#you don't have to do it if you we're already tagged:)

[adieutristana]

Well, reader and Jinx matching rings (maybe even wedding rings), and when Caitlin shoots Jinx's finger, she destroys this ring. Jinx’s honest reaction?

of course! thank you for the request <3

i decided to make them promise rings since she lost her middle finger. i hope that’s alright!

summary; jinx’s promise ring being destroyed, and fem!reader comforting her after the fact.

characters included; jinx

tags/warnings; fluff, hurt/comfort, mentions of war/combat, mentions of poor mental health, medical talk ig? (patching up), s2 spoilers

men dni.

you’re sat in jinx’s hideout watching her tinker away with… something. a new type of explosive she’s experimenting with, she says. something that only requires one hexcrystal instead of two or three, since she can’t keep using so many. she’s unceremoniously hunched over the workbench, goggles over her eyes as she messes with the piece of scrap metal in her hand.

“having fun?”

you ask, sitting back in the chair she got you.

“mm… this is more difficult than i thought it would be. who knew this could be so challenging? but i like a challenge.”

she smirks to herself, not taking her eyes off of her project.

“well, you’ve never let ‘difficult’ stop you. you’re a right genius.”

“oh, stop. you’re biased!”

she teases, but she’s got the lightest rouge dusting her cheeks. got her. your gaze continues to follow your girlfriend, the way she moves so freely and carelessly. getting her face impossibly close to power tools, using her nails to clean up dirt, teeth capturing her bottom lip when she’s particularly stumped.

“alright! that’s enough for right now.”

she proclaims, standing up and placing her hands on her hips.

“already?” it couldn’t have been more than fifteen minutes since you asked her how she was doing.

“yeah! besides, i’ve got something for ‘ya.”

jinx springs up from her seat and skitters over to yours, quickly turning it around. you hear cheerful humming from behind you as she shuffles through piles of belongings, clearly looking for something.

"a-ha!"

she spins you back around, both hands on your seat and quickly rises. she's got something clasped in her left hand, but won't reveal it, not yet.

"what's that?"

"you have to be patient, toots! i've got a speech prepared, don't distract me!"

a speech? jinx never gave speeches. was she breaking up with you? so many thoughts began swirling through your mind as your palms began to sweat, gripping the chair- and then jinx revealed what she was hiding. a wooden box. a... ring box?

"isn't it a little soon to be getting engaged, jinx?"

you chuckle dryly, looking up at your girlfriend. she playfully rolls her eyes, and shakes her head, blue bang swaying.

"yes it is, that's why we're not getting engaged."

she clears her throat.

"not yet."

she turns her attention back to the box, and she opens it. inside lays a thick silver ring, with a circular blue gem in the middle. it looked eerily similar to a hexcrystal- but carved into a gemstone. 'JINX' is shakily engraved on the inside, something she undoubtedly did herself.

"this is a promise ring. i've been working on it for a while, and well... it's kind of stupid." she looks off to the side, sheepishly. "but this is me promising myself to you. to show you that i'm serious about this, ya know?"

you look over the ring for a moment, taking it in for all that it is. it's obviously unprofessional, the metal is a bit dull, and the shape isn't precise. but god dammit if it isn't the most beautiful thing you've ever seen. you glance back to your girlfriend, noticing her observing you- likely for any signs of disapproval. poor girl. as much as jinx had improved since meeting you, she still had the habit of expecting the worst. you didn't think that part would ever go away.

"jinx, it's beautiful. i- you made this?"

you ask, your eyes flickering back to the ring she's holding out. noticing how her grip is becoming a bit less stable.

"with my own two hands."

you chuckle, giving her a little grin.

"well? come on, put it on."

jinx doesn't need to be told twice. she gently takes hold of your left hand, removing the ring from the box and slowly slipping it onto your finger.

"there! it's on your middle finger, so your ring finger is open for the real thing."

not an ‘i do,’ but an ‘i will.’

you hold your hand up to the light, admiring how the ring catches it, before leaning forward to press a flurry of kisses to jinx's face.

"ah- hey! stop, you goof!"

she laughs, arms coming to wrap around you as a fit of giggles erupts from her.

"nope! i get to do this!"

it's not a week later when you arrive to jinx's hideout with a promise ring of your own to give her. a thick gold band to contrast the silver jinx had given you, with a rose quartz to accompany your own hexcrystal. pink and blue… she had a theme going, didn't she?

it wasn't handmade, but held the same sentimental value. you weren't as handy as jinx, and you'd learned to accept that a while ago. you had strengths in other areas, one of them being finding perfect gifts. it didn't take you long to find a jeweler in piltover who had exactly what you needed.

"oh, my god- you didn't have to do this."

she gasps, rosy eyes blown wide. both hands are on her cheeks as jinx gently approaches the open box in your hand.

"you promised yourself to me, didn't you? this is my promise to you."

jinx lets you put the ring onto her own left middle finger, her eyes never leaving your face. watching you so intently, she can feel her heart fluttering in her chest. what did she do to deserve you exactly? she could never quite figure it out, but that doesn't matter right now. you glance back up at her, a little smile tugging at the corner of your lips.

"i… you're too good to me, toots. really."

"i am not. i love you, remember?"

"mm… i love you too. i still think you're too good to me, though."

you let out a low chuckle.

"c'mere."

you bring the girl into your arms, tilting her chin with your index finger to gently bring her closer to you. pressing your lips to hers in a slow, gentle kiss.

oh- and of course, your name is engraved on the inside of the ring.

✧.*

you're posted at your girlfriend's hideout, going over notes in preparation for an exam. it's nerve wracking, sure, but the odd tranquility of jinx's desk is useful in its own way.

jinx swings open the door to the hideout, and as soon as she steps onto the panel of the wind turbine supporting her hideout, you can tell she's in hysterics.

the girl is wailing. she's pacing back and forth, her breath coming in short, ragged gasps. but most importantly, her hand is gushing blood. you immediately drop your notes, papers scattering across the desk to rush over to your girlfriend.

"jinx? jinx?! what the hell happened, oh my god..."

you kneel down in front of jinx, taking her hand to examine it. her middle left finger is completely gone, blood rushing out from the wound. it seems to be a clean cut, at least, you won't have to deal with any extra bits to clean up.

"the ring, the ring, it's gone-"

she sobs, a hiccup following and her free hand clenching into a fist at her side. you gasp, looking up at jinx, then back down at her finger.

"jinx, seriously? you just lost your finger and you're worried about a damn ring?!"

you breathe out, exasperation and worry weighing heavy on your voice.

"the ring is important! it's- it's our promise!"

she cries, hanging her head low. jinx is so ashamed, it hurts your heart to see. you let go of her hand and frantically sweep along her workbench for anything. you knew you had a first aid kit somewhere, you'd gotten it after seeing jinx patch herself up in a way that would make any doctor shiver. but god damn it, where was it?

there.

you quickly swipe the kit and a bottle of peroxide from her workbench, rushing back over to jinx. you take one of her wrists and quickly guide her over to her beaten-up couch.

"sit."

"but-"

"sit."

jinx huffs and sits down on the couch, you sitting down beside her. you open the kit and bottle, pouring peroxide onto a cotton square and taking her hand into your lap.

"this is going to sting. a lot."

jinx winces at just the thought, but nods slowly. keeping her eyes on what you're doing-

"agh- fuck!"

she yelps, tossing her head back as you press the square to the wound, holding it there to both disinfect and stop the bleeding.

"i'm sorry, baby, it'll be over soon. i just need to stop the bleeding."

you coo, trying to do anything in your power to calm her down. yet it's obvious the injury itself isn't what she's upset about.

"that- that fucker vi is with shot it off, she shot the ring off..."

jinx seethes through gritted teeth, trying to keep her composure as you hold the peroxide to her wound. ah.. that makes sense. caitlyn was never fond of jinx, especially after the stunt she pulled with the council room. part of you was simply grateful that she didn't just take jinx out, as much as you knew she was probably trying to.

jinx was always putting herself in so much danger, both for the sake of necessity and the fact her ego was just so damn inflated. she said it herself- she just can't seem to die. but she got impossibly close way more than you would've liked her to.

you take out a roll of gauze and begin to wrap it around her hand, the wound being in the center of it all. it's far from professional, but this will have to do until you can get her proper medical attention. which you were trying to avoid talking about, since jinx was the last person to ever admit she needed help.

"jinx, i'm just happy that you're alive. i don't care about the ring right now. what if she had shot you somewhere more... vital?"

"then i would've gotten to keep the ring."

god damn it. she could not be serious right now. you finish wrapping her hand, bleeding having come to a halt and wound disinfected. you'd grab some painkillers in a moment. you quickly take both of her cheeks in your hands, forcing her to look you directly in the eye. the cold metal of your own ring against soft skin.

"jinx. again, i'm happy that you're here, and you're alive, and losing your finger was the worst thing that happened. i will get you a new ring, first thing tomorrow. okay?"

she sighs, her lips coming into a slight pout. at the very least, she's not crying anymore.

"but..."

you press your index finger to her lips, shushing her.

"no. just because you don't have the ring anymore doesn't mean the promise went out the window, okay?" you whisper, brushing your lips against her forehead. "i still love you, and still have promised myself to you. that won't change.

jinx closes her eyes, and leans into your kiss. she seems to have finally resigned, and is snaking her arms around your waist.

"i just- i love you so much..."

"i know, baby. i love you too, which is why i'll get you a new ring. a better one, even."

your hand still cupping her face, you lean in to press a chaste kiss to her lips.

"just stay here, with me. you've had a hell of a day."

[backseatsoldier]

"Broken", Not Stupid - 2

Pairing: alpha!Simon "Ghost" Riley x unusual omega!OC

CW: Omegaverse; cult-like situation; dehumanization

Author's Note: My gorl, @lostintransist, needed more so I'm gonna write more.

"I'm so sorry, sir, but we don't allow full face coverings on the property," the beta female worker - Jenny, according to her name tag - informs Simon.

"I'm not wandering around without a mask of some kind," he grumbles in response. When the woman doesn't back down, but keeps smiling weirdly up at him, he sighs and rolls his shoulders. "Fine," he conceeds.

Without another word, he turns while fishing a black surgical mask from his hoodie pocket. He swaps his balaclava for the surgical mask as quickly as he can then turns back around to face her. Jenny looks ready to protest again when another beta worker - male this time - rests his hand on her shoulder.

"I'll take it from here, Jen. Go check on the omegas in the medical wing. New arrivals," he smiles warmly at her and nods.

Jenny's smile falters for a moment but it returns and she nods then walks off.

"Nice to meet you, mate. I'm Frank. Welcome to Salvation's Whitestable location. What can we do for you?"

After going through the legalities and paperwork, Simon was able to set up an appointment to meet the omegas in the facility. The soonest they were willing to schedule such was the following week. Something about not wanting to "overload the omegas since so many are curious about them and want to take them in."

It made sense on the surface, but it didn't settle quite right with Simon. Nothing he could truly do about it, though, so he signed what was needed and waited until the agreed upon day.

It'd been about a week since we'd had any visitors - which tracks, by my timing, since it seems we only get them about once a week. I find visitors annoying as all hell. They're just alphas sniffing around for a desperate omega anyway. Most of the omegas who leave are likely better off in this hell hole anyway.

At least while omegas here their needs are respected. For the most part.

When we're called out to the yard for "fresh air", I knew it was just visitors. They have us on a strict routine and don't let anyone see us inside. Claim it's too dangerous, too many places to hide and find trouble.

It's a nice day, I guess. Not super cloudy and definitely not raining, sun's out even if it gets tucked behind the clouds once in a while.

Gods, I can already smell the alphas.

My nose wrinkles and I toss an annoyed look towards the gates where the alphas are waiting for entrance. When the gate opens I roll my eyes and look away, focusing on the book in my hands instead.

"Why don't you ever engage with them?" a voice whispers from over my shoulder.

"I'm busy, 1211," I tell the younger omega flatly without looking up.

"But the alphas are here. A few of us might get to find a mate today," she exclaims excitedly before something catches her attention and she darts off.

I sigh softly and close my book. She'll likely leave today, being so close to her heat. It makes her more desirable, even if she's still loopy as hell. I pity her, honestly. This place may be weird, but at least it's known and familiar.

Well... it is for me. I've been here since they opened this facility. If I'm calculating correctly, I've been here for a full year as of today. Most omegas are out in one to two months.

"Any reason why you're camped out under a tree and not... interacting with literally anyone else?"

I jump at the sound of the man's voice and my book falls from my hands. Before I can react and save my book from the ground, a gloved hand shoots out and grabs it.

"Didn't mean to startle you," he says as he walks to stand in front of me.

My book gets turned in his hands and I slowly follow his hands up to his partially covered face. Jesus, how tall is this guy? I'm tall for an omega but this guy might as well be a damn tree! He's even as wide as one.

"Tolkien, huh?" he asks as he hands my book back.

I stay quiet but nod and accept my book. No way in hell he's not one of the alpha visitors - never seen a beta built like this - but I can't smell him.

"Not a talker?"

"Not really," I finally say.

His eyebrows twitch upward for a moment before returning to the neutral expression he's been wearing since he stepped in front of me. Probably wasn't expecting me to be American.

"Me either," he says after a moment. "Probably why I'm here, huh?"

I give him a look of confusion at that.

"I don't socialize much so I'm- nevermind," he sighs. "Mind if I stay here for a bit? There's just too much going on elsewhere right now."

"Isn't that why you're here? To find a high energy, cuddly, and loving omega?" I ask dryly. "I know a few of the girls would be ecstatic to go home with an alpha like you."

"Yeah... maybe. Until they realize what my job is and just how often I'm away from home because of it," he scoffs.

"And what is your job?" My eyes narrow as he speaks.

"I'm military," he says simply. When I don't respond, he sighs. "I'm gone a lot. Many missions require minimum or no communication. There's no rushing home from work or random phone calls."

I glare up at him, considering what he's saying. Then it hits me and I start laughing.

"Oh, man! You're a decent actor, I'll give you that. How much did they pay you? Is this a script they gave you or did you just come up with this on the fly? Bonus points for doing it on the fly, if so. I knew they were itching to get rid of me, but damn-"

"The hell are you on about? I'm not an actor."

The genuine offense in his voice makes my laughter fade.

"You weren't paid to tell the 'stupid omega who can't figure out she's an omega' that you have a lifestyle that she would fit into nicely?" My arms cross over my chest and I give him a look of disbelief.

Rage seems to filter into his eyes for a moment.

"Simon," he says, offering his hand.

My eyes fall to his hand and I hesitantly accept it.

"Nice to meet you, I guess, Simon," I test his name. "I'm known as UK-009-0013 or 13 around here."

And never anything else.

Masterlist | Part 1

Tag list: @lucienofthelakes

[purosk-takes]

Hi! This is the mod of @pjsk-headcanons! We've been having a difficult time, but we're back stronger than ever and with another blog!

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[38sr]

I know this is gonna be a strange one, but I do have an industry question;

I've been looking for a job for the last 4 years post-grad, I've tried every bit of advice I've gotten over my 6 years in school and 4 years out. Is it too late for me?? Or more so what advice would you have at this point?? I'm starting to feel really negatively about this venture, and getting a day job has been just as difficult;;

Hello Sky! Hope it's okay to call you that. Ah post-grad job hunting.....I don't miss that period of my life at all. Before I begin, just want to preface that what I say going forward is strictly from my perspective/experience. I am not the absolute of the animation industry so if what I say doesn't align with you, you do not have to follow it haha. Alright, advice for post grad job hunting.... Well, I think I want to start off giving a bit of context for the animation landscape these past 4 years that has been rough for everyone (trust me it'll come back around to your question): 1.) COVID Pandemic

This one might be a confusing for some people because when COVID hit in 2020, the only facet of entertainment that was able to keep going was animation. If you remember, during this time streaming numbers went up because people were stuck at home, every studio was launching their own streaming platform (HBO Max, Disney+, Peacock, etc.) and celebrities were given animated shows because live-action had stopped dead in its tracks. This period allowed artists outside of California state to get hired because what's the point of capping the talent to the local area when we're already working remotely? In short, it was a boom. But an exponential boom rather than a gradual boom. You never wanna grow too fast because you'll crash out quicker (and harder) which leads us to our second factor.... 2.) Netflix's first ever round of layoffs in summer 2022, streaming actually isn't profitable?????

In short, this year is when Netflix's growth finally stopped and was the beginning of The Great Animation Contraction. Other studios who were looking to Netflix as a the new model of distributing/creating entertainment had realized Netflix wasn't invincible. As well as their business model. So naturally, they got scared and and take action (aka layoffs). I was affected by these layoffs while working at Marvel Studios and many artists got laid off at studios to save face from the mistake that was streaming (though at this point studios were still double downing on it). Also, around this time live-action was slowly restarting thanks to vaccines and social distancing protocols. So those celebrity studded animated productions dwindled down (and also they caused so much havoc for us animation workers because most of those celebrities had no animation production experience). Which now leads us to...

3.) Mergers everywhere! Yeah, uh, mergers fucking suck. People kept losing their jobs because companies kept absorbing into each other and multiplying their debts to ungodly dollars amounts! Apparently no one took a math class and understood if you multiply any number by zero you will always get a zero. These merger also caused more shows to get shelved and canned, making the job market even slimmer. And by then we get to 2023 and the....

4.) WGA, SAG and TAG Contract Negotiations By now, studios have realized that streaming is losing them money because it costs a butt load of money to not only create a streaming site, but also maintain it, update it, create new media for it, acquire established franchises for it, and maintain the current library. Streaming shows aren't being advertised like they used to on cable so shows don't last beyond one or two seasons. Worker contracts are becoming shorter and shorter (I had a co-worker who had a 3 month contract! Isn't that insane?). And what happens in the midst of this streaming meltdown?

WGA, SAG and TAG are gearing up for their contract negotiations. And as we know SAG (actors) and WGA (writers) did strike which good for them! But now there are no live-action jobs and once again, animation (TAG) is the only one running because our negotiations don't officially start until 2024. At this point, so many animated productions have been cancelled left and right for the sake of "saving money and cutting costs". And the effects were very much being felt in the animation work force. Some animation workers were starting to leave the state of California to more affordable cities, some getting day jobs as baristas, hell some leaving the industry all together. It didn't help that studios were kind of withholding production greenlights 'cause 1) they're greedy corporations 2) these strikes were putting pressure on them. And when we did enter 2024 for our contract negotiations, that contraction was at the tightest. The job market for animation had become so bone dry that you have director-level talent taking entry level jobs to stay afloat. But because of that new, emerging artists are blocked out from breaking in. Anytime a job listing would go up people would go in a frenzy and try every thing they could to get the job. That's how little shows were in production this year specifically. Of course, by now it is public that TAG has ratified the contract (meaning we will not strike). But up until then, studios were quite literally waiting with baited breath for the duration of negotiations. A ton of stuff was in development but nothing was getting a greenlight in fear of a strike. So many animation workers at this point have been laid off for at least 2 years, got priced out of LA county, or got so burned by the industry that they left for a more sustainable paycheck. At this point of the post you're probably thinking, "Why is she talking about all of this and not answering my question?"

And the reason for that is because I what to highlight you didn't miss your chance. You unfortunately graduated at a time where the circumstances were not good for breaking in for the past 4 years.

I'm not saying this to deter you from animation either. I just want to be transparent and honest about the current state of animation because it really has been bleak for the past 4 years. So it's not your fault but rather the industry was just in a seriously bad drought. Both emerging and veteran artists have been struggling to find work and when they do it didn't even last for 6 months. Hopefully, with the renewed contract studios will start greenlighting productions again so everyone isn't fighting for one job opening. But I can't tell 'cause I am not Raven Baxter haha. But what advice can I give during this tough time? Start developing your own projects. Things may be pretty dry right now but now is the time when you can create and develop your own original stuff that can be used in your portfolio. Short or long form, showing progress videos, just create. Because once you start working it's gonna be hard to find that personal project time (trust me I'm going through that right now haha). Also, you'd be surprised how just doing your own thing can garner the attention of someone who does have the power to hire you. How do you think I got to work on the shows I have in the animation industry? Almost all of my jobs happened because I was just creating my own thing and it just happened to match the sensibilities of a show produced by a Hollywood studio. And if I had any additional advice... it would probably be don't think that Hollywood is the only way you can tell your stories.

This one is more of....a recent revelation I've had after going through a pretty bad work experience but Hollywood isn't the only way you can be a storyteller. Whether it's comics, games, streaming, animation, or film....the Hollywood system isn't the end all be all. And by Hollywood system I'm referring to breaking into a big studio like Disney, Nick or something and trying to get your own movie/tv show to win an award or something. That system often works for a certain group of people and fails other groups. That's why I say develop and create your own thing because you might find something that fits your creative voice more than Disney or any other Hollywood studio. Maybe that's inconsiderate of me to say as someone who's been incredibly lucky to work in the animation industry for almost 8 years now....but I still wanna be honest that there are other avenues that isn't the Hollywood way. All in all, please don't give up or beat yourself up. The current state of animation within America was out your control and resulted in many artists struggling to find a job. You aren't too late. In fact, I would say now is your time to do your thing in preparation for when that hiring boom comes again (or you can just take another route to tell your stories). I hope that answered your question!

[leighsartworks216]

Calling Out

Zayne x gn!Reader

I do really love this one. I love when Zayne is staunchly trying to take care of us even when we're a bit stubborn about it

Warnings: fluff, a little silly, sleep deprivation, exhaustion, stress

Word Count: 714

Main Masterlist

First Love and Deepspace Masterlist

Second Love and Deepspace Masterlist

AO3

Tag List Form

"How long have you been awake?"

"You don't want the answer to that question."

"I assume I wouldn't be jumping for joy if I heard it."

You sigh and rub at your tired eyes. All day, you've been hunched over your desk, clawing your hair out in frustration with your school work. On top of that, someone at work just quit, meaning you're one of the lucky few that gets to pick up the slack and take on more shifts until the company can bother to hire someone halfway decent. You're just grateful you have enough time in between the two to meet with Zayne for lunch.

"I was up all night," you admit. "One of my teachers thought it would be a great idea to give us an assignment that should take a week and have it due that same day."

"You didn't go to bed immediately after?"

"No."

"Is there a reason?"

"Couldn't sleep."

The waiter brings over a cup of coffee and a cup of green tea. You mutter a thanks and grab some sugar packets from the caddy on the table. You rip a few of them open at once with your teeth, lazily stir it in, and go to take a sip. Zayne's hand covers the top, and your mouth hits his fingers before he drags it down.

"You just put salt in your coffee." 

... No fucking way. You pick up the "sugar" packets to read the writing on the side. Sure enough, it's salt. You groan and slouch in your chair, head back and eyes closed. A touch melodramatic, perhaps, but Zayne thinks nothing of it as he places the cup of green tea in front of you.

"Drink this."

You look at it with a frown. "There's not enough caffeine in that."

He nods. "Precisely. You need to rest."

You sigh. "I can't, Zayne, I have work after this."

"Call out."

"I can't-"

"Doctor's orders. I'll give you a note."

"Zayne, I can't call in sick now! We're already understaffed and there's nobody who can cover for my shift on such short notice!"

He pushes the cup toward you more insistently. "Drink. You're going to work yourself into the ground if you keep on like this."

You snort humorlessly. "Hey, kettle."

He shoots you a disapproving look. "If you're not going to worry about your health, then allow me to. There is no situation that you can think up where your well-being comes after work."

You stare down into the green tea. You know he's right - of course he is. But there's a guilt that gnaws on your conscious every time you think of taking a break. For better or worse, that guilt has been the driving force behind your work. How long have you been detached from the "love of the game", from getting your degree to get the job you've always wanted? It no longer feels like a stepping stone to your future. It's a boulder in the way that you need to push up a mountain, inch by agonizing inch. It's only a matter of time before it comes rolling back on top of you; if you keep working through it, maybe you can avoid that happening.

And yet here you are. Your grasp on the boulder is slipping.

You take a small sip. It's herbal and warm. It doesn't have the kick the coffee does. You hope you can stay awake through lunch.

The stern look on his face relaxes slightly. He doesn't have to worry about you being rushed to the hospital in an ambulance because you passed out on the job. "How many sick days do you have saved up?"

You rub your eyes as you think. "I don't know. Enough for an emergency."

He flags down a passing waiter and hands them the ruined coffee. They take it away with a confused look. "Would you like me to make the call for you?" he asks, genuinely.

"Won't they be confused why my doctor is personally calling them from my phone? Would they even believe that?"

"Let me worry about that." He holds out his hand expectantly. You sigh. There’s no way you’re getting out of Zayne’s care now. Resigned, you pull it out of your pocket and pass it over.

---

Tag List:

@the-golden-jhope @deepzombieyouth @huen1ngk41 @armycaratlover @cheesemachine44 @nyx2021 @angel-jupiter @thelittlebutton @pikachuzhc @pomegranatepip @cordidy @an-ever-angry-bi @thejysemongko

[a-very-sparkly-nerd]

Extremely important poll that transcends fandom and even Tumblr:

Whose side are you on in the @zuppizup vs @blutopaz15 'Stache War? We ride at midnight and fight to the death.

[kingofdinosaurs]

i can't believe it's been more than a decade and we are STILL falling into the exact same "bwuh edgy emo tacked on atlus girl i hate her for reasons i refuse to examine" shit that happened to marie... how are we still unironically acting like this in 2024

[scalproie]

Team Galactic if it slayed

[novella-november]

Is this fanfic friendly? I feel like an outlier.

I guess this is my sign it's time to throw together a FAQ post to link to lol.

Yes, every event for this blog is fanfic friendly :D

Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!

It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!

As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!

Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),

but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--

you may find yourself pleasantly surprised by what you find down that rabbit hole!

[simplydnp]

hi so do reblogs count for the fandometrics or not? because i have seen people say they do and also others say they dont

reblogs count as interactions/notes on a post that is tagged phan, but tagging a reblog 'phan' specifically does not suddenly add the post to the phan tag. it does good for killing 'cringe bad' in your head, but reblogging & adding #phan doesn't help the numbers.

just like if i post with no tags, and you reblog it #dog, it won't show up in the main 'dog' tag because it wasn't 'labeled' as #dog to begin with

[imjustavenuxwithaboomerang]

no yeah i really love how every core 4 member got a real happy ending....except for ej

nini is happily pursuing music in la with her moms' full support

ricky is dating gina, a girl he calls "home". he's finally becoming more at peace with love and how to show it. he's learned how to not run from his problems. his parents are getting back together (???) and his drama teacher wrote such a good letter of recommendation that he was accepted into a community college

gina becomes a literal movie star and was able to change the filming location of her second movie, without any consequences, to salt lake so she can physically be with ricky, the boy she finally got to date after crushing on him since the day they met. she has a permanent home to call her own now. her mom finally showed up to an opening night and she was finally able to portray gabriella

and then ej...is alone (in a wildcat sense) at college, financially cut off from his family, working multiple jobs to afford it. he spends most of his season 4 screentime guiding and helping others (ricky, gina, miss jenn, madlyn) instead of an actual storyline and a lot of his lines were about how he's made mistakes and has to live with them

[sherlock-is-ace]

.

[kakusu-shipping]

Tried making a Guzma Selfship Moodboard at @scarvesandsunflowers suggestion. It ended less our relationship dynamic and more... Guzma stewing on his crush on me.

[ettadunham]

sometimes i remember the hunger games and how nobody actually paid attention to what was in those books

[mysteriouslybluepirate]

Can't send asks from my sideblog, but this is @chewing-the-drywall

I feel like much of s2 fell into Frenchie's "we put it in the box and then lock it and don't open it again" in the sense that it set up A LOT that I was intrigued about how they would address it, but it either never was mentioned again or was handled poorly.

Examples range from light, like how I wish we saw more of the crew interacting with each other in ways that built on their characters from S1, where in S2 they didn't feel any more developed, or even regressed. (Example, Fang used the word Fingies 2-3 times through S2, and it felt like they were using it almost as a shorthand for his character, rather than making him feel more real and multidimensional as a character.)

100% @chewing-the-drywall. When I first heard that line I had I was so excited for the story to prove Frenchie wrong. Or show how important it can be to put aside problems to stay alive in the moment. But in the end, this one line summarized how the season handled everyone, besides Stede and Ed. Below, is an in depth discussion on where this season decided to spend it's limited amount of time. Instead of focusing on the characters and plotlines they'd already established.

This season had so MANY ideas it wanted to touch on.

Izzy trying to deal with his unrequited love and opening up to a new way of living. The traumatized 'Revenge' crew trying to adapt to a softer way of life again. The abandoned crew learning how to help their traumatized friends. Introducing new characters like Zheng, Auntie, and Archie into our main group. Setting up a conflict to resolve in season three. Along the way, referencing Pirates of history like Ned Low, Mary Reed, and Anne Bonny.

Notice, I've said all this and we're not even at our romantic leads.

Which is fine. Stories are fluid things. As long as the story knows how to flow from our leads to our side characters. Which leads us to how I feel this show took a lot of time away from establishing our central crew-

[Warning- this will be a controversial opinion- I want to know what y'all think about this] Zheng/Oluwande. This seasons habit of retreading old plotlines and referencing scenes from S1.

What S1 did so well was paralleling the side stories with what was going on with Ed/Stede. Usually, highlighting how well Stede/Ed worked by showing how much Ed/Izzy DIDN'T work. Or general hijinks that tied into the plot (Oluwande and Frenchie on the French ship).

Season 2 chose to parallel our main story with what was going on between Zheng/Oluwande as a budding romance and Izzy's slow recovery. The reason Zheng/Oluwande scenes felt like a waste for me in that the story was JUST a retelling the story we watched from S1.

A frustrated first mate(Auntie), and a legendary captain(Zheng) fighting over the captain falling in love with an idiot(Olu). In season 2, much like every callback for me, it felt like it slowed down the plot by pulling us out of the story. Like...yeah, you did the thing again, do you want me to applaud you for it?

I LIKE Zheng and Oluwande as a couple! I like that Oluwande was debating leaving Stede and taking Jim and Archie with him. But at the same time, I didn't care about Zheng until episode 7 when she beat up Stede, showing that yes. She's not just some all powerful woman taken down by a mix of love(the crew in ep3) and thinking that she was above it all (ep 7). She's fast on her feet, smart, and willing to stab someone who gets in her way. She's her own person. But.

Every other scene that established her was about her romance, felt like we could have put Rhys and Taika in there. It didn't feel...unique. It's as if the show only knows 1 way to write a romance between a badass and a bumbling idiot. Again. Oluwande in season 1 wasn't dumb in the same way everyone else was. He was protective of Jim, a bit nervous overall, but he was the person the crew chose to lead them. The season just dumbed everyone down a bit and called it a day.

This comes to the larger issue. When we only have eight episodes I don't want to rewatch the exact same plot beats with different characters. Time spent here ends up taking away from other stories we could have told about trauma and growing as a family and other forms of growing as a family. We didn't need another romance plot line. Imagine taking this time instead to show Lucius reaching out to Pete AND the crew for help. Or Frenchie finally feeling safe enough to play his lute. Or Roach helping Fang get over his thing with cakes-you get my point.

The fact we took all the found family stuff from season one, and pushed it onto only Izzy in S2 means when he dies, all the found family shit falls away. His death makes us realize we've been ignoring the central family we were supposed to care about. Because in so many words, their trauma was ignored.

[I even theorize if Izzy was alive and sailed away with them. Showing how he was taken in and loved by his crew, the ending wouldn't feel so hollow. This crew doesn't feel like a caring family. The person who protected them for months died, wasn't mourned, and then they threw a wedding the same day. Not even a full day to mourn. The 'New Revenge' feels like a heartless crew of characters we barely recognize because they aren't a family like they were at the end of S1. More like coworkers who sometimes fall in love with eachother.]

Trauma, Timelines, and Tonal issues when jumping from Episodes 1-3 to Episodes 4-5.

When the crews meet up, the story chooses to focus on the fun plot. Ed and Stede recovering their relationship, only dipping back into that serious tone when Izzy or Lucius come on screen to 'make things sad' again. I don't think the transition from 'serious' to 'comedy' was handled well.

I don't have an official timeline of the events of season two. But from what I remember, everything happens within 2 weeks.

In episode 4, Stede ignored the vote of his crew- to let the man who was torturing half his 'FAMILY' for at least 80 days- back aboard. This rubbed me the wrong way, as it showed Stede being a selfish prick in a way that could seriously harm his crew. That's when I started to see how not adding a *single* time-skip mid-season would hurt S2.

Imagine if we had a one-week off-screen time skip between episodes 4 and 5.

Maybe it's implied that they stay in that town for a bit. Izzy would a bit more time to learn to move on his new leg and start to open up to those he already trusts. Include a scene of Izzy WITH the crew, maybe laughing about something with the old traumatized crew, even if it's just a 30-second opener. Imply that the traumatized crew would have more time to settle in with the family they miss. Show that yeah, the traumatized crew needs more time to heal. Imply at the start of the 'Ed apology' that Ed and Stede have had more time to talk their issues out.

THEN have Ed apologize. You can even keep the bullshit corporate to show that Ed still has to work for this.

Healing takes time. Setting a series over the span of two weeks after half your cast was tortured by your lead love interest? After five of your main crew thought they would sail off into a storm and die after months of stress and life threatening battles? Why did that shit get shoved to the side so quickly?

Framing episode 5 as the START of Ed making amends with the crew, only to drop the plot by episode 7? Not a smart move. Because let's be honest, 'poison into positivity' in episode 6, referring to the fact that they sold all of Ed's loot to pay for the party, ignores the sacrifices the crew made to live that long. (The death of Ivan, and intense trauma they all need to work through). In a way, Ed throwing this party was him asking the crew to start putting everything away in that imaginary box.

It's Ed retroactively letting himself say 'hey, that time I spent torturing my captives was worth it because we got something good out of it' while still ignoring his own guilt. Ed needed to take accountability for his actions. No more 'I took 'a' mans leg' bullshit. The reason his arc feels so unsatisfying is that the plot easily forgives him. Fuck. I hate what they did for Ed's arc, but that's not the point.

Overall.

My issue with this season is not that it chose to do these topics, it's that it didn't think about the implications of what they were bringing up. It didn't dare to think 'maybe it's fucked if we quickly brush off a trauma like this'. Again. I know we have to blame MAX for cutting off two episodes. But I don't think 2 additional episodes would fix a tone problem seen going from episodes 3-4.

Fucking hell. Each member of the revenge had the potential for their own arc, so it's baffling to see them all reduced to 'well meaning idiot' when they all felt so fleshed out in S1.

When izzy gives his speech about belonging, there's a reason the only image in the show of the crew all together was from S1.

At the end of the day, Season 2 didn't let our surviving side characters grow. This is a mean spirited bit on how I feel the writers see the their own characters.

Stede and Ed are our leads. They won't die, not in this genera. Their shitty actions will be forgiven because it's a comedy, and as long as it's joked about, it holds no weight. They won't die. They won't get fatally hurt. Their trauma will be taken seriously, but it's a 50/50 on if they'll talk about it before breaking up again. They will eventually get a happy ending, their trauma looked at head on, because duh.

Jim, Olu, Lucius, Pete? Characters who used to have defined personalities in S1, but haven't been defined much beyond their relationships with their partners? Whose trauma might be mentioned, but will quickly be 'resolved' in one scene? Shame. Seems like they're only useful as set dressing, But we might make you useful as interchangeable side characters to riff against. Oh, and you're in love! Isn't that cool!

Izzy? I'll just quote Jenkins here. "To have him become a father figure to Blackbeard, and on some level to the rest of the crew, and to see him become the heart of why we’re giving pirates the chance to stand for being able to live how you choose. In reality, they’re thieves and criminals, but what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy." So...Is Izzy a pirate and accepted into the Revenge family? Or is he still an outsider? Jenkins gave us a romcom but still defines Izzy's character as that of one stuck in a drama/tragedy. Point and laugh, because tonally these two things clash HARD and will make an audience lose trust in it's writers unless well established. Leading us to the entire issue we've pointed out of not letting your characters actions hold in dramatic weight in your story.

Frenchie, Wee John, Roach, and Fang- Ah. No love interests again...shit. Well. Background actors it is... for now. We'll see. But we need 2 more scenes of the couple breaking up, so MAYBE you'll get some backstory hinted at in dialogue. You all have 1 thing your good at, so that's easy enough to put you where you belong.

Buttons and Swede? Well. They're still alive!! Don't be sad, fans :) The actors just couldn't show up anymore. We don't want our silly happy queer pirate rom com to not end on a happy ending! (Closes the lid of the trash can where they're keep Con O'Neill a bit tighter, thanking God Con was silenced by a strike this entire season from social media)

Do you agree, or disagree? Leave any lingering thoughts down below!

I'd love to chat down below.

[angorwhosebabyisthis]

this rewatch of sdmi has been wild because once you start taking the talking animals and their place in the worldbuilding seriously it's just like oh wow this is some real final fantasy plot huh. what do you mean the resident discriminated-against beastfolk are not only descended from ancient otherworldly beings masquerading as gods, and not only driven insane even more effectively than non-beastfolk by a curse because of their heritage, and not only serve as apocalyptically powerful vessels for those otherworldly beings, but are easy to read as having been created specifically because they're more powerful vessels than normal animals, and then abandoned to their own devices (being enslaved) for thousands of years until the next time their creators pop into this reality and want a convenient corporeal form to snatch. which game in the series is this