him a chunk of money.

Luo Binghe is confused.

Isn't he supposed to ask for something or create some kind of expectation of repayment first? But, maybe this is his approach to handling new targets. Maybe he's just trying to lull Binghe into a false sense of complacency, before he starts indicating what he wants from all of this. Luo Binghe makes sure to move the money Shen Yuan sends him into a separate account, so that if the Shen parents get angry about it then he can return it as a gesture of good faith.

But Shen Yuan just keeps sending supportive comments and donations. Eventually he leaves a comment that alludes to how badly he'd like to taste Binghe's cooking, and Binghe is like finally, but when he implies that they could perhaps meet in person and Luo Binghe could thank him for his support by making him something, Shen Yuan backs off.

Things eventually progress to the point where Luo Binghe, who is a totally normal person treating this like a totally normal job still thank you very much, is basically camping out in the bushes in front of Shen Yuan's apartment building. At some point he conscripts the aid of his weird cousin (finding his birth family was how he got into this business initially), and then almost immediately regrets it because Shen Yuan helps get Zhuzhi Lang a job doing landscaping for his building.

Why would he want Zhuzhi Lang close but not Binghe? Binghe is much handsomer! He'd make an excellent target for seduction! >:(

Anyway eventually Yue Qi catches Luo Binghe lurking around like a creeper and is like, finally, I have caught one of these suspicious men, whilst Binghe is like oh so he does have a lover, well this guy sucks and is clearly not good enough for him, and they both try and chase one another off and Shen Yuan comes home to a heated passive-aggressive-politeness war being waged in front of his apartment. Eventually he realizes the misunderstanding and calls everyone together (zoom conference? in-person meet-up?) to clarify that he is not paying any of them for "special favors", that was just Airplane being deranged about his sense of humor, and then he has no idea what to do when the prevailing response seems to be disappointment.

[sugarcoatednightshade]

oh i was kind of assuming that elves were the domesticated species in this instance.

since they're "more evolved" or whatever. Also their spindly long limbs reminds me of that one tumblr comic where a wild wolf/coyote meets a borzoi.

Random story thought: What if a fantasy story where there's humans and elves, who are less like different nationalities and/or "human, but in a different font", but more like the difference between dogs and wolves? Like they resemble humans, but are very, very clearly not human. And half-elves, like wolfdogs, are known to be theoretically possible, but so improbable and rare that they might as well be a myth. Like everybody's school had that one kid who loves lying for attention who keeps insisting that they actually know somebody who's a real half-elf for real.

And in the extremely rare case where their friend of a friend who's "totally actually a real half-elf" even exists at all, 99 times out of 100, the aforementioned suspected hybrid is just a 100% full human who's unusually tall, beautiful and autistic. Something that can definitely fool someone who's never seen a real half-elf, and is willing to believe that this friend's mom actually for real fucked an elf (instead of getting hunted for sport, and possibly eaten, which is the more likely outcome of encountering elves in the wild). But it's almost always just a full human with vaguely 'elvish' features.

But once in a blue moon, there actually is a real half-elf, and once you've seen one, you won't mistake a full human for one of them again. They're gangly, not just tall but long-limbed in a way that humans are not, their speech is strangely composed as if they learned their first language as a second language, and their eyes are piercing, wild, inhuman eyes, with a gaze full of strange instinctive wisdom that humans were never meant to know. Secret elvish thoughts that even they, personally, wish they didn't have.

And it sinks in to you that elves, that are so alien to you, would also find this poor creature just as strange and unsettling as you do.

[transmutationisms]

i don't know how many ways i can beg people to please please check the fucking exchange rate before making a donation---when you don't check and you make teeny tiny donations in weaker currencies, that costs the person on the other end because their campaigns get less support. do you know it takes so much longer to fundraise in weaker currencies that i have seen some palestinians prematurely close out campaigns in currencies such as SEK and try to open new ones, from scratch, in higher currencies like USD and EUR?

this is yet another stupid bureaucratic way that US hegemony and the dominance of the US dollar end up costing people their lives, and you can prevent it by simply taking 5 seconds yourself to google and figure out how much 5 or 10 USD is worth in the currency you're donating in. even campaigns that state the exchange rate in their gofundme, even Mohammed's campaign where i constantly state the exchange rate in my posts, some of you simply cannot be bothered to do basic math and instead you donate piddling little amounts that are way less than what you give to other campaigns.

i don't know what else to even say at this point except that he, and his 27-person family, need that 5 USD or 10 USD---approximately 52 krona or 125 krona, if you still cannot be bothered to look it up---he needs the same donation amounts you consider reasonable in higher currencies, his need is not any less just because he is fundraising in SEK!

[sagethegremlin]

ok I got into an argument with someone in my media class yesterday so I’m just gonna say it:

No video game should cost $70.

I’m sure the new Zelda game will be great, but no video game should cost $70. “But if you adjust for inflation, this is actually less than what the Wii games were,” cool. No video game should cost $70.

We no longer live in a world where a kid could save up their allowance for a couple months and then be able to buy a video game. Just buying one has somehow turned into such a grandiose adventure it takes all of the fun out of getting a new game.

The only possible benefit might be that, with games being so expensive, people might be more likely to pick up an indie game because those companies can’t afford to sell those games for a lot.

This is becoming normal. I used to be able to buy four ds games for $70. What the hell.

And you know damn well that Nintendo can afford it.

[midgardianqueenreturns]

#will never not be mad that OPLA sidelined Sanji in his own introductory arc

There’s something really distinctly American about OPLA Sanji arguing with Zeff over what food he wants to make because ignoring the fact that he never did this in the manga… Since when was his character about rebelling and growing out of Zeff’s shadow? Wasn’t he holding himself back because he thought he owed his life to Zeff? Why would he disrupt the Baratie’s operations with his supposedly very innovative dish, resulting in it getting thrown away and WASTED?? Why did they frame Zeff as an old and unskilled chef that had to be surpassed by his “better” protege??? Animanga Sanji was a little shit but he was also the sous chef for a reason, he’s not some wannabe new talent who wants to perform?? Did they do all this just so they can skip over all the Gin/Don Krieg stuff? Just to clog up the runtime with Nami “bonding” with Zoro and reading him a bedtime story?